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DTSTAMP:20260406T133635
CREATED:20230105T142658Z
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SUMMARY:C'è vita su Venere
DESCRIPTION:C’è vita su Venere – Abbondanza/Bertoni Company – ph. Tobia Abbondanza \nCompagnia Abbondanza/Bertoni\, one of the most prolific companies on the Italian scene for its creations and for the diffusion of contemporary dance theater\, presents a show that sees the return on stage of Antonella Bertoni. \nC’è vita su Venere is a solo that investigates the diversity of the body\, particularly the female body and its evolution with age and time. A journey on Venus\, where gravity is dense\, where in its slow going the body will reveal itself in a final metamorphosis. \nTwo perfomances:  at 7.00 p.m and 9.00 p.m \n\n\n\nCREDITS \nC’È VITA SU VENERE \nBy Michele Abbondanza and Antonella BertoniWith Antonella BertoniLights Andrea GentiliSound elaborations Orlando CainelliTechnical Claudio ModugnoMask and props Nadezhda SimenovaDress Chiara Defant \nOrganization\, strategy and development Dalia MaciiAdministration and coordination Francesca LeonelliPress office Susanna CaldonazziCommunication Francesca VeneziaPhotos Tobia Abbondanza \nCONCEPT\nI had long been away from the scene\, (pandemic outcomes aside) shyly listening to and respecting the transformations that age digs into my body. \nPassing years in which I hesitated to take the step of taking steps to make a transition: to show myself. \nThen perhaps the very special moment we are living in prompted me\, as if instinctively\, to re-engage in a practice that I know well and yet feel new. A practice\, physical and otherwise\, that was immediately sensitive to a vocation I felt in me primary: yearning for the moment of encounter\, of the “moving” of making theater. \n \nAnd in doing so\, I could not disregard a strongly personal marker: persona\, that is\, literally “the mask of a character (actor)\,” which I have tried\, and I still do not know if vainly\, to peel off my face. Thus I landed on another planet\, finding there an infinity of life and other lives. Of all of them it would have been worth telling and dancing the contours: I went through only and curiously some of them convinced that no woman is “every woman”. I did it with the form that this present time has given me and gives me: silver\, oak and Venus. \nThis me being\, this me being is the only way I feel the ephemerality that sops us up fade a little. \nI am here in one piece.\nMammal agèe\,\nslow\,\nknotted doing\,\nsmelling of interlocking.\nAlone and double\,\nStill as the water of a trembling stream\, always. \n \n\nABBONDANZA BERTONI COMPANY\nFrom New York experience in the school of Alwin Nikolais to French studies with Dominique Dupuy\, through Carolyn Carlson‘s ‘poetic’ improvisations and the study and practice of Zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Theatre School in Milan) and Antonella Bertoni founded the Abbondanza/Bertoni Company\, recognized as one of the most prolific artistic realities on the Italian scene for their creations\, educational and pedagogical activities and for the dissemination of contemporary dance theater. \nTheirs is an intimate dance\, which is reflected in the otherness of the couple; Belonging to their being together on stage is a quality of movement in two voices in which is tangible the acceptance of the body of one in the other\, the habit in the movement to listening\, a dialectic of encounter and clash between thoughts and physicality not experienced only in artistic practice. \nhttp://www.abbondanzabertoni.it \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 6 p.m. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ce-vita-su-venere/2023-02-01/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230201T210000
DTEND;TZID=Europe/Rome:20230201T220000
DTSTAMP:20260406T133635
CREATED:20230105T142658Z
LAST-MODIFIED:20230110T144329Z
UID:10002353-1675285200-1675288800@www.fndaterballetto.it
SUMMARY:C'è vita su Venere
