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DTSTART;TZID=Europe/Rome:20240130T180000
DTEND;TZID=Europe/Rome:20240130T190000
DTSTAMP:20260406T081150
CREATED:20240110T131435Z
LAST-MODIFIED:20240418T152947Z
UID:10003174-1706637600-1706641200@www.fndaterballetto.it
SUMMARY:Open Rehearsal - Rhapsody in Blue
DESCRIPTION:  \nThis month\, Fonderia is opening its doors for an open rehearsal with the Aterballetto Company. \nOn Tuesday\, January 30th\, at 6:00 PM\, the audience at Fonderia can witness the preparation of Rhapsody in Blue\, the new creation for 16 dancers premiering at the Teatro Regio di Parma on February 17\, 2024. The choreography\, set to the famous rhapsody by George Gershwin\, is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers. \nOpen rehearsals are unique moments where you can witness the creation of a performance\, engage with the artists\, and be amazed by the art of dance: a special occasion that allows the audience to glimpse into the daily routine of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Rhapsody in Blue,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240124T180000
DTEND;TZID=Europe/Rome:20240124T190000
DTSTAMP:20260406T081150
CREATED:20240115T095325Z
LAST-MODIFIED:20240418T153536Z
UID:10003242-1706119200-1706122800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - RUGGINE / PLAY_BACH DIVERTISSEMENT
DESCRIPTION:  \n\n  \nOpen Rehearsal – 6:00 PM \nShow  – 8:30 PM \n  \nRust / Manfredi Perego \n“Self-portrait\nNoise grinds\nNatural within” \nRust is a reflection on the product of the antagonism between darkness and light in humans. Rust is a dramaturgical thought that deals with the dark\, unease\, caprice\,\nsuffering; observing these emotions and the actions they provoke without judgment. Rust is a dedication to the area that is usually hidden with great effort. The choreography does not generate an answer\, but rather creates a path that allows one to immerse and cross these moods and dissect them without prejudice. Like in a liberating dedication to the annoying part of ourselves\, the choreography outlines and crosses a sequence devoid of chronology\, an ideal representation of what is usually considered a flaw. \nPLAY_BACH DIVERTISSEMENT / Balletto Teatro di Torino \n“The choreographic challenge is to give visual and dynamic concreteness to the emotion that each note expresses\, capturing the nuances of Bach’s music by translating into dance a process of emotional analysis of what the musical score suggests.\nThe violence and sweetness that arise from the vibration of the played notes must have a physical correspondence\, creating dances that traverse worlds of new carnal frequencies. The project starts from the need to challenge oneself with classical musical scores\, never tackled before\, to discover new approaches to choreography and open up to new dynamic visions. Studies on Bach will be a choreographic gym\, a mutable choreographic space\, which does not end its evolution. Live music stitches the dancer’s epidermis to the place\, bringing it to another level of interpretation and listening. At the same time\, the air moved by the bodies impacts the musicians\, making tangible the action of dance on the instrument.” – Manfredi Perego \n  \nCREDITS \n“`html\nRUST \nChoreography/Dance by Manfredi Perego\nOriginal Music by Paolo Codognola\nLighting Design by Roberta Faiolo\nDuration 20 minutes\nA work produced by Tirdanza\, with the co-production of Milanoltre Festival\, in collaboration with Fondazione TeatroDue Parma\, Europa Teatri \nPLAY_BACH DIVERTISSEMENT \nChoreography by Manfredi Perego\nDancers: Flavio Ferruzzi\, Lisa Mariani\, Luca Tomasoni\, Nadja Guesewell\, Viola Scaglione\nMusic by J.S. Bach performed live by Janine Bratu\nLighting Design by Roberta Faiolo\nCostume Design by Majatai\nProduction by Balletto Teatro di Torino\nIn collaboration with Conservatorio Statale di Musica “Giuseppe Verdi” di Torino\nDuration 30 minutes\n“` \nAUTHORS \nMANFREDI PEREGO \nBorn in Parma in 1981\, Manfredi Perego began studying contemporary dance at his mother Lucia Perego’s school. He graduated from the Academy of Fine Arts in Bologna and continued his dance studies while simultaneously starting his professional career as a freelance dancer in Switzerland and Germany. In 2013\, he developed his first personal movement research project. In 2014\, he founded MP.ideograms and the following year debuted at the Equilibrio Festival and at the Vetrina della Giovane danza d’autore in Ravenna. In 2016\, he participated in the “VITA NOVA” project of the Venice Biennale with the first chapter of the “Primitiva” project\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A Giovane Danza D’Autore Award. Since 2017\, he has collaborated with BTT \ Balletto Teatro di Torino as a guest teacher and since 2019 as a choreographer. He was an Associated Choreographer at the National Dance Production Center Scenario Pubblico/CZD in the three-year period 2019-2021. In the three-year period 2022-24\, he became an Associated Choreographer at the MilanOltre Festival. Currently\, he teaches as a freelance instructor in various professional training programs in Italy and abroad. \nBALLETTO TEATRO DI TORINO \nBalletto Teatro di Torino is an organization dedicated to production\, training\, and programming in the field of dance.\nSupported by MIC\, Regione Piemonte\, Fondazione Compagnia di San Paolo\, Fondazione CRT\, Città di Torino\, TAP Torino Arti Performative. In network with NEST Rete degli Organismi di Produzione di Danza del Piemonte. \nINFO & TICKETS \nTICKETS\nFull Price: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-ruggine-play_bach-divertissement/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231120T180000
DTEND;TZID=Europe/Rome:20231120T190000
DTSTAMP:20260406T081150
CREATED:20231115T170225Z
LAST-MODIFIED:20240419T155004Z
UID:10003253-1700503200-1700506800@www.fndaterballetto.it
SUMMARY:Open Rehearsal - Secus
DESCRIPTION:Also this month\, the Fonderia opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, November 20th\, at 6:00 PM\, the audience can attend the rehearsal of Secus\, a choreography created by Ohad Naharin in 2019: one of those performances that is difficult to forget\, capable of uniquely highlighting the technical skills and expressiveness of dancers. \nThe creation boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix takes shape before our eyes in the form of a human alphabet made of runs\, solos\, clean and precise gestures\, interrupted duets. Joy\, vulnerability\, fear\, innocence\, confusion\, and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-secus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231023T180000
