BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Centro Coreografico Nazionale / Aterballetto - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.fndaterballetto.it/en/ X-WR-CALDESC:Events for Centro Coreografico Nazionale / Aterballetto REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220506T180000 DTEND;TZID=Europe/Rome:20220506T190000 DTSTAMP:20260505T005200 CREATED:20220105T175222Z LAST-MODIFIED:20220502T144034Z UID:10002300-1651860000-1651863600@www.fndaterballetto.it SUMMARY:MADE IN ITALY 26.0 - OPEN REHEARSAL DESCRIPTION:{%CAPTION%} \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 by Giuseppe Spota\, paolo Mohovich and Michele Merola.\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-open-rehearsal-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,season january-may 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/06/Ph-Nicola-Stasi-1-e1638197534804.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220507T210000 DTEND;TZID=Europe/Rome:20220507T223000 DTSTAMP:20260505T005200 CREATED:20220105T175858Z LAST-MODIFIED:20220502T151613Z UID:10002304-1651957200-1651962600@www.fndaterballetto.it SUMMARY:MADE IN ITALY 26.0 DESCRIPTION: \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 with choreographies by Giuseppe Spota\, Paolo Mohovich and Michele Merola. \nDancers: Camilla Aiazzi\, Erica Barusco\, Silvia Bellot Romanet\, Agnese Biavati\, Veronica Biondini\, Marek Brafa\, Margherita Cardinalini\, Greta Cecconi\, Filippo Cosso\, Sally Demonte\, Pietro Di Salvo\, Annachiara Gallo\, Sofia Lacava\, Carlotta Lo Piano\, Giorgia Mantovan\, Letizia Melchiorre\, Lorenzo Molinaro\, Marta Monaci\, Martina Pagliari\, Alessio Saccheri\, Rossana Samele\, Viviana Sanfilippo\, Diletta Torelli \n  \nCHOREOGRAPHIES \nSNAPES\nChoreography GIUSEPPE SPOTA\nMusic ATMO music production\nCostume designed by GIUSEPPE SPOTA and made by NUVIA VALESTRI \nWe lose ourselves in a flood of futility\, only to experience moments of true beauty\, lucidity and fragility. In a constant non-listening\, we react to the domino effect triggered by our elected leaders of the moment\, only to find ourselves empty and fragile. \nPICCOLI RITI NOTTURNI\nChoreography PAOLO MOHOVICH\nMusic MUCHAEL KIWANUKA \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (loving or not) … to be a little older the next day…\nNighttime rituals that with hindsight appear small\, but how can we forget the emotion that made them appear immense? \nExcerpts from BOLERO\nChoreography MICHELE MEROLA\nMusic MAURICE RAVEL / STEFANO CORRIAS\nCostume design NUVIA VALESTRI\nAssistant to the choreographer PAOLO LAURI \nA clockwork mechanism of rigorous precision\, Bolero (1928) is still one of the best known and most listened to pieces in the history of music. On stage is a choreographic version of Bolero created by Merola for Agora Coaching Project\, inspired by the one created for MMContemporary Dance Company. The choreographer confronted this obsessive and repetitive music\, trying to understand its identity\, reason and function\, to arrive at his interpretation: at the end of this path the inspiration focused on the inexhaustible range of human relationships. In the choreography\, fears\, repressed desires\, existential shocks that reveal entire universes\, secret ties that exist between people are projected from the inside out\, and irony gives way to fear\, love to disenchantment\, detachment to sharing\, and so on\, between crescendo and diminuendo\, like the music of the Bolero.\nStefano Corrias spoke on this same music\, with the licence and inventiveness that are the true mark of every artist. As a refined and experienced composer\, aware of the demands of the stage\, Corrias created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analysing the pages of Bolero\, and integrates perfectly with it. \n  \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & Tickets \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can only be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,season january-may 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/01/DSC_0717.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220512T170000 DTEND;TZID=Europe/Rome:20220512T180000 DTSTAMP:20260505T005200 CREATED:20220502T152627Z LAST-MODIFIED:20220502T152937Z UID:10002335-1652374800-1652378400@www.fndaterballetto.it SUMMARY:NEXT STOP_PALCOSCENICO DESCRIPTION:Studio XL ph Silvia Casali \nOPEN REHEARSAL\nThe young dancers of StudioXL Intenational Contemporary Dance Education\, directed by Emanuela Baratin and Laura Matano\, dance choreographies by Giovanni Insaudo\, Nunzio Perricone\, Laura Matano and Daniele Bianco. \nStudioXL International Contemporary Dance Education \nStudioXL International Contemporary Dance Education – Artistic Direction Laura Matano\, Emanuela Baratin \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 16.30.\nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. URL:https://www.fndaterballetto.it/en/evento/next-stop_palcoscenico/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,season january-may 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/STUDIO-XL-prove-28-ottobre-©-2021-silvia-casali-128.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220521T180000 DTEND;TZID=Europe/Rome:20220521T190000 DTSTAMP:20260505T005200 CREATED:20220107T095658Z LAST-MODIFIED:20220505T160951Z UID:10002297-1653156000-1653159600@www.fndaterballetto.it SUMMARY:My Body trio - OPEN REHEARSAL DESCRIPTION:OPEN REHEARSAL\n\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. URL:https://www.fndaterballetto.it/en/evento/my-body-my-space-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,season january-may 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/My-Body-trio-Stefania-Tansini-foto-di-Luca-Del-Pia-4.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220522T210000 DTEND;TZID=Europe/Rome:20220522T215000 DTSTAMP:20260505T005200 CREATED:20220107T093438Z LAST-MODIFIED:20220505T161205Z UID:10002302-1653253200-1653256200@www.fndaterballetto.it SUMMARY:My Body trio DESCRIPTION:PREVIEW IN FONDERIA\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \n  \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \n  \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. URL:https://www.fndaterballetto.it/en/evento/my-body-my-space/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,season january-may 2022 ATTACH;FMTTYPE=image/png:https://www.fndaterballetto.it/wp-content/uploads/2022/01/Stefania-Tansini-My-Body-My-Space.png GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220705T193000 DTEND;TZID=Europe/Rome:20220705T200000 DTSTAMP:20260505T005200 CREATED:20220613T150854Z LAST-MODIFIED:20220613T194141Z UID:10002362-1657049400-1657051200@www.fndaterballetto.it SUMMARY:DIVINO_PRIMA APPARIZIONE DESCRIPTION:COMPAGNIA NATISCALZI DT\nFor choreographers Tommaso Monza and Claudia Rossi Valli\, the word ‘divine’ is not synonymous with ‘religious’. The project questions where the sense of the divine resides in everyday urban life and wants to do so by confronting itself with the generation of rappers and trappers under 25\, who will be the backbone of the project. The word in metrics conceived as “The Word” and its flow\, the parallelism of theatre and dance with the metrics of rap in an attempt to generate an aesthetic short-circuit. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nCREDITS \nconcept and choreography Tommaso Monza and Claudia Rossi Valli\ndance Chiara Di Guardo\, Blanca Lo Verde\, Ludovica Messina\, Federico Russo\nLive music FLOW NASA and BABA BEATBOX\nA production by Natiscalzi DT\, Compagnia Abbondanza/Bertoni\, Associazione Cinqueminuti\nwith the support of Piemonte dal Vivo\, Fondazione I Teatri di Reggio Emilia and Fondazione Nazionale della Danza / Aterballetto\nwith the contribution of the Municipality of Reggio Emilia \nwinner of Toscana Terra Accogliente\, a project by R.A.T. Residenze Artistiche Toscane\, in collaboration with Teatro Metastasio\, Fondazione Toscana Spettacolo\, Virgilio Sieni Danza\, Fabbrica Europa \n  \nNATISCALZI DT \nNatiscalzi Danza Teatro is the organic result of the creative journey shared between Tommaso Monza and Claudia Rossi Valli\, a collaboration that began in 2012 and has been successfully pursued over the years. The company initially developed as a rib of the Abbondanza/Bertoni company to then affirm its independent identity in 2016\, establishing itself as a cultural association after years of projects\, productions\, residencies and tours. \nnatiscalzidt.it \nINFO & TICKETS \nThe performance takes place at the Chiostro Piccolo of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 5 €. \nThe performances at the Chiostro Piccolo entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/divino_prima-apparizione/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/DIVINO_1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220705T213000 DTEND;TZID=Europe/Rome:20220705T224500 DTSTAMP:20260505T005200 CREATED:20220613T190743Z LAST-MODIFIED:20220613T195226Z UID:10002364-1657056600-1657061100@www.fndaterballetto.it SUMMARY:GERSHWIN SUITE | SCHUBERT FRAMES DESCRIPTION:MM CONTEMPORARY DANCE COMPANY\nAn evening dedicated to music is the one proposed by the company directed by Michele Merola. On the notes of famous pieces\, but also on more intimate and seductive music by the American composer\, Merola looks to the 20th century and the atmosphere of the Roaring Twenties\, drawing inspiration from the dynamic compositions of George Gershwin and the realistic and almost ‘cinematographic’ painting of Edward Hopper. Schubert frames is a work full of poetic images by Enrico Morelli\, who lets himself be enveloped by the delicate and moving music of Franz Schubert. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \n\n\nGERSHWIN SUITE \nChoreography: Michele Merola\nMusic: George Gershwin\, Stefano Corrias\nLighting and set design: Cristina Spelti\nSet design: Alice De Lorenzi\nCostumes: Carlotta Montanari\nMusic adaptation and recomposing: Stefano Corrias\nChoreography assistant: Paolo Lauri\nPerformers: Emiliana Campo\, Dylan Di Nola\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Annalisa Perricone\, Alice Ruspaggiari\, Nicola Stasi\, Giuseppe Villarosa \nDuration: 40 min. \nPremiere: 8 February 2018\, Teatro Ristori\, Verona \nThe notes of George Gershwin (1898-1937)\, one of the most representative musicians of the 20th century\, reflect the spirit of the time in which they were created\, with the moods and atmospheres of the Roaring Twenties. Starting with the composer’s best pieces and suggestions from the pictorial works of another great 20th century American artist\, Edward Hopper (1882-1967)\, Michele Merola has created Gershwin Suite\, whose soundtrack anthologises the author’s most captivating pages\, such as\, among others\, Summertime\, which seals the show and recurs in several moments and in different versions\, and Rhapsody in Blue. But it is not only the lush and lively music that attracts the choreographer: Merola chooses Gershwin’s music in its various facets\, not only the more euphoric and brilliant pieces\, but also the more romantic and intimate\, sensual and seductive ones. A new composition by Stefano Corrias welds it all together\, a musical carpet that gives unity to the rich mosaic of scents\, now overflowing with dynamism\, now fully lyrical\, suspended in rethinking and thickened in melancholy. Another authorial contribution to the realisation of the show was made by Cristina Spelti\, who designed the lighting and set design\, and co-wrote the concept with Merola. \n \nSome scenes are therefore inspired by the connection between the composer’s various pieces and