BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Centro Coreografico Nazionale / Aterballetto - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.fndaterballetto.it/en/ X-WR-CALDESC:Events for Centro Coreografico Nazionale / Aterballetto REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231018T203000 DTEND;TZID=Europe/Rome:20231018T213000 DTSTAMP:20260505T000235 CREATED:20230802T163553Z LAST-MODIFIED:20230802T164838Z UID:10003011-1697661000-1697664600@www.fndaterballetto.it SUMMARY:Davidson DESCRIPTION:Balletto Civile – Davidson – ph. Donato Aquaro \nA metà strada tra racconto e sceneggiatura\, Il Padre Selvaggio\, scritto nel 1962 e pubblicato postumo nell’anno della sua morte\, è un abbozzo di film che Pasolini non ha mai realizzato\, nonostante fosse quasi tutto pronto e il regista avesse anche fatto un viaggio in Africa con Alberto Moravia e Dacia Maraini per trovare i posti dove girare. \nBalletto Civile porta in scena Davidson\, un oggetto coreografico con un giovane performer di talento: una messinscena danzata\, una vertigine tra opera letteraria e teatro fisico. \nCredits \nfreely adapted from the screenplay Il Padre Selvaggio by Pier Paolo Pasolini \nConcept and dramaturgy: Maurizio Camilli\nChoreography: Michela Lucenti\nWith Maurizio Camilli and Confident Frank\nLighting design: Vincenzo De Angelis\nSound design: Andrea Gianessi\nAssistant director: Ambra Chiarello\nAssistant to choreography: Francesco Collavino \nProduction Balletto Civile\, in collaboration with ERT Emilia Romagna Teatro / Teatro Nazionale / focus CARNE \nwith the support of ATER (Modena) and ICK (Amsterdam) and the Italian Ministry of Culture MIC \nDavidson \n– What is poetry\, sir?” asks Davidson\n– But you know it! – says the professor.\n– No I do not know! – protests the boy shaking his curly head.\n– Yes you know!\n– No I do not know!\n– You are an African\, you are immersed in poetry!\n– No\, poetry is a white thing.\n– Sing a song from your village!\nDavidson begins to sing one of his village songs.\nBut the singing is in his head closely connected with the dance. And then\, singing\, he starts dancing.\nA long song\, a long dance.\n– Here\, this is poetry!\n \nBalletto Civile – Davidson – ph. Donato Aquaro \nIl Padre Selvaggio (The Savage Father) is an outline of a screenplay written in 1963 by Pier Paolo Pasolini and published posthumously in the fateful 1975. The director did not find financers\, frightened by his freedom of thought\, and the film was never made. It is the story of Davidson\, a sensitive and acute black boy from an African tribe and his encounter with a progressive and tormented teacher – a frontier figure\, alter ego of Pasolini himself – who tries to give his boys a modern and anti-colonialist education. Above all\, this suspended work recounts the conflict between the teacher and Davidson\, wary of the new method and culture of the new teacher precisely because he is the smartest. The heart of this contrast is the dilemma of the relationship between blacks and whites\, the problem of freedom and democracy\, of the tension towards the other than oneself. \nA short and intense piece of writing\, with a strong political and not just poetic value\, a sort of canvas that escapes definitions\, conceived above all as a succession of images and indications of actions. A hybrid screenplay that mixes codes and languages and precisely in the absence of its realization offers great expressive potential. \nAn indefinite form that presents visual qualities that lend themselves to dance staging\, in a vertigo between literary work and physical theatre.\nBalletto Civile met its Davidson on the outskirts of Modena. \nBalletto Civile – Davidson – ph. Donato Aquaro \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original song interact naturally. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/davidson/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/HD-066-076-Davidson-02.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231011T203000 DTEND;TZID=Europe/Rome:20231011T220000 DTSTAMP:20260505T000235 CREATED:20230802T123204Z LAST-MODIFIED:20240419T163722Z UID:10003007-1697056200-1697061600@www.fndaterballetto.it SUMMARY:Night Stories DESCRIPTION:MM Contemporary Dance Company – Short Stories – cor. Michele Merola\, foto di Creativite \nNIGHT STORIES is the new evening by MM Contemporary Dance Company composed of Quarto Canto by Enrico Morelli\, Short Stories by Michele Merola and Skirk by Adriano Bolognino. \nProduction: MM Contemporary Dance Company \nCo-production Skirk: Comune di Bassano del Grappa – Operaestate Festival Veneto \nWEIRDO_Primo Studio \nChoreography: Enrico Morelli \nOriginal Music: Giuseppe Villarosa \nLighting: Gessica Germini \nCostumes: Nuvia Valestri \nAssistant Choreographer: Paolo Lauri \nPerformers: Filippo Begnozzi\, Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella \nDuration: 25 minutes \nThe feeling of inadequacy: the only true obstacle to any form of relationship\, including the one with oneself. Who\, in their life\, has never been pervaded by it? Often\, this state stems from the desire to meet others’ expectations: feeling the weight of risk\, fear of failure\, and judgment. Starting from these feelings\, Enrico Morelli presents an initial choreographic study\, drawing inspiration not only from his personal experience but also from that of the performers\, to whom he posed the same question he asks himself: “When do you feel inadequate and out of place\, how do you feel?” \nSHORT STORIES \nChoreography: Michele Merola\nMusic composed and live performed by Natalia Abbascià\nCostumes: Nuvia Valestri\nChoreography assistant: Paolo Lauri\nDancers: Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Fabiana Lonardo\, Nicola Stasi\, Giuseppe Villarosa\nRunning time: 28′ \nShort Stories involves the dancing bodies in a continuous design\, built on repetitions and differences\, moments of solos\, duets and choral scores\, a succession of short stories\, pictures generated by the sound of live music: Natalia Abbascià\, who will play live\, has created a soundtrack that brings together evocative lyrical parts for violin and solo voice. The dancers will make the audience lose the sense of the boundary separating audience and stage space.