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DTSTART;TZID=Europe/Rome:20191125T180000
DTEND;TZID=Europe/Rome:20191125T190000
DTSTAMP:20260504T142055
CREATED:20190712T181035Z
LAST-MODIFIED:20190719T154044Z
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SUMMARY:DéJà DONNé | INNPROGRESSCOLLECTIVE
DESCRIPTION:PROVA APERTA_toPRAY\ntoPRAY è uno spettacolo in cui le danze urbane si mescolano a gesti contemporanei\, producendo una danza fuori dagli schemi\, dal tempo. La scrittura coreografica attinge da calligrafie multiculturali\, risultando un linguaggio universale: come il racconto dell’anima dell’uomo. \n  \nDéjà Donné \nThe contemporary dance company Déjà Donné was founded in 1997 in Prague; in 2000 the head office moved to Umbria where an intense activity of creation and circulation of shows began\, both in Italy and abroad. During the year 2015 a transformation takes place that starts a new path of the company\, imagined by the artistic direction of Virginia Spallarossa and Gilles Toutevoix. \nTheir work intends to guide Déjà Donné towards new potentialities\, contributing to a deep renewal of sign and languages through the creation of their own shows. \nThe main activities of Déjà Donné include: creation and production of contemporary dance performances and shows; regional\, national and international distribution of the works produced; training activities for professionals and non-professionals; creation of projects aimed at promoting contemporary dance and training the public through the involvement of other artistic subjects\, in Italy and abroad. \nThe company’s works have been presented in 26 countries\, in North and South America\, in Asia and in Europe.\nDéjà Donné’s activity is supported by the Ministry of Cultural Heritage and Activities and the Umbria Region. \nwww.dejadonne.com \nINC InNprogressCollective  \nThe group was founded in 2006 following the creation of “HEIM”\, which will be the only overall winner of the International Dance Week in Spoleto\, attracting the interest of many professionals. The choreography Heim will be hosted in the largest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto).\nHence the idea of creating a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProduction will follow: Departure (2007)\, Underskin (2008 – winner of the International Dance Week in Spoleto)\, Protest! (2009-2010 – winner of S.I.D. Spoleto\, LatinArte\, UISP prize\, Positano Leonide Massine prize)\, Oceania (2012 – in production with La- MaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015 the toPRAY production debuts at the 58th edition of the Festival dei Due Mondi in Spoleto. Director Giuseppe Tornatore chooses the INC company for a dance scene from his film “La Corrispondenza”\, which will be released in cinemas in January 2016. \nCharacterized by a surprising young age and a strong artistic fellowship\, they are the supporters of an alliance\, where talents and skills are shared\, mixed and recomposed towards collective goals. Afshin Varjavandi’s productions dance and together with him they invent creations\, styling and concepts for performances\, installations and videos.\nFrom 2017 a collaboration with Déjà Donné was started as an associated production project. \nwww.innprogresscollective.com
URL:https://www.fndaterballetto.it/en/evento/deja-donne_innprogresscollective_prova_aperta/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191126T203000
DTEND;TZID=Europe/Rome:20191126T213000
DTSTAMP:20260504T142055
CREATED:20190712T182547Z
LAST-MODIFIED:20200211T112653Z
UID:10001851-1574800200-1574803800@www.fndaterballetto.it
SUMMARY:DéJà DONNé | INNPROGRESSCOLLECTIVE
DESCRIPTION:toPRAY\ntoPRAY is a show in which urban dances are mixed with contemporary gestures\, producing a dance out of the box\, out of time. The choreography draws on multicultural calligraphy\, resulting in a universal language: like the story of the human soul. \n  \nCredits \nChoreography Afshin Varjavandi\nDancers Luca Calderini\, Mattia Maiotti\, Jenny Mattaioli\, Elia Pangaro\nLighting design Fabio Galeotti\nSound design Angelo Benedetti\nProduction Déjà Donné  \nInsights \n“He who knows the power of dance dwells in God.” Rumi \nThere is also a constant that we call T\, for which that moment is intimate and individual\, referring to the individual\, not multipliable and not handed down. It is only one’s own eyes that exercise that vision. The constant T is a transcendent number. toPRAY does not speak of the constant T\, but tells of the point of view from which one observes. toPRAY is a corridor: sometimes to reach the human soul the path is long and narrow. Other times contemporary man does not find the time to choose complex roads\, to cross them the time he takes corresponds to the constant T. We cross the symbols that in history we have attributed to what we cannot see\, to give life a different value\, to recognize beyond the FORM a different level. \nWhat does it mean to ‘pray’? We look for an answer in each ACTION. Perhaps acting itself is an act of worship: contemporary man acts on the body\, drawing a cult from it. We always look for an answer\, asking ourselves if in the end we are a soul that possesses a body. If what we have most sacred is the imagination through which we will be able to identify the soul in the course of life. \ntoPRAY is a show in which urban dances are mixed with contemporary gestures\, producing a dance out of the box\, out of time. The choreographic writing draws from multicultural calligraphy\, resulting in a universal language: like the story of the soul of man. toPRAY is a human path built and lived with ups and downs\, similar to the path of growth of a man. We dancers were asked more questions\, to which we answered with gestures and movements; they were questions that contained complex\, personal concepts. But in addition to the intense emotional value of personal moments\, in the beginning\, there is a particular intimacy between us dancers on stage and the choreographer\, in moments of extreme choreographic rigor\, which is characterized by the show throughout its duration. \n \nDéjà Donné \nThe contemporary dance company Déjà Donné was founded in 1997 in Prague; in 2000 the head office moved to Umbria where an intense activity of creation and circulation of shows began\, both in Italy and abroad. During the year 2015 a transformation takes place that starts a new path of the company\, imagined by the artistic direction of Virginia Spallarossa and Gilles Toutevoix. \nTheir work intends to guide Déjà Donné towards new potentialities\, contributing to a deep renewal of sign and languages through the creation of their own shows. \nThe main activities of Déjà Donné include: creation and production of contemporary dance performances and shows; regional\, national and international distribution of the works produced; training activities for professionals and non-professionals; creation of projects aimed at promoting contemporary dance and training the public through the involvement of other artistic subjects\, in Italy and abroad. \nThe company’s works have been presented in 26 countries\, in North and South America\, in Asia and in Europe.\nDéjà Donné’s activity is supported by the Ministry of Cultural Heritage and Activities and the Umbria Region. \nwww.dejadonne.com \nINC InNprogressCollective  \nThe group was founded in 2006 following the creation of “HEIM”\, which will be the only overall winner of the International Dance Week in Spoleto\, attracting the interest of many professionals. The choreography Heim will be hosted in the largest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto).\nHence the idea of creating a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProduction will follow: Departure (2007)\, Underskin (2008 – winner of the International Dance Week in Spoleto)\, Protest! (2009-2010 – winner of S.I.D. Spoleto\, LatinArte\, UISP prize\, Positano Leonide Massine prize)\, Oceania (2012 – in production with La- MaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015 the toPRAY production debuts at the 58th edition of the Festival dei Due Mondi in Spoleto. Director Giuseppe Tornatore chooses the INC company for a dance scene from his film “La Corrispondenza”\, which will be released in cinemas in January 2016. \nCharacterized by a surprising young age and a strong artistic fellowship\, they are the supporters of an alliance\, where talents and skills are shared\, mixed and recomposed towards collective goals. Afshin Varjavandi’s productions dance and together with him they invent creations\, styling and concepts for performances\, installations and videos.\nFrom 2017 a collaboration with Déjà Donné was started as an associated production project. \nwww.innprogresscollective.com \n\n 
URL:https://www.fndaterballetto.it/en/evento/deja-donne-innprogresscollective_topray/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191128T180000
DTEND;TZID=Europe/Rome:20191128T190000
DTSTAMP:20260504T142055
CREATED:20190719T140220Z
LAST-MODIFIED:20190719T140242Z
UID:10001539-1574964000-1574967600@www.fndaterballetto.it
SUMMARY:ATERBALLETTO
DESCRIPTION:PROVA APERTA_ATERBALLETTO\nLa Fondazione Nazionale della Danza / Aterballetto da anni regala l’opportunità di entrare nella routine quotidiana dei danzatori e dei coreografi. Le prove aperte sono momenti unici in cui è possibile vivere il backstage di uno spettacolo\, dialogare con gli artisti e sorprendersi con l’arte della danza. \nAl fine di assicurare maggiore flessibilità artistica alla compagnia\, non possiamo definire il programma esatto delle prove aperte di Aterballetto. Pochi giorni prima della prova aperta daremo sul nostro sito e sui social maggiori informazioni.
