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DTSTART;TZID=Europe/Rome:20240509T210000
DTEND;TZID=Europe/Rome:20240509T220000
DTSTAMP:20260404T231050
CREATED:20240421T165548Z
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SUMMARY:FORM 0
DESCRIPTION: Visible things can be invisible. If someone rides a horse in a forest\, first you see them\, then not\, but you know they are there. In the White Signature\, the horsewoman hides the trees\, and the trees in turn hide her. However\, our thought encompasses both the visible and the invisible. And I use painting to make thought visible.\nR. Magritte \nThe perfect balance of forms can be satisfying… but also unsettling.\nStarting from the fascination with symmetry understood as a compositional tool to convey harmony\, and from the multiple symbolic meanings of the mirror in the arts\, in FORM 0\, his first female duo\, Riccardo Buscarini explores symmetry as a place of disharmony and conflict.\nHow can a dialogue be possible if we see ourselves while looking at the other?\nWhat happens if similarity leads us to merge into each other and lose our identity? \nFrom a distorted mirror emerges a monstrous image. \nNext: FORM 0 – Looking at symmetry \nMeeting with the audience moderated by artist and researcher Eleonora Marzani\, who will introduce the themes of symmetry and the mirror underlying the creative process of this work. \n\n  \nCREDITS \nConcept / Choreography: Riccardo Buscarini\nDance: Annalisa Perricone\, Giulia Quacqueri\nOriginal music by Alessandro Baldessari assisted by Luca Felici: “Nostalgia for Nothing” (A.Baldessari) and Sonata for Piano No. 3\, Op. 2 No. 3\, in C Major (L. Van Beethoven)\nCostumes: Mara Leonora Pieri\nLighting: Alessandro Gelmini\nProduction: De Arte Saltandi\nProject winner of the Theodor Rawyler Award 2023/Festival TenDance\, Latina. With the support of Citofonare PimOff 2024\, Milano\, Centro Coreografico Nazionale/Aterballetto and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza e AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara\, and Vincenzo Losito\, MM Contemporary Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the people who have crossed and will encounter this project. \nRICCARDO BUSCARINI \nA choreographer winner of numerous awards in Italy and abroad\, Riccardo Buscarini graduated from the London Contemporary Dance School in 2009. He won the Prospettiva Danza Prize 2011\, the Fare Anticorpi Fund 2012\, The Place Prize 2013 with Athletes\, participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, NID Platform 2014 and 2022\, and collaborated with Summerhall (Edinburgh)\, London Festival of Architecture 2016 and 2019\, Nahmad Projects (London)\, and UNA Galleria at Spazio Leonardo\, Milan. Silk\, his creation for the Chelyabinsk Contemporary Dance Theater (Russia)\, was nominated for two Golden Mask 2018 at the Bolshoi Theatre in Moscow before being restaged on ŻfinMalta\, the National Dance Company of Malta. In 2019\, he received two commissions\, one for Equilibrio Dinamico Dance Company\, the other for the Chelyabinsk Contemporary Dance Theater. In 2020\, he created works for EDGE (The Place\, London)\, for the 45th International Arts Workshop of Montepulciano\, and in 2022 for ŻfinMalta (Requiem for Juliet\, based on W. Shakespeare). In 2023\, he founded De Arte Saltandi\, a cultural association of which he is president\, inspired by Domenichino from Piacenza and dedicated to multidisciplinary dance and choreography events. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros \nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nReduced price for under 8: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS\nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/form-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240515T210000
DTEND;TZID=Europe/Rome:20240515T220000
DTSTAMP:20260404T231050
CREATED:20240501T191329Z
LAST-MODIFIED:20240516T212217Z
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SUMMARY:A LOT OF / SEHNSUCHT
