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DTSTART;TZID=Europe/Rome:20241030T180000
DTEND;TZID=Europe/Rome:20241030T190000
DTSTAMP:20260430T080426
CREATED:20240729T133019Z
LAST-MODIFIED:20240729T134039Z
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SUMMARY:Open Rehearsal - Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241025T180000
DTEND;TZID=Europe/Rome:20241025T190000
DTSTAMP:20260430T080426
CREATED:20241011T134856Z
LAST-MODIFIED:20241024T113042Z
UID:10003704-1729879200-1729882800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - WHOMAN?
DESCRIPTION:  \nCan a human being exist regardless of their gender identity?\nIs it possible to be completely free? \nWHOMAN? draws upon the stylistic elements of science fiction cinema to transform choreography into a universal metaphor for the contemporary world. The concepts of masculinity and femininity are equally placed beyond any preconceived notions\, and the age-old conflict of gender inequality is deconstructed\, weakened\, made fragile\, and reinterpreted within a broader vision of humanity. \nCREDITS \nChoreography: Mario Coccetti | Collective\nDancers: Rocco Suma\, Sally Damonte\, Giovanni Karol Borriello\nProduction: ASMED | Balletto di Sardegna\nCo-production: MILANoLTRE Festival \nS DANCE COMPANY \n\n\n\n\n\n\n\nS Dance Company is an artistic project by Mario Coccetti\, Rocco Suma\, and Salvatore Sciancalepore.\nFounded in 2016 as a collective of artists\, it has gradually solidified into a contemporary dance company\, building a diverse repertoire in terms of stage setups and the number of performers. Today\, the company features productions ranging from two to five dancers\, with both indoor and outdoor performances. The permanent company dancers include Sofia Zanetti\, Flavia Giuliani\, and Marco Arzenton\, who were joined in 2023 by Flavia Giuliani\, Samuele Arisci\, Paolo Grosso\, Alessia La Notte\, and Alessio Saccheri.\nCurrently\, S Dance Company is produced by ASMED Balletto di Sardegna and is actively engaged in national and international tours.\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is available one hour before the show starts \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-whoman/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241021T180000
DTEND;TZID=Europe/Rome:20241021T190000
DTSTAMP:20260430T080426
CREATED:20240726T144137Z
LAST-MODIFIED:20240729T133729Z
UID:10003486-1729533600-1729537200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - WAITING FOR NOTTE MORRICONE
DESCRIPTION:Monday\, October 21 at 6:00 PM at Fonderia\, Waiting for Notte Morricone: an open rehearsal of the Aterballetto Company with choreographer Marcos Morau\, allowing the audience to experience the emotions before the indoor debut of Notte Morricone at Teatro Argentina in Rome\, where the show will be on stage from October 24 to November 10. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \nCREDITS \nDirection and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, First Outdoor Performance Macerata Opera Festival\nCo-production\, First Indoor Performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, which music inspires or accompanies me in my daily life\, and I always answer the same way: from classical music to new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith classical training and avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, which can live far from the films for which it was created.”» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Chevalier of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Festival d’Avignon\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival of Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in several companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expressing and communicating in our present time\, always turbulent and constantly evolving. \nFrom this season\, he is an associate artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we get involved in what also turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-waiting-for-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Productions,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241018T203000
DTEND;TZID=Europe/Rome:20241018T213000
DTSTAMP:20260430T080426
CREATED:20240725T160913Z
LAST-MODIFIED:20241016T163459Z
UID:10003484-1729283400-1729287000@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: IL CORPO MUOVE