various paintings – such as New York Movie\, Soir Bleu\, Summer in the City\, People in the sun – by Edward Hopper\, a painter who\, thanks to his realism and his modus operandi of ‘framing’\, is considered an artist very close to the world of photography and cinema\, capable of poetically and evocatively depicting even humble and simple moments of everyday life. \n“I was attracted” – says the choreographer – “by the painter’s ability to construct atmospheres and nuances that outline the implications and secrets of the human condition. The direction of the danced images and the staging of the scenes create characters and situations that are not determined once and for all\, but open to different endings and solutions”. \nDirectly inspired by Hopper’s paintings\, the intimacy of the pas de deux and solos are paraded\, complemented by ensemble scenes\, where the will to live and redemption from everyday life take over. On stage\, so much variety takes on the guise of a film set\, thanks to a set design that changes constantly\, just like a set\, and a choreography that touches several keys\, thanks to the versatility of the choreographer\, who is able to apply his creativity and talent in step with contemporary times. \nSCHUBERT FRAMES \n\n\nChoreography: Enrico Morelli\nMusic: Franz Schubert\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nPerformers: Emiliana Campo\, Dylan Di Nola\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Annalisa Perricone\, Alice Ruspaggiari\, Nicola Stasi\, Giuseppe Villarosa \nEnrico Morelli wanted to entrust his new work to the extraordinary music of Franz Schubert: no one better than the Viennese composer was able to interpret the conflicting feelings of love\, tension\, melancholy\, regret\, but also hope.\nA collage of Schubert’s celebrated pieces\, extracts from real masterpieces of infinite beauty – composed two centuries ago\, they still amaze today for their great topicality – serve as the soundtrack to this work dedicated to the many souls of contemporary man\, where love gives way to disenchantment\, detachment to sharing\, passion to fear\, and vice versa\, in a coming and going between crescendo and diminuendo\, revealing entire universes and secret bonds. \n \nThe choreography has no pretence or descriptive ambition: it is an abstract tale of loneliness and kindred souls\, in an era such as ours\, tired\, turbid\, disenchanted\, tormented by a malaise that hangs in the air\, but also anxiously searching for meaning and hope for happiness. It is a story in which we focus above all on the moment of return\, because happiness is a home to return to\, perhaps changed\, heedless of the accelerated speed of a present that frightens us and a future that we may be afraid to explore. The problem is not to arrive\, but to return. Learning each time to love\, again. Having the courage to recognise ourselves as fragile\, and therefore generous in tenderness. \n\n\nMM CONTEMPORARY DANCE COMPANY \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola. It was established in 1999 as a centre for the production of events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture.\nThe repertoire of the company\, based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Mats Ek\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, and Enrico Morelli. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco…).\nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Prize for Merit in Choreography\, for the show Bolero by Michele Merola.\nFor the three-year period 2018-20\, the MM Contemporary Dance Company is an associated company of the Trentino Alto Adige InDanza Circuit. \nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, National Dance Foundation/Aterballetto\, Teatro Asioli in Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nINFO & TICKETS \nThe performance takes place at the Chiostro Grande of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 10 €. \nThe performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/gershwin-suite-schubert-frames/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/Gershwin-Suite_cor.-Michele-Merola_foto-Riccardo-Panozzo_HD-752958.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220710T193000 DTEND;TZID=Europe/Rome:20220710T200000 DTSTAMP:20260505T005200 CREATED:20220613T192833Z LAST-MODIFIED:20220613T193057Z UID:10002361-1657481400-1657483200@www.fndaterballetto.it SUMMARY:DIVINO_SECONDA APPARIZIONE DESCRIPTION:COMPAGNIA NATISCALZI DT\nFor choreographers Tommaso Monza and Claudia Rossi Valli\, the word ‘divine’ is not synonymous with ‘religious’. The project questions where the sense of the divine resides in everyday urban life and wants to do so by confronting itself with the generation of rappers and trappers under 25\, who will be the backbone of the project. The word in metrics conceived as “The Word” and its flow\, the parallelism of theatre and dance with the metrics of rap in an attempt to generate an aesthetic short-circuit. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nCREDITS \nconcept and choreography Tommaso Monza and Claudia Rossi Valli\ndance Chiara Di Guardo\, Blanca Lo Verde\, Ludovica Messina\, Federico Russo\nLive music FLOW NASA and BABA BEATBOX\nA production by Natiscalzi DT\, Compagnia Abbondanza/Bertoni\, Associazione Cinqueminuti\nwith the support of Piemonte dal Vivo\, Fondazione I Teatri di Reggio Emilia and Fondazione Nazionale della Danza / Aterballetto\nwith the contribution of the Municipality of Reggio Emilia \nwinner of Toscana Terra Accogliente\, a project by R.A.T. Residenze Artistiche Toscane\, in collaboration with Teatro Metastasio\, Fondazione Toscana Spettacolo\, Virgilio Sieni Danza\, Fabbrica Europa \n  \nNATISCALZI DT \nNatiscalzi Danza Teatro is the organic result of the creative journey shared between Tommaso Monza and Claudia Rossi Valli\, a collaboration that began in 2012 and has been successfully pursued over the years. The company initially developed as a rib of the Abbondanza/Bertoni company to then affirm its independent identity in 2016\, establishing itself as a cultural association after years of projects\, productions\, residencies and tours. \nnatiscalzidt.it \nINFO & TICKETS \nThe performance takes place at the Chiostro Piccolo of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 5 €. \nThe performances at the Chiostro Piccolo entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/divino_seconda-apparizione/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/DIVINO_1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220710T213000 DTEND;TZID=Europe/Rome:20220710T230000 DTSTAMP:20260505T005200 CREATED:20220613T194346Z LAST-MODIFIED:20220801T195358Z UID:10002356-1657488600-1657494000@www.fndaterballetto.it SUMMARY:SHOOT ME - "O" - SECUS DESCRIPTION:ANNULLAMENTO SPETTACOLI 10-11 LUGLIO \n\n\nGentilissimo pubblico\,\ncon enorme dispiacere vi comunichiamo che gli spettacoli di Aterballetto programmati per il 10 e 11 luglio ai Chiostri di San Pietro sono annullati\, a seguito di casi positivi al Covid19.\nModalità per il rimborso dei biglietti: \n– Chi ha acquistato il biglietto di domenica 10 luglio (Aterballetto\, ore 21.30)\, deve presentarsi con la ricevuta d’acquisto online o con il biglietto cartaceo alla biglietteria dei Chiostri di San Pietro domenica 10 luglio dalle ore 18.30 alle ore 21.30; \n\n– Chi ha acquistato il biglietto di lunedì 11 luglio (Aterballetto\, ore 21.30) deve presentarsi con la ricevuta d’acquisto online o con il biglietto cartaceo alla biglietteria dei Chiostri di San Pietro domenica 10 o lunedì 11 luglio dalle ore 18.30 alle ore 21.30. \nOltre queste date non sarà più possibile il rimborso. \nÈ possibile sostituire i biglietti di domenica 10 e lunedì 11 luglio (Aterballetto\, ore 21.30) con i biglietti degli spettacoli di Compagnia Natiscalzi DT – Divino_seconda apparizione (domenica 10 luglio ore 19.30)\, di C&C Company – Il combattimento di Tancredi e Clorinda (lunedì 11 luglio\, ore 19.30)\, di Equilibrio Dinamico – Equal to Men (martedì 12 luglio\, ore 19.30)\, di Greek National Opera Ballet – Human Behaviour (martedì 12 luglio\, ore 21.30)\, di Aterballetto & Greek National Opera Ballet – MicroDanze (venerdì 15\, sabato 16\, domenica 17 luglio ore 18.30-20.15-22.00). \nLa sostituzione potrà essere fatta solamente domenica 10 e lunedì 11 luglio dalle ore 18.30 alle ore 21.30 presso la biglietteria dei Chiostri di San Pietro\, secondo le modalità scritte sopra. \nPer info: info@aterballetto.it; 3341023554 \n\n\n\n\nAterballetto is back dancing at the Chiostri with a perfect summer programme. The evening opens with Shoot me\, a new creation by Diego Tortelli to the music of the rock group Spiritualized\, an abstract but tense choreography full of energy. This is followed by “O”\, Philippe Kratz’s small masterpiece\, a hypnotic two-step with an unstoppable rhythm. All 16 dancers of the company close the evening with the visceral Secus\, a creation by Israeli Ohad Naharin with an enthralling soundtrack. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nINFO&TICKETS \nThe performance takes place at the Chiostro Grande of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 10 €. \nThe performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance \n\n\n\n\n  URL:https://www.fndaterballetto.it/en/evento/shoot-me-o-secus/2022-07-10/ CATEGORIES:Aterballetto,Chiostri San Pietro 2022,O,Season,Secus,Shoot me ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/12/FND-Aterballetto-SHOOT-ME-by-Diego-Tortelli-ph-Christophe-Bernard-012.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220711T193000 DTEND;TZID=Europe/Rome:20220711T200000 DTSTAMP:20260505T005200 CREATED:20220613T200533Z LAST-MODIFIED:20220614T113726Z UID:10002367-1657567800-1657569600@www.fndaterballetto.it SUMMARY:Il combattimento di Tancredi e Clorinda DESCRIPTION:A contemporary staging for one of the most celebrated Baroque masterpieces by Claudio Monteverdi. A 17th-century madrigal in performance form inspired by the text La Gerusalemme liberata by Torquato Tasso. On stage the baroque mezzo-soprano Chiara Osella narrates the epic tale from the sad epilogue of the two young warrior lovers Tancredi and Clorinda\, physically interpreted by the two German performers Lisa Hofmann and Luzi Madrid Villaneuva (twobetween). \nA project born from an idea of Maestro Marcello Panni and from the collaboration with ‘Bologna Festival’\, ‘Ferrara Musica’ and ‘IUC-Università La sapienza’ in Rome\, featuring the choreographic creation by Carlo Massari. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \n \nCREDITS \nOriginal creation: Carlo Massari\nPerformers: Lisa Hofmann and Luzi Madrid Villaneuva\nSung voice: Chiara Osella (mezzo-soprano)\nChoreographic collaboration: Emanuele Rosa\nTexts by Torquato Tasso\nOriginal composition: Claudio Monteverdi\nTranscription: Luciano Berio\nMusical Consultancy: M°Marcello Panni\nProduction: C&C Company \nFirst performance 2021 Bologna Festival – Ferrara Musica – IUC \nDuration: 30′ \nC&C COMPANY \nA project for the creation and development of an artistic language directed towards a physical and dramaturgical investigation\, in close relation with contemporary social issues\, it is characterised by constant research free of superstructures\, and is interested in the depth of interpersonal relationships\, with the aim of bringing ‘truth’ to the stage through a profoundly physical language that allows the spectator to feel represented in its universality. Founded in 2011\, the Company denotes a strong vocation for cross-over and hybridity in the use of dance in relation to other contemporary performance codes\, consolidating to date as an “amphibious” creative identity.