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DTSTART;TZID=Europe/Rome:20260303T203000
DTEND;TZID=Europe/Rome:20260303T213000
DTSTAMP:20260502T225608
CREATED:20260202T143314Z
LAST-MODIFIED:20260218T121221Z
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SUMMARY:Sabotage
DESCRIPTION:Girls just wanna have… FREEDOM \nThe Italian premiere of Sabotage by Sara Angius and Johanna Ehlert takes place in Reggio Emilia\, as part of Dance Week\, celebrating female creativity.\nThrough an ironic yet profound play of movement\, dancers and puppets manipulate one another within a living web of control\, freedom\, and poetic rebellion. \n\n“Sabotage\, as a guest performance in Halle\, brings puppets to life and turns people into marionettes. Magnificent.”\n— Anja Falgowski\, 3 November 2024 \n\nhttps://vimeo.com/1060841213?fl=tl&fe=ec \nCREDITS \n\n\n\n\n\n\n\n\nConcept\, choreography\, production: Sara AngiusConcept\, staging\, set design\, figures: Johanna EhlertPerformers: Sara Angius\, Vittoria Franchina\, Joshua Haines\, Stefano RovedaLighting design: Tommaso Contu \nCo-production and support: Kulturhaus Steinfurth (DE)\, Eisfabrik Hannover (DE)\, Blick Théâtre (FR)\, Puppentheater Halle (DE)\, MWK Niedersächsisches Ministerium für Wissenschaft und Kultur (DE)\, Stiftung Niedersachsen (DE)\, SBK Stiftung Braunschweigischer Kulturbesitz (DE)\, Kulturbüro der Landeshauptstadt Hannover (DE)\, Kulturbüro der Stadt Braunschweig (DE)\, Die Braunschweigische Stiftung (DE)\, Lessingtheater Wolfenbüttel (DE)\, Jahrmarkttheater Bostelwiebek (DE) \nWith the support of: TANZKOOP Braunschweig (DE)\, Landesverband Freie Darstellende Künste in Niedersachsen (DE)\, Theater Fadenschein (DE)\, Festival Danse Élargie (FR) \n\n\n\n\n\n\n\n\nDISCOVER MORE \nIt has always been this way\, and it always will be. It traps those who reject it\, because it is part of our nature: the desire for freedom and power. There are those who live under the illusion of their own autonomy\, without trying to escape the dance. And there are those who keep fighting—naively\, selfishly\, trustingly\, stubbornly\, blindly—unable to see through all the veils of our man-made world. Groping in the darkness of our hierarchical existence\, at any cost. And what if this were the very meaning of being alive? \n \nSABOTAGE speaks literally about manipulation\, about pulling the strings. What is reality?What becomes of our free will in an era in which we have all the means to be the most advanced generation in human history? We take refuge in illusory digital worlds\, allow algorithms to guide our actions\, let fake news shape our perception of reality\, present ourselves through filters in order to better adapt to this unreal world. \n \n\n\n\n\n\n\n\n\nSABOTAGE casts a humorous and dramatic gaze on human nature. How much of our free will is real\, and how much is just another illusion—another carefully constructed part of the system?Without words\, using only virtuosic movement\, it builds a metaphor of interdependence\, power\, and the human struggle with reality and illusion: who is manipulating whom? \nAn original form of puppet theatre in which reality and appearance merge into a single dance—poetic\, sensitive\, raw\, profound\, absurd\, shocking\, jarring.Human.A work that belongs to no box. \n\n\n\n\n\n\n\n\nSARA ANGIUS \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSara Angius is an Italian contemporary dancer and choreographer based in Braunschweig\, Germany. Her artistic research deeply explores the existential and inner dimensions of the human being\, investigating emotional states that lie beneath the surface and the boundaries between reality\, imagination\, and perception. Her work develops through an interdisciplinary language that blends contemporary dance\, puppet theatre\, object animation\, physical theatre\, and illusionism\, with the aim of stimulating the audience’s imagination and transcending traditional rules of stage perception. \nShe received her professional training at the DanceHaus Academy in Milan and also completed a degree in Communication Sciences for the Performing Arts at the University of Milan. Angius began her career as a performer in international companies and projects\, including the Staatstheater Braunschweig\, and through collaborations with artists such as James Thierrée for Frôlons at the Opéra Garnier in Paris. \nAs a choreographer\, she has gained recognition at international festivals: she was awarded at the Stuttgart International Solo-Tanz-Theater Festival\, and her duo The Fish Bowl won first prize at the Certamen Internacional de Coreografía Burgos–New York. \nIn recent years\, she has expanded her practice to include film production\, creating INCOGNITUM\, her first dance film\, which has been presented and awarded at international festivals. She also works as a teacher and guest choreographer in European institutions and dance festivals. Since 2024\, she has collaborated with the Institute of Dance Arts at the Anton Bruckner Private University\, and since 2022 she has been an active member of the artistic cooperative TANZKOOP\, supporting the independent dance scene. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/sabotage/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260304T203000
DTEND;TZID=Europe/Rome:20260304T213000
DTSTAMP:20260502T225608
CREATED:20260202T150130Z
LAST-MODIFIED:20260210T133715Z
UID:10004315-1772656200-1772659800@www.fndaterballetto.it
SUMMARY:K.I.nd of Human
