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DTEND;TZID=Europe/Rome:20240317T170000
DTSTAMP:20260403T195806
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LAST-MODIFIED:20230804T175217Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \nDiscover more about the project\n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/event/un-jour-nouveau-birthday-party-2-2/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20240319T100000
DTEND;TZID=Europe/Rome:20240319T110000
DTSTAMP:20260403T195806
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-10/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T100000
DTEND;TZID=Europe/Rome:20240320T110000
DTSTAMP:20260403T195806
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-11/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T203000
DTEND;TZID=Europe/Rome:20240320T213000
DTSTAMP:20260403T195806
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SUMMARY:ONDE - SIMONA BERTOZZI/NEXUS
DESCRIPTION:  \nAffidata all’impeto energetico e all’orizzonte visionario di giovani presenze e corporeità\, Onde prende forma attraverso una pratica performativa\, coreografica e musicale che si apre al presente di corpi protesi e fluttuanti tra estasi\, guizzi animali e curvature verso l’evanescenza. Ritmo e sforzo si intrecciano con tentativi di evasione\, di attesa e sottrazione. Non c’è tempo per definire i confini delle posture\, gli equilibri sono istanti sottili e subito reclinati verso altre congiunzioni e desideri. Il dialogo tra volumi anatomici e sonori moltiplica le prospettive di incontro\, confonde le coordinate temporali e\, come il propagarsi di onde d’urto\, sfuma i contorni delle azioni individuali\, tra provenienza e proiezione. \nSegnare\, battere\, balbettare\, tendere\, risegnare\, farsi lievi ma anche irruenti\, audaci come la falena che va verso la luce anche se può bruciarla. Di The Waves\, il celebre play-poem di Virginia Woolf\, Onde incorpora la corrente continua delle immagini e la necessità di rigenerarsi nel ritmo\, tra momenti di essere e universalità dei moti percettivi. \nAdamantina è la scrittura coreografica traboccante di inventiva; si espande e indietreggia\, diviene “vortico e volteggio”\, rimanda con fantasia al mondo animale senza mai soffermarsi in posa. E allora quegli anemoni\, quelle falene\, quei granchi che ci sembra di intravedere sono forse solo vibrazione\, identità mutanti come le maree.\nMaria Luisa Buzzi\, Danza&Danza \n  \n\n \nCREDITS \nConcept and choreography Simona Bertozzi \nPerformers Arianna Brugiolo\, Rafael Candela\, Valentina Foschi \nOriginal music performed live Luca Perciballi \nLighting design Rocio Espana Rodriguez \nCostumes Vicini D’Istanti \nPhoto and video Luca Del Pia \nOrganization Miriana Erario \nPress and communication Michele Pascarella \nDuration 60’ \nProduction: Nexus\, in coproduction with Festival Danza Estate\, Operaestate Festival Veneto/CSC. With the support of MiC\, Regione Emilia Romagna\, Comune di Bologna. In collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021. Creative residencies at: CSC Centro per la scena contemporanea\, ALMASTUDIOS Bologna\, Artists in ResidenSì Bologna 2023. \nSIMONA BERTOZZI \nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music\, and Performing Arts at the University of Bologna. One of the pioneers of the revolutions in twentieth-century choreographic art\, Loïe Fuller\, was the subject of her thesis. At a young age\, she trained in artistic gymnastics and classical dance\, then delved into the study of contemporary dance in Italy and various countries including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, including with choreographers Tomas Aragay (Societat Doctor Alonso-Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her choreographic activity in 2005\, embarking on a research and production path working with professional dancers and performers\, as well as with children\, teenagers\, amateurs\, asylum seekers\, and second-generation young immigrants. Simona Bertozzi practices a dance in which choreography constitutes a territory of events\, a complex system inhabited by the body\, resulting from practices\, thoughts\, and disciplines that make creation a layered entity\, in dialogue with the present. In 2007\, she won the GD’A choreographic competition (Young Dance Authors of Emilia Romagna) and in 2008 she founded the Compagnia Simona Bertozzi | Associazione Culturale Nexus. Over the years\, her projects have received support and hospitality from important regional\, Italian\, and European circuits\, through co-productions and choreographic residencies with national and international circulation. In 2008\, she was the Italian choreographer selected for the Aerowaves festival\, The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international Choreoroam project\, supported by the British Council/The Place\, Dansateliers/Rotterdam\, and Bassano Opera Festival. With the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won the 2009 Electronic Choreographer award for best independent production with the video dance work: Terrestre-movement in still life. In 2012\, the collective was involved in the creation of I was wondering\, a video dance piece created for the centenary of the birth of Michelangelo Antonioni. Over the years\, important collaborations have been consolidated with artists and scholars including: Francesco Giomi artistic director of Tempo Reale\, Enrico Pitozzi and Cristiana Natali professors at the University of Bologna\, Egle Sommacal musician and guitarist of Massimo Volume\, Angela Baraldi actress and singer\, and Tabea Martin choreographer and dancer with whom she co-created This is my last dance\, a work that had significant European circulation including the Swiss Dance Days. \nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 7:30 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/onde-simona-bertozzi-nexus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240321T203000
DTEND;TZID=Europe/Rome:20240321T213000
DTSTAMP:20260403T195806
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-21/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260403T195806
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-22/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260403T195807
CREATED:20230804T140207Z
LAST-MODIFIED:20230804T140207Z
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SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Le Carré in Sainte-Maxime\, France\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-5/
LOCATION:Le Carré\, 107 route du Plan de la Tour\, Sainte-Maxime\, 83120\, Francia
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240323T190000
DTEND;TZID=Europe/Rome:20240323T200000
DTSTAMP:20260403T195807
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LAST-MODIFIED:20240412T135604Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-23/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20240324T160000
DTEND;TZID=Europe/Rome:20240324T170000
DTSTAMP:20260403T195807
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-24/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20240326T193000
DTEND;TZID=Europe/Rome:20240326T203000
DTSTAMP:20260403T195807
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UID:10003193-1711481400-1711485000@www.fndaterballetto.it
SUMMARY:YELED / SECUS
DESCRIPTION:Tuesday\, March 26\, Aterballetto is back touring in Germany\, dancing at the Staatsoper in Hannover. The entire group of sixteen dancers will present Yeled and Secus\, choreographed by Israelis Eyal Dadon and Ohad Naharin. \nYeled by Eyal Dadon \n\nYeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?\n“In the process of creation with the dancers\, I reflected on the moment in our lives\, as adults\, when we lost the feeling of being children\, the feeling of being naturally pure\, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon \nSecus by Ohad Naharin \n\nSecus boasts a musical collage that ranges from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyaar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as the suitable backdrop for a bold and extravagant choreography that unfolds before our incredulous eyes in a human alphabet made up of sprints\, solos\, crisp and clean gestures\, interrupted duets. Through precise and sudden kicks\, sinuous disarticulation of hips\, torsos bending in all directions like molding clay\, Secus expresses pure emotions and feelings without becoming sentimental.
