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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-perugia-aterballetto/2025-02-22/
LOCATION:Teatro Morlacchi\, Piazza Francesco Morlacchi\, 13\, Perugia\, 06123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250219T210000
DTEND;TZID=Europe/Rome:20250219T223000
DTSTAMP:20260506T065426
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:    \nThe Centro Coreografico Nazionale/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish creator\, known for his visionary power and ability to transform musical universes\, presents a unique creation intertwining the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, currently the youngest choreographer to have received the National Dance Award\, the highest recognition in Spain\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. For his first collaboration with CCN/Aterballetto\, he proposed turning to iconic compositions from the cinematic landscape of the last seventy years: those of Academy Award-winning composer Ennio Morricone.\nThe director states: «Classically trained and avant-garde by vocation\, Morricone has always been beyond the trends of the moment. His music spans an entire century and has brought many of our great masters to life. For this evening\, I want to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, which can live far beyond the films for which it was created.»\nFind out more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-2/
LOCATION:Teatro Guglielmi\, Piazza del Teatro 1\, Massa\, 54100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250216T160000
DTEND;TZID=Europe/Rome:20250216T173000
DTSTAMP:20260506T065426
CREATED:20240619T140856Z
LAST-MODIFIED:20241202T081737Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-trento-aterballetto/2025-02-16/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250215T180000
DTEND;TZID=Europe/Rome:20250215T193000
DTSTAMP:20260506T065426
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-trento-aterballetto/2025-02-15/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250214T200000
DTEND;TZID=Europe/Rome:20250214T213000
DTSTAMP:20260506T065426
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-trento-aterballetto/2025-02-14/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250214T173000
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SUMMARY:ITALIA DANZA- ADDIS ABEBA
DESCRIPTION:Hai ragione! Ecco la versione corretta con *performed*:   \n— \nThe third edition of Italia Danza starts from Ethiopia.   \nA cosmopolitan project\, entrusted to the universal language of the body\, promoted by the General Directorate for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs\, and performed by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes the MicroDances (short creations for confined spaces\, choreographed by Italian and international artists) as well as stage performances reimagined for the occasion\, making them adaptable to any location.   \nItalian Cultural Institute of Addis Ababa\, February 14\, 2025   \nThe project “Italia Danza 2025. An Italian-Ethiopian Dance Dialogue” is the result of the creativity of choreographers and dancers from both countries and takes shape on Friday\, February 14\, at 5:30 PM\, in the spaces of the Italian Cultural Institute of Addis Ababa. Here\, a site-specific performance will take place\, representing a perfect fusion of the two cultures\, featuring choreography by Roberto Tedesco and Melaku Belay\, with the participation of performer Laila Lovino and the dancers of the renowned Fendika Cultural Center. \n \n 
URL:https://www.fndaterballetto.it/en/evento/italia-danza-addis-abeba/
LOCATION:Istituto Italiano di Cultura di Addis Abeba\, Bellai Zelleke Street\, Addis Abeba\, Ethiopia
CATEGORIES:Aterballetto
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250213T203000
DTEND;TZID=Europe/Rome:20250213T220000
DTSTAMP:20260506T065426
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-trento-aterballetto/2025-02-13/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250209T210000
DTEND;TZID=Europe/Rome:20250209T223000
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SUMMARY:Aterballetto: Pite / Preljocaj / Tortelli
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nSOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI   \nThe National Choreographic Center / Aterballetto presents a brand-new triptych\, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo\, created by the award-winning Canadian choreographer Crystal Pite\, invokes winter\, music\, and movement to express something profound about acceptance and loss.\nReconciliatio is a delicate female duet inspired by the Book of Revelation\, crafted by one of the world’s most acclaimed choreographers\, Angelin Preljocaj.\nA vibrant fresco of sensuality and overwhelming vitality\, Glory Hall by Diego Tortelli\, showcases one of Italy’s most innovative choreographers.   \nThe triptych is a true dance concert\, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor\, interspersed with the famous notes of Beethoven’s Moonlight Sonata. \nSolo Echo \n\nChoreography CRYSTAL PITE\nMusic Johannes Brahms\nSonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo\nSonata for Cello and Piano in F Major\, Op. 99: II. Adagio Affettuoso\nChoreographer’s Assistant Eric Beauchesne   \nRestaging for CCN/Aterballetto   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n7 dancers – 20’\n \nLove\, loss\, and acceptance lie at the heart of the stunning dance work Solo Echo by Canadian choreographer Crystal Pite.   \nSolo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio \n\nChoreography ANGELIN PRELJOCAJ\nMusic Ludwig van Beethoven\, Moonlight Sonata\nChoreographer’s Assistant Claudia De Smet   \nRestaging from the 2010 creation Suivront mille ans de calme   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nFirst performance 16/09/2024\, Memorare 2024\, Basilica di San Petronio\, Bologna   \n2 dancers – 10’\n \nDance\, the quintessential art of the unspeakable\, has the delicate role of unveiling our fears\, anxieties\, and hopes by evoking them. The duet chosen to convey the theme of reconciliation is from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work marked by a poetic and impressionistic vein\, inspired by a careful but not literal reading of the Apocalypse. For the choreographer\, neither in the original performance nor in the female duet adapted for “Memorare 2024” should there be an attempt to seek precise references to the text of St. John. Rather\, the goal is to reveal\, uncover\, and highlight (as the etymology of the word apocalypse suggests: to lift the veil) elements present in our world but hidden from our eyes. And in the delicate relationship between the two protagonists of the duet\, both visible and invisible\, emerge the themes to which we refer. \nGlory Hall \n\nChoreography DIEGO TORTELLI\nMusic Godspeed You! Black Emperor\nChoreographer’s assistant Hélias Tur-Dorvault   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n16 dancers – 30’\n \nGlory Hall is the new creation by Diego Tortelli for the 16 dancers of Aterballetto\, a sensory and rebellious journey into a liminal space suspended between light and darkness. In a black space but never truly dark\, the choreography unfolds as an ecstatic ritual where sensuality and profane spirituality intertwine\, creating an ongoing play between pleasure\, virtuosity\, and the search for a personal version of glory. The dance\, rebellious against narrative\, constantly regenerates itself\, allowing ephemeral emotions to explode\, destined to vanish and be reborn. In Glory Hall\, anything is possible: the music guides in a crescendo of harmony and transgression\, for an ecstasy that knows no boundaries\, blending rock sounds with symphonic melodies. \n\n 
URL:https://www.fndaterballetto.it/en/evento/aterballetto-pite-preljocaj-tortelli/
LOCATION:Teatro Galli\, Piazza Cavour\, 22\, Rimini\, Italia
CATEGORIES:Aterballetto,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250207T203000
DTEND;TZID=Europe/Rome:20250207T220000
DTSTAMP:20260506T065426
CREATED:20241210T112105Z
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UID:10003802-1738960200-1738965600@www.fndaterballetto.it
SUMMARY:Aterballetto: Pite / Preljocaj / Tortelli
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nSOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI \nThe National Choreographic Center / Aterballetto presents a brand-new triptych\, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo\, created by the award-winning Canadian choreographer Crystal Pite\, invokes winter\, music\, and movement to express something profound about acceptance and loss.\nReconciliatio is a delicate female duet inspired by the Book of Revelation\, crafted by one of the world’s most acclaimed choreographers\, Angelin Preljocaj.\nA vibrant fresco of sensuality and overwhelming vitality\, Glory Hall by Diego Tortelli\, showcases one of Italy’s most innovative choreographers. \nThe triptych is a true dance concert\, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor\, interspersed with the famous notes of Beethoven’s Moonlight Sonata. \nSolo Echo \n\nChoreography CRYSTAL PITE\nMusic Johannes Brahms\nSonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo\nSonata for Cello and Piano in F Major\, Op. 99: II. Adagio Affettuoso\nChoreographer’s Assistant Eric Beauchesne   \nRestaging for CCN/Aterballetto   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n7 dancers – 20’\n \nLove\, loss\, and acceptance lie at the heart of the stunning dance work Solo Echo by Canadian choreographer Crystal Pite.   \nSolo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio \n\nChoreography ANGELIN PRELJOCAJ\nMusic Ludwig van Beethoven\, Moonlight Sonata\nChoreographer’s Assistant Claudia De Smet   \nRestaging from the 2010 creation Suivront mille ans de calme   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nFirst performance 16/09/2024\, Memorare 2024\, Basilica di San Petronio\, Bologna   \n2 dancers – 10’\n \nDance\, the quintessential art of the unspeakable\, has the delicate role of unveiling our fears\, anxieties\, and hopes by evoking them. The duet chosen to convey the theme of reconciliation is from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work marked by a poetic and impressionistic vein\, inspired by a careful but not literal reading of the Apocalypse. For the choreographer\, neither in the original performance nor in the female duet adapted for “Memorare 2024” should there be an attempt to seek precise references to the text of St. John. Rather\, the goal is to reveal\, uncover\, and highlight (as the etymology of the word apocalypse suggests: