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SUMMARY:CENERI – open rehearsal
DESCRIPTION:Monday 5 October\, at 6.00 pm\, the Fonderia audience will have the chance to meet the choreographer and watch the preparation of Ceneri\, the new creation by Marcos Morau that will premiere in November at the Teatro Valli in Reggio Emilia within the setting of Festival Aperto. \nOpen rehearsals are unique moments in which you can watch a performance take shape\, talk with the artists and be surprised by the art of dance: a special opportunity that lets the audience into the daily routine of dancers and choreographers. \n  
URL:https://www.fndaterballetto.it/en/evento/ceneri-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season September–December 2026
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DTSTART;TZID=Europe/Rome:20261008T203000
DTEND;TZID=Europe/Rome:20261008T213000
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SUMMARY:Dream Team
DESCRIPTION:Gauthier Dance Juniors opens the autumn season at the Fonderia with Dream Team.\nThursday 8 October 8.30 pm / Friday 9 October 8.30 pm \n Six young dancers\, six international choreographers\, six artistic universes: Dream Team is the new production by Gauthier Dance JUNIORS//Theaterhaus Stuttgart\, the young company founded by Eric Gauthier to give space to the new generation of dance and to support it along its artistic and professional path. \nFrom the dynamism of Lickety-Split by Alejandro Cerrudo to the sweeping FURIA by Marco Goecke\, from Ohad Naharin’s reworking of Boléro to the physicality of Aszure Barton\, through to the interpretations of Mauro de Candia and Virginie Brunelle\, the programme moves across profoundly different languages\, atmospheres and visions. A Dream Team in the most authentic sense of the term\, where young performers are called to test themselves against some of the most compelling names in international contemporary choreography. \n\n		\n		\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. High Moon – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. FURIA – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. La morte del cigno – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Bolero – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Lascilo Perdere / Duet – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Lickety Split- Ph. Jeanette Bak\n				\n		\n\nCREDITS \nAlejandro Cerrudo: Lickety-Split\nChoreography: Alejandro Cerrudo Choreographer’s assistant: Pablo Piantino Music: Devendra Banhart Costumes: Alejandro Cerrudo\, Rebecca Shouse Lighting design: Ryan O’Gara World premiere: Hubbard Street Dance Chicago\, Harris Theater for Music and Dance\, Chicago-IL\, 27.09.2006 \nDespite its title\, Lickety-Split comes across as a rather relaxed work and\, above all\, a very human and playful one. To the hypnotic notes of Californian indie singer-songwriter Devendra Banhart\, Alejandro Cerrudo\, at the time resident choreographer of the Hubbard Street Dance Company in Chicago\, stages the encounter of three couples: highly sensual\, refined and with a slightly eccentric streak. \nAnd it is precisely the tangible relationship between the three couples that keeps this work in the memory long after the performance ends. British dance critic David Mead described it this way in his review: a connection there\, visible to all. \nMarco Goecke: FURIA (for Gudrun)\nChoreography: Marco Goecke Music: Jakob David Rattinger\, Lina Tur Bonet & Musica Narrans – Folia Variations (After M. Marais & A. Corelli) Lighting design: Marco Goecke & Ludovico Pace Costumes: Michaela Springer Rehearsal direction: Ludovico Pace World premiere: Theaterhaus Stuttgart\, 23.01.2026 \nMarco Goecke dedicated his world premiere to costume designer and Theaterhaus Stuttgart co-founder Gudrun Schretzmeier\, who passed away in September 2025. \nCreated over an exhausting rehearsal period of just six days\, FURIA represents an attempt to capture time. As his musical model\, the choreographer\, a long-standing resident artist of Gauthier Dance\, chose the Baroque variations of the Folia by Marin Marais and Arcangelo Corelli: two compositions belonging to an era artistically obsessed with the fleeting nature of time. \n“You have to fight for the time that passes\,” the choreographer told the dancers during rehearsals\, “fight to hold on to time\, even when you realise it is slipping away.” \nOhad Naharin: B/olero\nChoreography: Ohad Naharin Music: Isao Tomita’s arrangement of Maurice Ravel’s Boléro Lighting design: Avi Yona (Bambi) Bueno Costumes: Eri Nakamura Restaging: Rachael Osborne and Ian Robinson \nIt is hard to think of a piece of music that has been translated into dance as often\, and in ways as varied and creative\, as Maurice Ravel’s Boléro. Ohad Naharin too let himself be inspired by this iconic piece\, but in his own way… \nNot only does the title B/olero contain a slash\, but the “Godfather of Gaga” also chose a synthesiser arrangement by Japanese composer Isao Tomita. \nAszure Barton: Lascilo Perdere / Duet\nChoreography: Aszure Barton Music: Antonio Vivaldi – Cum dederit (Andante) from Nisi Dominus (Psalm 126)\, R.608 Costumes: Deanna Berg MacLean Restaging: Tobin Del Cuore \nLascilo Perdere / Duet is part of an evening-length work originally created by Aszure Barton & Artists and first presented at Joyce SoHo in 2005. \nWith her pas de deux drawn from Lascilo Perdere (A Journey of Letting Go)\, originally created for her company AB&A in 2005\, Aszure Barton may have set a record for the longest and boldest kiss ever seen in a dance work. \nFor the entire duration of Antonio Vivaldi’s hypnotic Nisi Dominus – Cum Dederit\, the new resident artist draws a couple into an almost impossible physical trial. Vivaldi had certainly never been translated into dance in this way before! \nMauro de Candia: La morte del Cigno\nChoreography\, lighting and costumes: Mauro de Candia Music: Camille Saint-Saëns – Le Cygne from Le Carnaval des animaux World premiere: GBM Giovane Balletto Mediterraneo\, Teatro Guglielmi\, Massa (Italy)\, 5 January 2009 \nOriginally created in 1905 for prima ballerina Anna Pavlova\, Michel Fokine’s solo set to the dreamlike music of Camille Saint-Saëns’s The Carnival of the Animals has become an emblem of classical ballet. \nWith La morte del Cigno\, Italian choreographer Mauro de Candia offers a radically new vision of this iconic work. In his interpretation\, the dying swan is embodied not by a delicate ballerina in a tutu\, but by a male dancer. Without white feathers\, almost naked\, proud and defiant even in death. \nVirginie Brunelle: High Moon\nChoreography and costumes: Virginie Brunelle Choreographer’s assistant: Sophie Breton Composition: Laurier Rajotte Lighting design: Mario Daszenies World premiere: Theaterhaus Stuttgart\, 23.01.2025 \nVirginie Brunelle is regarded as one of the great promises of Canadian dance\, and Eric Gauthier too draws regularly on the talent of his compatriot. High Moon is her third creation for the company and has become one of the JUNIORS’ greatest successes: a young\, dynamic and uncompromising choreography with a club-like atmosphere\, accompanied by Laurier Rajotte’s original music\, inspired by Maurice Ravel’s Boléro. \nThe dance critic of the Stuttgarter Zeitung wrote: “Living tableaux dissolve into the fog; the wild\, darting movements to the techno beats set the oversized jackets dancing\, and the dream team literally bounces and sways as if in a trance. The audience was spellbound. A standing ovation!”Gauthier Dance Juniors \nGauthier Dance JUNIORS//Theaterhaus Stuttgart\, founded in January 2022 on the initiative of Eric Gauthier\, is a project that offers children and young people opportunities for movement and social interaction while\, at the same time\, creating new opportunities for training and professional growth for young dancers. The JUNIORS’ commitment is not limited to educational activity\, however: the company offers young dancers a path of artistic and professional development. In January 2024 came RENAISSANCE\, the first production entirely produced by the JUNIORS\, with new creations by Rena Butler and Barak Marshall and choreographies by Sharon Eyal\, Andonis Foniadakis and Marco Goecke\, as well as a short film by Eric Gauthier. In the 2024/25 season the company presented two productions\, including Dream Team\, with world premieres by Virginie Brunelle and Barak Marshall\, works by Alejandro Cerrudo and Nacho Duato and a podcast by Eric Gauthier. In July 2025\, Barak Marshall’s Barker became one of the great successes of the COLOURS International Dance Festival and\, from the 2025/26 season\, it was also adapted into a mobile format intended for schools. The press welcomed the JUNIORS’ journey with enthusiasm\, highlighting the quality of the young dancers\, the variety and strength of the programmes and describing the experience as a promising beginning for a young company of which\, one hopes\, we will hear and see much more. \nA few years were all it took for Eric Gauthier to go from charismatic soloist of the Stuttgart Ballet to internationally renowned choreographer and artistic director of one of the most successful dance companies in Germany. Thanks in part to his extraordinary networking skills\, world-renowned choreographers and talents from all over the world collaborate regularly with Gauthier Dance\, including resident artists Marco Goecke\, Hofesh Shechter\, Barak Marshall and Aszure Barton. Gauthier’s creations have entered the repertoire of major international companies\, including the Staatsballett Berlin\, the Stuttgart Ballet\, the Scapino Ballet Rotterdam\, Het Nationale Ballet Amsterdam and the Ballet Nacional de Cuba. His ironic parodies of the dance world Ballet 101\, Ballet 102 and ABC have become international hits. Gauthier has also tried his hand at other artistic genres\, creating choreographies for theatre productions\, music videos\, cinema and large-scale productions such as ARISE at the Friedrichstadtpalast in Berlin. In 2023 he made his directorial debut with La Fest\, commissioned by the Staatsoper Stuttgart\, while as presenter and dance expert of the SWR documentary series Dance Around the World he guides audiences in discovering the world’s great dance cities. His accolades include the 2011 German Dance Prize “Future” for choreography and two titles awarded by tanz magazine: “Great Hope” in 2016 and “Pioneer” in 2022. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/dream-team/2026-10-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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DTSTART;TZID=Europe/Rome:20261009T170000
DTEND;TZID=Europe/Rome:20261009T200000
DTSTAMP:20261001T060846
CREATED:20260625T102902Z
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SUMMARY:MicroDanze
DESCRIPTION:The MicroDanze at the Verdi Off of the Teatro Regio di Parma\nFriday 9 and Sunday 11 October 2026 at 9.00 pm \nThe Verdi Off Festival of the Teatro Regio di Parma hosts a roving itinerary made up of 6 MicroDanze that move through the cultural venues of Parma’s historic centre\, ending in the spaces of the Ridotto of the Teatro Regio. The MicroDanze are Afterimage by Philippe Kratz\, Eppur si muove by Francesca Lattuada\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj and Soft P. by Diego Tortelli. The sixth MicroDanza is a world premiere created for the Verdi Off\, by choreographer Dunja Jocić\, The Great Silence. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nAFTERIMAGE \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi  \nChoreography and set design Philippe Kratz\nMusic Pablo’s Eye\nVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nEPPUR SI MUOVE \nFND Aterballetto – MicroDanze – Eppur si muove by Francesca Lattuada – ph. Christophe Bernard (9)  \nChoreography Francesca Lattuada\nMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)\nCostumes Bruno Fatalot\nDuration 5 minutes / one dancer \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. His dance captivates and seduces\, as imposing as a song of prayer. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina Lesnakowski\nMusic Loscil\nSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.\nIt is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.\nCertain questions\, which can only become ever more pressing\, trace the path of this research work of mine.\nHow much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?\nAll things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.\nAnd so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nNEAR LIFE EXPERIENCE \n \nChoreography Angelin Preljocaj\nMusic Air (Jean-Benoit Dunckel\, Nicolas Godin) \nDuration 9 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza/Aterballetto\nco-production Fondazione Palazzo Magnani\nas part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nNear life experience is the exploration of the body’s different possibilities\, possibilities that refer to intermediate sensations. We approach this state when we are especially close to zones that hover on the boundary of existence\, which we reach when we faint\, or in a trance\, in moments of ecstasy or orgasm. The sense of ecstasy and of fading away\, of a dazzling sensation and the attempt to externalise individuality\, comes close to this experience. The subject is elsewhere\, carried away from themselves\, enraptured. Near life experience evokes all this; it is an attempt to withdraw oneself from space and time. A kind of eclipse of the self\, a search through this imaginary amnion — a new writing in the space left empty by the body. \nAngelin Preljocaj \nSOFT P. \n \nChoreography Diego Tortelli\nMusic Tindersticks\nDuration 6 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nTHE GREAT SILENCE \nChoreography Dunja Jocić\nDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto\nCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds.” It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension.
