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DTSTART;TZID=Europe/Rome:20240206T203000
DTEND;TZID=Europe/Rome:20240206T213000
DTSTAMP:20260504T085617
CREATED:20240115T101859Z
LAST-MODIFIED:20240418T152559Z
UID:10003241-1707251400-1707255000@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - FÀTICO
DESCRIPTION:  \n\nThe show FÀTICO will be presented in its world premiere on the upcoming 18th of February\, by ORBITA|Spellbound in collaboration with Festival Equilibrio\, at the Teatro Palladium in Rome. \nFÀTICO is a choreographic and musical project in which singing and dancing mark the time of three prayers. On stage are two performers\, equipped with a microphone in contact with the skin\, an extension of the body\, a trigger point for the almost-physical relationship with the audience\, thanks to the instrument provided by vocal action. \nHere\, singing is not an act of spontaneity\, but the product of modification\, integration\, and enhancement of the encyclopedia of this corporeality. In the words that mark the timing of the choreography\, references to nature and the senses give space to memories in their mental space before melting into the words of worship. Progressing through connections and collisions between sonic and choreutic matters\, a secular discourse on sanctity is composed\, asking the audience to let themselves be directed by the fàtico listen! \nIt doesn’t come from nothing\, it’s the peak reached after a long climb.\nThe sight of the stars now that you know how to look. This show is a song\, the voice that persists.\nThe chorus murmured in the field when your hands are still dirty from working.\nFàtico is not just time passing\, it’s medicine.\nThe potion that exalts and condemns life.\nTo reinvent descent and legitimacy. Because a step was missing.\nFàtico is a rope\, a prosthesis\, an act\, that power that cannot be exploited.\nThat distance where we have never touched\, but almost. \n  \nCREDITS \n“`html\nProject\, choreography\, vocal writing\, and performance Irene Russolillo\nSound creation\, vocal writing\, and performance Edoardo Sansonne/Kawabate\nLighting design and technical direction Valeria Foti\nCostume creation Marta Genovese\nPattern maker Sandra Barlocci\nCollaboration on vocal dramaturgy and vocal coaching Patrizia Rotonda \nTexts by Ladan Osman\, Adam Zagajewski\, Annamaria Ortese\, David Thoreau\, Irene Russolillo \nProduction by ORBITA|Spellbound – National Dance Production Center of RomeSupport for creative residencies by Cango – Centre of Relevant Interest for Dance Virgilio Sieni\, National Dance Foundation Aterballetto/National Choreographic Centerwith the support of TRAC – Theatres of Contemporary Artistic Residency in Puglia and in collaboration with SPINTIME labs \nDuration 45′\n“` \nAUTHORS \nIRENE RUSSOLILLO \nIrene Russolillo is a dancer\, vocalist\, performer\, and choreographer. Her journey is characterized by a hybrid and transdisciplinary approach to the stage. She creates solo projects or collaborates with visual artists\, musicians\, and dancers\, both in Italy and internationally. She is an associated artist of ORBITA|Spellbound\, the national dance production center in Rome\, where she is based. Her latest creations in 2022 include “Dov’è più profondo\,” created in collaboration with producer and composer Edoardo Sansonne and researcher and curator Irene Pipicelli\, which debuted at the T*Danse Festival in Aosta\, and “If there is no sun\,” co-authored with video artist and director Luca Brinchi and musician and performer Karima DueG\, which premiered at the Teatro India in Rome. Since 2014\, she has received numerous awards: Equilibrio Best Performer Award\, Masdanza Best Performer Award\, Virginia Reiter Best Actress Under 35 Award (nomination)\, Prospettiva Danza Award; she was selected as an artist for “Le promesse dell’arte” at the IIC in Paris\, CROSS Award\, and the “Bando Abitante” selection by Virgilio Sieni Danza. She was an associated artist of the Oriente Occidente Dance festival\, selected by the Crisol and Crossing the Sea networks\, and collaborated with GRIOT for the production “Mirrors” as part of Italia Culture Africa 2019. As a dancer\, she worked for many years with Roberto Castello and collaborated with Lisi Estaras\, Abbondanza-Bertoni\, and many other choreographers. Her nomadic training has allowed her to have important encounters with educators throughout Italy and Europe. Among them\, the pivotal early encounters for her career were with Gabriella Musacchio for classical dance\, Ivan Wolfe and his movement research\, and the Ensemble of Micha Van Hoecke\, where she gained her first professional experiences. Later on\, she trained with Italian masters such as Sosta Palmizi and instructors like David Zambrano\, Thomas Hauert\, Company Blu for improvisation\, Julyen Hamilton\, and many others. Her background also includes a degree in Political Science and the French diploma for teaching contemporary dance. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACT \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-fatico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240211T180000
DTEND;TZID=Europe/Rome:20240211T190000
DTSTAMP:20260504T085617
CREATED:20240116T142657Z
LAST-MODIFIED:20240418T150948Z
UID:10003191-1707674400-1707678000@www.fndaterballetto.it
SUMMARY:Anastasia - L'ultima figlia dello Zar
DESCRIPTION:“`html\n  \nBerlin\, 1920. A woman\, after being rescued from death in a canal and months of muteness in a hospital\, reveals herself to be Anastasia\, the last daughter of the Romanovs\, the Russian royals slaughtered by Bolshevik militias in 1918. A survivor. One of the most mysterious cases of the twentieth century. Is it her or isn’t it? \nOne detail could reveal it… the color of her eyes… the scar hidden beneath the clothes worn out by time and madness. A saying! A secret word never revealed that now passes from mouth to mouth. The people want her now. Is it me or isn’t it me? Memory will play with her image reflected in the hospital window glass\, closed off from the world; it will be revealed by the whistle of the train lost in the snow\, the music of a suddenly enchanting music box. A desire\, a dream\, a memory\, or reality? \nThe music keeps the beat and time passes\, fleeing like a horse\, relentless\, leaving behind particles of memory and desire\, which become a timeless dance. The dance bursts into space and\, in dialogue with the video projections\, recreates distant places that transform\, expand\, crumble the walls of that hospital in which Anastasia is trapped in the search for herself. \nBut is reality always necessary? \nShow suitable for an audience of all ages \n \n“` \n\n– \nCREDITS \nIdea by Roberta Ferrara \nDirection\, dramaturgy\, set design\, and lighting design by Michelangelo Campanale (artistic director of La luna nel letto)\nChoreography by Roberta Ferrara\nPerformers Antonello Amati and Moreno Guadalupi / Giulia Bertoni\, Serena Angelini\, and Rebecca Moriondo Visual artists Alessandro Vangi and Raffaele Fiorella\nNarrator Maria Pascale\nCostume designer Franco Colamorea\nProduction Equilibrio Dinamico Company and La luna nel letto \nTHE AUTHORS \nFERRARA ROBERTA \nRoberta Ferrara (1988) is the founder\, artistic director\, and choreographer since 2011 of Equilibrio Dinamico Dance Company\, based in the city of Bari\, Puglia\, Italy. In 2020/21\, she served as the associate artistic director for Odyssey Dance Theatre\, Singapore\, one of the leading organizations in professional dance arts in Asia. For over ten years\, she has been the artistic director and coordinator of the international pedagogy programs TEEN and ENSEMBLE\, hosting annually over 30 international artists. Her methodology has cultivated a perpetual nursery of future dance generations\, fostering synergistic educational and cultural exchanges with various formations in England\, India\, Japan\, and Korea. \nGraduating in Modern Literature with a focus on Theater Culture from the University of Bari A.Moro\, Ferrara wrote an experimental thesis on the value of instinctive movement as a therapeutic gift for both dancers and non-dancers. As a passionate pedagogue\, her research expands through immersive studies with various artists in techniques\, practices\, and languages of international contemporary dance. This combination forms the basis for her personal creative work dedicated to a poetics always connected to human beings and their inner universe\, creating her own teaching methodology that addresses multiple levels of perception: body – mind – spirit. \nShe has been a guest for various renowned dance institutions\, including Theater Basel (CH)\, Teatrul de Balet Sibiu (RO)\, English National Ballet School (UK)\, Delattre Dance Company (DE)\, Northern School of Contemporary Dance (UK)\, Copenhagen Dance Festival (DNK)\, Conservatorio Professional de Danza\, Lugo (ES)\, Korea Ballet