\nAmong the numerous productions\, the most recent are Beast without Beauty\, Les Miserables and A peso morto\, which boast international recognition and touring. There are recurring creations that involve communities\, in a dialogue that enhances the artistic project: a search for relational truth combined with a total imaginative openness capable of bringing the audience closer to the theatrical experience. In 2020\, C&C and its founder Carlo Massari won CollaborAction# / Rete AnticorpiXL with the project RIGHT. \nINFO & TICKETS \nThe performance takes place at the Chiostro Piccolo of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 5 €. \nThe performances at the Chiostro Piccolo entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/tancredi-e-clorinda.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220711T213000 DTEND;TZID=Europe/Rome:20220711T230000 DTSTAMP:20260505T005200 CREATED:20220613T194346Z LAST-MODIFIED:20220801T195358Z UID:10002357-1657575000-1657580400@www.fndaterballetto.it SUMMARY:SHOOT ME - "O" - SECUS DESCRIPTION:ANNULLAMENTO SPETTACOLI 10-11 LUGLIO \n\n\nGentilissimo pubblico\,\ncon enorme dispiacere vi comunichiamo che gli spettacoli di Aterballetto programmati per il 10 e 11 luglio ai Chiostri di San Pietro sono annullati\, a seguito di casi positivi al Covid19.\nModalità per il rimborso dei biglietti: \n– Chi ha acquistato il biglietto di domenica 10 luglio (Aterballetto\, ore 21.30)\, deve presentarsi con la ricevuta d’acquisto online o con il biglietto cartaceo alla biglietteria dei Chiostri di San Pietro domenica 10 luglio dalle ore 18.30 alle ore 21.30; \n\n– Chi ha acquistato il biglietto di lunedì 11 luglio (Aterballetto\, ore 21.30) deve presentarsi con la ricevuta d’acquisto online o con il biglietto cartaceo alla biglietteria dei Chiostri di San Pietro domenica 10 o lunedì 11 luglio dalle ore 18.30 alle ore 21.30. \nOltre queste date non sarà più possibile il rimborso. \nÈ possibile sostituire i biglietti di domenica 10 e lunedì 11 luglio (Aterballetto\, ore 21.30) con i biglietti degli spettacoli di Compagnia Natiscalzi DT – Divino_seconda apparizione (domenica 10 luglio ore 19.30)\, di C&C Company – Il combattimento di Tancredi e Clorinda (lunedì 11 luglio\, ore 19.30)\, di Equilibrio Dinamico – Equal to Men (martedì 12 luglio\, ore 19.30)\, di Greek National Opera Ballet – Human Behaviour (martedì 12 luglio\, ore 21.30)\, di Aterballetto & Greek National Opera Ballet – MicroDanze (venerdì 15\, sabato 16\, domenica 17 luglio ore 18.30-20.15-22.00). \nLa sostituzione potrà essere fatta solamente domenica 10 e lunedì 11 luglio dalle ore 18.30 alle ore 21.30 presso la biglietteria dei Chiostri di San Pietro\, secondo le modalità scritte sopra. \nPer info: info@aterballetto.it; 3341023554 \n\n\n\n\nAterballetto is back dancing at the Chiostri with a perfect summer programme. The evening opens with Shoot me\, a new creation by Diego Tortelli to the music of the rock group Spiritualized\, an abstract but tense choreography full of energy. This is followed by “O”\, Philippe Kratz’s small masterpiece\, a hypnotic two-step with an unstoppable rhythm. All 16 dancers of the company close the evening with the visceral Secus\, a creation by Israeli Ohad Naharin with an enthralling soundtrack. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nINFO&TICKETS \nThe performance takes place at the Chiostro Grande of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 10 €. \nThe performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance \n\n\n\n\n  URL:https://www.fndaterballetto.it/en/evento/shoot-me-o-secus/2022-07-11/ CATEGORIES:Aterballetto,Chiostri San Pietro 2022,O,Season,Secus,Shoot me ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/12/FND-Aterballetto-SHOOT-ME-by-Diego-Tortelli-ph-Christophe-Bernard-012.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220712T193000 DTEND;TZID=Europe/Rome:20220712T194500 DTSTAMP:20260505T005200 CREATED:20220614T073317Z LAST-MODIFIED:20220614T073932Z UID:10002369-1657654200-1657655100@www.fndaterballetto.it SUMMARY:EQUAL TO MEN DESCRIPTION:The Amazons. \nThe immortal myth of warrior women riding fiery horses\, wielding bows\, vigorous legs amid a storm\, threatening eyes on delicate faces. Beautiful\, young\, resolute\, ready to defend their independence with swords and arrows. \nThe archetype of the Amazons\, women warriors inferior to no man\, wishes to encourage a reflection on contemporary society and women’s roles. Homerus described them as “equal to men”\, a sign of respect in the patriarchal society of ancient Greece. \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \n \nCREDITS \nChoreography and set concept: Roberta Ferrara\nLighting Design: Roberta Ferrara\nCostumes: Franco Colamorea \nDuration: 15 minutes \nWinning performance for Best Choreography and Best Dancer categories at SoloTanz Festival 2018 \nRecommended by Network Danza Urbana 2018 & Vetrina della Giovane Danza D’autore Anticorpi XL 2019 \nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO&TICKETS \nThe performance takes place at the Chiostro Piccolo of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 5 €. \nThe performances at the Chiostro Piccolo entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/equal-to-men/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/Equal-to-men.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220712T213000 DTEND;TZID=Europe/Rome:20220712T230000 DTSTAMP:20260505T005200 CREATED:20220614T082256Z LAST-MODIFIED:20220614T083054Z UID:10002375-1657661400-1657666800@www.fndaterballetto.it SUMMARY:HUMAN BEHAVIOUR DESCRIPTION:The Greek National Opera Ballet presents a modern dance triptych composed of Point of No Return by Ioannis Mandafounis\, Lieder ohne Worte by Konstantinos Rigos\, director of the ensemble\, and Plan B by Ermira Goro. The choreographies move between classical and modern styles\, giving the dancers the opportunity to experiment with new dance forms\, accompanied by the music of Giorgos Koumendakis\, Dimitri Terzakis and Dimitra Trypani. \n \nLead Donor of the Greek National Opera \n \nAegean Airlines\nOfficial Air Carrier \n \n  \nThe performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nPOINT OF NO RETURN \nChoreographer\, costume supervisor: Ioannis Mandafounis\nMusic: Giorgos Koumendakis\nLighting designer: Christos Tziogkas \nHuman Behaviour_Point of No Return_Photo Andreas Simopoulos \nIn Point of No Return\, the internationally recognised dancer and choreographer Ioannis Mandafounis composes a modern piece out of dance elements deeply rooted in the tradition of classical ballet. In tune with the music of Giorgos Koumendakis\, the GNO Ballet dancers focus on the transparency and authenticity of their moves via the arsenal of classical ballet steps. Although the group experience of their bodies reveals an extremely classical choreographical approach\, one may discern the personal identity of the performers as well as a particularly modern treatment of presence and interpretation of movement – obvious elements that indicate the choreographer’s regular touch. \n“Guided by the title Point of No Return\, this dance piece highlights classical technique as performed by a dancer of today\, without falsifying it. Joy\, communication\, complex choreography and performing immediacy are some of the elements presented by the dancers and shared with the public\,” according to Ioannis Mandafounis. Giorgos Koumendakis’ music follows the example of the “anonymous” folksong creators\, “recasting or recomposing traditional musical themes while retaining their energy and subtlety\, the authenticity of their primordial model\, their pulse and their soul.” \nThe choreography Point of No Return is a co-production of the GNO and the CIE Ioannis Mandafounis. The CIE Ioannis Mandafounis benefits from the joint support of the City of Geneva\, the State of Geneva and the Pro Helvetia – Swiss Art Council for the 2018-2023 period. \nLieder ohne Worte \nChoreographer\, set designer: Konstantinos Rigos\nMusic: Dimitri Terzakis\nCostume designer: Yiorgos Mesimeris\nLighting designer: Christos Tziogkas\nAssociate architect: Mary Tsangari \n \nThe GNO Ballet director Konstantinos Rigos bases his choreography for the second part of this “alternative journey” on three works by the accomplished Greek-German composer Dimitri Terzakis\, inspired by modern Greek history and the legacy of ancient Greece. The delicate Sprüche im Wind consists of ten brief\, succinct “haikus” for violin and piano. The work Der Hölle Nachklang I constitutes the composer’s emotionally charged reaction to his unbearable childhood memories of the German Occupation of Greece during his early childhood in Athens in the years 1941-1944\, while the third piece\, Lieder ohne Worte\, is an apotheosis of melody based on the musical system of antiquity. \nThe composer notes: “To present the infinitesimal melodic nuances and rapidly changing characters\, the interpretation of this composition may and must be endlessly free\, poetic\, song-like\, speech-like and\, yes\, ‘old-fashioned’ – like in the theatre of ancient Greece.” \nPLAN B \nChoreographer: Ermira Goro\nMusic: Dimitra Trypani\nSet & costume designer: Christos Delidimos\nLighting designer: Christos Tziogkas \n \nErmira Goro\, a movement and dance theatre artist always in search for new forms of researching and communicating her ideas\, says about the choreography of Plan B: \n“Plan B is a choreographic experiment on rigorously structured\, asymmetrical sonic forms. The dancers move through space in a constantly shifting flux from the particular to the abstract and vice-versa. Plan B\, because Plan A proved impossible and Plan C is already taking place.” In tandem\, the composer Dimitra Trypani likens her music to a “sonic impression of an imaginary videogame in a single-level environment which is to be traversed by the player. However\, within this level\, there are many ‘trap-rooms’ in quick\, unexpected succession\, often without warning. The player’s goal\, of course\, is to survive until they exit the last ‘trap-room’ of the game.” \nInfo&Tickets \nThe performance takes place at the Chiostro Grande of the Chiostri di San Pietro complex. \nTICKETS\nSingle seat 10 €. \nThe performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10 \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt the Chiostri San Pietro: from one hour before the start of the performance \n\n  URL:https://www.fndaterballetto.it/en/evento/human-behaviour/ CATEGORIES:Chiostri San Pietro 2022,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/06/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220715T183000 DTEND;TZID=Europe/Rome:20220715T230000 DTSTAMP:20260505T005200 CREATED:20220614T113051Z LAST-MODIFIED:20220718T162816Z UID:10002382-1657909800-1657926000@www.fndaterballetto.it SUMMARY:AN IDEAL CITY / MICRODANZE DESCRIPTION:A project by FONDAZIONE NAZIONALE DELLA DANZA /ATERBALLETTO\nin co-production with FONDAZIONE PALAZZO MAGNANI \nMICRODANZE is a production within AN IDEAL CITY\, a project in partnership with\nLES HALLES DE SCHAERBEEK – BRUSSELS and GREEK NATIONAL OPERA – ATHENS\,\nco-funded by the CREATIVE EUROPE programme of the European Union. \nDANZA&DANZA “Special Project” Award 2021 \n  \nA dance exhibition in the magnificent complex of the Chiostri di San Pietro. 