URL:https://www.fndaterballetto.it/en/evento/aterballetto-prova-aperta-28-11-2019/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191130T180000
DTEND;TZID=Europe/Rome:20191130T200000
DTSTAMP:20260504T142055
CREATED:20191127T092648Z
LAST-MODIFIED:20200211T112130Z
UID:10001597-1575136800-1575144000@www.fndaterballetto.it
SUMMARY:Inter-view: Emanuele e Clément
DESCRIPTION:Un danzatore di Aterballetto\, Clément Haenen. Uno schermidore paralimpico\, il giovane Emanuele Lambertini. Dal loro incontro è scaturito un primo studio di Diego Tortelli\, coreografo residente della Fondazione Nazionale della Danza / Aterballetto\, dedicato all’esplorazione di rituali scenici e virtuosismi fuori dai canoni tradizionali. La breve performance\, sostenuta da Credem Banca\, Reggio Emilia Città Senza Barriere e Oscar Romero Consorzio in Polveriera\, ha rappresentato il primo lavoro di Danza e Fragilità\, nostro progetto rivolto all’esplorazione del rapporto tra danza e disabilità. \nTre recite:\nore 18.00 – 18.45 – 19.30\nDurata 20 minuti a recita
URL:https://www.fndaterballetto.it/en/evento/inter-view-emanuele-e-clement/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191203T180000
DTEND;TZID=Europe/Rome:20191203T190000
DTSTAMP:20260504T142055
CREATED:20190719T103416Z
LAST-MODIFIED:20190719T155319Z
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SUMMARY:MM Contemporary Dance Company
DESCRIPTION:OPEN REHEARSAL_PULCINELLA\nIn making his own version of Pulcinella\, Michele Merola respects the past\, but moves in his own way. The soundtrack is composed of some pieces of the ballet and the “excursions” of the composer Stefano Corrias. The contamination of the original score is dictated by the need to have more intimate moments to clarify who Punchinello really is: the choreographer wanted to highlight the solitary and melancholy side of the Neapolitan standard bearer. \n“Pulcinella – says Merola – is also an image of loneliness\, which never dies: it seems to die several times during the show\, but then always gets up\, because his freedom could be suffocated\, but always comes back to life.” \n  \nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company – winner in 2010 of the prestigious Dance & Dance Award and in 2017 of the Europaindanza Award – is a reality of excellence in Italian dance\, with a consolidated activity of shows throughout the country. Founded in 1999 in Reggio Emilia and directed by Michele Merola\, it has a rich and varied repertoire\, thanks to the work of its director and European and Italian choreographers such as Mats Ek\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello.\nFor some years now it has conquered an international market with shows in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco…). \nMMCDC is supported by the Ministry of Cultural Heritage and Activities\, Emilia-Romagna Region\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nwww.michelemerola.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/prova-aperta-pulcinella/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191204T203000
DTEND;TZID=Europe/Rome:20191204T213000
DTSTAMP:20260504T142055
CREATED:20190719T111516Z
LAST-MODIFIED:20240723T090443Z
UID:10001856-1575491400-1575495000@www.fndaterballetto.it
SUMMARY:MM Contemporary Dance Company
DESCRIPTION:PULCINELLA\nNel realizzare la propria versione di Pulcinella\, Michele Merola rispetta il passato\, ma si muove per una propria strada. La colonna sonora è composta da alcuni brani del balletto e dalle “escursioni” del compositore Stefano Corrias. La contaminazione della partitura originale è dettata dall’esigenza di disporre di momenti più intimi per poter chiarire chi sia veramente Pulcinella: il coreografo ha voluto evidenziare il versante solitario e malinconico dell’alfiere napoletano. \n“Pulcinella – dice Merola – è un’immagine anche di solitudine\, che non muore mai: sembra morire più volte durante lo spettacolo\, ma poi sempre si rialza\, perché la sua libertà potrebbe essere soffocata\, ma sempre torna a vivere.” \nLo spettacolo sarà introdotto dal professor Alessandro Pontremoli Ordinario di Storia della Danza all’Università di Torino. \nCREDITS \nConcept Michele Merola and Cristina Spelti\nChoreography Michele Merola\nMusic Igor Stravinskij\, Stefano Corrias\nSet and lighting design Cristina Spelti\nCostume design Patricia Villirillo\nPerformers MM Contemporary Dance Company (9 danzatori)\nProduction MM Contemporary Dance Company\n \nINSIGHTS \nThe first performance of the ballet Pulcinella was at the Paris Opera in 1920\, by Djagilev’s Ballets Russes; the music\, by Igor Stravinskij\, was inspired by pages by G. B. Pergolesi and other authors of the 17th and 18th centuries. The composer gives his own sign to the dancing pages in themselves\, like so much music of the 18th century: in tune with the subject\, he makes a gentle caricature of it\, celebrated for the richness of its rhythms and the freshness of its harmonies\, exalted by Leonide Massine\, choreographer\, and Pablo Picasso\, for his scenes and costumes. \nIn creating his own version\, Michele Merola respects the past\, and the great masterpieces produced on the subject\, but moves on his own path. The soundtrack is composed of some pieces of the ballet and the “excursions” made by the composer Stefano Corrias. The contamination of the original score is dictated by the need to have more intimate moments\, more bare from the musical point of view\, to be able to clarify who is really Pulcinella: the choreographer wanted to highlight in this work the solitary\, melancholy and dramatic side of the Neapolitan standard bearer. \n“Pulcinella – says the choreographer – is a person\, is an image\, is a thought of loneliness. It is a thought that never dies\, in fact in choreography this character seems to die several times\, but then always rises\, a sign of his continuous possibility of rebirth\, because the freedom that Punchinello carries within him\, all that is new\, all that is freedom\, all that is truth could be suffocated\, but always comes back to life.” \nIn the predominant black and white of the costumes and the scene\, only a hint of red appears: it is Pulcinella\, whose heart beats beyond any attempt to make him die\, and continues to pulsate\, for better or for worse\, in black and white. What remains\, in this ballet\, of its first edition? Once the story has been reduced to the essential\, and the accessory characters have been eliminated\, Pimpinella\, the young girl loved by Pulcinella\, the Wizard\, who uses light as a guide to find a way out in the course of history\, and the two couples of lovers remain. The choreographer did not want to follow the plot built in 1920\, but focuses on the personality of the protagonist and the main events that revolve around him: his love for Pimpinella\, the alleged death\, the ending\, a symbol of rebirth. \n“The final scene – says Merola – in which Punchinello once again wears his hat\, which he often has inside the show\, but which he often takes off to be similar to the rest of society\, symbolizes his choice: he realizes that being as society would like takes him nowhere\, and then chooses to be himself\, chooses the truth.” \nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a center of production of events and shows and as a promoter of exhibitions and workshops with the aim of encouraging exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture.\nThe company’s repertoire\, based in Reggio Emilia\, is rich and varied\, thanks to the works of Michele Merola and the creations signed by European and Italian choreographers such as Mats Ek\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli. \nIn 2010 the MM Contemporary Dance Company won the prestigious Dance & Dance Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of shows throughout the country. For some years now it has conquered an international market with shows in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco…).\nIn 2017 MM Contemporary Dance Company won the Premio Europaindanza 2017 – Premio al Merito alla choreografia\, for the show Bolero by Michele Merola.\nFor the three-year period 2018-20\, MM Contemporary Dance Company is an associate company of the InDanza Circuit of Trentino Alto Adige. \nMMCDC is supported by the Ministry for Cultural Heritage and Activities\, Emilia-Romagna Region\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nwww.michelemerola.it \n\nFood&Drink \nDalle 18.30 alle 20.15 \nAGRIAPERITIVO\nPreparati a scoprire sapori e profumi diversi\, che insieme alla danza renderanno unica la tua esperienza in Fonderia. \nGrazie all’Agriaperitivo a cura di Agricucina La Bottega Italiana di Reggio Emilia\, in collaborazione con Campagna Amica\, potrai gustare i migliori prodotti a Km 0 prima dell’inizio dello spettacolo. \n\n 
URL:https://www.fndaterballetto.it/en/evento/mm-contemporary-dance-company-pulcinella/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191207T173000
DTEND;TZID=Europe/Rome:20191207T183000
DTSTAMP:20260504T142055
CREATED:20190719T132531Z
LAST-MODIFIED:20200211T111003Z
UID:10001871-1575739800-1575743400@www.fndaterballetto.it
SUMMARY:ACCADEMIA PERDUTA
DESCRIPTION:POLLICINO\n“How can you sleep? It may be fear\, but I can’t\,” says Pollicino to his older brothers. The protagonist of the story is small\, the smallest\, but his fear\, big\, doesn’t annihilate him. What\, on the contrary\, makes him victorious in the face of life’s adversities is his curiosity and his courageous desire to know reality\, even in its cruelest aspects. \nIt is curiosity that drives Pollicino to be vigilant about what his parents say and do\, and he is able to warn of the danger at an early stage and to equip himself to face it. From his father’s house to that of the Ogre\, through the woods he goes out into the world\, towards other woods and other houses… Pollicino does not return home and does not get lost: his journey continues. \nA show dedicated to all the little thumbs that\, with lightness\, cross the woods of the world. Even those devastated by bombs. \nCREDITS \nby Marcello Chiarenza\nwith Claudio Casadio\noriginal music by Beppe Turletti\ndirected by Gianni Bissaca\nProduction Accademia Perduta | Romagna Teatri \nEx-aequo winner of the Momix Festival in Kingersheim (France\, 2007)\nWinner of the Golden Ticket Agis – ETI 2008 as the most watched Children’s Theatre show in the 2007/2008 Season \nRecommended age: 5 – 10 years old\nINSIGHTS \nThumbelyn (Pollicino) offers the public an opportunity to confront the feeling of fear.\nThumbelyn’s story is\, in fact\, a “dark fairy tale”: “how can you sleep? It may be fear\, but I can’t”\, Thumbelyn says to his older brothers. \nThe protagonist of the story is small\, but his fear\, great\, does not annihilate him. What\, on the contrary\, makes him the winner in the face of life’s adversities is curiosity and his courageous desire to know reality\, even in its cruellest aspects.\nIt is curiosity that pushes Thumbelyn to watch over what his parents say and do and he is able to quickly warn of the danger and to equip himself to deal with it.\nFrom his father’s house to that of the Orc\, through the woods he goes to the world\, to other woods and other houses…\ndoesn’t come home and doesn’t get lost: his journey continues. In the company of his brothers. \nIf it is true that Thumbelyn is only thinking\, it is equally true that\, in his estrangement from home\, he alone is not. The presence of the brothers is warm\, in the darkness and cold of the night. Even in dramatic moments there is someone to play with\, to argue with\, to face the unknown.\nA show dedicated to all the little thumbs that\, lightly\, cross the woods of the world. Even those devastated by bombs. \nThe show is performed by an actor-narrator who lives and tells the story\, evoking it and relating\, sometimes directly to the public. The narration and the relationship with the spectators are ironic\, comical\, sometimes in a popular style\, with frequent dialectal brackets in a dialogue free from the rhythms of Romagna. The props and the writing of the space offer an example of “theatre of narration with objects”\, characteristic of the historical collaboration between Claudio Casadio and Marcello Chiarenza. \nThe work offers many points for reflection and study: from the point of view of the classic fairy tale (the role of the protagonist\, the forest as total space\, the homes of parents and the Orc\, the topos of abandonment and devouring\, the final catharsis and the positive solution of the story)\, from the point of view of language and from the psychological in the relationship of the story with the existential experience of children and their ability to “save” themselves. \n  \nACCADEMIA PERDUTA | ROMAGNA TEATRI \nAccademia Perduta | Romagna Teatri\, formerly a stable theatre of innovation\, today recognized by MiBAC as a Centre for experimental theatre production and theatre for children and youth\, was founded in 1982 as a theatre company for young people on the initiative of a group of actors (Ruggero Sintoni and Claudio Casadio). \nIt presents itself as a “private network” with a public vocation for production\, programming\, training\, research and theatre design in partnership with other companies from Emilia-Romagna (Cà Luogo D’Arte\, Il Baule Volante\, Tanti Così Progetti) and with the local authorities of the Romagna territory: the peculiarity that characterizes this network is the creation and development of “new” publics. For some years now\, in addition to the production of children’s theatre\, in which it plays a leading role at the international level\, the activity in prose (thanks to the collaboration with Massimo Carlotto and Claudio Fava)\, favoring contemporary poetics and current issues. \nAccademia Perduta | Romagna Teatri\, in addition to carrying out workshops and courses with schools and to take care of the hospitality and the reviews in the Romagna theatres\, is circulating its shows abroad by participating successfully in famous festivals of children’s theater. \nwww.accademiaperduta.it \n  \n\nActivities \nSaturday 7th December from 16.30 to 19.30*\nSunday 8th December from 10.30 to 19.30*\n \nMERCATO DI CAMPAGNA AMICA\nDirect sale of agricultural and Italian products\, food and wine proposals with the excellence of our territory\, ancient games. \n*the service is suspended during the performance of Pollicino \nSunday 8 December h 10.30 – 11.30 – 15.30 – 16.30 \nWORKSHOP\nFor children from 5 years old and up.\nWe recommend booking at 335.1265976 by Friday 6 December for the preparation of materials. \n\n 
