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DTSTART;TZID=Europe/Rome:20260212T180000
DTEND;TZID=Europe/Rome:20260212T190000
DTSTAMP:20260405T185038
CREATED:20260123T115955Z
LAST-MODIFIED:20260216T082935Z
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SUMMARY:BOW
DESCRIPTION:BOW – open rehearsal \n\n\n\n\n\n\n\n\nFor the first time\, Gaetano Palermo and Michele Petrosino are guests of the Danza in Fonderia programme.\nAudiences will have the opportunity to attend the work in progress of BOW\, a new choreographic project that investigates the act of bowing as a gesture shaped and traversed by time. \nFar from being a form of praise\, BOW explores the bow as an ambiguous and layered bodily gesture which\, throughout history\, has taken on strong social\, political\, and cultural meanings. Suspended between a turning inward and an opening toward the other\, the gesture becomes a site of tension between recognition and submission\, intimacy and public representation. \nThrough the performers’ bodies\, BOW reactivates the memory of this gesture in the present\, making visible the temporal dynamics that continue to inhabit our bodies today. \n\n\n\n\n\n\n\n\n \n \nCREDITS \n\n\n\n\n\n\n\n\na performance by Gaetano Palermo\, Michele Petrosinosound design: Luca Galliolighting design: to be defined \nproduction: KLmwith the support of SIAE – Per Chi Creawith the support of SupportER – Rete Anticorpi Emilia-Romagna \nSupported by MiC and SIAE\, in the framework of the programme “Per Chi Crea” \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\nBow is a choreographic project centred on the act of bowing or reverence (in English bow)\, a gesture typical of theatrical and religious contexts and also widespread—though in different forms and modes—within social practices of greeting\, recognition\, and consent. Through a form of writing embodied in the performers’ bodies\, the project aims to develop an analysis of the tensions and ambiguities inherent in this gesture\, retracing its history through a catalogue of its variations in order to grasp its sociopolitical and psychological implications. \nAt once a folding inward toward the self and an opening toward the other\, the practice of bowing or reverence is a sign of acknowledging a presence perceived as possessing vital\, worldly\, or divine power. This recognition—of which the bow is the bodily manifestation—corresponds to a human disposition of dependence\, obligation\, service\, or prayer\, oriented toward transcending a limit or obtaining a gift\, a grace. Situated on the threshold between subjective intimacy and public representation\, this gesture takes on different meanings depending on the degree of bending\, ranging from a simple inclination of the head to kneeling or complete prostration. Abnegation and salvation\, servility and power coexist within a physical tension that finds in the bow its fragile yet potent measure. \n\n\n\n\n\n\n\n\nPALERMO / PETROSINO \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPalermo/Petrosino is a duo formed by Gaetano Palermo and Michele Petrosino\, working at the intersection of contemporary dance and visual arts. Their research investigates the ontology of movement—from stillness to transformation—with a strong focus on perceptual devices and on the relationship between body\, image\, and gaze. Their work has been supported and presented by institutions and festivals such as La Biennale di Venezia\, Triennale Milano\, MAMbo Bologna\, Fondazione I Teatri di Reggio Emilia\, Teatro Regio di Parma\, Santarcangelo Festival\, and Kilowatt Festival. In 2025\, they won the SIAE – Per Chi Crea grant with BOW. \nGaetano Palermo\, whose background spans philosophy\, performing arts\, and visual arts (University of Bologna\, IUAV Venice\, Academy of Kassel)\, has worked with artists including Bruce Nauman\, Romeo Castellucci\, Chiara Guidi\, Claudia Castellucci\, and Tamara Cubas. He has presented his work at the Venice Biennale and in national and international festivals and contexts. \nMichele Petrosino\, an artist and performer with training in theatre\, dance\, and literary studies (University of Bologna)\, has collaborated with Kinkaleri\, Nico Vascellari\, and Bruce Nauman\, and was a performer in Bros by Romeo Castellucci (2021–2023). Together with Palermo\, he is the author of Still\, winner of the CosmoGiani Award 2024. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS€3 for everyone / free admission for children under 6 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe Fonderia box office opens one hour before the start of the performance. \nSeats are not numbered. \nCONTACTS \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/bow/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260223T180000
DTEND;TZID=Europe/Rome:20260223T190000
DTSTAMP:20260405T185038
CREATED:20260130T183113Z
LAST-MODIFIED:20260203T135504Z
UID:10004311-1771869600-1771873200@www.fndaterballetto.it
SUMMARY:Macbeth study
DESCRIPTION:Macbeth study – open rehearsal \nDanza in Fonderia opens its doors to an open rehearsal of Macbeth Study\, a new work by Monica Casadei with her company Compagnia Artemis Danza.\n \n\n\n\n\n\n\n\n\nAn immersion into the creative process that reinterprets William Shakespeare’s masterpiece through the body\, rhythm\, and the tension of inner time. Ambition\, power\, and destiny take shape in an intense\, visceral choreographic writing\, where movement becomes a space of conflict and transformation. A unique opportunity to witness the birth of a creation up close and the living dialogue between dance and dramaturgy. \n\n\n\n\n\n\n\n\n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOriginally from Ferrara and graduating summa cum laude with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance—first in Italy\, then in London\, and finally in Paris. There she met choreographers Pierre Doussaint and Isabelle Doubouloz\, as well as master André Cognard Hanshi So Shihan\, with whom she still practices the martial art of Aikido.In France she founded Compagnia Artemis Danza\, relocating to Italy in 1997 and initiating an intense production activity that to date includes over forty original creations. From 1998 to 2007\, the company was artist-in-residence at Fondazione Teatro Due\, and since 2014 it has held an artistic residency at the Teatro Comunale di Bologna. Artemis Danza has been invited to perform in major Italian theatres and festivals\, as well as on numerous international tours and festival circuits. \nCentral to Monica Casadei’s artistic research are cross-pollination with different artistic\, cultural\, and geographical contexts\, alongside the exploration of urban spaces that become stages for performative actions. \nAlongside its production activity\, Artemis Danza supports\, produces\, and promotes emerging artists and develops a wide range of audience development and educational initiatives. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS€3 for all / free admission for children under 6 \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe on-site box office at Fonderia opens one hour before the start of the performance. \n \nTickets are unnumbered. \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/macbeth-study/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio-giugno 2026
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