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DTSTART;TZID=Europe/Rome:20250704T210000
DTEND;TZID=Europe/Rome:20250704T223000
DTSTAMP:20260506T004928
CREATED:20250429T143429Z
LAST-MODIFIED:20250429T143429Z
UID:10003875-1751662800-1751668200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nThe Centro Coreografico Nazionale/Aterballetto presents Notte Morricone by Marcos Morau on July 4 and 5 at 9:00 PM at the Teatro Grande in Pompeii\, as part of the Pompeii Theatrum Mundi festival organized by Teatro di Napoli and the Archaeological Park of Pompeii.\n  \nThe Spanish choreographer\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic influences.\nMarcos Morau\, to date the youngest choreographer to receive the National Dance Award—Spain’s highest recognition—builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. Now\, for his first collaboration with CCN/Aterballetto\, he has chosen to explore iconic compositions from the cinematic landscape of the past seventy years: the works of Ennio Morricone.\nThe director says: “Classically trained and avant-garde in spirit\, Morricone was always beyond the trends of the moment. His music belongs to an entire century and has brought many of our great masters back to life. For this evening\, I would like to build a universe based on his sensitivity\, to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, which can live far from the films it was created for.” Find out more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-11/2025-07-04/
LOCATION:Teatro Grande – Scavi di Pompei\, Piazza Porta Marina Inferiore\, Pompei\, NA\, 80045\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250705T210000
DTEND;TZID=Europe/Rome:20250705T223000
DTSTAMP:20260506T004928
CREATED:20250429T143429Z
LAST-MODIFIED:20250429T143429Z
UID:10003876-1751749200-1751754600@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nThe Centro Coreografico Nazionale/Aterballetto presents Notte Morricone by Marcos Morau on July 4 and 5 at 9:00 PM at the Teatro Grande in Pompeii\, as part of the Pompeii Theatrum Mundi festival organized by Teatro di Napoli and the Archaeological Park of Pompeii.\n  \nThe Spanish choreographer\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic influences.\nMarcos Morau\, to date the youngest choreographer to receive the National Dance Award—Spain’s highest recognition—builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. Now\, for his first collaboration with CCN/Aterballetto\, he has chosen to explore iconic compositions from the cinematic landscape of the past seventy years: the works of Ennio Morricone.\nThe director says: “Classically trained and avant-garde in spirit\, Morricone was always beyond the trends of the moment. His music belongs to an entire century and has brought many of our great masters back to life. For this evening\, I would like to build a universe based on his sensitivity\, to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, which can live far from the films it was created for.” Find out more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-11/2025-07-05/
LOCATION:Teatro Grande – Scavi di Pompei\, Piazza Porta Marina Inferiore\, Pompei\, NA\, 80045\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20250710T183000
DTEND;TZID=Europe/Sofia:20250710T203000
DTSTAMP:20260506T004928
CREATED:20250619T132951Z
LAST-MODIFIED:20250701T133401Z
UID:10003917-1752172200-1752179400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:MicroDanze arrive in the hills of Canossa\, in the province of Reggio Emilia\, at the Church of San Bartolomeo Apostolo in Borzano. \nSurrounded by legendary and breathtaking landscapes\, Aterballetto dancers will present Eppur si muove by Francesca Lattuada\, Near Life Experience by Angelin Preljocaj\, An Echo\, A Wave by Philippe Kratz\, and A Gig by Diego Tortelli. \nThe event\, organized by Entroterre Festival\, is part of the Festival dei Borghi. \nJuly 10\, 20256:30 PM and 7:30 PMDuration: 45 minutes \nAccess is possible only by car; carpooling is highly recommended. \nFind the exact location here.A map marking parking\, dining options\, and points of interest is available here: click here to view. \n  \n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-10/
LOCATION:Chiesa di San Bartolomeo Apostolo\, Via Borzano\, 157\, Canossa\, RE\, Italy
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250913T200000
DTEND;TZID=Europe/Rome:20250913T220000
DTSTAMP:20260506T004928
CREATED:20250902T095641Z
LAST-MODIFIED:20250903T100239Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda in Toledo is the first performance of CCN/Aterballetto’s 2025–2026 season.\nPuerta de Bisagra – Toledo\, September 13\, 2025 at 8:00 pm and 9:30 pm \nWith the support of the Italian Cultural Institute of Madrid\, CCN/Aterballetto celebrates Spain’s Noche del Patrimonio with Il Combattimento di Tancredi e Clorinda. \n \nThe Puerta de Bisagra provides the majestic setting where the tale of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) will come to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \n   \n  \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Matteo StraffiHarpsichord: Deniel Perer \n \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, underlining the endless cycle of this story of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/combattimento-tancredi-clorinda-aterballetto-toledo/
LOCATION:Puerta de Bisagra\, Toledo\, Spain
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T183000
DTSTAMP:20260506T004928
