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DTSTART;TZID=Europe/Rome:20250204T203000
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DTSTAMP:20260505T005006
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SUMMARY:14.610
DESCRIPTION:The title of the performance is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It is a small and sophisticated puzzle to solve. The latest work by Claudia Catarzi has something intimate and shameless. \nFollowing the performance\, a discussion with the choreographer will take place\, joined by Carmelo A. Zapparrata\, journalist and dance critic for *Repubblica-Bologna* and *Hystrio*. \n\nCredits \nby and with Claudia Catarzi\nmusic by Julien Desprez\nscenography by Fabio Giommarelli \nco-produced by Company Blu\, La Manufacture – Centre de Développement Chorégraphique National Bordeaux Nouvelle-Aquitaine\, Armunia/Festival Inequilibrio/Centro di residenze artistiche Castiglioncello\, with the support of the Regione Toscana and the MiC \ncreated in 2023 \nDiscover more \nIt’s hard to describe the feeling of dancing almost three meters high on a surface so narrow it seems more like a pedestal than a platform. From the ground\, that is\, from the stage of the Teatro Rosignano Solvay\, where the show debuted for the Inequilibrio festival\, the latest work by Claudia Catarzi has something intimate and shameless. Shameless because the spectator\, compelled to keep their eyes upwards\, admires the technical skill\, explicit and evident\, of a figure that doesn’t perform acrobatics\, but nonetheless constructs a tense and sculptural choreography\, made of plastic poses\, clear and defined gestures\, even jumps. Although the tone is far from baroque – a certain austerity prevails\, though never frigid – there is something triumphant in this construction that resembles the base for a Renaissance equestrian statue. Indeed\, in the dramatic arc of the show\, the satisfaction of reaching the top is palpable. As if we were in the mountains. Looking down from above is satisfying\, but it also gives you chills. Not only because it’s easy to fall\, but perhaps because at some point from this peak\, the only thing left to do is descend. \n \nAnd this is the other intimate dimension that runs through the entire show and speaks to us of fragility and strength\, of change and resistance. The title of the show is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It’s a small and sophisticated puzzle to solve. Not too difficult\, to be honest\, but we want to leave it unresolved\, so as not to spoil the pleasure of discovery. In the second part of the work\, the pedestal reveals itself as a steep slide\, and the descent becomes a sort of struggle; the muscular body strains to defeat the weight of gravity\, as in the whirls of some Giambologna statue. Even though the aesthetics are tied to a sober normality\, which makes the image even more intimate and common. About ten years ago\, Catarzi debuted in her solo 40\,000 Square Centimeters\, again a number for a title\, striking for presence and power in the small space drawn on the stage of only four square meters. Ten years later\, this space has shrunk but has risen into the air. Not a diving board to jump from\, but a mountain – like life – to embrace and climb. \n(Rodolfo Sacchettini – July 18\, 2023) \nCLAUDIA CATARZI \nAfter training at the Academy of Fine Arts in Florence\, she began her career working with the Micha Van Hoecke Ensemble. She later danced with companies such as Dorky Park Constanza Macras (Berlin)\, Compagnia Virgilio Sieni\, Aldes/Roberto Castello\, Company Blu/Alessandro Certini and Charlotte Zerbey\, En-Knap Group/Iztok Kovač (Ljubljana)\, László Hudi (J. Nadj – Budapest)\, among others. In 2009\, she was part of Choreoroam\, a research project by the Israeli choreographer Yasmeen Godder (Tel Aviv). She was later invited to follow the work of the Batsheva Dance Company by Ohad Naharin. She has collaborated with choreographer Ambra Senatore since the beginning of her company’s research work between Italy and France\, participating in all her early works. Since 2011\, she has been working on personal creations. The solo Arrivò senza colore won the co-production Sosta Palmizi\, and Un giorno\, a duo in collaboration with Mariano Nieddù\, was a finalist at the “Premio Equilibrio 2010” (directed by Sidi Larbi Cherkaoui). Her two latest creations see her sharing the stage for the first time with two female figures: Michal Mualem\, a historical dancer in Sasha Waltz’s company\, in A set of timings\, and Claudia Caldarano\, a former dancer of Virgilio Sieni\, in Posare il tempo. The live presence of musician Gianni Maestrucci in Posare il tempo – percussionist of the renowned group Tetraktis – transforms the danced duet into a trio. Claudia Catarzi is currently an associate artist at CDCN of Bordeaux\, La Manufacture | Bordeaux-Nouvelle Aquitaine. \nLearn more \n  \nInfo&Tickets \nTICKETS \n6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/14-610/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250223T180000