DTEND;TZID=Europe/Rome:20231023T190000
DTSTAMP:20260406T081150
CREATED:20231017T151603Z
LAST-MODIFIED:20240419T161945Z
UID:10003257-1698084000-1698087600@www.fndaterballetto.it
SUMMARY:Open rehearsal - Rhapsody in Blue
DESCRIPTION:The open rehearsals are back in the halls of the Foundry! \nOn Monday\, October 23rd\, at 6:00 PM\, the audience of the Foundry will be able to attend the creation of our new production: “Rhapsody in Blue.” The choreography is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers\, and is inspired by the music of George Gershwin. For several days\, the sixteen dancers have been working on the choreography\, and the open rehearsal will be a unique opportunity to witness live the creative process. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231004T170000
DTEND;TZID=Europe/Rome:20231004T181500
DTSTAMP:20260406T081150
CREATED:20230802T094011Z
LAST-MODIFIED:20240418T172712Z
UID:10003005-1696438800-1696443300@www.fndaterballetto.it
SUMMARY:Callas\, Callas\, Callas - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani)  \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani)  \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230926T180000
DTEND;TZID=Europe/Rome:20230926T190000
DTSTAMP:20260406T081150
CREATED:20230919T152854Z
LAST-MODIFIED:20230919T152854Z
UID:10003248-1695751200-1695754800@www.fndaterballetto.it
SUMMARY:BLISS / MicroDanze - Open Rehearsal
DESCRIPTION:Open rehearsals are back in the halls of Fonderia! \nTo inaugurate the new season and get to know up close the two dancers who have recently joined the company\, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger\, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed! \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/bliss-microdanze-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Open rehearsals,Season,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230512T180000
DTEND;TZID=Europe/Rome:20230512T190000
DTSTAMP:20260406T081150
CREATED:20230501T100944Z
LAST-MODIFIED:20230601T104215Z
UID:10002974-1683914400-1683918000@www.fndaterballetto.it
SUMMARY:Struggle for the soul - Welcome to my funeral - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our ﬁxed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 3 euro\nFree under 6 \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/05/Brandon_PH-Virginia-Rota.jpeg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230426T180000
DTEND;TZID=Europe/Rome:20230426T193000
DTSTAMP:20260406T081150
CREATED:20230208T223952Z
LAST-MODIFIED:20230329T160454Z
UID:10002917-1682532000-1682537400@www.fndaterballetto.it
SUMMARY:BEAST WITHOUT BEAUTY - OPEN REHEARSAL
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nOPEN REHEARSAL \nThe young choreographer Carlo Massari draws inspiration from Samuel Beckett’s Theatre of the Absurd and his Happy Days to narrate the trap of the existential condition. On stage an authentic plunge into non-sense\, an irreverent\, cynical study on the archetypes of human misery\, on inexpressiveness\, on the despicable cruelty in interpersonal relationships. Pale faces\, bloodless\, dehumanised and exhausted figures face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, with no holds barred. \n  \n\n  \n CREDITSOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”SYNOPSISYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni CARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETSTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-02-01-alle-14.31.57.webp
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230418T180000
DTEND;TZID=Europe/Rome:20230418T190000
DTSTAMP:20260406T081150
CREATED:20230329T092528Z
LAST-MODIFIED:20230329T170635Z
UID:10002951-1681840800-1681844400@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/tedesco.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230417T180000
DTEND;TZID=Europe/Rome:20230417T190000
DTSTAMP:20260406T081150
CREATED:20230329T092543Z
LAST-MODIFIED:20230329T171023Z
UID:10002952-1681754400-1681758000@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/tedesco.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230411T180000
DTEND;TZID=Europe/Rome:20230411T190000
DTSTAMP:20260406T081150
CREATED:20230330T095956Z
LAST-MODIFIED:20230330T100655Z
UID:10002963-1681236000-1681239600@www.fndaterballetto.it
SUMMARY:SHOOT ME - open rehearsal
DESCRIPTION:FND Aterballetto – SHOOT ME by Diego Tortelli – ph Christophe Bernard \n \nOPEN REHEARSAL\nAterballetto rehearses SHOOT ME by Diego Tortelli for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/shoot-me-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/12/FND-Aterballetto-SHOOT-ME-by-Diego-Tortelli-ph-Christophe-Bernard-002.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230405T180000
DTEND;TZID=Europe/Rome:20230405T190000
DTSTAMP:20260406T081150
CREATED:20230330T094042Z
LAST-MODIFIED:20230331T132020Z
UID:10002961-1680717600-1680721200@www.fndaterballetto.it
SUMMARY:Yeled - open rehearsal
DESCRIPTION:FND/Aterballetto - rehearsal - ph. Christophe Bernard\nOPEN REHEARSAL\n\nAfter the tour in Germany and Italy\, Aterballetto stops at Fonderia and rehearses YELED by Eyal Dadon for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/DSC02452.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230306T180000
DTEND;TZID=Europe/Rome:20230306T193000
DTSTAMP:20260406T081150
CREATED:20230216T075215Z
LAST-MODIFIED:20230302T110635Z
UID:10002922-1678125600-1678131000@www.fndaterballetto.it
SUMMARY:EROIDE CONTEMPORANEA / EUFEMIA - OPEN REHEARSAL