to lift the veil) elements present in our world but hidden from our eyes. And in the delicate relationship between the two protagonists of the duet\, both visible and invisible\, emerge the themes to which we refer. \nGlory Hall \n\nChoreography DIEGO TORTELLI\nMusic Godspeed You! Black Emperor\nChoreographer’s Assistant Hélias Tur-Dorvault   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n16 dancers – 30’\n \nGlory Hall is the new creation by Diego Tortelli for the 16 dancers of Aterballetto\, a sensory and rebellious journey into a liminal space suspended between light and darkness. In a black space but never truly dark\, the choreography unfolds as an ecstatic ritual where sensuality and profane spirituality intertwine\, creating an ongoing play between pleasure\, virtuosity\, and the search for a personal version of glory. The dance\, rebellious against narrative\, constantly regenerates itself\, allowing ephemeral emotions to explode\, destined to vanish and be reborn. In Glory Hall\, anything is possible: the music guides in a crescendo of harmony and transgression\, for an ecstasy that knows no boundaries\, blending rock sounds with symphonic melodies. \n\n 
URL:https://www.fndaterballetto.it/en/evento/aterballetto-pite-preljocaj-tortelli-2/2025-02-07/
LOCATION:Teatro Comunale Nouveau\, Piazza della Costituzione\, Bologna\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/12/CCN-Aterballetto-Solo-Echo-rehearsal-first-cast-ph.-Alice-Vacondio-6.jpg
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DTSTART;TZID=Europe/Rome:20250206T203000
DTEND;TZID=Europe/Rome:20250206T220000
DTSTAMP:20260506T065426
CREATED:20241210T112105Z
LAST-MODIFIED:20250206T074427Z
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SUMMARY:Aterballetto: Pite / Preljocaj / Tortelli
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nSOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI \nThe National Choreographic Center / Aterballetto presents a brand-new triptych\, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo\, created by the award-winning Canadian choreographer Crystal Pite\, invokes winter\, music\, and movement to express something profound about acceptance and loss.\nReconciliatio is a delicate female duet inspired by the Book of Revelation\, crafted by one of the world’s most acclaimed choreographers\, Angelin Preljocaj.\nA vibrant fresco of sensuality and overwhelming vitality\, Glory Hall by Diego Tortelli\, showcases one of Italy’s most innovative choreographers. \nThe triptych is a true dance concert\, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor\, interspersed with the famous notes of Beethoven’s Moonlight Sonata. \nSolo Echo \n\nChoreography CRYSTAL PITE\nMusic Johannes Brahms\nSonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo\nSonata for Cello and Piano in F Major\, Op. 99: II. Adagio Affettuoso\nChoreographer’s Assistant Eric Beauchesne   \nRestaging for CCN/Aterballetto   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n7 dancers – 20’\n \nLove\, loss\, and acceptance lie at the heart of the stunning dance work Solo Echo by Canadian choreographer Crystal Pite.   \nSolo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio \n\nChoreography ANGELIN PRELJOCAJ\nMusic Ludwig van Beethoven\, Moonlight Sonata\nChoreographer’s Assistant Claudia De Smet   \nRestaging from the 2010 creation Suivront mille ans de calme   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nFirst performance 16/09/2024\, Memorare 2024\, Basilica di San Petronio\, Bologna   \n2 dancers – 10’\n \nDance\, the quintessential art of the unspeakable\, has the delicate role of unveiling our fears\, anxieties\, and hopes by evoking them. The duet chosen to convey the theme of reconciliation is from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work marked by a poetic and impressionistic vein\, inspired by a careful but not literal reading of the Apocalypse. For the choreographer\, neither in the original performance nor in the female duet adapted for “Memorare 2024” should there be an attempt to seek precise references to the text of St. John. Rather\, the goal is to reveal\, uncover\, and highlight (as the etymology of the word apocalypse suggests: to lift the veil) elements present in our world but hidden from our eyes. And in the delicate relationship between the two protagonists of the duet\, both visible and invisible\, emerge the themes to which we refer. \nGlory Hall \n\nChoreography DIEGO TORTELLI\nMusic Godspeed You! Black Emperor\nChoreographer’s Assistant Hélias Tur-Dorvault   \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-production Fondazione Teatro Comunale di Bologna   \nPremiere performances: 6-7/02/2025\, Teatro Comunale di Bologna   \n16 dancers – 30’\n \nGlory Hall is the new creation by Diego Tortelli for the 16 dancers of Aterballetto\, a sensory and rebellious journey into a liminal space suspended between light and darkness. In a black space but never truly dark\, the choreography unfolds as an ecstatic ritual where sensuality and profane spirituality intertwine\, creating an ongoing play between pleasure\, virtuosity\, and the search for a personal version of glory. The dance\, rebellious against narrative\, constantly regenerates itself\, allowing ephemeral emotions to explode\, destined to vanish and be reborn. In Glory Hall\, anything is possible: the music guides in a crescendo of harmony and transgression\, for an ecstasy that knows no boundaries\, blending rock sounds with symphonic melodies. \n\n 