URL:https://www.fndaterballetto.it/en/evento/accademia-perduta/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191208T173000
DTEND;TZID=Europe/Rome:20191208T183000
DTSTAMP:20260504T142055
CREATED:20190719T132531Z
LAST-MODIFIED:20190902T101907Z
UID:10001872-1575826200-1575829800@www.fndaterballetto.it
SUMMARY:ACCADEMIA PERDUTA
DESCRIPTION:POLLICINO (THUMBELYN)\n“How can you sleep? It may be fear\, but I can’t\,” says Thumbelyn to his older brothers. The protagonist of the story is small\, the smallest\, but his fear\, big\, does not annihilate him. What\, on the contrary\, makes him the winner in the face of life’s adversities is curiosity and his courageous desire to know reality\, even in its cruellest aspects. \nIt is curiosity that pushes Thumbelyn to watch over what his parents say and do and he is able to quickly warn of the danger and to equip himself to deal with it. From his father’s house to the Orc house\, through the woods he goes to the world\, to other woods and other houses… Thumbelyn doesn’t go back to his house and he doesn’t get lost: his journey continues. \nA show dedicated to all the little thumbs that\, with lightness\, cross the woods of the world. Even those devastated by bombs. \n  \nCREDITS \nby Marcello Chiarenza\nwith Claudio Casadio\noriginal music by Beppe Turletti\ndirected by Gianni Bissaca\nProduction Accademia Perduta | Romagna Teatri \nEx-aequo winner of the Momix Festival in Kingersheim (France\, 2007)\nWinner of the Golden Ticket Agis – ETI 2008 as the most watched Children’s Theatre show in the 2007/2008 Season \nRecommended age: 5 – 10 years old\nINSIGHTS \nThumbelyn (Pollicino) offers the public an opportunity to confront the feeling of fear.\nThumbelyn’s story is\, in fact\, a “dark fairy tale”: “how can you sleep? It may be fear\, but I can’t”\, Thumbelyn says to his older brothers. \nThe protagonist of the story is small\, but his fear\, great\, does not annihilate him. What\, on the contrary\, makes him the winner in the face of life’s adversities is curiosity and his courageous desire to know reality\, even in its cruellest aspects.\nIt is curiosity that pushes Thumbelyn to watch over what his parents say and do and he is able to quickly warn of the danger and to equip himself to deal with it.\nFrom his father’s house to that of the Orc\, through the woods he goes to the world\, to other woods and other houses…\ndoesn’t come home and doesn’t get lost: his journey continues. In the company of his brothers. \nIf it is true that Thumbelyn is only thinking\, it is equally true that\, in his estrangement from home\, he alone is not. The presence of the brothers is warm\, in the darkness and cold of the night. Even in dramatic moments there is someone to play with\, to argue with\, to face the unknown.\nA show dedicated to all the little thumbs that\, lightly\, cross the woods of the world. Even those devastated by bombs. \nThe show is performed by an actor-narrator who lives and tells the story\, evoking it and relating\, sometimes directly to the public. The narration and the relationship with the spectators are ironic\, comical\, sometimes in a popular style\, with frequent dialectal brackets in a dialogue free from the rhythms of Romagna. The props and the writing of the space offer an example of “theatre of narration with objects”\, characteristic of the historical collaboration between Claudio Casadio and Marcello Chiarenza. \nThe work offers many points for reflection and study: from the point of view of the classic fairy tale (the role of the protagonist\, the forest as total space\, the homes of parents and the Orc\, the topos of abandonment and devouring\, the final catharsis and the positive solution of the story)\, from the point of view of language and from the psychological in the relationship of the story with the existential experience of children and their ability to “save” themselves. \n  \nACCADEMIA PERDUTA | ROMAGNA TEATRI \nAccademia Perduta | Romagna Teatri\, formerly a stable theatre of innovation\, today recognized by MiBAC as a Centre for experimental theatre production and theatre for children and youth\, was founded in 1982 as a theatre company for young people on the initiative of a group of actors (Ruggero Sintoni and Claudio Casadio). \nIt presents itself as a “private network” with a public vocation for production\, programming\, training\, research and theatre design in partnership with other companies from Emilia-Romagna (Cà Luogo D’Arte\, Il Baule Volante\, Tanti Così Progetti) and with the local authorities of the Romagna territory: the peculiarity that characterizes this network is the creation and development of “new” publics. For some years now\, in addition to the production of children’s theatre\, in which it plays a leading role at the international level\, the activity in prose (thanks to the collaboration with Massimo Carlotto and Claudio Fava)\, favoring contemporary poetics and current issues. \nAccademia Perduta | Romagna Teatri\, in addition to carrying out workshops and courses with schools and to take care of the hospitality and the reviews in the Romagna theatres\, is circulating its shows abroad by participating successfully in famous festivals of children’s theater. \nwww.accademiaperduta.it \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/accademia-perduta-2019-12-08-2019-12-08/
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191221T203000
DTEND;TZID=Europe/Rome:20191221T220000
DTSTAMP:20260504T142055
CREATED:20190719T135539Z
LAST-MODIFIED:20200211T110137Z
UID:10001535-1576960200-1576965600@www.fndaterballetto.it
SUMMARY:AGORA COACHING PROJECT
DESCRIPTION:MM Contemporary Dance Company presents Agora Coaching Project in Made in Italy 23.0\nThe protagonists are the dancers of Agora Coaching Project\, a project of advanced training in dance promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza di Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Born in 2010\, the course is now gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nCREDITS \nChoreographies Michele Merola and Emanuele Soavi\nMusic Various authors\nLighting design Cristina Spelti \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \n\nActivities \nFrom h 16.30 to h 20.15\n \nMERCATO DI CAMPAGNA AMICA\nDirect sale of agricultural and Italian products\, food and wine proposals with the excellence of our territory\, ancient games.
