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DTSTART;TZID=Europe/Rome:20220507T210000
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SUMMARY:MADE IN ITALY 26.0
DESCRIPTION: \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 with choreographies by Giuseppe Spota\, Paolo Mohovich and Michele Merola. \nDancers: Camilla Aiazzi\, Erica Barusco\, Silvia Bellot Romanet\, Agnese Biavati\, Veronica Biondini\, Marek Brafa\, Margherita Cardinalini\, Greta Cecconi\, Filippo Cosso\, Sally Demonte\, Pietro Di Salvo\, Annachiara Gallo\, Sofia Lacava\, Carlotta Lo Piano\, Giorgia Mantovan\, Letizia Melchiorre\, Lorenzo Molinaro\, Marta Monaci\, Martina Pagliari\, Alessio Saccheri\, Rossana Samele\, Viviana Sanfilippo\, Diletta Torelli \n  \nCHOREOGRAPHIES \nSNAPES\nChoreography GIUSEPPE SPOTA\nMusic ATMO music production\nCostume designed by GIUSEPPE SPOTA and made by NUVIA VALESTRI \nWe lose ourselves in a flood of futility\, only to experience moments of true beauty\, lucidity and fragility. In a constant non-listening\, we react to the domino effect triggered by our elected leaders of the moment\, only to find ourselves empty and fragile. \nPICCOLI RITI NOTTURNI\nChoreography PAOLO MOHOVICH\nMusic MUCHAEL KIWANUKA \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (loving or not) … to be a little older the next day…\nNighttime rituals that with hindsight appear small\, but how can we forget the emotion that made them appear immense? \nExcerpts from BOLERO\nChoreography MICHELE MEROLA\nMusic MAURICE RAVEL / STEFANO CORRIAS\nCostume design NUVIA VALESTRI\nAssistant to the choreographer PAOLO LAURI \nA clockwork mechanism of rigorous precision\, Bolero (1928) is still one of the best known and most listened to pieces in the history of music. On stage is a choreographic version of Bolero created by Merola for Agora Coaching Project\, inspired by the one created for MMContemporary Dance Company. The choreographer confronted this obsessive and repetitive music\, trying to understand its identity\, reason and function\, to arrive at his interpretation: at the end of this path the inspiration focused on the inexhaustible range of human relationships. In the choreography\, fears\, repressed desires\, existential shocks that reveal entire universes\, secret ties that exist between people are projected from the inside out\, and irony gives way to fear\, love to disenchantment\, detachment to sharing\, and so on\, between crescendo and diminuendo\, like the music of the Bolero.\nStefano Corrias spoke on this same music\, with the licence and inventiveness that are the true mark of every artist. As a refined and experienced composer\, aware of the demands of the stage\, Corrias created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analysing the pages of Bolero\, and integrates perfectly with it. \n  \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & Tickets \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can only be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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DTSTART;TZID=Europe/Rome:20220522T210000
DTEND;TZID=Europe/Rome:20220522T215000
DTSTAMP:20260806T225537
CREATED:20220107T093438Z
LAST-MODIFIED:20220505T161205Z
UID:10002302-1653253200-1653256200@www.fndaterballetto.it
SUMMARY:My Body trio
DESCRIPTION:PREVIEW IN FONDERIA\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \n  \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \n  \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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