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SUMMARY:MELTING POT 0116 - ROBERTO ZAPPALÀ / PREMIERE
DESCRIPTION:Melting Pot 0116 is a work that\, as the title suggests\, brings together in an original composition fragments of various creations realized over time by Roberto Zappalà. In particular\, sequences from 74bpm from I am beautiful (2016)\, 24 préludes (2007)\, and Mediterraneo (2001) – all productions for his company – are included\, along with I’m a good cook. Spaghetti anybody?\, a creation made in 2004 for the Swedish company Norrdans\, and sud-virus\, commissioned by the Goteborg Ballet in 2011. Within this interweaving of choreographies that have marked his creative journey\, the choreographer will create a new section\, specifically conceived for this production. \nThe main idea is to emancipate the work\, constantly questioning it through new choreographic interventions designed for the dancers of the moment: an ever-evolving melting pot. \n“In addition to developing new parts\, some scenes from old works have been recovered and reworked\, bringing a new and fresh gesturality\, the result of renewed physical confrontation. Visionary images\, interrupted spaces\, poetic gestures to traverse a path made of gestural measure but also of its opposite. A summary born a few years ago but which with each reprisal is drained of the past and flooded with the future” – Roberto Zappalà \n  \n\n  \nCREDITS \nDirection and Choreography: Roberto Zappalà\nMusic: Johann Sebastian Bach\, Puccio Castrogiovanni\, Frédéric Chopin\, Lautari\, Gustav Mahler\, Salvo Farruggio\, Giovanni Sollima\nArtistic Coordination: Silvia Oteri and Fernando Roldan Ferrer\nPerformers: Benedetta Agostinis\, Giulia Berretta\, Siria Cacco\, Melania Caggegi\, Andrea Rachele Bruno\, Laura Finocchiaro\, William Mazzei\, Paola Tosto\, Alessandra Verona\nSet\, Lighting\, and Costumes: Roberto Zappalà\nCostume Production: Majoca\nTechnical Direction: Sammy Torrisi\nTour Management: Federica Cincotti\nGeneral Management: Maria Inguscio \nA co-production by Scenario Pubblico|Compagnia Zappalà Danza-Centro di Rilevante Interesse per la Danza and Menhir/Le danzatrici en plein air –\nIn collaboration with Asti Teatro Festival and Centro Coreografico Nazionale/Aterballetto – with the support of MiC Ministry of Culture and Sicilian Region Department of Tourism\, Sports and Entertainment \nWORLD PREMIERE April 12\, 2024 Centro Coreografico Nazionale/Aterballetto \nBIOS \nCOMPAGNIAZAPPALÀDANZA2 \nThe compagniazappalàdanza2 is composed of dancers selected from the MoDem PRO program\, a valuable pool from which the company itself has drawn over the years for its members. \nFrom 2023\, a new chapter begins for CZD2. The main goal will be to focus on preserving the repertoire of Compagnia Zappalà Danza. \nThe reflection that Roberto Zappalà has been carrying forward for some time will find concreteness in the learning\, development\, and finally in the staging of the great\, medium\, and small historical productions of the choreographer’s repertoire. \nThe importance of repertoire in the context of dance at a national and international level is a theme that Zappalà has been dedicated to for many years. This dedication concerns not only the preservation of his own works but is aimed at all contemporary choreography\, which over time has proven to be a tool for research and authentic representation of the thought of each choreographer. \nIn recent years\, CZD2 has demonstrated remarkable maturity and has been constantly enriched by the presence of dancers from the new generations\, possessing excellent technical qualities as well as creative sensitivity\, with a strong predisposition to the MoDem language\, which represents the essence of Roberto Zappalà’s poetics. It is precisely these qualities that now lead CZD2 to take on the important task of preserving and keeping alive the choreographer’s repertoire. \nRoberto Zappalà \nRoberto Zappalà is the artistic director and choreographer of Compagnia Zappalà Danza\, which he founded in 1990 in Catania. He has created over 80 productions exclusively for his company\, mostly full-length works. His creations “A.semu tutti devoti tutti?” (2009\, reprised in 2019) and “La Nona-dal caos\, il corpo” (2015) received the Danza&Danza Italian Production of the Year Award. \nArticulated projects have accompanied the creative journey of the Catania-born choreographer\, from ‘re-mapping-sicily\,’ an unpublished reinterpretation of Sicily through his personal language\, to ‘Transiti Humanitatis\,’ with which he continues to narrate humanity through gestures and the body\, their history\, their transformation over time and space\, or conversely their immutable permanence. \nHe has collaborated with various companies\, including Balletto di Toscana\, the Ballet School of Teatro alla Scala in Milan\, Norrdans (S)\, ArtEZ Arnhem (NL)\, Fondazione Theaterwerkplaats Generale Oost (NL)\, Goteborg Ballet/Opera di Goteborg (S). In 2011\, he created the choreography for the opening ceremony of the Fencing World Championships. In 2016\, he curated the project Insieme – Parata Urbana for Torinodanza and the Défilée of the Lyon Biennale. \nHe has collaborated with opera directors such as Federico Tiezzi\, Daniele Abbado\, and Giorgio Barberio Corsetti\, and with international artists