DESCRIPTION:C’è vita su Venere – Abbondanza/Bertoni Company – ph. Tobia Abbondanza \nCompagnia Abbondanza/Bertoni\, one of the most prolific companies on the Italian scene for its creations and for the diffusion of contemporary dance theater\, presents a show that sees the return on stage of Antonella Bertoni. \nC’è vita su Venere is a solo that investigates the diversity of the body\, particularly the female body and its evolution with age and time. A journey on Venus\, where gravity is dense\, where in its slow going the body will reveal itself in a final metamorphosis. \nTwo perfomances:  at 7.00 p.m and 9.00 p.m \n\n\n\nCREDITS \nC’È VITA SU VENERE \nBy Michele Abbondanza and Antonella BertoniWith Antonella BertoniLights Andrea GentiliSound elaborations Orlando CainelliTechnical Claudio ModugnoMask and props Nadezhda SimenovaDress Chiara Defant \nOrganization\, strategy and development Dalia MaciiAdministration and coordination Francesca LeonelliPress office Susanna CaldonazziCommunication Francesca VeneziaPhotos Tobia Abbondanza \nCONCEPT\nI had long been away from the scene\, (pandemic outcomes aside) shyly listening to and respecting the transformations that age digs into my body. \nPassing years in which I hesitated to take the step of taking steps to make a transition: to show myself. \nThen perhaps the very special moment we are living in prompted me\, as if instinctively\, to re-engage in a practice that I know well and yet feel new. A practice\, physical and otherwise\, that was immediately sensitive to a vocation I felt in me primary: yearning for the moment of encounter\, of the “moving” of making theater. \n \nAnd in doing so\, I could not disregard a strongly personal marker: persona\, that is\, literally “the mask of a character (actor)\,” which I have tried\, and I still do not know if vainly\, to peel off my face. Thus I landed on another planet\, finding there an infinity of life and other lives. Of all of them it would have been worth telling and dancing the contours: I went through only and curiously some of them convinced that no woman is “every woman”. I did it with the form that this present time has given me and gives me: silver\, oak and Venus. \nThis me being\, this me being is the only way I feel the ephemerality that sops us up fade a little. \nI am here in one piece.\nMammal agèe\,\nslow\,\nknotted doing\,\nsmelling of interlocking.\nAlone and double\,\nStill as the water of a trembling stream\, always. \n \n\nABBONDANZA BERTONI COMPANY\nFrom New York experience in the school of Alwin Nikolais to French studies with Dominique Dupuy\, through Carolyn Carlson‘s ‘poetic’ improvisations and the study and practice of Zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Theatre School in Milan) and Antonella Bertoni founded the Abbondanza/Bertoni Company\, recognized as one of the most prolific artistic realities on the Italian scene for their creations\, educational and pedagogical activities and for the dissemination of contemporary dance theater. \nTheirs is an intimate dance\, which is reflected in the otherness of the couple; Belonging to their being together on stage is a quality of movement in two voices in which is tangible the acceptance of the body of one in the other\, the habit in the movement to listening\, a dialectic of encounter and clash between thoughts and physicality not experienced only in artistic practice. \nhttp://www.abbondanzabertoni.it \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 6 p.m. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ce-vita-su-venere/2023-02-01/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230207T203000
DTEND;TZID=Europe/Rome:20230207T213000
DTSTAMP:20260406T133635
CREATED:20230105T152748Z
LAST-MODIFIED:20230110T155341Z
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SUMMARY:MEMENTO
DESCRIPTION:Memento – Cornelia Dance Company – ph. Sabrina Cirillo \nMemento is a dance piece that is based on the non-event. Just as in the Beckettian masterpiece\, Waiting for Godot\, the tension is created by the succession of hopes that find no concrete outlet\, so likewise\, in life\, every moment is waiting for something definitive that then\, when we think we have obtained it\, we always discover to be fragmented and subjective. \nWithin the choreography\, the performers experience this waiting and\, in their search for a definitive answer\, divine or otherwise\, to their existential condition\, they seek solace from each other\, challenge each other\, or\, like a chorus\, all tend toward the same point.