URL:https://www.fndaterballetto.it/en/evento/agora-coaching-project-21-12-2019/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200120T203000
DTEND;TZID=Europe/Rome:20200120T220000
DTSTAMP:20260504T142055
CREATED:20191227T171059Z
LAST-MODIFIED:20200211T105113Z
UID:10001614-1579552200-1579557600@www.fndaterballetto.it
SUMMARY:SHORTCUT
DESCRIPTION:Shortcut retraces and combines important steps of Emanuela Tagliavia‘s choreographic career. Fragments of a scenic biography come together in the sign of a recognizable language\, and tell a personal journey and his inspirations: music\, figurative arts\, poetry. \nWith Stefania Ballone\, Christian Fagetti\, Giulia Lunardi\, Andrea Risso\, Giulia Schenato\, Gioacchino Starace\nDancers of the Corps de Ballet of the Teatro alla Scala in Milan \nCredits \nChoreography: Emanuela Tagliavia\nCostume design: Lou Antinori\nLighting design: Emanuela Tagliavia and Fabio Passerini \nDuration: 60′ \nexcerpts from\n \nVariations for five\nMusic by Johann Sebastian Bach\n(Premiere March 2019\, Festival Al Bustan\, Beirut)\nwith Christian Fagetti\, Giulia Lunardi\, Giulia Schenato\, Gioacchino Starace\, Andrea Risso \nCombustioni\nMusic by Giampaolo Testoni\n(Premiere May 2015\, Teatro Continuo Burri\, Milano)\nwith Stefania Ballone\, Emanuela Tagliavia\, Christian Fagetti\, Andrea Risso\, Giulia Schenato \nLuminare Minus\nMusic by Giampaolo Testoni\nVideo by Davide Montagna and Giuseppe de Angelis\n(Premiere September 2007\, MiTo Settembre Musica\, Museo Nazionale della Scienza e della Tecnologia “Leonardo da Vinci”\, Milano.)\nwith Giulia Lunardi\, Gioacchino Starace \nEn écoutant du Schumann\nMusic by Robert Schumann orchestred by Giampaolo Testoni\n(Premiere 2004\, Teatro Bolshoi\, Mosca)\nwith Stefania Ballone\, Christian Fagetti \nCombustioni\nMusic by Giampaolo Testoni\n(Premiere May 2015\, Teatro Continuo Burri\, Milano.)\nwith Emanuela Tagliavia\, Giulia Lunardi\, Giulia Schenato \nHopper Variations\nMusic by John Cage\n(Premiere 2013\, Teatro Grassi\, Milano)\nwith Stefania Ballone\, Andrea Risso\, Gioacchino Starace\, Christian Fagetti \nBalthus Variations\nMusic by Giampaolo Testoni\n(Premiere May 2012\, Teatro Strehler\, Milano.)\nwith Giulia Lunardi \nFunambolia\nMusic by Giampaolo Testoni\n(Premiere March 2017\, Teatro Gerolamo\, Milano)\nwith Stefania Ballone\, Christian Fagetti\, Giulia Lunardi\, Giulia Schenato\, Gioacchino Starace\, Andrea Risso \n  \nInsights \nFragments of a scenic biography come together in the sign of a recognizable language\, and tell a personal journey and its inspirations: music\, figurative arts\, poetry. From Combustioni\, a show created to celebrate the reopening of the Teatro Continuo in Burri\, to Luminare Minus\, commissioned by the Science Museum of Milan\, to continue with Funambolia\, which inaugurates the dance season of the Teatro Gerolamo in 2017.\nThen again Hopper Variations\, En écoutant du Schumann\, on stage at the Bolshoi Theatre in Moscow\, Balthus and Variations for Five\, the latter programmed at the Al Bustan festival in Beirut in 2019. Different contexts and creative impulses\, for a single creative vocation. \nIn retracing her choreographic work since 2004\, Shortcut does not choose the path of chronological exhibition\, but creates a narrative based on affinity; the same that links the choreographer to the beautiful music specially written by the composer Giampaolo Testoni. Each extract from the main works is mirrored in the next\, following a reasoned thread. \nEmanuela Tagliavia \nDancer and choreographer\, she trained in Italy and then perfected her skills in contemporary dance in France. Her works have been performed in some of the most important theatres and festivals in Italy and abroad (Teatro alla Scala in Milan\, Teatro dell’Opera in Rome and Teatro Bolshoi in Moscow\, Piccolo Teatro and Teatro Strehler in Milan\, to name a few). In recent years he has worked with Gabriele Salvatores for the production of La Gazza Ladra (Milan\, Teatro alla Scala\, 2017) and with Liliana Cavani for the staging of Alì Baba e i Quaranta Ladroni (Milan\, Teatro alla Scala\, 2018). In 2019 he curated the Gala di Danza organized by Fondazione Nazionale della Danza / Aterballetto at Teatro Diego Fabbri in Forlì. She created the choreographic movements of the show Qohelet\, which was staged with great success at the Teatro Franco Parenti in Milan (February 2019); she participated in the Al Bustan Festival in Beirut\, with young dancers from the Scuola di Ballo Accademia Teatro alla Scala. In the summer of 2019 he created the choreography for the Dolce & Gabbana AltaSartoria event held in Sciacca\, Sicily. In September his choreographies were the protagonists of the opening show of the 24th World Energy Forum held in Abu Dhabi. Numerous are the awards and recognitions to his career and his creations. She is artistic director of the contemporary dance festival “Pulchra minima” at the Teatro Gerolamo in Milan.\nSince 1999 Emanuela Tagliavia has taught contemporary dance at the Dance School of the Accademia delle Arti e Mestieri of the Teatro alla Scala. Since 2007 she has taught at the Civica Scuola di Teatro Paolo Grassi.
URL:https://www.fndaterballetto.it/en/evento/shortcut/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200123T180000
DTEND;TZID=Europe/Rome:20200123T190000
DTSTAMP:20260504T142055
CREATED:20200109T155220Z
LAST-MODIFIED:20200211T105609Z
UID:10002050-1579802400-1579806000@www.fndaterballetto.it
SUMMARY:BLISS - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nAterballetto rehearses BLISS\, creation by Johan Inger on the notes of Keith Jarrett’s Koln Concert\, in preparation for the shows at the Holland Dance Festival. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/bliss-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200205T203000
DTEND;TZID=Europe/Rome:20200205T214500
DTSTAMP:20260504T142055
CREATED:20191227T175323Z
LAST-MODIFIED:20200211T103358Z
UID:10001616-1580934600-1580939100@www.fndaterballetto.it
SUMMARY:Repeat / Harleking
DESCRIPTION:Fabrizio Di Franco\, very young dancer of Agora Coaching Project\, presents his first choreography Repeat. Following Harleking\, a bizarre\, ironic and caricatured duet by the talented duo Ginevra Panzetti and Enrico Ticconi inspired by the mask of Harlequin. \nRepeat \nChoreography Fabrizio Di Franco\nDancers Fabrizio Di Franco\, Matilde Gherardi\nMusic AGF\, Olafur Arnalds\, Basstrio Mosfellsdals \nProduction Agora Coaching Project \nHarleking \nBy and with Ginevra Panzetti\, Enrico Ticconi\nSound design Demetrio Castellucci\nLight design Annegret Schalke\nTechnical direction Paolo Tizianel\nCostume Ginevra Panzetti\, Enrico Ticconi\nPromotion Marco Villari\nVideo documentation Ettore Spezza\nIllustrations and graphic Ginevra Panzetti \nWith the support of VAN (IT) // Tanzfabrik\, Berlin (DE) // PACT Zollverein\, Essen (DE) // NAOcrea – Ariella Vidach AiEP\, Milano (IT) // KommTanz – Compagnia Abbondanza/Bertoni\, Rovereto (IT) // L’arboreto – Teatro Dimora\, Mondaino (IT) // AtelierSì\, Bologna (IT) // C.L.A.P.Spettacolodalvivo\, Brescia (IT)\nFurther supports Cronopios – Teatro Petrella\, Longiano (IT) // Vera Stasi – Progetti per la Scena\, Tuscania (IT) // Network Anticorpi XL (IT) 2018 \nHARLEKING is a demon with multiple identities.\nHis body expression resembles that of Harlequin of the Commedia dell’Arte\, a sly servant moved by an insatiable hunger. HARLEKING’s mode of communication has a specific hypnotic quality in which its contents\, often extreme and contradictory\, merge to create a fluid\, metamorphic system wherein anything can happen\, yet all is blurred. It is reminiscent of the Grotesques\, ancient wall decorations\, in which monstrous figures emerge and blend in with elegant ornamental volutes.\nFigures\, which\, although can evoke amusement\, do not elicit any joy. \nThe work premiered in July 2018 in the frame of Open Spaces Sommer Tanz at Tanzfabrik Berlin and it has been presented among several European dance festivals and theatres. In 2019 it has been selected by the Aerowaves Twenty19 for the Spring Forward 2019 and the New Italian Dance (NID) Platform. \npanzettiticconi.com \n 
