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DTSTART;TZID=Europe/Rome:20211024T143000
DTEND;TZID=Europe/Rome:20211024T153000
DTSTAMP:20260504T204221
CREATED:20210728T104722Z
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SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T163000
DTEND;TZID=Europe/Rome:20211024T173000
DTSTAMP:20260504T204221
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001774-1635093000-1635096600@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211029T203000
DTEND;TZID=Europe/Rome:20211029T213000
DTSTAMP:20260504T204221
CREATED:20210728T142641Z
LAST-MODIFIED:20211026T165935Z
UID:10001776-1635539400-1635543000@www.fndaterballetto.it
SUMMARY:Oh Peter\, hello. Goodbye - Prima di domani
DESCRIPTION:XL Dance Company – “Prima di domani” – ph. Elena Barchi \nTwo choreographies that highlight the talent of the young XL Dance Company directed by Emanuela Baratin and Laura Matano. \n \nOh Peter\, hello. Goodbye \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic by various authors\nDuration 13’40” \nHere is the greeting you had to become.\nI awaited it comprehensively because in all our things there were sentences and redemptions.\nInside there is the desire to which I had to return to and which I had to preserve.\nA resolute control of aspirations is needed in order not to become a victim of them.\nYou are without siege\, and I am no longer a smile but the winter.\nCover yourself too.\nYou said that every body is seeking\, calling\, must fulfil itself.\nIt’s true\, here is the ritual to leave.\nI feel that you want to drag me into your space but I have chosen to let myself return to myself\, in symbiosis\nwith my wide gestures and without constraints.\nUntil they are accomplished we will guard our\nsleep\, but standing sideways\, to give access to nightmares.\nThen I will open my hands as if I am in a space of my own\, without having yours around me trying to\ntake one last close-up look. \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nSet design Cinzia Macis\nDramaturgical preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic various authors\nDuration 24’30” \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and look after it. A game that never ends.\nEach time\, pain is a great discovery. Lightning\, like a black star.\nSomething is missing\, you begin to live without it\, as you search for the vanishing point of life. It scrapes the empty words\, invents a new language\, obtains by subtraction.\nIt is fear that comes but arrives together with courage.\nStrength. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo make the balance square again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in its own way hospitable.\nAnd you walk\, you go ahead in the disorder of destiny\, you obey the failure of time that falls on you\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, no escaping\, no running away\, the bridge has collapsed.\nCount the hours\, the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time. \nCompelled state of necessity.\nThat’s it\, you’ve got to get through it before tomorrow.\nAnd don’t forget it from tomorrow. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/seamless-prima-di-domani/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211031T203000
DTEND;TZID=Europe/Rome:20211031T213000
DTSTAMP:20260504T204221
CREATED:20210728T160701Z
LAST-MODIFIED:20211019T082858Z
UID:10001778-1635712200-1635715800@www.fndaterballetto.it
SUMMARY:NEXT STOP_ PALCOSCENICO
DESCRIPTION:NEXT STOP_ PALCOSCENICO\nContainer of contemporary creations that open the doors to the professional performing world. \nChoreographers in Creation 2021\nLuna Cenere\, Daniele Ziglioli\,Emma Cianchi\, Sabrina Rigoni \nPerformers\nYoung dancers of the StudioXL advanced training course Reggio Emilia \n \nSTUDIOXL CONTEMPORARY DANCE \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nArtistic Direction Laura Matano\, Emanuela Baratin \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/next-stop-placoscenico-studioxl-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211104T203000
DTEND;TZID=Europe/Rome:20211104T213000
DTSTAMP:20260504T204221
CREATED:20210921T162111Z
LAST-MODIFIED:20211220T102516Z
UID:10002233-1636057800-1636061400@www.fndaterballetto.it
SUMMARY:SWANS_1
DESCRIPTION:What does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nThe evening Swans_1 includes new creations by Chiara Bersani\, Philippe Kratz e Silvia Gribaudi.\nThe performance will be followed by a talk hosted by the journalist Greta Pieropan.\n \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS\n \n \nL’Animale  \nBy and with Chiara Bersani\nScene and light Valeria Foti\nWith the collaboration of Richard Gargiulo and Sergio Seghettini\nVocal playwright Francesca Della Monica\nAssistance to dramaturgy and promotion Giulia Traversi\nAssistance to creation Marco D’Agostin / Elena Giannotti\nSupport to the creative process Federica Della Pozza\nProduction corpoceleste c.c.0.0 #\nCo-production Operaestate Festival/CSC\, Fabbrica Europa\, Bolzano Danza |TanzBozen\, Gender Bender Festival. \n  \nThe animal is standing still.\nThe animal is a house.\nThe animal is a war memorial.\nDid the animal fall?\nNo. The animal was under the table when everything was falling.\nDoes the animal travel?\nNo. There’s too much debris.\nHe could get hurt. More than this?\nMore than this might kill it.\nThe animal hears ghosts.\nThe animal chose them. \nIf you want to meet the animal\, you have to ask permission.\nChiara Bersani \n  \n  \nOpen Drift \nChoreography Philippe Kratz\nDancers Antonio Tafuni and Nagga Giona Baldina\nOriginal music Borderline Order\nOn commission of Festival Operaestate-Bassano del Grappa  \nThe Dying Swan by Anna Pavlova and Michel Fokine is a representation of the final moments of a living creature and it alludes to the idea of transformation. We are observing a creature transforming itself into a different state of existence.\nIn a spiritual and philosophical perspective\, we tend to use the word “passage” when referring to death because we see this process as a process of transition\, just as all life can be seen as a sequence of transformations.\nBut is it possible to encapsulate a single moment in time? With this duet\, I wanted to try. \nThe physical research is based on the idea of floating and fluctuating. Two bodies meet by chance because the currents of life have brought them together in the open sea. Something firm and resolute appears in their bearing as if they are determined to make the most out of their encounter. They know they have been accidentally brought together\, but they also know that\, for this brief moment\, one will be the only witness to the existence of the other\, and vice versa\, before drifting off again in different directions\, disconnected and unrelated\, but potentially transformed for the better.\nPhilippe Kratz\n \nOpen Drift has been created in a personal moment of transition of the choreographer and it is the result of the two-way exchange between Philippe Kratz\, at the end of his career as a dancer\, and the two young performers\, at the beginning of their working experience. \nPeso Piuma \nby and with Silvia Gribaudi\nMusic Nicola Ratti\nWith the collaboration of Associazione Culturale Zebra\nPeso Piuma was created as part of the project SWANS NEVER DIE \nPeso Piuma is a performance inspired by the first version of The Dying Swan created by Michel Fokine and danced by Anna Pavlova. \nIn her interpretation\, Anna Pavlova included in the choreography movements that were expressions of her own feelings\, performing a revolutionary act that betrayed the codes of the dance of the 1900s: Choreographers’ and dancers’ roles became blurred.\nThe dance that was staged belonged to both the choreographer and the performer\, it was impossible to know how much belonged to one or the other.\nThe dance that was staged belonged to both choreographer and performer\, it was impossible to know how much belonged to one or the other.\nWhich is the invisible legacy that remains for those who will dance that choreography?\nHow is a movement transmitted and re-interpreted?\nWhere do the past and the present meet in the body? How does the gesture go beyond time? \nIn a 15-minute performance\, together with the public\, I explore the intimacy of the body\, the abandonment to it. I reconstruct new movements\, with effort and happiness\, repeating those arms and that broken neck of Pavlova.\nI have tried to start from those steps that give impetus to the fall. It is a fall in order to get up again.\nSilvia Gribaudi \n \nGreta Pieropan \nGreta Pieropan has a background in Modern Philology and Literature Studies\, with a focus on journalism and performing arts. She works with festivals and dance companies on communicating dance to professional and non-professional audiences. Her personal research includes dance dramaturgy\, as a tool for the creative process and for developing a positive exchange between artists and audiences and researching new narratives for contemporary dance. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211111T190000