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFourth appointment: Friday 18 October h 20.30 at Fonderia\n\n \nIl corpo muove (The body moves)\nTalk withNicolas Ballario and Riccardo Buscarini\nChoreographies by Riccardo Buscarini\nFocus on Jackson Pollock\, Nan Goldin\, Michelangelo Pistoletto\, Cindy Sherman\, Studio Azzurro\, Yōko Ono \n\n\n\nNicolas Ballario will present works related to “moving” art\, that is\, art that makes the artists move during creation or the audience when experiencing it (from Jackson Pollock to Nan Goldin\, from Michelangelo Pistoletto to Yoko Ono). The evening will feature Riccardo Buscarini bringing some excerpts from Form O\, a very recent work that is based on visual symmetries and asymmetries\, and the effect that what we see creates in our body. \nAddressing the theme of the body moved by passions\, in a whirlwind of seductions and intrigues\, Johan Inger’s Don Juan in VR will be presented\, where the audience will fall into a dynamic flow that is difficult to resist. \n‘War Is Over! (if you want it) Yoko Ono’ exhibition – Sydney\, Museum of Contemporary Art Australia. From Wikimedia Commons \nCrediti \nconcept / choreography Riccardo Buscarini\ndance Annalisa Perricone\, Giulia Quacqueri\noriginal music by Alessandro Baldessari assisted by Luca Felici\, “Nostalgia for Nothing” (A. Baldessari) and Piano Sonata No. 3\, Op. 2 No. 3\, in C major (L. Van Beethoven)\ncostumes Mara Leonora Pieri\nlights Alessandro Gelmini\nproduction De Arte Saltandi \nWinner of the Theodor Rawyler Prize 2023 / Festival TenDance\, Latina. Supported by Citofonare PimOff 2024\, Milan\, Centro Coreografico Nazionale/Aterballetto\, and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza and AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara and Vincenzo Losito\, MM Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the People who have contributed to and will encounter this project. \nRiccardo Buscarini \nEcco la traduzione in inglese del testo: \n**Riccardo Buscarini**\, an award-winning choreographer in Italy and abroad\, is active in the fields of contemporary dance\, opera\, and visual arts. He graduated from the London Contemporary Dance School in 2009. Buscarini won the Prospettiva Danza Prize in 2011\, Fondo Fare Anticorpi in 2012\, and The Place Prize in 2013 with “Athletes”. He has participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, the Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, and NID Platform in 2014 and 2022. \nIn the visual arts field\, he has collaborated with Summerhall (Edinburgh)\, London Festival of Architecture (2016 and 2019)\, Nahmad Projects (London and Milan)\, and UNA Galleria at Spazio Leonardo (Milan). His creation “Silk” for the Chelyabinsk Contemporary Dance Theater (Russia) was nominated for two Golden Mask Awards in 2018 at the Bolshoi Theater in Moscow and was later restaged for ŻfinMalta\, the National Dance Company of Malta. In 2019\, he created two works\, “Suite Escape” for Equilibrio Dinamico Dance Company and “Nocturne” for Chelyabinsk Contemporary Dance Theater. In 2020\, he choreographed “Charade” for EDGE (The Place\, London) and was invited to perform at the 45th Cantiere Internazionale d’Arte in Montepulciano. In 2022\, he created “Requiem for Juliet\,” based on W. Shakespeare for ŻfinMalta. \nIn 2023\, he directed his first opera\, “Madama Butterfly” by Giacomo Puccini at Teatru Aurora in Gozo\, Malta\, and founded De Arte Saltandi\, a cultural association dedicated to Domenichino da Piacenza\, through which he curates dAS FESTIVAL. \n  \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, enjoy an exquisite wine tasting thanks to the collaboration with Venturini Baldini.\n \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-muove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241010T180000
DTEND;TZID=Europe/Rome:20241010T190000
DTSTAMP:20260430T080426
CREATED:20241007T155007Z
LAST-MODIFIED:20241011T132956Z
UID:10003577-1728583200-1728586800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - DECISIONE CONSAPEVOLE
DESCRIPTION:  \nA conceptual map designed to guide improvisation sessions.\nThis is what Decisione Consapevole has been so far.\nBut what if we used the map as a true structure to follow in creating a choreographic work featuring four dancers navigating their own decisions? An empty space to be filled and emptied through the awareness of each performer. Taste plays a fundamental role in ensuring everything comes together cohesively\, dressing different personalities in a single garment.\nThe garment adorns the performers with specific qualities and attitudes\, meticulously studied rhythms\, and methods. The garment sets boundaries that encompass endless freedoms. The garment is what prompts decision-making. So\, could the garment be consciousness itself?\nIsolation\, intimacy\, communication\, community are the four key words. While these narrow the scope and make the performer’s decisions less varied and more mindful\, the possibilities suggested by each word remain infinite.\nThe dancers’ fully conscious decisions about which key word to choose to inspire their action in the space will build the scene. These decisions can exist individually\, but more importantly\, they can coexist with all the others. \n  \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-decisione-consapevole/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241006T180000
