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DTSTART;TZID=Europe/Rome:20240917T210000
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SUMMARY:Somewhere Between
DESCRIPTION:The 2024/25 dance season at the Fonderia opens with Somewhere Between by FLOCK\, a company founded in Chicago in 2017 by choreographers Florian Lochner and Alice Klock. \n“With a quality that is both liquid and articulated\, jointed and limbed throughout\, the interlocking partnering among the dancers […] produces forms that evolve and develop like watching an agave bloom in the fluctuating luminescence of a desert sky.” \nIrene Hsiao\, The Chicago Reader \n\n\nDiscover more \nAlice Klock and Florian Lochner\, co-directors of FLOCK\, bring together artists and audiences in open\, dynamic\, and joy-based environments\, creating work that communicates on many different levels and builds a community and a new understanding of what dance can be. \nSomewhere Between examines how memory and imagination influence our reality and our definition of self. Drawing on myths or childhood stories\, this new creation is emblematic of FLOCK’s work\, featuring duets and group collaborations\, complex movements\, and an emotionally rich narrative. \n \nCREDITS \nChoreography: Alice Klock and Florian Lochner\nDancers: Liane Aung\, Alice Klock\, Emily Krenik\, Florian Lochner\, Robert Rubama\, Kevin J Shannon\nMusic: Angus MacRae\, Natalia Tsupryk\, Brambles\, Cedric Vermue\, Richard Skelton\, Wolff Bergen\, Michael Wall\, Clem Leek\, Rob Lewis\nTechnical Director/Lighting Designer: Julie E. Ballard\nCostumes: FLOCK \nDuration: 1h 5′ without intermission \n  \nFLOCK \nAlice Klock and Florian Lochner met at Hubbard Street Dance Chicago and founded the dance company FLOCK in 2017\, through which they perform internationally and co-create new choreography for film and stage. Together\, they work as choreographers for various dance companies\, universities\, and cultural institutions including Hubbard Street Dance Chicago\, Whim W’Him\, Ballet Idaho\, Seattle Dance Collective\, Ballet Arkansas\, Emergence\, Goethe Institut\, Adaptations Dance Theater\, Alonzo King LINES Ballet BFA\, and 92nd Street Y. Their main goal for 2023 is to create and tour new FLOCK shows internationally with rotating teams of collaborators. In all their work\, they are committed to bringing artists and audiences together in open\, dynamic\, and joyful environments. \nFind out more \n \nINFO & TICKETS \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \nWINE TASTING AT FONDERIA \nFrom 8:00 PM to 9:00 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini.
URL:https://www.fndaterballetto.it/en/evento/somewhere-between/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240925T210000
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DTSTAMP:20260404T103322
CREATED:20240723T105244Z
LAST-MODIFIED:20240723T111043Z
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SUMMARY:Armoniosa Unità
DESCRIPTION:Armoniosa Unità is the new evening by MM Contemporary Dance Company directed by Michele Merola\, consisting of three choreographies: Do Not Call Me a Dancer\, choreographed by Giorgia Lolli and dedicated to Isadora Duncan\, winner of the Siae Per Chi Crea 2023 award; ComeTe\, a female duet by Adriano Bolognino\, winner of the 2022 Danza&Danza Emerging Choreographer award; and finally Armoniosa Unità\, a creation by Michele Merola and Enrico Morelli\, conceived this year to celebrate the birth of Guglielmo Marconi. \n  \nDon't call me a dancer \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \nComeTe \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \n\nChoreography: Adriano Bolognino\nMusic: Giuseppe Villarosa\nAssistant Choreographer: Rosaria Di Maro\nPerformers: Laura Dell’Agnese and Giorgia Raffetto\nDuration: 11 min. \n“Like comets\, there are beings who traverse existence without seeking order or a fixed reference point. Others\, like planets\, revolve around a center and feel they must not stray from that source of warmth and light. They too experience highs and lows\, but they persevere on the right path.” – Omraam Mikhaël Aïvanhov \n\nADRIANO BOLOGNINO was born in Naples in 1995. He won the 2022 Danza&Danza award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned to create new works for the Teatro dell’Opera di Roma and the national Maltese company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the stars Eleonora Abbagnato and Jacopo Tissi during MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL” and created “SKRIK” for the MM Contemporary Dance Company. His work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned him to create a new work for the festival. He won the Prospettiva Danza Padova award in 2019. His creations are performed in national and international contexts\, including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, and more. \nArmoniosa Unità \nChoreography: Michele Merola and Enrico Morelli\nMusic: Pierre Jodlowski\, Anne Muller\nPerformers: Lorenzo Fiorito\, Mario Genovese\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 20 min. \nArmoniosa Unità is a choreography by Michele Merola and Enrico Morelli\, created this year for the celebration of Guglielmo Marconi’s birth. The work explores the meaning of the near and the far\, inspired by electromagnetic waves. It is about reaching out to a distant person and bringing them onto our path to share a common journey. This approach creates a union of intentions and a journey towards cohesion that\, even in diversity\, leads to a vision of the common good. The choreography is accompanied by a musical score by Pierre Jodlowski with the Orchestre Philharmonique de Radio France\, which incorporates a series of messages and announcements from radio broadcasts into a contemporary music composition. This sonic backdrop takes us into the world of radio\, which even today\, as in the previous century\, serves as a medium for spreading news and\, above all\, for conveying cultures and messages of great importance. \n\nMICHELE MEROLA is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With this company\, Merola has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, which won the Anita Bucchi Award in 2010\, and Bolero\, which won the Europaindanza 2017 Award for Choreographic Merit. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo in Naples\, Dominic Walsh Dance Theatre\, Teatro Massimo in Palermo\, Junior Balletto di Toscana\, National Theatre of Belgrade\, and Tanzcompagnie Landesbühnen Sachsen in Dresden. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016 he won the GD Awards 2016 (www.giornaledelladanza.com) as the Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award (in memory of Ricardo Nunez) at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Incontro con la danza” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been\, along with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\nENRICO MORELLI\, a dancer and choreographer\, began his dance studies in Barletta. In 1999\, he graduated from the National Academy of Dance\, where he later attended the advanced course for teachers. His creative talent led him to participate in major choreography competitions\, winning first place at the Michele Abbate Competition in Caltanissetta\, the Città di Perugia Competition\, the Rieti International Dance Festival\, and the Danza Estate in Florence. From 1997 to 2003\, he worked as a dancer with the N. Piccinni Concert Foundation\, Milena Zullo’s Arte Balletto company\, the Piccinni Ballet\, and Micha Van Hoeke. In 2001\, he received the silver medal from the President of the Republic as a dancer. Since 2004\, he has been part of the MM Contemporary Dance Company as a dancer and choreographer. Since 2003\, he has created choreographies for Astra Roma Ballet\, the school of Teatro dell’Opera di Roma\, Dominic Walsh Dance Theatre\, Maggio Musicale Fiorentino\, KAOS company in Florence\, Palermo InDanza\, the Hungarian Szegedi Kortàrs Ballet\, Milwaukee Ballet (USA)\, MM Contemporary Dance Company\, and Agora Coaching Project. In 2018\, Morelli won the “Incontro con la danza” award instituted by Basilicata ArteDanza. In 2010\, he founded and has since co-directed\, with Michele Merola\, Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a center for the production of events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespeople of contemporary culture. \nThe company’s repertoire\, based in Reggio Emilia\, is rich and varied\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Camilla Monga\, Roberto Tedesco. In 2010\, the MM Contemporary Dance Company won the prestigious Danza & Danza Award as the best emerging company and today\, it is\, in all respects\, a reality of excellence in Italian dance\, with a consolidated performance activity throughout the national territory. For several years it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Award for Choreographic Merit\, for the show Bolero by Michele Merola. Since 2018\, the MM Contemporary Dance Company has been an associate company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, the National Dance Foundation/Aterballetto\, the Permanent Dance Center/Reggio Emilia. \nLearn more \nInfo&TicketsTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/armoniosa-unita/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240927T203000
DTEND;TZID=Europe/Rome:20240927T213000
DTSTAMP:20260404T103322
CREATED:20240723T173743Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO PICCOLO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nThird appointment: Friday 27 September h 20.30 at Fonderia\n\n \nIl corpo piccolo (The little body)\nA dialogue with Nicolas Ballario and Lara Guidetti\nChoreographies by Lara Guidetti\nFocus on Alberto Burri\, Maurizio Cattelan\, Diane Arbus\, Jake e Dinos Chapman\, Keith Haring\, Nathalie Djurberg \n\n\n\nAfter Il corpo in pericolo and Il corpo nudo\, the third event will explore Il corpo piccolo with Lara Guidetti. The public space has undergone a transformation between its physical and virtual dimensions\, leading to new identities\, functions\, and connotations\, rapidly rewriting the network of encounters and relationships that inhabit it\, cutting across professional and personal\, intimate\, and collective domains. In the era of images and digital technology\, the real dimension of the body\, understood in its original proportion in space\, is continually modified: contracted within phone screens\, expanded in architectural and advertising projections\, multiplied\, stretched\, portioned\, and filtered in search of perfect adherence to what one desires the body to communicate. Lara Guidetti will play with these dilations and contractions. \nBefore and after the meeting\, the audience will have the opportunity to experience virtual reality with Kepler by Diego Tortelli: three micro-dancers moving under a display case\, inhabitants of a small world that the viewer approaches with a magnifying glass. \nPerformance art: Banana duct taped to fridge as a reminder to eat less meat\, inspired by Maurizio Cattelan. From Wikimedia Commons \nLara Guidetti \nOriginally from Emilia-Romagna\, Lara Guidetti graduated as a dancer and choreographer in 2006 from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with renowned national and international masters. She continued her training in the world of dance and performing arts\, exploring various pedagogical methods and training through workshops and productions. In 2008\, she founded the Sanpapié company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her show LEI won the Premio Bonacina. She collaborates with the JGM company in Lisbon\, works with La Scala in Milan as a dancer and acrobat\, and creates choreographies for opera productions. She has taught at the Paolo Grassi and Dancehaus schools in Milan and at the Teatro Stabile school in Turin. Since 2022\, she has been an associated artist of the MilanOltre festival and a collaborator of the Fondazione Nazionale della Danza as a choreographer and curator of site-specific projects. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini. \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-piccolo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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