URL:https://www.fndaterballetto.it/en/evento/yeled-secus-3/
LOCATION:Staatsoper Hannover\, Opernpl. 1\, 30159 Hannover\, Germany\, Hannover\, 30159\, Germania
CATEGORIES:Aterballetto,Secus
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DTSTART;TZID=Europe/Rome:20240327T203000
DTEND;TZID=Europe/Rome:20240327T213000
DTSTAMP:20260403T195807
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UID:10003184-1711571400-1711575000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter the debut at the Teatro Municipale Valli in Reggio Emilia\, the artistic heart of the Over Dance project takes center stage at the Teatro Bonci in Cesena. \nRenowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveauandBirthday Party\, tackling the theme of body transformation in an evening with senior performers (aged 65 to 79). \nThe aging body is a central theme in our society and in the sensitivity of each of us. Aging is not a problem for the actor\, the writer\, or the visual artist: What about for those who dance? What is the true age of the body? \n  \n Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-6/
LOCATION:Teatro Bonci\, Piazza Mario Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240328T210000
DTEND;TZID=Europe/Rome:20240328T220000
DTSTAMP:20260403T195807
CREATED:20240216T205549Z
LAST-MODIFIED:20241007T165139Z
UID:10003226-1711659600-1711663200@www.fndaterballetto.it
SUMMARY:DECISIONE CONSAPEVOLE - ROBERTO TEDESCO / Körper
DESCRIPTION:  \nUna mappa concettuale pensata per guidare le sessioni di improvvisazione.\nEcco cosa è stata finora Decisione Consapevole.\nMa se usassimo la mappa come se fosse un vero e proprio schema da seguire per creare un lavoro coreografico che vedrà quattro danzatori alle prese con le loro decisioni? Uno spazio vuoto a disposizione da riempire e svuotare attraverso la consapevolezza di ogni singolo interprete. Il rispetto del gusto gioca un ruolo fondamentale per far sì che il tutto risulti omogeneo e che le diverse personalità siano vestite da un unico abito.\nL’abito veste gli interpreti di specifiche qualità e atteggiamenti\, ritmi e modi minuziosamente studiati. L’abito pone limiti che comprendono però infinite libertà. L’abito è tutto ciò che esorta alla decisione. Forse allora è l’abito la stessa consapevolezza?\nIsolamento\, intimità\, comunicazione\, comunità sono le quattro parole chiave. Sebbene queste vadano a restringere il cerchio e a rendere la decisione dell’interprete meno variegata e più rispettosa\, infinite sono ancora le possibilità che ogni singola parola suggerisce.\nLe decisioni totalmente consapevoli dei danzatori sulla parola chiave da scegliere per proporre la propria azione nello spazio costituirà la costruzione della scena\, decisioni che possono sì esistere singolarmente ma anche e soprattutto convivere con tutte le altre. \n  \n\nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/decisione-consapevole-roberto-tedesco-korper/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240405T190000
DTEND;TZID=Europe/Rome:20240405T203000
DTSTAMP:20260403T195807
CREATED:20240319T160845Z
LAST-MODIFIED:20240418T140048Z
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SUMMARY:Book presentation "Se danzare non mi basta" by Cristina Bozzolini.
DESCRIPTION:  \nVENERDÌ 5 APRILE\, ALLE ORE 19.00\, IN FONDERIA\, IN COLLABORAZIONE CON NARDINI EDITORE\, PRESENTIAMO IL LIBRO SE DANZARE NON MI BASTA DI CRISTINA BOZZOLINI. CON L’EVENTO RICORDIAMO SILVIA POLETTI\, GIORNALISTA\, CRITICA\, CONSULENTE ARTISTICA INTERNAZIONALE PER LA DANZA\, CURATRICE DELL’OPERA.\n\n\n\n\n\n\nIf Dancing Is Not Enough traces the career and life of Cristina Bozzolini\, offering a glimpse into the international dance world\, the political and social climate of her beloved Florence\, and the artistic experiments with Aterballetto. A book written and curated by women\, tireless professionals and leading figures in the field\, addressing struggles for culture and the affirmation of women and artists in society. \nAmong its pages flow the memories of a major protagonist in Italian dance and the artistic expressions that are part of it: from the 1960s when she was Prima Ballerina of the Ballet Company of the Florence May Music Festival\, to the memorable performances alongside artists such as Nureyev\, Fracci\, Baryshnikov\, to the founding of the Center for Dance Studies\, to the establishment of the Balletto di Toscana\, to the direction of Aterballetto\, a national excellence. The common thread of her professional and life experience is the struggle for the affirmation of civil rights and for a just society\, in which cultural education must be the engine for development. \nThe meeting is hosted by Maria Luisa Buzzi\, editor-in-chief of the magazine Danza&Danza\, and includes interventions by choreographers and dancers who had Cristina as their director and mentor\, such as the award-winning Philippe Kratz. \nAt the end of the presentation\, the dancers of Compagnia Aterballetto will offer the audience a dance surprise. \nFree admission with reservation (whatsapp 3341023554 | info@aterballetto.it) until seats are filled.\nBar service available from 18:00. \nDuring the meeting\, it will be possible to purchase the book\, and Cristina Bozzolini will be available to sign copies. \nIf Dancing Is Not Enough can be purchased here.