House (KR)\, Staatstheater Augsburg (DE)\, Conservatorio Internacional Annarella Sanchez (PT)\, Eko Dance Project (IT)\, Experimental Film Virginia (USA)\, Teatro Moravo Olomuc (CZ)\, Odt (SGP). \nHer creations have been selected and invited to various international festivals\, including Masdanza\, FIDCMX Mexico\, Cortoindanza\, Network Danza Urbana XL\, Festival Ammutinamenti Anticorpi XL\, ZED Festival\, Puglia Showcase\, DanzInc\, BallettGala Staatstheater Bremerhaven\, Prospettiva Danza Teatro\, Festival delle 100 Scale\, Danza in Rete Festival\, Lucky Trimmer\, Fuoriformato Festival\, Vivadança\, Albania Dance Meeting\, SoloCoreografico USA\, Solo Contemporary Dance Festival Ankara\, Sid Festival Seattle\, Interdans\, Split Summer Festival\, Quinzena de Dança de Almada\, and the Solo Tanz Theater Festival\, where she received the award for best choreographer and a residency award from the director and chief choreographer R. Fernando of Staatstheater Augsburg\, Linkage-Contemporary Dance Miniatures Sophia\, where she received an invitation as a guest choreographer for Stara Zagora State Opera by director S. Tomova\, and the InDivenire Award\, where she received the best dance project award presented by the étoile L. Savignano. \nHer classes and creations have been invited in Italy\, Mexico City\, America\, Albania\, Kosovo\, Vietnam\, Belgium\, Germany\, Croatia\, Singapore\, India\, Japan\, Korea\, Portugal\, Turkey\, Brazil\, Lebanon\, Spain\, Romania\, Bulgaria\, Switzerland\, Czech Republic\, and Denmark. \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico was founded in 2011 by its current artistic director\, Roberta Ferrara. The company\, now based in Bari\, has gained attention for being a unique entity in the Italian dance scene. Recognized since 2021 by the Ministry of Culture as an Under35 Dance Production Organization\, it is the only entity in the Puglia region with such recognition. Equilibrio Dinamico is often described as “a voice outside the chorus\,” highlighting an artistic strategy counter to the trends in young Italian dance\, with the aim of creating a European-profiled reality that nurtures synergies among artists. \nFrom the beginning\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope\, inviting various choreographers to create new works. The dance cahier includes voices such as Jiří Pokorný\, Igor Kirov\, Bert Uyttenhove\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, Aida Vainieri\, Brandon Lagaert\, among others\, contributing to the creation of a repertoire with diverse perspectives. Additionally\, Equilibrio Dinamico has an equally significant educational repertoire\, featuring works by Imre van Opstal\, Guy Shomroni\, Lior Tavori\, Alejando Moya\, Miguel Altunaga Verdecia\, Alice Godfrey\, Isaiah Wilson\, Manuel Rodriguez\, Sasha Riva & Simone Repele\, Pablo Girolami. The company has been invited to perform in seasons and festivals across Europe\, America\, and Asia\, establishing collaborations with various Italian Institutes of Culture in Mexico\, New York\, Athens\, São Paulo\, San Francisco\, Ankara\, Cologne\, and Zagreb\, thanks to the collaboration of the current general director Vincenzo Losito\, production manager. \nFurthermore\, Equilibrio Dinamico develops collateral training and audience promotion projects\, creating an active dialogue with the regional circuit Teatro Pubblico Pugliese and affiliated municipalities. In 2022\, marking the ten-year celebration of the international training program ENSEMBLE\, the company entered into a partnership with VERVE\, the postgraduate company of the Northern School of Contemporary Dance\, Leeds (UK). Attentive to emerging national choreographic voices\, Equilibrio Dinamico supports the perspectives of new generations through the annual residency call ABITARE\, a productive support project in collaboration with the over thirty-year-old multidisciplinary international festival Castel dei Mondi\, Andria. \nCarmelo Zapparrata on Hystrio\, YEAR XXXV 2/2022 April/June \nINFO & TICKETS\nTICKETS\nFull Price: 10 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 5:00 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/anastasia-lultima-figlia-dello-zar/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240222T203000
DTEND;TZID=Europe/Rome:20240222T213000
DTSTAMP:20260504T085617
CREATED:20240115T115655Z
LAST-MODIFIED:20240418T144253Z
UID:10003238-1708633800-1708637400@www.fndaterballetto.it