\nThe pieces that make up the work will be articulated as an expressive landscape that will leave to the subjectivity of the audience the intimate reading of the feelings that the dance and music suggest. \nSKRIK \nChoreography: Adriano Bolognino\nMusic: Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri\nChoreography assistant: Rosaria Di Maro\nRepetiteur: Paolo Lauri\nDancers Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nRunning time: 25′ \nCreation in the framework of Prove d’Autore – azione del Network Anticorpi XL. \nAdriano Bolognino’s new work for the MM Contemporary Dance Company\, entitled Skrik\, is inspired by the painting The Scream by Edvard Munch\, a work that led the choreographer to investigate the theme of tragedy\, anguish and the littleness of man in the immensity of the universe. The choreographer himself explains: “The dull cry of the painting – of which I have decided to keep the Norwegian title “Skrik”\, which phonetically recalls an unpleasant sound\, a bump\, a shock – seems to deform the landscape\, giving us instability and fear\, while preserving its immense beauty. Clinging to this dualism that I feel close to me\, I wanted to create a dancing moment that could be a breathless accumulation of all the discontent of these last few years\, but also reach the eyes of the audience as a regenerating waterfall.” \n\n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic…). \nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Award of Merit for Choreography\, for the performance Bolero by Michele Merola. In 2022\, MMCDC won the Danza&Danza Award for the best Italian production with the performance Ballade (chor. Mauro Bigonzetti\, Enrico Morelli). On 1 January 2021 and 1 January 2022 MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” performing choreographies by Mauro Bigonzetti and Lorca Massine. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the Trentino Alto Adige InDanza Circuit. \nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/night-stories/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/Short-Stories_cor.-Michele-Merola_foto-di-Creativite_DSC3237.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231004T203000 DTEND;TZID=Europe/Rome:20231004T214500 DTSTAMP:20260505T000235 CREATED:20230802T072012Z LAST-MODIFIED:20240419T164228Z UID:10003003-1696451400-1696455900@www.fndaterballetto.it SUMMARY:Callas\, Callas\, Callas DESCRIPTION:The 2023/24 season at the Fonderia opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays tribute to the great singer by bringing together for the first time three of the most interesting names in Italian contemporary choreography\, Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco (former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic figures of the twentieth century. \nEach choreographer brings to the stage a different aspect of Maria Callas’s life and work in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations\, and iconography merge with contemporary dance to create a new language. \nThe project ideally continues the artistic research path that the company has been pursuing for years\, engaging contemporary dance with classical stories and music\, considered “repertoire” that becomes fertile ground for the creation of something completely different. The classical becomes a lens for viewing the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak about a lived\, tangible reality that is close to us. \nCredits\n“`html \nCALLAS CALLAS CALLAS\nCoreography by Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco\nA production by COB Compagnia Opus Ballet\nIn coproduction with Fondazione Festival La Versiliana \nArtistic Direction Rosanna Brocanello\nArtistic Consultant Laura Pulin\nLight Designer Giacomo Ungari\nRepetiteur Giulia Orlando\nOrganization Margherita Fantoni\nDistribution Laura Montagna \nWorld Premiere July 12\, 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic by Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic by Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal Creation by Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusic Editing by Luca Martone\nSupport for Stage Outfits Giovanna Ficaccio \n\nTotal Duration: 75 minutes\nA 6-minute intermission is included between the choreographies\n“` \nCallas\, Callas\, Callas \nMaria Callas\, “The Divine”\, was endowed with “three voices\,” it was said\, due to her exceptional vocal range. Described as having the talent of a “dramatic coloratura soprano\,” an 19th-century term for her unique timbre. A charismatic woman and artist\, possessing a powerful and theatrical voice\, she was skilled in blending singing and acting\, capable of fiery and engaging interpretations in embodying both seductive and tragic female characters. Her name is engraved in the history of opera. And beyond. Art and style\, triumphs and acclaim\, glamour and personal affairs intertwined in the life of Maria Callas\, “The Divine”. She is also remembered for her diva tantrums\, the mystery of her drastic weight loss\, chronic insomnia\, the child she never had\, her friendship with Pasolini\, and\, above all\, her ill-fated liaison with shipping magnate Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris apartment on September 16\, 1977\, for causes not yet determined. On the centenary of her birth\, amidst tributes already celebrated and others underway\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, holds a particular significance also for the originality that inspired it: entrusting three young\, and already established\, contemporary choreographers to create an evening production that reflects their personal vision of the legendary artist\, without intending to recount her life story. Three different perspectives\, therefore\, three approaches and renditions in dance that the beautiful title Callas Callas Callas already highlights. A title that also serves as an invitation\, for the audience\, to discover or rediscover within the folds of movement or the ensemble’s choreography\, among electronic sounds or fragments of famous arias scattered throughout the choreographic architecture\, within a light or a costume that shapes gestures and postures\, their own Callas. Or perhaps a new\, unseen one\, suggested\, evoked\, imprinted in the atmosphere and memory by abstract dance. Surely\, three famous arias will be recognized\, whether subtly hinted or prominently displayed: from Tosca\, Norma\, and Carmen. \n\n STANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani)\nRoberto Tedesco merges the notes of Vissi d’arte with the electronic musical score composed by Giuseppe Villarosa\, incorporating also snippets of interviews and voice interferences. In the famous aria’s lyrics\, extracted from Tosca\, the Calabrian choreographer identifies the moment when Callas is at death’s door\, wanting to reaffirm to everyone that she lived deeply for art and love as simply a person\, a woman\, before being considered a diva. It is mainly in the sound structure that the choreographer imbues his vision of Callas’s life\, almost wanting to prepare the audience – quoting George Balanchine – to “see the music and listen to the dance.” Tedesco weaves an imaginary dramaturgy with an almost chronological musical journey\, from the years in New York where Callas was born\, to her Greek origins; from Italy\, which\, with La Scala Theatre\, brought her the greatest success\, to France where she eventually retired. Vague jazz sounds initially allude to America\, then those of the Bouzouki to Greece\, and a 1970s pop song to the mood of suffering that accompanied her. On a gradually increasing techno rhythm\, a choral dance pulsates within the bodies – male and female\, a single entity -\, dressed in stylized \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/BON_8554.