15 choreographers – Italian and international – have conceived MicroDances\, short pieces to be danced in a tiny space\, to be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage\, the distance that separates the spectator from the performer\, creating a continuum between the viewer and the one being watched. An emotional and aesthetic experience as varied as it is original. \n\nThe MicroDances are danced by the Compagnia Aterballetto and the Greek National Opera Ballet within two exhibition routes curated by Fabio Cherstich. \nRoute A – duration 1h 30′ \nRoute B – duration 1h 30′ \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.15 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.15 pm – 10 pm \nSunday 17 July 6.30 pm – 8.15 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nThe performance is part of the summer festival DANZA AI CHIOSTRI organised by the Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nROUTE A \n1. Shelter by Saul Daniele Ardillo with Minouche Van De Ven\n2. The bell jar by Fernando Melo with Ina Lesnakowski\n3. Kepler by Diego Tortelli with Leonardo Farina\, Sandra Salietti Aguilera\, Jamal Uhlmann\n4. Carne da eroe 2.0 by Roberto Zappalà with Giulio Pighini\n5. Inside by Norge Cedeño Raffo with Estelle Bovay\n6. The Wound. Archive of Western Images by Pietro Marullo with Arianna Kob\n7. Afterimage by Philippe Kratz with Thomas Van De Ven\n8. Turn the tide by Roberto Tedesco with Serena Vinzio and Matteo Fiorani \nFND Aterballetto – MicroDanze – Shelter – chor Saul Daniele Ardillo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – The bell jar – chor Fernando Melo – ph. Celeste Lombardi \nFND_Aterballetto – MicroDanze – Carne da eroe 2.0 – install. Roberto Zappalà – dancer Giulio Pighini – Athens SNFCC ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze – Inside – chor. Norge Cedeno Raffo – dancer Estelle Bovay – Athens EMST Museum – Valeria_Isaeva-03 \nFND Aterballetto – MicroDanze – Wound… – chor Pietro Marullo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – turn the Tide – chor Roberto Tedesco – ph. Celeste Lombardi \nROUTE B \n1. Eppur si muove by Francesca Lattuada with Clément Haenen\n2. Pensieri di carta by Hélias Tur-Dorvault with Martina Forioso\n3. Platform 02 by Ina Lesnakowski with Saul Daniele Ardillo\n4. Active motivation by and with Elena Kekkou\n5. Knight riderby Yannis Nikolaidis with Margarita Kostoglou\n6. Near life experience by Angelin Preljocaj with Ivana Mastroviti and Hélias Tur-Dorvault\n7. Forget me notby Konstantinos Rigos with Vaggelis Bikos\, sax Guido De Flaviis \nFND_Aterballetto – MicroDanze – Eppur si muove – chor. Francesca Lattuada – dancer Clement Haenen – Athens Acropolis Museum – Ioannis Kampanis \n  \nFND Aterballetto – MicroDanze – Pensieri di carta – chor. Hélias Tur-Dorvault – ph. Celeste Lombardi (2) \nFND Aterballetto – MicroDanze – Platform02 – chor Ina Lesnakowski – ph. Celeste Lombardi (9) \nGNO Ballet – MicroDanze – Active Motivation – chor. Elena Kekkou – dancer Elena Kekkou – Athens Acropolis Museum ph. Valeria Isaeva \nGNO Ballet – MicroDanze – Knight Rider – chor. Yannis Nikolaidis – dancer Margarita Kostoglou – Athens Acropolis Museum ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze -Near Life Experience -chor. A.Preljocaj -dancers I. Mastroviti\, H. Tur-Dorvault – Palazzo da Mosto -ph Alice Vacondio \n  \nGNO Ballet – MicroDanze – Forget me not-chor. Konstantinos Rigos – dancer Danilo Zeka-Athens Acropolis Museum ph. Ioannis Kampanis \nINFO&TICKETS \nRoute A – duration 1 hour \nRoute B – duration 1 hour \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.45 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.45 pm – 10 pm \nSunday 17 July 6.30 pm – 8.45 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nTICKETS\nRoute A: 8 €\n \nRoute B: 8 €\n \nRoute A + Route B: 13 € (the second route gives the reduced ticket at 5 €. So 1 full ticket at 8 € + 1 reduced ticket at 5 €) \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt San Pietro Cloisters: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/an-ideal-city-microdanze/2022-07-15/ CATEGORIES:Aterballetto,Chiostri San Pietro 2022,MicroDanze,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Wound...-chor-Pietro-Marullo-ph.-Celeste-Lombardi-2-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220716T183000 DTEND;TZID=Europe/Rome:20220716T230000 DTSTAMP:20260505T005200 CREATED:20220614T113051Z LAST-MODIFIED:20220718T162816Z UID:10002383-1657996200-1658012400@www.fndaterballetto.it SUMMARY:AN IDEAL CITY / MICRODANZE DESCRIPTION:A project by FONDAZIONE NAZIONALE DELLA DANZA /ATERBALLETTO\nin co-production with FONDAZIONE PALAZZO MAGNANI \nMICRODANZE is a production within AN IDEAL CITY\, a project in partnership with\nLES HALLES DE SCHAERBEEK – BRUSSELS and GREEK NATIONAL OPERA – ATHENS\,\nco-funded by the CREATIVE EUROPE programme of the European Union. \nDANZA&DANZA “Special Project” Award 2021 \n  \nA dance exhibition in the magnificent complex of the Chiostri di San Pietro. 15 choreographers – Italian and international – have conceived MicroDances\, short pieces to be danced in a tiny space\, to be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage\, the distance that separates the spectator from the performer\, creating a continuum between the viewer and the one being watched. An emotional and aesthetic experience as varied as it is original. \n\nThe MicroDances are danced by the Compagnia Aterballetto and the Greek National Opera Ballet within two exhibition routes curated by Fabio Cherstich. \nRoute A – duration 1h 30′ \nRoute B – duration 1h 30′ \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.15 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.15 pm – 10 pm \nSunday 17 July 6.30 pm – 8.15 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nThe performance is part of the summer festival DANZA AI CHIOSTRI organised by the Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nROUTE A \n1. Shelter by Saul Daniele Ardillo with Minouche Van De Ven\n2. The bell jar by Fernando Melo with Ina Lesnakowski\n3. Kepler by Diego Tortelli with Leonardo Farina\, Sandra Salietti Aguilera\, Jamal Uhlmann\n4. Carne da eroe 2.0 by Roberto Zappalà with Giulio Pighini\n5. Inside by Norge Cedeño Raffo with Estelle Bovay\n6. The Wound. Archive of Western Images by Pietro Marullo with Arianna Kob\n7. Afterimage by Philippe Kratz with Thomas Van De Ven\n8. Turn the tide by Roberto Tedesco with Serena Vinzio and Matteo Fiorani \nFND Aterballetto – MicroDanze – Shelter – chor Saul Daniele Ardillo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – The bell jar – chor Fernando Melo – ph. Celeste Lombardi \nFND_Aterballetto – MicroDanze – Carne da eroe 2.0 – install. Roberto Zappalà – dancer Giulio Pighini – Athens SNFCC ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze – Inside – chor. Norge Cedeno Raffo – dancer Estelle Bovay – Athens EMST Museum – Valeria_Isaeva-03 \nFND Aterballetto – MicroDanze – Wound… – chor Pietro Marullo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – turn the Tide – chor Roberto Tedesco – ph. Celeste Lombardi \nROUTE B \n1. Eppur si muove by Francesca Lattuada with Clément Haenen\n2. Pensieri di carta by Hélias Tur-Dorvault with Martina Forioso\n3. Platform 02 by Ina Lesnakowski with Saul Daniele Ardillo\n4. Active motivation by and with Elena Kekkou\n5. Knight riderby Yannis Nikolaidis with Margarita Kostoglou\n6. Near life experience by Angelin Preljocaj with Ivana Mastroviti and Hélias Tur-Dorvault\n7. Forget me notby Konstantinos Rigos with Vaggelis Bikos\, sax Guido De Flaviis \nFND_Aterballetto – MicroDanze – Eppur si muove – chor. Francesca Lattuada – dancer Clement Haenen – Athens Acropolis Museum – Ioannis Kampanis \n  \nFND Aterballetto – MicroDanze – Pensieri di carta – chor. Hélias Tur-Dorvault – ph. Celeste Lombardi (2) \nFND Aterballetto – MicroDanze – Platform02 – chor Ina Lesnakowski – ph. Celeste Lombardi (9) \nGNO Ballet – MicroDanze – Active Motivation – chor. Elena Kekkou – dancer Elena Kekkou – Athens Acropolis Museum ph. Valeria Isaeva \nGNO Ballet – MicroDanze – Knight Rider – chor. Yannis Nikolaidis – dancer Margarita Kostoglou – Athens Acropolis Museum ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze -Near Life Experience -chor. A.Preljocaj -dancers I. Mastroviti\, H. Tur-Dorvault – Palazzo da Mosto -ph Alice Vacondio \n  \nGNO Ballet – MicroDanze – Forget me not-chor. Konstantinos Rigos – dancer Danilo Zeka-Athens Acropolis Museum ph. Ioannis Kampanis \nINFO&TICKETS \nRoute A – duration 1 hour \nRoute B – duration 1 hour \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.45 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.45 pm – 10 pm \nSunday 17 July 6.30 pm – 8.45 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nTICKETS\nRoute A: 8 €\n \nRoute B: 8 €\n \nRoute A + Route B: 13 € (the second route gives the reduced ticket at 5 €. So 1 full ticket at 8 € + 1 reduced ticket at 5 €) \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt San Pietro Cloisters: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/an-ideal-city-microdanze/2022-07-16/ CATEGORIES:Aterballetto,Chiostri San Pietro 2022,MicroDanze,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Wound...-chor-Pietro-Marullo-ph.-Celeste-Lombardi-2-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220717T183000 DTEND;TZID=Europe/Rome:20220717T230000 DTSTAMP:20260505T005200 CREATED:20220614T113051Z LAST-MODIFIED:20220718T162816Z UID:10002384-1658082600-1658098800@www.fndaterballetto.it SUMMARY:AN IDEAL CITY / MICRODANZE DESCRIPTION:A project by FONDAZIONE NAZIONALE DELLA DANZA /ATERBALLETTO\nin co-production with FONDAZIONE PALAZZO MAGNANI \nMICRODANZE is a production within AN IDEAL CITY\, a project in partnership with\nLES HALLES DE SCHAERBEEK – BRUSSELS and GREEK NATIONAL OPERA – ATHENS\,\nco-funded by the CREATIVE EUROPE programme of the European Union. \nDANZA&DANZA “Special Project” Award 2021 \n  \nA dance exhibition in the magnificent complex of the Chiostri di San Pietro. 15 choreographers – Italian and international – have conceived MicroDances\, short pieces to be danced in a tiny space\, to be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage\, the distance that separates the spectator from the performer\, creating a continuum between the viewer and the one being watched. An emotional and aesthetic experience as varied as it is original. \n\nThe MicroDances are danced by the Compagnia Aterballetto and the Greek National Opera Ballet within two exhibition routes curated by Fabio Cherstich. \nRoute A – duration 1h 30′ \nRoute B – duration 1h 30′ \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.15 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.15 pm – 10 pm \nSunday 17 July 6.30 pm – 8.15 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nThe performance is part of the summer festival DANZA AI CHIOSTRI organised by the Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia. \n         \nROUTE A \n1. Shelter by Saul Daniele Ardillo with Minouche Van De Ven\n2. The bell jar by Fernando Melo with Ina Lesnakowski\n3. Kepler by Diego Tortelli with Leonardo Farina\, Sandra Salietti Aguilera\, Jamal Uhlmann\n4. Carne da eroe 2.0 by Roberto Zappalà with Giulio Pighini\n5. Inside by Norge Cedeño Raffo with Estelle Bovay\n6. The Wound. Archive of Western Images by Pietro Marullo with Arianna Kob\n7. Afterimage by Philippe Kratz with Thomas Van De Ven\n8. Turn the tide by Roberto Tedesco with Serena Vinzio and Matteo Fiorani \nFND Aterballetto – MicroDanze – Shelter – chor Saul Daniele Ardillo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – The bell jar – chor Fernando Melo – ph. Celeste Lombardi \nFND_Aterballetto – MicroDanze – Carne da eroe 2.0 – install. Roberto Zappalà – dancer Giulio Pighini – Athens SNFCC ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze – Inside – chor. Norge Cedeno Raffo – dancer Estelle Bovay – Athens EMST Museum – Valeria_Isaeva-03 \nFND Aterballetto – MicroDanze – Wound… – chor Pietro Marullo – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi \nFND Aterballetto – MicroDanze – turn the Tide – chor Roberto Tedesco – ph. Celeste Lombardi \nROUTE B \n1. Eppur si muove by Francesca Lattuada with Clément Haenen\n2. Pensieri di carta by Hélias Tur-Dorvault with Martina Forioso\n3. Platform 02 by Ina Lesnakowski with Saul Daniele Ardillo\n4. Active motivation by and with Elena Kekkou\n5. Knight riderby Yannis Nikolaidis with Margarita Kostoglou\n6. Near life experience by Angelin Preljocaj with Ivana Mastroviti and Hélias Tur-Dorvault\n7. Forget me notby Konstantinos Rigos with Vaggelis Bikos\, sax Guido De Flaviis \nFND_Aterballetto – MicroDanze – Eppur si muove – chor. Francesca Lattuada – dancer Clement Haenen – Athens Acropolis Museum – Ioannis Kampanis \n  \nFND Aterballetto – MicroDanze – Pensieri di carta – chor. Hélias Tur-Dorvault – ph. Celeste Lombardi (2) \nFND Aterballetto – MicroDanze – Platform02 – chor Ina Lesnakowski – ph. Celeste Lombardi (9) \nGNO Ballet – MicroDanze – Active Motivation – chor. Elena Kekkou – dancer Elena Kekkou – Athens Acropolis Museum ph. Valeria Isaeva \nGNO Ballet – MicroDanze – Knight Rider – chor. Yannis Nikolaidis – dancer Margarita Kostoglou – Athens Acropolis Museum ph. Valeria Isaeva \nFND_Aterballetto – MicroDanze -Near Life Experience -chor. A.Preljocaj -dancers I. Mastroviti\, H. Tur-Dorvault – Palazzo da Mosto -ph Alice Vacondio \n  \nGNO Ballet – MicroDanze – Forget me not-chor. Konstantinos Rigos – dancer Danilo Zeka-Athens Acropolis Museum ph. Ioannis Kampanis \nINFO&TICKETS \nRoute A – duration 1 hour \nRoute B – duration 1 hour \nBoth routes will start at the same time: \nFriday 15 July 6.30 pm – 8.45 pm – 10 pm \nSaturday 16 July 6.30 pm – 8.45 pm – 10 pm \nSunday 17 July 6.30 pm – 8.45 pm – 10 pm \nYou can see route A and route B by choosing different times and/or days \nTICKETS\nRoute A: 8 €\n \nRoute B: 8 €\n \nRoute A + Route B: 13 € (the second route gives the reduced ticket at 5 €. So 1 full ticket at 8 € + 1 reduced ticket at 5 €) \nINFO & TICKET RESERVATION\ninfo@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp) \nTICKET PURCHASE\nOnline www.biglietteriafonderia39.it\nAt San Pietro Cloisters: from one hour before the start of the performance URL:https://www.fndaterballetto.it/en/evento/an-ideal-city-microdanze/2022-07-17/ CATEGORIES:Aterballetto,Chiostri San Pietro 2022,MicroDanze,Season ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Wound...-chor-Pietro-Marullo-ph.-Celeste-Lombardi-2-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221006T180000 DTEND;TZID=Europe/Rome:20221006T190000 DTSTAMP:20260505T005200 CREATED:20220801T094331Z LAST-MODIFIED:20220909T190900Z UID:10002459-1665079200-1665082800@www.fndaterballetto.it SUMMARY:People - Open Rehearsal DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPeople is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \nCREDITS \n\nConcept and choreography: Marisa Ragazzo and Omid Ighani\nPerformers: Davide Angelozzi\, Elda Bartolacci\, Alessandro Marconcini\, Graziana Marzìa\, Jenny Mattaioli\, Afshin Varjavandi\nDaCru Dance Company / associate artist\n \nA production Compagnia Naturalis Labor\nSupported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza \nWorld premiere Friederichshafen (D)\, 11 August 2021 \n\nDuration: 50′ \nINSIGHTS \nRoom. Home. Body. Mind.\nThe perimeter of everything\, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D\, far from contact and shared thoughts in shared spaces. \nspace\n/speɪs/\n[from Latin spatium\, possibly der. from patēre “to be open”].\nCircumscribed perimeters\, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience. \nPEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \n \nThe company reflects on the extraordinary power of ‘social distances’\, a theme that is dear to them and has already been dealt with in [zerocentimetri]\, the last production staged in 2019\, which\, in a predictive manner\, introduced what later became an undeniable fact.\nAnd so\, in a limited and delimited space\, each breath becomes a quest\, a small land to conquer where all the dancers occupy their comfort zone\, blind to everything that lives outside.\nA simple and bare scene\, few objects related to everyday life\, small rooms drawn in an open space.\nAn extraordinary dense crowd of living beings\, separated but too close not to secretly wish the opposite. \nHave you ever felt lonely? \nsolitude\n/ˈsɒlɪtjuːd/\nOrigin from Latin solitudo -ĭnis\, der. from solus ‘alone’ \n  \nDACRU DANCE COMPANY \nMarisa Ragazzo and Omid Ighani began their artistic collaboration in 1996\, systematically mixing their personal artistic curiosities\, backgrounds and talents\, careful to keep their differences intact and often succeeding in enhancing them. \nTheir different artistic backgrounds\, academic for Marisa (Prebil\, Trayanova\, Lupov\, Peter Goss\, Sebron) and street for Omid (freestyler\, like many talents born and bred in the hip hop culture of the 1980s)\, produce a highly innovative and certainly singular artistic code. \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension\, while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional schools\, they carry out an intense teaching activity\, in Italy and abroad. \n \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/people-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/marisa-ragazzoomin-ighani_50838087552_o.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221006T203000 DTEND;TZID=Europe/Rome:20221006T213000 DTSTAMP:20260505T005200 CREATED:20220801T095741Z LAST-MODIFIED:20221006T142911Z UID:10002462-1665088200-1665091800@www.fndaterballetto.it SUMMARY:People DESCRIPTION:People is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \nCREDITS \n\nConcept and choreography: Marisa Ragazzo and Omid Ighani\nPerformers: Davide Angelozzi\, Elda Bartolacci\, Alessandro Marconcini\, Graziana Marzìa\, Jenny Mattaioli\, Afshin Varjavandi\nDaCru Dance Company / associate artist\n \nA production Compagnia Naturalis Labor\nSupported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza \nWorld premiere Friederichshafen (D)\, 11 August 2021 \n\nDuration: 50′ \nINSIGHTS \nRoom. Home. Body. Mind.\nThe perimeter of everything\, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D\, far from contact and shared thoughts in shared spaces. \nspace\n/speɪs/\n[from Latin spatium\, possibly der. from patēre “to be open”].\nCircumscribed perimeters\, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience. \nPEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \n \nThe company reflects on the extraordinary power of ‘social distances’\, a theme that is dear to them and has already been dealt with in [zerocentimetri]\, the last production staged in 2019\, which\, in a predictive manner\, introduced what later became an undeniable fact.\nAnd so\, in a limited and delimited space\, each breath becomes a quest\, a small land to conquer where all the dancers occupy their comfort zone\, blind to everything that lives outside.\nA simple and bare scene\, few objects related to everyday life\, small rooms drawn in an open space.\nAn extraordinary dense crowd of living beings\, separated but too close not to secretly wish the opposite. \nHave you ever felt lonely? \nsolitude\n/ˈsɒlɪtjuːd/\nOrigin from Latin solitudo -ĭnis\, der. from solus ‘alone’ \n  \nDACRU DANCE COMPANY \nMarisa Ragazzo and Omid Ighani began their artistic collaboration in 1996\, systematically mixing their personal artistic curiosities\, backgrounds and talents\, careful to keep their differences intact and often succeeding in enhancing them. \nTheir different artistic backgrounds\, academic for Marisa (Prebil\, Trayanova\, Lupov\, Peter Goss\, Sebron) and street for Omid (freestyler\, like many talents born and bred in the hip hop culture of the 1980s)\, produce a highly innovative and certainly singular artistic code. \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension\, while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional schools\, they carry out an intense teaching activity\, in Italy and abroad. \n \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \n  \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/people/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/marisa-ragazzo-omid-ighani-2_50837275268_o.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221013T180000 DTEND;TZID=Europe/Rome:20221013T190000 DTSTAMP:20260505T005200 CREATED:20220906T160016Z LAST-MODIFIED:20220909T151122Z UID:10002486-1665684000-1665687600@www.fndaterballetto.it SUMMARY:FOUR SEASONS in Different Seasons - open rehearsal DESCRIPTION:OPEN REHEARSAL\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music\, rewritten by Max Richter\, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme\, creating a unique expression: EMOTION. \n\n  \nCREDITIS\nDirection: Rezart Stafa\nChoreography: Edi Blloshmi\, Hektor Budlla\, Beatrice Bodini and Saul Daniele Ardillo\nMusic: Antonio Vivaldi recomposed by Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri and Nuovo Balletto Classico \nProduction: Nuovo Balletto Classico \nSYNOPSIS \nEach season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical\, Hektor Budlla‘s Summer\, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary. \n \nLe stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo. \nNuovo Balletto Classico \n\nIn July 2016\, the high training school of Ballet NUOVO BALLETTO CLASSICO\, directed by Grori Dorian\, Stafa Rezart\, Casolari Elena and Stefanescu Nicoletta\, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art\, which is dance\, to prepare not only dancers and teachers\, but people with a high sensitivity towards others. \nnuovoballettoclassico.it \n\nINFO & TICKETS \nTICKETS\nFull: 3 euro\nunder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554 URL:https://www.fndaterballetto.it/en/evento/four-seasons-in-different-seasons-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/09/4-S2.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221013T203000 DTEND;TZID=Europe/Rome:20221013T220000 DTSTAMP:20260505T005200 CREATED:20220906T103223Z LAST-MODIFIED:20221010T143433Z UID:10002482-1665693000-1665698400@www.fndaterballetto.it SUMMARY:FOUR SEASONS in Different Seasons DESCRIPTION:DANCE RIPENS IN EVERY SEASON AND BECOMES DAILY. \n“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music\, rewritten by Max Richter\, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme\, creating a unique expression: EMOTION. \n\n  \nCREDITS\nDirection: Rezart Stafa\nChoreography: Edi Blloshmi\, Hektor Budlla\, Beatrice Bodini and Saul Daniele Ardillo\nMusic: Antonio Vivaldi recomposed by Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri and Nuovo Balletto Classico \nProduction: Nuovo Balletto Classico \nSYNOPSIS \nEach season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical\, Hektor Budlla‘s Summer\, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary. \n \nLe stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo. \nNuovo Balletto Classico\nIn July 2016\, the high training school of Ballet NUOVO BALLETTO CLASSICO\, directed by Grori Dorian\, Stafa Rezart\, Casolari Elena and Stefanescu Nicoletta\, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art\, which is dance\, to prepare not only dancers and teachers\, but people with a high sensitivity towards others. \nnuovoballettoclassico.it\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554 URL:https://www.fndaterballetto.it/en/evento/four-seasons-in-different-seasons/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/09/4-S4.