URL:https://www.fndaterballetto.it/en/evento/repeat-harleking/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200212T180000
DTEND;TZID=Europe/Rome:20200212T190000
DTSTAMP:20260504T142055
CREATED:20200110T093516Z
LAST-MODIFIED:20200211T101913Z
UID:10002052-1581530400-1581534000@www.fndaterballetto.it
SUMMARY:Open Rehearsal
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nTHE OPEN REHEARSAL HAS BEEN CANCELLED.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-6/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200217T180000
DTEND;TZID=Europe/Rome:20200217T190000
DTSTAMP:20260504T142055
CREATED:20200110T103137Z
LAST-MODIFIED:20200211T101409Z
UID:10002060-1581962400-1581966000@www.fndaterballetto.it
SUMMARY:Present Continuous - open rehearsal
DESCRIPTION:OPEN REHEARSAL_SALVO LOMBARDO\nBetween parody and attempt to bring on stage those dances really contemporary and anthropological as the latest generation disco dance\, Salvo Lombardo photographs a moment of extreme topicality\, a youthful and alienating nocturnal excerpt\, creating a funny but deeply tragic documentary in which the human seems to cancel itself to the rhythm of digital beats. (Benedetta Colasanti – Recensito) \nSalvo Lombardo \nSalvo Lombardo is an italian perfomer\, coreographer and director who bases his work on a constant research of a relation between theatre\, dance and visual art. He lives and works in Rome. He is the artistic director of the Chiasma Company whose works were presented in the main Festivals and Theatres in Italy. \nIn 2015-2016 he was resident choreographer at Anghiari Dance Hub where he worked at the project “Casual Bystanders” based on a choreographic pattern representing an archive of “not-extraordinary” gestures proceeding from kinetic fragments of common people observed in public places. From 2016 till today Salvo Lombardo is supported by the Festival Fabbrica Europa that produces many of his dance pieces. From 2017 he is one of the associated artists of the Festival Oriente Occidente\, the principal co-producer of the performance “Present Continuous” inspired by a memory system of gestures which stem from a night’s work at a music club and also the interactive installation in augmented reality titled “Reappearances” conceived for the MART Museum of Contemporary Art of Trento and Rovereto\, involving the participation of the local community. \nIn 2017 he is guest choreographer at Aura Dance Theatre of Kaunas (LIT) for which he conceived the performance “Twister” studying the relationship between gestures memory\, play and sociality. In 2018 he worked on the project “L’Esemplare Capovolto”\, aims to generate a series of performative actions\, installations\, conferences\, workshops and the creation of the show “Excelsior”\, co-produced by the Théâtre National de Chaillot of Paris and the Romaeuropa Festival.\n​ \nsalvolombardo.org \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/present-continuous-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200218T203000
DTEND;TZID=Europe/Rome:20200218T211000
DTSTAMP:20260504T142055
CREATED:20191230T101950Z
LAST-MODIFIED:20200211T101011Z
UID:10002012-1582057800-1582060200@www.fndaterballetto.it
SUMMARY:PRESENT CONTINUOUS
DESCRIPTION:Between parody and attempt to bring on stage those dances really contemporary and anthropological as the latest generation disco dance\, Salvo Lombardo photographs a moment of extreme topicality\, a youthful and alienating nocturnal excerpt\, creating a funny but deeply tragic documentary in which the human seems to cancel itself to the rhythm of digital beats. (Benedetta Colasanti – Recensito) \nCredits \nConceived\, choreographed and directed by Salvo Lombardo\nPerformers Cesare Benedetti\, Lucia Cammalleri\, Daria Greco\, Salvo Lombardo\nCollaborating choreographer Daria Greco\nLighting design Loris Giancola\nSound design Fabrizio Alviti \nProduction Festival Oriente Occidente\nCo-producers Chiasma\, Versiliadanza\nWith the support of DiD Studio – Ariella Vidach AiEP\, Versilia Danza\, Anghiari Dance Hub\, Teatri di Vita\nSpecial thanks to Studio Azzurro – Area Ricerca Progressiva \nDuration 40′\nPremiere September 2017 – Festival Oriente Occidente\n \nINSIGHTS \nAfter having collected the movements and gestures of passersby with the project Casual Bystanders and developed game and social dynamic standards with the project Twister\, Salvo Lombardo continues with Present Continuous in his research into the relationship between memory\, perception and movement by observing real life. In this case\, the choreography is “derivative” once again and often calls upon “ready-made” gestures. \nThe performance is based on the shared memory of the same experience – an evening in a night club – during which\, performers observed and appropriated a system of postures\, motor-actions and relational means of those present. In every daily act we produce tracks that attest to our being in the world. We immortalise surrogates of reality\, bodiless mists\, which nail events to an eternal present\, spreading themselves on our behalf and reproducing a fixed condition that excludes any real relationship with their original subject. \nPresent Continuous simply seeks to mark the points of a choreographic narrative that has been developed on the basis of the negotiation of memory through the sharing of reproducible motor sequences. The memory of real movement intertwines with a subjective micro-narrative that reveals the emotional life of the performer in their attempt to reconfigure a shared memory of movement and the experience it created\, which\, exploding from its actual re-enactment\, leaves the “now” and becomes bounded to a future in the making. \nSalvo Lombardo \nSalvo Lombardo is an italian perfomer\, coreographer and director who bases his work on a constant research of a relation between theatre\, dance and visual art. He lives and works in Rome. He is the artistic director of the Chiasma Company whose works were presented in the main Festivals and Theatres in Italy. \nIn 2015-2016 he was resident choreographer at Anghiari Dance Hub where he worked at the project “Casual Bystanders” based on a choreographic pattern representing an archive of “not-extraordinary” gestures proceeding from kinetic fragments of common people observed in public places. From 2016 till today Salvo Lombardo is supported by the Festival Fabbrica Europa that produces many of his dance pieces. \nFrom 2017 he is one of the associated artists of the Festival Oriente Occidente\, the principal co-producer of the performance “Present Continuous” inspired by a memory system of gestures which stem from a night’s work at a music club and also the interactive installation in augmented reality titled “Reappearances” conceived for the MART Museum of Contemporary Art of Trento and Rovereto\, involving the participation of the local community. \nIn 2017 he is guest choreographer at Aura Dance Theatre of Kaunas (LIT) for which he conceived the performance “Twister” studying the relationship between gestures memory\, play and sociality. In 2018 he worked on the project “L’Esemplare Capovolto”\, aims to generate a series of performative actions\, installations\, conferences\, workshops and the creation of the show “Excelsior”\, co-produced by the Théâtre National de Chaillot of Paris and the Romaeuropa Festival.\n​ \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/present-continuous/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200220T180000
DTEND;TZID=Europe/Rome:20200220T190000
DTSTAMP:20260504T142055
CREATED:20200110T094133Z
LAST-MODIFIED:20200220T115853Z
UID:10002054-1582221600-1582225200@www.fndaterballetto.it
SUMMARY:cloud|materia / ''O'' - Open Rehearsal