DESCRIPTION:Massimo Monticelli – Eroide Contemporanea \nGiorgia Lolli – Eufemia\, ph. Andrea Couceiro \nOPEN REHEARSAL\nTwo young choreographers from Emilia-Romagna confront on stage a deromanticized present and a past with a nostalgic flavor. \nMassimo Monticelli\, an internationally known dancer and choreographer\, drawing inspiration from Ovid’s collections of love epistles\, rewrites one of them: his Eroide Contemporanea. The letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nGiorgia Lolli\, through collaboration with Sophie Claire Annen and Vittoria Caneva\, creates Eufemia. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. \nWith the patronage of  \n \nEROIDE CONTEMPORANEA\nChoreography\, text\, dance: Massimo Monticelli \nMusic: C. Debussy\, B. Bàrtok \nProduction: TIR dance \nWith the support of: ImPulsTanz\, Vienna (AT)\, Santarcangelo Festival\, Rete h(abita)t Bologna. \nIn his Heroides\, Ovid imagines a collection of letters written by some of the most famous women of myth for their respective men who\, for one reason or another\, abandoned them. Massimo Monticelli wants here to compose a new eroid. Going through a fragment of life\, a letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nAcknowledgements: \nProject selected for the ATLAS – create your dance trails program of the ImPulsTanz festival in Vienna\, with dramaturgy support by Guy Cools and Angelique Wilkie. \nProject selected for KRAAK\, residency path of Santarcangelo Festival. \n \n  \nMASSIMO MONTICELLI \nMassimo Monticelli is a dancer\, choreographer and teacher from Bologna\, and since 2023 he has been an associate artist of TIR Danza.\nIn recent years\, Massimo has danced in works by international choreographers in several European countries\, and since 2022 he has started a collaboration as performer with Italian choreographer Nicola Galli.\nIn the last two years Massimo has been able to present his work in contexts such as Gender Bender International Festival\, Romaeuropa festival\, in ImPulsTanz’s ATLAS artist review in Vienna (AT)\, Corte Ospitale\, Thuner Tanzfest (CH).\nBetween 2021 and 2023 Massimo has been selected for the following opportunities: national call ERetici promoted by Arboreto and Corte Ospitale\, Nuove Traiettorie XL promoted by Rete Anticorpi XL\, ATLAS – create your dance trails\, program within ImPulsTanz festival in Vienna\, DNAppunti Coreografici 2022 as a finalist\, and among the four winning artists of SupportER\, support action promoted by Rete Anticorpi Emilia-Romagna.\nIn 2020 Massimo was a founding member of the Swiss company EREM dance\, with which he worked as dramaturg and choreographic consultant.\nHe graduated with honors from Trinity Laban in London\, received a Master’s degree in Performance from NSCD in Leeds\, spent a period of study at the National Conservatory of Paris\, while in parallel he earned a Bachelor of Arts and a Master’s degree in Theatre Disciplines from the University of Bologna.\nEUFEMIA \nBy Giorgia Lolli\nWith Sophie Claire Annen\, Vittoria Caneva\, Giorgia Lolli \nProduction: Anghiari Dance Hub 2020\nWinner project of the Abitante Call for Proposals – National Center for Dance Production Virgilio Sieni and Fondazione CR Firenze. With the support of SdFactory Laboratorio Creativo (Reggio Emilia) and blueFACTORY (Fribourg\, CH). \nSelected for the Young Author’s Dance Showcase – action of the Network Antibodies XL 2021. \n– \nEufemia\, from the Greek\, she who speaks well\, or she who is spoken of well\, is a creation for three young women and a typewriter. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. The performers\, furnishing the rooms of a utopian world\, construct between the abstract and the concrete a dimension in which everything becomes both subject and frame. They cultivate an “imperfectionism” devoid of approximations\, which opens to new possible views and oversights. \nEufemia: celestial\, moody\, eloquent\, intimate\, sophisticated\, light.\nIt is everything you decide it is. \n  \nEufemia\, Giorgia Lolli – ph. Andrea Couceiro  \nGIORGIA LOLLI  \nGiorgia Lolli (Reggio Emilia\, 1996) graduated in Contemporary Dance from Zürich University of the Arts and moved to Israel\, completing training with Kibbutz Contemporary Dance Company. She has an active collaboration as a dancer in Finland for How the land lies by Bianca Hisse & Laura Cemin\, selected for Aerowaves 2023. Giorgia is teaching Dance Well\, movement research for Parkinson’s at Triennale Milano. \nHer practice interweaves dramaturgical-choreographic research and community processes. Since 2020 she has been collaborating with Sophie Claire Annen and Vittoria Caneva: with Eufemia they are finalists in Direction Under 30 (Teatro Sociale di Gualtieri)\, selected by Network Anticorpi XL for the Young Author’s Dance Showcase 2021\, and guests of Festivals in Switzerland\, Portugal\, Germany. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in the Fonderia is active from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/eroide-contemporanea-eufemia-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230224T180000
DTEND;TZID=Europe/Rome:20230224T190000
DTSTAMP:20260406T081150
CREATED:20230216T225751Z
LAST-MODIFIED:20230222T220242Z
UID:10002929-1677261600-1677265200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore - Open rehearsal
DESCRIPTION:OPEN REHEARSAL \n<strong>PREVIEW\n</strong> \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte.\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 3 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230220T180000
DTEND;TZID=Europe/Rome:20230220T190000
DTSTAMP:20260406T081150
CREATED:20230216T071611Z
LAST-MODIFIED:20230222T213132Z
UID:10002924-1676916000-1676919600@www.fndaterballetto.it
SUMMARY:ALPHA GRACE – OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL \nFondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nFor the second open rehearsal of this season\, Aterballetto presents Philippe Kratz’s Alpha Grace to the audience. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/alpha-grace-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230207T180000
DTEND;TZID=Europe/Rome:20230207T190000
DTSTAMP:20260406T081150
CREATED:20230105T153830Z
LAST-MODIFIED:20230110T153656Z
UID:10002194-1675792800-1675796400@www.fndaterballetto.it
SUMMARY:MEMENTO - OPEN REHEARSAL