\nIn the end\, the very goal of their journey will be realized in the remembrance (memento means\, precisely\, “remembered”) of these relationships and the sensations they have felt\, making it a ritual moment\, a sacred\, and therefore eternal\, act. \n\nCREDITS \nChoreography Nyko Piscopo\nMusic Arvo Pärt\nCostumes Rosario Martone\nDramaturgy Ciro Ciancio\nSet Design Paola Castrignanò\nLights Camilla Piccioni \nDancers Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno\, Francesco Russo \nTechnical Manager Giuseppe Ferrigno\nManagement Vittorio Stasi\nVideo Andrea De Simone\nPhotos Sabrina Cirillo \nProduction Cornelia\nSupport Caleidoscopio\, Teatro Eduardo de Filippo \nIn collaboration with: AMAT MARCHE\, Compagnia Zappalà Danza – SCENARIO PUBBLICO. \nCONCEPT \nInnovative\, out-of-the-box and label-free\, “Memento” is a celebration of the self in all its forms and rests its foundation on gender equality. Performers are asked to renounce the inherent characteristics associated with their gender or stereotypes about it. The gaze becomes fixed\, facial expressions limited\, however\, they are also given the opportunity to express\, in a fluid manner and according to stage sensibility\, the emotionality perceived at that particular moment. Nothing has to start from an idea\, but from an internal impulse: in this way the body does not drag behind a stereotyped gesturality\, and the choreographic dynamics are built free of all patterns\, so that the man can be lifted up by the woman\, if the inner need of the couple on stage requires it\, reversing (or following) the canons without preconceived barriers. \n\nThe succession of tension and apparent calm involves every aspect of the staging. The lights rest on the performers like spots that suddenly appear and\, just as suddenly\, vanish\, conveying the anxiety and agony felt by the play’s protagonists. The atmosphere of unease tends to be amplified by an eternal return to choreographic stillness\, stillness that is\, however\, constantly challenged\, not only by the progression of light and darkness\, but also by the scenographic dynamics that\, by evoking those places that seem suspended between the earthly and the otherworldly like the monolithic complex of Stonehenge\, increases the sense of uncertainty and inner disequilibrium. The musical score also contributes to this effect of constant suspension and restart. While\, through moments of lightness and irony\, the anguish seems to be successfully concealed\, Arvo Pärt’s music reinforces the emotionality\, denying both dancers and spectators to remain indifferent to the feelings that transpire from the work. \nCORNELIA\nCornelia is a dance company founded in 2019 in Naples by Nyko Piscopo\, Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno and Francesco Russo. \nKey word of Cornelia‘s artistic manifesto is INNOVATION\, which manifests itself both by carrying out projects where different languages coexist and through the reinterpretation in a modern key of some classics of dance and literature. Consequently\, the themes addressed by the company are those of contemporaneity. They include\, in fact\, the “instances” of the new generations\, such as the battles for self-determination of one’s body and for the affirmation of one’s sexuality\, but also investigating the new possibilities of connection given by the social revolution. \nIn addition to the founders\, Cornelia relies on numerous external collaborators who share the same philosophy as the group. The ‘company’s activity is widespread both in Italy and abroad: artistic productions are presented in various Italian theaters (Teatro delle Muse in Ancona\, Teatro Bellini in Naples\, Teatro Comunale in Vicenza\, Teatro Carignano in Turin) and participate in the most important dance and video dance festivals\, both national (Venice Biennale 2020\, Campania Teatro Festival 2021 and many others) and international (Filmpride in Brighton\, Choreoscope in Barcelona)\, as well as projects streamed in New York\, London\, Belgrade\, Sweden\, Iran. \nActive not only in dance at the production level\, the company is also involved in collaborating in the organization of national events such as MOVI|MENTALE and Cilentart Fest and in training with free initiatives for local dancers such as Wake Up! Training. \nIt has achieved an important recognition from the Ministry of Culture\, being included in the list of dance companies funded by the FUS. \nhttps://www.corneliaperformingarts.com/ \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/memento/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230211T173000