DESCRIPTION:  \nThe Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nThe company rehearses cloud|materia and “O” by Philippe Kratz\, Danza & Danza Award 2019 “Best Choreographer”\, with a view of the show in Bari on 29th February.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-aterballetto-20-02-2020-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200307T180000
DTEND;TZID=Europe/Rome:20200307T190000
DTSTAMP:20260504T142055
CREATED:20191230T112234Z
LAST-MODIFIED:20200306T094934Z
UID:10002020-1583604000-1583607600@www.fndaterballetto.it
SUMMARY:Patchwork\, un mosaico di storie
DESCRIPTION:Patchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nThe inspiration \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nThe plot \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie/2020-03-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200308T180000
DTEND;TZID=Europe/Rome:20200308T190000
DTSTAMP:20260504T142055
CREATED:20191230T112234Z
LAST-MODIFIED:20200306T094934Z
UID:10002021-1583690400-1583694000@www.fndaterballetto.it
SUMMARY:Patchwork\, un mosaico di storie
DESCRIPTION:Patchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nThe inspiration \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nThe plot \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie/2020-03-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200320T180000
DTEND;TZID=Europe/Rome:20200320T190000
DTSTAMP:20260504T142055
CREATED:20200110T105319Z
LAST-MODIFIED:20200306T095737Z
UID:10002063-1584727200-1584730800@www.fndaterballetto.it
SUMMARY:Les Miserables - Open rehearsal
DESCRIPTION:OPEN REHEARSAL_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCANCELLED OPEN REHEARSAL\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nChoreography: Carlo Massari\nDancers: Carlo Massari\, Alice Monti\, Stefano Roveda\, Nicola Stasi\nVocal Coaching: Chiara Osella \nProduction: C&C Company\nCo-production: Triangolo Scaleno/Glass Theatres; Festival Danza in Rete Fondazione Teatro Comunale Città di Vicenza; Festival Oriente Occidente/CID Centro Internazionale della Danza\nWith the support of Teatro Akropolis/Project CURA \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org
URL:https://www.fndaterballetto.it/en/evento/les-miserables-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200325T180000
DTEND;TZID=Europe/Rome:20200325T190000
DTSTAMP:20260504T142055
CREATED:20200110T095623Z
LAST-MODIFIED:20200306T095923Z
UID:10001632-1585159200-1585162800@www.fndaterballetto.it
SUMMARY:Tempesta - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nAterballetto rehearses Tempesta by Giuseppe Spota on the original music by Giuliano Sangiorgi\, in view of the performances at the Teatro Metastasio of Prato. \nCANCELLED OPEN REHEARSAL\nThe Fondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200401T203000
DTEND;TZID=Europe/Rome:20200401T213000
DTSTAMP:20260504T142055
CREATED:20200110T154720Z
LAST-MODIFIED:20200306T111250Z
UID:10002098-1585773000-1585776600@www.fndaterballetto.it
SUMMARY:UNDER THE FLESH
DESCRIPTION:Under the Flesh by Bassam Aboud Diab is a contemporary dance performance\, a personal reflection that investigates the way the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique. \nThe performance is preceded by a speech with an expert on the relationship between dance and war. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \nCredits \nChoreography and direction: Bassam Abou Diab\nPerformer: Bassam Abou Diab\, Ayman Sharaf El Dine and a translator\nMusic: Ayman Sharaf El Dine \nCo-produced by Maqamat Beit El Raqs\nDuration: 30′ \nInsights \nIn 1996 the war came back and it was a long time since I had met my friends\, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die. \nThe second strategy is to let your body go to the end\, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts\, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war. \nDuring the year 2000 I changed. New ideas in mind about the relationship between cultures\, the body\, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence. \nIn 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies. \nBassam Abou Diab \nBassam Abou Diab \nHe is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre\, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat\, Gilles Jobin\, Damien Jalet\, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project. \n\n  \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/under-the-flesh/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200403T180000
DTEND;TZID=Europe/Rome:20200403T190000
DTSTAMP:20260504T142055
CREATED:20200110T100626Z
LAST-MODIFIED:20200306T111954Z
UID:10001637-1585936800-1585940400@www.fndaterballetto.it
SUMMARY:Open Rehearsal Aterballetto
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nCANCELLED OPEN REHEARSAL\nThe Fondazioen Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-4/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200415T180000
DTEND;TZID=Europe/Rome:20200415T190000
DTSTAMP:20260504T142055
CREATED:20200110T114027Z
LAST-MODIFIED:20200210T172641Z
UID:10002071-1586973600-1586977200@www.fndaterballetto.it
SUMMARY:Corpo Liturgico - Prova Aperta
DESCRIPTION:PROVA APERTA_COMPAGNIA ARTEMIS DANZA\nCorpo liturgico. Requiem è pensato come un viaggio a quattro stazioni\, che possono essere intese anche come le tappe di un’ideale mappa culturale e sociale del territorio legate dal fil rouge rappresentato dalla musica di Giuseppe Verdi.\nI luoghi scelti sono la Pieve di San Genesio di San Secondo Parmense\, la Pieve di Santa Maria Assunta a Bardone\, l’Abbazia San Bernardo a Fontevivo e l’Abbazia di San Basilide di Badia Cavana\, che ospiteranno al loro interno e nei sagrati quattro performance di danza contemporanea\, articolate nei mercoledì e venerdì del mese di giugno 2020. \n  \nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, pro \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/corpo-liturgico-prova-aperta/2020-04-15/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200416T180000
DTEND;TZID=Europe/Rome:20200416T190000
DTSTAMP:20260504T142055
CREATED:20200110T114027Z
LAST-MODIFIED:20200210T172641Z
UID:10002072-1587060000-1587063600@www.fndaterballetto.it
SUMMARY:Corpo Liturgico - Prova Aperta
DESCRIPTION:PROVA APERTA_COMPAGNIA ARTEMIS DANZA\nCorpo liturgico. Requiem è pensato come un viaggio a quattro stazioni\, che possono essere intese anche come le tappe di un’ideale mappa culturale e sociale del territorio legate dal fil rouge rappresentato dalla musica di Giuseppe Verdi.\nI luoghi scelti sono la Pieve di San Genesio di San Secondo Parmense\, la Pieve di Santa Maria Assunta a Bardone\, l’Abbazia San Bernardo a Fontevivo e l’Abbazia di San Basilide di Badia Cavana\, che ospiteranno al loro interno e nei sagrati quattro performance di danza contemporanea\, articolate nei mercoledì e venerdì del mese di giugno 2020. \n  \nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, pro \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/corpo-liturgico-prova-aperta/2020-04-16/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200417T203000
DTEND;TZID=Europe/Rome:20200417T213000
DTSTAMP:20260504T142055
CREATED:20200109T075249Z
LAST-MODIFIED:20200319T120723Z
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SUMMARY:Concerto Fisico
