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SUMMARY:GAP OF 42
DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \n  \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS \nBy and with Iris Pelz e Christopher Schlunk  \nOutside-eye: Stefan Schönfeld  \nMusicc: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent)  \nObject theatre coaching: Anne-Kathrin Klatt  \nDance coaching: Laura Börtlein  \nLighting design: Marvin Wöllner \nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5 p.m. onwards. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/gap-of-42-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230416T180000
DTEND;TZID=Europe/Rome:20230416T190000
DTSTAMP:20260406T092914
CREATED:20230216T082214Z
LAST-MODIFIED:20230220T222235Z
UID:10002919-1681668000-1681671600@www.fndaterballetto.it
SUMMARY:GAP OF 42
DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS\nCreated and performed by: Iris Pelz and Christopher Schlunk \nOff-stage: Stefan Schönfeld \nMusic: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent) \nObject theatre coaching: Anne-Kathrin Klatt \nDance coaching: Laura Börtlein \nLighting: Marvin Wöllner\nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \n  \n \n  \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/gap-of-42/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230426T210000
DTEND;TZID=Europe/Rome:20230426T220000
DTSTAMP:20260406T092914
CREATED:20230208T224029Z
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SUMMARY:BEAST WITHOUT BEAUTY
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nIl giovane coreografo Carlo Massari si ispira al teatro dell’assurdo di Samuel Beckett e al suo Giorni felici per raccontare la trappola della condizione esistenziale. In scena un autentico tuffo nel non-sense\, un irriverente\, cinico studio sugli archetipi della miseria umana\, sull’inespressività\, sulla spregevole crudeltà nelle relazioni interpersonali. Volti pallidi\, figure esangui\, disumanizzate e stremate che si affrontano in un algido duello; in palio c’è l’affermazione di un ruolo\, un’identità\, una posizione sociale\, senza esclusione di colpi. \n  \n\n  \nCREDITS\nOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”\nSYNOPSIS\nYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni  \nCARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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