DESCRIPTION:  \n \nMemento – Cornelia Dance Company – ph. Sabrina Cirillo \nOPEN REHEARSAL\nMemento is a dance piece that is based on the non-event. Just as in the Beckettian masterpiece\, Waiting for Godot\, the tension is created by the succession of hopes that find no concrete outlet\, so likewise\, in life\, every moment is waiting for something definitive that then\, when we think we have obtained it\, we always discover to be fragmented and subjective. \nWithin the choreography\, the performers experience this waiting and\, in their search for a definitive answer\, divine or otherwise\, to their existential condition\, they seek solace from each other\, challenge each other\, or\, like a chorus\, all tend toward the same point.\nIn the end\, the very goal of their journey will be realized in the remembrance (memento means\, precisely\, “remembered”) of these relationships and the sensations they have felt\, making it a ritual moment\, a sacred\, and therefore eternal\, act. \n\nCREDITS \nChoreography Nyko Piscopo\nMusic Arvo Pärt\nCostume Design Rosario Martone\nDramaturgy Ciro Ciancio\nSet Design Paola Castrignanò\nLights Camilla Piccioni \nDancers Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno\, Francesco Russo \nTechnical Manager Giuseppe Ferrigno\nManagement Vittorio Stasi\nVideo Andrea De Simone\nPhotos Sabrina Cirillo \nProduction Cornelia\nSupport Caleidoscopio\, Teatro Eduardo de Filippo \nIn collaboration with: AMAT MARCHE\, Compagnia Zappalà Danza – SCENARIO PUBBLICO. \nCONCEPT \nInnovative\, out-of-the-box and label-free\, “Memento” is a celebration of the self in all its forms and rests its foundation on gender equality. Performers are asked to renounce the inherent characteristics associated with their gender or stereotypes about it. The gaze becomes fixed\, facial expressions limited\, however\, they are also given the opportunity to express\, in a fluid manner and according to stage sensibility\, the emotionality perceived at that particular moment. Nothing has to start from an idea\, but from an internal impulse: in this way the body does not drag behind a stereotyped gesturality\, and the choreographic dynamics are built free of all patterns\, so that the man can be lifted up by the woman\, if the inner need of the couple on stage requires it\, reversing (or following) the canons without preconceived barriers. \n\nThe succession of tension and apparent calm involves every aspect of the staging. The lights rest on the performers like spots that suddenly appear and\, just as suddenly\, vanish\, conveying the anxiety and agony felt by the play’s protagonists. The atmosphere of unease tends to be amplified by an eternal return to choreographic stillness\, stillness that is\, however\, constantly challenged\, not only by the progression of light and darkness\, but also by the scenographic dynamics that\, by evoking those places that seem suspended between the earthly and the otherworldly like the monolithic complex of Stonehenge\, increases the sense of uncertainty and inner disequilibrium. The musical score also contributes to this effect of constant suspension and restart. While\, through moments of lightness and irony\, the anguish seems to be successfully concealed\, Arvo Pärt’s music reinforces the emotionality\, denying both dancers and spectators to remain indifferent to the feelings that transpire from the work. \nCORNELIA\nCornelia is a dance company founded in 2019 in Naples by Nyko Piscopo\, Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno and Francesco Russo. \nKey word of Cornelia‘s artistic manifesto is INNOVATION\, which manifests itself both by carrying out projects where different languages coexist and through the reinterpretation in a modern key of some classics of dance and literature. Consequently\, the themes addressed by the company are those of contemporaneity. They include\, in fact\, the “instances” of the new generations\, such as the battles for self-determination of one’s body and for the affirmation of one’s sexuality\, but also investigating the new possibilities of connection given by the social revolution. \nIn addition to the founders\, Cornelia relies on numerous external collaborators who share the same philosophy as the group. The ‘company’s activity is widespread both in Italy and abroad: artistic productions are presented in various Italian theaters (Teatro delle Muse in Ancona\, Teatro Bellini in Naples\, Teatro Comunale in Vicenza\, Teatro Carignano in Turin) and participate in the most important dance and video dance festivals\, both national (Venice Biennale 2020\, Campania Teatro Festival 2021 and many others) and international (Filmpride in Brighton\, Choreoscope in Barcelona)\, as well as projects streamed in New York\, London\, Belgrade\, Sweden\, Iran. \nActive not only in dance at the production level\, the company is also involved in collaborating in the organization of national events such as MOVI|MENTALE and Cilentart Fest and in training with free initiatives for local dancers such as Wake Up! Training. \nIt has achieved an important recognition from the Ministry of Culture\, being included in the list of dance companies funded by the FUS. \nhttps://www.corneliaperformingarts.com/ \nINFO & TICKETS  \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/memento-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230119T180000
DTEND;TZID=Europe/Rome:20230119T190000
DTSTAMP:20260406T081150
CREATED:20221222T173015Z
LAST-MODIFIED:20230110T112144Z
UID:10002439-1674151200-1674154800@www.fndaterballetto.it
SUMMARY:Meeting Aterballetto
DESCRIPTION:OPEN REHEARSAL\nAfter three years\, Aterballetto reopens its rehearsals to the public. \nSince the last open rehearsal in Fonderia – Feb. 12\, 2020 – much has changed in the company. New dancers\, new choreography and new projects that we look forward to introducing to you at this very open rehearsal. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/meeting-aterballetto/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221216T180000
DTEND;TZID=Europe/Rome:20221216T190000
DTSTAMP:20260406T081150
CREATED:20221213T122437Z
LAST-MODIFIED:20221213T214245Z
UID:10002499-1671213600-1671217200@www.fndaterballetto.it
SUMMARY:Made in Italy 27.0 - OPEN REHEARSAL