URL:https://www.fndaterballetto.it/en/evento/microdanze-11/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27
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DTSTART;TZID=Europe/Rome:20261009T203000
DTEND;TZID=Europe/Rome:20261009T213000
DTSTAMP:20261001T060846
CREATED:20260909T040629Z
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SUMMARY:Dream Team
DESCRIPTION:Gauthier Dance Juniors opens the autumn season at the Fonderia with Dream Team.\nThursday 8 October 8.30 pm / Friday 9 October 8.30 pm \n Six young dancers\, six international choreographers\, six artistic universes: Dream Team is the new production by Gauthier Dance JUNIORS//Theaterhaus Stuttgart\, the young company founded by Eric Gauthier to give space to the new generation of dance and to support it along its artistic and professional path. \nFrom the dynamism of Lickety-Split by Alejandro Cerrudo to the sweeping FURIA by Marco Goecke\, from Ohad Naharin’s reworking of Boléro to the physicality of Aszure Barton\, through to the interpretations of Mauro de Candia and Virginie Brunelle\, the programme moves across profoundly different languages\, atmospheres and visions. A Dream Team in the most authentic sense of the term\, where young performers are called to test themselves against some of the most compelling names in international contemporary choreography. \n\n		\n		\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. High Moon – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. FURIA – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. La morte del cigno – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Bolero – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Lascilo Perdere / Duet – Ph. Jeanette Bak\n				\n			\n				\n			\n				\n				Gauthier Dance JUNIORS\, Dream Team. Lickety Split- Ph. Jeanette Bak\n				\n		\n\nCREDITS \nAlejandro Cerrudo: Lickety-Split\nChoreography: Alejandro Cerrudo Choreographer’s assistant: Pablo Piantino Music: Devendra Banhart Costumes: Alejandro Cerrudo\, Rebecca Shouse Lighting design: Ryan O’Gara World premiere: Hubbard Street Dance Chicago\, Harris Theater for Music and Dance\, Chicago-IL\, 27.09.2006 \nDespite its title\, Lickety-Split comes across as a rather relaxed work and\, above all\, a very human and playful one. To the hypnotic notes of Californian indie singer-songwriter Devendra Banhart\, Alejandro Cerrudo\, at the time resident choreographer of the Hubbard Street Dance Company in Chicago\, stages the encounter of three couples: highly sensual\, refined and with a slightly eccentric streak. \nAnd it is precisely the tangible relationship between the three couples that keeps this work in the memory long after the performance ends. British dance critic David Mead described it this way in his review: a connection there\, visible to all. \nMarco Goecke: FURIA (for Gudrun)\nChoreography: Marco Goecke Music: Jakob David Rattinger\, Lina Tur Bonet & Musica Narrans – Folia Variations (After M. Marais & A. Corelli) Lighting design: Marco Goecke & Ludovico Pace Costumes: Michaela Springer Rehearsal direction: Ludovico Pace World premiere: Theaterhaus Stuttgart\, 23.01.2026 \nMarco Goecke dedicated his world premiere to costume designer and Theaterhaus Stuttgart co-founder Gudrun Schretzmeier\, who passed away in September 2025. \nCreated over an exhausting rehearsal period of just six days\, FURIA represents an attempt to capture time. As his musical model\, the choreographer\, a long-standing resident artist of Gauthier Dance\, chose the Baroque variations of the Folia by Marin Marais and Arcangelo Corelli: two compositions belonging to an era artistically obsessed with the fleeting nature of time. \n“You have to fight for the time that passes\,” the choreographer told the dancers during rehearsals\, “fight to hold on to time\, even when you realise it is slipping away.” \nOhad Naharin: B/olero\nChoreography: Ohad Naharin Music: Isao Tomita’s arrangement of Maurice Ravel’s Boléro Lighting design: Avi Yona (Bambi) Bueno Costumes: Eri Nakamura Restaging: Rachael Osborne and Ian Robinson \nIt is hard to think of a piece of music that has been translated into dance as often\, and in ways as varied and creative\, as Maurice Ravel’s Boléro. Ohad Naharin too let himself be inspired by this iconic piece\, but in his own way… \nNot only does the title B/olero contain a slash\, but the “Godfather of Gaga” also chose a synthesiser arrangement by Japanese composer Isao Tomita. \nAszure Barton: Lascilo Perdere / Duet\nChoreography: Aszure Barton Music: Antonio Vivaldi – Cum dederit (Andante) from Nisi Dominus (Psalm 126)\, R.608 Costumes: Deanna Berg MacLean Restaging: Tobin Del Cuore \nLascilo Perdere / Duet is part of an evening-length work originally created by Aszure Barton & Artists and first presented at Joyce SoHo in 2005. \nWith her pas de deux drawn from Lascilo Perdere (A Journey of Letting Go)\, originally created for her company AB&A in 2005\, Aszure Barton may have set a record for the longest and boldest kiss ever seen in a dance work. \nFor the entire duration of Antonio Vivaldi’s hypnotic Nisi Dominus – Cum Dederit\, the new resident artist draws a couple into an almost impossible physical trial. Vivaldi had certainly never been translated into dance in this way before! \nMauro de Candia: La morte del Cigno\nChoreography\, lighting and costumes: Mauro de Candia Music: Camille Saint-Saëns – Le Cygne from Le Carnaval des animaux World premiere: GBM Giovane Balletto Mediterraneo\, Teatro Guglielmi\, Massa (Italy)\, 5 January 2009 \nOriginally created in 1905 for prima ballerina Anna Pavlova\, Michel Fokine’s solo set to the dreamlike music of Camille Saint-Saëns’s The Carnival of the Animals has become an emblem of classical ballet. \nWith La morte del Cigno\, Italian choreographer Mauro de Candia offers a radically new vision of this iconic work. In his interpretation\, the dying swan is embodied not by a delicate ballerina in a tutu\, but by a male dancer. Without white feathers\, almost naked\, proud and defiant even in death. \nVirginie Brunelle: High Moon\nChoreography and costumes: Virginie Brunelle Choreographer’s assistant: Sophie Breton Composition: Laurier Rajotte Lighting design: Mario Daszenies World premiere: Theaterhaus Stuttgart\, 23.01.2025 \nVirginie Brunelle is regarded as one of the great promises of Canadian dance\, and Eric Gauthier too draws regularly on the talent of his compatriot. High Moon is her third creation for the company and has become one of the JUNIORS’ greatest successes: a young\, dynamic and uncompromising choreography with a club-like atmosphere\, accompanied by Laurier Rajotte’s original music\, inspired by Maurice Ravel’s Boléro. \nThe dance critic of the Stuttgarter Zeitung wrote: “Living tableaux dissolve into the fog; the wild\, darting movements to the techno beats set the oversized jackets dancing\, and the dream team literally bounces and sways as if in a trance. The audience was spellbound. A standing ovation!”Gauthier Dance Juniors \nGauthier Dance JUNIORS//Theaterhaus Stuttgart\, founded in January 2022 on the initiative of Eric Gauthier\, is a project that offers children and young people opportunities for movement and social interaction while\, at the same time\, creating new opportunities for training and professional growth for young dancers. The JUNIORS’ commitment is not limited to educational activity\, however: the company offers young dancers a path of artistic and professional development. In January 2024 came RENAISSANCE\, the first production entirely produced by the JUNIORS\, with new creations by Rena Butler and Barak Marshall and choreographies by Sharon Eyal\, Andonis Foniadakis and Marco Goecke\, as well as a short film by Eric Gauthier. In the 2024/25 season the company presented two productions\, including Dream Team\, with world premieres by Virginie Brunelle and Barak Marshall\, works by Alejandro Cerrudo and Nacho Duato and a podcast by Eric Gauthier. In July 2025\, Barak Marshall’s Barker became one of the great successes of the COLOURS International Dance Festival and\, from the 2025/26 season\, it was also adapted into a mobile format intended for schools. The press welcomed the JUNIORS’ journey with enthusiasm\, highlighting the quality of the young dancers\, the variety and strength of the programmes and describing the experience as a promising beginning for a young company of which\, one hopes\, we will hear and see much more. \nA few years were all it took for Eric Gauthier to go from charismatic soloist of the Stuttgart Ballet to internationally renowned choreographer and artistic director of one of the most successful dance companies in Germany. Thanks in part to his extraordinary networking skills\, world-renowned choreographers and talents from all over the world collaborate regularly with Gauthier Dance\, including resident artists Marco Goecke\, Hofesh Shechter\, Barak Marshall and Aszure Barton. Gauthier’s creations have entered the repertoire of major international companies\, including the Staatsballett Berlin\, the Stuttgart Ballet\, the Scapino Ballet Rotterdam\, Het Nationale Ballet Amsterdam and the Ballet Nacional de Cuba. His ironic parodies of the dance world Ballet 101\, Ballet 102 and ABC have become international hits. Gauthier has also tried his hand at other artistic genres\, creating choreographies for theatre productions\, music videos\, cinema and large-scale productions such as ARISE at the Friedrichstadtpalast in Berlin. In 2023 he made his directorial debut with La Fest\, commissioned by the Staatsoper Stuttgart\, while as presenter and dance expert of the SWR documentary series Dance Around the World he guides audiences in discovering the world’s great dance cities. His accolades include the 2011 German Dance Prize “Future” for choreography and two titles awarded by tanz magazine: “Great Hope” in 2016 and “Pioneer” in 2022. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/dream-team/2026-10-09/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261011T150000
DTEND;TZID=Europe/Rome:20261011T183000
DTSTAMP:20261001T060846
CREATED:20260910T074401Z
LAST-MODIFIED:20260930T110205Z
