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DTSTART;TZID=Europe/Rome:20250916T180000
DTEND;TZID=Europe/Rome:20250916T190000
DTSTAMP:20260407T152116
CREATED:20250904T144745Z
LAST-MODIFIED:20250909T094052Z
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SUMMARY:Cani lunari - open session
DESCRIPTION:Francesco Marilungo’s Cani lunari is the opening event of the autumn edition of Danza in Fonderia.\n  \nFrancesco Marilungo inaugurates Antologie. New Readings of the Body\, the Danza in Fonderia series\, with the open rehearsal of his latest work. Cani lunari reveals the first fragments of his new creation. Inspired by a rare lunar optical phenomenon and steeped in ancestral symbols\, the piece delves into the imagery of the witch\, the healer\, the sorceress: figures on the margins of society\, suspended between fear and desire\, science and magic\, exclusion and power. \nhttps://vimeo.com/1048362306 \nCredits \nChoreography and Direction: Francesco MarilungoWith: Vera Di Lecce\, Barbara Novati\, Roberta Racis\, Alice Raffaelli\, Francesca Linnea UgoliniCostumes: Lessico FamiliareMusic and Vocal Coaching: Vera Di LecceLighting Design: Gianni StaropoliPhotography and Video: Luca Del Pia \n \nProduction: Körper | National Dance Production CentreCo-production: SNAPORAZVEREIN\, IRA Institute \n \nWith the support of ResiDance – an initiative of the Anticorpi XL Network\,Tuscany Residency Centre (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\,AMAT – Associazione Marchigiana per le Attività Teatrali\,Consorzio PUGLIA CULTURE – Regional Consortium for Arts and Culture\,in collaboration with Associazione Menhir / festival LE DANZATRICI en plein air in Ruvo di Puglia and Ass. Cult. TEATRO MENZATI’ / TEX – Il Teatro dell’ExFadda in San Vito dei Normanni (Puglia). \n \nWith the support of Cross Festival\, Primavera dei Teatri CastrovillariWith the contribution of Marosi Festival\, Teatro delle Moire \nDiscover more \nDuring the winter months\, when the moon is full or nearly full\, its light can sometimes be refracted by ice crystals in the high clouds\, creating a circular halo around the satellite with two symmetrical gleams at its sides: the moon dogs. Atmospheric phenomena that folk tradition once read as omens of storms\, but also as signals of transition—visual thresholds into the invisible. \nCANI LUNARI is a choreographic project that crosses these thresholds and immerses itself in an imaginary rooted in the archaic feminine\, in magical knowledge\, in ecstatic bodies. A sensitive inquiry into the figure of the witch\, the healer: not as folkloric residue or demonized stereotype\, but as the emblem of marginal yet powerful knowledge\, resisting the logic of utility and visibility.\n \nThrough a process of research combining archival materials\, oral testimonies\, folkloric iconographies\, and bodily practices\, CANI LUNARI builds a performative rite in which the body dances trance\, ecstasy\, metamorphosis. The performers\, holding taxidermy crows—souls released\, spirit animals\, threshold guides—enact gestures suspended between ritual and fiction\, magic and theatrical play. Movement feeds on fragmentations\, limps\, archaic gestures\, and sudden slips into animality\, evoking a world where the boundary between human and beyond-human is porous and mutable. The body moves “above water and above wind\,” echoing ancient formulas that still resonate in some Italian territories at the margins. \n \nAt the heart of the project lies a reflection on the hysterical body\, a feminine site of crisis and enigma\, historically linked to the figure of the witch and to states of possession. The 19th-century photographs of the Salpêtrière become symbolic material to embody: bodies out of control\, traversed by the invisible\, performing a different kind of knowledge. The witch’s body becomes a threshold-organism between dimensions—as John Cotta once wrote\, “not a traveler between worlds\, but the site of encounter between different spheres of being.” \n \nCANI LUNARI recalls a knowledge that is both political and sensorial\, an embodied epistemology. The soul—bird or breath—leaves the mouth\, flies\, detaches\, and then returns to the body. As in the confessions extorted from persecuted women—often visionaries\, storytellers\, healers—the body becomes narrative\, ritual of healing\, exercise in survival. The soundscape\, created by Vera Di Lecce\, interweaves electronics and natural sound\, oral chants and magical formulas\, in a score suspended between the earthly and the divine. \nCANI LUNARI is a crossing\, a white sabbath\, a collective ritual to re-enchant the world.\n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has worked with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own artistic path\, seeking a personal language at the intersection of performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the Lombardy NEXT 2017/2018 call. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS\nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/cani-lunari-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T190000
DTSTAMP:20260407T152116
CREATED:20250904T144126Z
LAST-MODIFIED:20250911T163911Z
UID:10004137-1758564000-1758567600@www.fndaterballetto.it
SUMMARY:Notte Morricone - open session
DESCRIPTION:CCN/Aterballetto – Notte Morricone – ph. Claudio Montanari \nAterballetto’s first open rehearsal of the 2025–26 season\, offering the chance to meet the company’s new dancers. \nOn Monday\, September 22 at 6:00 pm\, Aterballetto welcomes its audience into the rehearsal room of the Fonderia to the notes of Notte Morricone by Marcos Morau. During the open rehearsal\, the three new dancers who have joined the company—Gador Lago Benito\, Gaia Mentoglio\, and Luigi Civitarese—will also be introduced. \nOpen rehearsals are unique occasions where the audience can witness the making of a performance\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that opens the door to the daily life of dancers and choreographers. \n  \nInfo & Tickets \nTICKETS \n \nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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