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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nChiesa di Sant’Agata – Museo Archeologico Nazionale e Teatro Romano di Spoleto\n12 September 2024 – 7:00 PM and 9:00 PM\nDuration of each performance: 25 minutes \nSite-specific version Premiere \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \n\nINFO&TICKETS \nAdmission to the show is free\, with mandatory reservation at the email drm-umb.segreteria@cultura.gov.it. \nAt 6:00 PM and 8:00 PM\, guided tours will also be offered by reservation (drm-umb.segreteria@cultura.gov.it)\, upon purchase of the museum entry ticket. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-8/
LOCATION:Chiesa di Sant’Agata\, Via Sant'Agata\, Spoleto\, PG\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240913T193000
DTEND;TZID=Europe/Rome:20240913T213000
DTSTAMP:20260404T222450
CREATED:20240626T070911Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nSOTTO L’ANGELO DI CASTELLO 2024\nROME – CASTEL SANT’ANGELO \n13 September 2024 – h 19.30 and 21.00\nduration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-rome-castel-sant-angelo/
LOCATION:Castel Sant’Angelo\, Lungotevere Castello\, 50\, Rome\, 00193\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240916T203000
DTEND;TZID=Europe/Rome:20240916T223000
DTSTAMP:20260404T222450
CREATED:20240624T101852Z
LAST-MODIFIED:20240624T103052Z
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SUMMARY:Reconciliatio
DESCRIPTION:The CCN/Aterballetto is among the guest artists at Memorare ’24. Dance and song for peace in the Basilica of San Petronio. \n\nThe event\, promoted by the Church of Bologna under the guidance of Cardinal Matteo Zuppi\, the Municipality of Bologna and Mayor Matteo Lepore\, the Teatro Comunale di Bologna and Superintendent Fulvio Macciardi\, was conceived by Vittoria Cappelli\, who developed the artistic project together with Valentina Bonelli and Don Stefano Culiersi. \nA preparation for the upcoming Jubilee\, an opportunity for reconciliation with God\, with our brothers\, and with the earth\, which we cannot neglect. The resonance is with Pope Francis’s appeal to be “all brothers\,” in a culture of peace\, as the pontiff writes in his encyclical on universal fraternity. From Bologna\, Memorare ‘24 will launch Cardinal Matteo Zuppi’s invitation to unite in giving hope to the world\, in the spirit of solidarity. The gathering of the community responding to this call aims to be a barrier against the winds of war\, both old (among others\, we remember the Monte Sole massacre\, Marzabotto – Bologna\, in 1944) and current\, especially the ongoing conflicts in Ukraine and Palestine\, which provoke and taint our consciences by offering only paths of violence. \n\nREAD THE PRESS RELEASE\n\nFor the occasion\, CCN/Aterballetto presents for the first time Reconciliatio\, an original choreography by Angelin Preljocaj\, specially composed for Memorare ’24. To the piano notes of Beethoven’s “Moonlight” Sonata\, the female duo composed of Estelle Bovay and Arianna Kob unfolds in a pensive nocturne\, between intimate retreats and altruistic impulses. Interpreting the liberating journey of reconciliation to overcome one’s grievances. \nFREE ENTRY. RESERVATIONS FROM SEPTEMBER 3
URL:https://www.fndaterballetto.it/en/evento/reconciliatio-bologna-memorare-aterballetto/
LOCATION:Basilica di San Petronio\, Piazza Maggiore\, Bologna\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio
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DTSTART;TZID=Europe/Rome:20240920T193000
DTEND;TZID=Europe/Rome:20240920T224500
DTSTAMP:20260404T222450
CREATED:20240620T200808Z
LAST-MODIFIED:20241007T164102Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTORINODANZA FESTIVAL\nFONDERIE LIMONE – SALA PICCOLA | RING – MITO SettembreMusica\n20 – 21 September 2024 – 7:30 PM and 10:15 PM\nDuration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS \nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-2/2024-09-20/
LOCATION:Fonderie Limone\, via Pastrengo\, 88\, Moncalieri\, TO\, 10024\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240921T193000
DTEND;TZID=Europe/Rome:20240921T224500
DTSTAMP:20260404T222450
CREATED:20240620T200808Z
