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CREATED:20240109T164242Z
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SUMMARY:POP UP - UN FOSSILE DI CARTONE ANIMATO
DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \nINFO & TICKETS\nTICKETS \n  \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n–
URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240120T180000
DTEND;TZID=Europe/Rome:20240120T190000
DTSTAMP:20260504T224616
CREATED:20240109T163911Z
LAST-MODIFIED:20240116T091759Z
UID:10003175-1705773600-1705777200@www.fndaterballetto.it
SUMMARY:POP UP - Un fossile di cartone animato
DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \n\n\n\n\n\n\n\n\n\n\n\n\nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS\nTICKETS \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n.
URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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DTSTART;TZID=Europe/Rome:20240112T203000
DTEND;TZID=Europe/Rome:20240112T203000
DTSTAMP:20260504T224616
CREATED:20230803T111332Z
LAST-MODIFIED:20240109T092020Z
UID:10003019-1705091400-1705091400@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:In January\, Aterballetto returns to the Fonderia in Reggio Emilia with Golden Days by Johan Inger\, kicking off the new year and dance season. The evening blends the smoky vibes of Rain Dogs with the upbeat energy of BLISS and a playful solo in Birdland\, creating a nostalgic journey set to the tunes of Tom Waits\, Patti Smith\, and Keith Jarret. \n“As we age\, we often reflect on our life journey. This time\, I look back with a genuine smile\, reminiscing about the radiant and carefree days.”\nJohan Inger \n“It’s like a dance concert—a cantabile andante\, an adagio\, and a rondo. Yet\, it’s all about dance\, accompanied by a magnificent soundtrack.”\nSergio Trombetta\, La Stampa \n  \n\nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/golden-days-16/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Golden Days,Performances,Rain Dogs,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231222T180000
DTEND;TZID=Europe/Rome:20231222T220000
DTSTAMP:20260504T224616
CREATED:20230803T142752Z
LAST-MODIFIED:20240418T154053Z
UID:10003027-1703268000-1703282400@www.fndaterballetto.it
SUMMARY:Made in Italy 30.0
DESCRIPTION:  \n\n“`html\n  \nThe performance will take place on December 22nd with two showings:\n1st showing: 6:00 PM\n2nd showing: 9:00 PM \n  \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nB.7 SYMPHONY by Emanuele Soavi\nThe tireless drive of Beethoven towards artistic renewal and his dissected and even visionary vision of the social and political movements of his time give his work an inexhaustible energy\, like a continuous flow\, just like the flood in nature when it changes the shape of the landscape and living conditions. This idea of constant change\, of juxtaposition of opposites\, of interaction\, of exchange\, of shared emotions and experiences is essentially the starting point for this choreographic composition. Both the stage itself and the protagonists who inhabit it with their movements\, which continually take on a new form in each of the individual parts\, create abstract images that consciously and unconsciously define the idea of a multiform self\, which lives today in a modern society that is in a state of continuous upheaval and change. \nGERSHWIN SUITE by Michele Merola\nIn the notes of George Gershwin (1898-1937)\, one of the most representative musicians of the 20th century\, reflects the spirit of the time in which they are created\, the moods and atmospheres of the Roaring Twenties. Starting from the best pieces of the composer\, and from the suggestions of the pictorial works of another great American artist of the ‘900\, Edward Hopper (1882-1967)\, Michele Merola has created Gershwin Suite. On stage\, a lot of variety takes on the ways of a movie set\, thanks also to a constantly changing set design\, just like on a set\, and a choreography that touches more keys\, the work of a choreographer capable of declining his creativity and his talent in step with the times of contemporaneity. \n PERFORMERS \n6:00 PM\nCorrado Azzollini\, Jasmine Begici\, Elisa Bocconi\, Laura Dell’Agnese\, Sara Ferrentino\, Nicole Forni\, Giulia Lusetti\, Lucrezia Maggiore\, Maya Maselli\, Carlotta Maucioni\, Martina Procacci\, Federico Musumec\, Filippo Penco\, Jada Piccinini\, Susanna Russing\, Gennaro Todisco\, Gaia Camilla\, Zorrilla Leonini. \n9:00 PM\nChiara Barril\, Jacopo Bellan\, Giulia Boccarossa\, Giovanni Karol Borriello\, Salvatore Bruno\, Lucrezia Capuzzell\, Anna Dal Maso\, Vittoria Facci\, Chiara Gionti\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Alessia Russo\, Diletta Suman.\n“` \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training program aimed at dancers aged between 18 and 22 years old\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its goal is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, both technical and stylistic\, coming from this same market. The project aims to offer a wide range of stimuli\, including technical\, cultural\, and exchange opportunities between students and choreographers\, each of whom comes from different and interesting backgrounds in the international dance scene. Agora allows students to meet established choreographers with different stylistic orientations\, and over the years has seen the participation of many illustrious names. Michele Merola and Enrico Morelli collaborate with various teachers\, each of whom has proven and qualified experience in the field\, to realize the project. \nMICHELE MEROLA \nMichele Merola is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With the company\, he has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, winner of the Anita Bucchi Award in 2010\, and Bolero\, Europaindanza Award 2017 – Choreography Merit Award. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo di Napoli\, Dominic Walsh Dance Theatre\, Teatro Massimo di Palermo\, Junior Balletto di Toscana\, Teatro Nazionale di Belgrado\, Tanzcompagnie Landesbühnen Sachsen in Dresden\, and Teatro dell’Opera di Roma. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016\, the GD Awards 2016 as Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Encounter with Dance” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been the artistic director\, alongside Enrico Morelli\, of Agora Coaching Project\, a professional training project for dancers based in Reggio Emilia. \nEMANUELE SOAVI \nEmanuele Soavi began his dance studies in Ferrara and later at the Balletto di Toscana. In 1996\, he started working in various Italian theaters\, including the Teatro Petruzzelli in Bari and the Teatro dell’Opera di Roma. In 1998\, he moved to Germany\, where he worked for three years as a soloist for the Ballet Dortmund\, before moving to the Netherlands to join the renowned Introdans company. Throughout his career\, he has interpreted works by choreographers such as Maurice Béjart\, Jiří Kylián\, Hans van Manen\, Nils Christe\, Renato Zanella\, William Forsythe\, Ton Wiggers\, Nacho Duato\, Karole Armitage\, and Mats Ek. Since 1999\, Soavi has also worked as a choreographer in numerous theaters\, including Theater Dortmund\, Theater Duisburg\, Staatstheater Regensburg\, Theater Aachen\, Introdans\, Staatstheater am Gärtnerplatz in Munich\, Opera Köln\, Dansateliers Rotterdam\, Folkwang Essen\, ZHdK Zürich\, Dance Limerick\, MM Contemporary Dance Company\, and AGORA Coaching Project. Since 2012\, he has been the director of the Emanuele Soavi Incompany collective in Cologne. He has received the award for Best Performing Artist in Germany and has collaborated on co-productions since 2016 with Susanne Linke\, Jone San Martin of the Forsythe Company\, Cora Bos\, and Joris-Jan Bos of the Netherlands Dance Theatre. \n\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-30-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231217T180000
DTEND;TZID=Europe/Rome:20231217T190000
DTSTAMP:20260504T224616
CREATED:20230803T135722Z
LAST-MODIFIED:20240418T164448Z
UID:10003025-1702836000-1702839600@www.fndaterballetto.it
SUMMARY:Darwin