including Giovanni Sollima\, Paolo Fresu\, Fabio Vacchi\, Puccio Castrogiovanni\, Vincenzo Pirrotta\, Luca Ballerini\, Alfio Antico\, Gianluigi Trovesi\, Nello Toscano\, and others. \nWith Christian Graupner (Humatic\, Berlin)\, he created the interactive installation “MindBox\,” which won second prize at the Guthman Musical Instrument Competition (Atlanta/USA 2011). La Malcor D’ published his book Omnia Corpora on the methodology of his work. \nRoberto Zappalà is responsible for the recovery and conception of Scenario Pubblico in Catania\, inaugurated in 2002\, the headquarters of Compagnia Zappalà Danza and a rare example in Italy of a choreographic center. In 2015\, Scenario Pubblico|Compagnia Zappalà Danza was recognized as a National Dance Production Center by MiC and in 2022 received an upgrade to C.R.I.D. (Center of Relevant Interest for Dance). \nHis choreographic style\, after years of movement research with his dancers\, has become a language with its own well-defined and unique identity called MoDem Democratic Movement. Every year\, Roberto Zappalà selects a group of dancers from the MoDem Pro program who merge into CZD2 compagniazappalàdanza2. \nRoberto Zappalà is an associated artist of the MilanOltre festival for the 2022-2024 triennium. Among the numerous awards received\, he received the National Association of Theater Critics Award (2013) and the Hystrio Award ‘corpo a corpo’ (2022). \nINFO & TICKETS \nTICKETS \nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/melting-pot-0116-roberto-zappala-premiere/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/03/SerenaNicolettiFotografia8542.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240418T210000
DTEND;TZID=Europe/Rome:20240418T220000
DTSTAMP:20260405T041753
CREATED:20240416T203936Z
LAST-MODIFIED:20240419T165656Z
UID:10003260-1713474000-1713477600@www.fndaterballetto.it
SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n“`html \n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how un \ngrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci\n“`  \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it\n“`
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240419T210000
DTEND;TZID=Europe/Rome:20240419T220000
DTSTAMP:20260405T041753
CREATED:20240416T204036Z
LAST-MODIFIED:20240419T165836Z
UID:10003261-1713560400-1713564000@www.fndaterballetto.it
SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how ungrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240424T200000
DTEND;TZID=Europe/Rome:20240424T223000
DTSTAMP:20260405T041753
CREATED:20240421T163740Z
LAST-MODIFIED:20240422T075048Z
UID:10003264-1713988800-1713997800@www.fndaterballetto.it
SUMMARY:HO CUORE
DESCRIPTION:&nbsp;\n<blockquote>Two showings: <strong>8:00 PM</strong> and <strong>9:30 PM</strong></blockquote>\nThe word Courage derives from the Latin <em>cor habeo</em>\, which means to have heart. \nA fragment of life.\nA fragment of life together.\nA fragment before going out and facing with courage together what will be theirs and between them living that important moment made of insecurities\, separations\, approaches\, and breaths in unison\, retracing a small part of their journey that led them to have courage for that choice decided and elaborated together. \nThe audience will be immersed in the lived fragment.\nOnly a few at a time will be able to live and breathe together with the performers their fragment. \nCREDITS \n<p>By Laura Matano</p>\n<p>Danced by Melissa Bortolotti\, Danilo Smedile</p>\n<p>Music by A.V.</p>\n<p>Lighting Design by Gessica Germini</p> \n<p>Co-Produced by Compagnia Simona Bucci</p> \n<p>Duration: 40 minutes</p> \nXL COMPANY \n<p>XL Company is a contemporary dance company based in Reggio Emilia\, under the artistic direction of Laura Matano and Emanuela Baratin. It aims to create projects where movement\, the body\, and gesture become material and surface for individual and collective expression\, tools for choreographic experimentation; collaborate with different choreographers and international realities. Some recent works include: Frau – Taulant Shehu (Germany); Light – Natalia Iwaniec (Poland/UK); Hurricane – Damian Munoz (Spain); Now – Laura Matano; Before Tomorrow – Laura Matano; If – Simona Bucci. The company participates in numerous cultural events\, also proposing dance and visual art projects\, video-dance\, and site-specific performances\, focusing on the importance of relationships and nonconformity.</p> \n\nINFO AND TICKETS \n<h2>TICKETS</h2>\n<p>Full price: 10 euros</p>\n<p>Reduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros</p>\n<p>Reduced price for under 8: 3 euros</p> \n<h2>TICKET PURCHASE</h2>\n<p>Tickets can be purchased online at <a href=”http://www.biglietteriafonderia39.it”>www.biglietteriafonderia39.it</a></p>\n<p>The ticket office opens one hour before the start of the show</p>\n<p>Tickets are not numbered</p> \n<h2>CONTACTS</h2>\n<p>Phone and WhatsApp: 3341023554</p>\n<p>Email: <a href=”mailto:biglietteria@aterballetto.it”>biglietteria@aterballetto.it</a></p>
URL:https://www.fndaterballetto.it/en/evento/ho-cuore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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GEO:44.707269;10.623427
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END:VEVENT
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