DTEND;TZID=Europe/Rome:20211111T200000
DTSTAMP:20260504T204221
CREATED:20211018T134413Z
LAST-MODIFIED:20211220T102341Z
UID:10002243-1636657200-1636660800@www.fndaterballetto.it
SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211111T210000
DTEND;TZID=Europe/Rome:20211111T220000
DTSTAMP:20260504T204221
CREATED:20211018T134413Z
LAST-MODIFIED:20211220T102341Z
UID:10002244-1636664400-1636668000@www.fndaterballetto.it
SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211125T203000
DTEND;TZID=Europe/Rome:20211125T220000
DTSTAMP:20260504T204221
CREATED:20210921T162159Z
LAST-MODIFIED:20211220T102523Z
UID:10001812-1637872200-1637877600@www.fndaterballetto.it
SUMMARY:SWANS_2
DESCRIPTION:{%CAPTION%} \nWhat does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nIn the evening Swans_2\, the traditional version of The Dying Swan is presented with new creations by Camilla Monga and Collettivo MINE.\nThe performance will be followed by a talk hosted by the Professor Alessandro Pontremoli. \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS \n \nSwaën  \nBy and with Camilla Monga\nLive music  Filippo Vignato e Emanuele Maniscalco\nProduction VAN\nCoproduction Lavanderia a Vapore/Piemonte dal Vivo\, Operaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del Grappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza; “Memory in Motion. \nCamilla Monga’s creation starts from the artistic synesthesia between dance and music\, which becomes a crasis in the chosen title: Swaën\, a combination of the noun Swan and part of the surname of the composer of  The Dying Swan: Saint-Saens.\nSwaën is a jazz trio that combines improvised and more structured movements involving one female dancer\, the trombone player Filippo Vignato and the multi-instrumentalist Emanuele Maniscalco.\nThey are the authors of a re-writing of piece no. 13 of The Carnival of the Animals. \nLiving like I know I’m gonna die \nChoreography\, invention and dance Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nPerformers Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nSound F. De Isabella\nStyling Ettore Lombardi\nPhoto and video Tonia Laterza\nProduction Fabbrica Europa\, Operaestate Festival/CSC Bassano \nLiving like I know I’m gonna die has been realized within Swans never die\n(Danzare la memoria 2020-2022) with the support of Lavanderia a Vapore/Piemonte dal Vivo\,\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del\nGrappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza;\n“Memory in Motion. Re-Membering Dance History (Mnemedance)” – Università Ca’ Foscari\nVenezia; Ecole Universitaire de Recherche CREATES e Centre Transdisciplinaire\nd’Epistémologie de la Littérature et des Arts Vivants\, Université Côte d’Azur e con il\ncoordinamento scientifico di Susanne Franco.\n \n” While we speak\, time will have escaped greedily. \nGrab this day”\nOrazio  \nLiving like I know I’m gonna die is a dance for five bodies. \nTwo couples and a single one form a group in reciprocity\, a single body made by linked arms \nunfolds in a network of lightning-fast encounters that cross the space with a progressive and \nunavoidable rhythm.\nThe sudden rhythmic character articulates a continuous\, intensely dense and intrinsically\nfleeting movement\, destined to change\, dissolve and end challenging time and its ephemeral\nnature.\nIn this way Pavlova daces the dying swan for Fokine\, like a real fight against death\,\nembodying a constant symbol of the transience of existence and of life’s things. \nThe Dying Swan \nChoreography Michel Fokine for Anna Pavlova\nMusic Camille Saint-Saëns\nDancer Martina Dall’Asta from Nuovo Balletto Classico \nThe historical choreography by Fokine The Dying Swan\, performed from Nuovo Balletto di Toscana\, ends the evening. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211126T210000
DTEND;TZID=Europe/Rome:20211126T214000
DTSTAMP:20260504T204221
CREATED:20211123T164553Z
LAST-MODIFIED:20211124T215739Z
UID:10001847-1637960400-1637962800@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - Don Juan
DESCRIPTION:What is behind a performance of Aterballetto? What happens in the rooms of the Fonderia in Reggio Emilia? \nBefore the lockdown\, our audience could discover the daily work of dancers and choreographers by attending the open rehearsals of the company. \nNow our fans\, and not only those from Reggio Emilia but from every city will be able to enter the universe of Aterballetto with PROVE IN CORSO\, our first series of four episodes curated by Nicolas Ballario: one of the most appreciated journalists of contemporary art who\, thanks to his unique verve and extraordinary competence\, is bringing everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario we enter the world of the Fondazione Nazionale della Danza / Aterballetto.\nBetween hilarious encounters\, ironic scenes involving people who work at the Fonderia every day\, and dancing moments\, in four episodes directed by Fabrizio Spucches\, we will discover the secrets of the company and the backstage of the shows\, in a way never told before. \nPROVE IN CORSO will be broadcast on the OnTheatre.tv  platform.\nPROVE IN CORSO is supported by the Ministry of Culture / Special Projects 2021. \nIn the first episode\, scheduled on Friday 26th November at 9 p.m. (available until 28th November at 12 p.m.)\, we will be seduced by the amazing Don Juan by Johan Inger\, a choreography inspired by the myth of Don Giovanni. \nTickets \n\nTicket: 3€.\nIf you are planning to watch all 4 episodes\, you can buy the package ticket: 10€\nBuy your ticket on https://www.biglietteriafonderia39.it/home.aspx or https://www.ontheatre.tv/Prove-in-Corso-80c9a500 (for the package).\nWe will send you a personal code that will allow you to watch the show on OnTheatre platform.\n\n\nThe purchased episode will be viewable from the scheduled date (Friday 26 November at 21.00).\nIf you are unable to watch the episode on Friday\, you will be able to start the episode within 28 days of purchase.\nOnce started\, the episode will be available for 48 hours.\nBy purchasing the package\, all shows will be visible in the MY SHOWS area of the OnTheatre website\, but individual episodes can only be played from scheduled Fridays (Don Juan will be available from 26 November\, Storie from 3 December…).\nWhen you purchase the package\, the 28 days period starts from the date the show is scheduled.\n\nOnTheatre platform \n\nRegister for free on OnTheatre: ontheatre.tv/Sign up and confirm your registration by clicking on the link you will receive by e-mail.\nYou can now log in to OnTheatre by using your email address and the password you have chosen.\nChoose the show ” PROVE IN CORSO ” and enter your personal code\, which we have sent you by email\, in the section “Do you have a code? Click here” or in the CODE section of the menu on the left.\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time.\nFor assistance write to support@ontheatre.tv\n\n\n.