DESCRIPTION:Girls just wanna have… HUMANITY \nWith K.I.nd of Human by Roberta Pisu / Arcis_collective\, Dance Week celebrating female creativity comes with the sound of the sax!\n \n\n\n\n\n\n\n\n\nCan AI create art? Four dancers and four saxophones reclaim art as a profoundly human act\, starting from a reflection on the immense potential of artificial intelligence. \n\n\n\n\n\n\n\n\n  \nhttps://www.youtube.com/watch?v=vSmhB06d4so \nCREDITS \n\n\n\n\n\n\n\n\nArtistic direction and choreography: Roberta PisuComposition: Leonhard KuhnMusic: Arcis Saxophon QuartettDancers: Edoardo Cino\, Fabio Calvisi\, Vittoria Franchina\, Sofia CaspriniCostume curation: Bregje van BalenTailoring: Lucia ZettlChoreography assistant: Francesca PoglieFilming: Florian Leuschner\, Georg StirnweißVideo editing: Alfonso Fernández SánchezPhotos: Martin Misere\, Georg Stirnweiß\, Robert Fischer\, Luca Di BartoloProduction: arcis_collective \n\n\n\n\n\n\n\n\nDISCOVER MORE \nK.I.nd of Human is a 60-minute performance featuring four dancers and four musicians\, exploring the ever-evolving relationship between humanity and artificial intelligence. \n \nPremiered in 2022 in Munich\, the work investigates the immense potential of AI while also addressing its inherent limitations—the most evident being its inability to experience mortality. With an original score by Leonhard Kuhn\, composed in collaboration with artificial intelligence\, the music gradually shifts from electronic to acoustic\, reflecting a journey from the artificial to the human. \n \nThe performance opens with musicians playing saxophones submerged underwater\, their sounds interwoven with electronic compositions—metaphorically evoking the birth of humanoids. As the piece unfolds\, both music and movement progressively shed layers of artificiality\, culminating in a fully acoustic finale that celebrates the fleeting beauty of human existence. \n \n\n\n\n\n\n\n\n\nIn an era in which artificial intelligence is increasingly embedded in our lives\, K.I.nd of Human raises profound questions: what truly defines us as human beings? The work focuses on three fundamental qualities—physicality\, transience\, and uniqueness. Human consciousness is inseparable from the body; every experience is singular and finite\, shaped by the inevitability of life and death\, which give depth and meaning to our existence. AI\, while intelligent\, lacks this physical and emotional temporality. Rather than merely critiquing technology\, the production enters into dialogue with it\, challenging widespread fears surrounding the rise of AI and inviting audiences to explore its unknown possibilities. \nCan AI create art? Art requires self-awareness\, intention\, and a unique perspective—traits that artificial intelligence\, despite its advances\, may never fully possess. During rehearsals\, AI acted as a creative partner\, suggesting choreographic and musical ideas. However\, it was the human artists who shaped and interpreted these inputs\, revealing that the essence of art may remain an intrinsically human mystery—one that AI\, no matter how advanced\, is not yet able to replicate. And yet\, as technology continues to evolve\, the boundaries between the artificial and the organic remain uncertain\, prompting us to question how much of ourselves we are willing to surrender to the machine. \n\n\n\n\n\n\n\n\nRoberta Pisu / Arcis_collective \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRoberta Pisu (Cagliari\, 1984) is an Italian dancer and choreographer. After training in France at the Académie de Danse Classique Princesse Grace and completing a Bachelor’s degree in Contemporary Dance at the Accademia Nazionale di Danza\, she developed an international career\, collaborating with leading choreographers such as William Forsythe\, Wayne McGregor\, Jacopo Godani\, Marco Goecke\, Emanuel Gat\, and Ismael Ivo. From 2012 to 2023 she was a soloist at the Staatstheater am Gärtnerplatz in Munich\, where she also launched an intensive choreographic practice\, creating numerous works for the theatre. \nIn 2020\, she co-founded arcis_collective in Munich together with the Arcis Saxophon Quartett\, serving as its Artistic Director. The collective was created with the aim of merging chamber music and contemporary dance into a unified performative experience\, in which musicians and dancers fully share the stage. Inspired by the intimacy and emotional depth of chamber music\, arcis_collective addresses social and cultural themes through a contemporary language\, fostering a strong interaction between sound\, body\, and stage presence. \nWith arcis_collective\, Roberta Pisu has created numerous works presented in theatres\, festivals\, and non-conventional spaces in Germany and Italy\, including HEIMAT\, 2xGETANZT\, K.I.nd of Human\, Quirky Night Club Chronicles\, Live.Love.Arcis\, LUX\, and WHITE. Alongside her creative work\, since 2024 she has been teaching choreographic composition at the Iwanson International School of Contemporary Dance\, continuing her research into the dialogue between music and movement and the redefinition of the boundaries of the performing arts. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/k-i-nd-of-human/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260306T190000
DTEND;TZID=Europe/Rome:20260306T200000
DTSTAMP:20260502T225608
CREATED:20260202T153224Z
LAST-MODIFIED:20260218T142420Z
UID:10004317-1772823600-1772827200@www.fndaterballetto.it
SUMMARY:Le Palestriti
DESCRIPTION:Girls just wanna have… A MEDAL \nLe Palestriti by Simona Bertozzi: for Dance Week celebrating female creativity\, a performance that reflects on the power of women.\n  \n\n\n\n\n\n\n\n\nFour female performers transform gymnastic training into a collective celebration\, creating a language of gestures\, sounds\, and bodies that honours strength\, grace\, and shared power. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nQuattro performer donne trasformano l’allenamento ginnico in festa collettiva\, creando un linguaggio di gesti\, suoni e corpi che celebra forza\, grazia e potenza condivisa. \nDouble performance \nFriday 6 and Saturday 7 March\, 7:00 pm \nhttps://vimeo.com/1117882946?