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231004T170000 DTEND;TZID=Europe/Rome:20231004T181500 DTSTAMP:20260505T000235 CREATED:20230802T094011Z LAST-MODIFIED:20240418T172712Z UID:10003005-1696438800-1696443300@www.fndaterballetto.it SUMMARY:Callas\, Callas\, Callas - open rehearsal DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani) \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani) \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/BON_8196.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230926T180000 DTEND;TZID=Europe/Rome:20230926T190000 DTSTAMP:20260505T000235 CREATED:20230919T152854Z LAST-MODIFIED:20230919T152854Z UID:10003248-1695751200-1695754800@www.fndaterballetto.it SUMMARY:BLISS / MicroDanze - Open Rehearsal DESCRIPTION:Open rehearsals are back in the halls of Fonderia! \nTo inaugurate the new season and get to know up close the two dancers who have recently joined the company\, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger\, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed! \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers. URL:https://www.fndaterballetto.it/en/evento/bliss-microdanze-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,BLISS,Open rehearsals,Season,Stagione settembre-dicembre 2023 GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230530T210000 DTEND;TZID=Europe/Rome:20230530T223000 DTSTAMP:20260505T000235 CREATED:20230502T103400Z LAST-MODIFIED:20230601T124549Z UID:10002981-1685480400-1685485800@www.fndaterballetto.it SUMMARY:Made in Italy 29.0 DESCRIPTION:The protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 29.0 with choreographies by Enrico Morelli and Ivan Alboresi. \nAGORA COACHING PROJECT\nAGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands coming from this same market. \nThe aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli\, technical\, cultural and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies\, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work\, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles. \nArtistic direction: Michele Merola and Enrico Morelli \nDancers: Camilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Pietro Di Salvo\, Vittoria Facci\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Emily Rondanini\,Susanna Russing\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco\,Diletta Torelli \nDIMORA DELL'ANIMA \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Travis Lake\, Joep Beving\nCostumes Nuvia Valestri \nIvan Alboresi’s new choreography for Agora Coaching Project is developed on the ‘breathing’ of bodies and on the attention to touching and caring for the other. The study made with the young dancers of the course is understood as an act of connection between the choreographer’s poetics of movement and the outcome of the transmission on the different bodies of the performers. \nThrough the exchange of energy and mutual support\, choreographic actions based on the interplay of mutual support between bodies and souls\, proximity and absence\, are constructed. In creating the choreographic score\, the starting point was memory and the desire to return the gesture of supporting the other\, thinking of the body as an infinite\, inexhaustible source of memories\, fragility and compassion. The performers establish a visible dialogue between their physical strengths and the importance of their gazes and their sensitive touch\, changing the perspective of seeking each other out. The audience\, freely observing the choreographic action\, crosses and crosses musical and choreographic suggestions\, developing a perceptive and subjective reading. \nTHE RITE OF SPRING (2011) \nChoreography Enrico Morelli\nMusic Igor Stravinsky\nCostumes Nuvia Valestri\nChoreography Assistant Annalisa Perricone \nOn 29 May 2013\, Igor Stravinsky’s Le Sacre du Printemps turned one hundred years old and the entire dance world remembered and celebrated this event. After the scandal it caused at its debut\, with the first version of the choreography\, created in Paris by Vaslav Nijinsky for Diaghilev’s Ballets Russes\, the score has become well known\, and recognisable at the first beat. Le Sacre is inspired by an ancient Slavic legend\, according to which every spring a virgin had to be ritually sacrificed so that the earth could flourish again. \nIn his interpretation of Le Sacre\, Morelli approaches this score with profound respect.\nIn the resulting staging\, a facet of the frantic dynamism of our time is reflected. To combat old and new fears\, and to exorcise the evil of living that accompanies the present\, every opportunity is good to find a scapegoat.\nIn Enrico Morelli’s directorial choice\, on the bare stage\, as the only element\, lugubrious slaughterhouse hooks emerge from the darkness and loom from the ceiling. They are as many swords of Damocles\, a stern warning inviting us to look back to the past\, to the times of terror and death when so many men were sent to the slaughterhouse\, considered ‘numbers’ without identity or dignity. \nThe assumption of the choreography is all here: as long as human beings sacrifice their fellow human beings to the violence of blind cannibalism\, and do not choose the path of respect for others\, the light of culture and the clarity of reason will not prevail. Then\, forever and ever\, each individual will only be able to think and want the evil of others\, to eliminate anyone who stands in the way of the fulfilment of his desires. Everyone will have in his neighbour an enemy. From this will result war of all against all\, with no more right or wrong. Thus the animal man will be condemned to remain Homo homini lupus. \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/made-in-italy-29-0/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/01/DSC_0717.