URL:https://www.fndaterballetto.it/en/evento/aterballetto-pite-preljocaj-tortelli-2/2025-02-06/
LOCATION:Teatro Comunale Nouveau\, Piazza della Costituzione\, Bologna\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/12/CCN-Aterballetto-Solo-Echo-rehearsal-first-cast-ph.-Alice-Vacondio-6.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250127T180000
DTEND;TZID=Europe/Rome:20250127T190000
DTSTAMP:20260506T065426
CREATED:20250114T134256Z
LAST-MODIFIED:20250114T135228Z
UID:10003789-1738000800-1738004400@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, January 27\, at 6:00 PM\, the audience of the Fonderia will have the opportunity to witness the preparation of Glory Hall\, a creation by choreographer Diego Tortelli\, which will premiere on February 6 and 7 at the Teatro Comunale Nouveau in Bologna. \nThe event will be hosted by Valeria Crippa\, journalist and dance critic for Corriere della Sera. \nOpen rehearsals are unique moments where you can watch the making of a performance\, engage in dialogue with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to step into the daily routine of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250101T170000
DTEND;TZID=Europe/Rome:20250101T183000
DTSTAMP:20260506T065426
CREATED:20240619T163450Z
LAST-MODIFIED:20240712T135233Z
UID:10003371-1735750800-1735756200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:«”I\, Ennio Morricone\, am dead”\, wrote the composer before saying goodbye. His music\, on the other hand\, cannot. And this is how creators and artists always leave us without leaving us\, and this is how memory takes care of keeping them alive\, keeping them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father\, or my grandfather\, I am a direct heir of his legacy\, of the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.» – Marcos Morau \nNotte Morricone\, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau\, is at the Théâtre d’Orléans to bid farewell to 2024 and welcome 2025. \nTuesday\, December 31\, 2024 at 8:30 PM\nWednesday\, January 1\, 2025 at 5:00 PM \n\nNotte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world. \nNotte Morricone takes place in the twilight of an ordinary night in the life of a creator\, who alone and dazed in front of his sheets\, takes notes and visualizes melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room. \n\n  \nPURCHASE THE TICKET\n  \nCREDITS \nDirection and choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical direction and adaptation by MAURIZIO BILLI\nSound design ALEX RÖSER VATICHÉ\, BEN MEERWEIN\nSet and lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU\nChoreography assistants SHAY PARTUSH\, MARINA RODRÍGUEZ   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nCommission\, co-production\, first outdoor performance Macerata Opera Festival\nCo-production\, first indoor performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini   \nOutdoor premiere August 1\, 2024\, Macerata Opera Festival   \nIndoor premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina   \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, what music inspires or accompanies me in my daily life\, and I always respond the same way: from classical music to the new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is unspoken and unseen in films. Although it is almost impossible to separate his music from the images it accompanies\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day. His music has a powerful melancholic quality that comes from both the contemplation of the past and the impossibility of capturing any past experience. \nClassically trained and avant-garde by vocation\, Morricone has always been beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries from different fields\, and his music belongs to an entire century\, having revived many of our great masters. His music was a genre unto itself\, and for this evening I want to build a universe based on his sensibility to confirm that his legacy is more alive than ever and that\, as he would say himself\, “my music has a life of its own\, which can live far from the films for which it was created.”» \nMarcos Morau \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York in photography\, choreography\, and theatrical theory and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe that is constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival in Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, and The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater interact more than ever\, seeking new ways to express and communicate in our ever-turbulent and constantly evolving present time. \nFrom this season\, he is an associate artist at Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we find ourselves immersed in what turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-orleans-aterballetto/2025-01-01/
LOCATION:Théâtre d’Orléans\, Boulevard Pierre Ségelle\, Orléans\, 45000\, Francia
CATEGORIES:Aterballetto,Notte Morricone,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/04/3.-Notte-Morricone_-Shooting-1310_PH-Alice-Vacondio-27.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241231T203000
DTEND;TZID=Europe/Rome:20241231T220000