DESCRIPTION:Darwin – M/eta/morfosi is a dance and theater show for children and families on the theme of growth and transformation\, which elicits more than just a smile from the audience.\n \nThe authors Christian Pellino and Francesco Marchi are associated artists of the Artemis Danza Company / Monica Casadei. \n[Watch the video here](https://vimeo.com/887649437) \n\nCredits \nBy and with Francesco Marchi and Christian Pellino\nDirection and dramaturgy: Francesco Marchi\nChoreographies: Christian Pellino\nRunning time: 50′ \nRecommended for an audience of 8 to 14 years of age \nA co-production Artemis Danza and Europa Teatri\nWith the support Mic\, Regione Emilia Romagna Assessorato alla Cultura\, Comune di Parma \nDarwin \nLike the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, so does man go through multiple phases before undergoing evolution. From single-celled organisms to Homo Sapiens\, from newborn to adult\, everything evolves in continuous pursuit of perfection… but something went wrong! The planet is in danger\, and humanity is certainly not without flaws. Thus\, an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and Earth from the Big Bang to today. To help him in this endeavor\, a multifaceted and constantly changing character\, who communicates not with words but with body and movement\, will embody the different phases of this crazy metamorphosis. A synergy between dance and prose theater\, expressive gestures\, and words that accompanies young people on a fun and educational journey where fantasy\, science\, and creativity meet. \nDarwin – M/eta/morfosi arises from the need to try to bring the younger audience closer to the world of dance theater\, often perceived as distant from the new generations and therefore difficult to understand. Through a path that involves meetings with schools\, teacher training\, and stage representation\, Darwin – M/eta/morfosi will attempt to explore the concept of transformation by combining the language of dance\, curated by choreographer Christian Pellino\, with the word and gesture of prose theater by actor Francesco Marchi. The goal is to introduce young people to a new language\, facilitating their understanding and involving them in a journey of genre exploration while\, simultaneously\, allowing them to develop personal reflections on the theme of growth and transformation. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/darwin/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231205T203000
DTEND;TZID=Europe/Rome:20231205T213000
DTSTAMP:20260504T224616
CREATED:20230803T125038Z
LAST-MODIFIED:20230803T131922Z
UID:10003021-1701808200-1701811800@www.fndaterballetto.it
SUMMARY:THE DAY WHEN I CHOSE TO BE A DAUGHTER
DESCRIPTION:DaCru – The day when I chose to be a daughter – ph. Sara Meliti \nThe Dacru Dance Company returns to the Fonderia with its latest performance The day when I chose to be a daughter. \nDancers with a highly virtuosic technique\, performers with a communicative directness\, they have the talent to transform urban dance into a real theatrical tale. \n\nCredits \nConcept and direction: Marisa Ragazzo\nChoreographies: Marisa Ragazzo and Omid Ighani\nBy and with Elda Bartolacci\, Davide Angelozzi\, Alessandra Ruggeri\nMusiche: Jocelyn Pook \, Julia Kent\, David Lang\, The Books\, Max Richter \, Nils Frahm \nProduction: Compagnia Naturalis Labor\nCo-production: Festival Abano Danza 2022\nWith the support ofMic / Regione Veneto / Comune di Vicenza\nIn partnership with DanceLab / Latina \nThe day when I chose to be a daughter \nThree dancers investigate the state of sonship. A profound and poetic analysis\, steeped in secret visions\, that answers one main question: does being a child last a lifetime?… and from others that follow spontaneously… does this privileged state of sonship persist even when the point that formally grants it disappear?… without parents\, is one still a child? Does the state of sonship change when one becomes a mother or a father? \nThe company’s new production stems from the choreographer’s involved and individual vision of the theme\, which becomes collective through meetings and discussions with the dancers.\nIt has been a long and complex work of reflection on the state of sonship that we stage\, a search through the specific memories of each of us\, choreographers and dancers. Memories written down\, detailed\, shared\, made narrative and almost always referring above all to the mother\, in whom we danced for months immersed in her vital paste. \nDaCru – The day when I chose to be a daughter – ph. Sara Meliti  \nWe began the creative process related to the project ‘THE DAY WHEN I CHOSE TO BE A DAUGHTER’ by taking time for everything\, talking at length\, sharing memories and emotional states… four children reflecting on the state of sonship. No mother\, no father\, only sons. Much has been written about motherhood and fatherhood\, extensive and articulate narratives\, but about the state of sonship\, very little. What is the state of sonship? The first of many questions that drives us to an active sharing: we would like to dialogue with other sons in order to arrive at a more extensive and in-depth narrative by interweaving a silent dialogue with the audience\, prompting everyone to undertake a process to recover memories and small stories hidden in the secret places of the mind. \nMarisa Ragazzo and Omid Ighani \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop training schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional training schools\, they carry out an intense teaching activity\, in Italy and abroad. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-day-when-i-chose-to-be-a-daughter/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231120T180000
DTEND;TZID=Europe/Rome:20231120T190000
DTSTAMP:20260504T224616
CREATED:20231115T170225Z
LAST-MODIFIED:20240419T155004Z
UID:10003253-1700503200-1700506800@www.fndaterballetto.it
SUMMARY:Open Rehearsal - Secus
DESCRIPTION:Also this month\, the Fonderia opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, November 20th\, at 6:00 PM\, the audience can attend the rehearsal of Secus\, a choreography created by Ohad Naharin in 2019: one of those performances that is difficult to forget\, capable of uniquely highlighting the technical skills and expressiveness of dancers. \nThe creation boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix takes shape before our eyes in the form of a human alphabet made of runs\, solos\, clean and precise gestures\, interrupted duets. Joy\, vulnerability\, fear\, innocence\, confusion\, and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-secus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
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DTSTART;TZID=Europe/Rome:20231118T180000
DTEND;TZID=Europe/Rome:20231118T185000
DTSTAMP:20260504T224616
CREATED:20230803T092049Z
LAST-MODIFIED:20230913T183952Z
UID:10003015-1700330400-1700333400@www.fndaterballetto.it
SUMMARY:Esercizi di fantastica
DESCRIPTION:Sosta Palmizi – Esercizi di Fantastica – ph. Vincenzo Siniscalco \nSpettacolo perfetto per ogni età – per la complessità\, la raffinatezza delle azioni in un crescendo gioioso – ben si comprende come abbia potuto meritare il Premio della giuria e del pubblico Vimercate Ragazzi Festival 2021. Valeria Ottolenghi\, Gazzetta di Parma \nEsercizi di Fantastica\, produzione Sosta Palmizi\, si ispira ai racconti di Gianni Rodari ed è un’occasione imperdibile per portare i bambini e le bambine dai 4 anni in su a teatro. \n\nCredits \nFrom an idea by Giorgio Rossi\nA creation by Elisa Canessa\, Federico Dimitri\, Francesco Manenti\, Giorgio Rossi\nPerformers Elisa Canessa\, Federico Dimitri e Francesco Manenti\nScenographies Francesco Givone\, Francesco Manenti\, Francesca Lombardi\nCostumes Beatrice Giannini\, Francesca Lombardi\nIllustrations Francesco Manenti\nLighting design Elena Tedde \nProduction Associazione Sosta Palmizi\nWith the contribution of  MiBACT\, Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo; Regione Toscana/Sistema Regionale dello Spettacolo\nWith the support of Armunia (Rosignano LI)\, Wintergarten – Atelier di Teatro Permanente (Livorno)\, Comune di Castiglion Fiorentino (Ar)\nThanks to Spazio Nunc\, Elena Giacomin \nEsercizi di fantastica \nA grey house. Three grey characters. Bored\, dull and clouded by the technological means\, they move like prisoners of a predetermined mechanism\, their gaze is always turned to the screens. But here comes an unexpected element! A butterfly will move their look elsewhere and the house will become the theatre of new adventures and transformations. A crescendo of emotions and vicissitudes in which the three protagonists will finally rediscover the power of fantasy\, in a continuous game to free their bodies and minds. \nSosta Palmizi – Esercizi di fantastica \n\nEsercizi di Fantastica tells\, with the language of dance and movement\, the power of imagination that transforms things and people into something always unexpected and extraordinary. The authors were inspired by the idea of “Fantastica” by the writer Gianni Rodari\, whose 100th anniversary is celebrated in 2020. Close to the surrealism of the 50s and inspired by the work of Alfred Jarry and his pataphysics (the science of imaginary solutions)\, Rodari affirmed the existence of a Fantastica in total contrast to Logic. \nSosta Palmizi – Esercizi di fantastica  \nThe AuthorsGiorgio Rossi\nAs E. Satie would probably say\, “he is a dancing mammal”. At the age of 4\, seeing the Swiss clown Dimitri perform in surreal stage time\, he realised that theatre was his life. He owes his artistic fortune to having been able to witness the work of great masters (Kantor\, Brook\, Bausch\, Carlson)\, with some of whom he learnt the art of