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221018T180000 DTEND;TZID=Europe/Rome:20221018T190000 DTSTAMP:20260505T005200 CREATED:20220912T094917Z LAST-MODIFIED:20220912T095645Z UID:10002043-1666116000-1666119600@www.fndaterballetto.it SUMMARY:LOVE POEMS - OPEN REHEARSAL DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which one can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nUnder the title LOVE POEMS\, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary: \n– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC \n– BRUTAL LOVE POEMS by THOMAS NOONE \n– VIVALDI UMANE PASSIONI by MICHELE MEROLA. \nThe three works are performed by eight dancers from MMCDC\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country.\nThe choreographies of the programme\, linked by the common denominator of a distinctive musicality\, are characterised by a strong implication as much interpretative as technical\, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next\, the dance will become one with the music\, marrying its compositional richness thanks to choreographies that emphasise movement\, plasticity\, but also the importance of the single gesture. \n  \n  \nDUETTO INOFFENSIVO \nExcerpt from ‘Rossini Cards \nChoreography: Mauro Bigonzetti\nMusic: Gioachino Rossini\nAssistant to choreography: Roberto Zamorano\nLighting design: Carlo Cerri\nCostumes: Helena De Medeiros\nWith 2 dancers \nA passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing\, understanding\, but also disagreement\, and we find condensed the characters and stories of several female characters. Their encounter\, in a continuous repetition and alternation of complicity and conflict\, gives rise to an exchange of energies\, feelings and emotions linked to the disappointments of love. \n\nBRUTAL LOVE POEMS \nChoreography: Thomas Noone\nMusic: Jim Pinchen\nWith 4 dancers \n“I love you so much that I am in pain. I hope you suffer as much as I do …” \nRaw and dynamic\, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation\, of our most primordial\, terrible and brutal being\, is perhaps only ever manifested in front of those closest to us\, the person we love.\nAn abstract\, non-narrative work\, in which the resonance of movements echoes and combines to form a whole\, seeking to entertain\, provoke and seduce. \n\n  \n  \n VIVALDI UMANE PASSIONI \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nWith 7 dancers \nCo-production Teatro Ristori di Verona\nNational Premiere: 1 February 2019 – Teatro Ristori\, Verona \nWith each creation\, Michele Merola aims higher\, convinced that it is possible to express\, in dance\, joys\, tenderness\, anger\, expectations\, impulses\, torments. For the choreographer\, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives\, symmetries\, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire\, for a new production where ‘the relationship between music and movement plays the lion’s share’\, says Merola. \nStarting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall\, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music\, I rediscover a love for pure choreographic design\, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915)\, On the City (1918)\, Love on the Scene (1920)\, Introduction to Jewish Theatre (1920) – \, has guided my work towards human passions\, the evasion from the everyday to detach oneself from the ground\, listening to inner emotions. In both artists\, I sense a great desire for life\, beauty\, elegance in living’. \nSome of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia\, L’Inquietudine\, L’Estro Armonico\, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace\, the vortex of sonorous intensity and richness of timbre\, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’\, and of its most secret recesses\, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant\, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts\, the dialogue that is created\, intense\, balanced in terms of the balance of forces\, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other\, confront each other\, overlap\, in a representational dynamic that the union makes even more intense. \nErmanno Romanelli \n\n  \n  \nMM Contemporary Dance Company \nLa MM Contemporary Dance Company è una compagnia di danza contemporanea diretta dal coreografo Michele Merola\, nata nel 1999 come centro di produzione di eventi e spettacoli e come promotrice di rassegne e workshop con l’obiettivo di favorire scambi e alleanze fra artisti italiani e internazionali\, testimoni e portavoce della cultura contemporanea. \nIl repertorio della compagnia\, che ha sede a Reggio Emilia\, è ricco e variegato\, grazie ai lavori di Michele Merola e alle creazioni firmate da coreografi europei e italiani come Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti ed Enrico Ticconi\, Roberto Tedesco\, Camilla Monga. \nNel 2010 la MM Contemporary Dance Company ha vinto il prestigioso Premio Danza&Danza come migliore compagnia emergente e oggi\, è\, a tutti gli effetti\, una realtà di eccellenza della danza italiana\, con una consolidata attività di spettacoli su tutto il territorio nazionale. Da alcuni anni ha conquistato un mercato internazionale con spettacoli in paesi europei ed extraeuropei (Corea\, Colombia\, Canada\, Germania\, Russia\, Marocco\, Belgio\, Spagna\, Slovenia…).\nNel 2017 la MM Contemporary Dance Company ha vinto il Premio Europaindanza 2017 – Premio al Merito alla coreografia\, per lo spettacolo Bolero di Michele Merola.\nIl 1° gennaio 2021 e il 1° gennaio 2022 la MMCDC è stata presente su RAI 1 nella trasmissione “Danza con me” di Roberto Bolle interpretando coreografie di Mauro Bigonzetti e Lorca Massine.\nPer il triennio 2018-20\, per il 2021 e per il triennio 2022-24 la MM Contemporary Dance Company è compagnia associata del Circuito InDanza del Trentino Alto Adige.\nLa MMCDC è sostenuta dal Ministero della Cultura\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza Danza/Reggio Emilia. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522273016 \nMobile and whatsapp +39 3341023554 URL:https://www.fndaterballetto.it/en/evento/love-poems-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/09/Duetto-inoffensivo_cor.-Mauro-Bigonzetti_foto-Tiziano-Ghidorsi_705.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221018T203000 DTEND;TZID=Europe/Rome:20221018T220000 DTSTAMP:20260505T005200 CREATED:20220909T141431Z LAST-MODIFIED:20221010T145402Z UID:10002035-1666125000-1666130400@www.fndaterballetto.it SUMMARY:LOVE POEMS DESCRIPTION:Under the title LOVE POEMS\, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary: \n– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC \n– BRUTAL LOVE POEMS by THOMAS NOONE \n– VIVALDI UMANE PASSIONI by MICHELE MEROLA. \nThe three works are performed by eight dancers from MMCDC\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country.\nThe choreographies of the programme\, linked by the common denominator of a distinctive musicality\, are characterised by a strong implication as much interpretative as technical\, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next\, the dance will become one with the music\, marrying its compositional richness thanks to choreographies that emphasise movement\, plasticity\, but also the importance of the single gesture. \n  \n \nDUETTO INOFFENSIVO \nExcerpt from ‘Rossini Cards \nChoreography: Mauro Bigonzetti\nMusic: Gioachino Rossini\nAssistant to choreography: Roberto Zamorano\nLighting design: Carlo Cerri\nCostumes: Helena De Medeiros\nWith 2 dancers \nA passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing\, understanding\, but also disagreement\, and we find condensed the characters and stories of several female characters. Their encounter\, in a continuous repetition and alternation of complicity and conflict\, gives rise to an exchange of energies\, feelings and emotions linked to the disappointments of love. \n\nBRUTAL LOVE POEMS \nChoreography: Thomas Noone\nMusic: Jim Pinchen\nWith 4 dancers \n“I love you so much that I am in pain. I hope you suffer as much as I do …” \nRaw and dynamic\, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation\, of our most primordial\, terrible and brutal being\, is perhaps only ever manifested in front of those closest to us\, the person we love.\nAn abstract\, non-narrative work\, in which the resonance of movements echoes and combines to form a whole\, seeking to entertain\, provoke and seduce. \n\n  \n  \n VIVALDI UMANE PASSIONI \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nWith 7 dancers \nCo-production Teatro Ristori di Verona\nNational Premiere: 1 February 2019 – Teatro Ristori\, Verona \nWith each creation\, Michele Merola aims higher\, convinced that it is possible to express\, in dance\, joys\, tenderness\, anger\, expectations\, impulses\, torments. For the choreographer\, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives\, symmetries\, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire\, for a new production where ‘the relationship between music and movement plays the lion’s share’\, says Merola. \nStarting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall\, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music\, I rediscover a love for pure choreographic design\, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915)\, On the City (1918)\, Love on the Scene (1920)\, Introduction to Jewish Theatre (1920) – \, has guided my work towards human passions\, the evasion from the everyday to detach oneself from the ground\, listening to inner emotions. In both artists\, I sense a great desire for life\, beauty\, elegance in living’. \nSome of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia\, L’Inquietudine\, L’Estro Armonico\, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace\, the vortex of sonorous intensity and richness of timbre\, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’\, and of its most secret recesses\, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant\, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts\, the dialogue that is created\, intense\, balanced in terms of the balance of forces\, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other\, confront each other\, overlap\, in a representational dynamic that the union makes even more intense. \nErmanno Romanelli \n\n  \n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, and Camilla Monga. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia…).\nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Merit Award for Choreography\, for the performance Bolero by Michele Merola.\nOn 1 January 2021 and 1 January 2022\, MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” interpreting choreographies by Mauro Bigonzetti and Lorca Massine.\nFor the three-year period 2018-20\, for 2021 and for the three-year period 2022-24 the MM Contemporary Dance Company is an associated company of the Trentino Alto Adige InDanza Circuit.\nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/love-poems/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/09/Vivaldi-Umane-Passioni_cor.-Michele-Merola_foto-Riccardo-Panozzo_D751261.