DTSTAMP:20260506T065426
CREATED:20241014T124738Z
LAST-MODIFIED:20241202T081821Z
UID:10003772-1735677000-1735682400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-6/
LOCATION:Théâtre d’Orléans\, Boulevard Pierre Ségelle\, Orléans\, 45000\, Francia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20241231T203000
DTEND;TZID=Europe/Rome:20241231T220000
DTSTAMP:20260506T065426
CREATED:20240619T163450Z
LAST-MODIFIED:20240712T135233Z
UID:10003370-1735677000-1735682400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:«”I\, Ennio Morricone\, am dead”\, wrote the composer before saying goodbye. His music\, on the other hand\, cannot. And this is how creators and artists always leave us without leaving us\, and this is how memory takes care of keeping them alive\, keeping them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father\, or my grandfather\, I am a direct heir of his legacy\, of the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.» – Marcos Morau \nNotte Morricone\, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau\, is at the Théâtre d’Orléans to bid farewell to 2024 and welcome 2025. \nTuesday\, December 31\, 2024 at 8:30 PM\nWednesday\, January 1\, 2025 at 5:00 PM \n\nNotte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world. \nNotte Morricone takes place in the twilight of an ordinary night in the life of a creator\, who alone and dazed in front of his sheets\, takes notes and visualizes melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room. \n\n  \nPURCHASE THE TICKET\n  \nCREDITS \nDirection and choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical direction and adaptation by MAURIZIO BILLI\nSound design ALEX RÖSER VATICHÉ\, BEN MEERWEIN\nSet and lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU\nChoreography assistants SHAY PARTUSH\, MARINA RODRÍGUEZ   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nCommission\, co-production\, first outdoor performance Macerata Opera Festival\nCo-production\, first indoor performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini   \nOutdoor premiere August 1\, 2024\, Macerata Opera Festival   \nIndoor premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina   \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, what music inspires or accompanies me in my daily life\, and I always respond the same way: from classical music to the new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is unspoken and unseen in films. Although it is almost impossible to separate his music from the images it accompanies\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day. His music has a powerful melancholic quality that comes from both the contemplation of the past and the impossibility of capturing any past experience. \nClassically trained and avant-garde by vocation\, Morricone has always been beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries from different fields\, and his music belongs to an entire century\, having revived many of our great masters. His music was a genre unto itself\, and for this evening I want to build a universe based on his sensibility to confirm that his legacy is more alive than ever and that\, as he would say himself\, “my music has a life of its own\, which can live far from the films for which it was created.”» \nMarcos Morau \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York in photography\, choreography\, and theatrical theory and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe that is constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival in Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, and The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater interact more than ever\, seeking new ways to express and communicate in our ever-turbulent and constantly evolving present time. \nFrom this season\, he is an associate artist at Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we find ourselves immersed in what turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-orleans-aterballetto/2024-12-31/
LOCATION:Théâtre d’Orléans\, Boulevard Pierre Ségelle\, Orléans\, 45000\, Francia
CATEGORIES:Aterballetto,Notte Morricone,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/04/3.-Notte-Morricone_-Shooting-1310_PH-Alice-Vacondio-27.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241222T170000
DTEND;TZID=Europe/Rome:20241222T183000
DTSTAMP:20260506T065426
CREATED:20240624T104618Z
LAST-MODIFIED:20241202T081012Z
UID:10003766-1734886800-1734892200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-ludwigsburg-morau/2024-12-22/
LOCATION:Forum am Schlosspark\, Stuttgarter Straße 33\, Ludwigsburg\, 71638\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241221T190000
DTEND;TZID=Europe/Rome:20241221T203000
DTSTAMP:20260506T065426
CREATED:20240624T104618Z
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UID:10003765-1734807600-1734813000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-ludwigsburg-morau/2024-12-21/
LOCATION:Forum am Schlosspark\, Stuttgarter Straße 33\, Ludwigsburg\, 71638\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241216T180000
DTEND;TZID=Europe/Rome:20241216T190000
DTSTAMP:20260506T065426
CREATED:20240827T093423Z
LAST-MODIFIED:20240827T093423Z
UID:10003539-1734372000-1734375600@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SOLO ECHO