DESCRIPTION:  \n\nA LOT OF\nIn constant search. The need for the other. Avidity for contact\, scents\, and flavors. Freed from the inhibitory brake of modesty and social conventions\, what could happen? Are we all animals? How much can we desire those around us? How much and how many can we love? Two bodies\, then one\, and suddenly three. Unexpected events and probabilities. Rhythms and rituals that beat\, intertwine\, and distort. The unnatural grace of Nijinski. The predatory instinct belongs to the human DNA. Marking territory becomes a game\, imagining becomes a necessity. How much space do we have in our body\, in our mind\, and in our soul? How much can we host within ourselves? Hunger. \nDISCOVER MORE \nThe number 3 is a constant in the work: 3 performers on stage\, 3 different authors\, 3 musical compositions\, 3 historical characters\, 3 parts. \nThe first of the three parts is a duet inspired by L’Après-midi d’un Faune\, choreographed by Nijinsky in 1912. In the original work\, the author addresses the theme of uncontrollable sexual impulse\, which gives rise to a huge sense of guilt. In his Diaries\, written seven years after the ballet\, it is evident that the choreographer was inspired by his own life with Dyagilev\, whom he was in love with. From this arises his inner contrast\, due on one hand to the moral censorship of the times and on the other to the strong attraction to the prostitutes he frequented. \nThe second part is a solo built on the constant and repeated search for virility and eroticism already unwittingly inherent in popular memory. A plunge into sacrifice\, a ritual aimed at a higher pleasure. Carnal movements that clash with the most sensual delicacies. A body that observes and scrutinizes. A body that screams and savors. A body that nestles on familiar melodies sinking into ancestral memories. \nThe third part tells an ancient love story by origin\, contemporary by definition. On stage\, two bodies that love each other until a third takes the place of one of the two\, a new couple is formed but briefly\, they become a trio; the triangle composed of the legendary Vaslav Nijinsky\, Countess Romola de Pulszky\, and impresario Sergei Pavlovich Dyagilev takes shape on stage through tenderness\, passion\, voyeurism\, fun\, anger\, and loneliness. Romola’s strength\, Nijinsky’s will\, Dyagilev’s fury intertwine in forms\, trajectories\, patterns\, explosions. Three people who love each other. Is this also love? What moves their souls and their bodies? \nThe music starts from the reworking of two immortal works: L’Après-midi d’un Faune by Debussy and Le Sacre du Printemps by Stravinsky. The themes are re-elaborated and deconstructed with an electro-acoustic approach\, the harmonic material reiterated in an almost cathartic manner in order to underline the erotic and mad nuances of Nijinsky’s tormented poetry. Musical repetition is a fundamental part of the process\, the matrix of a primitive feeling refined into modern man\, a victim of love and its consequences. \n\n  \n\n  \nSEHNSUCHT\n\n\n\n\n\n\n\n\n\n\n\n\n\nSehnsucht is a key word of the German romantic spirit\, embodying a typical concept of romantic culture\, rendered in Italian as “longing dependence”. Heidegger\, on the other hand\, identifies a different meaning\, as Sucht is to be understood in its original sense as “pain”: “Nostalgia is the pain of the nearness of the distant”.\nSehnsucht means desiring to reach the limit that separates it from the next\, to discover it\, to show it\, to touch it. Bodies alone but dependent\, investigating\, in a common space\, their limits in relation to the body\, space\, time\, and the other. The dancers enter into a system of movement where each element outlines the coordinates of choreographic scores characterized by unusual directions\, accelerations\, suspensions\, falls\, balances\, and interruptions of dynamics. \nDISCOVER MORE \nThe music\, specially composed for the performance by Filippo Ripamonti\, plays a role in defining the space created by the dancers\, also through the use of reverbs and source tracking. The music expands until it breaks these boundaries with an anthropomorphic music\, no longer tied to the distance between molecules but to the distance between people. \nThe creation seeks to go beyond the choreographic container itself\, in an instantaneous composition\, different with each repetition. The dancers enter into a score of spatial and temporal coordinates\, with a vocabulary of movement to draw from each time to write a new relationship\, a new choreography\, in search of contact with the other\, of reconciliation\, of unity. \nThe choreographic flow in which the performers immerse themselves evolves and slowly reveals the internal relationships\, questioning the limit\, which forces them to constant attention to the group\, to change\, to instant reaction. \nIn this system\, bodies seek each other\, find each other\, and explore contact anew\, a new way of living the