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nProject and choreography: Simona Bertozzi \nVocal coaching: Meike Clarelli \nCreated with and performed by: Arianna Brugiolo\, Federica D’Aversa\, Paola Drera\, Valentina Foschi \nOriginal music: Meike Clarelli\, Davide Fasulo \nLighting design and technical assistance: Rocio Espana Rodriguez \nOrganisation: Miriana Erario \nPress office: Michele Pascarella \nPhoto and video: Luca Del Pia \nProduction: Nexus 2024–2025 \nWith the support of the Ministero della Cultura\, Regione Emilia-Romagna\, Comune di BolognaWith the support of Festival Danza EstateIn collaboration with ALMASTUDIOS Bologna \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\nLe Palestriti takes shape within the ATHLETES project\, opening up new possibilities for research and composition at the intersection of dance\, sport\, and vocality—foundational elements of the entire project. \nThe work is inspired by the mosaic of the Palestriti at the Villa del Casale\, a rare ancient depiction of female athletic competition. \nHere\, the athletes\, equipped with gymnastic tools\, not only exalt the beauty and power of individual gestures\, but also celebrate together\, honouring the winner and transforming athleticism into an act of collective affirmation. \nWithin the choreographic frame of Le Palestriti\, gathering and converging toward a shared\, vertiginous bodily experience emerges as an essential necessity—both to train the anatomies and to let them erupt. \nThe performers disseminate a grammar of gestures\, sounds\, and vocal expressions in which the emergence of each individual presence becomes an opportunity to expand personal perception and transfigure it into an act of reciprocity and expansion of the collective body. \nLe Palestriti develops a raw yet fluid physicality\, with feral waves that transform the space—from a gym into a porous\, hybrid territory\, a crossroads of relationships\, ritualities\, and gestural alphabets suspended between strength and grace. \nWithin this dynamic\, the stage becomes a playground of trajectories\, where bodies move through a relentless practice of listening\, elevating training and the care of gesture into practices of resistance and transformation. \n\n\n\n\n\n\n\n\n\n\n\nSimona Bertozzi \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music and Performing Arts at the University of Bologna. One of the pioneers of twentieth-century choreographic revolutions\, Loïe Fuller\, was the subject of her graduation thesis. \nFrom a young age\, she trained in artistic gymnastics and classical dance\, later deepening her study of contemporary dance in Italy and in several other countries\, including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, among others with choreographer Tomas Aragay (cia Societat Doctor Alonso – Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her activity as a choreographer in 2005\, developing a path of research and production working with professional dancers and performers\, as well as with children\, adolescents\, amateurs\, asylum seekers\, and second-generation young immigrants. \nSimona Bertozzi practices a form of dance in which choreography becomes a territory of events—a complex system inhabited by the body—resulting from practices\, thoughts\, and disciplines that make creation a layered entity in dialogue with the present. In 2007 she won the GD’A (Giovani Danzautori dell’Emilia-Romagna) choreographic competition\, and in 2008 she founded Compagnia Simona Bertozzi | Associazione Culturale Nexus. \nOver the years\, her projects have received support and hosting from major regional\, Italian\, and European networks through co-productions and choreographic residencies\, with national and international touring. In 2008\, she was the Italian choreographer selected for the Aerowaves festival at The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international project Choreoroam\, supported by the British Council / The Place\, Dansateliers (Rotterdam)\, and Bassano Opera Festival. \nWith the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won Il Coreografo Elettronico 2009 for Best Independent Production with the video-dance work Terrestre – movement in still life. In 2012\, the collective created I was wondering\, a video-dance work produced for the centenary of the birth of Michelangelo Antonioni. \nOver the years\, significant collaborations have developed with artists and scholars including Francesco Giomi\, Artistic Director of Tempo Reale; Enrico Pitozzi and Cristiana Natali\, professors at the University of Bologna; Egle Sommacal\, musician and guitarist of Massimo Volume; Angela Baraldi\, actress and singer; and Tabea Martin\, with whom she co-created This Is My Last Dance\, a work that toured extensively across Europe\, including the Swiss Dance Days. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe box office at Fonderia opens one hour before the start of the performance. \n \nTickets are unnumbered. \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/le-palestriti/2026-03-06/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260307T190000
DTEND;TZID=Europe/Rome:20260307T200000
DTSTAMP:20260502T225608
CREATED:20260202T153224Z
LAST-MODIFIED:20260218T142420Z
UID:10004318-1772910000-1772913600@www.fndaterballetto.it
SUMMARY:Le Palestriti
DESCRIPTION:Girls just wanna have… A MEDAL \nLe Palestriti by Simona Bertozzi: for Dance Week celebrating female creativity\, a performance that reflects on the power of women.\n  \n\n\n\n\n\n\n\n\nFour female performers transform gymnastic training into a collective celebration\, creating a language of gestures\, sounds\, and bodies that honours strength\, grace\, and shared power. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nQuattro performer donne trasformano l’allenamento ginnico in festa collettiva\, creando un linguaggio di gesti\, suoni e corpi che celebra forza\, grazia e potenza condivisa. \nDouble performance \nFriday 6 and Saturday 7 March\, 7:00 pm \nhttps://vimeo.com/1117882946?