UID:10004640-1791730800-1791743400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:The MicroDanze at the Verdi Off of the Teatro Regio di Parma\n Friday 9 and Sunday 11 October 2026 at 9.00 pm \nThe Verdi Off Festival of the Teatro Regio di Parma hosts a roving itinerary made up of 6 MicroDanze that move through the cultural venues of Parma’s historic centre\, ending in the spaces of the Ridotto of the Teatro Regio. The MicroDanze are Afterimage by Philippe Kratz\, Eppur si muove by Francesca Lattuada\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj and Soft P. by Diego Tortelli. The sixth MicroDanza is a world premiere created for the Verdi Off\, by choreographer Dunja Jocić\, The Great Silence. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nAFTERIMAGE \nFND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi  \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nEPPUR SI MUOVE \nFND Aterballetto – MicroDanze – Eppur si muove by Francesca Lattuada – ph. Christophe Bernard (9)  \nChoreography Francesca LattuadaMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)Costumes Bruno FatalotDuration 5 minutes / one dancer \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. His dance captivates and seduces\, as imposing as a song of prayer. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nNEAR LIFE EXPERIENCE \n \nChoreography Angelin PreljocajMusic Air (Jean-Benoit Dunckel\, Nicolas Godin) Duration 9 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nNear life experience is the exploration of the body’s different possibilities\, possibilities that refer to intermediate sensations. We approach this state when we are especially close to zones that hover on the boundary of existence\, which we reach when we faint\, or in a trance\, in moments of ecstasy or orgasm. The sense of ecstasy and of fading away\, of a dazzling sensation and the attempt to externalise individuality\, comes close to this experience. The subject is elsewhere\, carried away from themselves\, enraptured. Near life experience evokes all this; it is an attempt to withdraw oneself from space and time. A kind of eclipse of the self\, a search through this imaginary amnion — a new writing in the space left empty by the body. \nAngelin Preljocaj \nSOFT P. \n \nChoreography Diego TortelliMusic TindersticksDuration 6 minutes / two dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds.” It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension.
URL:https://www.fndaterballetto.it/en/evento/microdanze-12/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261013T183000
DTEND;TZID=Europe/Rome:20261013T213000
DTSTAMP:20261001T060846
CREATED:20260625T102725Z
LAST-MODIFIED:20260930T132351Z
UID:10004642-1791916200-1791927000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Aperto\, CCN/Aterballetto explores the Teatro Ariosto in Reggio Emilia with the MicroDanze\nTeatro Ariosto\, Tuesday 13 and Wednesday 14 October 2026\, 6.30 pm / 7.30 pm / 8.30 pm \nOn Tuesday 13 and Wednesday 14 October the Teatro Ariosto in Reggio Emilia\, as part of Festival Aperto\, hosts 5 MicroDanze: Platform02 by Ina Lesnakowski\, Terra Piccola by Antonella Bertoni\, Afterimage by Philippe Kratz\, Soft P. by Diego Tortelli and the new production The Great Silence by Dunja Jocić. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes / one dancer \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nAFTERIMAGE \n \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nSOFT P. \n \nChoreography Diego TortelliMusic TINDERSTICKSDuration 6 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \n  \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds”. It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-13/
LOCATION:Teatro Ariosto\, Corso Benedetto Cairoli 1\, Reggio Emilia\, 42121\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261014T183000
DTEND;TZID=Europe/Rome:20261014T213000
DTSTAMP:20261001T060846
CREATED:20260925T103421Z
LAST-MODIFIED:20260930T132542Z
UID:10004643-1792002600-1792013400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Aperto\, CCN/Aterballetto explores the Teatro Ariosto in Reggio Emilia with the MicroDanze\nTeatro Ariosto\, Tuesday 13 and Wednesday 14 October 2026\, 6.30 pm / 7.30 pm / 8.30 pm \nOn Tuesday 13 and Wednesday 14 October the Teatro Ariosto in Reggio Emilia\, as part of Festival Aperto\, hosts 5 MicroDanze: Platform02 by Ina Lesnakowski\, Terra Piccola by Antonella Bertoni\, Afterimage by Philippe Kratz\, Soft P. by Diego Tortelli and the new production The Great Silence by Dunja Jocić. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nPLATFORM02 \n© Festival de Granada | Fermín Rodríguez  \nChoreography Ina LesnakowskiMusic LoscilSet design Carlo Cerri \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nPlatform02 is my first approach to choreography. The idea that inspired me is simple.It is the challenge posed to a dancer to adapt their movement to a space that is continually reduced. A concept that fits well with the framework of the MicroDanze project\, where the dancer is already required to perform in a limited space.Certain questions\, which can only become ever more pressing\, trace the path of this research work of mine.How much space do we give ourselves\, and how much do we need? What are the consequences of an ever-smaller space for everyone? How much space do we want to leave to other species and to nature?All things in life need space and resources to thrive: this holds for ourselves\, for nature\, for the arts.And so\, starting from here\, together with Saul Daniele Ardillo I wanted to play with the relationship between space\, the platform we are given\, and movement — its qualities\, its possibilities and its limits. \nIna Lesnakowski \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes / one dancer \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nAFTERIMAGE \n \nChoreography and set design Philippe KratzMusic Pablo’s EyeVideo projections OOOPSTUDIO \nA production by Fondazione Nazionale della Danza/Aterballettoco-production Fondazione Palazzo Magnanias part of An ideal city\, a public art project in partnership with Les Halles de Schaerbeek – Brussels and Greek National Opera – Athens\, co-financed by the European Union’s Creative Europe programme \nAfterimage (that is\, “the residual image” — the persistence on the iris of the colours we have stared at intently and at length) takes its cue from a personal account by the performer\, developed on three levels that interact with one another: the form of the movement\, the atmosphere of the sound experience and the colour represented by the video-animated projections. \nIn this case\, however\, Afterimage also translates as the persistence of a lived memory before our eyes\, one that we do not necessarily relive chronologically\, but that remains impressed upon us like a sensation into which we enter completely. \nSOFT P. \n \nChoreography Diego TortelliMusic TINDERSTICKSDuration 6 minutes / 2 dancers \nA production by Fondazione Nazionale della Danza / Aterballetto \nSoft P. is a work for two bodies and a close gaze. The audience watches from up close\, entering into a direct\, almost tactile relationship. It is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \n  \nTHE GREAT SILENCE \nChoreography Dunja JocićDuration 10 minutes / two dancers \nA production by Fondazione Nazionale della Danza / AterballettoCo-production Teatro Regio di Parma / Festival Verdi \nThe Great Silence draws its inspiration from the theme of this year’s edition of the Festival Verdi\, “Distant worlds”. It explores the idea of distance\, silence and connection between possible universes\, turning into gesture and movement concepts that belong as much to the cosmos as to the inner dimension. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-14/
LOCATION:Teatro Ariosto\, Corso Benedetto Cairoli 1\, Reggio Emilia\, 42121\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/250629-CCN-Aterballetto-MicroDanzas-Platform-Aljibes-F.-Rodriguez-Acosta-T.-Bermejas-Fermin-Rodriguez_089.jpg
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DTSTART;TZID=Europe/Rome:20261015T203000
DTEND;TZID=Europe/Rome:20261015T210000
DTSTAMP:20261001T060846
CREATED:20260921T160717Z
LAST-MODIFIED:20260930T112701Z
UID:10004641-1792096200-1792098000@www.fndaterballetto.it
SUMMARY:POSSO SOLO CREDERE AD UNA DEA CHE DANZA
DESCRIPTION:At the Fonderia\, dancers in revolution: Marianna Basso goes back to the early 1900s.\n \nThursday 15 October 8.30 pm – premiere \nIn 1900 Frank Wedekind wrote a perfect tale\, Mine Haha\, about a dance school that is also a place of imprisonment. It was this dark fairy tale that inspired Dario Argento’s Suspiria. Luca Scarlini tells this dark fairy tale together with the revolution in dance brought about at the beginning of the 1900s by a series of extraordinary women dancers\, between the United States and Europe. They often had no classical training\, or they moved across other art forms. In this context\, Marianna Basso does not reproduce famous choreographies\, but revisits territories of the choreographic imagination that radically changed the twentieth century. \nCREDITS \nA danced fairy tale based on Mine-Haha by Frank Wedekindand on the dances of Charlotte Bara\, Anita Berber\, Clotilde von Derp\, Anieka Leggett\, Mary WigmanChoreography: Marianna BassoWith: Marianna Basso\, Vitapia Motta\, Linda PasquiniMusic: Spartaco Cortesi \nA production by Stazione UtopiaWith the support of the Ministry of Culture and SIAE\, as part of the “Per Chi Crea” programmeIn collaboration with CCN/Aterballetto \nMarianna Basso \nMarianna Basso is a freelance choreographer\, performer and\, since 2022\, co-director of the collective NANOUK.An associate artist supported by HOUSE OF IVONA (Pablo Girolami)\, she develops a research into the human with a strong focus on authorial growth; her creations have been programmed by leading national and international venues and festivals such as Festival Aperto\, Mas Danza Festival\, Tanzplattform Bern\, Nutida Festival\, VISAVÌ and others.In parallel she founded ACNE\, Junior Company\, out of a deep need to support young talent and bring it into the professional world\, with the support of Il Gecko Tarantasca ssdarl. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/posso-solo-credere-ad-una-dea-che-danza/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261022T203000
DTEND;TZID=Europe/Rome:20261022T213000
DTSTAMP:20261001T060846
CREATED:20260909T041824Z
LAST-MODIFIED:20260909T042208Z
UID:10004593-1792701000-1792704600@www.fndaterballetto.it
SUMMARY:The Wall_Dance Tribute