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004120-1758564000-1758565800@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-22/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250924T180000
DTEND;TZID=Europe/Rome:20250924T183000
DTSTAMP:20260506T004928
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004121-1758736800-1758738600@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-24/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
GEO:34.649715759332;135.38099032244
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250925T180000
DTEND;TZID=Europe/Rome:20250925T183000
DTSTAMP:20260506T004928
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004122-1758823200-1758825000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-25/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20250926T174500
DTEND;TZID=Europe/Rome:20250926T191500
DTSTAMP:20260506T004928
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004123-1758908700-1758914100@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-26/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250927T174500
DTEND;TZID=Europe/Rome:20250927T191500
DTSTAMP:20260506T004928
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004124-1758995100-1759000500@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-27/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250928T174500
DTEND;TZID=Europe/Rome:20250928T191500
DTSTAMP:20260506T004928
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004125-1759081500-1759086900@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-28/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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DTSTART;TZID=Europe/Rome:20251002T193000
DTEND;TZID=Europe/Rome:20251002T210000
DTSTAMP:20260506T004928
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-02/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251003T193000
DTEND;TZID=Europe/Rome:20251003T210000
DTSTAMP:20260506T004928
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
UID:10004034-1759519800-1759525200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-03/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251004T193000
DTEND;TZID=Europe/Rome:20251004T210000
DTSTAMP:20260506T004928
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-04/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251015T200000
DTEND;TZID=Europe/Rome:20251015T213000
DTSTAMP:20260506T004928
CREATED:20250901T124328Z
LAST-MODIFIED:20251013T143556Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto performs Notte Morricone by Marcos Morau at the International Dance Festival of Tirana\, directed by Angelin Preljocaj.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone takes place in the twilight of an ordinary night in the life of a creative mind\, who\, alone and dazed before his sheets of paper\, takes notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that arrives in waves to the spectator\, envelops them with emotional currents\, and captures them through the memory of timeless melodies that have long outlived the images that first generated them. Equally enchanting is the finely crafted\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more »
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-tirana-aterballetto/
LOCATION:National Theater of Opera and Ballet\, Pallati i Kulturës\, Sheshi Skënderbej\, Tirana\, Albania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251022T203000
DTEND;TZID=Europe/Rome:20251022T220000
DTSTAMP:20260506T004928
CREATED:20250901T124318Z
LAST-MODIFIED:20251014T074233Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Valli in Reggio Emilia for Festival Aperto.\n  \nThe dancers of CCN/Aterballetto take center stage in a production by multi-award-winning Canadian choreographer Crystal Pite\, now considered among the greats of contemporary dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and by Mark Strand’s poem Lines for Winter. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n  \nReconciliatio is a delicate female duet inspired by the reading of the Apocalypse\, created by one of today’s most important international choreographers\, Angelin Preljocaj. \n  \nThe final piece\, Glory Hall\, is a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n\nCREDITS \nSolo Echo\n  \nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and Restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \nGlory Hall\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-reggio-emilia-teatro-valli/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251101T203000
DTEND;TZID=Europe/Rome:20251101T220000
DTSTAMP:20260506T004928
CREATED:20250901T124310Z
LAST-MODIFIED:20251014T075358Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:On November 1 and 2\, 2025\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Comunale di Ferrara for the Contemporary Dance Festival.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-14/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251102T160000
DTEND;TZID=Europe/Rome:20251102T173000
DTSTAMP:20260506T004928
CREATED:20251014T075806Z
LAST-MODIFIED:20251014T075957Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Il 1 e 2 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Ferrara per il Festival di Danza Contemporanea.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-ferrara-2-2/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Productions
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DTSTART;TZID=Europe/Rome:20251104T183000
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CREATED:20251017T145055Z
LAST-MODIFIED:20251020T085228Z