the stage’ both as a student and as a performer. In 1984\, he co-founded Sosta Palmizi\, an acronym under which\, in 30 years\, over 400 dancers and others have worked\, who have found work in the major Italian and European dance theatre companies or founded their own groups: some of these are part of the nucleus of the association as Artisti Associati. With his performances\, over 30 productions\, he has travelled the world\, thanks to the universality of the poetic art of movement. Over the years\, he has collaborated with artists from the most diverse fields such as: Andrea Pazienza\, Paolo Fresu\, Bernardo Bertolucci\, Terry Gilliam\, Stefano Benni\, Paola Turci\, Lucia Poli\, David Riondino\, Paolo Rossi\, Banda Osiris\, Gabriele Mirabassi\, Danilo Rea\, Elisabetta Pozzi\, Jovanotti and many others\, as well as working with people of all ages\, students\, therapeutic communities and social rehabilitation groups. \nFederico Dimitri\nHe graduated in 2004 from the Accademia Teatro Dimitri\, Verscio (CH). In 2005 he won the Pinokkio Prize in Belgium with his performance entitled Perfectly Coupled. In the same year\, he co-founded the company I Tre Secondi\, and created the performances Zurigo Stazione Centrale (2005)\, I Doganieri (2010) and Kaspar (2015). In 2006\, he moved to Geneva\, where he continued to work as an actor. In the same period\, a meeting with director Teresa Ludovico led him to collaborate with the Teatro Stabile d’Innovazione Kismet Opera in Bari. He starred in the performance La Regina delle Nevi\, directed by Teresa Ludovico. In 2008\, he participated in the founding of the research group Progetto Brockenhaus\, based in Ticino\, with which he created the performances Non facciamone una tragedia and Sagra. In the summers of 2009-2010-2012\, he participated in the Origen festival\, Riom (CH) under the artistic direction of Giovanni Netzer. Arriving in Livorno in 2010\, he continued his artistic collaboration between Italy\, Switzerland and Germany. Since 2012\, he has collaborated with Theater Werkstatt Gleis 5 in Frauenfeld (CH)\, with whom he creates Laina Viva. In 2013\, together with Elisa Canessa\, he founded the Compagnia Dimitri/Canessa. Central point\, always\, the body\, container of the whole\, of the gesture as of the word of the concrete and the subtle; fundamental instrument of communication. The company has been working for years both in Italy and abroad\, particularly in Switzerland\, and has four performances to its credit: Bruno (2013)\, a performance that won the FIT\, International Theatre Festival of Lugano; …di Giulietta e del suo Romeo (2014) and Hallo!I’m Jacket! (2016)\, Ad esempio questo cielo (2019). He also made the video clips Show me\, for French singer Marina P. and Lettera di San Paolo agli operai\, Virginiana Miller\, Targa Tenco 2014.\nFor years\, he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. This collaboration will see him involved from October 2016 in the creation of the children’s performance Col naso all’insù. \nElisa Canessa\nElisa began her training in 1999\, dedicating herself to the study of more specifically corporeal languages. In 2001 she graduated from the School of Theatre in Bologna\, a training course in Nouvea-Cirque. Since 2002\, she has been studying Commedia dell’Arte with the Pantakin company in Venice. In 2003\, she received a scholarship from the Ass. Sosta Palmizi. He has attended numerous Contact Improvvisation seminars with masters Dieter Hetikamp (Berlin) and Benno Voorham (Stockholm) and with the latter he collaborated for two years on a project to develop Contemporary Dance in Eastern European countries. Among others\, she studied with Maestros Giorgio Rossi\, Raffaella Giordano\, Michele Modesto Casarin\, Gey Pin Ang\, Chiara Guidi\, Francesca della Monica\, Daniel Lepkoff\, Since 2001 Elisa has been actively working as a performer for: Compagnia Agar\, Sant’Arcangelo dei Teatri; Arcipelago Circo- Teatro\, La Biennale di Venezia; Compagnia Pantakin da Venezia\, Commedia dell’arte; Benno Voorham for ADDM Fest (Moldavia); Massimiliano Barrachini\, Resolution Festival (London); Compagnia Sosta Palmizi\, Giorgio Rossi/Raffaella Giordano; Teatro Kismet Opera – Teresa Ludovico; Teatro all’Improvviso\, Mantova; Segni Particolari/Amina Amici; Origen Festival (CH). Since 2002\, alongside her activity as a performer\, she has been conducting her own theatrical research. She is the author of the performances Esercizi and Drunk. In 2008\, she co-founded the research group Progetto Brockenhaus in Switzerland\, with which she created the performances Non facciamone una tragedia and Sagra. In 2010 she graduated from the Teatro Stabile di Torino in “Scritture per la Danza Contemporanea”\, a professional specialisation course held by Raffaella Giordano. She played the lead role in one of Lorenzo Jovanotti’s video clips\, Mezzogiorno. In 2013\, Federico Dimitri founded the Dimitri/Canessa Company. For years he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. \nFrancesco Manenti\nHe works in the field of theatre\, performance and visual art. He graduated from the Professional Training Course in Noveau Cirque at the Theatre School of Bologna Galante Garrone. He studies and deepens the Contact Improvisation\, in particular following the seminars of D.Heitkamp and Benno Voorham. In 2003-2004 he was awarded a scholarship by Raffaella Giordano and Giorgio Rossi\, with whom he studied at the theatre-dance seminars held at Sosta Palmizi. Since 2010 he follows the work of Masaki Iwana attending his intensive workshops at the Atelier du Butoh Blanc in Normandy. He graduated from the International Master WTTL (World Theatre Training Library) under the artistic direction of Master Yuri Alschitz which took place at the UNAM University in Mexico City with the aim of developing theatrical pedagogy. For several years he has been studying martial arts (Ki Aikido\, Kung Fu\, TaiJiQuan)\, circus arts (in particular aerial acrobatics and dance with flaming sticks); in 2011 he graduated as Teacher of Dao Yin Fa Qi Gong at the Tao Yin Italy School. With Elisa Canessa he gives life to the Agatharandagio Project and together they create the shows “ESERCIZI” and “DRUNK” (co-production TIR-Dance) participating in several festivals including: “Lavori in Pelle”\, Iceberg Award 2005\, Festival DANAE 2006\, Italia Wave 2009\, GD’A 2004-2005 and Festival Inequilibrio-Armunia 2009. In 2008 he created together with E. di Terlizzi\, E. Canessa\, F. Dimitri\, E. Rosenberg and P. Gianotti the Swiss movement theatre company Progetto Brockenhaus. He has worked and still works as interpreter for some of the most interesting Italian and foreign companies such as Sosta Palmizi (Giorgio Rossi)\, Pantakin (Michele Modesto Casarin)\, Teatro Kismet Opera (Teresa Ludovico)\, Eccentrici Dadarò. He has also worked with: Riccardo Palmieri-ArterieCIRT\, PierrNosari-Acidi Alteri\, Maria Carpaneto-Filo di Paglia\, Company Mafalda\, Dimensioni Parallele Teatro (Stefano Cenci). At the same time he carries on a personal research in the field of visual arts.\nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/esercizi-di-fantastica/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231029T180000
DTEND;TZID=Europe/Rome:20231029T190000
DTSTAMP:20260504T224616
CREATED:20230803T074315Z
LAST-MODIFIED:20230803T083145Z
UID:10003013-1698602400-1698606000@www.fndaterballetto.it
SUMMARY:Hold Your Horses
DESCRIPTION:De Dansers – Hold Your Horses – ph. Bart Grietens \nHold Your Horses by De Dansers can be seen as an ode to our versatile\, longing arms\, as well as a cry for help in an increasingly elusive world – NRC \nThe Fonderia is one of the few stops on the Italian tour of De Dansers\, a Utrecht-based company that must be seen at least once in a lifetime. \nPerformance for children and adults. \nSuggestion to health insurers: include a visit to this cheerful dance and music company in the standard health plan. It will significantly reduce the cost of antidepressants. Daily paper Theaterfestival Boulevard \n\n  \nCredits \nChoreography: Josephine van Rheenen\nMusic (live): Guy Corneille\nMade with and performed by Yeli Beurskens\, Liam McCall\, Youri Peters\, Arturo Vargas\, Marie Khatib-Shahidi\, Noëmi Wagner\, Yoko Haveman\, Guy Corneille\nStage and lighting design: Timme Afschrift\nDramaturgy: Moniek Merkx\nCostume design: Nicky Nina de Jong \nA co-production by De Dansers and Theater Strahl Berlin\nWith the support of Gemeente Utrecht\, Fonds Podiumkunsten\, Prins Bernhard Cultuurfonds\, K.F. Hein Fonds\, Fonds 21\, Schäxpir Festival \nRunning time: 1h \nHold Your Horses \nHold Your Horses  is an energetic and sensitive dance concert about the desire to hold on. De Dansers tell their story with twelve hands\, including the accompanying bodies\, and a few guitars. We see hands grasping\, mistaking\, touching\, taking off\, falling down and plucking guitar strings. We see passion and distance. We don’t see horses\, although we do feel them. We see an unconstrained dance party\, where the cry for help slowly creeps in. \nDe Dansers – Hold Your Horses – ph. Bart Grietens  \nHold Your Horses is about the urge to hold on to something or someone\, in a world that is becoming increasingly elusive. With a spectacular\, acrobatic movement language\, six performers trot on with full dedication\, without losing human sensitivity. Suddenly we meet a personal dance solo\, or we abruptly feel the tension between the group and the individual. As one body\, the dancers move in a continuous flow\, propelled by Guy Corneille’s live music full of compelling guitar compositions and moving songs. \nHold Your Horses was partly created in Berlin and premiered in Berlin and Utrecht in September/October 2021. \nDe Dansers \nDe Dansers is a company of dancers and musicians from Utrecht directed by choreographer/dancer Josephine van Rheenen and composer/musician Guy Corneille. Their performances are ‘dance concer ‘dance concerts’\, a meeting of modern dance and live music on the theme of liberation from everything that can make the individual feel stuck\, all in an atmosphere of playful anarchy.