URL:https://www.fndaterballetto.it/en/evento/book-presentation-se-danzare-non-mi-basta-by-cristina-bozzolini/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240407T160000
DTEND;TZID=Europe/Rome:20240407T171500
DTSTAMP:20260403T195807
CREATED:20230804T141145Z
LAST-MODIFIED:20240412T134759Z
UID:10003100-1712505600-1712510100@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:La Compagnia Aterballetto è in scena sul palcoscenico del Teatro Municipale di Piacenza con un inedito trittico di coreografie: Alpha Grace di Philippe Kratz\, “O” di Philippe Kratz e Bliss di Johan Inger. \nAlpha Grace\, di Philippe Kratz (Premio Danza&Danza 2019 ‘Miglior Coreografo’)\, ha debuttato nel 2021 a Operaestate Festival di Bassano del Grappa e ha come oggetto l’empatia intesa come percezione di noi stessi in relazione a chi ci sta accanto. Il duo “O” ci propone due corpi / automi\, che ci obbligano a interrogarci su come potrebbe mutare il senso del contatto fisico: resterà emotivo e sentito\, o diventerà seriale e alienato? BLISS è uno dei cavalli di battaglia della compagnia\, firmato dal pluripremiato coreografo svedese Johan Inger. La coreografia\, accompagnata dalle note del celebre e iconico Köln Concert di Keith Jarrett\, è un vero e proprio inno alla gioia di danzare. L’euforia degli interpreti è un piacere alla vista\, così contagiosa e potente che dal 2016 continua ammaliare ad ammaliare i teatri di tutto il mondo. \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/storie-piacenza/
LOCATION:Teatro Municipale\, via Giuseppe Verdi\, 41\, Piacenza\, 29121\, Italia
CATEGORIES:Aterballetto,BLISS,O,Productions,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240412T210000
DTEND;TZID=Europe/Rome:20240412T210000
DTSTAMP:20260403T195807
CREATED:20240324T104940Z
LAST-MODIFIED:20240412T134646Z
UID:10003224-1712955600-1712955600@www.fndaterballetto.it
SUMMARY:MELTING POT 0116 - ROBERTO ZAPPALÀ / PREMIERE
DESCRIPTION:Melting Pot 0116 is a work that\, as the title suggests\, brings together in an original composition fragments of various creations realized over time by Roberto Zappalà. In particular\, sequences from 74bpm from I am beautiful (2016)\, 24 préludes (2007)\, and Mediterraneo (2001) – all productions for his company – are included\, along with I’m a good cook. Spaghetti anybody?\, a creation made in 2004 for the Swedish company Norrdans\, and sud-virus\, commissioned by the Goteborg Ballet in 2011. Within this interweaving of choreographies that have marked his creative journey\, the choreographer will create a new section\, specifically conceived for this production. \nThe main idea is to emancipate the work\, constantly questioning it through new choreographic interventions designed for the dancers of the moment: an ever-evolving melting pot. \n“In addition to developing new parts\, some scenes from old works have been recovered and reworked\, bringing a new and fresh gesturality\, the result of renewed physical confrontation. Visionary images\, interrupted spaces\, poetic gestures to traverse a path made of gestural measure but also of its opposite. A summary born a few years ago but which with each reprisal is drained of the past and flooded with the future” – Roberto Zappalà \n  \n\n  \nCREDITS \nDirection and Choreography: Roberto Zappalà\nMusic: Johann Sebastian Bach\, Puccio Castrogiovanni\, Frédéric Chopin\, Lautari\, Gustav Mahler\, Salvo Farruggio\, Giovanni Sollima\nArtistic Coordination: Silvia Oteri and Fernando Roldan Ferrer\nPerformers: Benedetta Agostinis\, Giulia Berretta\, Siria Cacco\, Melania Caggegi\, Andrea Rachele Bruno\, Laura Finocchiaro\, William Mazzei\, Paola Tosto\, Alessandra Verona\nSet\, Lighting\, and Costumes: Roberto Zappalà\nCostume Production: Majoca\nTechnical Direction: Sammy Torrisi\nTour Management: Federica Cincotti\nGeneral Management: Maria Inguscio \nA co-production by Scenario Pubblico|Compagnia Zappalà Danza-Centro di Rilevante Interesse per la Danza and Menhir/Le danzatrici en plein air –\nIn collaboration with Asti Teatro Festival and Centro Coreografico Nazionale/Aterballetto – with the support of MiC Ministry of Culture and Sicilian Region Department of Tourism\, Sports and Entertainment \nWORLD PREMIERE April 12\, 2024 Centro Coreografico Nazionale/Aterballetto \nBIOS \nCOMPAGNIAZAPPALÀDANZA2 \nThe compagniazappalàdanza2 is composed of dancers selected from the MoDem PRO program\, a valuable pool from which the company itself has drawn over the years for its members. \nFrom 2023\, a new chapter begins for CZD2. The main goal will be to focus on preserving the repertoire of Compagnia Zappalà Danza. \nThe reflection that Roberto Zappalà has been carrying forward for some time will find concreteness in the learning\, development\, and finally in the staging of the great\, medium\, and small historical productions of the choreographer’s repertoire. \nThe importance of repertoire in the context of dance at a national and international level is a theme that Zappalà has been dedicated to for many years. This dedication concerns not only the preservation of his own works but is aimed at all contemporary choreography\, which over time has proven to be a tool for research and authentic representation of the thought of each choreographer. \nIn recent years\, CZD2 has demonstrated remarkable maturity and has been constantly enriched by the presence of dancers from the new generations\, possessing excellent technical qualities as well as creative sensitivity\, with a strong predisposition to the MoDem language\, which represents the essence of Roberto Zappalà’s poetics. It is precisely these qualities that now lead CZD2 to take on the important task of preserving and keeping alive the choreographer’s repertoire. \nRoberto Zappalà \nRoberto Zappalà is the artistic director and choreographer of Compagnia Zappalà Danza\, which he founded in 1990 in Catania. He has created over 80 productions exclusively for his company\, mostly full-length works. His creations “A.semu tutti devoti tutti?” (2009\, reprised in 2019) and “La Nona-dal caos\, il corpo” (2015) received the Danza&Danza Italian Production of the Year Award. \nArticulated projects have accompanied the creative journey of the Catania-born choreographer\, from ‘re-mapping-sicily\,’ an unpublished reinterpretation of Sicily through his personal language\, to ‘Transiti Humanitatis\,’ with which he continues to narrate humanity through gestures and the body\, their history\, their transformation over time and space\, or conversely their immutable permanence. \nHe has collaborated with various companies\, including Balletto di Toscana\, the Ballet School of Teatro alla Scala in Milan\, Norrdans (S)\, ArtEZ Arnhem (NL)\, Fondazione Theaterwerkplaats Generale Oost (NL)\, Goteborg Ballet/Opera di Goteborg (S). In 2011\, he created the choreography for the opening ceremony of the Fencing World Championships. In 2016\, he curated the project Insieme – Parata Urbana for Torinodanza and the Défilée of the Lyon Biennale. \nHe has collaborated with opera directors such as Federico Tiezzi\, Daniele Abbado\, and Giorgio Barberio Corsetti\, and with international artists including Giovanni Sollima\, Paolo Fresu\, Fabio Vacchi\, Puccio Castrogiovanni\, Vincenzo Pirrotta\, Luca Ballerini\, Alfio Antico\, Gianluigi Trovesi\, Nello Toscano\, and others. \nWith Christian Graupner (Humatic\, Berlin)\, he created the interactive