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, December 16\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to witness the preparation of Solo Echo\, a creation by the multi-award-winning Canadian choreographer Crystal Pite\, which will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, engage with the artists\, and be captivated by the art of dance: a special occasion that allows the audience to step into the daily routines of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-solo-echo-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241209T180000
DTEND;TZID=Europe/Rome:20241209T190000
DTSTAMP:20260506T065426
CREATED:20240827T092851Z
LAST-MODIFIED:20240827T092851Z
UID:10003537-1733767200-1733770800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SOLO ECHO
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, December 9\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to witness the preparation of Solo Echo\, a creation by the multi-award-winning Canadian choreographer Crystal Pite\, which will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, engage with the artists\, and be captivated by the art of dance: a special occasion that allows the audience to step into the daily routines of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-solo-echo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241123T193000
DTEND;TZID=Europe/Rome:20241123T210000
DTSTAMP:20260506T065426
CREATED:20240619T164826Z
LAST-MODIFIED:20241202T081852Z
UID:10003373-1732390200-1732395600@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-st-poelten-aterballetto/
LOCATION:Großer Saal\, Kulturbezirk 2\, St. Pölten\, 3100\, Austria
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241022T210000
DTEND;TZID=Europe/Rome:20241022T213000
DTSTAMP:20260506T065426
CREATED:20240712T164100Z
LAST-MODIFIED:20241017T113708Z
UID:10003713-1729630800-1729632600@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nFESTIVAL APERTO\nREGGIO EMILIA – TEATRO MUNICIPALE ROMOLO VALLI – SALA DEGLI SPECCHI \n22 October 2024 – h 19.00 and h 21.00 \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND BASSO CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nProject co-financed through the call of the DIREZIONE GENERALE SPETTACOLO for the enhancement of live performance activities in institutions and places of culture\, with the lead partner being the MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (through the MUSEI NAZIONALI DI PERUGIA – DIREZIONE REGIONALE MUSEI NAZIONALI UMBRIA). \n\nSITE-SPECIFIC VERSION\n    PREMIERE: CHIESA DI SANT’AGATA-MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (PG) – 12 SEPTEMBER 2024\n    CASTEL SANT’ANGELO IN ROME – 13 SEPTEMBER 2024\n    COMPLESSO MONUMENTALE DEL CASTELLO E DEL PARCO DI RACCONIGI (CN) – 22 SEPTEMBER 2024\n    MUSEO NAZIONALE DI VILLA PISANI\, STRA (VE) – 28 SEPTEMBER 2024\n    CERTOSA E MUSEO DI SAN MARTINO\, NAPLES – 03 OCTOBER 2024\n    CASTELLO SVEVO IN BARI – 05 OCTOBER 2024\n    MUSEO ARCHEOLOGICO NAZIONALE “MARIO TORELLI” IN VENOSA (PZ) – 06 OCTOBER 2024\n    KOSMOS – MUSEUM OF NATURAL HISTORY OF THE UNIVERSITY OF PAVIA – 12 OCTOBER 2024\n\n \n\nTHEATRICAL VERSION\n    PREVIEW: TURIN – TORINODANZA FESTIVAL\, FONDERIE LIMONE – 20-21 SEPTEMBER 2024\n    PREMIERE: PARMA – FESTIVAL VERDI\, TEATRO FARNESE – 18-19 OCTOBER 2024\n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-4/2024-10-22/2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241022T190000
DTEND;TZID=Europe/Rome:20241022T193000
DTSTAMP:20260506T065426
CREATED:20240712T164100Z
LAST-MODIFIED:20241017T113708Z
UID:10003712-1729623600-1729625400@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nFESTIVAL APERTO\nREGGIO EMILIA – TEATRO MUNICIPALE ROMOLO VALLI – SALA DEGLI SPECCHI \n22 October 2024 – h 19.00 and h 21.00 \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND BASSO CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nProject co-financed through the call of the DIREZIONE GENERALE SPETTACOLO for the enhancement of live performance activities in institutions and places of culture\, with the lead partner being the MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (through the MUSEI NAZIONALI DI PERUGIA – DIREZIONE REGIONALE MUSEI NAZIONALI UMBRIA). \n\nSITE-SPECIFIC VERSION\n    PREMIERE: CHIESA DI SANT’AGATA-MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (PG) – 12 SEPTEMBER 2024\n    CASTEL SANT’ANGELO IN ROME – 13 SEPTEMBER 2024\n    COMPLESSO MONUMENTALE DEL CASTELLO E DEL PARCO DI RACCONIGI (CN) – 22 SEPTEMBER 2024\n    MUSEO NAZIONALE DI VILLA PISANI\, STRA (VE) – 28 SEPTEMBER 2024\n    CERTOSA E MUSEO DI SAN MARTINO\, NAPLES – 03 OCTOBER 2024\n    CASTELLO SVEVO IN BARI – 05 OCTOBER 2024\n    MUSEO ARCHEOLOGICO NAZIONALE “MARIO TORELLI” IN VENOSA (PZ) – 06 OCTOBER 2024\n    KOSMOS – MUSEUM OF NATURAL HISTORY OF THE UNIVERSITY OF PAVIA – 12 OCTOBER 2024\n\n \n\nTHEATRICAL VERSION\n    PREVIEW: TURIN – TORINODANZA FESTIVAL\, FONDERIE LIMONE – 20-21 SEPTEMBER 2024\n    PREMIERE: PARMA – FESTIVAL VERDI\, TEATRO FARNESE – 18-19 OCTOBER 2024\n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-4/2024-10-22/1/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241021T180000
DTEND;TZID=Europe/Rome:20241021T190000
DTSTAMP:20260506T065426
CREATED:20240726T144137Z
LAST-MODIFIED:20240729T133729Z
UID:10003486-1729533600-1729537200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - WAITING FOR NOTTE MORRICONE