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SUMMARY:ITALIA DANZA - VISIONI DEL CORPO. MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nOn Tuesday\, November 4\, the CCN/Aterballetto will be at the Italian Cultural Institute in Paris with Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of Italy’s most renowned and controversial contemporary artists on the international stage. \nAt the heart of the evening are three of Cattelan’s works — irreverent\, provocative pieces that challenge both art and society through biting irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and silences of his art into physical gesture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVisioni del corpo. Maurizio Cattelan for the Italian Cultural Institute in Paris is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale (MAECI) and the CCN/Aterballetto. \n\n\n\n\n\n\n\n  \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\n  \nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/italia-danza-visioni-del-corpo-maurizio-cattelan/
LOCATION:Istituto Italiano di Cultura di Parigi\, 50\, rue de Varenne\, Parigi\, France
CATEGORIES:Aterballetto,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251106T110000
DTEND;TZID=Europe/Rome:20251106T120000
DTSTAMP:20260506T004928
CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251106T193000
DTEND;TZID=Europe/Rome:20251106T203000
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251107T203000
DTEND;TZID=Europe/Rome:20251107T214500
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LAST-MODIFIED:20251017T081316Z
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SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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DTSTART;TZID=Europe/Rome:20251108T183000
DTEND;TZID=Europe/Rome:20251108T194000
DTSTAMP:20260506T004928
CREATED:20251016T102626Z
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SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n  \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture\nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre\nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace/
LOCATION:UJ Arts & Culture\, University Road\, Johannesburg\, GP 2092\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
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LAST-MODIFIED:20251017T081316Z
UID:10004183-1762633800-1762638300@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251109T203000
DTEND;TZID=Europe/Rome:20251109T214500
DTSTAMP:20260506T004928
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
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SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-09/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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DTSTART;TZID=Europe/Rome:20251110T180000
DTEND;TZID=Europe/Rome:20251110T191000
DTSTAMP:20260506T004928
CREATED:20251016T103833Z
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SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture\nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre\nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace-2/
LOCATION:The Adam Small Theatre\, 15 Victoria Street\, Stellenbosch\, WC 7602\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251112T183000
DTEND;TZID=Europe/Rome:20251112T194000
DTSTAMP:20260506T004928
CREATED:20251016T105017Z
LAST-MODIFIED:20251016T105017Z
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SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture \nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre \nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace-3/
LOCATION:The Fairtree Atterbury Theatre\, 4 Daventry St\, Lynnwood Manor\, Pretoria\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251113T203000
DTEND;TZID=Europe/Rome:20251113T214500
DTSTAMP:20260506T004928
CREATED:20250901T124248Z
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SUMMARY:Dreamers
DESCRIPTION:At the Teatro Sociale in Trento\, on November 13 and 14\, 2025\, Aterballetto performs Dreamers\, a triptych featuring choreographies by Tortelli\, Kratz\, and Pite.\nDreamers is a choreographic journey through three visions\, three distinct poetics\, which together form a single reflection on desire\, memory\, loss\, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz\, Crystal Pite\, and Diego Tortelli — unfold like chapters of a single dream. \nIn An echo\, a wave\, Philippe Kratz draws inspiration from the sea as a metaphor for eternity\, for encounter and separation. The waves\, like the dancers’ bodies\, carry with them stories\, emotions\, and continuous movement\, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature\, yet also of our capacity for beauty and connection. \n© Festival de Granada | Fermín Rodríguez \nWith Preludio\, Diego Tortelli creates a love letter to the body—its fragility and its strength\, its constant state of transformation. Through the poetic and musical universe of Nick Cave\, the work explores personal “creed\,” the human need to give meaning and shape to emotions. On stage\, the dancers are not individuals but emotional pulsations\, inhabiting space with urgency and lyricism. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage\, one breathes the winter of the soul: time slows down\, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity\, Pite reflects on the themes of loss\, the acceptance of change\, and the mystery of resilience. \n  \n\nDreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream\, a mirror of our most intimate tensions\, a memory of our deepest desires.