installation “MindBox\,” which won second prize at the Guthman Musical Instrument Competition (Atlanta/USA 2011). La Malcor D’ published his book Omnia Corpora on the methodology of his work. \nRoberto Zappalà is responsible for the recovery and conception of Scenario Pubblico in Catania\, inaugurated in 2002\, the headquarters of Compagnia Zappalà Danza and a rare example in Italy of a choreographic center. In 2015\, Scenario Pubblico|Compagnia Zappalà Danza was recognized as a National Dance Production Center by MiC and in 2022 received an upgrade to C.R.I.D. (Center of Relevant Interest for Dance). \nHis choreographic style\, after years of movement research with his dancers\, has become a language with its own well-defined and unique identity called MoDem Democratic Movement. Every year\, Roberto Zappalà selects a group of dancers from the MoDem Pro program who merge into CZD2 compagniazappalàdanza2. \nRoberto Zappalà is an associated artist of the MilanOltre festival for the 2022-2024 triennium. Among the numerous awards received\, he received the National Association of Theater Critics Award (2013) and the Hystrio Award ‘corpo a corpo’ (2022). \nINFO & TICKETS \nTICKETS \nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/melting-pot-0116-roberto-zappala-premiere/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240413T160000
DTEND;TZID=Europe/Rome:20240413T180000
DTSTAMP:20260403T195807
CREATED:20240410T065051Z
LAST-MODIFIED:20240412T134259Z
UID:10003223-1713024000-1713031200@www.fndaterballetto.it
SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:Terme di Caracalla \nSaturday\, April 13\, 2024\, at 4:00 PM and 5:30 PM \nAccess to the performance is included with the purchase of the entrance ticket to the site \nAfter over a thousand years\, water\, the foundational and vital element of all thermal facilities\, returns to the Terme di Caracalla with the Water Mirror: a contemporary architectural intervention promoted by the Soprintendenza Speciale di Roma\, directed by Daniela Porro. \nThe project\, born from the collaboration of Mirella Serlorenzi\, site director\, with architect Hannes Peer\, evokes the suggestions of the thermal environments with mist\, jets\, and light effects that will evoke the ancient Baths. Added to this is the element of the reflection of the archaeological architecture in the Water Mirror\, which invites contemplation in parallel with the immersive experience. \nOn Saturday\, April 13\, at 4:00 PM\, the Aterballetto Company will perform at Caracalla for the inauguration of the Water Mirror. On this occasion\, the Roman premiere of Rhapsody in Blue\, choreographed by Iratxe Ansa and Igor Bacovich for the centenary of George Gershwin’s composition\, will be presented. \nThe show\, realized in collaboration with Electa and scheduled at the Terme di Caracalla thanks to an initial idea by Cristiano Leone\, artistic consultant for cultural activities at the site\, will be presented in a double performance\, at 4:00 PM and at 5:30 PM. Access to the performance is included with the entrance ticket to the site. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue
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DTSTART;TZID=Europe/Rome:20240416T203000
DTEND;TZID=Europe/Rome:20240416T213000
DTSTAMP:20260403T195807
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SUMMARY:Rhapsody in Blue / Another Story / Bliss
DESCRIPTION:The Aterballetto Company is on stage at the Modena Municipal Theater with a new triptych of choreographies: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Another Story by Diego Tortelli\, and Bliss by Johan Inger. \nRhapsody in Blue is a brand-new creation by Iratxe Ansa and Igor Bacovich set to the music of George Gershwin’s eponymous composition. Another Story by Diego Tortelli\, premiered in 2021 in Rovereto\, tells the story of the most feared and desired gesture of 2020\, a year marked by a global epidemic: the hug\, set to the music of the English rock band Spiritualized. BLISS is one of the company’s flagship works\, created by the award-winning Swedish choreographer Johan Inger. Accompanied by the notes of Keith Jarrett’s famous and iconic Köln Concert\, the choreography is a true celebration of the joy of dancing. The euphoria of the performers is a pleasure to behold\, so contagious and powerful that since 2016 it continues to captivate theaters around the world. \n\n– \n\n–
URL:https://www.fndaterballetto.it/en/evento/alpha-grace-another-story-rhapsody-in-blue/
LOCATION:Teatro Comunale Modena\, Via del Teatro\, 8\, Modena\, 41121\, Italia
CATEGORIES:Another Story,Aterballetto,BLISS,Rhapsody in Blue
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DTSTART;TZID=Europe/Rome:20240418T210000
DTEND;TZID=Europe/Rome:20240418T220000
DTSTAMP:20260403T195807
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LAST-MODIFIED:20240419T165656Z
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SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n“`html \n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how un \ngrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci\n“`  \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it\n“`
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240419T210000
DTEND;TZID=Europe/Rome:20240419T220000
DTSTAMP:20260403T195807
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SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how ungrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240424T200000
DTEND;TZID=Europe/Rome:20240424T223000
DTSTAMP:20260403T195807
CREATED:20240421T163740Z
LAST-MODIFIED:20240422T075048Z
UID:10003264-1713988800-1713997800@www.fndaterballetto.it
SUMMARY:HO CUORE
DESCRIPTION:&nbsp;\n<blockquote>Two showings: <strong>8:00 PM</strong> and <strong>9:30 PM</strong></blockquote>\nThe word Courage derives from the Latin <em>cor habeo</em>\, which means to have heart. \nA fragment of life.\nA fragment of life together.\nA fragment before going out and facing with courage together what will be theirs and between them living that important moment made of insecurities\, separations\, approaches\, and breaths in unison\, retracing a small part of their journey that led them to have courage for that choice decided and elaborated together. \nThe audience will be immersed in the lived fragment.\nOnly a few at a time will be able to live and breathe together with the performers their fragment. \nCREDITS \n<p>By Laura Matano</p>\n<p>Danced by Melissa Bortolotti\, Danilo Smedile</p>\n<p>Music by A.V.</p>\n<p>Lighting Design by Gessica Germini</p> \n<p>Co-Produced by Compagnia Simona Bucci</p> \n<p>Duration: 40 minutes</p> \nXL COMPANY \n<p>XL Company is a contemporary dance company based in Reggio Emilia\, under the artistic direction of Laura Matano and Emanuela Baratin. It aims to create projects where movement\, the body\, and gesture become material and surface for individual and collective expression\, tools for choreographic experimentation; collaborate with different choreographers and international realities. Some recent works include: Frau – Taulant Shehu (Germany); Light – Natalia Iwaniec (Poland/UK); Hurricane – Damian Munoz (Spain); Now – Laura Matano; Before Tomorrow – Laura Matano; If – Simona Bucci. The company participates in numerous cultural events\, also proposing dance and visual art projects\, video-dance\, and site-specific performances\, focusing on the importance of relationships and nonconformity.</p> \n\nINFO AND TICKETS \n<h2>TICKETS</h2>\n<p>Full price: 10 euros</p>\n<p>Reduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros</p>\n<p>Reduced price for under 8: 3 euros</p> \n<h2>TICKET PURCHASE</h2>\n<p>Tickets can be purchased online at <a href=”http://www.biglietteriafonderia39.it”>www.biglietteriafonderia39.it</a></p>\n<p>The ticket office opens one hour before the start of the show</p>\n<p>Tickets are not numbered</p> \n<h2>CONTACTS</h2>\n<p>Phone and WhatsApp: 3341023554</p>\n<p>Email: <a href=”mailto:biglietteria@aterballetto.it”>biglietteria@aterballetto.it</a></p>