DESCRIPTION:Agora Coaching Project – Made in Italy 27.0 – ph Nicola Stasi \nOPEN REHEARSAL\nProtagonists are Agora Coaching Project‘s dancers\, a project of advanced training in dance promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Created in 2010\, the course is now gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 27.0 with choreography by Uri Ivgi and Johan Greben\, Emanuele Soavi \nNice to meet you \nChoreography Uri Ivgi and Johan Greben\nAssistant to choreography Fabrizio Di Franco\nMusic Tom Parkinson\nDramaturgy Judith Schoneveld \nAn empty space that slowly fills with different personalities\, who meet and investigate together the complex simplicity of human relationships.\nNice to meet you is an open space that aims to break the fourth wall and create an intimate dialogue between dancers and spectators\, almost as if sharing a secret. \nThe movement is earthy but also light and ironic\, emphasizing the myriad nuances of human nature and the enormous fragility involved in looking into someone’s eyes and saying “nice to meet you.” \nAllegro Beyond Sonatas \nChoreography Emanuele Soavi\nAssistant choreographers Federico Casadei\, Lorenzo Molinaro\nMusic J. S. Bach\, Stefan Bohne\nCostumes Nuvia Valestri \nThis work was born out of the study of deepening the concept of technical exactitude and at the same time freedom of movement research.\nA physical response to the counterpoints\, rhythms\, pointed complexes and speed of J. S. Bach’s music. \nOn stage\, the performers create configurations that are constantly evolving. Short solos\, duets and ensemble groupings appear and disappear; they melt in and out of darkness and openings at the back of the stage. Movement is an extended exploration of the shapes and geometries that human bodies can create in a formal context. \nThere is no possibility of hiding in Allegro Beyond Sonatas. Every part of the body must be extensively explored as each movement articulates through the entire frame – vocabulary of the body; including the fingertips\, including the expression of one’s identity. \nAgora Coaching Project \nAGORA COACHING PROJECT is an annual dance training project for dancers aged 18 to 22\, based in Reggio Emilia. Created in 2010\, the program is directed by Michele Merola and Enrico Morelli and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza and Centro Permanente Danza of Reggio Emilia. Unique in its innovative features in the field of dance education\, the project enjoys the collaboration of many distinguished choreographers and aims to train artists ready to deal flexibly with the variety of the international dance market. \nDancers \nCamilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Silvia Bellot Romanet\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Pietro Di Salvo\, Vittoria Facci\, Alessandra Gianfico\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Giorgia Mantovan\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Giorgia Raffetto\, Susanna Russing\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-27-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221214T180000
DTEND;TZID=Europe/Rome:20221214T190000
DTSTAMP:20260406T081150
CREATED:20220912T131156Z
LAST-MODIFIED:20220912T132557Z
UID:10002049-1671040800-1671044400@www.fndaterballetto.it
SUMMARY:DROP
DESCRIPTION:XL Dance Company – “Prima di domani” – ph. Elena Bianchi \nThe young XL Dance Company\, directed by Emanuela Baratin and Laura Matano\, previews Drop\, the new creation by Laura Matano. \nCredits \nFrom an idea by Laura Matano\nChoreography: Laura Matano\nMusical collaborator: Marco Giacomelli\nConcept and lyrics: Mariagrazia Ferro\nSet design: Cinzia Macis \nConcept \nKnowledge is only possible by differentiation\, at least in order to share it and be understood\, it is mostly necessary to affirm that something is not something else.\nUndeniable\, even a little frustrating\, is the presence of an internal dichotomy within the human being\, let us say biological\, which makes the double a moment of synthesis but also of contrast.\nThe double takes on a symbolic value from scientific and objective observation. The double nature can be interpreted in a dissociative key\, of splitting or\, at the same time\, as a defence and synthesis mechanism. \nThe double is a fetish that embodies how we are made and how far we can think and think about ourselves. \nThe choreography is designed to be performed by three female and three male dancers.\nThe entire production consists of three acts that can also be staged independently. ACT I -female-\, ACT II -male-\, ACT III -mixed. \nAct I and Act II will differ only in the execution of the choreography by the two groups of dancers. There will be no change in the choreographic structure\, which will remain identical; what will change is the mode of execution\, since one act will be performed by female dancers and the other by male dancers. \nAct III constitutes the moment of synthesis in which the above-mentioned differences are resolved and renewed and will have its own choreography. \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 17.30. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/drop/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221118T180000
DTEND;TZID=Europe/Rome:20221118T190000
DTSTAMP:20260406T081150
CREATED:20220801T134541Z
LAST-MODIFIED:20221207T213907Z
UID:10002471-1668794400-1668798000@www.fndaterballetto.it
SUMMARY:Winter Forest - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. \n\n  \n  \nCREDITS\nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Valentina Staltari\, Po-Nien Wang\nSet\, costume and art work First Rose\nSounds recorded in zoos of different countries around the world Fabrizio Favale\nMusic Massimo Carozzi\, Daniela Cattivelli\, Christian Fennesz\, Jónsi\, Alex Somers \nCo-produced by Festival Danza in Rete – Fondazione Teatro Comunale di Vicenza\, KLm – Kinkaleri / Le Supplici / mk\nSupported by MIBAC / Regione Emilia-Romagna\nIn collaboration with h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore \nSYNOPSIS \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. Here three dancers move in a dance made of the intertwining of a very high technical complexity and unknown movements\, like creatures from other worlds. Space and costumes of the dancers have similar aesthetic traits\, resulting in a camouflage effect. The choreography is built with a cyclical idea whose elements\, while varying\, return with an apparent randomness\, as happens to thunderstorms and storms. \n \nAfter having attended for a long time outdoor landscapes in their changes within the alternation of the seasons (The Invisible Seasons – Infinite Choreographic Cycle 2018-2021\, awarded with the Siae and Mibac Prize For Who Creates and selected by the Big Pulse Alliance as one of the eight best European outdoor projects 2021 in the programme Open Air Commission)\, with this project Fabrizio Favale now investigates the concept of mimicry. Sometimes useful in nature\, sometimes useless\, mimicry is seen here first of all as an aesthetic event. A way of disappearing\, dissolving into the surrounding\, to reappear with the appearance of the surrounding. \nFabrizio Favale \nHis dance is oriented towards abstraction\, typical of the American techniques with which he was trained. The choreographic landscapes that he draws in his works seem to refer from time to time to distant and unknown worlds\, in which dance presents itself as a horizon free from interpretation and classification. \nFabrizio studied classical ballet with Denis Carey\, Victor Litvinov\, Sue Carlton Jones. Contemporary techniques with Andé Peck\, Roberta Garrison\, Jeff Slayton\, Betty Jones\, Nina Watt\, Irene Hultmann\, Louise Burns\, Alwin Nicholais. \nFrom a very young age he was awarded numerous scholarships including Full Scholarship at the American Dance Festival\, Duke University\, USA in 1990.