relationship in which the audience recognizes itself\, living with hope and craving the performative act. \n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS \nA LOT OF \nby Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Giovanni Careccia\, Enrico Luly\, and Gioele Cosentino\ncostumes by Leonardo Rossi\nco-production FLIC – Festival Lanciano in Contemporanea \nDURATION 40′ \n— \nSEHNSUCHT \na performance by Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Maria Chiara Bono\, Chiara Borghini\, Giovanni Careccia\, Gioele Cosentino\, Arianna Cunsolo\, Francesca Lastella\, Enrico Luly\, and Davide Galuppi\nwith the support of Time To Move\, Teatrino dei Fondi\, Consorzio Coreografi Danza d’Autore Con.Cor.D.A\, Residenze Artistiche Toscane \nDURATION 30′ \nThe Lost Movement company is now supported by Sanpapié\, Dance production organism supported by MiC \nCOMPAGNIA LOST MOVEMENT \nThe Lost Movement Company was founded in 2011 from an idea by Nicolò Abbattista\, in collaboration with Christian Consalvo. To date\, the company has created eighteen productions. Its most recent productions have received support from important national organizations: Fattoria Vittadini and Fondazione Milano\, Oriente Occidente in Rovereto\, OPLAS/Centro Regionale Danza Umbria\, Teatrino dei Fondi (Consorzio Coreografico CONCORDA)\, and Residenze Artistiche Toscane. \nFor international distribution\, the company is supported by Klub Żak and Gdansk Dance Festival (Poland)\, Platform 14 (Germany)\, and Dance Horizons\, a distribution organism based in Edinburgh\, Scotland. \nThe company has won numerous awards and recognitions\, including Danz’è Off 2015 (finalist for Premio Prospettiva Danza e Teatro 2017 by Arteven)\, selected for IDACO festival (New York)\, Solo Dance Contest (Poland)\, winner of Abelianodanza Contest 2018\, Time To Move 2019\, Nessuno Resti Fuori festival of theater\, city\, and people\, and Festival Presente Futuro 2022 (Movin’Up 2021-2022\, a project supporting artistic mobility and internationalization). \nSince 2023\, Lost Movement has been supported by Associazione Culturale Sanpapié\, a dance production organization recognized by the Ministry of Culture. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio Emilia: 6 euros\nReduced for under 8: 3 euros \nTICKET PURCHASE \nTickets can only be purchased on the evening of the performance at the ticket office of the Fonderia. \nThe ticket office opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS FOR RESERVATIONS\n \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/a-lot-of-sehnsucht/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240521T210000
DTEND;TZID=Europe/Rome:20240521T220000
DTSTAMP:20260404T231050
CREATED:20240518T113633Z
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SUMMARY:MOODBOARD
DESCRIPTION:Exploring the human soul through dance: Moodboard is an evening composed of four choreographies by young authors\, presented by Nutida Festival and Stazione Utopia. Much more than just a series of dance performances\, Moodboard is an exciting and engaging journey that explores the human spirit through the beauty of movement. Each piece carries with it a unique story\, a profound message\, and a personal vision of the world. From the life and fragility of Marilyn Monroe to the complexity of human relationships\, from the duality of life choices to the mysterious phases of the moon: each performance offers an intimate and powerful look into our existence. \nMM is a powerful exploration of the life and fragility of Marilyn Monroe through dance\, accompanied by the choreography of Giovanni Insaudo. Lunatica tells of a dreamlike journey through the phases of the moon\, interpreted by Matilde Di Ciolo and Veronica Galdo. The choreography by Roberto Doveri captures the enigma of the stars and transforms movement into poetry. IN(10)SION is an exploration of human duality and the choices that define our path in life. Through the choreography of Isabella Giustina and the performance of Beatrice Ciattini\, the show invites reflection on one’s own certainties. Closing the evening\, LANDSCAPE: based on the work of Harold Pinter – Paesaggio – explores the complexity of human relationships through two simultaneous monologues. The choreography by Alice Catapano offers a profound look at the modes of interaction within a couple\, misunderstandings\, and communicative short circuits. \nIn continuity with the philosophy of the Nutida Festival in Scandicci\, the audience will be offered