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nProject and choreography: Simona Bertozzi \nVocal coaching: Meike Clarelli \nCreated with and performed by: Arianna Brugiolo\, Federica D’Aversa\, Paola Drera\, Valentina Foschi \nOriginal music: Meike Clarelli\, Davide Fasulo \nLighting design and technical assistance: Rocio Espana Rodriguez \nOrganisation: Miriana Erario \nPress office: Michele Pascarella \nPhoto and video: Luca Del Pia \nProduction: Nexus 2024–2025 \nWith the support of the Ministero della Cultura\, Regione Emilia-Romagna\, Comune di BolognaWith the support of Festival Danza EstateIn collaboration with ALMASTUDIOS Bologna \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\nLe Palestriti takes shape within the ATHLETES project\, opening up new possibilities for research and composition at the intersection of dance\, sport\, and vocality—foundational elements of the entire project. \nThe work is inspired by the mosaic of the Palestriti at the Villa del Casale\, a rare ancient depiction of female athletic competition. \nHere\, the athletes\, equipped with gymnastic tools\, not only exalt the beauty and power of individual gestures\, but also celebrate together\, honouring the winner and transforming athleticism into an act of collective affirmation. \nWithin the choreographic frame of Le Palestriti\, gathering and converging toward a shared\, vertiginous bodily experience emerges as an essential necessity—both to train the anatomies and to let them erupt. \nThe performers disseminate a grammar of gestures\, sounds\, and vocal expressions in which the emergence of each individual presence becomes an opportunity to expand personal perception and transfigure it into an act of reciprocity and expansion of the collective body. \nLe Palestriti develops a raw yet fluid physicality\, with feral waves that transform the space—from a gym into a porous\, hybrid territory\, a crossroads of relationships\, ritualities\, and gestural alphabets suspended between strength and grace. \nWithin this dynamic\, the stage becomes a playground of trajectories\, where bodies move through a relentless practice of listening\, elevating training and the care of gesture into practices of resistance and transformation. \n\n\n\n\n\n\n\n\n\n\n\nSimona Bertozzi \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music and Performing Arts at the University of Bologna. One of the pioneers of twentieth-century choreographic revolutions\, Loïe Fuller\, was the subject of her graduation thesis. \nFrom a young age\, she trained in artistic gymnastics and classical dance\, later deepening her study of contemporary dance in Italy and in several other countries\, including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, among others with choreographer Tomas Aragay (cia Societat Doctor Alonso – Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her activity as a choreographer in 2005\, developing a path of research and production working with professional dancers and performers\, as well as with children\, adolescents\, amateurs\, asylum seekers\, and second-generation young immigrants. \nSimona Bertozzi practices a form of dance in which choreography becomes a territory of events—a complex system inhabited by the body—resulting from practices\, thoughts\, and disciplines that make creation a layered entity in dialogue with the present. In 2007 she won the GD’A (Giovani Danzautori dell’Emilia-Romagna) choreographic competition\, and in 2008 she founded Compagnia Simona Bertozzi | Associazione Culturale Nexus. \nOver the years\, her projects have received support and hosting from major regional\, Italian\, and European networks through co-productions and choreographic residencies\, with national and international touring. In 2008\, she was the Italian choreographer selected for the Aerowaves festival at The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international project Choreoroam\, supported by the British Council / The Place\, Dansateliers (Rotterdam)\, and Bassano Opera Festival. \nWith the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won Il Coreografo Elettronico 2009 for Best Independent Production with the video-dance work Terrestre – movement in still life. In 2012\, the collective created I was wondering\, a video-dance work produced for the centenary of the birth of Michelangelo Antonioni. \nOver the years\, significant collaborations have developed with artists and scholars including Francesco Giomi\, Artistic Director of Tempo Reale; Enrico Pitozzi and Cristiana Natali\, professors at the University of Bologna; Egle Sommacal\, musician and guitarist of Massimo Volume; Angela Baraldi\, actress and singer; and Tabea Martin\, with whom she co-created This Is My Last Dance\, a work that toured extensively across Europe\, including the Swiss Dance Days. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe box office at Fonderia opens one hour before the start of the performance. \n \nTickets are unnumbered. \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/le-palestriti/2026-03-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260307T203000
DTEND;TZID=Europe/Rome:20260307T213000
DTSTAMP:20260502T225608
CREATED:20260202T175019Z
LAST-MODIFIED:20260210T155236Z
UID:10004327-1772915400-1772919000@www.fndaterballetto.it
SUMMARY:EPIPHANĪA - Mi rendo manifesta
DESCRIPTION:Girls just wanna have…THEIR OWN BODY  \nEPIPHANĪA – Mi rendo manifesta by Antonella Bertoni and Michele Abbondanza is the heart of Dance Week\, celebrating female creativity and the feminine universe.\n \n\n\n\n\n\n\n\n\nThree dancers from the Compagnia Abbondanza/Bertoni lose themselves in a labyrinth of visual rooms\, engaging in a meticulous exploration of the female body—between gender stereotypes and individual emancipation.A true feminine manifesto. \n\n\n\n\n\n\n\n\n  \nhttps://vimeo.com/1088409387/b52b7d861d?fl=pl&fe=ti \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nBy Michele Abbondanza and Antonella BertoniConcept\, set\, and costumes: Antonella BertoniWith Sara Cavalieri\, Valentina Dal Mas\, Ludovica Messina PoerioOriginal music: Sergio BeercockLighting design: Alessio GuerraTechnical direction: Claudio ModugnoCreation assistant: Eleonora ChiocchiniTailoring: Manuela GoberOrganisation\, strategy\, and development: Dalia MaciiAdministration and executive production: Francesca LeonelliCommunication: Erika ParisePress office: Marilù Ursi \nProduction: Compagnia Abbondanza/BertoniSpecial thanks to Danio ManfrediniAdditional thanks to Andrea Palamidese \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\n\n“Like shadows of