DTEND;TZID=Europe/Rome:20241006T190000
DTSTAMP:20260430T080426
CREATED:20240723T145901Z
LAST-MODIFIED:20241002T135716Z
UID:10003477-1728237600-1728241200@www.fndaterballetto.it
SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-06/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241005T180000
DTEND;TZID=Europe/Rome:20241005T190000
DTSTAMP:20260430T080426
CREATED:20240723T145901Z
LAST-MODIFIED:20241002T135716Z
UID:10003476-1728151200-1728154800@www.fndaterballetto.it
SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-05/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241001T180000
DTEND;TZID=Europe/Rome:20241001T190000
DTSTAMP:20260430T080426
CREATED:20240725T152702Z
LAST-MODIFIED:20240729T133549Z
UID:10003482-1727805600-1727809200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:First open rehearsal of the 2024/25 season with CCN/Aterballetto \nTuesday\, October 1st\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to meet the three new dancers of the company and witness the preparation of Glory Hall\, the new creation by Diego Tortelli that will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of the dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240927T203000
DTEND;TZID=Europe/Rome:20240927T213000
DTSTAMP:20260430T080426
CREATED:20240723T173743Z
LAST-MODIFIED:20240913T172518Z
UID:10003480-1727469000-1727472600@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: IL CORPO PICCOLO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nThird appointment: Friday 27 September h 20.30 at Fonderia\n\n \nIl corpo piccolo (The little body)\nA dialogue with Nicolas Ballario and Lara Guidetti\nChoreographies by Lara Guidetti\nFocus on Alberto Burri\, Maurizio Cattelan\, Diane Arbus\, Jake e Dinos Chapman\, Keith Haring\, Nathalie Djurberg \n\n\n\nAfter Il corpo in pericolo and Il corpo nudo\, the third event will explore Il corpo piccolo with Lara Guidetti. The public space has undergone a transformation between its physical and virtual dimensions\, leading to new identities\, functions\, and connotations\, rapidly rewriting the network of encounters and relationships that inhabit it\, cutting across professional and personal\, intimate\, and collective domains. In the era of images and digital technology\, the real dimension of the body\, understood in its original proportion in space\, is continually modified: contracted within phone screens\, expanded in architectural and advertising projections\, multiplied\, stretched\, portioned\, and filtered in search of perfect adherence to what one desires the body to communicate. Lara Guidetti will play with these dilations and contractions. \nBefore and after the meeting\, the audience will have the opportunity to experience virtual reality with Kepler by Diego Tortelli: three micro-dancers moving under a display case\, inhabitants of a small world that the viewer approaches with a magnifying glass. \nPerformance art: Banana duct taped to fridge as a reminder to eat less meat\, inspired by Maurizio Cattelan. From Wikimedia Commons \nLara Guidetti \nOriginally from Emilia-Romagna\, Lara Guidetti graduated as a dancer and choreographer in 2006 from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with renowned national and international masters. She continued her training in the world of dance and performing arts\, exploring various pedagogical methods and training through workshops and productions. In 2008\, she founded the Sanpapié company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her show LEI won the Premio Bonacina. She collaborates with the JGM company in Lisbon\, works with La Scala in Milan as a dancer and acrobat\, and creates choreographies for opera productions. She has taught at the Paolo Grassi and Dancehaus schools in Milan and at the Teatro Stabile school in Turin. Since 2022\, she has been an associated artist of the MilanOltre festival and a collaborator of the Fondazione Nazionale della Danza as a choreographer and curator of site-specific projects. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini. \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-piccolo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240925T210000
DTEND;TZID=Europe/Rome:20240925T223000
DTSTAMP:20260430T080426