LAST-MODIFIED:20241007T164102Z
UID:10003441-1726947000-1726958700@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTORINODANZA FESTIVAL\nFONDERIE LIMONE – SALA PICCOLA | RING – MITO SettembreMusica\n20 – 21 September 2024 – 7:30 PM and 10:15 PM\nDuration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS \nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-2/2024-09-21/
LOCATION:Fonderie Limone\, via Pastrengo\, 88\, Moncalieri\, TO\, 10024\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240922T153000
DTEND;TZID=Europe/Rome:20240922T173000
DTSTAMP:20260404T222450
CREATED:20240730T152306Z
LAST-MODIFIED:20241007T171228Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nCastello e Parco Reale di Racconigi\n22 September 2024 – 3:30 PM and 5:00 PM\nDuration of each performance: 25 minutes \n  \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCASTELLO E PARCO REALE DI RACCONIGI \nRoyal residence and birthplace of the last King of Italy\, it has hosted events for different audiences and art forms\, featuring numerous temporary exhibitions\, thematic meeting cycles\, a showcase dedicated to Argentine Tango\, and a literary festival. The year 2024 will see a significant revival towards performing arts\, thanks to a collaboration with the multidisciplinary circuit Piemonte dal Vivo for dance cycles at the castle. The Salone d’Ercole will host Il Combattimento di Tancredi e Clorinda. Learn more \n \n  \nINFO&TICKETSReservation and Ticket Purchase Info: \n\nContacts: Email drm-pie.racconigi@cultura.gov.it; Phone 0172 84005\nCost: full € 8.00; reduced € 2.00 for ages 18 to 25; free for under 18s; free for persons with disabilities and their companions; free for holders of Museum Subscription\, Torino+Piemonte Card\, Royal Pass; additional reductions and exemptions based on legal provisions and agreements.\nOnline Purchase: www.museiitaliani.it or via the Italian Museums app.\nTicket Office Hours: Sunday 9:00 AM – 6:00 PM\n\nWith the purchase of a performance ticket\, visitors can access the interior of the Castle.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-7/
LOCATION:Castello di Racconigi\, Piazza Carlo Alberto\, Racconigi\, CN\, 12035\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240925T190000
DTEND;TZID=Europe/Rome:20240925T193000
DTSTAMP:20260404T222450
CREATED:20240923T164320Z
LAST-MODIFIED:20250902T080735Z
UID:10003585-1727290800-1727292600@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nAs part of the 53rd edition of the Baroque Evenings of Varaždin\nEuropa Media (National Theatre HNK)\n25 September 2024 – 7:00 PM\nDuration of each performance: 25 minutes \nin partnership with \n \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH \nChoreography and stage movements: PHILIPPE KRATZ \nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI \nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\n \nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \n \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \n \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-12/
LOCATION:Europa Media (Teatro Nazionale HNK)\, Augusta Cesarca 1\, Varaždin\, Croazia (Nome Locale: Hrvatska)
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240926T193000
DTEND;TZID=Europe/Rome:20240926T210000
DTSTAMP:20260404T222450
CREATED:20240827T072915Z
LAST-MODIFIED:20240827T073235Z
UID:10003533-1727379000-1727384400@www.fndaterballetto.it
SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:The CCN/Aterballetto flies to New York for the prestigious Fall for Dance festival\, returning to dance on the stage of the New York City Center after nearly twenty years. \nThe company presents the U.S. premiere of Rhapsody in Blue\, a choreography by Iratxe Ansa and Igor Bacovich based on the famous musical composition by George Gershwin\, which in 2024 marks exactly 100 years since its first performance\, which took place in 1924 in New York. \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue is in itself a fantastic toy for a choreographer\, for a creative mind. Being so powerful\, so joyful\, so vibrant\, it is filled with constant variations in form and feels like walking through an enchanted forest: within a few steps\, you encounter a magical being\, an unreal sky that changes color above you. One moves in this fantastic world\, where the rhapsody offers a sonic space where everything is possible\, where from every corner new elements emerge\, and one is continuously surprised. The bodies react to frantic and ever-changing inputs. We played with all of this\, closing our eyes and dreaming of new worlds every time we encountered a new theme.» – Iratxe Ansa & Igor Bacovich