URL:https://www.fndaterballetto.it/en/evento/dreamers-pite-tortelli-kratz-trento/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251114T203000
DTEND;TZID=Europe/Rome:20251114T214500
DTSTAMP:20260506T004928
CREATED:20250901T124239Z
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SUMMARY:Dreamers
DESCRIPTION:Al Teatro Sociale di Trento\, il 13 e 14 novembre 2025\, Aterballetto danza Dreamers\, trittico composto dalle coreografie firmate da Tortelli\, Kratz e Pite.\nDreamers è un viaggio coreografico in tre visioni\, tre poetiche differenti\, che insieme compongono un’unica riflessione sul desiderio\, la memoria\, la perdita e la forza del corpo come spazio emotivo e spirituale. Tre creazioni firmate da coreografi tra i più significativi della scena contemporanea — Philippe Kratz\, Crystal Pite e Diego Tortelli — si susseguono come capitoli di un unico sogno. \nIn An echo\, a wave Philippe Kratz parte dalla suggestione del mare come metafora dell’eternità\, dell’incontro e della separazione. Le onde\, come i corpi dei danzatori\, portano con sé storie\, emozioni e movimenti continui\, in un flusso che richiama le infinite partenze e ritorni della nostra esistenza. Il Mediterraneo diventa così specchio del nostro essere effimeri\, ma anche capaci di bellezza e connessione. \n© Festival de Granada | Fermín Rodríguez \nCon Preludio Diego Tortelli firma una dichiarazione d’amore al corpo\, alla sua fragilità e potenza\, al suo continuo trasformarsi. Attraverso l’universo poetico e musicale di Nick Cave\, la creazione si interroga sul “credo” personale\, sul bisogno umano di trovare senso e forma alle emozioni. In scena\, i danzatori non sono individui\, ma pulsazioni emotive che abitano lo spazio con urgenza e lirismo. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo di Crystal Pite si ispira a due sonate per violoncello e pianoforte di Johannes Brahms e ai versi profondi di Mark Strand. In scena si respira l’inverno dell’anima: il tempo rallenta\, il corpo si fa veicolo di un’introspezione commossa e potente. Con delicatezza e intensità\, Pite riflette sul tema della perdita\, sull’accettazione del cambiamento e sul mistero della resilienza. \n\nDreamers è un incontro tra tre modi di sentire e raccontare il mondo\, un invito a lasciarsi attraversare dalla danza come sogno lucido\, specchio delle nostre tensioni più intime\, memoria dei nostri desideri più profondi.