CREATED:20240723T105244Z
LAST-MODIFIED:20240723T111043Z
UID:10003473-1727298000-1727303400@www.fndaterballetto.it
SUMMARY:Armoniosa Unità
DESCRIPTION:Armoniosa Unità is the new evening by MM Contemporary Dance Company directed by Michele Merola\, consisting of three choreographies: Do Not Call Me a Dancer\, choreographed by Giorgia Lolli and dedicated to Isadora Duncan\, winner of the Siae Per Chi Crea 2023 award; ComeTe\, a female duet by Adriano Bolognino\, winner of the 2022 Danza&Danza Emerging Choreographer award; and finally Armoniosa Unità\, a creation by Michele Merola and Enrico Morelli\, conceived this year to celebrate the birth of Guglielmo Marconi. \n  \nDon&apos;t call me a dancer \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \nComeTe \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \n\nChoreography: Adriano Bolognino\nMusic: Giuseppe Villarosa\nAssistant Choreographer: Rosaria Di Maro\nPerformers: Laura Dell’Agnese and Giorgia Raffetto\nDuration: 11 min. \n“Like comets\, there are beings who traverse existence without seeking order or a fixed reference point. Others\, like planets\, revolve around a center and feel they must not stray from that source of warmth and light. They too experience highs and lows\, but they persevere on the right path.” – Omraam Mikhaël Aïvanhov \n\nADRIANO BOLOGNINO was born in Naples in 1995. He won the 2022 Danza&Danza award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned to create new works for the Teatro dell’Opera di Roma and the national Maltese company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the stars Eleonora Abbagnato and Jacopo Tissi during MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL” and created “SKRIK” for the MM Contemporary Dance Company. His work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned him to create a new work for the festival. He won the Prospettiva Danza Padova award in 2019. His creations are performed in national and international contexts\, including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, and more. \nArmoniosa Unità \nChoreography: Michele Merola and Enrico Morelli\nMusic: Pierre Jodlowski\, Anne Muller\nPerformers: Lorenzo Fiorito\, Mario Genovese\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 20 min. \nArmoniosa Unità is a choreography by Michele Merola and Enrico Morelli\, created this year for the celebration of Guglielmo Marconi’s birth. The work explores the meaning of the near and the far\, inspired by electromagnetic waves. It is about reaching out to a distant person and bringing them onto our path to share a common journey. This approach creates a union of intentions and a journey towards cohesion that\, even in diversity\, leads to a vision of the common good. The choreography is accompanied by a musical score by Pierre Jodlowski with the Orchestre Philharmonique de Radio France\, which incorporates a series of messages and announcements from radio broadcasts into a contemporary music composition. This sonic backdrop takes us into the world of radio\, which even today\, as in the previous century\, serves as a medium for spreading news and\, above all\, for conveying cultures and messages of great importance. \n\nMICHELE MEROLA is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With this company\, Merola has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, which won the Anita Bucchi Award in 2010\, and Bolero\, which won the Europaindanza 2017 Award for Choreographic Merit. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo in Naples\, Dominic Walsh Dance Theatre\, Teatro Massimo in Palermo\, Junior Balletto di Toscana\, National Theatre of Belgrade\, and Tanzcompagnie Landesbühnen Sachsen in Dresden. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016 he won the GD Awards 2016 (www.giornaledelladanza.com) as the Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award (in memory of Ricardo Nunez) at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Incontro con la danza” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been\, along with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\nENRICO MORELLI\, a dancer and choreographer\, began his dance studies in Barletta. In 1999\, he graduated from the National Academy of Dance\, where he later attended the advanced course for teachers. His creative talent led him to participate in major choreography competitions\, winning first place at the Michele Abbate Competition in Caltanissetta\, the Città di Perugia Competition\, the Rieti International Dance Festival\, and the Danza Estate in Florence. From 1997 to 2003\, he worked as a dancer with the N. Piccinni Concert Foundation\, Milena Zullo’s Arte