DTEND;TZID=Europe/Rome:20250223T190000
DTSTAMP:20260505T005006
CREATED:20250129T131250Z
LAST-MODIFIED:20250218T112349Z
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SUMMARY:PerAria
DESCRIPTION:Go outside\,\nstand like this…\n…with your head in the air.\nBe silent\,\nand listen to the wind\,\nit has all the answers… \nOnce again this year\, the Sosta Palmizi Company returns to Fonderia to make us dream\, with a show dedicated to children from 5 years old. \nWith the freedom of spirit typical of childhood\, the lightness and depth of imagination\, a small room can become a place for great adventures: with eyes closed and ears wide open\, the air and the wind whisper incredible stories to us! They can take us to that strange country\, Anarea\, the country without winds where everything is still and moving is a fascinating challenge. Or to the Land of Flying Hats\, where the gusts of wind are so strong they swap people’s hats and identities! PerAria takes us into a world where adult logic becomes increasingly rarefied\, making room for curiosity\, wonder\, creativity\, play\, and emotions\, inviting the audience to become lighter and to stay (…at least for the duration of the show) a little more with their head perAria! \nThe idea for the show came from the desire to create a tribute to life\, lightness\, and carefree living. The authors were inspired by air and wind as vehicles and conduits of experiences and emotions\, creating a nested narrative containing other stories born from the illogical\, stimulating\, and whirlwind curiosity of childhood and creativity. \n\n\n\n“We are overwhelmed by the energy of dance\, emotions pass through movement\, light and delicate\, as light as air\, or wild and explosive.”\nNella Califano | AltreVelocità \n\n\n\n  \n\n  \nCredits \n  \n\n\nchoreography and stage creation Giorgio Rossi\ndramaturgy and original texts Savino Maria Italiano\nperformers Anna Di Bari\, Verdiana Gelao\, and Savino Maria Italiano\nmusic Livio Minafra\ncostumes Roberta Vacchetta\nlighting design Roberto Cupertino\nscenography Gisella Butera and Matilde Gori / Zaches Scenography Atelier\nproduction Associazione Sosta Palmizi\nco-production I Nuovi Scalzi\nresidential support Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, HOME Centro Creazione Coreografica (PG)\, Comune di Barletta\, Teatro Fonderia Leopolda Comune di Follonica (GR)\, Ad Arte Spettacoli\, Zaches Teatro and Ass. Amici di Duccio\nthanks to Azioni in Danza/Barletta\, Olga Mascolo \nDuration 50′ \nShow for children aged 5 and above \n\n\n  \nSOSTA PALMIZI/GIORGIO ROSSI \nGiorgio Rossi is the co-founder in 1984 of the Compagnia Sosta Palmizi and its subsequent Association\, of which he is still co-artistic director along with Raffaella Giordano. Giorgio Rossi\, as E. Satie would say\, “is a dancing mammal.” At the age of 4\, after seeing the Swiss clown Dimitri\, he realized that theater was his life. He owes his artistic success to having had the opportunity to witness the works of great masters (Kantor\, Brook\, Bausch\, Carlson)\, and with some of them\, he learned the art of the stage\, both as a student and as a performer. He collaborates with artists from other fields\, such as: P. Fresu\, B. Bertolucci\, T. Gylliam\, S. Benni\, P. Turci\, L. Poli\, D. Riondino\, P. Rossi\, Banda Osiris\, G. Mirabassi\, M. Rabbia\, M. Baliani\, and many others; he participated as a dancing author in the show *Vieni via con me* by R. Saviano and F. Fazio. In 2013\, he choreographed all the movements for *Carmen* by Bizet with L’Orchestra di Piazza Vittorio. With over 30 productions\, his shows have traveled the world thanks to the universality of the poetic art of movement. In recent years\, he has created three performances aimed at younger audiences (*Con il naso all’insù*\, *Costellazioni. Pronti\, partenza… spazio!