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-2/2024-09-26/
LOCATION:New York City Center\, 131 W 55th St\, New York\, NY\, 11019\, Stati Uniti
CATEGORIES:Aterballetto,Productions,Rhapsody in Blue
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240927T193000
DTEND;TZID=Europe/Rome:20240927T210000
DTSTAMP:20260404T222450
CREATED:20240827T072915Z
LAST-MODIFIED:20240827T073235Z
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SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:The CCN/Aterballetto flies to New York for the prestigious Fall for Dance festival\, returning to dance on the stage of the New York City Center after nearly twenty years. \nThe company presents the U.S. premiere of Rhapsody in Blue\, a choreography by Iratxe Ansa and Igor Bacovich based on the famous musical composition by George Gershwin\, which in 2024 marks exactly 100 years since its first performance\, which took place in 1924 in New York. \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue is in itself a fantastic toy for a choreographer\, for a creative mind. Being so powerful\, so joyful\, so vibrant\, it is filled with constant variations in form and feels like walking through an enchanted forest: within a few steps\, you encounter a magical being\, an unreal sky that changes color above you. One moves in this fantastic world\, where the rhapsody offers a sonic space where everything is possible\, where from every corner new elements emerge\, and one is continuously surprised. The bodies react to frantic and ever-changing inputs. We played with all of this\, closing our eyes and dreaming of new worlds every time we encountered a new theme.» – Iratxe Ansa & Igor Bacovich
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-2/2024-09-27/
LOCATION:New York City Center\, 131 W 55th St\, New York\, NY\, 11019\, Stati Uniti
CATEGORIES:Aterballetto,Productions,Rhapsody in Blue
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DTSTART;TZID=Europe/Rome:20240928T201500
DTEND;TZID=Europe/Rome:20240928T214500
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nSTRA – NATIONAL MUSEUM VILLA PISANI\n28 September 2024 – 8:15 PM and 9:15 PM\nDuration of each performance: 25 minutes \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of *Il Combattimento di Tancredi e Clorinda*\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. *Eros* and *Thanatos* emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nVILLA PISANIThe queen of the Venetian villas\, once the property of Napoleon\, the Habsburgs\, and the House of Savoy\, as well as the headquarters of the Army General Staff during the First World War\, is at the center of a renewed enhancement process aimed at making the museum the primary cultural container of the Union of Municipalities of the Riviera del Brenta\, both for regular visits and for its capacity to host events and exhibitions. Il Combattimento di Tancredi e Clorinda will take place inside the Ball Room\, or the Hall of Honor. Learn more \n\n  \nINFO&TICKETSBooking and ticket purchase information: \n– Contact for information: tel. +39 049 502074 \n– Evening ticket price (with performance participation) from 20:00 to 23:00: € 1 + € 1 reservation fee \n– Regular ticket price from 9:00 to 19:00: € 14 (villa + park + exhibition); € 8 (park + exhibition) \n– Ticket purchase: Phone +39.055.2989887 – Website www.vivaticket.com \n– Ticket office hours: 9:00 – 22:30 \nWith the purchase of the performance ticket\, you can visit the Noble Floor and the exhibition Gente d’Italia Federico Garolla – photographs 1948-1968.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-5/
LOCATION:Museo Nazionale di Villa Pisani\, Via Doge Pisani 7\, Stra\, VE\, 30039\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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