life\, on a battlefield\, the three dancers—suspended souls\, poised in lucid sleepwalking—reveal themselves through visible and hidden layers in a symphony of actions that unfoldslike a forest of signs and meanings.They are portraits suspended between identity display and visual exuberance. A carnal femininity\, yet detached from the absolute protagonism of human matter\, leaving room for the immaterial.The subject becomes object\, and only then is its sovereign status recognised.Along the thread of detail and particularity\, we brush traces\, clots\, and transparencies\, disarticulating the sense that details embody within life.Gesture points and suggests without stating—an expression of an almost pictorial thought\, unsettling and charged with emotional intensity.The dramaturgy concentrates on micro-moments; within an apparent chaos\, it unfolds in chapters of an exploded book.Appearances and disappearances\, as if within a spatial trap\, in a black that is the colour in which everything is generated—the colour from which we come into the world and to which we will return.A non-place that is a room\, a labyrinth of rooms dissolving into one another\, an entire house\, the world; hyper-frames that function through images and feed on pauses.” \n\n— Antonella Bertoni \n\n“Three women deep in my heart came to me.A room of one’s own—the women’s corner. Scalene: needless to say. A testing box of total negation of secure grounding in space\, where the female body manifests itself in an unconditional\, shameless surrender to perspectival dystopia.Women in pieces and pieces of women\, inside a box of arts that—like a single organism—breathes\, reproduces\, and collapses: the disarmed creativity of bodies returned\, in the end\, becomes its sign.From the trinity to the one\, and from the one to a thousand feminine forms—far from flat\, rich instead with folds and pleats that\, like a pin-cushion\, pierce the scene. Blade-bodies\, glimmers\, and coquetries compose a texture of appearance in which the warp becomes an act of seeing and fixing a first point—a cross-stitch\, naturally—of beginning and stumbling\, held together by a single thread of glory.Now that women discover that man is no longer God\, we hallucinate here an ideal recomposition of their scattered pieces.” \n\n\n“Three women deep in my heart came to me: thanks to the generosity and unconditional trust of Valentina\, Ludovica\, and Sara.” \n\n— Michele Abbondanza \n\n\n\n\n\n\n\n\n\n\n\nAbbondanza / Bertoni \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichele Abbondanza and Antonella Bertoni. From their New York experience at Alwin Nikolais’s school to their studies in France with Dominique Dupuy\, passing through the “poetic” improvisations of Carolyn Carlson and the study and practice of Zen\, Michele Abbondanza (co-founder of Sosta Palmizi and lecturer at the Scuola di Teatro del Piccolo di Milano) and Antonella Bertoni founded Compagnia Abbondanza/Bertoni. The company is recognised as one of the most prolific artistic realities on the Italian scene\, for its creations\, its educational and pedagogical activity\, and its contribution to the dissemination of contemporary dance theatre. \nCompagnia Abbondanza/Bertoni is in residence at Teatro alla Cartiera di Rovereto (Trento\, Italy) and is supported by: \n\n\nMinistero della Cultura – Directorate-General for Live Performing Arts \n\n\nComune di Rovereto\, Department of Culture \n\n\nProvincia autonoma di Trento\, Cultural Activities Service \n\n\nRegione autonoma Trentino-Alto Adige \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/epiphania-mi-rendo-manifesta/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260308T150000
DTEND;TZID=Europe/Rome:20260308T160000
DTSTAMP:20260502T225608
CREATED:20260202T184853Z
LAST-MODIFIED:20260218T120921Z
UID:10004323-1772982000-1772985600@www.fndaterballetto.it
SUMMARY:INnaturale. Alla ricerca di strane creature
DESCRIPTION:Girls just wanna have… MAGIC \nINnaturale. Alla ricerca di strane creature (INnatural. In Search of Strange Creatures) by Emanuela Dall’Aglio is the family show selected for Dance Week\, celebrating female creativity.\n \n\n\n\n\n\n\n\n\nA thought-hunter will guide children through the spaces of La Fonderia\, which will magically transform into an enchanted forest inhabited by mysterious animals. Who will dare to enter the den of the Black Wolf? \n\n\n\n\n\n\n\n\n \nAges 4 and up \nDouble performance: Sunday 8 March at 3:00 pm and 5:00 pm (duration: 50’) \n  \nhttps://www.youtube.com/watch?v=DCyEvo-MW-8 \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nA project by Emanuela Dall’AglioDirection: Emanuela Dall’AglioSet design: Emanuela Dall’Aglio \nWith (alternating cast): Benedetta Brambilla\, Stefano Pirovano\, Sebastiano Sicurezza\, Emanuela Dall’Aglio\, Noemi Bresciani\, Riccardo Paltenghi\, Arianna Losi \nVoices: Emanuela Dall’Aglio\, Laura Cleri\, Isabella Brogi\, Sofia BologniniSounds: Fabiano FiorenzaniSound design: Andrea Salvadori\, Stefano PirovanoArtistic collaboration: Michele LosiPhotos: Alvise Alessandro CrovatoProduction: Lorenza BrambillaPress office: Giulia CastelnovoDistribution: Francesca Lateana \nA production by Campsirago ResidenzaWith the contribution of Fondazione Cariplo \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\nAn unconventional scientist leads the audience on a quest to discover strange creatures and uncover their thoughts. Thus begins a mysterious journey that reveals the presence of imaginary animals: the brooder with her many eggs\, the old mouse who weaves whiskers of catfish\, dozens of “snail-hedgehogs\,” and—for the bravest—the lair of the Black Wolf. \nINnaturale is a roaming\, site-specific performance—an adventure in search of fantastical beings\, around which Emanuela Dall’Aglio has imagined new biographies. A poetic walk for all ages. \n\n\n\n\n\n\n\n\n\n\n\n Emanuela Dall’aglio \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCostume and set designer Emanuela Dall’Aglio works across theatre productions\, festivals\, installations\, and live events. Winner of the Ubu Award 2021 for the costumes of Naturae\, she is also an author and director of animation theatre\, creating itinerant performances\, interactive installations\, and a series of works inspired by classic fairy tales. From concept to realisation\, Emanuela Dall’Aglio designs costumes and sets as well as masks\, puppets\, and sculptures. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS€6 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/innaturale-alla-ricerca-di-strane-creature/2026-03-08/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260308T170000