DESCRIPTION:Concerto Fisico è una partitura fisica e vocale che ripercorre e ridisegna la storia di Balletto Civile\, la storia della  compagnia nata all’interno dell’ex Ospedale Psichiatrico di Udine. \nCANCELLED PERFORMANCE\nCredits \nConcept and choreography Michela Lucenti\nCreated and performed by Michela Lucenti\nAssistant to the creation Maurizio Camilli\nLive sound design Tiziano Scali and Maurizio Camilli\nProduction Balletto Civile and Festival Resistere e Creare\nWith the support of UFO – UNIDENTIFIED ART RESIDENCES and MIBACT \nTo know you alive is to feel the planet crumble beneath you\, to soar kicking try to throw yourself off while you cling to the edge\, is to ride the planet like a log in the direction of the current\, screaming.\nAnne Dillard \nInsights \nI always sang in shows even when my dancing was furious. The body\, my gestures are the map of what I feel and singing is my vehicle to keep me alive. \nConcerto Fisico is a composition for physical and vocal instrument\, a twisted and crooked greatest hits that has nothing nostalgic to tell the story of a group through the stories it has become a vehicle. A juke-box that awakens the emotional accents of a memory that is still the present\, of how we transformed ourselves\, of the sand from which we emerged\, of the Creatures\, of the wooden horses built for Troy\, of the fire extinguishers thrown in the dark\, of the sea of milk where Woyzeck and Andres talk about the void\, of Desdemona’s desperate scream\, of what happened to Thebes\, of the Resistance\, of the struggle and of the Revolution\, of how in the end the Evil Lambs are all of us\, of the mirrored floor and an orange rope\, of the power and heavy coats of 1918\, of stuffed foxes and sexual seasons\, of death and a Brazilian with a green plume\, of a small white dog\, of taboos\, of plastic ducks and Kenyan acrobats\, of firemen and priests\, of an accident and a gas station\, of a radio and a city always on fire\, of why things happen. Then everything disappears\, sucked into the eyes\, as if it never existed. \nConcerto Fisico is a musical tale for actions that retraces and redraws the history of Balletto Civile\, that is\, my own\, the history of my company. It was founded during a long artistic residence inside the former Psychiatric Hospital of Udine\, one of the centres where Basaglia revolutionized the concept of madness. My art was born in that place\, isolated from the world and at the same time in the centre of its burning fire. \nMichela Lucenti \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original singing interact naturally. \nballettocivile.org \n\n 
URL:https://www.fndaterballetto.it/en/evento/concerto-fisico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200422T180000
DTEND;TZID=Europe/Rome:20200422T190000
DTSTAMP:20260504T142055
CREATED:20200110T101010Z
LAST-MODIFIED:20200421T123024Z
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SUMMARY:Open Rehearsal
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nCANCELLED OPEN REHEARSAL
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200427T180000
DTEND;TZID=Europe/Rome:20200427T190000
DTSTAMP:20260504T142055
CREATED:20200110T115947Z
LAST-MODIFIED:20200421T123717Z
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SUMMARY:Felliniana - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL_COMPAGNIA ARTEMIS DANZA\nExtravagant characters\, good and bad\, usurpers and jesters\, thrill on the scene like lightning ready to detonate. Immersed in magical atmospheres and mocking situations\, these creatures dance the wonder of life and encounters\, always on the edge between reality and enchantment. Energies that propagate and connect showing the human in its infinite facets. Ironic and tragic\, pure and naive\, energetic and sardonic\, the Fellinian character feeds on everything that surrounds him\, making him part of himself and his story. In this new creation by Monica Casadei\, the bodies cross the contemporary dance and circus\, the dream and the real world\, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreographies\, virtuosity and an irresistible humanity animate this show making it a poetic and sensitive manifesto celebrating the history of Italian cinema and music. \nCANCELLED OPEN REHEARSAL\nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, produces and promotes young authors and carries out many activities for the training of the public. \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/felliniana-open-rehearsal/2020-04-27/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200428T180000
DTEND;TZID=Europe/Rome:20200428T190000
DTSTAMP:20260504T142055
CREATED:20200110T115947Z
LAST-MODIFIED:20200421T123717Z
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SUMMARY:Felliniana - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL_COMPAGNIA ARTEMIS DANZA\nExtravagant characters\, good and bad\, usurpers and jesters\, thrill on the scene like lightning ready to detonate. Immersed in magical atmospheres and mocking situations\, these creatures dance the wonder of life and encounters\, always on the edge between reality and enchantment. Energies that propagate and connect showing the human in its infinite facets. Ironic and tragic\, pure and naive\, energetic and sardonic\, the Fellinian character feeds on everything that surrounds him\, making him part of himself and his story. In this new creation by Monica Casadei\, the bodies cross the contemporary dance and circus\, the dream and the real world\, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreographies\, virtuosity and an irresistible humanity animate this show making it a poetic and sensitive manifesto celebrating the history of Italian cinema and music. \nCANCELLED OPEN REHEARSAL\nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, produces and promotes young authors and carries out many activities for the training of the public. \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/felliniana-open-rehearsal/2020-04-28/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200429T180000
DTEND;TZID=Europe/Rome:20200429T190000
DTSTAMP:20260504T142055
CREATED:20200110T115947Z
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SUMMARY:Felliniana - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL_COMPAGNIA ARTEMIS DANZA\nExtravagant characters\, good and bad\, usurpers and jesters\, thrill on the scene like lightning ready to detonate. Immersed in magical atmospheres and mocking situations\, these creatures dance the wonder of life and encounters\, always on the edge between reality and enchantment. Energies that propagate and connect showing the human in its infinite facets. Ironic and tragic\, pure and naive\, energetic and sardonic\, the Fellinian character feeds on everything that surrounds him\, making him part of himself and his story. In this new creation by Monica Casadei\, the bodies cross the contemporary dance and circus\, the dream and the real world\, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreographies\, virtuosity and an irresistible humanity animate this show making it a poetic and sensitive manifesto celebrating the history of Italian cinema and music. \nCANCELLED OPEN REHEARSAL\nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, produces and promotes young authors and carries out many activities for the training of the public. \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/felliniana-open-rehearsal/2020-04-29/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200505T210000
DTEND;TZID=Europe/Rome:20200505T223000
DTSTAMP:20260504T142055
CREATED:20200109T100203Z
LAST-MODIFIED:20200421T124317Z
UID:10002041-1588712400-1588717800@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto\, after a long tour\, finally presents Tempesta in Reggio Emilia\, in its Fonderia. \n“Can one transfer into gesture and movement the writing so dense with narrative and meaning of this work? This is the challenge of the show. Very daring because the comparison is with a text that has a particular and absolute value throughout Shakespeare’s play. It is his last work and is considered as his spiritual testament\, a farewell to the theatre which not by chance presents on stage a creator of magic who\, as Strehler had well understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to Giuseppe Spota‘s choreography and Giuliano Sangiorgi’s music you can live seventy minutes of magic. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/tempesta-aterballetto-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Season,Season January-July 2020,Tempesta
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END:VCALENDAR