\nPerformances that recall the liveliness of children and the almost forgotten desire of adults to indulge in physical contact. \nJosephine van Rheenen // Choreographer She studied dance at the Theaterschool in Amsterdam and\, in parallel\, performed as a dancer with De Dansers. After dancing for five years with De Dansers\, Vloeistof and Breekgoed\, she replaced Wies Merkx as artistic director of De Dansers together with Guy Corneille in 2014. Since then\, she has created performances for children and adults for this company. As a choreographer\, she is dedicated to the search for humanity in dance and a language of movement based on instinct. Openness\, surrender and interaction are the keywords of her works. \nGuy Corneille // Composer and musician He has been the artistic director of De Dansers together with Josephine van Rheenen since 2014. On stage he is a musician and physical performer at the same time. He also participates in the creation of choreographer Josephine van Rheenen’s performances as a composer and musical dramaturg. He studied sociocultural anthropology and has a background in pop with his indie band La Corneille. Her artistic interest is in communicating the physical and emotional experience\, the improvisation typical of pop concerts and the accessibility of any music without being superficial\nor of low quality. In 2017\, Guy Corneille won a VSCD Gouden Krekel for his multi-performance in The Basement (De Dansers / Theater Strahl / Wies Merkx). \nTHEATER STRAHL BERLIN\nTheater Strahl was founded in 1987 in Berlin as an independent theatre group and has been producing contemporary dance performances for young audiences in collaboration with international artists since 2013. With Theatrer Strahl\, young people are involved in the selection and development of performances\, thus actively coming into contact with the theatrical world. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hold-your-horses/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231025T203000
DTEND;TZID=Europe/Rome:20231025T213000
DTSTAMP:20260504T224616
CREATED:20231003T132709Z
LAST-MODIFIED:20240419T160057Z
UID:10003255-1698265800-1698269400@www.fndaterballetto.it
SUMMARY:TACA TÈ / talk
DESCRIPTION:Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What links time to our nature as subjects? What do I listen to when I listen to time flowing? \nCarlo Rovelli \nAfter its debut at the Teatro Elfo Puccini in Milan\, as part of the MILANoLtre festival\, TACA TÈ lands at the Fonderia. The show is produced by Compagnia Sanpapié with artistic direction by Lara Guidetti\, in co-production with the Fondazione Nazionale della Danza / Aterballetto. \nTaca Tè\, in Emilian dialect meaning “you start\,” is a challenge to the right to exist in time\, played out between two bodies that are chronologically distant but converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. Thus\, the codes of ballroom dancing\, which dictate roles\, melodies\, and spaces\, dissolve in an “other” environment that progressively frees itself from structures to open multiple perspectives on the body and the relationship. The choreography develops a unique and ever-evolving flow of movement where the internal rhythms of the dancers diverge and oppose each other before finding common ground that allows for the transcendence of roles in an ironic\, at times theatrical and surreal game. \nFollowing the performance\, there will be a talk with Elisabetta Donati\, a sociologist and Head of the Culture and Research Department for the Ravasi-Garzanti Foundation\, the scientific partner of the Over Dance project\, which is entirely oriented towards research and policies for aging. \nCREDITS \nA co-production by Sanpapié\, Fondazione Nazionale della Danza/Aterballetto\, and MILANoLTRE \nChoreography: Lara Guidetti \nPerformers: Antonio Caporilli\, Francesca Lastella \nChoreography assistant and costumes: Fabrizio Calanna \nSet design: Maria Croce \nOriginal music and arrangements: Marcello Gori\, Alberto Sansone \nPremiere: September 30\, 2023\, Teatro Elfo Puccini – MILANoLTRE Festival\, Milan (replica October 1) \nCOMPAGNIA SANPAPIÉ / LARA GUIDETTI \nEmiliana\, after competitive acrobatics studies and theatrical acting\, graduated in 2006 as a dancer and choreographer from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with great national and international masters such as Susanne Linke\, Emio Greco\, André Minvielle\, Franco Brambilla\, Luciana Melis\, Reinhild Hoffman\, Lucinda Childs\, Susanna Beltrami; Yong Min Cho\, and Sarah Taylor. She continued her training\, both in the world of dance and performing arts and in various actor training methods\, by attending workshops and productions by international artists such as Rimas Tuminas\, Cesar Brie\, Paz Rojo\, Carolina Bolouda\, Joao Garcia Miguel\, Virgilio Sieni\, and many others. \nIn 2006\, she founded the Sanpapié Company\, of which she is artistic director\, choreographer\, and performer. She has choreographed 40 works and performances for the company\, presented throughout Europe and China. In 2017\, her show Lei won the Sonia Bonacina Award\, dedicated to women in theater. Alongside her work with Sanpapié\, she works as a choreographer and performer in theater\, dance\, and classicalANTONIO CAPORILLI / FRANCESCA LASTELLA \nAntonio Caporilli\nAntonio is a performer\, dancer\, teacher\, creator of multimedia events\, and videomaker. After experiences with Jerome Savary\, Robert Wilson\, Amy Luckenbach\, and others\, he has collaborated as a dancer/performer with Teatro alla Scala di Milano\, L’Opera National De Paris\, Staatsoper Berlin\, The Place Theater of London\, etc. His interest in the performative act as a social event\, shared with other artists and with people of different ages\, backgrounds\, and cultures\, has gradually materialized in various interventions carried out in the territory\, involving the people who live there\, such as the “Blu del Lago” Festival in Trevignano R.\, Rome. In recent years\, his attention has turned to the everyday life of urban contexts\, with surprise blitzes or collective performances aimed at suddenly subverting the rhythms and habits of a place. \nFrancesca Lastella\nFrancesca is a dancer and teacher. After attending the Duncan Centre dance conservatory and deepening her training with international masters like the Forsythe Dance Company and Sasha Waltz & Guest\, she has worked on numerous projects alongside professionals like Lara Russo and Anna Albertarelli. Since 2019\, she has been a teacher at Artemente\, a high-level dance training center. She has collaborated with companies such as Déjà Donné\, Compagnia Balafori\, and Veicolo Danza\, while currently dancing for companies like Sanpapié\, Lost Movement\, and Luna Cenere. \nELISABETTA DONATI \nElisabetta\, the Head of the Culture and Research Department at the Ravasi-Garzanti Foundation in Milan\, is associated with a philanthropic organization aimed at promoting the well-being of elderly people. She contributed as an expert to drafting a document on the role of the family in promoting gender equality and education equality for the World Family Organization (WFO) at the 2010 Paris Summit. Previously\, she served as the Research Manager at Pari e Dispari\, a consultant for the Social Research Institute of the Piedmont Region on international studies on aging\, and a part-time lecturer in Sociology of the Family at the University of Turin’s Social Service Course. She also held positions as the President of the Equal Opportunities Commission of the Municipality of Brescia and the President of the Family Counseling Center Onlus in Brescia. Additionally\, she is a founding member of the Documentation and Information Center on Gender Health in Brescia and has authored several publications.