DESCRIPTION:At the Fonderia\, MMCDC dances in the footsteps of The Wall.\nThursday 22 October 8.30 pm \n The Wall_Dance Tribute\, with the dancers of the MM Contemporary Dance Company\, directed by Michele Merola\, and actor Jacopo Trebbi\, comes to life from the Pink Floyd’s historic concept album (1979). \nThe Wall is an act of protest against a society that denies the individual the possibility of being free and authentic. The story of the rock star Pink\, Roger Waters’s alter ego\, unfolds through the album’s tracks: a mother’s suffocating love\, a marriage marked by absence\, drugs\, the father’s death in the war\, the bullying of a frustrated teacher and the pressures of show business become\, one after another\, the bricks of a wall that separates the man from the world. \nYet in the darkest and most alienating moment\, the will emerges to tear down that wall\, to break free from oppression and strip away the masks. \n https://vimeo.com/1176650427 \nCREDITS \nCompany: MM Contemporary Dance CompanyChoreography: Michele MerolaMusic: Pink FloydDirection: Manuel RengaDramaturgy: Emanuele AldrovandiVideo direction: Fabio Massimo IaquoneLighting design: Gessica GerminiCostumes: Nuvia ValestriActor: Jacopo TrebbiDancers: Filippo Begnozzi\, Mario Genovese\, Paolo Giovanni Grosso\, Aurora Lattanzi\, Fabiana Lonardo\, Federico Musumeci\, Giorgia Raffetto\, Alice Ruspaggiari\, Diletta Savini\, Nicola Stasi\, Giuseppe Villarosa \nProduction Fondazione Teatro Comunale di Ferrara\, Fondazione I Teatri di Reggio Emilia\, Ravenna Festival\, MM Contemporary Dance Company \nMMCDC \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 in Reggio Emilia. \nThe company’s repertoire is rich and varied\, thanks to the works of Michele Merola and of European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Silvia Gribaudi\, Enrico Morelli and many others. \nIn 2010 the MM Contemporary Dance Company won the prestigious Premio Danza&Danza as best emerging company\, and today it is\, to all intents and purposes\, a centre of excellence in Italian dance\, with a well-established programme of performances throughout the country. In recent years it has won over an international market\, with performances in European and non-European countries. \nIn 2022 MMCDC won the Premio Danza&Danza for best Italian production with the show Ballade (chor. Mauro Bigonzetti\, Enrico Morelli) and in 2024 the Premio Danza&Danza for the Enhancement of Repertoire\, for Maguy Marin’s Grosse Fugue. \nMichele Merola \nMichele Merola is artistic director of the MM Contemporary Dance Company\, the contemporary dance company he founded in 1999 in Reggio Emilia. With it\, Merola has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, winner of the Anita Bucchi prize in 2010\, and Bolero\, Premio Europaindanza 2017 – Award of Merit for choreography. \nSince 2000 he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theatre\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. In 2003 he won the International Choreography Competition in Hannover\, in 2008 the Premio Positano Leonide Massine for the Art of Dance\, in 2016 the Premio Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Premio Incontro con la Danza of Basilicata ArteDanza\, and in 2019 the Premio Metti le ali al Talento for his career and artistic direction of MMCDC. \nSince 2010 Merola has been\, together with Enrico Morelli\, artistic director of the Agora Coaching Project\, a professional development programme for dancers based in Reggio Emilia. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTATTI \nCell and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/the-wall_dance-tribute/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261026T180000
DTEND;TZID=Europe/Rome:20261026T190000
DTSTAMP:20261001T060846
CREATED:20260909T053606Z
LAST-MODIFIED:20260909T053606Z
UID:10004604-1793037600-1793041200@www.fndaterballetto.it
SUMMARY:DOPPIOGIOCO – open rehearsal
DESCRIPTION:Monday 26 October\, at 6.00 pm\, the Fonderia audience will have the chance to meet the choreographer and watch the preparation of DOPPIOGIOCO\, the new creation by Philippe Kratz with dramaturgy and set design by Fabio Cherstich\, which will premiere in November at the Teatro Valli in Reggio Emilia within the setting of Festival Aperto. \nOpen rehearsals are unique moments in which you can watch a performance take shape\, talk with the artists and be surprised by the art of dance: a special opportunity that lets the audience into the daily routine of dancers and choreographers. \n  
URL:https://www.fndaterballetto.it/en/evento/doppiogioco-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261104T203000
DTEND;TZID=Europe/Rome:20261104T214000
DTSTAMP:20261001T060846
CREATED:20260909T042603Z
LAST-MODIFIED:20260930T133254Z
UID:10004594-1793824200-1793828400@www.fndaterballetto.it
SUMMARY:Un canto necessario (Antigone) - premiere
DESCRIPTION:Natiscalzi’s Antigone at Danza in Fonderia.\n \nWednesday 4 November 8.30 pm \nWhere does the possibility of saying “no” reside today? What does it mean to “witness” in a world saturated with images of suffering? Are we witnesses or accomplices? And what does the ancient gesture of burying our dead ask of us? What social pact are we willing to break for an act of pure compassion?ANTIGONE resounds once more. It returns as sound (Mendelssohn and Cordaro). It returns as body (the ensemble of dancers). It returns as a question. In Natiscalzi‘s project\, this return transforms the stage into a site of physical research on the crisis of dualism\, into a territory of conflict but also into a contemporary rite capable of generating urgent questions.This year too\, the company continues its research through a dialogue with the classics\, starting from Sophocles’s Antigone and its most contemporary reworkings\, to immerse itself in the questions of the present time. \nCREDITS \nConcept: Natiscalzi DTChoreography: Claudia Rossi Valli and Tommaso MonzaWith: Marco Bissoli\, Julia Canard\, Serena Gelsomini\, Alberto Gnola\, Elena Grappi\, Federico RussoSound design and original music: Giuseppe CordaroVoice and singing: Francesca SartoratoVideo: Natiscalzi DTProduction cinqueminuti APS/R.A.D. Rete Artistica Danzawith the support of MIC and Regione Emilia-Romagna \nNatiscalzi \nNatiscalzi Danza Teatro was born from the shared creative path of Tommaso Monza and Claudia Rossi Valli\, a collaboration that began in 2012 and has been carried forward successfully over the years. The company initially developed as an offshoot of the Abbondanza/Bertoni company\, before asserting its own independent identity in 2016\, establishing itself as a cultural association after years of projects\, productions\, residencies and tours. \nAperitif \nFrom 7.30 pm to 8.30 pmAperitif in collaboration with Georgette. \n \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/antigone-un-canto-necessario-premiere/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261107T203000
DTEND;TZID=Europe/Rome:20261107T220000
DTSTAMP:20261001T060846
CREATED:20260710T122825Z
LAST-MODIFIED:20260921T112844Z
UID:10004555-1794083400-1794088800@www.fndaterballetto.it
SUMMARY:CENERI / DOPPIOGIOCO
DESCRIPTION:  \nOn the occasion of Festival Aperto\, CCN/Aterballetto presents the world premieres of Ceneri by Marcos Morau and DOPPIOGIOCO by Philippe Kratz.\nTeatro Municipale Romolo Valli – Saturday 7 November 2026 at 8.30 pm and Sunday 8 November 2026 at 5.00 pm \nThe Centro Coreografico Nazionale / Aterballetto presents the world premiere of an evening made up of two new creations by some of the most compelling authors on the contemporary scene: Ceneri by Marcos Morau and DOPPIOGIOCO by Philippe Kratz\, with dramaturgy and set design by Fabio Cherstich. \nA performance marking Marcos Morau’s return to CCN/Aterballetto following the success of Notte Morricone. For his new creation\, Ceneri\, the choreographer draws inspiration from Le ceneri di Gramsci\, a musical adaptation of Pier Paolo Pasolini’s poetry collection\, composed as a choral oratorio by Giovanna Marini\, as a starting point for a reflection on community\, its loss\, and what remains when a collective form dissolves. Alongside it\, Philippe Kratz\, a former lead dancer of the company and a choreographer well established on the international scene\, creates DOPPIOGIOCO\, a new work for eight dancers in which basketball becomes a metaphor for conflict\, belonging and sudden synchronisation. Two different languages that together question how bodies organise\, divide and recompose themselves. \nCENERI \nCeneri \nDirection and choreography Marcos Morau\nMusic Le ceneri di Gramsci by Giovanna Marini. Recording release “I Dischi di Angelica” – Block Nota\, 2006\nSound design and original music Alex Röser Vatiché\, Ben Meerwein\nCostume design Silvia Delagneau\nLighting design CUBE.bz\nChoreographer’s assistants Shay Partush\, Fabio Calvisi\nSpecial thanks to Sartoria Fondazione I Teatri \nProduction Fondazione Nazionale Della Danza / Aterballetto\nCo-Production Festival Aperto / Fondazione I Teatri di Reggio Emilia\nIn collaboration with AngelicA | Music Research Centre – Bologna \nWhat begins as a collective celebration gradually turns into a ceremony of farewell. Some bodies are pushed away\, veiled and symbolically buried by those who remain. Ash and water fall upon them in a gesture that wavers between punishment\, mourning and blessing.\nSince ancient times\, communities have built rituals to honour their dead and safeguard their memory. To bury\, cover\, wash or keep vigil over a body has never been merely an act of farewell\, but also a way of acknowledging that individual existence lives on within collective history. The dead remain among the living through remembrance\, shared stories and the gestures that a community chooses to preserve.\nIn Ceneri\, ash evokes both disappearance and permanence. It is what remains after the passage of time\, but it is also the material trace of a life that refuses to vanish completely. Water\, by contrast\, acts as an element of transition and transformation: it purifies\, accompanies\, blesses and allows the passage from one state to another. Together\, ash and water turn the scene into an ambiguous rite\, in which we do not know whether we are witnessing an expulsion\, a funeral or a gesture of collective love.\nDance\, word\, music and the force of the chorus transform the stage into a space of political and emotional confrontation. As in Pasolini\, the ashes are not merely the residue of something that has vanished. They are the persistent trace of a question that continues to accompany us.\nThe most contemporary image of the work is not only that of a community immunising itself against the other\, but that of a generation desperately seeking to belong to something while fearing the loss of what makes it unique. In this tension\, Gramsci\, Pasolini and our present converge. \nMarcos Morau – director and choreographer \nDOPPIOGIOCO \nDOPPIOGIOCO \nChoreography Philippe Kratz\nDramaturgy and set design Fabio Cherstich\nAdditional music Various artists\nSound design and original music Luca Maria Baldini\nCostume design Patricia Villirillo\nCostume making Nuvia Valestri\nLighting design Valerio Tiberi \nProduction Fondazione Nazionale della Danza / Aterballetto\nCo-Production Festival Aperto / Fondazione I Teatri di Reggio Emilia \nInside a black box\, the space is etched with strips of white light: a ring\, a court\, a boundary that presumes to decide who we are. Two twin hoops\, doubled\, are motionless sentinels\, totems of conquest and failure\, targets that shine or dim depending on who looks at them. Everything is ready and nothing is stable: the game can begin at any moment\, even when no one is truly ready.\nThe bodies enter\, recognise one another\, distrust one another\, split into teams without knowing why\, form alliances by instinct\, betray one another out of necessity. Every gesture is an attempt\, quivering like an omen; every step is a calculation or a tremor. The warm-up does not prepare — it reveals: the tensions\, the suspicions\, the silences before the burst.