SUMMARY:YELED / RHAPSODY IN BLUE / SECUS
DESCRIPTION:  \n\n  \n\n“`html\n  \nThursday 22 / Friday 23 February 2024 – 8:30 PM \nIn February\, the Aterballetto Company returns to dance at the Fonderia in Reggio Emilia with a double bill. \n\nOn stage\, a triptych composed of two repertoire choreographies: Yeled by Eyal Dadon opening the evening and Secus by Ohad Naharin concluding it. Interspersing them\, the new production created by Iratxe Ansa and Igor Bacovich set to the notes of George Gershwin\, debuting at the Teatro Regio in Parma on February 17: Rhapsody in Blue. \nThe evening involves the entire company of 16 dancers: in the first creation\, Israeli choreographer Eyal Dadon leads a reflection on the moment in life when children lose their innocence; with Rhapsody in Blue Iratxe Ansa and Igor Bacovich offer an innovative interpretation of Gershwin’s famous rhapsody\, just as it celebrates its 100th anniversary; Secus\, the eclectic masterpiece by Ohad Naharin\, concludes\, a bold and extravagant choreography of races\, solos\, crisp gestures\, and interrupted duets. \n\nIt is recommended to purchase tickets online. Booking by phone\, email\, and WhatsApp will be available from Tuesday\, February 13\, 2024.  \n \n“` \nCREDITS \n“`html\nYELED \nCreation for 16 dancers of the company \nChoreography Eyal Dadon\nMusic Eyal Dadon\nSet and lights Fabiana Piccioli\nCostumes Bregje Van Balen \nProduction National Dance Foundation / Aterballetto\nCo-production Foundation I Teatri di Reggio Emilia\nWith the support of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30′ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography Iratxe Ansa and Igor Bacovich\nMusic George Gershwin\, Rhapsody in Blue\nSet and costumes Fabio Cherstich\nLights Eric Soyer \nProduction National Dance Foundation / Aterballetto\nCo-produced with Foundation Teatro Regio di Parma\nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′ \n— \nSECUS \nRestaging for 16 dancers of the company  \nChoreography Ohad Naharin\nMusic Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys\nSound design & editing Ohad Fishof\nCostumes Rakefet Levy\nLights Avi Yona Bueno (Bambi)\nChoreography assistants Rachael Osborne\, Ian Robinson\nCreation for Batsheva Dance Company (within Three\, 2005) \nProduction National Dance Foundation / AterballettoCo-produced with Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F)\nPremiere September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, RoveretoDuration 30′ \n“`\n\nInfo & Tickets \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-2/2024-02-22/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Rhapsody in Blue,Season,Season January - June 2024,Secus,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/Fondazione-Nazionale-della-Danza-Aterballetto-Secus-by-Ohad-Naharin_ph.-Alice-Vacondio-216-16.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240223T203000
DTEND;TZID=Europe/Rome:20240223T213000
DTSTAMP:20260504T085617
CREATED:20240115T115655Z
LAST-MODIFIED:20240418T144253Z
UID:10003239-1708720200-1708723800@www.fndaterballetto.it
SUMMARY:YELED / RHAPSODY IN BLUE / SECUS
DESCRIPTION:  \n\n  \n\n“`html\n  \nThursday 22 / Friday 23 February 2024 – 8:30 PM \nIn February\, the Aterballetto Company returns to dance at the Fonderia in Reggio Emilia with a double bill. \n\nOn stage\, a triptych composed of two repertoire choreographies: Yeled by Eyal Dadon opening the evening and Secus by Ohad Naharin concluding it. Interspersing them\, the new production created by Iratxe Ansa and Igor Bacovich set to the notes of George Gershwin\, debuting at the Teatro Regio in Parma on February 17: Rhapsody in Blue. \nThe evening involves the entire company of 16 dancers: in the first creation\, Israeli choreographer Eyal Dadon leads a reflection on the moment in life when children lose their innocence; with Rhapsody in Blue Iratxe Ansa and Igor Bacovich offer an innovative interpretation of Gershwin’s famous rhapsody\, just as it celebrates its 100th anniversary; Secus\, the eclectic masterpiece by Ohad Naharin\, concludes\, a bold and extravagant choreography of races\, solos\, crisp gestures\, and interrupted duets. \n\nIt is recommended to purchase tickets online. Booking by phone\, email\, and WhatsApp will be available from Tuesday\, February 13\, 2024.  \n \n“` \nCREDITS \n“`html\nYELED \nCreation for 16 dancers of the company \nChoreography Eyal Dadon\nMusic Eyal Dadon\nSet and lights Fabiana Piccioli\nCostumes Bregje Van Balen \nProduction National Dance Foundation / Aterballetto\nCo-production Foundation I Teatri di Reggio Emilia\nWith the support of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30′ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography Iratxe Ansa and Igor Bacovich\nMusic George Gershwin\, Rhapsody in Blue\nSet and costumes Fabio Cherstich\nLights Eric Soyer \nProduction National Dance Foundation / Aterballetto\nCo-produced with Foundation Teatro Regio di Parma\nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′ \n— \nSECUS \nRestaging for 16 dancers of the company  \nChoreography Ohad Naharin\nMusic Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys\nSound design & editing Ohad Fishof\nCostumes Rakefet Levy\nLights Avi Yona Bueno (Bambi)\nChoreography assistants Rachael Osborne\, Ian Robinson\nCreation for Batsheva Dance Company (within Three\, 2005) \nProduction National Dance Foundation / AterballettoCo-produced with Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F)\nPremiere September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, RoveretoDuration 30′ \n“`\n\nInfo & Tickets \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-2/2024-02-23/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Rhapsody in Blue,Season,Season January - June 2024,Secus,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240229T180000
DTEND;TZID=Europe/Rome:20240229T190000
DTSTAMP:20260504T085617
CREATED:20240123T144607Z
LAST-MODIFIED:20240418T143441Z
UID:10003237-1709229600-1709233200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL -LENA
DESCRIPTION:Lena is a performance that arises from an investigation into the gesture of pushing\, understood as a multifaceted relational gesture. \nThe object to which this research refers is the swing: an object of ancestral simplicity of which we all know the sensation and condition. An object capable of providing us with a specific and exclusive dynamic of movement. Starting from these premises and from the investigation around the swing object\, of which the playful dimension is also mentioned\, the performance focuses on the search for that gray area between play and violence\, between playful and sadistic\, between joke and spite. The push\, in its repetition\, changes meaning\, unleashes different imaginaries\, acquires new values: it is a gesture that in the relational sphere often defines roles of power and strength. \nThis research aims to investigate the different meanings that this gesture carries with it\, encapsulating them\, showing them\, and transforming them through the repetition of a dynamic. In this physical dialogue\, a mechanism of pushed and pushing bodies is composed\, a human machine made of actions and reactions\, in which the intention behind the gesture is lost and confused. \n  \nCREDITS \nThe research has developed through the exchange in the studio\, at different moments of the process\, with the performers Teodora Grano\, Chiara Luccisano\, Michael Incarbone\, Erica Bravini\, Daria Greco\, Elena Bastogi\, Luca Della CorteAnd with the Light Designer Francesco Tasselli \nPerformers Giulia Cannas\, Claudio Larena\, Marta Magini\nArtistic Consulting Sofia Naglieri\nSound Designer Lorenzo Minozzi\nLight Designer Francesco Tasselli \nProject supported by Artisti Associati; Associazione Culturale Chiasma; Fondazione Nazionale della Danza / Aterballetto \nAUTHORS \nCLAUDIO LARENA \nA young author and performer who explores the languages of installation\, dance\, and performance. After the studio debut of his first work at the RomaEuropaFestival 2020\, he continues his creative path with the conception of three new projects: -LENA; Le Spinte; Stiamo Lavorando per voi (ci scusiamo per il disagio). He trains by participating in workshops with national and international artists\, with particular attention to the performative field. His authorial projects always take different formats: urban performance and scenic writing; word performance and choreographic research. A craftsman by training\, he often questions the entity of objects\, their meanings\, and the physical\, historical\, or conceptual relationship that arises from our connection with them. \n  \nINFO & TICKETS \nTICKETS\nFull price: three euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-lena/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January - June 2024
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