Balletto company\, the Piccinni Ballet\, and Micha Van Hoeke. In 2001\, he received the silver medal from the President of the Republic as a dancer. Since 2004\, he has been part of the MM Contemporary Dance Company as a dancer and choreographer. Since 2003\, he has created choreographies for Astra Roma Ballet\, the school of Teatro dell’Opera di Roma\, Dominic Walsh Dance Theatre\, Maggio Musicale Fiorentino\, KAOS company in Florence\, Palermo InDanza\, the Hungarian Szegedi Kortàrs Ballet\, Milwaukee Ballet (USA)\, MM Contemporary Dance Company\, and Agora Coaching Project. In 2018\, Morelli won the “Incontro con la danza” award instituted by Basilicata ArteDanza. In 2010\, he founded and has since co-directed\, with Michele Merola\, Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a center for the production of events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespeople of contemporary culture. \nThe company’s repertoire\, based in Reggio Emilia\, is rich and varied\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Camilla Monga\, Roberto Tedesco. In 2010\, the MM Contemporary Dance Company won the prestigious Danza & Danza Award as the best emerging company and today\, it is\, in all respects\, a reality of excellence in Italian dance\, with a consolidated performance activity throughout the national territory. For several years it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Award for Choreographic Merit\, for the show Bolero by Michele Merola. Since 2018\, the MM Contemporary Dance Company has been an associate company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, the National Dance Foundation/Aterballetto\, the Permanent Dance Center/Reggio Emilia. \nLearn more \nInfo&TicketsTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/armoniosa-unita/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240917T210000
DTEND;TZID=Europe/Rome:20240917T221000
DTSTAMP:20260430T080426
CREATED:20240717T091738Z
LAST-MODIFIED:20240913T171450Z
UID:10003471-1726606800-1726611000@www.fndaterballetto.it
SUMMARY:Somewhere Between
DESCRIPTION:The 2024/25 dance season at the Fonderia opens with Somewhere Between by FLOCK\, a company founded in Chicago in 2017 by choreographers Florian Lochner and Alice Klock. \n“With a quality that is both liquid and articulated\, jointed and limbed throughout\, the interlocking partnering among the dancers […] produces forms that evolve and develop like watching an agave bloom in the fluctuating luminescence of a desert sky.” \nIrene Hsiao\, The Chicago Reader \n\n\nDiscover more \nAlice Klock and Florian Lochner\, co-directors of FLOCK\, bring together artists and audiences in open\, dynamic\, and joy-based environments\, creating work that communicates on many different levels and builds a community and a new understanding of what dance can be. \nSomewhere Between examines how memory and imagination influence our reality and our definition of self. Drawing on myths or childhood stories\, this new creation is emblematic of FLOCK’s work\, featuring duets and group collaborations\, complex movements\, and an emotionally rich narrative. \n \nCREDITS \nChoreography: Alice Klock and Florian Lochner\nDancers: Liane Aung\, Alice Klock\, Emily Krenik\, Florian Lochner\, Robert Rubama\, Kevin J Shannon\nMusic: Angus MacRae\, Natalia Tsupryk\, Brambles\, Cedric Vermue\, Richard Skelton\, Wolff Bergen\, Michael Wall\, Clem Leek\, Rob Lewis\nTechnical Director/Lighting Designer: Julie E. Ballard\nCostumes: FLOCK \nDuration: 1h 5′ without intermission \n  \nFLOCK \nAlice Klock and Florian Lochner met at Hubbard Street Dance Chicago and founded the dance company FLOCK in 2017\, through which they perform internationally and co-create new choreography for film and stage. Together\, they work as choreographers for various dance companies\, universities\, and cultural institutions including Hubbard Street Dance Chicago\, Whim W’Him\, Ballet Idaho\, Seattle Dance Collective\, Ballet Arkansas\, Emergence\, Goethe Institut\, Adaptations Dance Theater\, Alonzo King LINES Ballet BFA\, and 92nd Street Y. Their main goal for 2023 is to create and tour new FLOCK shows internationally with rotating teams of collaborators. In all their work\, they are committed to bringing artists and audiences together in open\, dynamic\, and joyful environments. \nFind out more \n \nINFO & TICKETS \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \nWINE TASTING AT FONDERIA \nFrom 8:00 PM to 9:00 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini.
URL:https://www.fndaterballetto.it/en/evento/somewhere-between/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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