DTEND;TZID=Europe/Rome:20230211T183000
DTSTAMP:20260406T133635
CREATED:20230105T145443Z
LAST-MODIFIED:20230111T095623Z
UID:10002316-1676136600-1676140200@www.fndaterballetto.it
SUMMARY:ALI
DESCRIPTION:Ali – La Ribalta – ph. Andreas Marini \nAli\, from texts by Antonio Viganò\, Remo Rostagno and Gian Luigi Gherzi\, is a creation that stages the encounter between a young man and an angel to tell of confronting identities\, mutually unveiled dimensions\, impossible challenge between the human and the celestial. The two young performers of the La Ribalta – Kunst der Vielfalt company\, Jason De Majo and Michael Untertrifaller\, bring to the stage a spectrum of brutal and at the same time tender sensations\, capable of creating an infinite range of expressive coloring. \nTwo perfomances: \nSaturday\, February 11\, 5:30 p.m.\nSunday\, February 12\, 5:30 p.m. \n\n  \nCREDITS\nText by Gianluigi Gherzi\, Remo Rostagno\, Antonio Viganò\nDirected by Antonio Viganò\nChoreography by Julie Anne Stanzak (Tanztheater Wuppertal)\nProduction direction Paola Guerra\nWith Michael Untertrifaller and Jason De Majo \nInspired by the 1993 show ALI\, a co-production Le Grand Bleu and Teatro La Ribalta \n(PremioETIstregagatto 1995). \nA production Teatro La Ribalta-Kunst der Vielfalt – Lebenshilfe Südtirol \nA tribute to Joseph Scicluna\nCONCEPT\nAli is the story of an encounter between an ordinary young man\, somewhat disillusioned and pessimistic\, and an individual with two red wounds on his shoulders\, a fallen angel who is willing to suffer and love as all human beings do. The creature\, descended from heaven through a light pole\, asks\, questions\, wants to understand the why of everything. It is as curious and naive as a child. \nA web of mutual questioning\, curiosity\, and conflict is established between the two\, causing the angel to discover feelings and sensations he has never experienced before. \nThe angel and the man meet\, clash\, struggle\, recognize each other\, grapple and brush against each other in a dance of life until death. Uncovering memories buried under piles of stones\, the angel lays bare man’s life\, his sorrows and joys. \nWhy do you touch where it hurts? Man asks. \n \nThe struggle between the two becomes as hard as a game. A cruel and poetic game in which man discovers his uniqueness\, his being a unique and unrepeatable “story\,” while the angel will have to choose between being everything and nothing or a precise\, earthly identity by giving up his divine dimension. \nI have no stories \nIt is not possible. Everyone has one! Everybody! \nNo\, I don’t have stories…no\, no. I have one. Just one. This one. (Opens a suitcase of feathers). \nAnd this is your story? \nIt is my story: sky\, air\, flying…. \nI would like to be like you: one suitcase\, light. I would like to be like you. \nWe have illustrious masters to guide us: Rilke with his “Elegie Duinesi”\, Peter Handke and Wim Wenders with “Heaven Above Berlin”\, Wallace Stevens’ “The Necessary Angel”\, James Stephens’ “Semidei”\, and Walter Benjamin’s “Angelus Novus”. \n \nTEATRO LA RIBALTA\nTeatro La Ribalta – Kunst der Vielfalt is a community of dancers and actors-versus-actors who want to develop their own legitimate strangeness. Live performance workers who are extraordinary solely and uniquely in their way of being on stage and for the professionalism they have chosen to practice. \nDaily\, doggedly\, they work to seek and unveil ” beauty ” and try to give it back\, to those who meet them\, through poetry and the art of theater. Men and women who like the idea that the boundary between reality and fiction is penetrable\, that fantasies and desires can become material\, that work subjects and practices become opportunities to live and dream\, that a person in difficulty can become the protagonist of his or her own life\, when he or