URL:https://www.fndaterballetto.it/en/evento/dreamers-pite-tortelli-kratz-trento-2/2025-11-14/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251114T210000
DTEND;TZID=Europe/Rome:20251114T220000
DTSTAMP:20260506T004928
CREATED:20251031T151403Z
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SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nAt PARC in Florence\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through the lens of choreographic creation.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the history and poetics of Maurizio Cattelan\, one of the most renowned and controversial contemporary Italian artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge art and society with sharp irony and striking visual power. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and silence of his works into physical gesture. \nThe three choreographic pieces created for this evening stem from works that are vastly different from one another\, compelling the dancers to inhabit ever-changing physical grammars: from physical theatre to abstract form\, from extreme restraint to the poetic power of the mask. The challenge is not to create a stylistic continuum\, but to generate radical metamorphoses that free the performers from the traces of the author and lead them into unforeseen territories. \nOn stage\, images intertwine\, oscillating between beauty and rawness: a Milan that resembles a factory farm of unconscious bodies\, a child on the verge of becoming a monster\, an ordinary man facing a gun. It is dance that recomposes these fragmented visions\, restoring unity to what is dissonant — turning each artwork into a physical experience and each vision into a living presence. \n\n\n\n\n\n\n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Theatre-Dance Atelier of the Paolo Grassi School in Milan\, studying with leading national and international masters. She continued her education in dance and performing arts by exploring various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her performance LEI won the Bonacina Prize. \nShe collaborates with the JGM Company in Lisbon and with La Scala Theatre in Milan as a dancer and acrobat\, and she has created choreography for several opera productions. She has also taught at the Paolo Grassi School\, DanceHaus Milano\, and the Teatro Stabile di Torino School. \nSince 2022\, she has been an associated artist at the MilanOltre Festival and a collaborator with CCN/Aterballetto as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\n  \nNicolas Ballario \n\n\n\n\n\n\n\nBorn in Saluzzo in 1984\, Nicolas Ballario works in the field of contemporary art applied to the media. His professional career began in Oliviero Toscani’s creative factory\, “La Sterpaia\,” where he went on to become cultural director. \nHe has collaborated with major artistic institutions and numerous publications. He is currently the author and host of contemporary art programs on Radio Uno Rai\, and a contributor to L’Espresso and Il Giornale dell’Arte. \nIn 2019\, he hosted the photography series “Camera Oscura” on LA7\, and since 2020 he has led several Sky Arte programs\, including “Io ti vedo\, tu mi senti?”\, “The Square\,” and “Italia Contemporanea.” \nHe is also the founder of Studio Cucù and curated the dossier that led to Alba being named Italian Capital of Contemporary Art 2027. \n\n\n\n\n\n\n\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-3/
LOCATION:PARC\, Piazzale delle Cascine 4/5/7\, Firenze\, 50144
CATEGORIES:Aterballetto,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251116T203000
DTEND;TZID=Europe/Rome:20251116T214500
DTSTAMP:20260506T004928
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SUMMARY:Dreamers
DESCRIPTION:At the Teatro Cristallo in Bolzano\, Aterballetto performs Dreamers\, a triptych featuring choreographies by Tortelli\, Kratz\, and Pite.\nDreamers is a choreographic journey through three visions\, three distinct poetics\, which together form a single reflection on desire\, memory\, loss\, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz\, Crystal Pite\, and Diego Tortelli — unfold like chapters of a single dream. \nIn An echo\, a wave\, Philippe Kratz draws inspiration from the sea as a metaphor for eternity\, for encounter and separation. The waves\, like the dancers’ bodies\, carry with them stories\, emotions\, and continuous movement\, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature\, yet also of our capacity for beauty and connection. \n© Festival de Granada | Fermín Rodríguez \nWith Preludio\, Diego Tortelli creates a love letter to the body—its fragility and its strength\, its constant state of transformation. Through the poetic and musical universe of Nick Cave\, the work explores personal “creed\,” the human need to give meaning and shape to emotions. On stage\, the dancers are not individuals but emotional pulsations\, inhabiting space with urgency and lyricism. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage\, one breathes the winter of the soul: time slows down\, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity\, Pite reflects on the themes of loss\, the acceptance of change\, and the mystery of resilience. \n  \n\nDreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream\, a mirror of our most intimate tensions\, a memory of our deepest desires.
URL:https://www.fndaterballetto.it/en/evento/dreamers-aterballetto-bolzano-teatro-cristallo/
LOCATION:Teatro Cristallo\, via Dalmazia\, 30\, Bolzano\, 39100\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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END:VCALENDAR