\nAt the centre\, the ball. Weight\, promise\, threat. When it falls\, it explodes: it is not a bounce but a bomb that opens cracks in the ground\, in the breath\, in the relationship between the bodies. Every pass is a risk\, every shot a confession. You entrust yourself to the other by instinct\, or you strike them with the precision of a necessary gesture. You protect and you wound with the very same energy.\nBlind shots cross the air like prayers or challenges flung into the void: whoever throws cannot know whether they will hit the target or the memory of a missed intention. In that suspended instant everyone holds their breath: it is not the basket that matters\, but the courage not to look\, to let go of what cannot be controlled.\nAnd then the group explodes\, implodes\, devours itself\, sustains itself. One against all. All against one. Crowd against solitude\, and a solitude that at times cries out louder than the crowd. Rules exist only to be broken; the ring is a cage only for those who do not dare to cross it. You push one another\, lift one another\, obstruct one another as in every day of our lives\, where love and competition coexist in the same gesture.\nBut at a certain point\, without warning\, the bodies synchronise. The two teams dissolve\, recomposing into a single breathing creature. It is a fragile\, absolute moment: the geometry of the court becomes a guide\, no longer a barrier. Conflict turns into dance\, struggle becomes listening. There is no longer a victory to seek\, only a sudden equilibrium\, precious as a truce.\nThen chaos returns\, because it is in our nature. Alliances come undone\, the ball’s trajectory breaks again in the air\, multiplying like doubts\, like attempts. The balls fall one after another\, slow bombs that recount what has been lost and what might still come to pass. \nFabio Cherstich – Dramaturgy and set design
URL:https://www.fndaterballetto.it/en/evento/ceneri-doppiogioco-2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261110T180000
DTEND;TZID=Europe/Rome:20261110T190000
DTSTAMP:20261001T060846
CREATED:20260909T043509Z
LAST-MODIFIED:20260909T044416Z
UID:10004595-1794333600-1794337200@www.fndaterballetto.it
SUMMARY:Mystery Sonata
DESCRIPTION:The Compagnia EgriBianco breaks down danza in Fonderia.\nTuesday 10 November 6.00 pm – open rehearsal and 8.30 pm – performance \n MYSTERY SONATA is a “modular” performance\, one that can be broken down and reassembled in relation to the spaces that host it. A performance with no true beginning or end\, conceived in 2013 for the spaces of the Fondazione Sandretto Re Rebaudengo. \nAt the heart of the work are the co-presence of multiple realities and spatial dimensions and their mutual influence\, together with the theme of spiritual heritage and its echo\, whether direct or indirect. \nThe choreographer thus reflects on the boundaries of our actions: where do they begin and end\, and what remains of us in others? What is the true nature of things and\, above all\, what relationship exists between the two? \nhttps://www.youtube.com/watch?v=qMi_V7hsGxU&feature=youtu.be \nCREDITS \nConcept and choreography: Raphael BiancoMusic: F.I.Von BiberSound design: Ivan BertCostumes: Melissa BoltriSet design: Alis-FilliolDancers: EgriBiancoDanza \nProduction Fondazione Egri – Centro di Rilevante Interesse Nazionale per la DanzaWith the support of MIC – Ministero della Cultura\, Regione Piemonte\, Fondazione CRTIn collaboration with Fondazione Sandretto Re Rebaudengo \nEgriBianco Danza \nThe Compagnia EgriBiancoDanza\, directed by Susanna Egri and Raphael Bianco\, was founded in Turin in 1999. Inheriting the more than thirty years of experience of the previous company “I Balletti di Susanna Egri\,” it stands out for a repertoire of works rich in social and spiritual values\, created by Raphael Bianco and by choreographers from the Italian and international arts scene. The Compagnia EgriBiancoDanza embodies some of the distinctive traits of the Fondazione Egri per la Danza: curiosity\, roots and innovation\, research and sharing — values that are asked of all the company’s artists. From theatrical performances to installations and site-specific works\, EgriBiancoDanza is made up of permanent dancers drawn from high-level professional backgrounds and possesses a solid repertoire. \nINFO & TICKETS \nTICKETS \nOpen rehearsal Tuesday 10 November 6.00 pm \nFull price: 3 eurosFree for under-6s \nPerformance Tuesday 10 November 8.30 pm \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/mystery-sonata/2026-11-10/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261110T203000
DTEND;TZID=Europe/Rome:20261110T213000
DTSTAMP:20261001T060846
CREATED:20260909T043509Z
LAST-MODIFIED:20260909T044416Z
UID:10004596-1794342600-1794346200@www.fndaterballetto.it
SUMMARY:Mystery Sonata
DESCRIPTION:The Compagnia EgriBianco breaks down danza in Fonderia.\nTuesday 10 November 6.00 pm – open rehearsal and 8.30 pm – performance \n MYSTERY SONATA is a “modular” performance\, one that can be broken down and reassembled in relation to the spaces that host it. A performance with no true beginning or end\, conceived in 2013 for the spaces of the Fondazione Sandretto Re Rebaudengo. \nAt the heart of the work are the co-presence of multiple realities and spatial dimensions and their mutual influence\, together with the theme of spiritual heritage and its echo\, whether direct or indirect. \nThe choreographer thus reflects on the boundaries of our actions: where do they begin and end\, and what remains of us in others? What is the true nature of things and\, above all\, what relationship exists between the two? \nhttps://www.youtube.com/watch?v=qMi_V7hsGxU&feature=youtu.be \nCREDITS \nConcept and choreography: Raphael BiancoMusic: F.I.Von BiberSound design: Ivan BertCostumes: Melissa BoltriSet design: Alis-FilliolDancers: EgriBiancoDanza \nProduction Fondazione Egri – Centro di Rilevante Interesse Nazionale per la DanzaWith the support of MIC – Ministero della Cultura\, Regione Piemonte\, Fondazione CRTIn collaboration with Fondazione Sandretto Re Rebaudengo \nEgriBianco Danza \nThe Compagnia EgriBiancoDanza\, directed by Susanna Egri and Raphael Bianco\, was founded in Turin in 1999. Inheriting the more than thirty years of experience of the previous company “I Balletti di Susanna Egri\,” it stands out for a repertoire of works rich in social and spiritual values\, created by Raphael Bianco and by choreographers from the Italian and international arts scene. The Compagnia EgriBiancoDanza embodies some of the distinctive traits of the Fondazione Egri per la Danza: curiosity\, roots and innovation\, research and sharing — values that are asked of all the company’s artists. From theatrical performances to installations and site-specific works\, EgriBiancoDanza is made up of permanent dancers drawn from high-level professional backgrounds and possesses a solid repertoire. \nINFO & TICKETS \nTICKETS \nOpen rehearsal Tuesday 10 November 6.00 pm \nFull price: 3 eurosFree for under-6s \nPerformance Tuesday 10 November 8.30 pm \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/mystery-sonata/2026-11-10/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261113T180000
DTEND;TZID=Europe/Rome:20261113T190000
DTSTAMP:20261001T060846
CREATED:20260730T111425Z
LAST-MODIFIED:20260930T133441Z
UID:10004649-1794592800-1794596400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Xenos\, CCN/Aterballetto explores the Santa Maria della Scala museum complex in Siena with the MicroDanze.\nSanta Maria della Scala\, Friday 13 November 2026\, 6.00 pm / 8.00 pm \nOn Friday 13 November the Santa Maria della Scala museum complex\, as part of Festival Xenos\, hosts 4 MicroDanze: Eppur si muove by Francesca Lattuada\, Terra Piccola by Antonella Bertoni\, Soft P. by Diego Tortelli and An Echo\, A Wave by Philippe Kratz. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nEPPUR SI MUOVE \n \nChoreography Francesca LattuadaMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)Costumes Bruno Fatalot\nDancer Vittoria Franchina\nDuration 5 minutes \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. Her dance captivates and seduces\, as imposing as a song of prayer. \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nDancer Matilde Di Ciolo\nA production by Fondazione Nazionale della Danza / Aterballetto \nDuration 10 minutes \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nSOFT P. \n \nChoreography Diego TortelliMusic Tindersticks\nDancers Veronica Galdo\, Matteo Capetola\nA production by Fondazione Nazionale della Danza / AterballettoDuration 6 minutes \nIt is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nIn being watched and in watching\, a subtle\, shared emotional tension arises\, made of respect and mutual vulnerability. A closeness that does not intrude\, but grazes. \nAN ECHO\, A WAVE \n \nChoreography by Philippe KratzSound designer Tommaso Michelini\nDancers Gaia Mondini\, Kiran Gezels\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes \nA duet inspired by the Mediterranean as a symbolic space of encounters\, departures and transformations\, in which the dancers’ movement mirrors the unbroken flow of the sea and its contradictions: wonder and tragedy\, closeness and distance. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-15/2026-11-13/1/
LOCATION:Santa Maria della Scala\, Piazza del Duomo\, 1\, Siena\, 53100\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/CCNAterballetto-Soft-P-ph.-Valeria-Civardi-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261113T200000
DTEND;TZID=Europe/Rome:20261113T210000
DTSTAMP:20261001T060846
CREATED:20260730T111425Z
LAST-MODIFIED:20260930T133441Z
UID:10004650-1794600000-1794603600@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:At Festival Xenos\, CCN/Aterballetto explores the Santa Maria della Scala museum complex in Siena with the MicroDanze.\nSanta Maria della Scala\, Friday 13 November 2026\, 6.00 pm / 8.00 pm \nOn Friday 13 November the Santa Maria della Scala museum complex\, as part of Festival Xenos\, hosts 4 MicroDanze: Eppur si muove by Francesca Lattuada\, Terra Piccola by Antonella Bertoni\, Soft P. by Diego Tortelli and An Echo\, A Wave by Philippe Kratz. \nMicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate\, almost confidential encounter. \nEPPUR SI MUOVE \n \nChoreography Francesca LattuadaMusic Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)Costumes Bruno Fatalot\nDancer Vittoria Franchina\nDuration 5 minutes \nWrapped in Bruno Fatalot’s refined and impalpable costume\, a dancer moves solemnly on a barrel-pedestal\, drawn along by the sorrowful\, mysterious motif of Beethoven’s Allegretto. Her dance captivates and seduces\, as imposing as a song of prayer. \nTERRA PICCOLA \n \nChoreography by Antonella Bertoni\nMusic Kleintierschaukel – Kidz of Tibet (feat. Badau)\nDancer Matilde Di Ciolo\nA production by Fondazione Nazionale della Danza / Aterballetto \nDuration 10 minutes \nA body worked by the earth converses with distances\, furiously in a trance\, with abrupt halts; it bursts out\, quivers\, asks\, beats\, turns\, runs away and laughs\, leaps and flies. A compressed dance\, closed within a geographical (and cultural) enclosure\, that looks to the future in search of what is left of our humanity \nSOFT P. \n \nChoreography Diego TortelliMusic Tindersticks\nDancers Veronica Galdo\, Matteo Capetola\nA production by Fondazione Nazionale della Danza / AterballettoDuration 6 minutes \nIt is a dance conceived to inhabit ever-changing spaces\, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. \nIn being watched and in watching\, a subtle\, shared emotional tension arises\, made of respect and mutual vulnerability. A closeness that does not intrude\, but grazes. \nAN ECHO\, A WAVE \n \nChoreography by Philippe KratzSound designer Tommaso Michelini\nDancers Gaia Mondini\, Kiran Gezels\nA production by Fondazione Nazionale della Danza / Aterballetto\nDuration 10 minutes \nA duet inspired by the Mediterranean as a symbolic space of encounters\, departures and transformations\, in which the dancers’ movement mirrors the unbroken flow of the sea and its contradictions: wonder and tragedy\, closeness and distance. \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-15/2026-11-13/2/