URL:https://www.fndaterballetto.it/en/evento/ho-cuore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Sofia:20240427T163000
DTEND;TZID=Europe/Sofia:20240427T194500
DTSTAMP:20260403T195807
CREATED:20240423T201931Z
LAST-MODIFIED:20240426T141615Z
UID:10003270-1714235400-1714247100@www.fndaterballetto.it
SUMMARY:Italia Danza - Sofia
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (Farnesina)\, and performed by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, created by Italian and international choreographers)\, but also stage shows reimagined for the occasion\, so they can be presented anywhere. \nUnder the dome of Largo di Sofia\, on April 27\, 2024 at 4:30 PM\, 5:45 PM\, and 7:00 PM. \nOrganized by: Embassy of Italy in Sofia\, Italian Cultural Institute of Sofia \nIn collaboration with: Municipality of Sofia\, Regional Museum of the City of Sofia \n\n“Presenting Aterballetto’s MicroDances in Sofia is an opportunity to bring to the attention of the capital’s audience an absolute excellence of Italian contemporary dance and Made in Italy. Bulgaria\, on the other hand\, is known worldwide for the very high level of its artists in the musical field and for its traditional dances. Therefore\, a fertile ground will welcome the talented dancers of Aterballetto in Sofia\, for whom the Municipality itself has made available a place symbolizing the history and culture of the country\, the Largo. I am confident that the Italian artists will give the local audience an unforgettable artistic moment\, further proof of the strong cultural ties that unite Italy and Bulgaria. \nMaria Mazza\nDirector of the Italian Cultural Institute in Sofia \n\n27 APRIL – H 16.30 / 17.45 / 19.00 Largo di Sofia \nMICRODANZE \nAn echo\, a wave\nby Philippe Kratz \nNear Life Experience\nby Angelin Preljocaj \nEppur si muove\nby Francesca Lattuada \nA Gig\nby Diego Tortelli \nDuration 45′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-sofia/
LOCATION:Largo di Sofia\, Sofia Center\, 1000 Sofia\, Bulgaria\, Sofia\, 1000\, Bulgaria
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240427T180000
DTEND;TZID=Europe/Rome:20240427T193000
DTSTAMP:20260403T195807
CREATED:20240427T103614Z
LAST-MODIFIED:20240430T163106Z
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SUMMARY:Intersezioni & Next Generation
DESCRIPTION:From April 27th to May 29th\, in Parma\, the fifth edition of Intersections & Next Generation\, a dance showcase curated by Artemis Danza\, directed by Monica Casadei and supported by the Municipality of Parma\, will take place. There will be five events spread across unconventional and evocative spaces: Palazzo Marchi\, Teatro al Parco\, Workout Pasubio\, Galleria San Ludovico\, Spazio 360-ex Ferramola. Each evening will feature short choreographies by both emerging and established authors from all over Italy\, artists very different from each other in sensitivity\, aesthetics\, and style\, enriched by encounters with visual arts and live electronics\, which will continually nourish the scene with new suggestions. A full immersion into the world of dance where moments of spectacle and site-specific performances will alternate. \nFor the opening day\, Saturday\, April 27th\, the CCN / Aterballetto participates with a double performance in the enchanting setting of Palazzo Marchi\, in collaboration with Interno Verde Parma. At 6:00 PM and 7:00 PM\, the dancers of Aterballetto perform A Gig\, MicroDanza choreographed by Diego Tortelli. Following that\, SoaC\, a hip hop performance by Federica Galimberti and Cristiano Buzzi. The performance concludes with the dancers of Artemis Danza presenting Artemis Experience\, an exciting “garden-specific” dance performance with choreography by Monica Casadei.
URL:https://www.fndaterballetto.it/en/evento/intersezioni-next-generation/
LOCATION:Palazzo Marchi\, Str. della Repubblica\, 57\, 43121 Parma PR\, Parma\, 43121\, Italia
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20240429T183000
DTEND;TZID=Europe/Sofia:20240429T203000
DTSTAMP:20260403T195807
CREATED:20240423T202915Z
LAST-MODIFIED:20240426T135836Z
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SUMMARY:Italia Danza - Cologne
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (Farnesina)\, and performed by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, created by Italian and international choreographers)\, but also stage shows reimagined for the occasion\, so they can be presented anywhere. \nItalian Cultural Institute of Cologne\, on April 29\, 2024 at 6:30 PM and 7:30 PM \nas part of the International Dance Day. \n\n“We are pleased to present in Cologne a project that\, while celebrating the direct experience of performance by the audience\, also offers the public a new perspective on the use of the Institute’s spaces\, animating them with a presence that is not only aesthetic but also of strong emotional impact.” \nJolanda Lamberti\nDirector of the Italian Cultural Institute in Cologne \n29 APRIL – H 18.30 e 19.30/ Italian Cultural Institute in Cologne \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nAn echo\, a wave\nby Philippe Kratz \nA Gig\nby Diego Tortelli \nDuration 45′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-cologne/
LOCATION:Istituto Italiano di Cultura di Colonia\, Politische Wissenschaften\, Universitätsstraße 81\, 50931 Köln\, Germany\, Colonia\, 50931\, Germania
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20240503T110000
DTEND;TZID=Europe/Sofia:20240503T153000
DTSTAMP:20260403T195807
CREATED:20240502T093446Z
LAST-MODIFIED:20240502T093446Z
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SUMMARY:Italia Danza - Oslo
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italy Dance\, on stage from April 27th to May 24th\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Farnesina\, and interpreted by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDances (short creations for confined spaces\, signed by Italian and international choreographers)\, but also stage performances revisited for the occasion\, so that they can be presented anywhere. \nItalian Cultural Institute of Oslo\, May 3-4\, 2024 \nOn the occasion of the exhibition Every Return is Awaited featuring bronze sculptures by artist Davide Rivalta in the park of the Royal Palace of Oscarshall\, open from May 3rd to September 15th\, 2024\, the IIC of Oslo presents\, in collaboration with the Norwegian Royal Palace and the Italian Embassy\, three MicroDances at the Royal Palace of Oscarshall. All three MicroDances will be performed on the occasion of the official opening of the exhibition on May 3rd\, and on May 4th during the three guided tours at 11:00 AM\, 1:00 PM\, and 3:00 PM. \n \n“This year in Oslo\, we intended to combine two fields of Italian contemporary art\, the sculptures