URL:https://www.fndaterballetto.it/en/evento/taca-te-talk/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231023T180000
DTEND;TZID=Europe/Rome:20231023T190000
DTSTAMP:20260504T224616
CREATED:20231017T151603Z
LAST-MODIFIED:20240419T161945Z
UID:10003257-1698084000-1698087600@www.fndaterballetto.it
SUMMARY:Open rehearsal - Rhapsody in Blue
DESCRIPTION:The open rehearsals are back in the halls of the Foundry! \nOn Monday\, October 23rd\, at 6:00 PM\, the audience of the Foundry will be able to attend the creation of our new production: “Rhapsody in Blue.” The choreography is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers\, and is inspired by the music of George Gershwin. For several days\, the sixteen dancers have been working on the choreography\, and the open rehearsal will be a unique opportunity to witness live the creative process. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231019T220000
DTEND;TZID=Europe/Rome:20231019T230000
DTSTAMP:20260504T224616
CREATED:20231016T164634Z
LAST-MODIFIED:20240419T162452Z
UID:10003258-1697752800-1697756400@www.fndaterballetto.it
SUMMARY:BODY INTO THE FIGHT - ROMAEUROPA FESTIVAL
DESCRIPTION:Body into the fight is the performance curated by Diego Tortelli and born from the research together with Sony CSL and researcher Ken Endo\, at the center of the project Dis.abile | Iper.abile. The show will be presented for the first time during the Opening Conference of Maker Faire Rome on October 19th. \nThanks to the availability of Romaeuropa Festival\, on the occasion of the Dancing Days\, a selection curated by Francesca Manica as part of the 2023 edition of the Festival\, CCN/Aterballetto will have the opportunity to present the performance again. The event will take place on October 19th at the Mattatoio\, at 10:00 PM. \n\n  \n  \nBODY INTO THE FIGHT \nChoreography and Concept Diego Tortelli Scientific Consulting Ken Endo Music Oneohtrix Point Never Performers Giuseppe Morello and Karim Randé A production by Fondazione Nazionale della Danza/Aterballetto In partnership with SONY CSL \nThanks to the research we will conduct with Ken Hendo and SONY CSL\, we will have the opportunity to delve into the idea of prostheses as extensions of the body capable of making it hyper-able. An extension of the body that enhances physical performance and is no longer just a recourse to solve a physical trauma or to hide a disability. It is about extending the idea of ability in a poetic key that can come as close as possible to the definition of a “contemporary body.” Or at least to stimulate a reflection\, capable of entering the theater halls\, with a poetic serving the external world in a way that makes the body surprise us once again. \nDiego Tortelli \n\nDis.abile | Iper.abile \nDis.abile | Iper.abile arises from the desire of the two partners to support a welfare system “focused not only on emergency resolution but centered on promoting the well-being and abilities of individuals\, as an engine of development and employment and a factor of social inclusion\,” according to the definition by urbanist Carolina Giaimo. \nSociety is changing\, and healthcare is facing new needs. In this scenario\, innovation is a challenge. Assistive devices for disabilities\, as well as for daily life\, biomedical devices\, tech accessories\, and digital tools for sports: this and much more will be presented at Maker Faire Rome 2023. \nTHE COLLABORATION WITH SONY CSL \nSony CSL aims to contribute to the future of humanity and the planet by promoting the development of sciences and new technologies and their application in various fields. In particular\, at the Rome laboratory\, directed by Vittorio Loreto\, one of the research lines aims to participate in the redesign of our societies with a transdisciplinary approach that uses creativity as a starting point to address the challenges of today’s society. The comment of Vittorio Loreto from Sony CSL: \n“It is precisely in this direction that the Dis.abile | Iper.abile project takes its first steps. One of our research lines has this very objective: to observe and experiment with the interaction between humans and new technologies (such as AI) and understand how both can benefit from this virtuous exchange\, where humans receive inputs from the machine that help them improve. When we learned about the artistic work of CCN/Aterballetto\, we immediately thought of the technology of Ken Endo\, which is why we are here today ready to present this new project at the most important innovation event in Europe.”