LOCATION:Santa Maria della Scala\, Piazza del Duomo\, 1\, Siena\, 53100\, Italy
CATEGORIES:Aterballetto,MicroDanze,Stagione 26/27,Terra piccola
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/06/CCNAterballetto-Soft-P-ph.-Valeria-Civardi-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261114T150000
DTEND;TZID=Europe/Rome:20261114T193000
DTSTAMP:20261001T060846
CREATED:20260909T054459Z
LAST-MODIFIED:20260909T060328Z
UID:10004606-1794668400-1794684600@www.fndaterballetto.it
SUMMARY:BOXES
DESCRIPTION:UnterWasser’s “boxed” micro-performances arrive at the Fonderia\nSaturday 14 and Sunday 15 November at 3.00 pm and 7.30 pm \n BOXES is a work of visual theatre and an installation made up of “boxes” that hold micro-performances and interactive games\, to be experienced by one viewer at a time. \nThe audience is invited into an intimate\, personal and dedicated experience. Looking through small slits and openings\, viewers come into contact with small poetic worlds\, gathered and protected inside the boxes. \nBOXES is an open project\, born from the reworking of Lambe Lambe theatre and from research into the effects and techniques of pre-cinema. \nCREDITS \nA project conceived and created by: Valeria Bianchi\, Aurora Buzzetti\, Giulia De Caniowith the participation of: Francesco CapponiSoftware\, circuit design and physical computing: Francesco BianchiThanks to: Malu Costa\, Romulo Chindelar\, Lucas Popeta \nProduction: UnterWasserExecutive production: Pilar Ternera / NTC \nWith the support of Cambio Festival (Rio de Janeiro); Crossing the sea; Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro) \nUnterWasser Company \nUnterWasser is a theatre research group founded in 2014 by Valeria Bianchi\, Aurora Buzzetti and Giulia De Canio. The company positions itself at the boundary between visual theatre and contemporary art\, studying their mutual cross-influences and creating an original\, poetic and imaginative language that becomes a tool for investigating the human and its many facets. With the performance UNTOLD it made its debut at the Biennale Teatro 2020. The company received the “Premio Valter Ferrara 2019” and the ANCT 2022 award. \nINFO & CREDITS \nTICKETS \nSaturday free. The audience can view the installation on their own.Sunday €3. The audience will be guided by the artists on a 30-minute journey. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/boxes/2026-11-14/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261114T160000
DTEND;TZID=Europe/Rome:20261114T170000
DTSTAMP:20261001T060846
CREATED:20260909T060520Z
LAST-MODIFIED:20260909T060940Z
UID:10004608-1794672000-1794675600@www.fndaterballetto.it
SUMMARY:POP
DESCRIPTION:Play in Nicola Galli’s performance enlivens the season at the Fonderia.\nSaturday 14 November 4.00 pm \nSunday 15 November 4.00 pm \nPOP is an event for children and families that places the body at the centre as a tool for exploring its expressive and communicative potential. \nThrough play\, the interactive performance invites participants to experiment with different possibilities of movement and to take time to discover new perceptions\, sensations and emotions connected to movement. \nOn a square platform covered in bubble wrap\, the dancer bends and extends the joints\, tracing figures and geometries. The audience is invited to interact with the material and with the performance space\, sharing the pleasure of moving and exploring. \nhttps://vimeo.com/852246747?fl=pl&fe=cm \nCREDITS \nAction and creation: Nicola GalliCurated by: Nebula APS \nNicola Galli \nNicola Galli works in bodily research and is a choreographer\, dancer\, and lighting and costume designer. \nHis research takes shape in actions and devices that range from choreography to performance\, from installation to graphic and visual design. \nStarting from the natural sciences\, geometry\, astronomy\, architecture and a passion for photography\, his gaze is fascinated by human anatomy\, by light and by sound — key elements that nourish the close relationship between the subjects inhabiting the stage in a perspective of interdependence. \nHis work embraces a cross-disciplinary scenic horizon\, in which the body becomes the radiating centre of an artistic discourse that takes substance in a scenic sensibility devoted to exploring movement as a hybrid panorama of knowledge. \nNicola Galli started out as a competitive gymnast and came to contemporary languages with Teatro Nucleo\, later dancing for the company CollettivO CineticO from 2010 to 2014. \nSince 2010 he has developed a choreographic inquiry centred on the profound relationship between humankind and nature and on the analysis of the notions of “stratification” and “landscape.” \nAlongside his more specifically artistic research\, he leads training programmes for children\, adults and young dancers in training\, developing a personal method aimed at exploring movement\, discovering new visions and perceptions of the body\, and deepening one’s personal physical and communicative boundaries. \nSince 2014 he has been an artist supported by the production body TIR Danza. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/pop/2026-11-14/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261114T180000
DTEND;TZID=Europe/Rome:20261114T190000
DTSTAMP:20261001T060846
CREATED:20260909T061139Z
LAST-MODIFIED:20260909T061552Z
UID:10004610-1794679200-1794682800@www.fndaterballetto.it
SUMMARY:CUOR DI CONIGLIO
DESCRIPTION:The Compagnia Dimitri/Canessa dances in search of the lost heart at the Fonderia.\nSaturday 14 November 6.00 pm \nSunday 15 November 6.00 pm \nCuor di Coniglio is a poetic modern fairy tale that explores fragility and the courage of self-acceptance. Vincent is a happy\, imaginative child who\, wounded by the cruel dragon of other people’s judgement\, shuts himself away in his inner castle\, losing touch with himself. With the help of Rosi\, an eccentric and dancing rabbit\, Vincent sets out on a symbolic and surreal journey in search of his lost heart. Through the language of physical theatre and clowning\, the performance is an invitation to overcome the fear of judgement and to discover the beauty in fragility: a hymn to the freedom of being oneself\, to look at the world from a new perspective and to show oneself\, simply\, for what one is. \nhttps://vimeo.com/1082119951 \nCREDITS \nCompany: Dimitri/CanessaDirection: Elisa Canessawith Federico Dimitri and Francesco ManentiArtistic collaboration: Giorgio RossiLighting design: Marco OlianiSound designer: Tommaso Marzini Della RagioneSet and costumes: Matilde Gori / Atelier scenografia Zaches \nProduction Associazione Sosta Palmizi\, Pilar Ternera / Nuovo Teatro delle Commedie e Straligut Teatrowith residential support from Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, Wintergarten – Atelier di teatro permanente e In Tel Fade \nCompagnia Dimitri/Canossa \nThe Compagnia Dimitri/Canessa was founded in Livorno in 2013. Among its main productions are: Bruno (2013)\, a performance drawn from the works of Bruno Schulz\, winner of the FIT\, Festival Internazionale di Teatro di Lugano and named by MilanoTeatri among the best performances presented in Milan for the 2017/18 season; ..di Giulietta e del suo Romeo (2014)\, an Italian-Swiss co-production for teenage audiences; Hallo! I’m Jacket! il gioco del nulla (2016)\, a performance that received numerous accolades\, an In-Box finalist\, Premio Nazionale per il Teatro Contemporaneo 2017 and winner of the l’Italia dei Visionari call for Kilowatt Festival 2017; Ad esempio questo cielo (2019)\, a performance inspired by the life and works of Raymond Carver\, produced with the support of the Theatherwerkstatt Gleis 5 (CH); Geppetto 201 (2022)\, a performance drawn from Fabio Stassi’s beautiful novel Mastro Geppetto (Ed. Sellerio) and produced in collaboration with Theaterwerkstatt Glai 5 (CH)\, Pilar Ternera/Nuovo Teatro delle Commedie\, and Come alla fine di Casablanca\, premiering in July 2027 within the Festival Inequilibrio. Alongside their production of work for contemporary audiences\, Elisa Canessa and Federico Dimitri have for years been involved in theatre for children\, collaborating as authors and performers with choreographer Giorgio Rossi/Sosta Palmizi. Their collaboration with Francesco Manenti is\, moreover\, a twenty-year artistic partnership that has seen them work side by side on many creations. Together\, for young audiences\, they have created Col Naso All’Insù (2016)  and Esercizi di Fantastica (2020 – Jury and Audience Prize at the Vimercate Ragazzi Festival 2021; Special Mention at the “Emanuele Luzzati” Theatre for Young Audiences Prize\, Municipality of Santa Margherita Ligure 2023). In 2022 the Compagnia Dimitri/Canessa produced\, with the support of Pilar Ternera/Nuovo Teatro delle Commedie\, the performance L’Orso Felice\, winner of In-box verde 2023\, Mention from the In-box Critical Observatory 2023 and Best Young and Kids Performance at the FIT\, Festival Internazionale del Teatro di Lugano. In addition to its production activity\, the company collaborates with two schools of advanced pedagogy in Zurich (Liceo Atelierschule and Liceo Raphaelschule)\, where it carries out a social theatre project with over 40 young people with disabilities. With them\, directed by Federico Dimitri\, the following performances have been created: Il verbo degli uccelli; Orfeo e Euridice; Antigone/Wir sind die Prinzessin; Perfect Place\, Dreamland and La fattoria degli animali. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/cuor-di-coniglio/2026-11-14/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261115T150000
DTEND;TZID=Europe/Rome:20261115T193000
DTSTAMP:20261001T060846
CREATED:20260909T054459Z
LAST-MODIFIED:20260909T060328Z
UID:10004607-1794754800-1794771000@www.fndaterballetto.it