by Davide Rivalta from Bologna\, which will be exhibited all summer in the royal residence of Oscarshall\, and the choreographies of Aterballetto\, which will be performed during the inauguration of the exhibition in the fairy-tale garden of the palace\, desired in the 1800s by Queen Joséphine\, Princess of Bologna. \nWe hope that this mix creates a unique opportunity to present to Queen Sonja of Norway and the Norwegian public a glimpse of contemporary Italian creativity and savoir faire.” \nStefano Nicoletti \nAmbassador of Italy to Oslo \n  \n“Aterballetto’s performances in Oslo shape up as a precious artistic moment within the inaugural days of Davide Rivalta’s exhibition. An initiative of high institutional profile and a splendid setting to celebrate the cultural relations between Italy and Norway\, following President Mattarella’s State visit in 2023. The MicroDances selected for this occasion will accompany the public in discovering the spaces of the Oscarshall Residence and Rivalta’s works\, in an unprecedented event in the sign of contemporary Italian creativity.” \nRaffaella Giampaola \nDirector Italian Cultural Institute of Oslo \n\nMAY 4th – 11:00 AM – 1:00 PM – 3:00 PM/ Royal Palace of Oscarshall \nMICRODANCES \nAnd yet it moves\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration 30′ \n[YouTube link](https://youtu.be/2lxSYnoyvEA)
URL:https://www.fndaterballetto.it/en/evento/italia-danza-oslo/2024-05-03/
LOCATION:Oscarshall\, Oscarshallveien 15\, Oslo\, 0287\, Norvegia
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20240504T110000
DTEND;TZID=Europe/Sofia:20240504T153000
DTSTAMP:20260403T195807
CREATED:20240502T093446Z
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SUMMARY:Italia Danza - Oslo
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italy Dance\, on stage from April 27th to May 24th\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Farnesina\, and interpreted by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDances (short creations for confined spaces\, signed by Italian and international choreographers)\, but also stage performances revisited for the occasion\, so that they can be presented anywhere. \nItalian Cultural Institute of Oslo\, May 3-4\, 2024 \nOn the occasion of the exhibition Every Return is Awaited featuring bronze sculptures by artist Davide Rivalta in the park of the Royal Palace of Oscarshall\, open from May 3rd to September 15th\, 2024\, the IIC of Oslo presents\, in collaboration with the Norwegian Royal Palace and the Italian Embassy\, three MicroDances at the Royal Palace of Oscarshall. All three MicroDances will be performed on the occasion of the official opening of the exhibition on May 3rd\, and on May 4th during the three guided tours at 11:00 AM\, 1:00 PM\, and 3:00 PM. \n \n“This year in Oslo\, we intended to combine two fields of Italian contemporary art\, the sculptures by Davide Rivalta from Bologna\, which will be exhibited all summer in the royal residence of Oscarshall\, and the choreographies of Aterballetto\, which will be performed during the inauguration of the exhibition in the fairy-tale garden of the palace\, desired in the 1800s by Queen Joséphine\, Princess of Bologna. \nWe hope that this mix creates a unique opportunity to present to Queen Sonja of Norway and the Norwegian public a glimpse of contemporary Italian creativity and savoir faire.” \nStefano Nicoletti \nAmbassador of Italy to Oslo \n  \n“Aterballetto’s performances in Oslo shape up as a precious artistic moment within the inaugural days of Davide Rivalta’s exhibition. An initiative of high institutional profile and a splendid setting to celebrate the cultural relations between Italy and Norway\, following President Mattarella’s State visit in 2023. The MicroDances selected for this occasion will accompany the public in discovering the spaces of the Oscarshall Residence and Rivalta’s works\, in an unprecedented event in the sign of contemporary Italian creativity.” \nRaffaella Giampaola \nDirector Italian Cultural Institute of Oslo \n\nMAY 4th – 11:00 AM – 1:00 PM – 3:00 PM/ Royal Palace of Oscarshall \nMICRODANCES \nAnd yet it moves\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration 30′ \n[YouTube link](https://youtu.be/2lxSYnoyvEA)
URL:https://www.fndaterballetto.it/en/evento/italia-danza-oslo/2024-05-04/
LOCATION:Oscarshall\, Oscarshallveien 15\, Oslo\, 0287\, Norvegia
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240509T210000
DTEND;TZID=Europe/Rome:20240509T220000
DTSTAMP:20260403T195807
CREATED:20240119T165019Z
LAST-MODIFIED:20240508T125602Z
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SUMMARY:STORIE
DESCRIPTION:Aterballetto performs Stories at the Civic Theater in Vercelli as part of the We Speak Dance festival. \n\nStories is a small anthology of danced fragments. They represent only an infinitesimal part of the rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.\nTortelli creates two pieces: Prelude\, opening the evening\, is a love letter to the body for five dancers set to the music of Nick Cave\, Another Story is a duet on the impossible gesture of 2020\, the hug. Between past and future are the two creations of Kratz. The duo “O” presents two bodies/automatons\, forcing us to question how the sense of physical contact might change: will it remain emotional and heartfelt\, or become serial and alienated? Alpha Grace\, a sextet at the conclusion of the evening\, is a reflection on empathy\, a gentle form of communication between people who feel on the same level. It too is challenged by the present times.\n\n 
URL:https://www.fndaterballetto.it/en/evento/storie-11/
LOCATION:Teatro Civico\, Via Monte di Pietà\, 15\, Vercelli\, 13100\, Italia
CATEGORIES:Aterballetto,O,Productions,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240509T210000
DTEND;TZID=Europe/Rome:20240509T220000
DTSTAMP:20260403T195807
CREATED:20240421T165548Z
LAST-MODIFIED:20240506T112823Z
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SUMMARY:FORM 0
DESCRIPTION: Visible things can be invisible. If someone rides a horse in a forest\, first you see them\, then not\, but you know they are there. In the White Signature\, the horsewoman hides the trees\, and the trees in turn hide her. However\, our thought encompasses both the visible and the invisible. And I use painting to make thought visible.\nR. Magritte \nThe perfect balance of forms can be satisfying… but also unsettling.\nStarting from the fascination with symmetry understood as a compositional tool to convey harmony\, and from the multiple symbolic meanings of the mirror in the arts\, in FORM 0\, his first female duo\, Riccardo Buscarini explores symmetry as a place of disharmony and conflict.\nHow can a dialogue be possible if we see ourselves while looking at the other?