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SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:First open rehearsal of the 2024/25 season with CCN/Aterballetto \nTuesday\, October 1st\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to meet the three new dancers of the company and witness the preparation of Glory Hall\, the new creation by Diego Tortelli that will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of the dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241005T180000
DTEND;TZID=Europe/Rome:20241005T190000
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SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-05/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241006T180000
DTEND;TZID=Europe/Rome:20241006T190000
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SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-06/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241018T203000
DTEND;TZID=Europe/Rome:20241018T213000
DTSTAMP:20260505T061241
CREATED:20240725T160913Z
LAST-MODIFIED:20241016T163459Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO MUOVE
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFourth appointment: Friday 18 October h 20.30 at Fonderia\n\n \nIl corpo muove (The body moves)\nTalk withNicolas Ballario and Riccardo Buscarini\nChoreographies by Riccardo Buscarini\nFocus on Jackson Pollock\, Nan Goldin\, Michelangelo Pistoletto\, Cindy Sherman\, Studio Azzurro\, Yōko Ono \n\n\n\nNicolas Ballario will present works related to “moving” art\, that is\, art that makes the artists move during creation or the audience when experiencing it (from Jackson Pollock to Nan Goldin\, from Michelangelo Pistoletto to Yoko Ono). The evening will feature Riccardo Buscarini bringing some excerpts from Form O\, a very recent work that is based on visual symmetries and asymmetries\, and the effect that what we see creates in our body. \nAddressing the theme of the body moved by passions\, in a whirlwind of seductions and intrigues\, Johan Inger’s Don Juan in VR will be presented\, where the audience will fall into a dynamic flow that is difficult to resist. \n‘War Is Over! (if you want it) Yoko Ono’ exhibition – Sydney\, Museum of Contemporary Art Australia. From Wikimedia Commons \nCrediti \nconcept / choreography Riccardo Buscarini\ndance Annalisa Perricone\, Giulia Quacqueri\noriginal music by Alessandro Baldessari assisted by Luca Felici\, “Nostalgia for Nothing” (A. Baldessari) and Piano Sonata No. 3\, Op. 2 No. 3\, in C major (L. Van Beethoven)\ncostumes Mara Leonora Pieri\nlights Alessandro Gelmini\nproduction De Arte Saltandi \nWinner of the Theodor Rawyler Prize 2023 / Festival TenDance\, Latina. Supported by Citofonare PimOff 2024\, Milan\, Centro Coreografico Nazionale/Aterballetto\, and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza and AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara and Vincenzo Losito\, MM Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the People who have contributed to and will encounter this project. \nRiccardo Buscarini \nEcco la traduzione in inglese del testo: \n**Riccardo Buscarini**\, an award-winning choreographer in Italy and abroad\, is active in the fields of contemporary dance\, opera\, and visual arts. He graduated from the London Contemporary Dance School in 2009. Buscarini won the Prospettiva Danza Prize in 2011\, Fondo Fare Anticorpi in 2012\, and The Place Prize in 2013 with “Athletes”. He has participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, the Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, and NID Platform in 2014 and 2022. \nIn the visual arts field\, he has collaborated with Summerhall (Edinburgh)\, London Festival of Architecture (2016 and 2019)\, Nahmad Projects (London and Milan)\, and UNA Galleria at Spazio Leonardo (Milan). His creation “Silk” for the Chelyabinsk Contemporary Dance Theater (Russia) was nominated for two Golden Mask Awards in 2018 at the Bolshoi Theater in Moscow and was later restaged for ŻfinMalta\, the National Dance Company of Malta. In 2019\, he created two works\, “Suite Escape” for Equilibrio Dinamico Dance Company and “Nocturne” for Chelyabinsk Contemporary Dance Theater. In 2020\, he choreographed “Charade” for EDGE (The Place\, London) and was invited to perform at the 45th Cantiere Internazionale d’Arte in Montepulciano. In 2022\, he created “Requiem for Juliet\,” based on W. Shakespeare for ŻfinMalta. \nIn 2023\, he directed his first opera\, “Madama Butterfly” by Giacomo Puccini at Teatru Aurora in Gozo\, Malta\, and founded De Arte Saltandi\, a cultural association dedicated to Domenichino da Piacenza\, through which he curates dAS FESTIVAL. \n  \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, enjoy an exquisite wine tasting thanks to the collaboration with Venturini Baldini.\n \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-muove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241021T180000
DTEND;TZID=Europe/Rome:20241021T190000
DTSTAMP:20260505T061241
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SUMMARY:OPEN REHEARSAL - WAITING FOR NOTTE MORRICONE
DESCRIPTION:Monday\, October 21 at 6:00 PM at Fonderia\, Waiting for Notte Morricone: an open rehearsal of the Aterballetto Company with choreographer Marcos Morau\, allowing the audience to experience the emotions before the indoor debut of Notte Morricone at Teatro Argentina in Rome\, where the show will be on stage from October 24 to November 10. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \nCREDITS \nDirection and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, First Outdoor Performance Macerata Opera Festival\nCo-production\, First Indoor Performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, which music inspires or accompanies me in my daily life\, and I always answer the same way: from classical music to new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith classical training and avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, which can live far from the films for which it was created.”» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Chevalier of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Festival d’Avignon\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival of Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in several companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expressing and communicating in our present time\, always turbulent and constantly evolving. \nFrom this season\, he is an associate artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we get involved in what also turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-waiting-for-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Productions,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241025T180000
DTEND;TZID=Europe/Rome:20241025T190000
DTSTAMP:20260505T061241
CREATED:20241011T134856Z
LAST-MODIFIED:20241024T113042Z
UID:10003704-1729879200-1729882800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - WHOMAN?
DESCRIPTION:  \nCan a human being exist regardless of their gender identity?\nIs it possible to be completely free? \nWHOMAN? draws upon the stylistic elements of science fiction cinema to transform choreography into a universal metaphor for the contemporary world. The concepts of masculinity and femininity are equally placed beyond any preconceived notions\, and the age-old conflict of gender inequality is deconstructed\, weakened\, made fragile\, and reinterpreted within a broader vision of humanity. \nCREDITS \nChoreography: Mario Coccetti | Collective\nDancers: Rocco Suma\, Sally Damonte\, Giovanni Karol Borriello\nProduction: ASMED | Balletto di Sardegna\nCo-production: MILANoLTRE Festival \nS DANCE COMPANY \n\n\n\n\n\n\n\nS Dance Company is an artistic project by Mario Coccetti\, Rocco Suma\, and Salvatore Sciancalepore.\nFounded in 2016 as a collective of artists\, it has gradually solidified into a contemporary dance company\, building a diverse repertoire in terms of stage setups and the number of performers. Today\, the company features productions ranging from two to five dancers\, with both indoor and outdoor performances. The permanent company dancers include Sofia Zanetti\, Flavia Giuliani\, and Marco Arzenton\, who were joined in 2023 by Flavia Giuliani\, Samuele Arisci\, Paolo Grosso\, Alessia La Notte\, and Alessio Saccheri.\nCurrently\, S Dance Company is produced by ASMED Balletto di Sardegna and is actively engaged in national and international tours.\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is available one hour before the show starts \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-whoman/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241030T180000
DTEND;TZID=Europe/Rome:20241030T190000
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LAST-MODIFIED:20240729T134039Z
UID:10003489-1730311200-1730314800@www.fndaterballetto.it
SUMMARY:Open Rehearsal - Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241030T203000
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LAST-MODIFIED:20241024T165338Z
UID:10003487-1730320200-1730323800@www.fndaterballetto.it
SUMMARY:Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n  \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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