*\, *Esercizi di fantastica*). In 2019\, he curated the formative and creative residency at the École des Sables in Dakar for the exchange project “Italie\, Culture\, Afrique.” He has collaborated with the company El Grito both as a performer (*Gran Circo Rossini*) and as a choreographer (*Uomo Calamita*). In 2021 and 2022\, he worked as an author and performer alongside R. Goretti and M. Bonechi for the production *Gli ultimi giorni di Pompeo* by Andrea Pazienza. In 2022\, he began a collaboration with composer and pianist Livio Minafra (winner of the Top Jazz awards in 2005\, 2008\, and 2011); their encounter gave birth to *Agata*\, an improvisation project for dance and piano. In 2023\, the partnership with Minafra was confirmed by a new production that expanded the collaboration to Savino Italiano in the creation of *In_vento*\, a work on the theme of air dedicated to younger generations\, a prequel to the production *perAria*\, which will debut in 2024. In 2023\, he also directed the staging and choreography movements of *Vertigine della Lista*\, a performance by and with F. Albanese\, S. Baldini\, L. De Simone\, and L. Valli\, born from the encounter with the essay of the same name by U. Eco. For many years\, both in Italy and abroad\, he has had a significant involvement in education\, where workshops and collaborations with dance\, theater\, and circus schools contribute to the dissemination of the choreographic arts. \nInfo&Tickets \nTICKETS \n6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/peraria/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250225T203000
DTEND;TZID=Europe/Rome:20250225T213000
DTSTAMP:20260505T005006
CREATED:20250129T135600Z
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SUMMARY:FEMINA
DESCRIPTION:Compagnia Abbondanza/Bertoni returns to Fonderia with the acclaimed Femina. \n  \n«A keen observer of reality\, in her new choreography titled Femina\, a declared tribute to women (…) Antonella Bertoni once again amazes by shifting from lyrical movement to the most absolute formal rigor\, developing a visual and sound loop that generates\, nurtures\, and accompanies the mechanical\, pulsating\, and magnetic movement (…) The white stage is striking\, as if one were inside a sterile room (..)»\nGiuseppe Distefano\, DANZA&DANZA\, September 2023 \n«Four dancers with platinum blonde bob wigs\, slender figures dancing frontally in a milk-colored space\, doll-like like perfectly crafted Barbies\, yet in reality fiery and rebellious in the rhythmic accents of individuality\, from which an irrepressible\, necessary affirmation of personality bursts forth. Excellent musical work as well.»\nFrancesca Pedroni\, IL MANIFESTO\, October 2024 \n\n  \n\n  \nCredits \nBy Michele Abbondanza and Antonella Bertoni\nChoreography: Antonella Bertoni\nPerformers: Sara Cavalieri\, Eleonora Chiocchini\, Valentina Dal Mas\, Ludovica Messina Poerio\nLighting design: Andrea Gentili\nTechnical direction: Claudio Modugno\nMusic: Dysnomia – Dawn of Midi\nAudio editing: Orlando Cainelli\nOrganization\, strategy\, and development: Dalia Macii\nAdministration and coordination: Francesca Leonelli\nCommunication and press office: Francesca Venezia\nProduction: Compagnia Abbondanza/Bertoni\nWith the support of MiC – Ministry of Culture\, Autonomous Province of Trento\, Municipality of Rovereto\, Cassa di Risparmio di Trento and Rovereto Foundation\nSpecial thanks to: Danio Manfredini\, Marco Dalpane\, Lucio Diana\, Nadezhda Simenova   \nDuration: 60′   \nFinalist of the Ubu Award 2023 in the category “Best Dance Performance” \nCRITICAL TEXT \nPlaudit: captatio benevolentiae or j’accuse?\nIn the beginning was the beat:\nironic clapping\,\nhunters flushing out the prey\nor beginning of a sabbatical ritual.\nThe insistent\, geometric loop\ncompresses and compels\nsustaining and generating scores\nrigorously formal scores\,\nthus momentarily leaving concealed\nof the feminine soul the essence.\nIn the unfolding of the action\nflows a surgical\nchoreographic self-flagellation\nalways listening\nof a common and shared time.\nSimultaneously beat and beat:\n‘Beat but listen!’ (Plutarch) \nWith a posthumous disguise\nand minimal movements\nthe flow takes us\ninto the game of female identity\,\neffeminating\, malingering\, disambiguating the four performers.\nDisembodying and incorporating themselves and each other:\ntwo poles\,\ntwo physical places\non opposite banks of the same river.\nAccomplices of their own appearance\, they mirror each other\nrestoring mirrored movements\,\ncompressed and coated by a sound accompaniment\nthat magnetises and flows\nwithout any real interruption\nnor space for melody\nbut only for the aridity of rhythm.