\nAt 19 he was awarded with the Prize “Nati per la danza” at the Theatre Romolo Valli in Reggio Emilia and at 26 he was nominated “best Italian dancer of the year 1996” by the G. Tani Prize.\nFrom 1991 to 2001 he danced for the Virgilio Sieni Danza Company. \nSince 1999 he has created over 30 choreographies\, receiving awards in Spain\, Germany\, Italy and Serbia\, performing in numerous festivals and theaters such as Théâtre National de la Danse Chaillot Paris\, Biennale de la Danse de Lyon\, La Biennale di Venezia\, Suzanne Dellal Tel Aviv\, SIDance Seoul\, Varna International Festival and many more.\nHis works have been co-produced by Théâtre National de la Danse Chaillot Paris\, MUSEION – National Museum of Arts in Bolzano\, Tanz Bozen Festival\, Festival MILANoLTRE Milan\, Fondazione Teatro Comunale di Vicenza.\nIn 2011\, on the occasion of the presentation of the work “Un ricamo fatto sul nulla” at the Grand Theater of the National Academy of Dance in Rome\, he received the “Medal of the President of the Republic for Italian choreographic talent”. \nHe invents a series of experimental programming formats\, which will be invited by Italian Festivals and Theaters. The main ones are: “Piattaforma della Danza Balinese” (2014-2015) for the Santarcangelo Festival and “Circo Massimo” (2016-2017) for the Duse Theater in Bologna. \nHe collaborates with musicians and composers such as Mountains (USA)\, Teho Teardo (IT)\, Daniela Cattivelli (IT) and visual artists such as ZimmerFrei (IT)\, Lele Marcoianni (IT). \nHis outdoor project Le Stagioni Invisibili – Ciclo Coreografico Infinito 2018-2021\, received the “PerChiCrea 2019” Production Award from Siae and Mibac – Italian Ministry of Culture and was shortlisted by the Big Pulse Dance Alliance as one of the best 8 European projects 2021 in its programme Open Air Commissions. \nWith the duo First Rose (Fabrizio Favale and Andrea Del Bianco)\, he also designs scenes\, costumes and artifacts\, which sometimes graft the choreographic works with an enigmatic figuration of strange beings\, as hybrids of a kind of organic and inorganic world. \nFor the three-year period 22-24 Fabrizio Favale is nominated Italian Associate Artist of MILANoLTRE\, Teatro Elfo-Puccini Milan. \nlesupplici.it \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/winter-forest-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221111T180000
DTEND;TZID=Europe/Rome:20221111T190000
DTSTAMP:20260406T081150
CREATED:20220801T131756Z
LAST-MODIFIED:20220909T191223Z
UID:10002465-1668189600-1668193200@www.fndaterballetto.it
SUMMARY:Alcune coreografie - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \n\n\n\nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \n\n\n\nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T180000
DTEND;TZID=Europe/Rome:20221104T190000
DTSTAMP:20260406T081150
CREATED:20221027T084744Z
LAST-MODIFIED:20221027T145613Z
UID:10002476-1667584800-1667588400@www.fndaterballetto.it
SUMMARY:NOVILUNIO - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nReflection\, empathy\, loneliness\, sweetness\, being always herself while always showing herself different\, cyclicality\, awareness\, beauty… How many things do our wonderful satellite and the human being have in common? How much does this same satellite affect us? Novilunio is the story of an individual’s relationship with the moon but above all with that phase of it in which everything is hidden\, in which there is no showing of oneself\, being oneself\, especially for better or for worse: NEW MOON. \nCREDITS \nChoreography Salvatore Sciancalepore\nPerformers Samuele Arisci\, Teresa Morisano\nMusic Ben Frost\, Philip Glass & Robert Black\, Frederic Chopin\nProduction Compagnia Artemis Danza \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/novilunio-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T160000
DTEND;TZID=Europe/Rome:20221104T170000
DTSTAMP:20260406T081150
CREATED:20221027T085727Z
LAST-MODIFIED:20221027T145852Z
UID:10002488-1667577600-1667581200@www.fndaterballetto.it
SUMMARY:DARWIN-M/ETA/MORFOSI - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nAs the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, man also goes through several stages before making an evolution. From single-celled organisms to Homo Sapiens\, from newborns to adults\, everything evolves in the continuous search for perfection … but something went wrong! The planet is in danger and humanity is certainly not without faults. \nThus an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and to the Earth from the Big Bang to today. A multifaceted and ever-changing character\, who does not communicate with words but with the body and movement\, will help him in the enterprise\, emboding the different phases of this crazy metamorphosis. \nCREDITS \nby / with Francesco Marchi e Christian Pellino\nproduction Artemis Danza ed EUROPA TEATRI \nShow for children aged 11 to 14 \n\nINFO & TICKETS \nTICKETS\nFull: 3 euros\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/darwin-m-eta-morfosi-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221103T180000
DTEND;TZID=Europe/Rome:20221103T190000
DTSTAMP:20260406T081150
CREATED:20221027T105649Z
LAST-MODIFIED:20221103T160003Z
UID:10002495-1667498400-1667502000@www.fndaterballetto.it
SUMMARY:POLLICINO SHOW - Open Rehearsal