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230527T173000 DTEND;TZID=Europe/Rome:20230527T183000 DTSTAMP:20260505T000235 CREATED:20230501T181831Z LAST-MODIFIED:20230601T124019Z UID:10002980-1685208600-1685212200@www.fndaterballetto.it SUMMARY:Stravaganze in sol minore DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n  URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-5/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre-1-e1676589680155.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230527T150000 DTEND;TZID=Europe/Rome:20230527T160000 DTSTAMP:20260505T000235 CREATED:20230501T181433Z LAST-MODIFIED:20230601T123627Z UID:10002979-1685199600-1685203200@www.fndaterballetto.it SUMMARY:Stravaganze in sol minore DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n  URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-4/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre-1-e1676589680155.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230526T210000 DTEND;TZID=Europe/Rome:20230526T220000 DTSTAMP:20260505T000235 CREATED:20230502T102242Z LAST-MODIFIED:20230601T123305Z UID:10002978-1685134800-1685138400@www.fndaterballetto.it SUMMARY:SOAC DESCRIPTION:WORLD PREMIERE with live music\nThe outcome of an event depends on several variables\, the behaviour of which cannot always be predicted with total precision. There is always a margin for error\, a space for chaos. Because sometimes a small difference generates an effect of great proportions. \nCREDITS \nA performance by Federica Galimberti and Cristiano Buzzi \nMusician: Giuseppe Franchellucci \nDancers: Carlos Kamizele\, Simone Panzera\, Matteo Passero\, Filippo Tonini \nProduction: KC Dance Company \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/soac/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/05/Soac-Galimberti.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230523T210000 DTEND;TZID=Europe/Rome:20230523T220000 DTSTAMP:20260505T000235 CREATED:20230208T065645Z LAST-MODIFIED:20230601T122859Z UID:10002918-1684875600-1684879200@www.fndaterballetto.it SUMMARY:PROVE IN CORSO - 4ª EPISODE DESCRIPTION:What is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the Fondazione Nazionale della Danza / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nEvent partner: \nThanks to our collaboration with YOGI TEA\, we can give our audience delicious teas and infusions\, inspired by the ancient philosophy of Ayurveda\, which aims at the well-being of body and mind. \nWHAT WILL YOU SEE? \nWe conclude our series on dance with the last episode scheduled for Tuesday 23 May at 9 pm. The evening will be dedicated to YELED\, a creation by Eyal Dadon which we are very fond of and which brings to the stage the reflection that the Israeli choreographer has conducted\, together with the dancers of Aterballetto\, on the moment in life when one comes to lose the innocence of children. \nWith his irony Nicolas Ballario will tell what it was like to work on this series\, together with the Aterballetto dancers who will show some extracts from the piece. \nThis was followed by the screening of the fourth episode of PROVE IN CORSO ending with a talk in the company of Ballario and Aterballetto. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at biglietteria@aterballetto.it \nThe ticket service in Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-4a-episode/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/12/Aterballetto-ProveInCorso-ThumbPiattaforma-02.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230517T210000 DTEND;TZID=Europe/Rome:20230517T220000 DTSTAMP:20260505T000235 CREATED:20230502T095435Z LAST-MODIFIED:20230601T122742Z UID:10002977-1684357200-1684360800@www.fndaterballetto.it SUMMARY:Corpi Violati #DJOperaNoir DESCRIPTION:In CorpiViolati Monica Casadei follows up her investigation on the theme of violence against women\, begun several years ago with the transposition into dance of some famous feminicides from Italian and other melodramas.\nIn CorpiViolati\, a community of bodies\, both female and male\, swarms\, locked in the memory of a wound. This wound echoes on stage in an incessant dance nourished by impulses\, instincts\, anger and pain\, in which overwhelming group dances are interspersed with duets and solos. \n\nCREDITS \nchoreography\, direction\, set design\, lighting and costumes: Monica Casadei\nLive Electronic: Fabio Fiandrini\nChoreographer’s assistant: Alessandra Pizza\nCostume design: Elena Nunziata \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara\nIn partnership with Comune di Rimini – Teatro Galli\n \nWith the support of Ministero della Cultura\, Regione Emilia-Romagna\, Comune di Parma\n \nSynopsis \n«Giammai Carmen cederà! Libera è nata e libera morirà!». «Sempre libera degg’io».\nThey are the ode to freedom of Carmen\, the protagonist of Prosper Mérimée’s novella and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Women figures who are symbols of independence of thought\, of strength and courage and at the same time of fragility in the face of violence and prevarication. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. Inspired by the many stories of gender violence recounted in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news\, the project “Corpi violati” (Violated Bodies) by the Compagnia Artemis Danza\, founded and directed by Monica Casadei.\nThe choreographic project was born from the desire to bring attention to the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network against Violence). \nCOMPAGNIA ARTEMIS DANZA \nBorn in Ferrara and graduated with honours with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris\, where she met choreographers Pierre Doussaint and Isabelle Doubouloz and master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, giving life to an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company was in residence at the Fondazione Teatro Due in Parma\, while since 2014 it has been in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to numerous international tours and festivals. \nFundamental to Monica Casadei’s artistic research is the contamination with different artistic\, cultural and geographic territories\, as well as the exploration of places and urban spaces that become the stage for performative actions. \nAlongside its production activity\, Artemis supports\, produces and promotes young authors and carries out multiple activities to educate the public. \nartemisdanza.com \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/corpi-violati-djoperanoir/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/05/CoVi22_570061.