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-don-juan/
LOCATION:Fonderia – streaming\, Italia
CATEGORIES:Season,Season 2021,season September-December 2021,Streaming
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211128T180000
DTEND;TZID=Europe/Rome:20211128T190000
DTSTAMP:20260504T204221
CREATED:20210728T164745Z
LAST-MODIFIED:20211005T094001Z
UID:10001780-1638122400-1638126000@www.fndaterballetto.it
SUMMARY:Danza d'Autore - Open Rehearsal
DESCRIPTION:Danza d’Autore – Open Rehearsal\n\nMM Contemporary Dance Company directed by Michele Merola presents Danza d’Autore\, a triple bill composed of Extended by Camilla Monga\, Round Trip by Roberto Tedesco and La metà dell’ombra by Michele Merola. \n \n\n  \nExtended \nChoreography and concept Camilla Monga\nMusic Federica Furlani and By This River by Brian Eno\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Annalisa Perricone\, Alice Ruspaggiari\, Giuseppe Villarosa \nProduction MM Contemporary Dance Company\nWith the support of VAN \nProject born from the action Prove d’autore XL\, promoted by Network Anticorpi XL and coordinated by Associazione Cantieri \nDuration 20′ \nHere we are\nStuck by this river\nYou and I\nUnderneath a sky that’s ever falling down\, down\, down\nEver falling down \nBrian Eno’s By This River brings dancers and spectators into a rarefied atmosphere while the sound of the piano and keyboards caress each other embroidering a precious harmonic fabric. The song invites to a sweet disorientation to idealise a time without time and a space without borders. Camilla Monga works with the musician Federica Furlani to create a polyphony of images that are always new and unrepeatable\, creating an elsewhere that is outlined minute by minute before the eyes of the spectator. Each musical framework guides the talented MMCDC dancers\, giving each one few features that mark their characters; while closely connected actions provoke chain reactions\, outlining increasingly meditative and ethereal panoramas. Extended is expanded music that seems to have neither a beginning nor an ending; it is a reflection on the nature and fragility of man\, but also on his ability to evoke a universe\, false or real\, to create spaces in which one can fall and rise again. \nRound Trip \nChoreography Roberto Tedesco\nMusic Not Waving\nLighting Design Gessica Germini\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Giuseppe Villarosa \nDuration 12′ \nThere is no linear story but moments\, images\, situations that transfigure the formal aspect of the choreographic score into music\, in what seems to be a “mosaic-work”.\nAn investigation into pure movement\, starting from the awareness that “without space there would be no movement\, but without movement space would not be conceivable. With Round Trip we enter into an analysis of different identities\, of the encounter with the other and its many facets. Individuals engaged in a unique and multiple research confront and identify themselves\, mixing again\, not caring about any classification. A circular motion that consists of invading and abandoning space\, going and returning that do not always coincide\, as if every single situation were disconnected from the previous or the following one and could belong each time to an infinitely variable number of performers. \nRoberto Tedesco \nLa metà dell'ombra \n\n\n\n\n\n\nChoreography Michele Merola\nMusic Johann Sebastian Bach\, Geert Hendrix\, Senking\nCostume design Carlotta Montanari\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Paolo Lauri\, Nicola Stasi\, Giuseppe Villarosa \nDuration 28′ \nLa metà dell’ombra stages an ideal and impalpable journey into sacrality. The gestures and the music remind us of the ritual\, of an archaic world\, lost forever. The dancers alternate the physicality of the ‘dancing body’ with an intimate interpretation of the most spiritual part of man. \n\nIn Michele Merola’s dance there is always a time where the human tension and the truth about feelings get exalted: dance brings out the aching sense of life. His dance goes straight to heart\, shaped as knife\, without intermissions and it breaks our self-confidence. La metà dell’ombra is the last leg of this path: it’s structured on human male bodies and it can be considered as a journey to\nexplore the mystery of the sacred in us. The choreography moves in a continuous tension between the sense of expiation\, expressed with gestures lacerating\, self-punitive\, and the hope of redemption and the liberation of the body. There is a constant movement between atonement\, punishment\, hope and freedom. The feelings are mixed\, opposed and drawn in a collective ritual ending. Each frame we see and each choral dance performed exalt the human presence. By those choices the choreographer gains a new dance language that conquered us with power and evocation. \nErmanno Romanelli – Dance News \n\n\n\nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company\, based in Reggio Emilia\, Italy\, is directed by choreographer Michele Merola. The company was born in 1999 as a permanent center for the production of events and shows and as a promoter of projects and workshops with the aim  of supporting exchanges and alliances between italian and international artists\, witnesses and spokesmen of contemporary culture.\nCompany repertoire is composed by a various range of styles: Merola’s works and other creations of international and Italian choreographers as Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello. \nIn 2010 MMCDC won Danza&Danza Critics Award as Best Emergent Italian Dance Company and in 2017 got the Europaindanza – Merit Award to Choreography for the show Bolero by Michele Merola.\nToday the company is\, in effect\, an outstanding ensemble of italian dance\, with consolidated activity of shows all over the country: it is hosted in many theaters in most of Italian regions\, is invited in major festivals\, collaborates with almost all the regional circuits. Abroad\, MMCDC was present in European and extra-European countries such as Korea\, Colombia\, Canada\, Russia\, Germany\, Morocco\, Belgium… \nFor the three-year period 2018-20 MM Contemporary Dance Company is associated company of InDanza Circuit of Trentino Alto Adige. MM Contemporary Dance Company is supported by Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/danza-dautore-open-rehearsal-mm-company-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/07/thiene-2_1530x755.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211128T203000
DTEND;TZID=Europe/Rome:20211128T220000
DTSTAMP:20260504T204221
CREATED:20210728T171721Z
LAST-MODIFIED:20210910T103016Z
UID:10002193-1638131400-1638136800@www.fndaterballetto.it
SUMMARY:DANZA D'AUTORE
DESCRIPTION: \nMM Contemporary Dance Company  directed by Michele Merola presents Danza d’Autore\, a triple bill composed of Extended by Camilla Monga\, Round Trip by Roberto Tedesco and La metà dell’ombra by Michele Merola. \n \n\n  \nExtended \nChoreography and concept Camilla Monga\nMusic Federica Furlani and By This River by Brian Eno\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Annalisa Perricone\, Alice Ruspaggiari\, Giuseppe Villarosa \nProduction MM Contemporary Dance Company\nWith the support of VAN \nProject born from the action Prove d’autore XL\, promoted by Network Anticorpi XL and coordinated by Associazione Cantieri \nDuration 20′ \nHere we are\nStuck by this river\nYou and I\nUnderneath a sky that’s ever falling down\, down\, down\nEver falling down \nBrian Eno’s By This River brings dancers and spectators into a rarefied atmosphere while the sound of the piano and keyboards caress each other embroidering a precious harmonic fabric. The song invites to a sweet disorientation to idealise a time without time and a space without borders. Camilla Monga works with the musician Federica Furlani to create a polyphony of images that are always new and unrepeatable\, creating an elsewhere that is outlined minute by minute before the eyes of the spectator. Each musical framework guides the talented MMCDC dancers\, giving each one few features that mark their characters; while closely connected actions provoke chain reactions\, outlining increasingly meditative and ethereal panoramas. Extended is expanded music that seems to have neither a beginning nor an ending; it is a reflection on the nature and fragility of man\, but also on his ability to evoke a universe\, false or real\, to create spaces in which one can fall and rise again. \nRound Trip \nChoreography Roberto Tedesco\nMusic Not Waving\nLighting Design Gessica Germini\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Giuseppe Villarosa \nDuration 12′ \nThere is no linear story but moments\, images\, situations that transfigure the formal aspect of the choreographic score into music\, in what seems to be a “mosaic-work”.