she crosses boundaries\, changes the everyday\, navigates unexplored waters\, reconstructs identities. They bring to the theater a mystery\, a personal poetics\, the shadows and wounds that nourish art and life. They are aware that only through quality artistic practice and a deep work ethic can they defeat prejudices\, change paradigms\, make people think and move. That is why their theater is a political act. \nThe company\, founded in Bolzano in 2011\, has a repertoire of shows (The Sound of Falling\, Characters\, Nobody Knows About Us\, The Dance\, H+G\, Wings\, Superable\, Othello Circus\, A Peep Show for Cinderella\, Paradise Lost) that are touring Italy and Europe and contributing a new look and artistic depth to social art theater. \nWinner of the 2015 and 2018 Eolo Award for the shows “H+G” and “Superabile” as the best new productions of the year in the childhood and youth theater sector; the 2015 Critic’s Award promoted by the National Association of Theater Critics as well as the 2018 UBU Special Award “for the quality of artistic\, creative and political research in often marginal areas and with capillary attention to diversity ” and Hystrio Award – Other Muses 2021 “for making theater practice an instrument of social inclusion at 360 degrees.”\nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at  www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 4:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ali/2023-02-11/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230212T173000
DTEND;TZID=Europe/Rome:20230212T183000
DTSTAMP:20260406T133635
CREATED:20230105T145443Z
LAST-MODIFIED:20230111T095623Z
UID:10002317-1676223000-1676226600@www.fndaterballetto.it
SUMMARY:ALI
DESCRIPTION:Ali – La Ribalta – ph. Andreas Marini \nAli\, from texts by Antonio Viganò\, Remo Rostagno and Gian Luigi Gherzi\, is a creation that stages the encounter between a young man and an angel to tell of confronting identities\, mutually unveiled dimensions\, impossible challenge between the human and the celestial. The two young performers of the La Ribalta – Kunst der Vielfalt company\, Jason De Majo and Michael Untertrifaller\, bring to the stage a spectrum of brutal and at the same time tender sensations\, capable of creating an infinite range of expressive coloring. \nTwo perfomances: \nSaturday\, February 11\, 5:30 p.m.\nSunday\, February 12\, 5:30 p.m. \n\n  \nCREDITS\nText by Gianluigi Gherzi\, Remo Rostagno\, Antonio Viganò\nDirected by Antonio Viganò\nChoreography by Julie Anne Stanzak (Tanztheater Wuppertal)\nProduction direction Paola Guerra\nWith Michael Untertrifaller and Jason De Majo \nInspired by the 1993 show ALI\, a co-production Le Grand Bleu and Teatro La Ribalta \n(PremioETIstregagatto 1995). \nA production Teatro La Ribalta-Kunst der Vielfalt – Lebenshilfe Südtirol \nA tribute to Joseph Scicluna\nCONCEPT\nAli is the story of an encounter between an ordinary young man\, somewhat disillusioned and pessimistic\, and an individual with two red wounds on his shoulders\, a fallen angel who is willing to suffer and love as all human beings do. The creature\, descended from heaven through a light pole\, asks\, questions\, wants to understand the why of everything. It is as curious and naive as a child. \nA web of mutual questioning\, curiosity\, and conflict is established between the two\, causing the angel to discover feelings and sensations he has never experienced before. \nThe angel and the man meet\, clash\, struggle\, recognize each other\, grapple and brush against each other in a dance of life until death. Uncovering memories buried under piles of stones\, the angel lays bare man’s life\, his sorrows and joys. \nWhy do you touch where it hurts? Man asks. \n \nThe struggle between the two becomes as hard as a game. A cruel and poetic game in which man discovers his uniqueness\, his being a unique and unrepeatable “story\,” while the angel will have to choose between being everything and nothing or a precise\, earthly identity by giving up his divine dimension. \nI have no stories \nIt is not possible. Everyone has one! Everybody! \nNo\, I don’t have stories…no\, no. I have one. Just one. This one. (Opens a suitcase of feathers). \nAnd this is your story? \nIt is my story: sky\, air\, flying…. \nI