SUMMARY:BOXES
DESCRIPTION:UnterWasser’s “boxed” micro-performances arrive at the Fonderia\nSaturday 14 and Sunday 15 November at 3.00 pm and 7.30 pm \n BOXES is a work of visual theatre and an installation made up of “boxes” that hold micro-performances and interactive games\, to be experienced by one viewer at a time. \nThe audience is invited into an intimate\, personal and dedicated experience. Looking through small slits and openings\, viewers come into contact with small poetic worlds\, gathered and protected inside the boxes. \nBOXES is an open project\, born from the reworking of Lambe Lambe theatre and from research into the effects and techniques of pre-cinema. \nCREDITS \nA project conceived and created by: Valeria Bianchi\, Aurora Buzzetti\, Giulia De Caniowith the participation of: Francesco CapponiSoftware\, circuit design and physical computing: Francesco BianchiThanks to: Malu Costa\, Romulo Chindelar\, Lucas Popeta \nProduction: UnterWasserExecutive production: Pilar Ternera / NTC \nWith the support of Cambio Festival (Rio de Janeiro); Crossing the sea; Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro) \nUnterWasser Company \nUnterWasser is a theatre research group founded in 2014 by Valeria Bianchi\, Aurora Buzzetti and Giulia De Canio. The company positions itself at the boundary between visual theatre and contemporary art\, studying their mutual cross-influences and creating an original\, poetic and imaginative language that becomes a tool for investigating the human and its many facets. With the performance UNTOLD it made its debut at the Biennale Teatro 2020. The company received the “Premio Valter Ferrara 2019” and the ANCT 2022 award. \nINFO & CREDITS \nTICKETS \nSaturday free. The audience can view the installation on their own.Sunday €3. The audience will be guided by the artists on a 30-minute journey. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/boxes/2026-11-15/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/07/DIMINUSCOPIO-foto-by-Michela-Gandolfo4.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261115T160000
DTEND;TZID=Europe/Rome:20261115T170000
DTSTAMP:20261001T060846
CREATED:20260909T060520Z
LAST-MODIFIED:20260909T060940Z
UID:10004609-1794758400-1794762000@www.fndaterballetto.it
SUMMARY:POP
DESCRIPTION:Play in Nicola Galli’s performance enlivens the season at the Fonderia.\nSaturday 14 November 4.00 pm \nSunday 15 November 4.00 pm \nPOP is an event for children and families that places the body at the centre as a tool for exploring its expressive and communicative potential. \nThrough play\, the interactive performance invites participants to experiment with different possibilities of movement and to take time to discover new perceptions\, sensations and emotions connected to movement. \nOn a square platform covered in bubble wrap\, the dancer bends and extends the joints\, tracing figures and geometries. The audience is invited to interact with the material and with the performance space\, sharing the pleasure of moving and exploring. \nhttps://vimeo.com/852246747?fl=pl&fe=cm \nCREDITS \nAction and creation: Nicola GalliCurated by: Nebula APS \nNicola Galli \nNicola Galli works in bodily research and is a choreographer\, dancer\, and lighting and costume designer. \nHis research takes shape in actions and devices that range from choreography to performance\, from installation to graphic and visual design. \nStarting from the natural sciences\, geometry\, astronomy\, architecture and a passion for photography\, his gaze is fascinated by human anatomy\, by light and by sound — key elements that nourish the close relationship between the subjects inhabiting the stage in a perspective of interdependence. \nHis work embraces a cross-disciplinary scenic horizon\, in which the body becomes the radiating centre of an artistic discourse that takes substance in a scenic sensibility devoted to exploring movement as a hybrid panorama of knowledge. \nNicola Galli started out as a competitive gymnast and came to contemporary languages with Teatro Nucleo\, later dancing for the company CollettivO CineticO from 2010 to 2014. \nSince 2010 he has developed a choreographic inquiry centred on the profound relationship between humankind and nature and on the analysis of the notions of “stratification” and “landscape.” \nAlongside his more specifically artistic research\, he leads training programmes for children\, adults and young dancers in training\, developing a personal method aimed at exploring movement\, discovering new visions and perceptions of the body\, and deepening one’s personal physical and communicative boundaries. \nSince 2014 he has been an artist supported by the production body TIR Danza. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/pop/2026-11-15/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261115T180000
DTEND;TZID=Europe/Rome:20261115T180000
DTSTAMP:20261001T060846
CREATED:20260909T061139Z
LAST-MODIFIED:20260909T061552Z
UID:10004611-1794765600-1794765600@www.fndaterballetto.it
SUMMARY:CUOR DI CONIGLIO
DESCRIPTION:The Compagnia Dimitri/Canessa dances in search of the lost heart at the Fonderia.\nSaturday 14 November 6.00 pm \nSunday 15 November 6.00 pm \nCuor di Coniglio is a poetic modern fairy tale that explores fragility and the courage of self-acceptance. Vincent is a happy\, imaginative child who\, wounded by the cruel dragon of other people’s judgement\, shuts himself away in his inner castle\, losing touch with himself. With the help of Rosi\, an eccentric and dancing rabbit\, Vincent sets out on a symbolic and surreal journey in search of his lost heart. Through the language of physical theatre and clowning\, the performance is an invitation to overcome the fear of judgement and to discover the beauty in fragility: a hymn to the freedom of being oneself\, to look at the world from a new perspective and to show oneself\, simply\, for what one is. \nhttps://vimeo.com/1082119951 \nCREDITS \nCompany: Dimitri/CanessaDirection: Elisa Canessawith Federico Dimitri and Francesco ManentiArtistic collaboration: Giorgio RossiLighting design: Marco OlianiSound designer: Tommaso Marzini Della RagioneSet and costumes: Matilde Gori / Atelier scenografia Zaches \nProduction Associazione Sosta Palmizi\, Pilar Ternera / Nuovo Teatro delle Commedie e Straligut Teatrowith residential support from Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, Wintergarten – Atelier di teatro permanente e In Tel Fade \nCompagnia Dimitri/Canossa \nThe Compagnia Dimitri/Canessa was founded in Livorno in 2013. Among its main productions are: Bruno (2013)\, a performance drawn from the works of Bruno Schulz\, winner of the FIT\, Festival Internazionale di Teatro di Lugano and named by MilanoTeatri among the best performances presented in Milan for the 2017/18 season; ..di Giulietta e del suo Romeo (2014)\, an Italian-Swiss co-production for teenage audiences; Hallo! I’m Jacket! il gioco del nulla (2016)\, a performance that received numerous accolades\, an In-Box finalist\, Premio Nazionale per il Teatro Contemporaneo 2017 and winner of the l’Italia dei Visionari call for Kilowatt Festival 2017; Ad esempio questo cielo (2019)\, a performance inspired by the life and works of Raymond Carver\, produced with the support of the Theatherwerkstatt Gleis 5 (CH); Geppetto 201 (2022)\, a performance drawn from Fabio Stassi’s beautiful novel Mastro Geppetto (Ed. Sellerio) and produced in collaboration with Theaterwerkstatt Glai 5 (CH)\, Pilar Ternera/Nuovo Teatro delle Commedie\, and Come alla fine di Casablanca\, premiering in July 2027 within the Festival Inequilibrio. Alongside their production of work for contemporary audiences\, Elisa Canessa and Federico Dimitri have for years been involved in theatre for children\, collaborating as authors and performers with choreographer Giorgio Rossi/Sosta Palmizi. Their collaboration with Francesco Manenti is\, moreover\, a twenty-year artistic partnership that has seen them work side by side on many creations. Together\, for young audiences\, they have created Col Naso All’Insù (2016)  and Esercizi di Fantastica (2020 – Jury and Audience Prize at the Vimercate Ragazzi Festival 2021; Special Mention at the “Emanuele Luzzati” Theatre for Young Audiences Prize\, Municipality of Santa Margherita Ligure 2023). In 2022 the Compagnia Dimitri/Canessa produced\, with the support of Pilar Ternera/Nuovo Teatro delle Commedie\, the performance L’Orso Felice\, winner of In-box verde 2023\, Mention from the In-box Critical Observatory 2023 and Best Young and Kids Performance at the FIT\, Festival Internazionale del Teatro di Lugano. In addition to its production activity\, the company collaborates with two schools of advanced pedagogy in Zurich (Liceo Atelierschule and Liceo Raphaelschule)\, where it carries out a social theatre project with over 40 young people with disabilities. With them\, directed by Federico Dimitri\, the following performances have been created: Il verbo degli uccelli; Orfeo e Euridice; Antigone/Wir sind die Prinzessin; Perfect Place\, Dreamland and La fattoria degli animali. \nINFO & TICKETS \nTICKETS \nFull price: 10 eurosReduced for under-30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over-65s\, members of the CRAL of the Municipality of Reggio Emilia: 6 eurosReduced for under-8s: 3 euros \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/cuor-di-coniglio/2026-11-15/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261116T163000
DTEND;TZID=Europe/Rome:20261116T183000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004612-1794846600-1794853800@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-16/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261117T163000
DTEND;TZID=Europe/Rome:20261117T183000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004613-1794933000-1794940200@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261118T163000
DTEND;TZID=Europe/Rome:20261118T183000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004614-1795019400-1795026600@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-18/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261119T163000
DTEND;TZID=Europe/Rome:20261119T183000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004615-1795105800-1795113000@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-19/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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DTSTART;TZID=Europe/Rome:20261120T163000
DTEND;TZID=Europe/Rome:20261120T183000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004616-1795192200-1795199400@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-20/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
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DTSTART;TZID=Europe/Rome:20261121T103000
DTEND;TZID=Europe/Rome:20261121T113000
DTSTAMP:20261001T060846
CREATED:20260909T061750Z
LAST-MODIFIED:20260909T063141Z
UID:10004617-1795257000-1795260600@www.fndaterballetto.it
SUMMARY:MEET THE COREOGRAPHER!