\nAn investigation into pure movement\, starting from the awareness that “without space there would be no movement\, but without movement space would not be conceivable. With Round Trip we enter into an analysis of different identities\, of the encounter with the other and its many facets. Individuals engaged in a unique and multiple research confront and identify themselves\, mixing again\, not caring about any classification. A circular motion that consists of invading and abandoning space\, going and returning that do not always coincide\, as if every single situation were disconnected from the previous or the following one and could belong each time to an infinitely variable number of performers. \nRoberto Tedesco \nLa metà dell'ombra \n\nChoreography Michele Merola\nMusic Johann Sebastian Bach\, Geert Hendrix\, Senking\nCostume design Carlotta Montanari\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Paolo Lauri\, Nicola Stasi\, Giuseppe Villarosa\n\n\n\nDuration 28′ \nLa metà dell’ombra stages an ideal and impalpable journey into sacrality. The gestures and the music remind us of the ritual\, of an archaic world\, lost forever. The dancers alternate the physicality of the ‘dancing body’ with an intimate interpretation of the most spiritual part of man. \nIn Michele Merola’s dance there is always a time where the human tension and the truth about feelings get exalted: dance brings out the aching sense of life. His dance goes straight to heart\, shaped as knife\, without intermissions and it breaks our self-confidence. La metà dell’ombra is the last leg of this path: it’s structured on human male bodies and it can be considered as a journey to\nexplore the mystery of the sacred in us. The choreography moves in a continuous tension between the sense of expiation\, expressed with gestures lacerating\, self-punitive\, and the hope of redemption and the liberation of the body. There is a constant movement between atonement\, punishment\, hope and freedom. The feelings are mixed\, opposed and drawn in a collective ritual ending. Each frame we see and each choral dance performed exalt the human presence. By those choices the choreographer gains a new dance language that conquered us with power and evocation. \nErmanno Romanelli – Dance News \n\n\n\nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company\, based in Reggio Emilia\, Italy\, is directed by choreographer Michele Merola. The company was born in 1999 as a permanent center for the production of events and shows and as a promoter of projects and workshops with the aim  of supporting exchanges and alliances between italian and international artists\, witnesses and spokesmen of contemporary culture.\nCompany repertoire is composed by a various range of styles: Merola’s works and other creations of international and Italian choreographers as Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello. \nIn 2010 MMCDC won Danza&Danza Critics Award as Best Emergent Italian Dance Company and in 2017 got the Europaindanza – Merit Award to Choreography for the show Bolero by Michele Merola.\nToday the company is\, in effect\, an outstanding ensemble of italian dance\, with consolidated activity of shows all over the country: it is hosted in many theaters in most of Italian regions\, is invited in major festivals\, collaborates with almost all the regional circuits. Abroad\, MMCDC was present in European and extra-European countries such as Korea\, Colombia\, Canada\, Russia\, Germany\, Morocco\, Belgium… \nFor the three-year period 2018-20 MM Contemporary Dance Company is associated company of InDanza Circuit of Trentino Alto Adige. MM Contemporary Dance Company is supported by Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/danza-dautore-mm-contemporary-dance-company-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/07/thiene-2_1530x755.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211203T210000
DTEND;TZID=Europe/Rome:20211203T214000
DTSTAMP:20260504T204221
CREATED:20211124T163249Z
LAST-MODIFIED:20220801T165929Z
UID:10001852-1638565200-1638567600@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - Storie
DESCRIPTION:What is behind a performance of Aterballetto? What happens in the rooms of the Fonderia in Reggio Emilia? \nBefore the lockdown\, our audience could discover the daily work of dancers and choreographers by attending the open rehearsals of the company. \nNow our fans\, and not only those from Reggio Emilia but from every city will be able to enter the universe of Aterballetto with PROVE IN CORSO\, our first series of four episodes curated by Nicolas Ballario: one of the most appreciated journalists of contemporary art who\, thanks to his unique verve and extraordinary competence\, is bringing everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario we enter the world of the Fondazione Nazionale della Danza / Aterballetto.\nBetween hilarious encounters\, ironic scenes involving people who work at the Fonderia every day\, and dancing moments\, in four episodes directed by Fabrizio Spucches\, we will discover the secrets of the company and the backstage of the shows\, in a way never told before. \nPROVE IN CORSO will be broadcast on the OnTheatre.tv platform.\nPROVE IN CORSO is supported by the Ministry of Culture / Special Projects 2021. \nOn Friday 3 December at 9 p.m. (available until 5th December at 12 p.m.)\, the second episode is focused on the rehearsals of the creations by Philippe Kratz and Diego Tortelli that are part of the evening Storie. \nTickets \n\nTicket: 3€.\nIf you are planning to watch all 4 episodes\, you can buy the package ticket: 10€\nBuy your ticket on https://www.biglietteriafonderia39.it/home.aspx or https://www.ontheatre.tv/Prove-in-Corso-80c9a500 (for the package).\nWe will send you a personal code that will allow you to watch the show on OnTheatre platform.\n\n\nThe purchased episode will be viewable from the scheduled date (Friday 3 December at 21.00).\nIf you are unable to watch the episode on Friday\, you will be able to start the episode within 28 days of purchase.\nOnce started\, the episode will be available for 48 hours.\nBy purchasing the package\, all shows will be visible in the MY SHOWS area of the OnTheatre website\, but individual episodes can only be played from scheduled Fridays (Don Juan will be available from 26 November\, Storie from 3 December…).\nWhen you purchase the package\, the 28 days period starts from the date the show is scheduled.\n\nOnTheatre Platform \n\nRegister for free on OnTheatre: ontheatre.tv/Sign up and confirm your registration by clicking on the link you will receive by e-mail.\nYou can now log in to OnTheatre by using your email address and the password you have chosen.\nChoose the show ” PROVE IN CORSO ” and enter your personal code\, which we have sent you by email\, in the section “Do you have a code? Click here” or in the CODE section of the menu on the left.\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time.\nFor assistance write to support@ontheatre.tv\n\n\n.
