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DTSTART;TZID=Europe/Rome:20261005T180000
DTEND;TZID=Europe/Rome:20261005T190000
DTSTAMP:20261001T171017
CREATED:20260909T052350Z
LAST-MODIFIED:20260909T052350Z
UID:10004603-1791223200-1791226800@www.fndaterballetto.it
SUMMARY:CENERI – open rehearsal
DESCRIPTION:Monday 5 October\, at 6.00 pm\, the Fonderia audience will have the chance to meet the choreographer and watch the preparation of Ceneri\, the new creation by Marcos Morau that will premiere in November at the Teatro Valli in Reggio Emilia within the setting of Festival Aperto. \nOpen rehearsals are unique moments in which you can watch a performance take shape\, talk with the artists and be surprised by the art of dance: a special opportunity that lets the audience into the daily routine of dancers and choreographers. \n  
URL:https://www.fndaterballetto.it/en/evento/ceneri-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261009T170000
DTEND;TZID=Europe/Rome:20261009T200000
DTSTAMP:20261001T171017
CREATED:20260625T102902Z
LAST-MODIFIED:20260930T105439Z
UID:10004639-1791565200-1791576000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:The MicroDanze at the Verdi Off of the Teatro Regio di Parma\nFriday 9 and Sunday 11 October 2026 at 9.00 pm \nThe Verdi Off Festival of the Teatro Regio di Parma hosts a roving itinerary made up of 6 MicroDanze that move through the cultural venues of Parma’s historic centre\, ending in the spaces of the Ridotto of the Teatro Regio. The MicroDanze are Afterimage by Philippe Kratz\, Eppur si muove by Francesca Lattuada\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj and Soft P. by Diego Tortelli. The sixth MicroDanza is a world premiere created for the Verdi Off\, by choreographer Dunja Jocić\, The Great Silence. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nAFTERIMAGE \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi  \nChoreography and set design Philippe Kratz\nMusic Pablo’s Eye\nVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nEPPUR SI MUOVE \nFND Aterballetto – MicroDanze – Eppur si muove by Francesca Lattuada – ph. Christophe Bernard (9)  \nChoreography Francesca Lattuada\nMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)\nCostumes Bruno Fatalot\nDuration 5 minutes / one dancer \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. His dance captivates and seduces\, as imposing as a song of prayer. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina Lesnakowski\nMusic Loscil\nSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.\nIt is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.\nCertain questions\, which can only become ever more pressing\, trace the path of this research work of mine.\nHow much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?\nAll things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.\nAnd so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nNEAR LIFE EXPERIENCE \n \nChoreography Angelin Preljocaj\nMusic Air (Jean-Benoit Dunckel\, Nicolas Godin) \nDuration 9 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nNear life experience is the exploration of the body’s different possibilities\, possibilities that refer to intermediate sensations. We approach this state when we are especially close to zones that hover on the boundary of existence\, which we reach when we faint\, or in a trance\, in moments of ecstasy or orgasm. The sense of ecstasy and of fading away\, of a dazzling sensation and the attempt to externalise individuality\, comes close to this experience. The subject is elsewhere\, carried away from themselves\, enraptured. Near life experience evokes all this; it is an attempt to withdraw oneself from space and time. A kind of eclipse of the self\, a search through this imaginary amnion — a new writing in the space left empty by the body. \nAngelin Preljocaj \nSOFT P. \n \nChoreography Diego Tortelli\nMusic Tindersticks\nDuration 6 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nTHE GREAT SILENCE \nChoreography Dunja Jocić\nDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto\nCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds.” It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension.
URL:https://www.fndaterballetto.it/en/evento/microdanze-11/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/250629-CCN-Aterballetto-MicroDanzas-Platform-Aljibes-F.-Rodriguez-Acosta-T.-Bermejas-Fermin-Rodriguez_089.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261011T150000
DTEND;TZID=Europe/Rome:20261011T183000
DTSTAMP:20261001T171018
CREATED:20260910T074401Z
LAST-MODIFIED:20260930T110205Z
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SUMMARY:MicroDanze
DESCRIPTION:The MicroDanze at the Verdi Off of the Teatro Regio di Parma\n Friday 9 and Sunday 11 October 2026 at 9.00 pm \nThe Verdi Off Festival of the Teatro Regio di Parma hosts a roving itinerary made up of 6 MicroDanze that move through the cultural venues of Parma’s historic centre\, ending in the spaces of the Ridotto of the Teatro Regio. The MicroDanze are Afterimage by Philippe Kratz\, Eppur si muove by Francesca Lattuada\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj and Soft P. by Diego Tortelli. The sixth MicroDanza is a world premiere created for the Verdi Off\, by choreographer Dunja Jocić\, The Great Silence. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nAFTERIMAGE \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi  \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nEPPUR SI MUOVE \nFND Aterballetto – MicroDanze – Eppur si muove by Francesca Lattuada – ph. Christophe Bernard (9)  \nChoreography Francesca LattuadaMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)Costumes Bruno FatalotDuration 5 minutes / one dancer \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. His dance captivates and seduces\, as imposing as a song of prayer. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nNEAR LIFE EXPERIENCE \n \nChoreography Angelin PreljocajMusic Air (Jean-Benoit Dunckel\, Nicolas Godin) Duration 9 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nNear life experience is the exploration of the body’s different possibilities\, possibilities that refer to intermediate sensations. We approach this state when we are especially close to zones that hover on the boundary of existence\, which we reach when we faint\, or in a trance\, in moments of ecstasy or orgasm. The sense of ecstasy and of fading away\, of a dazzling sensation and the attempt to externalise individuality\, comes close to this experience. The subject is elsewhere\, carried away from themselves\, enraptured. Near life experience evokes all this; it is an attempt to withdraw oneself from space and time. A kind of eclipse of the self\, a search through this imaginary amnion — a new writing in the space left empty by the body. \nAngelin Preljocaj \nSOFT P. \n \nChoreography Diego TortelliMusic TindersticksDuration 6 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds.” It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension.