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230514T150000 DTEND;TZID=Europe/Rome:20230514T160000 DTSTAMP:20260505T000235 CREATED:20230501T180819Z LAST-MODIFIED:20230601T110246Z UID:10002976-1684076400-1684080000@www.fndaterballetto.it SUMMARY:Stravaganze in sol minore DESCRIPTION:EVENT WITHIN FESTIVAL INTERNAZIONALE KIDS\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \n  \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFree admission upon availability. Reservation recommended. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n  URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-3/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre-1-e1676589680155.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230512T210000 DTEND;TZID=Europe/Rome:20230512T220000 DTSTAMP:20260505T000235 CREATED:20230501T100338Z LAST-MODIFIED:20230601T105637Z UID:10002975-1683925200-1683928800@www.fndaterballetto.it SUMMARY:Struggle for the soul - Welcome to my funeral DESCRIPTION:The increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/04/COPERTINA.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230512T180000 DTEND;TZID=Europe/Rome:20230512T190000 DTSTAMP:20260505T000235 CREATED:20230501T100944Z LAST-MODIFIED:20230601T104215Z UID:10002974-1683914400-1683918000@www.fndaterballetto.it SUMMARY:Struggle for the soul - Welcome to my funeral - OPEN REHEARSAL DESCRIPTION:OPEN REHEARSAL\nThe increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 3 euro\nFree under 6 \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/05/Brandon_PH-Virginia-Rota.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230506T210000 DTEND;TZID=Europe/Rome:20230506T223000 DTSTAMP:20260505T000235 CREATED:20230323T150343Z LAST-MODIFIED:20230407T162125Z UID:10002946-1683406800-1683412200@www.fndaterballetto.it SUMMARY:YELED-SHOOT ME DESCRIPTION:Aterballetto dances YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli\, at Fonderia. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n\n  \n  \nInfo&Tickets \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-3/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Productions,Season,Shoot me,stagione gennaio giugno 2023,Yeled/Shoot me ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/1.-Compagnia-Aterballetto-_-FND-Aterballetto-YELED-by-Eyal-Dadon-ph.-Umberto-Favretto-108-1.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230426T210000 DTEND;TZID=Europe/Rome:20230426T220000 DTSTAMP:20260505T000235 CREATED:20230208T224029Z LAST-MODIFIED:20230329T161802Z UID:10002916-1682542800-1682546400@www.fndaterballetto.it SUMMARY:BEAST WITHOUT BEAUTY DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nIl giovane coreografo Carlo Massari si ispira al teatro dell’assurdo di Samuel Beckett e al suo Giorni felici per raccontare la trappola della condizione esistenziale. In scena un autentico tuffo nel non-sense\, un irriverente\, cinico studio sugli archetipi della miseria umana\, sull’inespressività\, sulla spregevole crudeltà nelle relazioni interpersonali. Volti pallidi\, figure esangui\, disumanizzate e stremate che si affrontano in un algido duello; in palio c’è l’affermazione di un ruolo\, un’identità\, una posizione sociale\, senza esclusione di colpi. \n  \n\n  \nCREDITS\nOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”\nSYNOPSIS\nYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni \nCARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia. \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-02-01-alle-14.31.57.webp GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230426T180000 DTEND;TZID=Europe/Rome:20230426T193000 DTSTAMP:20260505T000235 CREATED:20230208T223952Z LAST-MODIFIED:20230329T160454Z UID:10002917-1682532000-1682537400@www.fndaterballetto.it SUMMARY:BEAST WITHOUT BEAUTY - OPEN REHEARSAL DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nOPEN REHEARSAL \nThe young choreographer Carlo Massari draws inspiration from Samuel Beckett’s Theatre of the Absurd and his Happy Days to narrate the trap of the existential condition. On stage an authentic plunge into non-sense\, an irreverent\, cynical study on the archetypes of human misery\, on inexpressiveness\, on the despicable cruelty in interpersonal relationships. Pale faces\, bloodless\, dehumanised and exhausted figures face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, with no holds barred. \n  \n\n  \n CREDITSOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”SYNOPSISYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni CARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia. \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETSTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-02-01-alle-14.31.57.webp GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230418T180000 DTEND;TZID=Europe/Rome:20230418T190000 DTSTAMP:20260505T000235 CREATED:20230329T092528Z LAST-MODIFIED:20230329T170635Z UID:10002951-1681840800-1681844400@www.fndaterballetto.it SUMMARY:SIMBIOSI DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/simbiosi/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/tedesco.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230417T180000 DTEND;TZID=Europe/Rome:20230417T190000 DTSTAMP:20260505T000235 CREATED:20230329T092543Z LAST-MODIFIED:20230329T171023Z UID:10002952-1681754400-1681758000@www.fndaterballetto.it SUMMARY:SIMBIOSI DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/simbiosi-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/tedesco.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230416T180000 DTEND;TZID=Europe/Rome:20230416T190000 DTSTAMP:20260505T000235 CREATED:20230216T082214Z LAST-MODIFIED:20230220T222235Z UID:10002919-1681668000-1681671600@www.fndaterballetto.it SUMMARY:GAP OF 42 DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS\nCreated and performed by: Iris Pelz and Christopher Schlunk \nOff-stage: Stefan Schönfeld \nMusic: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent) \nObject theatre coaching: Anne-Kathrin Klatt \nDance coaching: Laura Börtlein \nLighting: Marvin Wöllner\nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \n  \n \n  \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/gap-of-42/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-01-27-alle-14.25.31.webp GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230415T180000 DTEND;TZID=Europe/Rome:20230415T190000 DTSTAMP:20260505T000235 CREATED:20230220T221944Z LAST-MODIFIED:20230329T171346Z UID:10002920-1681581600-1681585200@www.fndaterballetto.it SUMMARY:GAP OF 42 DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \n  \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS \nBy and with Iris Pelz e Christopher Schlunk \nOutside-eye: Stefan Schönfeld \nMusicc: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent) \nObject theatre coaching: Anne-Kathrin Klatt \nDance coaching: Laura Börtlein \nLighting design: Marvin Wöllner \nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5 p.m. onwards. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/gap-of-42-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-01-27-alle-14.25.31.webp GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230411T180000 DTEND;TZID=Europe/Rome:20230411T190000 DTSTAMP:20260505T000235 CREATED:20230330T095956Z LAST-MODIFIED:20230330T100655Z UID:10002963-1681236000-1681239600@www.fndaterballetto.it SUMMARY:SHOOT ME - open rehearsal DESCRIPTION:FND Aterballetto – SHOOT ME by Diego Tortelli – ph Christophe Bernard \n \nOPEN REHEARSAL\nAterballetto rehearses SHOOT ME by Diego Tortelli for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/shoot-me-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/12/FND-Aterballetto-SHOOT-ME-by-Diego-Tortelli-ph-Christophe-Bernard-002.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230405T180000 DTEND;TZID=Europe/Rome:20230405T190000 DTSTAMP:20260505T000235 CREATED:20230330T094042Z LAST-MODIFIED:20230331T132020Z UID:10002961-1680717600-1680721200@www.fndaterballetto.it SUMMARY:Yeled - open rehearsal DESCRIPTION:FND/Aterballetto - rehearsal - ph. Christophe Bernard\nOPEN REHEARSAL\n\nAfter the tour in Germany and Italy\, Aterballetto stops at Fonderia and rehearses YELED by Eyal Dadon for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/yeled-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/DSC02452.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230330T210000 DTEND;TZID=Europe/Rome:20230330T223000 DTSTAMP:20260505T000235 CREATED:20230314T141231Z LAST-MODIFIED:20230329T173103Z UID:10002955-1680210000-1680215400@www.fndaterballetto.it SUMMARY:MADE IN ITALY 28.0 DESCRIPTION:Agora Coaching Project – Made in Italy 27.0 – ph Nicola Stasi \n  \nThe protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 28.0 with choreography by Sasha Waltz and Paolo Mohovich. IN C\nStudy for ‘In C’ \nChoreography by Sasha Waltz \nMusic by Terry Riley \nRe-staged by Davide Di Pretoro \n  \nAn important opportunity for enrichment is the encounter of the young dancers of Agora Coaching Project with the work “In C” by the great choreographer Sasha Waltz. A considerable achievement for the training course supported by the MM Contemporary Dance Company\, which is enriched by such a prestigious collaboration as Sasha Waltz & Guest\, bringing Agora fully into a wide-ranging European training context. “In C”\, which the Fondazione I Teatri will host at the Teatro Valli in a few months\, danced by Sasha Waltz’s company\, is one of the German choreographer’s latest works. The work was created to the musical score by Terry Riley\, composed in 1964 and revolutionary for the time\, as it constitutes the first example of minimalist music \nOn this milestone in the history of music\, the great German choreographer Sasha Waltz and the dancers of her company developed a choreographic work that follows an equally variable structure\, deliberately designed not to be a finished scenic piece\, but one that is constantly evolving. The result is an experimental system of choreographic figures that fit within a structured improvisation\, a dynamic and modular system that can be adapted to different times and formats.\nPICCOLI RITI NOTTURNI\nChoreography: Paolo Mohovich \nMusic: Michael Kiwanuka \nAssistant to the choreographer: Diletta Torelli \n  \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (amorous and otherwise)… to be a little older the next day… \nNight rituals that in hindsight appear small\, but how can we forget the emotion that made them appear immense?\nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands of this same market. \nThe aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli\, technical\, cultural and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies\, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work\, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles. \nArtistic direction: Michele Merola and Enrico Morelli \nDancers: Camilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Vittoria Facci\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Giorgia Mantovan\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Susanna Russing\, Emily Rondanini\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco. \nINFO & TICKETS\nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it\n \n  URL:https://www.fndaterballetto.it/en/evento/made-in-italy-28-0/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/12/ph-Nicola-Stasi-e1670933702792.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230328T210000 DTEND;TZID=Europe/Rome:20230328T221500 DTSTAMP:20260505T000235 CREATED:20220729T081142Z LAST-MODIFIED:20230329T173133Z UID:10002425-1680037200-1680041700@www.fndaterballetto.it SUMMARY:Storie DESCRIPTION:Aterballetto dances Storie at its own Fonderia. \n\nStorie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the bill\, is a love letter to the body for five dancers on Nick Cave music\, Another story is a duo about the impossible gesture of 2020\, the hug. \nBetween past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt\, or will it become serial and alienated?\nAlpha Grace\, a creation for six dancers at the end of the bill\, is a reflection on empathy\, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times. \n  \n\n  URL:https://www.fndaterballetto.it/en/evento/storie-fonderia-aterballetto/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,O,Performances,Season,stagione gennaio giugno 2023,Storie ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/05/DSC06737.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230308T203000 DTEND;TZID=Europe/Rome:20230308T220000 DTSTAMP:20260505T000235 CREATED:20230216T080040Z LAST-MODIFIED:20230302T112752Z UID:10002921-1678307400-1678312800@www.fndaterballetto.it SUMMARY:EROIDE CONTEMPORANEA / EUFEMIA DESCRIPTION:Massimo Monticelli – Eroide Contemporanea \nGiorgia Lolli – Eufemia\, ph. Andrea Couceiro \nTwo young choreographers from Emilia-Romagna confront on stage a deromanticized present and a past with a nostalgic flavor. \nMassimo Monticelli\, an internationally known dancer and choreographer\, drawing inspiration from Ovid’s collections of love epistles\, rewrites one of them: his Eroide Contemporanea. The letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nGiorgia Lolli\, through collaboration with Sophie Claire Annen and Vittoria Caneva\, creates Eufemia. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. \nWith the patronage of  \n \nEROIDE CONTEMPORANEA Choreography\, text\, dance: Massimo Monticelli \nMusic: C. Debussy\, B. Bàrtok \nProduction: TIR dance \nWith the support of: ImPulsTanz\, Vienna (AT)\, Santarcangelo Festival\, Rete h(abita)t Bologna. \nIn his Heroides\, Ovid imagines a collection of letters written by some of the most famous women of myth for their respective men who\, for one reason or another\, abandoned them. Massimo Monticelli wants here to compose a new eroid. Going through a fragment of life\, a letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nAcknowledgements: \nProject selected for the ATLAS – create your dance trails program of the ImPulsTanz festival in Vienna\, with dramaturgy support by Guy Cools and Angelique Wilkie. \nProject selected for KRAAK\, residency path of Santarcangelo Festival. \n \n  \n\nMASSIMO MONTICELLIMassimo Monticelli is a dancer\, choreographer and teacher from Bologna\, and since 2023 he has been an associate artist of TIR Danza.\nIn recent years\, Massimo has danced in works by international choreographers in several European countries\, and since 2022 he has started a collaboration as performer with Italian choreographer Nicola Galli.\nIn the last two years Massimo has been able to present his work in contexts such as Gender Bender International Festival\, Romaeuropa festival\, in ImPulsTanz’s ATLAS artist review in Vienna (AT)\, Corte Ospitale\, Thuner Tanzfest (CH).\nBetween 2021 and 2023 Massimo has been selected for the following opportunities: national call ERetici promoted by Arboreto and Corte Ospitale\, Nuove Traiettorie XL promoted by Rete Anticorpi XL\, ATLAS – create your dance trails\, program within ImPulsTanz festival in Vienna\, DNAppunti Coreografici 2022 as a finalist\, and among the four winning artists of SupportER\, support action promoted by Rete Anticorpi Emilia-Romagna.\nIn 2020 Massimo was a founding member of the Swiss company EREM dance\, with which he worked as dramaturg and choreographic consultant.\nHe graduated with honors from Trinity Laban in London\, received a Master’s degree in Performance from NSCD in Leeds\, spent a period of study at the National Conservatory of Paris\, while in parallel he earned a Bachelor of Arts and a Master’s degree in Theatre Disciplines from the University of Bologna.EUFEMIABy Giorgia Lolli\nWith Sophie Claire Annen\, Vittoria Caneva\, Giorgia Lolli \nProduction: Anghiari Dance Hub 2020\nWinner project of the Abitante Call for Proposals – National Center for Dance Production Virgilio Sieni and Fondazione CR Firenze. With the support of SdFactory Laboratorio Creativo (Reggio Emilia) and blueFACTORY (Fribourg\, CH). \nSelected for the Young Author’s Dance Showcase – action of the Network Antibodies XL 2021. \n– \nEufemia\, from the Greek\, she who speaks well\, or she who is spoken of well\, is a creation for three young women and a typewriter. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. The performers\, furnishing the rooms of a utopian world\, construct between the abstract and the concrete a dimension in which everything becomes both subject and frame. They cultivate an “imperfectionism” devoid of approximations\, which opens to new possible views and oversights. \nEuphemia: celestial\, moody\, eloquent\, intimate\, sophisticated\, light.\nIt is everything you decide it is. \n  \n\nEufemia\, Giorgia Lolli – ph. Andrea Couceiro \n\n\n\nGIORGIA LOLLI Giorgia Lolli (Reggio Emilia\, 1996) graduated in Contemporary Dance from Zürich University of the Arts and moved to Israel\, completing training with Kibbutz Contemporary Dance Company. She has an active collaboration as a dancer in Finland for How the land lies by Bianca Hisse & Laura Cemin\, selected for Aerowaves 2023. Giorgia is teaching Dance Well\, movement research for Parkinson’s at Triennale Milano. \nHer practice interweaves dramaturgical-choreographic research and community processes. Since 2020 she has been collaborating with Sophie Claire Annen and Vittoria Caneva: with Euphemia they are finalists in Direction Under 30 (Teatro Sociale di Gualtieri)\, selected by Network Anticorpi XL for the Young Author’s Dance Showcase 2021\, and guests of Festivals in Switzerland\, Portugal\, Germany.INFO & TICKETSTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/eroide-contemporanea-eufemia/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/Schermata-2023-01-19-alle-17.16.18.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230306T180000 DTEND;TZID=Europe/Rome:20230306T193000 DTSTAMP:20260505T000235 CREATED:20230216T075215Z LAST-MODIFIED:20230302T110635Z UID:10002922-1678125600-1678131000@www.fndaterballetto.it SUMMARY:EROIDE CONTEMPORANEA / EUFEMIA - OPEN REHEARSAL DESCRIPTION:Massimo Monticelli – Eroide Contemporanea \nGiorgia Lolli – Eufemia\, ph. Andrea Couceiro \nOPEN REHEARSAL\nTwo young choreographers from Emilia-Romagna confront on stage a deromanticized present and a past with a nostalgic flavor. \nMassimo Monticelli\, an internationally known dancer and choreographer\, drawing inspiration from Ovid’s collections of love epistles\, rewrites one of them: his Eroide Contemporanea. The letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nGiorgia Lolli\, through collaboration with Sophie Claire Annen and Vittoria Caneva\, creates Eufemia. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. \nWith the patronage of  \n \nEROIDE CONTEMPORANEA\nChoreography\, text\, dance: Massimo Monticelli \nMusic: C. Debussy\, B. Bàrtok \nProduction: TIR dance \nWith the support of: ImPulsTanz\, Vienna (AT)\, Santarcangelo Festival\, Rete h(abita)t Bologna. \nIn his Heroides\, Ovid imagines a collection of letters written by some of the most famous women of myth for their respective men who\, for one reason or another\, abandoned them. Massimo Monticelli wants here to compose a new eroid. Going through a fragment of life\, a letter becomes an opportunity to pose a reflection on love\, art and loneliness. \nAcknowledgements: \nProject selected for the ATLAS – create your dance trails program of the ImPulsTanz festival in Vienna\, with dramaturgy support by Guy Cools and Angelique Wilkie. \nProject selected for KRAAK\, residency path of Santarcangelo Festival. \n \n  \nMASSIMO MONTICELLI \nMassimo Monticelli is a dancer\, choreographer and teacher from Bologna\, and since 2023 he has been an associate artist of TIR Danza.\nIn recent years\, Massimo has danced in works by international choreographers in several European countries\, and since 2022 he has started a collaboration as performer with Italian choreographer Nicola Galli.