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-storie/
LOCATION:Fonderia – streaming\, Italia
CATEGORIES:Season,Season 2021,season September-December 2021,Streaming
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/01/71-copy-e1610464739178.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211209T203000
DTEND;TZID=Europe/Rome:20211209T213000
DTSTAMP:20260504T204221
CREATED:20210725T161826Z
LAST-MODIFIED:20210910T102657Z
UID:10002184-1639081800-1639085400@www.fndaterballetto.it
SUMMARY:Concerto Fisico
DESCRIPTION:Concerto Fisico is a physical and vocal score that reviews and redraws the history of Balletto Civile\, the story of the company born inside the former Psychiatric Hospital of Udine. \n \n\n \nCredits \nConcept and choreography Michela Lucenti\nCreated and performed by Michela Lucenti\nAssistant to the creation Maurizio Camilli\nLive sound design Tiziano Scali and Maurizio Camilli\nProduction Balletto Civile and Festival Resistere e Creare\nWith the support of UFO – UNIDENTIFIED ART RESIDENCES and MIBACT \nTo know you alive is to feel the planet crumble beneath you\, to soar kicking try to throw yourself off while you cling to the edge\, is to ride the planet like a log in the direction of the current\, screaming.\nAnne Dillard \nSynopsis \nI always sang in shows even when my dancing was furious. The body\, my gestures are the map of what I feel and singing is my vehicle to keep me alive. \nConcerto Fisico is a composition for physical and vocal instrument\, a twisted and crooked greatest hits that has nothing nostalgic to tell the story of a group through the stories it has become a vehicle. A juke-box that awakens the emotional accents of a memory that is still the present\, of how we transformed ourselves\, of the sand from which we emerged\, of the Creatures\, of the wooden horses built for Troy\, of the fire extinguishers thrown in the dark\, of the sea of milk where Woyzeck and Andres talk about the void\, of Desdemona’s desperate scream\, of what happened to Thebes\, of the Resistance\, of the struggle and of the Revolution\, of how in the end the Evil Lambs are all of us\, of the mirrored floor and an orange rope\, of the power and heavy coats of 1918\, of stuffed foxes and sexual seasons\, of death and a Brazilian with a green plume\, of a small white dog\, of taboos\, of plastic ducks and Kenyan acrobats\, of firemen and priests\, of an accident and a gas station\, of a radio and a city always on fire\, of why things happen. Then everything disappears\, sucked into the eyes\, as if it never existed. \nConcerto Fisico is a musical tale for actions that retraces and redraws the history of Balletto Civile\, that is\, my own\, the history of my company. It was founded during a long artistic residence inside the former Psychiatric Hospital of Udine\, one of the centres where Basaglia revolutionized the concept of madness. My art was born in that place\, isolated from the world and at the same time in the centre of its burning fire. \nMichela Lucenti \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original singing interact naturally. \nballettocivile.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/concerto-fisico-balletto-civile-fonderia-reggio-emilia-december/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/01/Concerto_Michela-Lucenti_Balletto-Civile_HD_003-e1638198821755.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211210T210000
DTEND;TZID=Europe/Rome:20211210T214000
DTSTAMP:20260504T204221
CREATED:20211124T164355Z
LAST-MODIFIED:20211124T220941Z
UID:10002253-1639170000-1639172400@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - MicroDanze
DESCRIPTION:What is behind a performance of Aterballetto? What happens in the rooms of the Fonderia in Reggio Emilia? \nBefore the lockdown\, our audience could discover the daily work of dancers and choreographers by attending the open rehearsals of the company. \nNow our fans\, and not only those from Reggio Emilia but from every city will be able to enter the universe of Aterballetto with PROVE IN CORSO\, our first series of four episodes curated by Nicolas Ballario: one of the most appreciated journalists of contemporary art who\, thanks to his unique verve and extraordinary competence\, is bringing everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario we enter the world of the Fondazione Nazionale della Danza / Aterballetto.\nBetween hilarious encounters\, ironic scenes involving people who work at the Fonderia every day\, and dancing moments\, in four episodes directed by Fabrizio Spucches\, we will discover the secrets of the company and the backstage of the shows\, in a way never told before. \nPROVE IN CORSO will be broadcast on the OnTheatre.tv platform.\nPROVE IN CORSO is supported by the Ministry of Culture / Special Projects 2021. \nOn Friday 10 December at 9 p.m. (available until 12th December at 12 p.m.) comes the third episode with MicroDanze by Fernando Melo\, Norge Cedeño Raffo\, Francesca Lattuada and Ina Lesnakowski. \nTickets\n  \n\nTicket: 3€.\nIf you are planning to watch all 4 episodes\, you can buy the package ticket: 10€\nBuy your ticket on https://www.biglietteriafonderia39.it/home.aspx or https://www.ontheatre.tv/Prove-in-Corso-80c9a500 (for the package).\nWe will send you a personal code that will allow you to watch the show on OnTheatre platform.\n\n\nThe purchased episode will be viewable from the scheduled date (Friday 10 December at 21.00).\nIf you are unable to watch the episode on Friday\, you will be able to start the episode within 28 days of purchase.\nOnce started\, the episode will be available for 48 hours.\nBy purchasing the package\, all shows will be visible in the MY SHOWS area of the OnTheatre website\, but individual episodes can only be played from scheduled Fridays (Don Juan will be available from 26 November\, Storie from 3 December…).\nWhen you purchase the package\, the 28 days period starts from the date the show is scheduled.\n\nOnTheatre Platform \n\nRegister for free on OnTheatre: ontheatre.tv/Sign up and confirm your registration by clicking on the link you will receive by e-mail.\nYou can now log in to OnTheatre by using your email address and the password you have chosen.\nChoose the show ” PROVE IN CORSO ” and enter your personal code\, which we have sent you by email\, in the section “Do you have a code? Click here” or in the CODE section of the menu on the left.\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time.\nFor assistance write to support@ontheatre.tv\n\n\n.