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221029T173000 DTEND;TZID=Europe/Rome:20221029T183000 DTSTAMP:20260505T005200 CREATED:20220801T104803Z LAST-MODIFIED:20220909T181912Z UID:10002466-1667064600-1667068200@www.fndaterballetto.it SUMMARY:Il piccolo re dei fiori DESCRIPTION:SHOW FOR CHILDREN (4-8 years old)\nIl piccolo Re dei Fiori (The Little Flower King) is a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flower bed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him secretly\, that begins to write for him\, on little cards\, the fairy tale that will lead them to their happy meeting. \n\nCREDITS\nFairy tale for music\, shadows and dance from The Little Flower King by KVĚTA PACOVSKÁ \nA creation by VALERIO LONGO and FABRIZIO MONTECCHI\nWith Marcello Giovani and Isabella Minosi \nDramaturgy: Enrica Carini and Fabrizio Montecchi\nChoreography: Valerio Longo\nDirection and sets: Fabrizio Montecchi\nMusic: Paolo Codognola\nShapes: Nicoletta Garioni and Agnese Meroni (based on drawings by Květa Pacovská)\nCostumes: Sara Bartesaghi Gallo and Nicoletta Garioni\nVoices: Valeria Barreca and Tiziano Ferrari\nLights: Anna Adorno \nDramaturgy collaboration: Valerio Longo and Francesca Magnini\nRealisation of sets and scenic objects: Giovanni Mutti\, Nicoletta Garioni and Agnese Meroni \nProduction: Balletto di Roma\, Teatro Gioco Vita \nLive Streaming Premiere: 14 February 2021\, Teatro Filodrammatici\, Piacenza \nAudience: from 4 to 8 years old\nDuration: 50 minutes \nINSIGHTS \nIl piccolo Re dei Fiori is the text by Květa Pacovská around which two historical theatre and dance organisations have come together: Balletto di Roma\, which in 2020 celebrated sixty years since its foundation\, and Teatro Gioco Vita\, which in 2021 celebrated its fiftieth anniversary and which\, at the end of the 1970s\, encountered shadow theatre\, making an original contribution to the birth of children’s theatre. The project explores a form of contamination between languages such as dance\, shadow and music\, conceiving it expressly for children. \nIl piccolo Re dei Fiori is a fairy tale. From the fairy tale there is the classic “Once upon a time” and also the unfailing “King” who\, however\, here is small and curious\, lives alone\, loves his garden and has pockets full of tulip bulbs. In the fairy tale there is also the theme of ‘waiting’\, the King’s long wait before the flowers bloom\, and also that of ‘lack’. Lack of what? The King does not know\, but he does know that his tulips\, though beautiful\, cannot make him happy. So here is the ‘journey’ in search of what can fill his lack. A journey that is like a dream\, on new routes unknown to the King\, that lasts only a day and a night but seems to encompass the time of a lifetime. \n \nIn the morning light\, the king hears a subtle voice coming from a newly opened tulip flower that repeats ‘I am here\, I am here…’. In front of a little princess\, the king\, full of wonder\, asks himself wonders: “Is it you whom I have been searching for so long?”.\nAs in any self-respecting fairy tale\, there is no shortage of ‘and they all lived happily ever after’\, which makes us think that\, yes\, it was indeed her that the King had so long desired. \nIl piccolo Re dei Fiori is also a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flowerbed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him surreptitiously\, that she begins to write for him\, on little cards\, the fairy tale that will lead them to their happy reunion. \n \nIl piccolo Re dei Fiori is a performance in which the theme of the search for happiness is rendered with lightness and poetry\, thanks to a simple and essential plot and exuberant and imaginative imagery. With the counterpoint of a few but important words\, the tale takes on stage form thanks to a rich musical fabric that accompanies and supports the spectacular shadow images of Teatro Gioco Vita\, taken from the splendid illustrations by Květa Pacovská\, and the expressive gestures of the two dancers from Balletto di Roma\, the result of original choreography by Valerio Longo. \nThe power of a fairy tale is contained in its ability to be incredibly distant and at the same time close to our daily lives. What is required of us in order to access a fairy tale is to agree to make ourselves small\, very small\, to pass through magical and unexpected entrances\, to know how to wait and\, while waiting\, to pay attention to every word\, every gesture\, every shadow in order to be amazed by the fairy tale itself. Thus it is also for us. In this almost archetypal fairy tale\, a king\, an enchanted garden\, waiting\, an unknown desire\, a journey\, a finding oneself in happiness\, come alive in the shadows through music and dance\, and allow everyone’s feelings to be revealed in it. Thus\, as each fairy tale\, word after word\, animates the desires of those who hear it\, so life\, unexpectedly\, leads them to fulfil them. \n \n  \nBalletto di Roma / Teatro Gioco Vita \nBalletto di Roma\, founded in 1960 by Franca Bartolomei and Walter Zappolini\, has always promoted the production and dissemination of Italian auteur dance in Europe and throughout the world\, with a repertoire that today is attentive to innovation and research while maintaining a strong focus on the history and tradition that have made it famous. Over the years\, the Roman theatre has seen a succession of prestigious collaborations and multiple creative souls\, and the production activity has grown\, both in terms of quantity and quality of the works staged during the seasons\, with growing public approval. Starting in 2018\, general director Luciano Carratoni brings a significant generational change to the top of the structure by appointing Francesca Magnini\, a university lecturer at the Sapienza University in Rome\, as artistic director. The new artistic figure strengthens the schemes and broadens the objectives of internationalisation by involving bodies and institutions: among the collaborations is also the one with the Department of History\, Anthropology\, Religions\, Arts and Performing Arts of the Sapienza University of Rome. \nballettodiroma.com \nTeatro Gioco Vita (artistic director Diego Maj) was founded in 1971 from the experience of theatrical animation and with its peculiar way of doing and experiencing theatre it made an original contribution to the birth of children’s theatre. It met shadow theatre at the end of the 1970s and developed a unique experience that earned it recognition and prestigious collaborations all over the world. The Shadow Company\, with Fabrizio Montecchi and Nicoletta Garioni as artistic directors\, is engaged not only in the production of performances but also in workshop activities and professional training. Teatro Gioco Vita combines its activities on the territory (Prose Season of the Municipal Theatre of Piacenza\, theatre reviews\, festivals and other cultural events\, hospitality\, workshops\, training) with an increasingly international dimension that has led its shadow theatre performances to be performed not only in Europe\, but also in the United States\, Brazil\, Mexico\, Canada\, Japan\, China\, Israel\, Taiwan\, Turkey\, Jordan and Senegal. \nteatrogiocovita.it \nINFO & TICKETS \nTICKETS\nFor everybody 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/il-piccolo-re-dei-fiori/2022-10-29/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/EhpwknLw.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221030T173000 DTEND;TZID=Europe/Rome:20221030T183000 DTSTAMP:20260505T005200 CREATED:20220801T104803Z LAST-MODIFIED:20220909T181912Z UID:10002467-1667151000-1667154600@www.fndaterballetto.it SUMMARY:Il piccolo re dei fiori DESCRIPTION:SHOW FOR CHILDREN (4-8 years old)\nIl piccolo Re dei Fiori (The Little Flower King) is a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flower bed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him secretly\, that begins to write for him\, on little cards\, the fairy tale that will lead them to their happy meeting. \n\nCREDITS\nFairy tale for music\, shadows and dance from The Little Flower King by KVĚTA PACOVSKÁ \nA creation by VALERIO LONGO and FABRIZIO MONTECCHI\nWith Marcello Giovani and Isabella Minosi \nDramaturgy: Enrica Carini and Fabrizio Montecchi\nChoreography: Valerio Longo\nDirection and sets: Fabrizio Montecchi\nMusic: Paolo Codognola\nShapes: Nicoletta Garioni and Agnese Meroni (based on drawings by Květa Pacovská)\nCostumes: Sara Bartesaghi Gallo and Nicoletta Garioni\nVoices: Valeria Barreca and Tiziano Ferrari\nLights: Anna Adorno \nDramaturgy collaboration: Valerio Longo and Francesca Magnini\nRealisation of sets and scenic objects: Giovanni Mutti\, Nicoletta Garioni and Agnese Meroni \nProduction: Balletto di Roma\, Teatro Gioco Vita \nLive Streaming Premiere: 14 February 2021\, Teatro Filodrammatici\, Piacenza \nAudience: from 4 to 8 years old\nDuration: 50 minutes \nINSIGHTS \nIl piccolo Re dei Fiori is the text by Květa Pacovská around which two historical theatre and dance organisations have come together: Balletto di Roma\, which in 2020 celebrated sixty years since its foundation\, and Teatro Gioco Vita\, which in 2021 celebrated its fiftieth anniversary and which\, at the end of the 1970s\, encountered shadow theatre\, making an original contribution to the birth of children’s theatre. The project explores a form of contamination between languages such as dance\, shadow and music\, conceiving it expressly for children. \nIl piccolo Re dei Fiori is a fairy tale. From the fairy tale there is the classic “Once upon a time” and also the unfailing “King” who\, however\, here is small and curious\, lives alone\, loves his garden and has pockets full of tulip bulbs. In the fairy tale there is also the theme of ‘waiting’\, the King’s long wait before the flowers bloom\, and also that of ‘lack’. Lack of what? The King does not know\, but he does know that his tulips\, though beautiful\, cannot make him happy. So here is the ‘journey’ in search of what can fill his lack. A journey that is like a dream\, on new routes unknown to the King\, that lasts only a day and a night but seems to encompass the time of a lifetime. \n \nIn the morning light\, the king hears a subtle voice coming from a newly opened tulip flower that repeats ‘I am here\, I am here…’. In front of a little princess\, the king\, full of wonder\, asks himself wonders: “Is it you whom I have been searching for so long?”.\nAs in any self-respecting fairy tale\, there is no shortage of ‘and they all lived happily ever after’\, which makes us think that\, yes\, it was indeed her that the King had so long desired. \nIl piccolo Re dei Fiori is also a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flowerbed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him surreptitiously\, that she begins to write for him\, on little cards\, the fairy tale that will lead them to their happy reunion. \n \nIl piccolo Re dei Fiori is a performance in which the theme of the search for happiness is rendered with lightness and poetry\, thanks to a simple and essential plot and exuberant and imaginative imagery. With the counterpoint of a few but important words\, the tale takes on stage form thanks to a rich musical fabric that accompanies and supports the spectacular shadow images of Teatro Gioco Vita\, taken from the splendid illustrations by Květa Pacovská\, and the expressive gestures of the two dancers from Balletto di Roma\, the result of original choreography by Valerio Longo. \nThe power of a fairy tale is contained in its ability to be incredibly distant and at the same time close to our daily lives. What is required of us in order to access a fairy tale is to agree to make ourselves small\, very small\, to pass through magical and unexpected entrances\, to know how to wait and\, while waiting\, to pay attention to every word\, every gesture\, every shadow in order to be amazed by the fairy tale itself. Thus it is also for us. In this almost archetypal fairy tale\, a king\, an enchanted garden\, waiting\, an unknown desire\, a journey\, a finding oneself in happiness\, come alive in the shadows through music and dance\, and allow everyone’s feelings to be revealed in it. Thus\, as each fairy tale\, word after word\, animates the desires of those