URL:https://www.fndaterballetto.it/en/evento/body-into-the-fight-romaeuropa-festival/
LOCATION:Mattatoio\, Piazza Giustiniani\, 4\, Roma\, Italia
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231018T203000
DTEND;TZID=Europe/Rome:20231018T213000
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SUMMARY:Davidson
DESCRIPTION:Balletto Civile – Davidson – ph. Donato Aquaro \nA metà strada tra racconto e sceneggiatura\, Il Padre Selvaggio\, scritto nel 1962 e pubblicato postumo nell’anno della sua morte\, è un abbozzo di film che Pasolini non ha mai realizzato\, nonostante fosse quasi tutto pronto e il regista avesse anche fatto un viaggio in Africa con Alberto Moravia e Dacia Maraini per trovare i posti dove girare. \nBalletto Civile porta in scena Davidson\, un oggetto coreografico con un giovane performer di talento: una messinscena danzata\, una vertigine tra opera letteraria e teatro fisico. \nCredits \nfreely adapted from the screenplay Il Padre Selvaggio by Pier Paolo Pasolini \nConcept and dramaturgy: Maurizio Camilli\nChoreography: Michela Lucenti\nWith Maurizio Camilli and Confident Frank\nLighting design: Vincenzo De Angelis\nSound design: Andrea Gianessi\nAssistant director: Ambra Chiarello\nAssistant to choreography: Francesco Collavino \nProduction Balletto Civile\, in collaboration with ERT Emilia Romagna Teatro / Teatro Nazionale / focus CARNE \nwith the support of ATER (Modena) and ICK (Amsterdam) and the Italian Ministry of Culture MIC \nDavidson \n– What is poetry\, sir?” asks Davidson\n– But you know it! – says the professor.\n– No I do not know! – protests the boy shaking his curly head.\n– Yes you know!\n– No I do not know!\n– You are an African\, you are immersed in poetry!\n– No\, poetry is a white thing.\n– Sing a song from your village!\nDavidson begins to sing one of his village songs.\nBut the singing is in his head closely connected with the dance. And then\, singing\, he starts dancing.\nA long song\, a long dance.\n– Here\, this is poetry!\n \nBalletto Civile – Davidson – ph. Donato Aquaro  \nIl Padre Selvaggio (The Savage Father) is an outline of a screenplay written in 1963 by Pier Paolo Pasolini and published posthumously in the fateful 1975. The director did not find financers\, frightened by his freedom of thought\, and the film was never made. It is the story of Davidson\, a sensitive and acute black boy from an African tribe and his encounter with a progressive and tormented teacher – a frontier figure\, alter ego of Pasolini himself – who tries to give his boys a modern and anti-colonialist education. Above all\, this suspended work recounts the conflict between the teacher and Davidson\, wary of the new method and culture of the new teacher precisely because he is the smartest. The heart of this contrast is the dilemma of the relationship between blacks and whites\, the problem of freedom and democracy\, of the tension towards the other than oneself. \nA short and intense piece of writing\, with a strong political and not just poetic value\, a sort of canvas that escapes definitions\, conceived above all as a succession of images and indications of actions. A hybrid screenplay that mixes codes and languages and precisely in the absence of its realization offers great expressive potential. \nAn indefinite form that presents visual qualities that lend themselves to dance staging\, in a vertigo between literary work and physical theatre.\nBalletto Civile met its Davidson on the outskirts of Modena. \nBalletto Civile – Davidson – ph. Donato Aquaro  \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original song interact naturally. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/davidson/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231011T203000
DTEND;TZID=Europe/Rome:20231011T220000
DTSTAMP:20260504T224616
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SUMMARY:Night Stories
DESCRIPTION:MM Contemporary Dance Company – Short Stories – cor. Michele Merola\, foto di Creativite \nNIGHT STORIES is the new evening by MM Contemporary Dance Company composed of Quarto Canto by Enrico Morelli\, Short Stories by Michele Merola and Skirk by Adriano Bolognino. \nProduction: MM Contemporary Dance Company \nCo-production Skirk: Comune di Bassano del Grappa – Operaestate Festival Veneto \nWEIRDO_Primo Studio \nChoreography: Enrico Morelli \nOriginal Music: Giuseppe Villarosa \nLighting: Gessica Germini \nCostumes: Nuvia Valestri \nAssistant Choreographer: Paolo Lauri \nPerformers: Filippo Begnozzi\, Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella \nDuration: 25 minutes \nThe feeling of inadequacy: the only true obstacle to any form of relationship\, including the one with oneself. Who\, in their life\, has never been pervaded by it? Often\, this state stems from the desire to meet others’ expectations: feeling the weight of risk\, fear of failure\, and judgment. Starting from these feelings\, Enrico Morelli presents an initial choreographic study\, drawing inspiration not only from his personal experience but also from that of the performers\, to whom he posed the same question he asks himself: “When do you feel inadequate and out of place\, how do you feel?” \nSHORT STORIES \nChoreography: Michele Merola\nMusic composed and live performed by Natalia Abbascià\nCostumes: Nuvia Valestri\nChoreography assistant: Paolo Lauri\nDancers: Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Fabiana Lonardo\, Nicola Stasi\, Giuseppe Villarosa\nRunning time: 28′ \nShort Stories involves the dancing bodies in a continuous design\, built on repetitions and differences\, moments of solos\, duets and choral scores\, a succession of short stories\, pictures generated by the sound of live music: Natalia Abbascià\, who will play live\, has created a soundtrack that brings together evocative lyrical parts for violin and solo voice. The dancers will make the audience lose the sense of the boundary separating audience and stage space.\nThe pieces that make up the work will be articulated as an expressive landscape that will leave to the subjectivity of the audience the intimate reading of the feelings that the dance and music suggest. \nSKRIK \nChoreography: Adriano Bolognino\nMusic: Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri\nChoreography assistant: Rosaria Di Maro\nRepetiteur: Paolo Lauri\nDancers Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nRunning time: 25′ \nCreation in the framework of Prove d’Autore – azione del Network Anticorpi XL. \nAdriano Bolognino’s new work for the MM Contemporary Dance Company\, entitled Skrik\, is inspired by the painting The Scream by Edvard Munch\, a work that led the choreographer to investigate the theme of tragedy\, anguish and the littleness of man in the immensity of the universe. The choreographer himself explains: “The dull cry of the painting – of which I have decided to keep the Norwegian title “Skrik”\, which phonetically recalls an unpleasant sound\, a bump\, a shock – seems to deform the landscape\, giving us instability and fear\, while preserving its immense beauty. Clinging to this dualism that I feel close to me\, I wanted to create a dancing moment that could be a breathless accumulation of all the discontent of these last few years\, but also reach the eyes of the audience as a regenerating waterfall.” \n\n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic…). \nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Award of Merit for Choreography\, for the performance Bolero by Michele Merola. In 2022\, MMCDC won the Danza&Danza Award for the best Italian production with the performance Ballade (chor. Mauro Bigonzetti\, Enrico Morelli). On 1 January 2021 and 1 January 2022 MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” performing choreographies by Mauro Bigonzetti and Lorca Massine. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the Trentino Alto Adige InDanza Circuit. \nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/night-stories/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231004T203000
DTEND;TZID=Europe/Rome:20231004T214500
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SUMMARY:Callas\, Callas\, Callas
DESCRIPTION:The 2023/24 season at the Fonderia opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays tribute to the great singer by bringing together for the first time three of the most interesting names in Italian contemporary choreography\, Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco (former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic figures of the twentieth century. \nEach choreographer brings to the stage a different aspect of Maria Callas’s life and work in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations\, and iconography merge with contemporary dance to create a new language. \nThe project ideally continues the artistic research path that the company has been pursuing for years\, engaging contemporary dance with classical stories and music\, considered “repertoire” that becomes fertile ground for the creation of something completely different. The classical becomes a lens for viewing the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak about a lived\, tangible reality that is close to us. \nCredits\n“`html \nCALLAS CALLAS CALLAS\nCoreography by Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco\nA production by COB Compagnia Opus Ballet\nIn coproduction with Fondazione Festival La Versiliana \nArtistic Direction Rosanna Brocanello\nArtistic Consultant Laura Pulin\nLight Designer Giacomo Ungari\nRepetiteur Giulia Orlando\nOrganization Margherita Fantoni\nDistribution Laura Montagna \nWorld Premiere July 12\, 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic by Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic by Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal Creation by Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusic Editing by Luca Martone\nSupport for Stage Outfits Giovanna Ficaccio \n\nTotal Duration: 75 minutes\nA 6-minute intermission is included between the choreographies\n“` \nCallas\, Callas\, Callas \nMaria Callas\, “The Divine”\, was endowed with “three voices\,” it was said\, due to her exceptional vocal range. Described as having the talent of a “dramatic coloratura soprano\,” an 19th-century term for her unique timbre. A charismatic woman and artist\, possessing a powerful and theatrical voice\, she was skilled in blending singing and acting\, capable of fiery and engaging interpretations in embodying both seductive and tragic female characters. Her name is engraved in the history of opera. And beyond. Art and style\, triumphs and acclaim\, glamour and personal affairs intertwined in the life of Maria Callas\, “The Divine”. She is also remembered for her diva tantrums\, the mystery of her drastic weight loss\, chronic insomnia\, the child she never had\, her friendship with Pasolini\, and\, above all\, her ill-fated liaison with shipping magnate Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris apartment on September 16\, 1977\, for causes not yet determined. On the centenary of her birth\, amidst tributes already celebrated and others underway\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, holds a particular significance also for the originality that inspired it: entrusting three young\, and already established\, contemporary choreographers to create an evening production that reflects their personal vision of the legendary artist\, without intending to recount her life story. Three different perspectives\, therefore\, three approaches and renditions in dance that the beautiful title Callas Callas Callas already highlights. A title that also serves as an invitation\, for the audience\, to discover or rediscover within the folds of movement or the ensemble’s choreography\, among electronic sounds or fragments of famous arias scattered throughout the choreographic architecture\, within a light or a costume that shapes gestures and postures\, their own Callas. Or perhaps a new\, unseen one\, suggested\, evoked\, imprinted in the atmosphere and memory by abstract dance. Surely\, three famous arias will be recognized\, whether subtly hinted or prominently displayed: from Tosca\, Norma\, and Carmen. \n\n    STANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani)\nRoberto Tedesco merges the notes of Vissi d’arte with the electronic musical score composed by Giuseppe Villarosa\, incorporating also snippets of interviews and voice interferences. In the famous aria’s lyrics\, extracted from Tosca\, the Calabrian choreographer identifies the moment when Callas is at death’s door\, wanting to reaffirm to everyone that she lived deeply for art and love as simply a person\, a woman\, before being considered a diva. It is mainly in the sound structure that the choreographer imbues his vision of Callas’s life\, almost wanting to prepare the audience – quoting George Balanchine – to “see the music and listen to the dance.” Tedesco weaves an imaginary dramaturgy with an almost chronological musical journey\, from the years in New York where Callas was born\, to her Greek origins; from Italy\, which\, with La Scala Theatre\, brought her the greatest success\, to France where she eventually retired. Vague jazz sounds initially allude to America\, then those of the Bouzouki to Greece\, and a 1970s pop song to the mood of suffering that accompanied her. On a gradually increasing techno rhythm\, a choral dance pulsates within the bodies – male and female\, a single entity -\, dressed in stylized \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231004T170000
DTEND;TZID=Europe/Rome:20231004T181500
DTSTAMP:20260504T224616
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SUMMARY:Callas\, Callas\, Callas - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani)  \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani)  \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230926T180000
DTEND;TZID=Europe/Rome:20230926T190000
DTSTAMP:20260504T224616
CREATED:20230919T152854Z
LAST-MODIFIED:20230919T152854Z
UID:10003248-1695751200-1695754800@www.fndaterballetto.it
SUMMARY:BLISS / MicroDanze - Open Rehearsal
DESCRIPTION:Open rehearsals are back in the halls of Fonderia! \nTo inaugurate the new season and get to know up close the two dancers who have recently joined the company\, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger\, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed! \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/bliss-microdanze-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Open rehearsals,Season,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230530T210000
DTEND;TZID=Europe/Rome:20230530T223000
DTSTAMP:20260504T224616
CREATED:20230502T103400Z
LAST-MODIFIED:20230601T124549Z
UID:10002981-1685480400-1685485800@www.fndaterballetto.it
SUMMARY:Made in Italy 29.0
DESCRIPTION:The protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 29.0 with choreographies by Enrico Morelli and Ivan Alboresi. \nAGORA COACHING PROJECT\nAGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands coming from this same market. \nThe aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli\, technical\, cultural and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies\, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work\, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles. \nArtistic direction: Michele Merola and Enrico Morelli \nDancers: Camilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Pietro Di Salvo\, Vittoria Facci\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Emily Rondanini\,Susanna Russing\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco\,Diletta Torelli \nDIMORA DELL'ANIMA \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Travis Lake\, Joep Beving\nCostumes Nuvia Valestri \nIvan Alboresi’s new choreography for Agora Coaching Project is developed on the ‘breathing’ of bodies and on the attention to touching and caring for the other. The study made with the young dancers of the course is understood as an act of connection between the choreographer’s poetics of movement and the outcome of the transmission on the different bodies of the performers. \nThrough the exchange of energy and mutual support\, choreographic actions based on the interplay of mutual support between bodies and souls\, proximity and absence\, are constructed. In creating the choreographic score\, the starting point was memory and the desire to return the gesture of supporting the other\, thinking of the body as an infinite\, inexhaustible source of memories\, fragility and compassion. The performers establish a visible dialogue between their physical strengths and the importance of their gazes and their sensitive touch\, changing the perspective of seeking each other out. The audience\, freely observing the choreographic action\, crosses and crosses musical and choreographic suggestions\, developing a perceptive and subjective reading. \nTHE RITE OF SPRING (2011) \nChoreography Enrico Morelli\nMusic Igor Stravinsky\nCostumes Nuvia Valestri\nChoreography Assistant Annalisa Perricone \nOn 29 May 2013\, Igor Stravinsky’s Le Sacre du Printemps turned one hundred years old and the entire dance world remembered and celebrated this event. After the scandal it caused at its debut\, with the first version of the choreography\, created in Paris by Vaslav Nijinsky for Diaghilev’s Ballets Russes\, the score has become well known\, and recognisable at the first beat. Le Sacre is inspired by an ancient Slavic legend\, according to which every spring a virgin had to be ritually sacrificed so that the earth could flourish again. \nIn his interpretation of Le Sacre\, Morelli approaches this score with profound respect.\nIn the resulting staging\, a facet of the frantic dynamism of our time is reflected. To combat old and new fears\, and to exorcise the evil of living that accompanies the present\, every opportunity is good to find a scapegoat.\nIn Enrico Morelli’s directorial choice\, on the bare stage\, as the only element\, lugubrious slaughterhouse hooks emerge from the darkness and loom from the ceiling. They are as many swords of Damocles\, a stern warning inviting us to look back to the past\, to the times of terror and death when so many men were sent to the slaughterhouse\, considered ‘numbers’ without identity or dignity. \nThe assumption of the choreography is all here: as long as human beings sacrifice their fellow human beings to the violence of blind cannibalism\, and do not choose the path of respect for others\, the light of culture and the clarity of reason will not prevail. Then\, forever and ever\, each individual will only be able to think and want the evil of others\, to eliminate anyone who stands in the way of the fulfilment of his desires. Everyone will have in his neighbour an enemy. From this will result war of all against all\, with no more right or wrong. Thus the animal man will be condemned to remain Homo homini lupus. \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-29-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T173000
DTEND;TZID=Europe/Rome:20230527T183000
DTSTAMP:20260504T224616
CREATED:20230501T181831Z
LAST-MODIFIED:20230601T124019Z
UID:10002980-1685208600-1685212200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-5/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T150000
DTEND;TZID=Europe/Rome:20230527T160000
DTSTAMP:20260504T224616
CREATED:20230501T181433Z
LAST-MODIFIED:20230601T123627Z
UID:10002979-1685199600-1685203200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-4/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre-1-e1676589680155.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230526T210000