URL:https://www.fndaterballetto.it/en/evento/prove-in-cordo-microdanze/
LOCATION:Fonderia – streaming\, Italia
CATEGORIES:Season,Season 2021,season September-December 2021,Streaming
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-The-bell-jar-chor-Fernando-Melo-ph.-Celeste-Lombardi2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211213T180000
DTEND;TZID=Europe/Rome:20211213T190000
DTSTAMP:20260504T204221
CREATED:20210729T101323Z
LAST-MODIFIED:20210910T102339Z
UID:10002210-1639418400-1639422000@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 25.0 - OPEN REHEARSAL
DESCRIPTION:Agora Coaching Project – ph. Nicola Stasi \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 25.0\, with choreographies by Emanuele Soavi and Michele Merola. \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-25-0-open-rehearsal-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211214T203000
DTEND;TZID=Europe/Rome:20211214T220000
DTSTAMP:20260504T204221
CREATED:20210729T103210Z
LAST-MODIFIED:20211214T180848Z
UID:10002211-1639513800-1639519200@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 25.0
DESCRIPTION:{%CAPTION%} \n  \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 25.0\, with choreographies by Emanuele Soavi and Enrico Morelli. \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Super Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-25-0-agora-coaching-project-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T180000
DTEND;TZID=Europe/Rome:20220123T190000
DTSTAMP:20260504T204221
CREATED:20220105T110532Z
LAST-MODIFIED:20220105T111301Z
UID:10002290-1642960800-1642964400@www.fndaterballetto.it
SUMMARY:ARA! ARA! - OPEN REHEARSAL
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza \n  \nOPEN REHEARSAL\nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio  \nARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \n  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/ara-ara-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T203000
DTEND;TZID=Europe/Rome:20220123T213000
DTSTAMP:20260504T204221
CREATED:20220105T102835Z
LAST-MODIFIED:20220110T161208Z
UID:10002285-1642969800-1642973400@www.fndaterballetto.it
SUMMARY:ARA! ARA!
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio \nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \nARA! ARA!is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Foundry is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ara-ara-panzetti-ticconi-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T180000
DTEND;TZID=Europe/Rome:20220209T190000
DTSTAMP:20260504T204221
CREATED:20220105T122314Z
LAST-MODIFIED:20220105T122927Z
UID:10002289-1644429600-1644433200@www.fndaterballetto.it
SUMMARY:NUBIVAGO - Open Rehearsal
DESCRIPTION:Equilibrio Dinamico Dance Company – Continuum – ph. Stefano Sasso \nOPEN REHEARSAL\nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, inRoberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy.\n \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n  \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T203000
DTEND;TZID=Europe/Rome:20220209T220000
DTSTAMP:20260504T204221
CREATED:20220105T115716Z
LAST-MODIFIED:20220110T161254Z
UID:10002293-1644438600-1644444000@www.fndaterballetto.it
SUMMARY:NUBIVAGO
DESCRIPTION:Equilibrio Dinamico Dance Company – Simple Love – ph. Stefano Sasso \n  \nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, in Roberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy. \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220212T173000
DTEND;TZID=Europe/Rome:20220212T183000
DTSTAMP:20260504T204221
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002283-1644687000-1644690600@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/12/40.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220213T173000
DTEND;TZID=Europe/Rome:20220213T183000
DTSTAMP:20260504T204221
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002284-1644773400-1644777000@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-13/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T180000
DTEND;TZID=Europe/Rome:20220220T184500
DTSTAMP:20260504T204221
CREATED:20220119T131206Z
LAST-MODIFIED:20220208T120742Z
UID:10001876-1645380000-1645382700@www.fndaterballetto.it
SUMMARY:ANTI\doti - OPEN REHEARSAL
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nOPEN REHEARSAL\nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \n  \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T203000
DTEND;TZID=Europe/Rome:20220220T211500
DTSTAMP:20260504T204221
CREATED:20220112T170256Z
LAST-MODIFIED:20220112T171941Z
UID:10002318-1645389000-1645391700@www.fndaterballetto.it
SUMMARY:ANTI\doti
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \n  \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves\, and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/Francesco-Agnello-Photography-2.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220308T180000
DTEND;TZID=Europe/Rome:20220308T190000
DTSTAMP:20260504T204221
CREATED:20220105T154457Z
LAST-MODIFIED:20220105T174525Z
UID:10001860-1646762400-1646766000@www.fndaterballetto.it
SUMMARY:Quel che resta - Open rehearsal
DESCRIPTION:Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia \nOPEN REHEARSAL\nA choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth\, the organism multiplies its directions and continually makes possible new balances and new links\, without avoiding the occurrence of mutations. \nQuel che resta (What remains) is a journey towards the wonder of movement\, made up of moments in which dance freezes in a gesture and surprising explosions\, sudden bursts\, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures. \n  \n\nCREDITS \nConcept and choreography: Simona Bertozzi\nDance: Marta Ciappina\, Simona Bertozzi\nMusic: Stravinsky: Diversions\, Ray Chen\, Timothy Young Divertimento: IV. Pas de deux\, Coda Presto\nSoundscape: Roberto Passuti\n(with an excerpt from the documentary Big Animals survival strategies)\nLighting design: Giuseppe Filipponio \nOrganization: Chiara Boscariol\nPress: Michele Pascarella\nPhoto and video: Luca Del Pia \nDuration: 45’\nProduction: Nexus 2021 \nWith the contribution of Mic\, Regione Emilia-Romagna\, Comune di Bologna\nWith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze \nCreative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro\, Artists in ResidenSì Bologna\, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021\, CSS Teatro stabile di innovazione del FVG\, Almastudios Bologna. \nSYNOPSIS \nSince the beginning of my journey with Marta\, I have tried to attribute to the space environmental characteristics that could generate visions\, change the density of the air and generate the unexpected ability to cross. Unusual ways of being. \nAll this so that we could meet in a boundless dance\, able to reverberate beyond the awareness of our actions and surprise us\, almost despite ourselves\, in attitudes of affection and irresistible resonance. \nQuel che resta (What remains) was\, at first\, one of the territories of the map and of the practices\, between glaciation\, skins\, escapes\, and then became the overlying image\, the bubble\, the necessary degree of presence\, the shared gaze\, the inevitable questioning on which to pause\, to find the subtle breath and transit from one dance to another. \nSimona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia  \nFrom a section of space\, Quel che resta has become the whole organism\, the living\, a multiplication of vectors\, perspectives\, anatomical flexions\, rhythm and time.