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SUMMARY:THE RED SHOES - NBDT/PHILIPPE KRATZ
DESCRIPTION:  \nOpen rehearsal at 6:00 PM – Show at 8:30 PM \nDancers from the Nuovo Balletto di Toscana present The Red Shoes\, choreographed by the award-winning German choreographer Philippe Kratz\, based on the fairy tale by Hans Christian Andersen. \nLike in the tale of the girl Karen and a pair of strange red shoes\, Andersen repeatedly challenges in his works the traditional juxtaposition between subject and object. Kratz’s creation\, with music specially composed by Pierfrancesco Perrone\, tackles this strangely unbreakable bond\, which is not only determined by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of commodities and consumption are also reflected by dividing the stage space into two. In contrast to the fairy tale\, which ends with the violent liberation of the protagonist from the red shoes and her redemption\, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships. \nI don’t perceive Karen as disobedient or vain; a perspective that is emphasized in the fairy tale. Nowadays\, we are so accustomed to consuming and often see products as a means to an end\, to be noticed by others\, to relate to others\, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. She fails miserably in this. Yet\, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.\nPhilippe Kratz \n  \n. \n  \n  \nCREDITS \nChoreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)\nDramaturgy: Sarah Ströbele (Leipzig/Magdeburg)\nMusic: Pierfrancesco Perrone\nLights: Giulia Maria Carlotta Pastore (Light Designer)\nCostumes: Grace Lyell (Paris)\nFirst Performance: October 19\, 2023\, Teatro Sociale Di Trento\nDuration: 60 Minutes\nPerformers: Nuovo Balletto Di Toscana\, 10 Danzatrici E Danzatori (Florence) \nTHE AUTHORS \nNUOVO BALLETTO DI TOSCANA \n\n\n\n\n\n\n\nThe Nuovo Balletto Di Toscana is a strictly professional production structure\, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company\, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini\, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.\n\nFor several years\, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino\, with the representation of full-length ballets\, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola\, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro\, Fernando Cortez choreographed by Alessio Maria Romano\, and Die Fledermaus choreographed by Karl Schreiner.\n\nAt the same time\, the company has been engaged in a new creation by Arianna Benedetti\, staging the show titled Pulcinella\, Uno di Noi\, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma\, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola\, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021)\, Mario Bermùdez Gil’s Quatuor pour la fin du temps\, and Philippe Kratz’s Midnight Youth.\n\n\n\n\nPHILIPPE KRATZ \nWinner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza)\, Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan\, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián\, Nacho Duato\, David Dawson\, invited by the director of the La Scala ballet corps Manuel Legris. \n\n\n\n\n\n\nINFO & TICKETS\n“`html \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-red-shoes-nbdt-philippe-kratz/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240313T203000
DTEND;TZID=Europe/Rome:20240313T213000
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SUMMARY:COL TEMPO - AMBRA SENATORE
DESCRIPTION:Ambra Senatore loves to surprise and mischievously lead the audience along paths\, true or false\, with which she plays and makes fun of the spectator. As always in her choreographies\, characters take shape\, situations and stories develop. Unexpected discrepancies\, absurdity\, and distraction from reality are the main ingredients of her choreographies. Ambra Senatore wants to create amazement\, she sets out to provoke laughter. A keen observer of the human world\, she is always attentive\, being different is her second nature and she gives precise meaning to her dance. That’s why she often breaks the fourth wall\, becoming a confidant of the spectators\, playing with them and engaging them. Ten years after her first group choreography entitled Passo\, Ambra Senatore dedicates herself to a new creation with the complicity of the performers from that time. She now brings together this group of dancers\, now well-seasoned after ten years of working together\, to create a generous and open dance towards the other; a pas de quatre on being a group\, questioning existence and desiring happiness. \n \n                      \n \n \n \n \n \n \n \n \n\n\n  \nCREDITS \nCoreography Ambra Senatore with the participation of the performers\nInterpretation Caterina Basso\, Claudia Catarzi\, Matteo Ceccarelli\, Ambra Senatore \nOriginal Music Jonathan SeilmanLighting Fausto BonviniDuration 1hProduction CNN de Nantes \nCo-production Théâtre de La Ville (Paris)\, Torinodanza Festival/Teatro Stabile – Teatro Nazionale Torino \nCHOREOGRAPHY \n“We started rehearsals at the end of January 2020\, and one of the basic reasons was reflection on the creative act in the historical\, political\, and social context: a reflection also inspired by interesting encounters with scientists and philosophers with different views on the world and the present\, realized through the project Conversation\, dialogue ouvert avec la danse. Being a small community part of a much larger community\, we wondered what our desires were and how to achieve them together. Some of them can be realized on stage. And the others? Not always finding the answers\, we meanwhile played with the questions. Shortly after the start of rehearsals\, time stopped for everyone. For a long time\, compressing. Rehearsal weeks were cut in half. The desires and questions no longer had anything to do with the unexpected experience of the last few months. At the time I write these lines\, the show does not yet exist. It will exist thanks to the encounter with the spectators. Creating a show is like traveling: you prepare\, you rehearse\, but there are always many surprises and unexpected events. We are at the beginning of the journey and I do not know exactly what form it will take. Certainly\, the desire to dance and feel good together is present from the beginning\, with the hope that it will be possible on a large scale.”Ambra Senatore \nAMBRA SENATORE \nAMBRA SENATORE \n\n\n\n\n\n\n\n\nAmbra Senatore\, choreographer and performer\, director of the Centre Chorégraphique National de Nantes. Ambra Senatore’s dance is close to human beings and loves to go out and meet people and places. The choreographer creates works that speak of collectivity and create bonds between people. Relationships are at the heart of all her research. In her work\, everyday life is “observed under a magnifying glass\,” shifted and turned upside down. A lover of surprises\, cuts\, and repetitions reminiscent of cinema\, Ambra Senatore recomposes reality like a film director. In Italy\, she trained with R. Castello and R. Giordano\, with whom she soon collaborated. As a performer\, she has worked with J. C. Gallotta\, G. Rossi\, G. Lavaudant\, and A. Tagliarini. In the early 2000s\, she created pieces in collaboration while completing a doctorate in contemporary dance. In 2004\, she began writing choreographies with solos\, which she performed until 2009\, and then with group pieces\, asserting her hybrid style that combines dance\, theater\, and profound humanity. As director of the CCN in Nantes since 2016\, Ambra Senatore promotes a generous and curious style of dance (site-specific creations in public parks\, markets\, schools\, museums\, heritage sites\, train stations\, etc.)\, which she considers a means of sharing and knowing oneself and others.\nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/col-tempo-ambra-senatore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240320T203000
DTEND;TZID=Europe/Rome:20240320T213000
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SUMMARY:ONDE - SIMONA BERTOZZI/NEXUS
DESCRIPTION:  \nAffidata all’impeto energetico e all’orizzonte visionario di giovani presenze e corporeità\, Onde prende forma attraverso una pratica performativa\, coreografica e musicale che si apre al presente di corpi protesi e fluttuanti tra estasi\, guizzi animali e curvature verso l’evanescenza. Ritmo e sforzo si intrecciano con tentativi di evasione\, di attesa e sottrazione. Non c’è tempo per definire i confini delle posture\, gli equilibri sono istanti sottili e subito reclinati verso altre congiunzioni e desideri. Il dialogo tra volumi anatomici e sonori moltiplica le prospettive di incontro\, confonde le coordinate temporali e\, come il propagarsi di onde d’urto\, sfuma i contorni delle azioni individuali\, tra provenienza e proiezione. \nSegnare\, battere\, balbettare\, tendere\, risegnare\, farsi lievi ma anche irruenti\, audaci come la falena che va verso la luce anche se può bruciarla. Di The Waves\, il celebre play-poem di Virginia Woolf\, Onde incorpora la corrente continua delle immagini e la necessità di rigenerarsi nel ritmo\, tra momenti di essere e universalità dei moti percettivi. \nAdamantina è la scrittura coreografica traboccante di inventiva; si espande e indietreggia\, diviene “vortico e volteggio”\, rimanda con fantasia al mondo animale senza mai soffermarsi in posa. E allora quegli anemoni\, quelle falene\, quei granchi che ci sembra di intravedere sono forse solo vibrazione\, identità mutanti come le maree.