who hear it\, so life\, unexpectedly\, leads them to fulfil them. \n \n  \nBalletto di Roma / Teatro Gioco Vita \nBalletto di Roma\, founded in 1960 by Franca Bartolomei and Walter Zappolini\, has always promoted the production and dissemination of Italian auteur dance in Europe and throughout the world\, with a repertoire that today is attentive to innovation and research while maintaining a strong focus on the history and tradition that have made it famous. Over the years\, the Roman theatre has seen a succession of prestigious collaborations and multiple creative souls\, and the production activity has grown\, both in terms of quantity and quality of the works staged during the seasons\, with growing public approval. Starting in 2018\, general director Luciano Carratoni brings a significant generational change to the top of the structure by appointing Francesca Magnini\, a university lecturer at the Sapienza University in Rome\, as artistic director. The new artistic figure strengthens the schemes and broadens the objectives of internationalisation by involving bodies and institutions: among the collaborations is also the one with the Department of History\, Anthropology\, Religions\, Arts and Performing Arts of the Sapienza University of Rome. \nballettodiroma.com \nTeatro Gioco Vita (artistic director Diego Maj) was founded in 1971 from the experience of theatrical animation and with its peculiar way of doing and experiencing theatre it made an original contribution to the birth of children’s theatre. It met shadow theatre at the end of the 1970s and developed a unique experience that earned it recognition and prestigious collaborations all over the world. The Shadow Company\, with Fabrizio Montecchi and Nicoletta Garioni as artistic directors\, is engaged not only in the production of performances but also in workshop activities and professional training. Teatro Gioco Vita combines its activities on the territory (Prose Season of the Municipal Theatre of Piacenza\, theatre reviews\, festivals and other cultural events\, hospitality\, workshops\, training) with an increasingly international dimension that has led its shadow theatre performances to be performed not only in Europe\, but also in the United States\, Brazil\, Mexico\, Canada\, Japan\, China\, Israel\, Taiwan\, Turkey\, Jordan and Senegal. \nteatrogiocovita.it \nINFO & TICKETS \nTICKETS\nFor everybody 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/il-piccolo-re-dei-fiori/2022-10-30/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/EhpwknLw.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221103T180000 DTEND;TZID=Europe/Rome:20221103T190000 DTSTAMP:20260505T005201 CREATED:20221027T105649Z LAST-MODIFIED:20221103T160003Z UID:10002495-1667498400-1667502000@www.fndaterballetto.it SUMMARY:POLLICINO SHOW - Open Rehearsal DESCRIPTION:CHILDREN’S SHOW (6-11 years)\n\nOPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPollicino is small but\, in some ways\, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine\, food is no longer enough to feed everyone. \nThe father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins. \n\nCREDITS \nDirection Cinzia Pietribiasi\nChoreography and interpretation Davide Tagliavini\nIllustrations Giovanni Copelli\nProduction Artemis Danza\nin collaboration with Compagnia Pietribiasi/Tedeschi \nGRUPPO IBRIDO \nGRUPPO IBRIDO (Reggio Emilia\, 2021) was created by the will of the dancer Davide Tagliavini\, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance\, voice\, video projection\, art\, sculpture and new technologies. Pollicino is the first work\, produced by the Artemis Danza Company. \nDavide Tagliavini (1990) works with Luna Cenere\, Artemis Danza\, Marina Abramović\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo and others. For years he has been conducting dance workshops for children\, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory. \nCinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca\, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children. \nGiovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe. \nINFO & TICKETS \nTICKETS \nFull price: 3 euro\nReduced under 6: free URL:https://www.fndaterballetto.it/en/evento/pollicino-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/Pollicino-foto-6.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221104T160000 DTEND;TZID=Europe/Rome:20221104T170000 DTSTAMP:20260505T005201 CREATED:20221027T085727Z LAST-MODIFIED:20221027T145852Z UID:10002488-1667577600-1667581200@www.fndaterballetto.it SUMMARY:DARWIN-M/ETA/MORFOSI - Open Rehearsal DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nAs the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, man also goes through several stages before making an evolution. From single-celled organisms to Homo Sapiens\, from newborns to adults\, everything evolves in the continuous search for perfection … but something went wrong! The planet is in danger and humanity is certainly not without faults. \nThus an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and to the Earth from the Big Bang to today. A multifaceted and ever-changing character\, who does not communicate with words but with the body and movement\, will help him in the enterprise\, emboding the different phases of this crazy metamorphosis. \nCREDITS \nby / with Francesco Marchi e Christian Pellino\nproduction Artemis Danza ed EUROPA TEATRI \nShow for children aged 11 to 14 \n\nINFO & TICKETS \nTICKETS\nFull: 3 euros\nUnder 6: free URL:https://www.fndaterballetto.it/en/evento/darwin-m-eta-morfosi-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/10/METAMORFOSI-Foto-5.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221104T180000 DTEND;TZID=Europe/Rome:20221104T190000 DTSTAMP:20260505T005201 CREATED:20221027T084744Z LAST-MODIFIED:20221027T145613Z UID:10002476-1667584800-1667588400@www.fndaterballetto.it SUMMARY:NOVILUNIO - Open Rehearsal DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nReflection\, empathy\, loneliness\, sweetness\, being always herself while always showing herself different\, cyclicality\, awareness\, beauty… How many things do our wonderful satellite and the human being have in common? How much does this same satellite affect us? Novilunio is the story of an individual’s relationship with the moon but above all with that phase of it in which everything is hidden\, in which there is no showing of oneself\, being oneself\, especially for better or for worse: NEW MOON. \nCREDITS \nChoreography Salvatore Sciancalepore\nPerformers Samuele Arisci\, Teresa Morisano\nMusic Ben Frost\, Philip Glass & Robert Black\, Frederic Chopin\nProduction Compagnia Artemis Danza \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free URL:https://www.fndaterballetto.it/en/evento/novilunio-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/10/image00032.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221106T193000 DTEND;TZID=Europe/Rome:20221106T203000 DTSTAMP:20260505T005201 CREATED:20220912T110647Z LAST-MODIFIED:20221102T194342Z UID:10002047-1667763000-1667766600@www.fndaterballetto.it SUMMARY:Cosmogony DESCRIPTION:  \n \nPERFORMANCE CANCELLED\nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience in Reggio Emilia and Bologna. \nThe performance is in partnership with Compagnia della Quarta / Zed Festival and ERT Emilia Romagna Teatro. \n\nCREDITS \nDirection Gilles Jobin\nDancers Susana Panadés Diaz\, Rudi van der Merwe\, Jozsef Trefeli\nLead Dance Artist Susana Panadés Diaz\nLead 3D Artist Tristan Siodlak\nLead Technologist Camilo de Martino\nLead Technical Artist Pierre-Igor Berthet\nMotion Capture Pedro Ribot\nMocap cameras Qualisys\nMusic Tar Pond\nMusic Arrangement Marky Edelmann\, Tommy Vetterli\nMastering Dan Suter – Echo Chamber \nAdministration Gonzague Bochud\nProduction manager\nProduction Cie Gilles Jobi Lucía Díaz-Tejeiron \nWith the support of the City and Canton of Geneva and the Swiss Arts Council Pro Helvetia\n \nPremiere Singapore International Festival of Arts\, 14–16 May 2021 \nDuration 32′ \nSYNOPSIS \nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience. in Reggio Emilia\, Bologna and Turin. \nThe movements of the dancers are captured in Geneva\, sliced up into digital ‘bits’ and sent instantaneously through cyberspace to appear as avatars\, on screen and in real time for a live audience\, thousands of miles away from the company’s studio. \nThe dancers’ bodies and their avatars are entangled like particles in a quantum state\, performing spooky actions at a distance\, their movements instantaneously teleported across the world. The dancers act as the puppeteers of their own bodies\, animating their avatars in real time and composing the cosmogony of a world in suspension. In a cosmic space or in the heart of a virtual city\, the moving bodies of the dancers break free from the laws of physics to the droning analog sounds of Swiss doom rock band Tar Pond\, offering the audience a mesmerizing journey beyond reality. \n\n  \n  \n Cie Gilles Jobin \nSince 1995 Cie Gilles Jobin has created more than 20 choreographic projects\, which have become references on the world stage. In 2015 Gilles Jobin received the Swiss Grand Award for Dance by the Swiss Office of Culture. \nWith the 3D film WOMB in 2016\, the company started investigating digital possibilities for contemporary dance within the volume of the frame. Discovering the power of motion capture\, the company created VR_I\, a groundbreaking dance piece in immersive virtual reality that premiered at the 2017 FNC – Festival du Nouveau Cinema in Montreal and won both the Innovation and People’s Choice awards for Most Innovative Work for New Platforms. In 2018 the work featured at the Sundance Film Festival and at the 75th Venice International Film Festival. A world tour followed in more than 50 cities and 20 countries in America\, Asia and Europe\, making it the most toured VR location-based installation in the world. The company created Dance Trail (AR) at the 2020 Sundance Film Festival and in 2020\, La Comédie Virtuelle – live show\, a multiuser live performance selected in official competition at the 77th Venice International Film Festival which won the Quebec XR industry award Numix 2021. \ngillesjobin.com \n  \nINFO & TICKETS \nENTRANCE\nFree \nRESERVATION\n \nYou are required to reserve your place \n– by sending an email to biglietteria@aterballetto.it\, or; \n– by sending an SMS or whatsapp message to 3341023554 \nCONTACTS \nPhone and whatsapp 3341023554 \n\n  \n  URL:https://www.fndaterballetto.it/en/evento/cosmogony/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/09/cosmogony_garden2.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221111T180000 DTEND;TZID=Europe/Rome:20221111T190000 DTSTAMP:20260505T005201 CREATED:20220801T131756Z LAST-MODIFIED:20220909T191223Z UID:10002465-1668189600-1668193200@www.fndaterballetto.it SUMMARY:Alcune coreografie - open rehearsal DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \n\n\n\nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \n\n\n\nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/AcphMonkeyslab.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221111T203000 DTEND;TZID=Europe/Rome:20221111T213000 DTSTAMP:20260505T005201 CREATED:20220801T131233Z LAST-MODIFIED:20221221T101816Z UID:10002470-1668198600-1668202200@www.fndaterballetto.it SUMMARY:Alcune Coreografie DESCRIPTION:Alcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554 URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season September-December 2022 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/08/AC7phJacopoJenna.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT END:VCALENDAR