an aperitif at Fonderia\, starting from 8:00 PM. \nCREDITS \nArtistic Direction Nutida Festival Cristina Bozzolini and Saverio Cona\nPerformers Mooniba Ensemble \nProduction Nutida Festival/Stazione Utopia\n \nMM\nChoreography Giovanni Insaudo\nDancer Veronica Galdo with the participation of Niccolò Poggini Music by Nick Cave & Warren Ellis \nDuration 12 minutes \n— \nLUNATICA\nChoreography Roberto Doveri\nDancers Matilde Di Ciolo and Veronica Galdo\nMusic by Tale of Us \nCo-production Nutida Festival\, NBDT \nDuration 7 minutes \nWinner of “Produktionspreis Theater Pforzheim” and “Scapino Produktionspreis” for the competition “34 International choreographic competition Hannover 2020” \n— \nIN(10)SIONE\nChoreography Isabella Giustina\nDancer Beatrice Ciattini\nMusic by Raime\, Svarte Greiner\n \nDuration 17 minutes \n— \nLANDSCAPE\nChoreography Alice Catapano\nDancers Alice Catapano\, Matteo Capetola\nMusic by Soaking – The Starwheel – Undercurrent / Watershed \nCo-production Nutida Festival\, NBDT \nDuration 18 minutes \nSTAZIONE UTOPIA \nStazione Utopia is a cooperative – social enterprise for culture\, entertainment\, and social activities. \nFounded in 2010\, it carries out activities on behalf of public and private institutions including theaters\, museums\, foundations\, contemporary art festivals\, and research centers in the music field\, as well as developing national and international projects. Special attention is paid to activating programs and practices of inclusion and social promotion aimed at audiences at risk of cultural and educational exclusion\, including migrants\, people in situations of economic/social hardship\, and people with cognitive and/or disabilities. \nIn the field of museum mediation and education\, Stazione Utopia offers educational activities for schools\, in-depth seminars for teachers and educators\, and professional orientation laboratory paths designed to promote creative and transversal learning\, through experience\, knowledge of artistic craftsmanship\, and the discovery of the original language of artwork. \nSince 2010\, Stazione Utopia has been providing assistance and technical direction services\, rental of stage equipment\, logistics services\, event planning\, and production of setups for exhibitions and shows\, art installations\, scenery\, and stage objects\, taking care of design\, safety\, and implementation. \nIn the field of theatrical production and contemporary arts\, Stazione Utopia has been consistently present since 2010 as a producer and co-producer of numerous shows. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Choreutic High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/moodboard/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240526T100000
DTEND;TZID=Europe/Rome:20240526T123000
DTSTAMP:20260404T231051
CREATED:20240509T163315Z
LAST-MODIFIED:20240516T212731Z
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SUMMARY:Stravaganze in sol minore - Reggionarra 2024
DESCRIPTION:“`html \n \n  \nFAMILY CONTACT: THE WORKSHOP FOR CHILDREN AND FAMILIES \nSunday\, May 26 – 10:00 AM | Fonderia \n“The body has its own laws and follows a logic that\, however\, is not necessarily that of reason” (Kazuo Ono) \nThe body is an expressive instrument capable of establishing relationships\, creating forms\, interpreting stories and music. The encounter with dance is an important opportunity for both physical and emotional growth. Family Contact is a moment of sharing between children and parents that aims to explore new worlds. Being together through the body\, movement\, physical contact\, creating and building a new harmonic union. Parents and children will experiment with new relationships\, new spaces\, new languages\, all through the body that will enjoy improvising and experimenting with new collective games\, in a non-verbal dialogue rich in human connections. With Family Contact time stands still and imagination takes over. \nPARTICIPATION DETAILS \n“`html \nThe workshop is conducted by Laura Matano\, choreographer and performer \nFor children aged 5 to 10 – accompanied by 1 parent \nReservations open \n€ 5.00 – per person \n(includes ticket for the performance Stravaganze in G Minor at 11:30 AM) \ntel. 334 1023554 – biglietteria@aterballetto.it \n\n  \n\n  \nTHE SHOW: STRAVAGANZE IN G MINOR BY FRANCESCA LATTUADA \nSunday\, May 26 – 11:30 AM | Fonderia \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is the basis of this new creation for children and teenagers\, signed by