would like to be like you: one suitcase\, light. I would like to be like you. \nWe have illustrious masters to guide us: Rilke with his “Elegie Duinesi”\, Peter Handke and Wim Wenders with “Heaven Above Berlin”\, Wallace Stevens’ “The Necessary Angel”\, James Stephens’ “Semidei”\, and Walter Benjamin’s “Angelus Novus”. \n \nTEATRO LA RIBALTA\nTeatro La Ribalta – Kunst der Vielfalt is a community of dancers and actors-versus-actors who want to develop their own legitimate strangeness. Live performance workers who are extraordinary solely and uniquely in their way of being on stage and for the professionalism they have chosen to practice. \nDaily\, doggedly\, they work to seek and unveil ” beauty ” and try to give it back\, to those who meet them\, through poetry and the art of theater. Men and women who like the idea that the boundary between reality and fiction is penetrable\, that fantasies and desires can become material\, that work subjects and practices become opportunities to live and dream\, that a person in difficulty can become the protagonist of his or her own life\, when he or she crosses boundaries\, changes the everyday\, navigates unexplored waters\, reconstructs identities. They bring to the theater a mystery\, a personal poetics\, the shadows and wounds that nourish art and life. They are aware that only through quality artistic practice and a deep work ethic can they defeat prejudices\, change paradigms\, make people think and move. That is why their theater is a political act. \nThe company\, founded in Bolzano in 2011\, has a repertoire of shows (The Sound of Falling\, Characters\, Nobody Knows About Us\, The Dance\, H+G\, Wings\, Superable\, Othello Circus\, A Peep Show for Cinderella\, Paradise Lost) that are touring Italy and Europe and contributing a new look and artistic depth to social art theater. \nWinner of the 2015 and 2018 Eolo Award for the shows “H+G” and “Superabile” as the best new productions of the year in the childhood and youth theater sector; the 2015 Critic’s Award promoted by the National Association of Theater Critics as well as the 2018 UBU Special Award “for the quality of artistic\, creative and political research in often marginal areas and with capillary attention to diversity ” and Hystrio Award – Other Muses 2021 “for making theater practice an instrument of social inclusion at 360 degrees.”\nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at  www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 4:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ali/2023-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230216T203000
DTEND;TZID=Europe/Rome:20230216T220000
DTSTAMP:20260406T133635
CREATED:20230124T133540Z
LAST-MODIFIED:20230222T221213Z
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SUMMARY:PROVE IN CORSO – 2ª EPISODE
DESCRIPTION:The new FND/Aterballetto series curated by Nicolas Ballario. \nWhat is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the National Dance Foundation / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nEvent partner:\n \nThanks to our collaboration with YOGI TEA\, we can treat our audience to delicious teas and infusions\, inspired by the ancient philosophy of Ayurveda\, which aims at the well-being of body and mind. \nWHAT WILL YOU SEE? \nIn the second episode\, scheduled for Thursday\, Feb. 16\, 8:30 p.m.\, we present Storie\, a small anthology of danced fragments\, part of the immense artistic and human universe of choreographers Diego Tortelli and Philippe Kratz. \nTogether with the dancers of Aterballetto we will discover the curiosities of the four choreographies that make up the evening. \nThis will be followed by a screening of the second installment of PROVE IN CORSO. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Foundry runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-2a-episode/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230225T180000
DTEND;TZID=Europe/Rome:20230225T190000
DTSTAMP:20260406T133635
CREATED:20230216T230513Z
LAST-MODIFIED:20230223T141707Z
UID:10002928-1677348000-1677351600@www.fndaterballetto.it
SUMMARY:STRAVAGANZE IN SOL MINORE
DESCRIPTION:PREVIEW\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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