DTEND;TZID=Europe/Rome:20260308T180000
DTSTAMP:20260502T225608
CREATED:20260202T184853Z
LAST-MODIFIED:20260218T120921Z
UID:10004324-1772989200-1772992800@www.fndaterballetto.it
SUMMARY:INnaturale. Alla ricerca di strane creature
DESCRIPTION:Girls just wanna have… MAGIC \nINnaturale. Alla ricerca di strane creature (INnatural. In Search of Strange Creatures) by Emanuela Dall’Aglio is the family show selected for Dance Week\, celebrating female creativity.\n \n\n\n\n\n\n\n\n\nA thought-hunter will guide children through the spaces of La Fonderia\, which will magically transform into an enchanted forest inhabited by mysterious animals. Who will dare to enter the den of the Black Wolf? \n\n\n\n\n\n\n\n\n \nAges 4 and up \nDouble performance: Sunday 8 March at 3:00 pm and 5:00 pm (duration: 50’) \n  \nhttps://www.youtube.com/watch?v=DCyEvo-MW-8 \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nA project by Emanuela Dall’AglioDirection: Emanuela Dall’AglioSet design: Emanuela Dall’Aglio \nWith (alternating cast): Benedetta Brambilla\, Stefano Pirovano\, Sebastiano Sicurezza\, Emanuela Dall’Aglio\, Noemi Bresciani\, Riccardo Paltenghi\, Arianna Losi \nVoices: Emanuela Dall’Aglio\, Laura Cleri\, Isabella Brogi\, Sofia BologniniSounds: Fabiano FiorenzaniSound design: Andrea Salvadori\, Stefano PirovanoArtistic collaboration: Michele LosiPhotos: Alvise Alessandro CrovatoProduction: Lorenza BrambillaPress office: Giulia CastelnovoDistribution: Francesca Lateana \nA production by Campsirago ResidenzaWith the contribution of Fondazione Cariplo \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\nAn unconventional scientist leads the audience on a quest to discover strange creatures and uncover their thoughts. Thus begins a mysterious journey that reveals the presence of imaginary animals: the brooder with her many eggs\, the old mouse who weaves whiskers of catfish\, dozens of “snail-hedgehogs\,” and—for the bravest—the lair of the Black Wolf. \nINnaturale is a roaming\, site-specific performance—an adventure in search of fantastical beings\, around which Emanuela Dall’Aglio has imagined new biographies. A poetic walk for all ages. \n\n\n\n\n\n\n\n\n\n\n\n Emanuela Dall’aglio \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCostume and set designer Emanuela Dall’Aglio works across theatre productions\, festivals\, installations\, and live events. Winner of the Ubu Award 2021 for the costumes of Naturae\, she is also an author and director of animation theatre\, creating itinerant performances\, interactive installations\, and a series of works inspired by classic fairy tales. From concept to realisation\, Emanuela Dall’Aglio designs costumes and sets as well as masks\, puppets\, and sculptures. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS€6 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/innaturale-alla-ricerca-di-strane-creature/2026-03-08/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260308T203000
DTEND;TZID=Europe/Rome:20260308T213000
DTSTAMP:20260502T225608
CREATED:20260202T190939Z
LAST-MODIFIED:20260210T152627Z
UID:10004325-1773001800-1773005400@www.fndaterballetto.it
SUMMARY:Breathing Room
DESCRIPTION:Girls just wanna have…AIR \nBreathing Room by Salvo Lombardo feat. Luna Cenere closes Dance Week\, celebrating female creativity.\n \n\n\n\n\n\n\n\n\nA performance that transforms breath into a poetic act: an expanded space in which to lose control\, listen to the voice\, and inhabit an environment in constant construction—between body\, sound\, and meditation. \n\n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nConcept\, texts\, voice\, and environment: Salvo LombardoDramaturgy inspired by Il silenzio è cosa viva by Chandra Livia CandianiWords offered as a gift by Fabio Acca\, Michele Di Stefano\, Carlo Lei\, Cristina Kristal Rizzo\, Alessandro Sciarroni\, Alessandro TollariFeaturing (in alphabetical order): Philippe Barbut\, Marta Ciappina\, Marco D’Agostin\, Nicola Galli\, Silvia Gribaudi\, Matteo Marchesi\, Francesca Pennini\, Cristina Kristal Rizzo\, Irene RussolilloSound design: Fabrizio AlvitiMusical quotations from Ira by Iosonouncane \nProduction: ChiasmaWith the support of Lavanderia a Vapore (Collegno)With the contribution of MIC – Ministry of Culture \nYear: 2022Duration: 45 minutes \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\nWhat moves breath between things: that through-breathing\, that narrow opening between taking and giving\, between stealing fragments of the world and releasing breath back into a world in pieces? \n\n\n\n\n\n\n\n\n\nWith Breathing Room\, Salvo Lombardo leans into breath\, approaching it as a poetic act. The work primarily consists in the invention of an ideal\, expanded space in which to “catch one’s breath” and to practice the loss of the artist’s control over the artistic act itself. \nThe dramaturgy—drawing inspiration from Il silenzio è cosa viva by Chandra Livia Candiani—is shaped by a series of prompts and suggestions that Salvo Lombardo has received over time as gifts from different people\, colleagues\, and friends. These contributions help train breath as a substance of meaning and as an open field of signification. \nConceived as an environment in constant construction\, Breathing Room is a performance grounded in voice as well as in the body: a room\, an ideal perimeter of relationship\, informed by a voice that projects speech and evokes action—somewhere between oral meditation\, guided practice\, environmental sound installation\, and