URL:https://www.fndaterballetto.it/en/evento/microdanze-12/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/250629-CCN-Aterballetto-MicroDanzas-Platform-Aljibes-F.-Rodriguez-Acosta-T.-Bermejas-Fermin-Rodriguez_089.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261013T183000
DTEND;TZID=Europe/Rome:20261013T213000
DTSTAMP:20261001T171018
CREATED:20260625T102725Z
LAST-MODIFIED:20260930T132351Z
UID:10004642-1791916200-1791927000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Aperto\, CCN/Aterballetto explores the Teatro Ariosto in Reggio Emilia with the MicroDanze\nTeatro Ariosto\, Tuesday 13 and Wednesday 14 October 2026\, 6.30 pm / 7.30 pm / 8.30 pm \nOn Tuesday 13 and Wednesday 14 October the Teatro Ariosto in Reggio Emilia\, as part of Festival Aperto\, hosts 5 MicroDanze: Platform02 by Ina Lesnakowski\, Terra Piccola by Antonella Bertoni\, Afterimage by Philippe Kratz\, Soft P. by Diego Tortelli and the new production The Great Silence by Dunja Jocić. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes / one dancer \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nAFTERIMAGE \n \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nSOFT P. \n \nChoreography Diego TortelliMusic TINDERSTICKSDuration 6 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \n  \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds”. It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-13/
LOCATION:Teatro Ariosto\, Corso Benedetto Cairoli 1\, Reggio Emilia\, 42121\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/250629-CCN-Aterballetto-MicroDanzas-Platform-Aljibes-F.-Rodriguez-Acosta-T.-Bermejas-Fermin-Rodriguez_089.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261014T183000
DTEND;TZID=Europe/Rome:20261014T213000
DTSTAMP:20261001T171018
CREATED:20260925T103421Z
LAST-MODIFIED:20260930T132542Z
UID:10004643-1792002600-1792013400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Aperto\, CCN/Aterballetto explores the Teatro Ariosto in Reggio Emilia with the MicroDanze\nTeatro Ariosto\, Tuesday 13 and Wednesday 14 October 2026\, 6.30 pm / 7.30 pm / 8.30 pm \nOn Tuesday 13 and Wednesday 14 October the Teatro Ariosto in Reggio Emilia\, as part of Festival Aperto\, hosts 5 MicroDanze: Platform02 by Ina Lesnakowski\, Terra Piccola by Antonella Bertoni\, Afterimage by Philippe Kratz\, Soft P. by Diego Tortelli and the new production The Great Silence by Dunja Jocić. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes / one dancer \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nAFTERIMAGE \n \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nSOFT P. \n \nChoreography Diego TortelliMusic TINDERSTICKSDuration 6 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \n  \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds”. It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-14/
LOCATION:Teatro Ariosto\, Corso Benedetto Cairoli 1\, Reggio Emilia\, 42121\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/250629-CCN-Aterballetto-MicroDanzas-Platform-Aljibes-F.-Rodriguez-Acosta-T.-Bermejas-Fermin-Rodriguez_089.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261026T180000
DTEND;TZID=Europe/Rome:20261026T190000
DTSTAMP:20261001T171018
CREATED:20260909T053606Z
LAST-MODIFIED:20260909T053606Z
UID:10004604-1793037600-1793041200@www.fndaterballetto.it
SUMMARY:DOPPIOGIOCO – open rehearsal
DESCRIPTION:Monday 26 October\, at 6.00 pm\, the Fonderia audience will have the chance to meet the choreographer and watch the preparation of DOPPIOGIOCO\, the new creation by Philippe Kratz with dramaturgy and set design by Fabio Cherstich\, which will premiere in November at the Teatro Valli in Reggio Emilia within the setting of Festival Aperto. \nOpen rehearsals are unique moments in which you can watch a performance take shape\, talk with the artists and be surprised by the art of dance: a special opportunity that lets the audience into the daily routine of dancers and choreographers. \n  
URL:https://www.fndaterballetto.it/en/evento/doppiogioco-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season September–December 2026
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