DESCRIPTION:CHILDREN’S SHOW (6-11 years)\n\nOPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPollicino is small but\, in some ways\, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine\, food is no longer enough to feed everyone. \nThe father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins. \n\nCREDITS \nDirection Cinzia Pietribiasi\nChoreography and interpretation Davide Tagliavini\nIllustrations Giovanni Copelli\nProduction Artemis Danza\nin collaboration with Compagnia Pietribiasi/Tedeschi \nGRUPPO IBRIDO \nGRUPPO IBRIDO (Reggio Emilia\, 2021) was created by the will of the dancer Davide Tagliavini\, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance\, voice\, video projection\, art\, sculpture and new technologies. Pollicino is the first work\, produced by the Artemis Danza Company. \nDavide Tagliavini (1990) works with Luna Cenere\, Artemis Danza\, Marina Abramović\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo and others. For years he has been conducting dance workshops for children\, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory. \nCinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca\, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children. \nGiovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe. \nINFO & TICKETS \nTICKETS \nFull price: 3 euro\nReduced under 6: free
URL:https://www.fndaterballetto.it/en/evento/pollicino-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221018T180000
DTEND;TZID=Europe/Rome:20221018T190000
DTSTAMP:20260406T081150
CREATED:20220912T094917Z
LAST-MODIFIED:20220912T095645Z
UID:10002043-1666116000-1666119600@www.fndaterballetto.it
SUMMARY:LOVE POEMS - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which one can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nUnder the title LOVE POEMS\, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary: \n– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC \n– BRUTAL LOVE POEMS by THOMAS NOONE \n– VIVALDI UMANE PASSIONI by MICHELE MEROLA. \nThe three works are performed by eight dancers from MMCDC\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country.\nThe choreographies of the programme\, linked by the common denominator of a distinctive musicality\, are characterised by a strong implication as much interpretative as technical\, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next\, the dance will become one with the music\, marrying its compositional richness thanks to choreographies that emphasise movement\, plasticity\, but also the importance of the single gesture. \n  \n  \nDUETTO INOFFENSIVO \nExcerpt from ‘Rossini Cards \nChoreography: Mauro Bigonzetti\nMusic: Gioachino Rossini\nAssistant to choreography: Roberto Zamorano\nLighting design: Carlo Cerri\nCostumes: Helena De Medeiros\nWith 2 dancers \nA passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing\, understanding\, but also disagreement\, and we find condensed the characters and stories of several female characters. Their encounter\, in a continuous repetition and alternation of complicity and conflict\, gives rise to an exchange of energies\, feelings and emotions linked to the disappointments of love. \n\nBRUTAL LOVE POEMS \nChoreography: Thomas Noone\nMusic: Jim Pinchen\nWith 4 dancers \n“I love you so much that I am in pain. I hope you suffer as much as I do …” \nRaw and dynamic\, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation\, of our most primordial\, terrible and brutal being\, is perhaps only ever manifested in front of those closest to us\, the person we love.\nAn abstract\, non-narrative work\, in which the resonance of movements echoes and combines to form a whole\, seeking to entertain\, provoke and seduce. \n\n  \n  \n VIVALDI UMANE PASSIONI  \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nWith 7 dancers \nCo-production Teatro Ristori di Verona\nNational Premiere: 1 February 2019 – Teatro Ristori\, Verona \nWith each creation\, Michele Merola aims higher\, convinced that it is possible to express\, in dance\, joys\, tenderness\, anger\, expectations\, impulses\, torments. For the choreographer\, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives\, symmetries\, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire\, for a new production where ‘the relationship between music and movement plays the lion’s share’\, says Merola. \nStarting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall\, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music\, I rediscover a love for pure choreographic design\, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915)\, On the City (1918)\, Love on the Scene (1920)\, Introduction to Jewish Theatre (1920) – \, has guided my work towards human passions\, the evasion from the everyday to detach oneself from the ground\, listening to inner emotions. In both artists\, I sense a great desire for life\, beauty\, elegance in living’. \nSome of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia\, L’Inquietudine\, L’Estro Armonico\, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace\, the vortex of sonorous intensity and richness of timbre\, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’\, and of its most secret recesses\, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant\, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts\, the dialogue that is created\, intense\, balanced in terms of the balance of forces\, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other\, confront each other\, overlap\, in a representational dynamic that the union makes even more intense. \nErmanno Romanelli \n\n  \n  \nMM Contemporary Dance Company \nLa MM Contemporary Dance Company è una compagnia di danza contemporanea diretta dal coreografo Michele Merola\, nata nel 1999 come centro di produzione di eventi e spettacoli e come promotrice di rassegne e workshop con l’obiettivo di favorire scambi e alleanze fra artisti italiani e internazionali\, testimoni e portavoce della cultura contemporanea. \nIl repertorio della compagnia\, che ha sede a Reggio Emilia\, è ricco e variegato\, grazie ai lavori di Michele Merola e alle creazioni firmate da coreografi europei e italiani come Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti ed Enrico Ticconi\, Roberto Tedesco\, Camilla Monga. \nNel 2010 la MM Contemporary Dance Company ha vinto il prestigioso Premio Danza&Danza come migliore compagnia emergente e oggi\, è\, a tutti gli effetti\, una realtà di eccellenza della danza italiana\, con una consolidata attività di spettacoli su tutto il territorio nazionale. Da alcuni anni ha conquistato un mercato internazionale con spettacoli in paesi europei ed extraeuropei (Corea\, Colombia\, Canada\, Germania\, Russia\, Marocco\, Belgio\, Spagna\, Slovenia…).\nNel 2017 la MM Contemporary Dance Company ha vinto il Premio Europaindanza 2017 – Premio al Merito alla coreografia\, per lo spettacolo Bolero di Michele Merola.\nIl 1° gennaio 2021 e il 1° gennaio 2022 la MMCDC è stata presente su RAI 1 nella trasmissione “Danza con me” di Roberto Bolle interpretando coreografie di Mauro Bigonzetti e Lorca Massine.\nPer il triennio 2018-20\, per il 2021 e per il triennio 2022-24 la MM Contemporary Dance Company è compagnia associata del Circuito InDanza del Trentino Alto Adige.\nLa MMCDC è sostenuta dal Ministero della Cultura\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza Danza/Reggio Emilia. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/love-poems-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221013T180000