\nIn the last two years Massimo has been able to present his work in contexts such as Gender Bender International Festival\, Romaeuropa festival\, in ImPulsTanz’s ATLAS artist review in Vienna (AT)\, Corte Ospitale\, Thuner Tanzfest (CH).\nBetween 2021 and 2023 Massimo has been selected for the following opportunities: national call ERetici promoted by Arboreto and Corte Ospitale\, Nuove Traiettorie XL promoted by Rete Anticorpi XL\, ATLAS – create your dance trails\, program within ImPulsTanz festival in Vienna\, DNAppunti Coreografici 2022 as a finalist\, and among the four winning artists of SupportER\, support action promoted by Rete Anticorpi Emilia-Romagna.\nIn 2020 Massimo was a founding member of the Swiss company EREM dance\, with which he worked as dramaturg and choreographic consultant.\nHe graduated with honors from Trinity Laban in London\, received a Master’s degree in Performance from NSCD in Leeds\, spent a period of study at the National Conservatory of Paris\, while in parallel he earned a Bachelor of Arts and a Master’s degree in Theatre Disciplines from the University of Bologna.\nEUFEMIA \nBy Giorgia Lolli\nWith Sophie Claire Annen\, Vittoria Caneva\, Giorgia Lolli \nProduction: Anghiari Dance Hub 2020\nWinner project of the Abitante Call for Proposals – National Center for Dance Production Virgilio Sieni and Fondazione CR Firenze. With the support of SdFactory Laboratorio Creativo (Reggio Emilia) and blueFACTORY (Fribourg\, CH). \nSelected for the Young Author’s Dance Showcase – action of the Network Antibodies XL 2021. \n– \nEufemia\, from the Greek\, she who speaks well\, or she who is spoken of well\, is a creation for three young women and a typewriter. On stage\, a non-romantic vision of romance and a nostalgia for eras never lived meet. The performers\, furnishing the rooms of a utopian world\, construct between the abstract and the concrete a dimension in which everything becomes both subject and frame. They cultivate an “imperfectionism” devoid of approximations\, which opens to new possible views and oversights. \nEufemia: celestial\, moody\, eloquent\, intimate\, sophisticated\, light.\nIt is everything you decide it is. \n  \nEufemia\, Giorgia Lolli – ph. Andrea Couceiro \nGIORGIA LOLLI \nGiorgia Lolli (Reggio Emilia\, 1996) graduated in Contemporary Dance from Zürich University of the Arts and moved to Israel\, completing training with Kibbutz Contemporary Dance Company. She has an active collaboration as a dancer in Finland for How the land lies by Bianca Hisse & Laura Cemin\, selected for Aerowaves 2023. Giorgia is teaching Dance Well\, movement research for Parkinson’s at Triennale Milano. \nHer practice interweaves dramaturgical-choreographic research and community processes. Since 2020 she has been collaborating with Sophie Claire Annen and Vittoria Caneva: with Eufemia they are finalists in Direction Under 30 (Teatro Sociale di Gualtieri)\, selected by Network Anticorpi XL for the Young Author’s Dance Showcase 2021\, and guests of Festivals in Switzerland\, Portugal\, Germany. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in the Fonderia is active from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/eroide-contemporanea-eufemia-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/Schermata-2023-01-19-alle-17.10.50.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230301T203000 DTEND;TZID=Europe/Rome:20230301T220000 DTSTAMP:20260505T000235 CREATED:20230124T134202Z LAST-MODIFIED:20230222T212648Z UID:10002923-1677702600-1677708000@www.fndaterballetto.it SUMMARY:PROVE IN CORSO - 3ª EPISODE DESCRIPTION:La nuova serie di FND/Aterballetto a cura di Nicolas Ballario. \nCosa c’è dietro a uno spettacolo di Aterballetto? Cosa succede nelle sale della Fonderia di Reggio Emilia? \nLo scoprirai con PROVE IN CORSO\, nostra prima serie di quattro puntate a cura di Nicolas Ballario: uno dei più apprezzati giornalisti di arte contemporanea che grazie alla sua verve unica e alla sua straordinaria competenza avvicina proprio tutti al mondo dell’arte con le sue trasmissioni su Sky Arte e di RadioUnoRai. \nInsieme a Ballario entrerai nel mondo della Fondazione Nazionale della Danza / Aterballetto. Tra incontri esilaranti\, situazioni ironiche con chi vive ogni giorno la Fonderia e momenti danzati\, in quattro puntate con la regia di Fabrizio Spucches\, scopriremo le curiosità della compagnia e il dietro le quinte degli spettacoli\, in un modo mai raccontato prima. \nPartner dell’evento: \n \nGrazie alla collaborazione con YOGI TEA\, possiamo omaggiare il nostro pubblico di deliziosi tè e infusi\, ispirati all’antica filosofia dell’Ayurveda\, che mira al benessere di corpo e mente. \nWHAT WILL YOU SEE? \nIn the third episode\, scheduled for March 1\, 8:30 p.m.\, come discover the magic of our MicroDanze\, an ambitious project of “danced” performances created by twelve internationally renowned choreographers with the goal of establishing a dialogue between the viewer and the watched\, soliciting an entirely original emotional experience. \nThe evening will be hosted by Nicolas Ballario who with Aterballetto dancers will talk about the meeting between dance and public space. \nThis will be followed by a screening of the third installment of PROVE IN CORSO and then finish with a talk with Ballario and Aterballetto. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-3a-episode/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,stagione gennaio giugno 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/12/Aterballetto-ProveInCorso-ThumbPiattaforma-02.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230225T180000 DTEND;TZID=Europe/Rome:20230225T190000 DTSTAMP:20260505T000235 CREATED:20230216T230513Z LAST-MODIFIED:20230223T141707Z UID:10002928-1677348000-1677351600@www.fndaterballetto.it SUMMARY:STRAVAGANZE IN SOL MINORE DESCRIPTION:PREVIEW\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Season,stagione gennaio giugno 2023,Stravaganze in sol minore ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230224T180000 DTEND;TZID=Europe/Rome:20230224T190000 DTSTAMP:20260505T000235 CREATED:20230216T225751Z LAST-MODIFIED:20230222T220242Z UID:10002929-1677261600-1677265200@www.fndaterballetto.it SUMMARY:Stravaganze in sol minore - Open rehearsal DESCRIPTION:OPEN REHEARSAL \nPREVIEW\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte.\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 3 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023,Stravaganze in sol minore ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT END:VCALENDAR