DESCRIPTION:Choreographic encounters for the Danza in Fonderia season.\nFrom Monday 16 to Friday 20 November 4.30 pm \nSaturday 21 November 10.30 am \nMeet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning. \nThe title takes its cue from the expression Meet the Artist\, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live\, the project makes it possible to meet the choreographers through their works\, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history\, profoundly changing the use of the body and its relationship with movement. \nThe idea is to bring children closer not only to the individual works\, but also to the context in which they were created\, to the processes that made them possible\, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia\, the choreographer in focus will be William Forsythe. \nAnnika Pannitto \nAnnika Pannitto (Italy\, 1981) is a choreographer\, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts\, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome\, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts\, such as the Schouwburg theatre in Rotterdam\, the Atelier Re.Al in Lisbon\, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli\, she has curated the publication Table Conversation since 2012. She lives and works in Madrid. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS \nMobile and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/meet-the-coreographer/2026-11-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September–December 2026
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2026/09/marosi-festival-art-and-community-kids.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261128T150000
DTEND;TZID=Europe/Rome:20261128T160000
DTSTAMP:20261001T060846
CREATED:20260909T062300Z
LAST-MODIFIED:20260930T112313Z
UID:10004618-1795878000-1795881600@www.fndaterballetto.it
SUMMARY:DÉSIR MIMÉTIQUE
DESCRIPTION:At the Fonderia\, mimetic desires in contemporary dance are explored.\nSaturday 28 November 3.00 pm and 5.00 pm \nSunday 29 November 3.00 pm and 5.00 pm \nDÉSIR MIMÉTIQUE is a playful investigation into choreographic composition curated by Jacopo Jenna. The title is a free reference to the concept of “mimetic desire” theorised by the French anthropologist René Girard\, who argued that human imitation lies at the root of many of the phenomena that characterise our behaviour. The project sets out to draw attention to the perception of certain elements linked to contemporary dance\, starting from the concept of imitation as a basic element for the embodiment of dance and for cultural transmission\, examining how particular kinds of information and qualities of movement are replicated or transferred from one person to another through a memetic process. \nWithin the workshop\, then\, a series of exercises is developed\, focused on listening to the body and on the search for movement. Through the relationship with a series of static images\, in which the body is represented in a particular form\, various attempts at a mimetic relationship are explored\, eliciting in the children different qualities of movement and physical representation. \nJacopo Jenna \nJacopo Jenna is a choreographer and director. His work investigates choreography as an extended practice\, through a research that engages both dance and video\, studying new possibilities for the embodiment of movement\, ranging across various languages and generating multiple performative contexts. A graduate in Sociology from the University of Urbino\, he developed his dance studies in the Netherlands at Codarts (Rotterdam Dance Academy). He works in training and educational programmes for various age groups\, devising new strategies of relationship with the performing arts. \nHe has presented his projects at international festivals and institutions including Centrale Fies (Dro)\, La Democrazia del Corpo (Florence)\, Palazzo Strozzi (Florence)\, Centro Pecci (Prato)\, Fabbrica Europa (Florence)\, Short Theatre (Rome)\, Danae Festival (Milan)\, Dansem (Marseille)\, Bipod Festival (Beirut)\, CNBD (Bucharest)\, YPAM (Yokohama)\, Palazzo Grassi Punta della Dogana (Venice)\, Chantiers d’Europe – Théâtre de la Ville (Paris)\, Do Disturb – Palais de Tokyo (Paris)\, Mudam Contemporary Art Museum of Luxembourg\, MAXXI (Rome)\, BMotion festival (Bassano del Grappa)\, MilanOltre Festival (Milan)\, Tanec Praha Festival (Prague)\, Belgrade Dance Festival\, Tanzhaus nrw (Düsseldorf)\, Aerowaves Twenty22 and NID Platform (2022|2024). \nHis work is produced and supported by KLm – Kinkaleri\, Le Supplici\, mk. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTATTI \nCell and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/desir-mimetique/2026-11-28/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261128T170000
DTEND;TZID=Europe/Rome:20261128T180000
DTSTAMP:20261001T060846
CREATED:20260909T062300Z
LAST-MODIFIED:20260930T112313Z
UID:10004619-1795885200-1795888800@www.fndaterballetto.it
SUMMARY:DÉSIR MIMÉTIQUE
DESCRIPTION:At the Fonderia\, mimetic desires in contemporary dance are explored.\nSaturday 28 November 3.00 pm and 5.00 pm \nSunday 29 November 3.00 pm and 5.00 pm \nDÉSIR MIMÉTIQUE is a playful investigation into choreographic composition curated by Jacopo Jenna. The title is a free reference to the concept of “mimetic desire” theorised by the French anthropologist René Girard\, who argued that human imitation lies at the root of many of the phenomena that characterise our behaviour. The project sets out to draw attention to the perception of certain elements linked to contemporary dance\, starting from the concept of imitation as a basic element for the embodiment of dance and for cultural transmission\, examining how particular kinds of information and qualities of movement are replicated or transferred from one person to another through a memetic process. \nWithin the workshop\, then\, a series of exercises is developed\, focused on listening to the body and on the search for movement. Through the relationship with a series of static images\, in which the body is represented in a particular form\, various attempts at a mimetic relationship are explored\, eliciting in the children different qualities of movement and physical representation. \nJacopo Jenna \nJacopo Jenna is a choreographer and director. His work investigates choreography as an extended practice\, through a research that engages both dance and video\, studying new possibilities for the embodiment of movement\, ranging across various languages and generating multiple performative contexts. A graduate in Sociology from the University of Urbino\, he developed his dance studies in the Netherlands at Codarts (Rotterdam Dance Academy). He works in training and educational programmes for various age groups\, devising new strategies of relationship with the performing arts. \nHe has presented his projects at international festivals and institutions including Centrale Fies (Dro)\, La Democrazia del Corpo (Florence)\, Palazzo Strozzi (Florence)\, Centro Pecci (Prato)\, Fabbrica Europa (Florence)\, Short Theatre (Rome)\, Danae Festival (Milan)\, Dansem (Marseille)\, Bipod Festival (Beirut)\, CNBD (Bucharest)\, YPAM (Yokohama)\, Palazzo Grassi Punta della Dogana (Venice)\, Chantiers d’Europe – Théâtre de la Ville (Paris)\, Do Disturb – Palais de Tokyo (Paris)\, Mudam Contemporary Art Museum of Luxembourg\, MAXXI (Rome)\, BMotion festival (Bassano del Grappa)\, MilanOltre Festival (Milan)\, Tanec Praha Festival (Prague)\, Belgrade Dance Festival\, Tanzhaus nrw (Düsseldorf)\, Aerowaves Twenty22 and NID Platform (2022|2024). \nHis work is produced and supported by KLm – Kinkaleri\, Le Supplici\, mk. \nINFO & TICKETS \nTICKETS \nTo take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances. \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at the Fonderia opens one hour before the start of the performance. \nTickets are not numbered. \nCONTATTI \nCell and WhatsApp 3341023554
URL:https://www.fndaterballetto.it/en/evento/desir-mimetique/2026-11-28/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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END:VEVENT
END:VCALENDAR