\n‘Femina’ is the space of translation and hallucination\ninto a scenic framework of possible forms and names\nof the feminine and feminine contemporary world. \nM.A. \nCOMPAGNIA ABBONDANZA/BERTONI \nMichele Abbondanza and Antonella Bertoni. From their New York experience at the Alwin Nikolais School to their French studies with Dominique Dupuy\, through the ‘poetic’ improvisations of Carolyn Carlson\, the study and practice of zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Teatro di Milano) and Antonella Bertoni founded the Compagnia Abbondanza/Bertoni\, recognized as one of the most prolific artistic entities in the Italian scene for their creations\, educational and pedagogical activities\, and the dissemination of contemporary dance theater. \nThe Compagnia Abbondanza/Bertoni is in residence at the Teatro alla Cartiera in Rovereto (TN) – Italy and is supported by:\nMIC – General Directorate for Live Performance\, Municipality of Rovereto – Department of Culture\, Autonomous Province of Trento – Cultural Activities Service\, Autonomous Region Trentino Alto Adige \n \n  \nInfo&Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/femina/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250228T180000
DTEND;TZID=Europe/Rome:20250228T190000
DTSTAMP:20260505T005006
CREATED:20250218T155106Z
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SUMMARY:STABAT MATER - OPEN REHEARSAL
DESCRIPTION:The Compagnia Artemis Danza / Monica Casadei offers the audience at the Fonderia something unique\, opening the doors to the creative process of its new production Stabat Mater\, which will premiere at the Teatro Rossini in Pesaro on March 14. \nSTABAT MATER \nChoreography\, direction\, sets\, lights\, and costumes Monica Casadei\nMusic Gioachino Rossini\nProduction Compagnia Artemis Danza/Monica Casadei\nIn collaboration with AMAT and Teatro Rossini di Pesaro\nWith the contribution of Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Municipality of Parma \nThe creation\, signed by the choreographer from Ferrara Monica Casadei\, is dedicated to Gioachino Rossini’s Stabat Mater; a choral tribute to the soul of women\, to their universal love\, embodied by the mother par excellence. The performance represents the evolution of a multi-year research journey that the choreographer has dedicated to the encounter between dance and religious music.\nStabat Mater is a collective prayer\, timeless and universal\, for a mater dolorosa\, a woman’s heart broken by pain\, a mater lacrimosa that crystallizes in the moment of lament the tragedy of losing a child. \nThe body becomes the medium to tell the emotional experience of those facing the transformation of the primordial bond between mother and child. The performance becomes a cry and a whisper\, noise and silence\, giving voice to a love that transcends loss and never ceases to illuminate\, even in the darkest moments. \nStabat Mater offers a profound and moving fresco of maternity\, in a deep and lyrical tension between pain and hope\, making the mother’s suffering a universal symbol of empathy and resilience. \nThe power of Rossini’s composition plays a crucial role in conveying the emotional intensity of the text\, while the dynamic music elevates the narrative from lament to a song of hope. \nMONICA CASADEI \nOriginally from Ferrara and holding a degree in Philosophy with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, dedicated herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris where she met choreographers Pierre Doussaint and Isabelle Doubouloz\, as well as the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. In 1994\, she founded the company Artemis Danza in France\, and in 1997\, she moved to Italy\, where she began an intense production activity that\, to this day\, counts over fifty original creations. From 1998 to 2007\, the company was in residence at the Fondazione Teatro Due in Parma\, while from 2014 to 2018\, it was in artistic residence at the Teatro Comunale in Bologna. Fundamental to Monica Casadei’s artistic research were her encounters with Federico Fellini\, her investigation into the great lyrical tradition with performances such as Il Barbiere di Siviglia and the series of works dedicated to the heroines of opera reinterpreted in a contemporary key (such as Traviata\, Tosca X\, Carmen K\, Butterfly – Colori Proibiti\, Private Callas\, Puccini’s Opera.Voci di Donne). The productions of Artemis Danza are characterized by their fusion with different artistic\, cultural\, and geographical realms\, as well as the exploration of urban spaces that become the stage for performative actions. Alongside its production activity\, Artemis supports\, produces\, and promotes young authors and carries out numerous activities to educate the public. \nInfo&Tickets \nTICKETS \n3 euros \nFree for children under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox office at Fonderia: The box office opens half an hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stabat-mater-private-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january july 2025
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