DTEND;TZID=Europe/Rome:20230526T220000
DTSTAMP:20260504T224616
CREATED:20230502T102242Z
LAST-MODIFIED:20230601T123305Z
UID:10002978-1685134800-1685138400@www.fndaterballetto.it
SUMMARY:SOAC
DESCRIPTION:WORLD PREMIERE with live music\nThe outcome of an event depends on several variables\, the behaviour of which cannot always be predicted with total precision. There is always a margin for error\, a space for chaos. Because sometimes a small difference generates an effect of great proportions. \nCREDITS \nA performance by Federica Galimberti and Cristiano Buzzi \nMusician: Giuseppe Franchellucci \nDancers: Carlos Kamizele\, Simone Panzera\, Matteo Passero\, Filippo Tonini \nProduction: KC Dance Company \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/soac/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/05/Soac-Galimberti.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230523T210000
DTEND;TZID=Europe/Rome:20230523T220000
DTSTAMP:20260504T224616
CREATED:20230208T065645Z
LAST-MODIFIED:20230601T122859Z
UID:10002918-1684875600-1684879200@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - 4ª EPISODE
DESCRIPTION:What is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the Fondazione Nazionale della Danza / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nEvent partner: \nThanks to our collaboration with YOGI TEA\, we can give our audience delicious teas and infusions\, inspired by the ancient philosophy of Ayurveda\, which aims at the well-being of body and mind. \nWHAT WILL YOU SEE? \nWe conclude our series on dance with the last episode scheduled for Tuesday 23 May at 9 pm. The evening will be dedicated to YELED\, a creation by Eyal Dadon which we are very fond of and which brings to the stage the reflection that the Israeli choreographer has conducted\, together with the dancers of Aterballetto\, on the moment in life when one comes to lose the innocence of children. \nWith his irony Nicolas Ballario will tell what it was like to work on this series\, together with the Aterballetto dancers who will show some extracts from the piece. \nThis was followed by the screening of the fourth episode of PROVE IN CORSO ending with a talk in the company of Ballario and Aterballetto. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at biglietteria@aterballetto.it \nThe ticket service in Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-4a-episode/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/12/Aterballetto-ProveInCorso-ThumbPiattaforma-02.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230517T210000
DTEND;TZID=Europe/Rome:20230517T220000
DTSTAMP:20260504T224616
CREATED:20230502T095435Z
LAST-MODIFIED:20230601T122742Z
UID:10002977-1684357200-1684360800@www.fndaterballetto.it
SUMMARY:Corpi Violati #DJOperaNoir
DESCRIPTION:In CorpiViolati Monica Casadei follows up her investigation on the theme of violence against women\, begun several years ago with the transposition into dance of some famous feminicides from Italian and other melodramas.\nIn CorpiViolati\, a community of bodies\, both female and male\, swarms\, locked in the memory of a wound. This wound echoes on stage in an incessant dance nourished by impulses\, instincts\, anger and pain\, in which overwhelming group dances are interspersed with duets and solos. \n\nCREDITS \nchoreography\, direction\, set design\, lighting and costumes: Monica Casadei\nLive Electronic: Fabio Fiandrini\nChoreographer’s assistant: Alessandra Pizza\nCostume design: Elena Nunziata \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara\nIn partnership with Comune di Rimini – Teatro Galli\n \nWith the support of Ministero della Cultura\, Regione Emilia-Romagna\, Comune di Parma\n \nSynopsis \n«Giammai Carmen cederà! Libera è nata e libera morirà!». «Sempre libera degg’io».\nThey are the ode to freedom of Carmen\, the protagonist of Prosper Mérimée’s novella and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Women figures who are symbols of independence of thought\, of strength and courage and at the same time of fragility in the face of violence and prevarication. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. Inspired by the many stories of gender violence recounted in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news\, the project “Corpi violati” (Violated Bodies) by the Compagnia Artemis Danza\, founded and directed by Monica Casadei.\nThe choreographic project was born from the desire to bring attention to the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network against Violence). \nCOMPAGNIA ARTEMIS DANZA \nBorn in Ferrara and graduated with honours with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris\, where she met choreographers Pierre Doussaint and Isabelle Doubouloz and master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, giving life to an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company was in residence at the Fondazione Teatro Due in Parma\, while since 2014 it has been in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to numerous international tours and festivals. \nFundamental to Monica Casadei’s artistic research is the contamination with different artistic\, cultural and geographic territories\, as well as the exploration of places and urban spaces that become the stage for performative actions. \nAlongside its production activity\, Artemis supports\, produces and promotes young authors and carries out multiple activities to educate the public. \nartemisdanza.com \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/corpi-violati-djoperanoir/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230514T150000
DTEND;TZID=Europe/Rome:20230514T160000
DTSTAMP:20260504T224616
CREATED:20230501T180819Z
LAST-MODIFIED:20230601T110246Z
UID:10002976-1684076400-1684080000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN FESTIVAL INTERNAZIONALE KIDS\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \n  \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFree admission upon availability. Reservation recommended. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230512T210000
DTEND;TZID=Europe/Rome:20230512T220000
DTSTAMP:20260504T224616
CREATED:20230501T100338Z
LAST-MODIFIED:20230601T105637Z
UID:10002975-1683925200-1683928800@www.fndaterballetto.it
SUMMARY:Struggle for the soul - Welcome to my funeral
DESCRIPTION:The increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230512T180000
DTEND;TZID=Europe/Rome:20230512T190000
DTSTAMP:20260504T224616
CREATED:20230501T100944Z
LAST-MODIFIED:20230601T104215Z
UID:10002974-1683914400-1683918000@www.fndaterballetto.it
SUMMARY:Struggle for the soul - Welcome to my funeral - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 3 euro\nFree under 6 \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230506T210000
DTEND;TZID=Europe/Rome:20230506T223000
DTSTAMP:20260504T224617
CREATED:20230323T150343Z
LAST-MODIFIED:20230407T162125Z
UID:10002946-1683406800-1683412200@www.fndaterballetto.it
SUMMARY:YELED-SHOOT ME
DESCRIPTION:Aterballetto dances YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli\, at Fonderia. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n\n  \n  \nInfo&Tickets \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,Shoot me,stagione gennaio giugno 2023,Yeled/Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230426T210000
DTEND;TZID=Europe/Rome:20230426T220000
DTSTAMP:20260504T224617
CREATED:20230208T224029Z
LAST-MODIFIED:20230329T161802Z
UID:10002916-1682542800-1682546400@www.fndaterballetto.it
SUMMARY:BEAST WITHOUT BEAUTY
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nIl giovane coreografo Carlo Massari si ispira al teatro dell’assurdo di Samuel Beckett e al suo Giorni felici per raccontare la trappola della condizione esistenziale. In scena un autentico tuffo nel non-sense\, un irriverente\, cinico studio sugli archetipi della miseria umana\, sull’inespressività\, sulla spregevole crudeltà nelle relazioni interpersonali. Volti pallidi\, figure esangui\, disumanizzate e stremate che si affrontano in un algido duello; in palio c’è l’affermazione di un ruolo\, un’identità\, una posizione sociale\, senza esclusione di colpi. \n  \n\n  \nCREDITS\nOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”\nSYNOPSIS\nYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni  \nCARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230426T180000
DTEND;TZID=Europe/Rome:20230426T193000
DTSTAMP:20260504T224617
CREATED:20230208T223952Z
LAST-MODIFIED:20230329T160454Z
UID:10002917-1682532000-1682537400@www.fndaterballetto.it
SUMMARY:BEAST WITHOUT BEAUTY - OPEN REHEARSAL
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nOPEN REHEARSAL \nThe young choreographer Carlo Massari draws inspiration from Samuel Beckett’s Theatre of the Absurd and his Happy Days to narrate the trap of the existential condition. On stage an authentic plunge into non-sense\, an irreverent\, cynical study on the archetypes of human misery\, on inexpressiveness\, on the despicable cruelty in interpersonal relationships. Pale faces\, bloodless\, dehumanised and exhausted figures face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, with no holds barred. \n  \n\n  \n CREDITSOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”SYNOPSISYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni CARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETSTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230418T180000
DTEND;TZID=Europe/Rome:20230418T190000
DTSTAMP:20260504T224617
CREATED:20230329T092528Z
LAST-MODIFIED:20230329T170635Z
UID:10002951-1681840800-1681844400@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \n\nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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