the National Dance Foundation / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings created on the surface of the water when a stone is thrown: evoking unreal or hyper-real images\, carrying a musicality that mixes poetry and nursery rhyme\, making the extraordinary and the frightening join hands. \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (from Hamlet’s Apple) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: National Dance Foundation / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \n“`html \nTICKETS\nSingle: 3 euros \nCONTACTS \nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-reggionarra-2024/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240527T210000
DTEND;TZID=Europe/Rome:20240527T220000
DTSTAMP:20260404T231051
CREATED:20240509T155915Z
LAST-MODIFIED:20240520T140958Z
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SUMMARY:VISIONI DEL CORPO: THE BODY IN DANGER
DESCRIPTION:Visioni del corpo is a series of events that from May 27th to November 29th\, 2024 will feature a blend of contemporary art and dance\, in a journey where the common denominator will be the body. Six encounters on contemporary art led by Nicolas Ballario\, where alongside words there will be dance\, through some performative interventions in connection with the presented works. Each encounter will be divided into six moments where Ballario will introduce six works by six different artists\, well-known figures in the contemporary scene also to non-enthusiast audiences. Each encounter will be entrusted to a choreographer\, who will translate into dance the suggestions evoked by the discussed works. Each encounter will enrich a small “dancing encyclopedia” of contemporary art\, investigating how illustrious artists have dealt with the theme of the body. Before and after the events at Fonderia\, the bar service will be available\, offering an aperitif to stimulate dialogue among different audiences and different forms of art. \n\n\n \n \nFirst Appointment: Monday\, May 27th at 9:00 PM at Fonderia\n\n \nThe Body in Danger\nDialogue between Nicolas Ballario\, Roberto Escobar\, and Roberto Tedesco \nChoreography by Roberto Tedesco \nFocus on Marina Abramovich\, Jean Michel Basquiat\, Joseph Beuys\, Yves Kleins\, Tracey Emin\, Bill Viola \nIn partnership with \n \n\n\n \nThe first appointment is born in collaboration with the festivalfilosofia of Modena\, Carpi\, and Sassuolo\, a historic event that connects a key word in each edition\, which refers to fundamental issues in philosophical discussion and crucial experiences of contemporary condition\, like the upcoming September with psyche. A reflection on the mind will also open the theme interpreted by Roberto Tedesco: on May 27th at Fonderia\, the investigation will delve into The Body in Danger\, a macro-topic starting from the anthropology of risk and could extend to climate emergency\, addressing in general all physical and psychosomatic emergencies that the contemporary body faces. Dialoguing with the choreographer and Nicolas Ballario will be the philosopher Roberto Escobar. \nThe audience will also experience a VR experience with Francesca Lattuada’s MicroDanza\, It’s Dangerous Not to Lean Out\, with Oculus available one hour before and one hour after the encounter. \n\n\nInfo & reservations \nAPERITIVO AT FONDERIA\nFrom 8:00 PM organized by Associazione Prosit \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket office at Fonderia opens at 7:30 PM.\nTickets are not numbered. \nCONTACTS\nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n\nRoberto Tedesco\nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Escobar\nAlready a professor of Political Philosophy and Analysis of Political Language at the University of Milan and a collaborator of the Domenica insert of Il Sole 24 Ore. In his research\, he has investigated the anthropological foundations of the dynamics of power mechanisms\, with specific attention to totalitarian political movements\, in order to recover a new space for reflection on categories such as order\, exclusion\, fear\, persecution\, and surveillance. Among his recent works: The Good of the World: The Reasons for Solidarity (il Mulino\, Bologna\, 2018); Facing the Shadow. What Plagues Teach (Raffaello Cortina\, Milan\, 2022); The Faces of Fear (il Mulino\, Bologna\, 2023).
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-the-body-in-danger/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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