\nMaria Luisa Buzzi\, Danza&Danza \n  \n\n \nCREDITS \nConcept and choreography Simona Bertozzi \nPerformers Arianna Brugiolo\, Rafael Candela\, Valentina Foschi \nOriginal music performed live Luca Perciballi \nLighting design Rocio Espana Rodriguez \nCostumes Vicini D’Istanti \nPhoto and video Luca Del Pia \nOrganization Miriana Erario \nPress and communication Michele Pascarella \nDuration 60’ \nProduction: Nexus\, in coproduction with Festival Danza Estate\, Operaestate Festival Veneto/CSC. With the support of MiC\, Regione Emilia Romagna\, Comune di Bologna. In collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021. Creative residencies at: CSC Centro per la scena contemporanea\, ALMASTUDIOS Bologna\, Artists in ResidenSì Bologna 2023. \nSIMONA BERTOZZI \nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music\, and Performing Arts at the University of Bologna. One of the pioneers of the revolutions in twentieth-century choreographic art\, Loïe Fuller\, was the subject of her thesis. At a young age\, she trained in artistic gymnastics and classical dance\, then delved into the study of contemporary dance in Italy and various countries including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, including with choreographers Tomas Aragay (Societat Doctor Alonso-Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her choreographic activity in 2005\, embarking on a research and production path working with professional dancers and performers\, as well as with children\, teenagers\, amateurs\, asylum seekers\, and second-generation young immigrants. Simona Bertozzi practices a dance in which choreography constitutes a territory of events\, a complex system inhabited by the body\, resulting from practices\, thoughts\, and disciplines that make creation a layered entity\, in dialogue with the present. In 2007\, she won the GD’A choreographic competition (Young Dance Authors of Emilia Romagna) and in 2008 she founded the Compagnia Simona Bertozzi | Associazione Culturale Nexus. Over the years\, her projects have received support and hospitality from important regional\, Italian\, and European circuits\, through co-productions and choreographic residencies with national and international circulation. In 2008\, she was the Italian choreographer selected for the Aerowaves festival\, The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international Choreoroam project\, supported by the British Council/The Place\, Dansateliers/Rotterdam\, and Bassano Opera Festival. With the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won the 2009 Electronic Choreographer award for best independent production with the video dance work: Terrestre-movement in still life. In 2012\, the collective was involved in the creation of I was wondering\, a video dance piece created for the centenary of the birth of Michelangelo Antonioni. Over the years\, important collaborations have been consolidated with artists and scholars including: Francesco Giomi artistic director of Tempo Reale\, Enrico Pitozzi and Cristiana Natali professors at the University of Bologna\, Egle Sommacal musician and guitarist of Massimo Volume\, Angela Baraldi actress and singer\, and Tabea Martin choreographer and dancer with whom she co-created This is my last dance\, a work that had significant European circulation including the Swiss Dance Days. \nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 7:30 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/onde-simona-bertozzi-nexus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240328T210000
DTEND;TZID=Europe/Rome:20240328T220000
DTSTAMP:20260404T013156
CREATED:20240216T205549Z
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SUMMARY:DECISIONE CONSAPEVOLE - ROBERTO TEDESCO / Körper
DESCRIPTION:  \nUna mappa concettuale pensata per guidare le sessioni di improvvisazione.\nEcco cosa è stata finora Decisione Consapevole.\nMa se usassimo la mappa come se fosse un vero e proprio schema da seguire per creare un lavoro coreografico che vedrà quattro danzatori alle prese con le loro decisioni? Uno spazio vuoto a disposizione da riempire e svuotare attraverso la consapevolezza di ogni singolo interprete. Il rispetto del gusto gioca un ruolo fondamentale per far sì che il tutto risulti omogeneo e che le diverse personalità siano vestite da un unico abito.\nL’abito veste gli interpreti di specifiche qualità e atteggiamenti\, ritmi e modi minuziosamente studiati. L’abito pone limiti che comprendono però infinite libertà. L’abito è tutto ciò che esorta alla decisione. Forse allora è l’abito la stessa consapevolezza?\nIsolamento\, intimità\, comunicazione\, comunità sono le quattro parole chiave. Sebbene queste vadano a restringere il cerchio e a rendere la decisione dell’interprete meno variegata e più rispettosa\, infinite sono ancora le possibilità che ogni singola parola suggerisce.\nLe decisioni totalmente consapevoli dei danzatori sulla parola chiave da scegliere per proporre la propria azione nello spazio costituirà la costruzione della scena\, decisioni che possono sì esistere singolarmente ma anche e soprattutto convivere con tutte le altre. \n  \n\nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/decisione-consapevole-roberto-tedesco-korper/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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