\nIt has made us connective tissues\, to imagine and welcome other inhabitants\, to make temperatures and origins reverberate\, to generate multiform agreements of entry into movement\, looking for unexpected capacities to make the world. To generate amazement. \nQuel che resta is the impetuosity and the lingering of bodies\, the weightless touch: it extends a vocabulary of waits and starts\, of repeated geometries\, of figurines\, ice\, resistance\, epidermis and pupils and of refrains. To be hooked. \nSIMONA BERTOZZI \nSimona Bertozzi\, dancer and choreographer\, a graduate from DAMS in Bologna\, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company. \nOver the years\, her projects have been supported and hosted by important Italian and European circuits\, through co-productions and choreographic residencies. \nHer most recent works include: And it burns\, burns\, burns finalist at the 2017 UBU Awards as Best Dance Performance\, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione\, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza\, MilanOltre\, Nexus and Festival Est Ovest. \nSince 2014 the creation path has also addressed young performers\, involving children and teenagers. \nIn 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award. \nsimonabertozzi.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/quel-che-resta-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220309T203000
DTEND;TZID=Europe/Rome:20220309T213000
DTSTAMP:20260504T204221
CREATED:20220105T152259Z
LAST-MODIFIED:20220110T161047Z
UID:10001858-1646857800-1646861400@www.fndaterballetto.it
SUMMARY:QUEL CHE RESTA
DESCRIPTION:Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia \n  \nA choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth\, the organism multiplies its directions and continually makes possible new balances and new links\, without avoiding the occurrence of mutations. \nQuel che resta (What remains) is a journey towards the wonder of movement\, made up of moments in which dance freezes in a gesture and surprising explosions\, sudden bursts\, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures. \n  \n\nCREDITS \nConcept and choreography: Simona Bertozzi\nDance: Marta Ciappina\, Simona Bertozzi\nMusic: Stravinsky: Diversions\, Ray Chen\, Timothy Young Divertimento: IV. Pas de deux\, Coda Presto\nSoundscape: Roberto Passuti\n(with an excerpt from the documentary Big Animals survival strategies)\nLighting design: Giuseppe Filipponio \nOrganization: Chiara Boscariol\nPress: Michele Pascarella\nPhoto and video: Luca Del Pia \nDuration: 45’\nProduction: Nexus 2021 \nWith the contribution of Mic\, Regione Emilia-Romagna\, Comune di Bologna\nWith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze \nCreative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro\, Artists in ResidenSì Bologna\, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021\, CSS Teatro stabile di innovazione del FVG\, Almastudios Bologna. \nSYNOPSIS \nSince the beginning of my journey with Marta\, I have tried to attribute to the space environmental characteristics that could generate visions\, change the density of the air and generate the unexpected ability to cross. Unusual ways of being. \nAll this so that we could meet in a boundless dance\, able to reverberate beyond the awareness of our actions and surprise us\, almost despite ourselves\, in attitudes of affection and irresistible resonance. \nQuel che resta (What remains) was\, at first\, one of the territories of the map and of the practices\, between glaciation\, skins\, escapes\, and then became the overlying image\, the bubble\, the necessary degree of presence\, the shared gaze\, the inevitable questioning on which to pause\, to find the subtle breath and transit from one dance to another. \nSimona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia  \nFrom a section of space\, Quel che resta has become the whole organism\, the living\, a multiplication of vectors\, perspectives\, anatomical flexions\, rhythm and time.\nIt has made us connective tissues\, to imagine and welcome other inhabitants\, to make temperatures and origins reverberate\, to generate multiform agreements of entry into movement\, looking for unexpected capacities to make the world. To generate amazement. \nQuel che resta is the impetuosity and the lingering of bodies\, the weightless touch: it extends a vocabulary of waits and starts\, of repeated geometries\, of figurines\, ice\, resistance\, epidermis and pupils and of refrains. To be hooked. \nSIMONA BERTOZZI \nSimona Bertozzi\, dancer and choreographer\, a graduate from DAMS in Bologna\, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company. \nOver the years\, her projects have been supported and hosted by important Italian and European circuits\, through co-productions and choreographic residencies. \nHer most recent works include: And it burns\, burns\, burns finalist at the 2017 UBU Awards as Best Dance Performance\, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione\, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza\, MilanOltre\, Nexus and Festival Est Ovest. \nSince 2014 the creation path has also addressed young performers\, involving children and teenagers. \nIn 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award. \nsimonabertozzi.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/quel-che-resta/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/Ph.-Luca-Del-Pia.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220313T203000
DTEND;TZID=Europe/Rome:20220313T223000
DTSTAMP:20260504T204221
CREATED:20220210T164643Z
LAST-MODIFIED:20220223T110402Z
UID:10001888-1647203400-1647210600@www.fndaterballetto.it
SUMMARY:NEXT GENERATION CHOREOGRAPHERS
DESCRIPTION:NEXT GENERATION CHOREOGRAPHERS\n10 choreographic studies by the authors of tomorrow \nThe advanced training course Next Generation Choreographers promoted by Fondazione Nazionale della Danza together with Ecipar- Reggio Emilia ends with a performance.\nThe twelve selected choreographers put their acquired skills to use by creating ten choreographies for the young dancers of the Agora Coaching Project.\nIt will be a unique opportunity to attend the creations of the authors of tomorrow. \n10 choreographic studies \nChoreographies by Nicolò Abbattista\, Adriano Bolognino\, Fabrizio Calanna\, Noemi Dalla Vecchia\, Nwagwu Nnamdi\, Marta Papaccio\, Annalì Rainoldi\, Sabrina Rigoni\, Danilo Smedile\, Federica Sorrentino\, Matteo Vignali\, Andrea Zardi\nWith 18 danzatori del corso di perfezionamento Agora Coaching Project\n\nNEXT GENERATION CHOREOGRAPHERS \nNext Generation Choreographers is a course organized by Fondazione Nazionale della Danza/Aterballetto and Ecipar- Reggio Emilia that\, through four intensive modules between October 2021 and March 2022\, is giving twelve emerging choreographers the opportunity to work with some of the most interesting choreographers on the international scene\, as well as playwrights\, light designers and stage technicians. \nThe aim of the project is to offer participants all the technical and theoretical tools required to deepen the study of the choreographic composition. \nThe final part of the program is reserved for a creative workshop in which all participants are asked to create a performance and work with the young dancers of Agora Coaching Project. \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical/stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nSingle ticket: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n\n.