DTEND;TZID=Europe/Rome:20221013T190000
DTSTAMP:20260406T081150
CREATED:20220906T160016Z
LAST-MODIFIED:20220909T151122Z
UID:10002486-1665684000-1665687600@www.fndaterballetto.it
SUMMARY:FOUR SEASONS in Different Seasons - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music\, rewritten by Max Richter\, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme\, creating a unique expression: EMOTION. \n\n  \nCREDITIS\nDirection: Rezart Stafa\nChoreography: Edi Blloshmi\, Hektor Budlla\, Beatrice Bodini and Saul Daniele Ardillo\nMusic: Antonio Vivaldi recomposed by Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri and Nuovo Balletto Classico \nProduction: Nuovo Balletto Classico \nSYNOPSIS \nEach season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical\, Hektor Budlla‘s Summer\, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary. \n \nLe stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo. \nNuovo Balletto Classico \n\nIn July 2016\, the high training school of Ballet NUOVO BALLETTO CLASSICO\, directed by Grori Dorian\, Stafa Rezart\, Casolari Elena and Stefanescu Nicoletta\, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art\, which is dance\, to prepare not only dancers and teachers\, but people with a high sensitivity towards others. \nnuovoballettoclassico.it \n\nINFO & TICKETS \nTICKETS\nFull: 3 euro\nunder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/four-seasons-in-different-seasons-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221006T180000
DTEND;TZID=Europe/Rome:20221006T190000
DTSTAMP:20260406T081150
CREATED:20220801T094331Z
LAST-MODIFIED:20220909T190900Z
UID:10002459-1665079200-1665082800@www.fndaterballetto.it
SUMMARY:People - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPeople is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \nCREDITS \n\nConcept and choreography: Marisa Ragazzo and Omid Ighani\nPerformers: Davide Angelozzi\, Elda Bartolacci\, Alessandro Marconcini\, Graziana Marzìa\, Jenny Mattaioli\, Afshin Varjavandi\nDaCru Dance Company / associate artist\n \nA production Compagnia Naturalis Labor\nSupported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza \nWorld premiere Friederichshafen (D)\, 11 August 2021 \n\nDuration: 50′ \nINSIGHTS \nRoom. Home. Body. Mind.\nThe perimeter of everything\, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D\, far from contact and shared thoughts in shared spaces. \nspace\n/speɪs/\n[from Latin spatium\, possibly der. from patēre “to be open”].\nCircumscribed perimeters\, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience. \nPEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \n \nThe company reflects on the extraordinary power of ‘social distances’\, a theme that is dear to them and has already been dealt with in [zerocentimetri]\, the last production staged in 2019\, which\, in a predictive manner\, introduced what later became an undeniable fact.\nAnd so\, in a limited and delimited space\, each breath becomes a quest\, a small land to conquer where all the dancers occupy their comfort zone\, blind to everything that lives outside.\nA simple and bare scene\, few objects related to everyday life\, small rooms drawn in an open space.\nAn extraordinary dense crowd of living beings\, separated but too close not to secretly wish the opposite. \nHave you ever felt lonely? \nsolitude\n/ˈsɒlɪtjuːd/\nOrigin from Latin solitudo -ĭnis\, der. from solus ‘alone’ \n  \nDACRU DANCE COMPANY \nMarisa Ragazzo and Omid Ighani began their artistic collaboration in 1996\, systematically mixing their personal artistic curiosities\, backgrounds and talents\, careful to keep their differences intact and often succeeding in enhancing them. \nTheir different artistic backgrounds\, academic for Marisa (Prebil\, Trayanova\, Lupov\, Peter Goss\, Sebron) and street for Omid (freestyler\, like many talents born and bred in the hip hop culture of the 1980s)\, produce a highly innovative and certainly singular artistic code. \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension\, while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional schools\, they carry out an intense teaching activity\, in Italy and abroad. \n \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/people-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T180000
DTEND;TZID=Europe/Rome:20220521T190000
DTSTAMP:20260406T081150
CREATED:20220107T095658Z
LAST-MODIFIED:20220505T160951Z
UID:10002297-1653156000-1653159600@www.fndaterballetto.it
SUMMARY:My Body trio - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220512T170000
DTEND;TZID=Europe/Rome:20220512T180000
DTSTAMP:20260406T081150
CREATED:20220502T152627Z
LAST-MODIFIED:20220502T152937Z
UID:10002335-1652374800-1652378400@www.fndaterballetto.it
SUMMARY:NEXT STOP_PALCOSCENICO
DESCRIPTION:Studio XL ph Silvia Casali \nOPEN REHEARSAL\nThe young dancers of StudioXL Intenational Contemporary Dance Education\, directed by Emanuela Baratin and Laura Matano\, dance choreographies by Giovanni Insaudo\, Nunzio Perricone\, Laura Matano and Daniele Bianco. \nStudioXL International Contemporary Dance Education \nStudioXL International Contemporary Dance Education – Artistic Direction Laura Matano\, Emanuela Baratin \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 16.30.\nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/next-stop_palcoscenico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220506T180000
DTEND;TZID=Europe/Rome:20220506T190000
DTSTAMP:20260406T081150
CREATED:20220105T175222Z
LAST-MODIFIED:20220502T144034Z
UID:10002300-1651860000-1651863600@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 26.0 - OPEN REHEARSAL
DESCRIPTION:{%CAPTION%} \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 by Giuseppe Spota\, paolo Mohovich and Michele Merola.\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VCALENDAR