DESCRIPTION:Monday\, October 21 at 6:00 PM at Fonderia\, Waiting for Notte Morricone: an open rehearsal of the Aterballetto Company with choreographer Marcos Morau\, allowing the audience to experience the emotions before the indoor debut of Notte Morricone at Teatro Argentina in Rome\, where the show will be on stage from October 24 to November 10. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \nCREDITS \nDirection and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, First Outdoor Performance Macerata Opera Festival\nCo-production\, First Indoor Performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, which music inspires or accompanies me in my daily life\, and I always answer the same way: from classical music to new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith classical training and avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, which can live far from the films for which it was created.”» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Chevalier of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Festival d’Avignon\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival of Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in several companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expressing and communicating in our present time\, always turbulent and constantly evolving. \nFrom this season\, he is an associate artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we get involved in what also turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-waiting-for-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Productions,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241019T223000
DTEND;TZID=Europe/Rome:20241019T233000
DTSTAMP:20260506T065426
CREATED:20240620T220529Z
LAST-MODIFIED:20241017T112635Z
UID:10003552-1729377000-1729380600@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-19/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTEND;TZID=Europe/Rome:20241018T220000
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CREATED:20240620T220529Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-18/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nPavia – Collegio Ghislieri\, Salone San Pio\n12 October 2024 – 5:00 PM and 7:00 PM\nDuration of each performance: 25 minutes \nCREDITS\nDirection and visuals: FABIO CHERSTICH \nChoreography and stage movements: PHILIPPE KRATZ \nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI \nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nCollegio Ghislieri – Pavia – 12 October 2024\n\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\n \nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \n \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \n \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \n \n\nINFO&TICKETS \nAt 4:00 PM guided tour with Prof. Gianpaolo Angelini \nInfo for booking and ticket purchase: \n– Ticket price: €5 \n– Ticket purchase: Online \n– On the day of the performance\, there will be a ticket office directly at the venue of the performance. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-11/
LOCATION:Collegio Ghislieri\, Salone San Pio\, Piazza Collegio Ghislieri\, 5\, Pavia\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241006T163000
DTEND;TZID=Europe/Rome:20241006T180000
DTSTAMP:20260506T065426
CREATED:20240729T173001Z
LAST-MODIFIED:20241007T170535Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nVENOSA – MUSEO E PARCO ARCHEOLOGICO\n06 October 2024 – 4:30 PM and 5:30 PM\nDuration of each performance: 25 minutes \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nMUSEO E PARCO ARCHEOLOGICO DI VENOSAThe archaeological heritage of the Park has been the protagonist of experiences that hybridize the performing arts and archaeological heritage: the Teatri di Pietra festival; ARTFEST\, in collaboration with the ETRA association\, curated by choreographer Michele Merola\, which has showcased\, among others\, Lara Guidetti – Sanpapié\, Silvia Gribaudi\, Roberto Zappalà\, and the MMCDC company. The performance will take place in the Complex of the Holy Trinity\, within the unfinished structure.  Learn more \n \nINFO&TICKETSReservation Info: \n\nContacts: 0972 36095 (Museum phone number)\nCost: free (as it falls on the first Sunday of the month\, when entry to ministerial cultural sites is free)\nTicket office hours: 9:00 AM – 6:30 PM\n\nAt 4:00 PM and 5:00 PM\, guided tours of the Archaeological Park will be held before each performance\, led by Dr. Tommaso Serafini (Director of Museums and Archaeological Parks of Melfi and Venosa) and Dr. Rosanna Calabrese (responsible for the Museum and Archaeological Park of Venosa)\, with mandatory reservations at the number +39 0972 36095. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-6/
LOCATION:Parco Archeologico\, Strada Provinciale 18 Ofantina\, 13\, Venosa\, PZ\, 85029\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241005T200000
DTEND;TZID=Europe/Rome:20241005T220000