URL:https://www.fndaterballetto.it/en/evento/next-generation-choreographers/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/02/Next-generation-choreographers-e1644426359242.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220319T180000
DTEND;TZID=Europe/Rome:20220319T190000
DTSTAMP:20260504T204221
CREATED:20220105T163756Z
LAST-MODIFIED:20220105T164110Z
UID:10001864-1647712800-1647716400@www.fndaterballetto.it
SUMMARY:IL MONDO ALTROVE - OPEN REHEARSAL
DESCRIPTION:Nicola Galli – Il mondo altrove \nOPEN REHEARSAL\n“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which\, to Giacinto Scelsi’s obsessive music full of mysticism\, transports us to distant worlds\, between West and East\, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali\, Japanese Nō and the mythical atmospheres of South America.\n[…] The dancers\, entering through the door at the centre of the stage\, concealing an unknown elsewhere\, advance like mysterious priests\, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”. \nMario Bianchi [ Krapp’s Last Post – 27/07/2021 ] \n  \n\nCREDITS \nConcept ancd choreography: Nicola Galli\nDance: Margherita Dotta\, Nicola Galli\, Leonardo Maietto\, Silvia Remigio\nMusic: Giacinto Scelsi\, 3/4 had been eliminated\nProps: Giulio Mazzacurati\nMasks and costumes: Nicola Galli\nLight and sound: Giovanni Garbo \nProduction: TIR Danza\, stereopsis\nCo-production: MARCHE TEATRO / Inteatro Festival\, Oriente Occidente \nArtistic residences: DID Studio / Ariella Vidach\, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt)\, Oriente Occidente Studio_Passo Nord\nWith the support of: Rete Almagià\nTook part to the process of creation: Nicolas Grimaldi Capitello\nDuration: 50′ \nSYNOPSIS \nIl mondo altrove is a choreographic pièce in the shape of dance ritual\, which celebrates the motion of an unexplored world according to a scenic mindset.\nThe pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals\, Japanese’s symbols and traditions of Nō theater\, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research\, focused on a spherical concept of sound. \nFrom the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition\, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action. \nNicola Galli – Il mondo altrove  \nThe action takes place at sunset\, embraced by the bright colors of gold\, cyan and purple\, and then it dissolves in a nocturnal gestural dialogue\, as expression of mutual support\, perpetual gift\, universal and celestial communion. \nFaced with this physical language\, we are invited to decipher the “hieroglyphs” of this unknown\, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known\, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact\, without pre-established hierarchies\, with the poetry of an opaque language\, whether it belongs to the animal world\, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter. \nNICOLA GALLI \nNicola Galli (1990\, Ferrara) works on body research\, stated in artistic pieces and devices that ranges from choreography to performance\, from body installations to graphics.\nGalli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara)\, studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance\, modern dance\, hip-hop and muscular rebalancing workshop ‘Monari Method’.\nIn 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body\, that develops in installations and choreographic pieces. Starting from the natural science\, the geometry and the astronomy he is fascinated by anatomy\, proportion and details; these elements compose the core of his trasversal scenic imaginary.\nIn his works\, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.\nContextually to artistic research\, Nicola Galli creates and manages educational workshops dedicated to children\, adults and young dancers\, designed to explore the movement\, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.\nFrom 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.\nSince 2014 he is choreographer supported by TIR Danza. \nHis works have been presented in: Egypt\, France\, Germany\, Italy\, Holland\, and via livestreaming in South Korea.\nHe has also collaborated with important international Institutions: Italian Cultural Institute (Paris)\, Balletto di Toscana (Florence)\, MUSE Science Museum (Trento)\, Scuola Normale Superiore University (Pisa)\, Fondazione Perugia Musica Classica (Perugia)\, Institute of the Arts (Seoul)\, IUAV University (Venice). \nAWARDS\n• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale\n• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura\n• 2019: Italian prize “Sfera d’Oro per la danza”\n• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device \nnicolagalli.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/il-mondo-altrove-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/il_mondo_altrove-nicola_galli_04.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220319T203000
DTEND;TZID=Europe/Rome:20220319T213000
DTSTAMP:20260504T204221
CREATED:20220105T162102Z
LAST-MODIFIED:20220110T160840Z
UID:10001862-1647721800-1647725400@www.fndaterballetto.it
SUMMARY:IL MONDO ALTROVE
DESCRIPTION:Nicola Galli – Il mondo altrove \n  \n“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which\, to Giacinto Scelsi’s obsessive music full of mysticism\, transports us to distant worlds\, between West and East\, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali\, Japanese Nō and the mythical atmospheres of South America.\n[…] The dancers\, entering through the door at the centre of the stage\, concealing an unknown elsewhere\, advance like mysterious priests\, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”. \nMario Bianchi [ Krapp’s Last Post – 27/07/2021 ] \n  \n\nCREDITS \nConcept ancd choreography: Nicola Galli\nDance: Margherita Dotta\, Nicola Galli\, Leonardo Maietto\, Silvia Remigio\nMusic: Giacinto Scelsi\, 3/4 had been eliminated\nProps: Giulio Mazzacurati\nMasks and costumes: Nicola Galli\nLight and sound: Giovanni Garbo \nProduction: TIR Danza\, stereopsis\nCo-production: MARCHE TEATRO / Inteatro Festival\, Oriente Occidente \nArtistic residences: DID Studio / Ariella Vidach\, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt)\, Oriente Occidente Studio_Passo Nord\nWith the support of: Rete Almagià\nTook part to the process of creation: Nicolas Grimaldi Capitello\nDuration: 50′ \nSYNOPSIS \nIl mondo altrove is a choreographic pièce in the shape of dance ritual\, which celebrates the motion of an unexplored world according to a scenic mindset.\nThe pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals\, Japanese’s symbols and traditions of Nō theater\, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research\, focused on a spherical concept of sound. \nFrom the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition\, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action. \nNicola Galli – Il mondo altrove  \nThe action takes place at sunset\, embraced by the bright colors of gold\, cyan and purple\, and then it dissolves in a nocturnal gestural dialogue\, as expression of mutual support\, perpetual gift\, universal and celestial communion. \nFaced with this physical language\, we are invited to decipher the “hieroglyphs” of this unknown\, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known\, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact\, without pre-established hierarchies\, with the poetry of an opaque language\, whether it belongs to the animal world\, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter. \nNICOLA GALLI \nNicola Galli (1990\, Ferrara) works on body research\, stated in artistic pieces and devices that ranges from choreography to performance\, from body installations to graphics.\nGalli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara)\, studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance\, modern dance\, hip-hop and muscular rebalancing workshop ‘Monari Method’.\nIn 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body\, that develops in installations and choreographic pieces. Starting from the natural science\, the geometry and the astronomy he is fascinated by anatomy\, proportion and details; these elements compose the core of his trasversal scenic imaginary.\nIn his works\, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.\nContextually to artistic research\, Nicola Galli creates and manages educational workshops dedicated to children\, adults and young dancers\, designed to explore the movement\, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.\nFrom 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.\nSince 2014 he is choreographer supported by TIR Danza. \nHis works have been presented in: Egypt\, France\, Germany\, Italy\, Holland\, and via livestreaming in South Korea.\nHe has also collaborated with important international Institutions: Italian Cultural Institute (Paris)\, Balletto di Toscana (Florence)\, MUSE Science Museum (Trento)\, Scuola Normale Superiore University (Pisa)\, Fondazione Perugia Musica Classica (Perugia)\, Institute of the Arts (Seoul)\, IUAV University (Venice). \nAWARDS\n• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale\n• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura\n• 2019: Italian prize “Sfera d’Oro per la danza”\n• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device \nnicolagalli.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/il-mondo-altrove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220402T180000
DTEND;TZID=Europe/Rome:20220402T184000
DTSTAMP:20260504T204221
CREATED:20220105T172459Z
LAST-MODIFIED:20220331T232333Z
UID:10001867-1648922400-1648924800@www.fndaterballetto.it
SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-02/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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