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DTSTART;TZID=Europe/Rome:20250913T200000
DTEND;TZID=Europe/Rome:20250913T220000
DTSTAMP:20260404T085525
CREATED:20250902T095641Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda in Toledo is the first performance of CCN/Aterballetto’s 2025–2026 season.\nPuerta de Bisagra – Toledo\, September 13\, 2025 at 8:00 pm and 9:30 pm \nWith the support of the Italian Cultural Institute of Madrid\, CCN/Aterballetto celebrates Spain’s Noche del Patrimonio with Il Combattimento di Tancredi e Clorinda. \n \nThe Puerta de Bisagra provides the majestic setting where the tale of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) will come to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \n   \n  \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Matteo StraffiHarpsichord: Deniel Perer \n \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, underlining the endless cycle of this story of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/combattimento-tancredi-clorinda-aterballetto-toledo/
LOCATION:Puerta de Bisagra\, Toledo\, Spain
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T183000
DTSTAMP:20260404T085525
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004120-1758564000-1758565800@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-22/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250924T180000
DTEND;TZID=Europe/Rome:20250924T183000
DTSTAMP:20260404T085525
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004121-1758736800-1758738600@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-24/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
GEO:34.649715759332;135.38099032244
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250925T180000
DTEND;TZID=Europe/Rome:20250925T183000
DTSTAMP:20260404T085525
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004122-1758823200-1758825000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-25/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
GEO:34.649715759332;135.38099032244
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250926T174500
DTEND;TZID=Europe/Rome:20250926T191500
DTSTAMP:20260404T085525
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004123-1758908700-1758914100@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-26/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250927T174500
DTEND;TZID=Europe/Rome:20250927T191500
DTSTAMP:20260404T085525
CREATED:20250902T095604Z
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UID:10004124-1758995100-1759000500@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-27/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250928T174500
DTEND;TZID=Europe/Rome:20250928T191500
DTSTAMP:20260404T085526
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004125-1759081500-1759086900@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-28/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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