\nWhat happens if similarity leads us to merge into each other and lose our identity? \nFrom a distorted mirror emerges a monstrous image. \nNext: FORM 0 – Looking at symmetry \nMeeting with the audience moderated by artist and researcher Eleonora Marzani\, who will introduce the themes of symmetry and the mirror underlying the creative process of this work. \n\n  \nCREDITS \nConcept / Choreography: Riccardo Buscarini\nDance: Annalisa Perricone\, Giulia Quacqueri\nOriginal music by Alessandro Baldessari assisted by Luca Felici: “Nostalgia for Nothing” (A.Baldessari) and Sonata for Piano No. 3\, Op. 2 No. 3\, in C Major (L. Van Beethoven)\nCostumes: Mara Leonora Pieri\nLighting: Alessandro Gelmini\nProduction: De Arte Saltandi\nProject winner of the Theodor Rawyler Award 2023/Festival TenDance\, Latina. With the support of Citofonare PimOff 2024\, Milano\, Centro Coreografico Nazionale/Aterballetto and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza e AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara\, and Vincenzo Losito\, MM Contemporary Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the people who have crossed and will encounter this project. \nRICCARDO BUSCARINI \nA choreographer winner of numerous awards in Italy and abroad\, Riccardo Buscarini graduated from the London Contemporary Dance School in 2009. He won the Prospettiva Danza Prize 2011\, the Fare Anticorpi Fund 2012\, The Place Prize 2013 with Athletes\, participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, NID Platform 2014 and 2022\, and collaborated with Summerhall (Edinburgh)\, London Festival of Architecture 2016 and 2019\, Nahmad Projects (London)\, and UNA Galleria at Spazio Leonardo\, Milan. Silk\, his creation for the Chelyabinsk Contemporary Dance Theater (Russia)\, was nominated for two Golden Mask 2018 at the Bolshoi Theatre in Moscow before being restaged on ŻfinMalta\, the National Dance Company of Malta. In 2019\, he received two commissions\, one for Equilibrio Dinamico Dance Company\, the other for the Chelyabinsk Contemporary Dance Theater. In 2020\, he created works for EDGE (The Place\, London)\, for the 45th International Arts Workshop of Montepulciano\, and in 2022 for ŻfinMalta (Requiem for Juliet\, based on W. Shakespeare). In 2023\, he founded De Arte Saltandi\, a cultural association of which he is president\, inspired by Domenichino from Piacenza and dedicated to multidisciplinary dance and choreography events. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros \nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nReduced price for under 8: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS\nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/form-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240513T203000
DTEND;TZID=Europe/Rome:20240513T220000
DTSTAMP:20260403T195807
CREATED:20240119T163443Z
LAST-MODIFIED:20251014T105318Z
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SUMMARY:YELED / RHAPSODY IN BLUE / SECUS
DESCRIPTION:The Teatro Verdi in Pordenone hosts the Aterballetto Company as part of a series dedicated to the international dance. The evening begins with Yeled by Eyal Dadon\, followed by Rhapsody in Blue\, the latest production by Iratxe Ansa and Igor Bacovich. The night concludes with Secus\, a creation by the Israeli choreographer Ohad Naharin\, restaged for the Company in 2019. \nYELED – Eyal Dadon\nYeled\, a Hebrew word meaning “child\,” brings to the stage the reflection that Israeli choreographer Eyal Dadon\, together with the dancers of Aterballetto\, has undertaken on the moment in life when one loses the innocence of childhood. \n  \n  \n\n  \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin holds various attractions for us. It is beautiful music\, known but perhaps not so frequently heard by newer generations. Introducing this work to the young audience is a good goal\, and it can be a way to provide a less distant and less ‘American’ vision of Gershwin\, going beyond the cultural context in which the Rhapsody was created. The Rhapsody will naturally dictate the choreographic work\, and the lively\, sparkling changes it offers are fantastic to play with.» – Iratxe Ansa & Igor Bacovich \n\n  \nSECUS – Ohad Naharin\nSecus is a creation by Ohad Naharin featuring a music collage ranging from the unconventional electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai and the resonant harmonies of the Beach Boys. This daringly eclectic mix serves as a fitting backdrop for the boldly extravagant choreography. \n\n– \nCREDITSYELED \nCreation for 16 dancers of the company \nChoreography: Eyal Dadon Music: Eyal Dadon Set and lights: Fabiana Piccioli Costumes: Bregje Van Balen \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production: Fondazione I Teatri di Reggio Emilia \nWith the contribution of the Cultural Office of the Embassy of Israel in Italy \nPremiere: April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli \n\nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography: Iratxe Ansa and Igor Bacovich Music: George Gershwin\, Rhapsody in Blue; Bessie Jones\, Beggin’ the blues Set and costumes: Fabio Cherstich Lights: Eric Soyer \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production with: Fondazione Teatro Regio di Parma With the contribution of: Etxepare Euskal Institutua \nPremiere: February 17\, 2024\, Teatro Regio di Parma Duration: 20′ \n\nSECUS \nRestaging for 16 dancers of the company \nChoreography: Ohad Naharin Music: Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys Sound design & editing: Ohad Fishof Costumes: Rakefet Levy Lights: Avi Yona Bueno (Bambi) Choreography Assistants: Rachael Osborne\, Ian Robinson \nCreation for Batsheva Dance Company (inside Three\, 2005) \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production: Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F) \nPremiere: September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, Rovereto Duration: 30’
URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-3/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue,Secus,Yeled
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240514T093000
DTEND;TZID=Europe/Rome:20240514T123000
DTSTAMP:20260403T195807
CREATED:20240511T104027Z
LAST-MODIFIED:20240516T212119Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:“`html\nFND/Aterballetto-Stravaganze in G Minor  \nStravaganze in G Minor by Francesca Lattuada arrives at the Abano Danza Festival. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, played with by a dancer and a baritone\, is the basis of this new creation for children and teenagers\, signed by the National Dance Foundation / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings created on the surface of the water when a stone is thrown: evoking unreal or hyper-real images\, carrying a musicality that mixes poetry and nursery rhyme\, making the extraordinary and the frightening join hands. \nUnder a tuft of scarlet roses\nThe toad offers hot tea with milk\nUnder a tuft of purple roses\nThe toad has to wash the cups.\n(Toti Scialoja\, Hamlet’s Apple\, 1984)\n“` \nCREDITS \n“`html \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (from Hamlet’s Apple) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: National Dance Foundation / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \n \n“` \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-14/
LOCATION:Teatro Polivalente\, Via Appia Monterosso\, 29\, 35031 Abano Terme PD\, Abano Terme\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240515T210000
DTEND;TZID=Europe/Rome:20240515T220000
DTSTAMP:20260403T195807
CREATED:20240501T191329Z
LAST-MODIFIED:20240516T212217Z
UID:10003280-1715806800-1715810400@www.fndaterballetto.it
SUMMARY:A LOT OF / SEHNSUCHT