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CREATED:20240731T220722Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nCastello Svevo di Bari\n05 October 2024 – 8:00 PM and 9:30 PM\nDuration of each performance: 25 minutes \n\n\n\n\n\n\n\n\n\nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCASTELLO SVEVO \n\nThe venue for high-level international events such as the G7 in 2017\, the Mediterranean Countries Synod in 2020\, and the G20 in 2021\, has regularly hosted live shows and events since 2021\, including the performative project Fairy Tales in the Castles of Puglia\, curated by director Michele Santeramo\, the Bari Piano Festival\, and other showcases\, culminating in the 2023 Campiello Prize final. The performance Il Combattimento di Tancredi e Clorinda will take place in the main courtyard. Discover more\n \n \nINFO&TICKETS \nInfo for booking and ticket purchase: \n– Contact for information: drm-pug.castellodibari@cultura.gov.it \n– Ticket price: 10 euros full price; 2 euros reduced price; free entry guaranteed by law. \n– Ticket purchase:  Online  \n– Ticket office hours: October 5\, 2024\, from 9:00 AM to 10:00 PM
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-9/
LOCATION:Castello Svevo\, Piazza Federico II di Svevia\, Bari\, 70122\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nNaples – Certosa e Museo di San Martino\n03 October 2024 – 8:00 PM and 9:00 PM\nDuration of each performance: 25 minutes \n\n\n\n\n\n\n\n\n\nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCERTOSA E MUSEO DI SAN MARTINOThe Certosa e Museo di San Martino\, located in the enchanting setting of Vomero in Naples\, is a place of extraordinary beauty and cultural richness\, offering visitors a fascinating journey through Neapolitan history and art. This remarkable monumental complex is not only a museum but also a vibrant center of cultural activities\, actively collaborating on educational projects with universities\, schools\, and associations.\nLive performances\, primarily focused on music\, followed by dance and theater\, have further enriched the museum’s cultural offerings. Notable thematic festivals include events like “ConCertosa” for youth orchestras\, “Tales of Sounds\, Colors\, and Emotions\,” a multidisciplinary cycle centered on the 18th century\, and “Sounds in Certosa!”\, events that have made the visitor experience truly unique.\nOn this occasion\, the Cloister of the Procurators will be a suggestive setting for the staging of “Il Combattimento di Tancredi e Clorinda\,” a work that promises to fascinate and engage the audience.\nDiscover more \n \n\nINFO&TICKETS \nInfo for booking and ticket purchase: \n– Tickets can be purchased on-site or online via the Italian Museums App or the Italian Museums Portal. \n– Ticket price: participation in the event is free with the purchase of the museum ticket (full price €6\, reduced price for ages 18 to 25 €2\, free for under 18 and according to legal benefits). \n– On-site ticket office hours: from 8:30 AM to 10:30 PM. \nWith the purchase of a ticket\, it is possible to visit the monumental complex with cloisters and courtyards\, the Church\, the Nativity Scenes\, the Carriages\, the Lani’s Altar\, the Prior’s Room\, and the Nativity section.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-10/
LOCATION:Certosa e Museo di San Martino\, Largo San Martino\, 5\, Napoli\, 80129\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241001T180000
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SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:First open rehearsal of the 2024/25 season with CCN/Aterballetto \nTuesday\, October 1st\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to meet the three new dancers of the company and witness the preparation of Glory Hall\, the new creation by Diego Tortelli that will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of the dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240928T201500
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nSTRA – NATIONAL MUSEUM VILLA PISANI\n28 September 2024 – 8:15 PM and 9:15 PM\nDuration of each performance: 25 minutes \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of *Il Combattimento di Tancredi e Clorinda*\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. *Eros* and *Thanatos* emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nVILLA PISANIThe queen of the Venetian villas\, once the property of Napoleon\, the Habsburgs\, and the House of Savoy\, as well as the headquarters of the Army General Staff during the First World War\, is at the center of a renewed enhancement process aimed at making the museum the primary cultural container of the Union of Municipalities of the Riviera del Brenta\, both for regular visits and for its capacity to host events and exhibitions. Il Combattimento di Tancredi e Clorinda will take place inside the Ball Room\, or the Hall of Honor. Learn more \n\n  \nINFO&TICKETSBooking and ticket purchase information: \n– Contact for information: tel. +39 049 502074 \n– Evening ticket price (with performance participation) from 20:00 to 23:00: € 1 + € 1 reservation fee \n– Regular ticket price from 9:00 to 19:00: € 14 (villa + park + exhibition); € 8 (park + exhibition) \n– Ticket purchase: Phone +39.055.2989887 – Website www.vivaticket.com \n– Ticket office hours: 9:00 – 22:30 \nWith the purchase of the performance ticket\, you can visit the Noble Floor and the exhibition Gente d’Italia Federico Garolla – photographs 1948-1968.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-5/
LOCATION:Museo Nazionale di Villa Pisani\, Via Doge Pisani 7\, Stra\, VE\, 30039\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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