performative podcast. \nEach activation of this “breathing apparatus” constitutes a unique\, non-reproducible event. It is based on an invitation to an artist from the field of dance and performance to inhabit this relational perimeter together with the audience\, through the activation of a performance determined in real time—without rehearsals\, previews\, or future repetitions—made possible by the combination of suggestions from the ambient voice and those the performer receives through headphones\, deciding how and whether to act upon them. \nIn this way\, the invitation becomes an act of complicity as well as a radical expression of being-now\, and an opportunity to question—through breathing—the principles of authority and individual power that underpin the art production system. An invitation to be carried along\, an attitude of listening\, an exercise in vulnerability and relationality that can suggest an act of mutual care. \nBreathing Room is part of an ongoing reflection on “care” developed together with Lavanderia a Vapore in Collegno\, where Salvo Lombardo is an associated artist. \n\n\n\n\n\n\n\n\n  \n\n\n\nSalvo Lombardo \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSalvo Lombardo is a performer\, choreographer\, multimodal artist\, and curator of performative projects. Over the years\, he has developed a research practice spanning dance\, theatre\, and visual arts\, with particular attention to video languages and relational art. Since 2016\, he has been Artistic Director of Compagnia Chiasma. He is currently an associated artist of the MilanOltre Festival and Lavanderia a Vapore. \nHis works and research projects have involved collaborations with numerous festivals\, theatres\, museums\, and independent spaces in Italy and abroad\, including the Théâtre National de Chaillot (FR)\, Attakkalari Dance Company (IN)\, Triennale Milano\, Aura Dance Theatre (LT)\, Romaeuropa Festival\, Teatro di Roma\, Museo Ara Pacis\, GAM Roma\, MAXXI L’Aquila\, Pirelli Hangar Bicocca\, Museo del Novecento Milano\, Museo Nazionale Scienza e Tecnologia\, BE Festival (UK)\, Fondazione H401 (NL)\, La Briqueterie CDCN (FR)\, Dans Brabant (NL)\, Tanec Praha Festival (CZ)\, the Conservatoire national supérieur de musique et de danse de Paris (FR)\, Teatro Nazionale della Toscana\, Aterballetto\, Scenario Pubblico\, ORBITA\, MART\, Short Theatre Festival\, Polo del ‘900\, Anghiari Dance Hub\, Attraversamenti Multipli Festival\, Kilowatt Festival\, and Teatri di Vetro. \nFrom 2012 to 2015\, he was co-director and director of Clinica Mammut. He collaborated extensively with Fabbrica Europa until 2020. In 2017–2018\, he was an associated artist of the Oriente Occidente Festival. From 2019 to 2021\, he co-curated Resurface Festival\, focused on decolonial practices and the relationship between colonial imaginaries and contemporary representations. \nIn 2020\, he was among the founding members of Ostudio\, an independent space for artistic cohabitation and multimedia research. Since 2021\, he has been Artistic Director of Interazioni Festival. In 2021–2022\, he was selected for the European project MMDD – Micro and Macro Dramaturgies in Dance. In 2021\, he was selected by the European network BeSpectActive!\, for which he conceived Punctum\, a community-based and interactive work investigating large-scale spectatorship dynamics across 12 European countries. In 2022\, he was among the artists involved in the May Town project at Schaubühne Lindenfels (DE)\, focusing on the postcolonial re-mediation of the 1897 Leipzig Industrial Exhibition. In 2023\, he was invited by the Department of Humanities of the University of Turin to develop a research project around his works Excelsior – Amor – Sport. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/breathing-room/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260324T203000
DTEND;TZID=Europe/Rome:20260324T213000
DTSTAMP:20260502T225608
CREATED:20260202T120017Z
LAST-MODIFIED:20260210T153353Z
UID:10004326-1774384200-1774387800@www.fndaterballetto.it
SUMMARY:Habemus Naufragium
DESCRIPTION:Silvia Pezzarossi dances the storms of the present at Fonderia.\n \n\n\n\n\n\n\n\n\nIn a world that increasingly struggles to imagine its future in the face of climatic\, social\, and political upheavals\, Habemus Naufragium invites us—with momentum—towards a positive resilience. Choreographer Silvia Pezzarossi\, in duet with dancer Anna-Maria Bayon\, proposes an eccentric shipwreck that carries us through the tempests of our time. \nWith an imagination without limits—at times grotesque and ironic\, at others poetic—their metaphorical dances push solidarity and complicity towards a fluid\, perfect metamorphosis of bodies\, until they become one: a new being\, in full transformation. \nLike a remedy for our eco-anxiety\, this colourful performance offers a dose of creative hope to be taken with eyes wide open. \nStrobe lighting is used. \n\n\n\n\n\n\n\n\nhttps://youtu.be/mni3RFxIr5o \nCREDITS \n\n\n\n\n\n\n\n\nDirection and choreography: Silvia PezzarossiCreation and performance: Silvia Pezzarossi\, Anna-Maria Besnier BayonArtistic assistance and dramaturgy: Simon GillardDramaturgy and performers’ direction support: Maialen ArranoSound creation: Clément Braive\, Raphaël VeninLighting design: Jean-Jacques DeneumoustierTechnical direction: Leo De Neve\, Adele EvansCostumes: Marta Lodoli \nCo-productions: Théâtre Les Brigittines\, Théâtre Delta\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles \nArtistic residencies: Théâtre Les Brigittines\, Théâtre Delta\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles\, Théâtre Marni\, Up Circus and Performing Arts\, Studio Étangs Noir\, Cie 29.27 / SEPT CENT QUATRE VINGT TROIS\, La Briqueterie CDCN Val-de-Marne\, CC Wolubilis\, CC Les Riches Claires\, Akropoditi Dance Centre \nWith the support of: Fédération Wallonie-Bruxelles – Dance Department\, Wallonie-Bruxelles International\, WBTD\, Plastique Palace Théâtre\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles \n\n\n\n\n\n\n\n\nSilvia Pezzarossi \n\n\n\n\n\n\n\n\nItalian