DESCRIPTION:  \n\nA LOT OF\nIn constant search. The need for the other. Avidity for contact\, scents\, and flavors. Freed from the inhibitory brake of modesty and social conventions\, what could happen? Are we all animals? How much can we desire those around us? How much and how many can we love? Two bodies\, then one\, and suddenly three. Unexpected events and probabilities. Rhythms and rituals that beat\, intertwine\, and distort. The unnatural grace of Nijinski. The predatory instinct belongs to the human DNA. Marking territory becomes a game\, imagining becomes a necessity. How much space do we have in our body\, in our mind\, and in our soul? How much can we host within ourselves? Hunger. \nDISCOVER MORE \nThe number 3 is a constant in the work: 3 performers on stage\, 3 different authors\, 3 musical compositions\, 3 historical characters\, 3 parts. \nThe first of the three parts is a duet inspired by L’Après-midi d’un Faune\, choreographed by Nijinsky in 1912. In the original work\, the author addresses the theme of uncontrollable sexual impulse\, which gives rise to a huge sense of guilt. In his Diaries\, written seven years after the ballet\, it is evident that the choreographer was inspired by his own life with Dyagilev\, whom he was in love with. From this arises his inner contrast\, due on one hand to the moral censorship of the times and on the other to the strong attraction to the prostitutes he frequented. \nThe second part is a solo built on the constant and repeated search for virility and eroticism already unwittingly inherent in popular memory. A plunge into sacrifice\, a ritual aimed at a higher pleasure. Carnal movements that clash with the most sensual delicacies. A body that observes and scrutinizes. A body that screams and savors. A body that nestles on familiar melodies sinking into ancestral memories. \nThe third part tells an ancient love story by origin\, contemporary by definition. On stage\, two bodies that love each other until a third takes the place of one of the two\, a new couple is formed but briefly\, they become a trio; the triangle composed of the legendary Vaslav Nijinsky\, Countess Romola de Pulszky\, and impresario Sergei Pavlovich Dyagilev takes shape on stage through tenderness\, passion\, voyeurism\, fun\, anger\, and loneliness. Romola’s strength\, Nijinsky’s will\, Dyagilev’s fury intertwine in forms\, trajectories\, patterns\, explosions. Three people who love each other. Is this also love? What moves their souls and their bodies? \nThe music starts from the reworking of two immortal works: L’Après-midi d’un Faune by Debussy and Le Sacre du Printemps by Stravinsky. The themes are re-elaborated and deconstructed with an electro-acoustic approach\, the harmonic material reiterated in an almost cathartic manner in order to underline the erotic and mad nuances of Nijinsky’s tormented poetry. Musical repetition is a fundamental part of the process\, the matrix of a primitive feeling refined into modern man\, a victim of love and its consequences. \n\n  \n\n  \nSEHNSUCHT\n\n\n\n\n\n\n\n\n\n\n\n\n\nSehnsucht is a key word of the German romantic spirit\, embodying a typical concept of romantic culture\, rendered in Italian as “longing dependence”. Heidegger\, on the other hand\, identifies a different meaning\, as Sucht is to be understood in its original sense as “pain”: “Nostalgia is the pain of the nearness of the distant”.\nSehnsucht means desiring to reach the limit that separates it from the next\, to discover it\, to show it\, to touch it. Bodies alone but dependent\, investigating\, in a common space\, their limits in relation to the body\, space\, time\, and the other. The dancers enter into a system of movement where each element outlines the coordinates of choreographic scores characterized by unusual directions\, accelerations\, suspensions\, falls\, balances\, and interruptions of dynamics. \nDISCOVER MORE \nThe music\, specially composed for the performance by Filippo Ripamonti\, plays a role in defining the space created by the dancers\, also through the use of reverbs and source tracking. The music expands until it breaks these boundaries with an anthropomorphic music\, no longer tied to the distance between molecules but to the distance between people. \nThe creation seeks to go beyond the choreographic container itself\, in an instantaneous composition\, different with each repetition. The dancers enter into a score of spatial and temporal coordinates\, with a vocabulary of movement to draw from each time to write a new relationship\, a new choreography\, in search of contact with the other\, of reconciliation\, of unity. \nThe choreographic flow in which the performers immerse themselves evolves and slowly reveals the internal relationships\, questioning the limit\, which forces them to constant attention to the group\, to change\, to instant reaction. \nIn this system\, bodies seek each other\, find each other\, and explore contact anew\, a new way of living the relationship in which the audience recognizes itself\, living with hope and craving the performative act. \n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS \nA LOT OF \nby Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Giovanni Careccia\, Enrico Luly\, and Gioele Cosentino\ncostumes by Leonardo Rossi\nco-production FLIC – Festival Lanciano in Contemporanea \nDURATION 40′ \n— \nSEHNSUCHT \na performance by Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Maria Chiara Bono\, Chiara Borghini\, Giovanni Careccia\, Gioele Cosentino\, Arianna Cunsolo\, Francesca Lastella\, Enrico Luly\, and Davide Galuppi\nwith the support of Time To Move\, Teatrino dei Fondi\, Consorzio Coreografi Danza d’Autore Con.Cor.D.A\, Residenze Artistiche Toscane \nDURATION 30′ \nThe Lost Movement company is now supported by Sanpapié\, Dance production organism supported by MiC \nCOMPAGNIA LOST MOVEMENT \nThe Lost Movement Company was founded in 2011 from an idea by Nicolò Abbattista\, in collaboration with Christian Consalvo. To date\, the company has created eighteen productions. Its most recent productions have received support from important national organizations: Fattoria Vittadini and Fondazione Milano\, Oriente Occidente in Rovereto\, OPLAS/Centro Regionale Danza Umbria\, Teatrino dei Fondi (Consorzio Coreografico CONCORDA)\, and Residenze Artistiche Toscane. \nFor international distribution\, the company is supported by Klub Żak and Gdansk Dance Festival (Poland)\, Platform 14 (Germany)\, and Dance Horizons\, a distribution organism based in Edinburgh\, Scotland. \nThe company has won numerous awards and recognitions\, including Danz’è Off 2015 (finalist for Premio Prospettiva Danza e Teatro 2017 by Arteven)\, selected for IDACO festival (New York)\, Solo Dance Contest (Poland)\, winner of Abelianodanza Contest 2018\, Time To Move 2019\, Nessuno Resti Fuori festival of theater\, city\, and people\, and Festival Presente Futuro 2022 (Movin’Up 2021-2022\, a project supporting artistic mobility and internationalization). \nSince 2023\, Lost Movement has been supported by Associazione Culturale Sanpapié\, a dance production organization recognized by the Ministry of Culture. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio Emilia: 6 euros\nReduced for under 8: 3 euros \nTICKET PURCHASE \nTickets can only be purchased on the evening of the performance at the ticket office of the Fonderia. \nThe ticket office opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS FOR RESERVATIONS\n \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/a-lot-of-sehnsucht/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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