dancer and choreographer Silvia Pezzarossi\, based in Brussels since 2012\, initially trained in classical dance in Reggio Emilia at the Accademia Cosi-Stafanescu\, before continuing her studies in contemporary dance at the Ballet Junior de Genève and at the professional school Modem / Cie Zappalà Danza (Sicily). \nIn Belgium\, she has worked as a dancer and performer with Lies Serdons\, the Poetic Punkers collective\, Cie Marie Martinez\, and the contemporary circus company Les Chaussons Rouges. Internationally\, she has collaborated with Keren Rosenberg\, Roy Assaf\, and Roberto Zappalà. \nSince 2013\, Silvia has been developing her own choreographic work\, creating Mucyclo (2014)\, Waiting for the Fishes (2016)\, En attendant que les poissons passent… (2018)\, and Habemus Naufragium (2024). \nA keen observer of society\, her research explores human behaviour and its dynamics\, with particular attention to energy\, expressivity\, and bodily metamorphosis—balancing poetry and spontaneity. Her works are supported by the Fédération Wallonie-Bruxelles and Charleroi Danse\, and have toured in Belgium\, France\, Greece\, Turkey\, and Italy. \nHabemus Naufragium\, her fourth project\, was selected by the Théâtre des Doms as part of the Belgian programme at the Festival d’Avignon 2025. \nSilvia is currently in the research phase for a new creation scheduled for 2027. \n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/habemus-naufragium/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260330T180000
DTEND;TZID=Europe/Rome:20260330T190000
DTSTAMP:20260502T225608
CREATED:20260310T163056Z
LAST-MODIFIED:20260323T114442Z
UID:10004359-1774893600-1774897200@www.fndaterballetto.it
SUMMARY:T.R.I.P.O.F.O.B.I.A
DESCRIPTION:Pablo Girolami dances through the voids of fear at Fonderia.\n \nMonday 30 March\, 6:00 pm – open rehearsal \nTuesday 31 March\, 9:00 pm – performance – premiere \n \n\n\n\n\n\n\n\n\nThe fear of holes—or rather\, of all those small geometric shapes that\, when clustered together\, create masses of tiny cavities. A play of images based on three-dimensional repetitions and juxtapositions that triggers a sense of disgust and repulsion; the alarm is activated by an intrinsic code\, developed over centuries by our ancestors\, which protects the phobic subject from the danger of infection by parasitic forms or injury from venomous animals. \nAnxiety\, anguish\, fear: hundreds of names for a single existential condition—the fear of losing control over the world\, over our body\, over the other. \nThe medium through which a trypophobic skeleton takes shape is geometry\, which\, through the imaginative contribution of the human mind\, becomes an active gateway to fear\, reflecting human insecurities and paranoias. \n\n\n\n\n\n\n\n\nhttps://www.youtube.com/watch?v=KkMUMq-eNaY \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCompagnia IVONAChoreography: Pablo GirolamiDancers: Guilherme Leal\, Pablo GirolamiMusic: Jacob Kirkegaard\, Philip Jeck\, Max Richter\, Guilherme Curade and others to be confirmedVideo: xxcxclarissaLighting: Angelo TauroDramaturgy: Karen Stenico \nProduction: House of IVONA\, Nutida Festival – Stazione Utopia\, The Rijeka Port of Dance Festival\, Skopje Dance Festival\, Dance Festival Malta\, TACT Festival in Trieste\, Quinzena de Dança de Almada – International Dance Festival \nWith the support of KOMM TANZ Teatro Cartiera\, Compagnia Abbondanza/Bertoni in collaboration with the Comune di Rovereto; Festival Fuori Programma & Romaeuropa Festival; ResiDanceXL – AnticorpiXL – Network Giovane Danza d’Autore\, coordinated by L’arboreto – Teatro Dimora di Mondaino; Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt); TWAIN Centro di Produzione Danza and PERIFERIE ARTISTICHE; DANCEHAUSpiù\, Milan; Regione Friuli Venezia Giulia; MIC – Italian Ministry of Culture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPablo Girolami \n\n\n\n\n\n\n\n\nPablo Girolami is a choreographer of Italian-Spanish origin who trained at the Tanz Akademie Zürich\, where he graduated in 2014.He has danced with Hessisches Staatsballett Wiesbaden/Darmstadt and Spellbound Contemporary Ballet\, working with choreographers such as Wayne McGregor\, Hofesh Shechter\, and Marcos Morau. \nHe is currently the artistic director of IVONA and a freelance choreographer. Since 2024\, he has also been the artistic director of the Fagagna Dance Festival. \nPablo has received important awards\, including: \nFirst Prize at the Jerusalem International Choreography Competition;Best Choreography at the Certamen Coreográfico del Distrito de Tetuán – Madrid;Best Choreography at the Linkage Choreographic Competition – Sofia;TWAIN Direzioni_Altre Award 2019 and 2022 – Tuscania;Audience Award at RIDCC – Rotterdam;Audience Award at CortoinDanza Festival – Cagliari;Audience Award at the 33rd Certamen Coreográfico de Madrid;Best Dance Film at the ZED International Videodanza Festival – Bologna;Best Dance Film at Interfaccia Digitale – HangarFest – Pesaro;FeelGood Award at BIGFF – Bari. \nAlongside his work with IVONA\, Pablo has created works for several companies\, including Balletto dell’Opera di Graz\, Jerusalem Dance Theatre\, Club Guy & Roni\, EgriBianco Danza\, and Nuovo Balletto di Toscana. In 2025\, together with Philippe Kratz\, he won the Biennale di Venezia call for projects with the new creation Sisifo Felice\, which premiered at Biennale Danza 2025. \nGirolami has further expanded his presence in the artistic field by taking on roles as movement director and consultant in theatre and multidisciplinary projects\, while also working in education at major institutions such as the Bachelor Program in Zurich and Taipei Art University. \n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS \nOpen rehearsal – Monday 30 March\, 6:00 pmFull price: €3Free admission for children under 6 \nPerformance – Tuesday 31 March\, 9:00 pmFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/t-r-i-p-o-f-o-b-i-a/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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