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DTSTART;TZID=Europe/Rome:20220326T180000
DTEND;TZID=Europe/Rome:20220326T213000
DTSTAMP:20260404T010444
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SUMMARY:STANZE \ ROOMS
DESCRIPTION:Stanze \ Rooms\nA site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \n  \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction partnership: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \n  \nINFO AND TICKETS \nPerformance times: \nFriday 25 March\, 6 p.m.\, 7.30 p.m.\, 9 p.m.\nSaturday\, 26 March\, 6.00 p.m.\, 7.30 p.m.\, 9.00 p.m.\nSunday\, 27 March\, 4.30 p.m.\, 6 p.m.\, 7.30 p.m.\, 9 p.m. \nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-4/2022-03-26/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Aterballetto,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220327T163000
DTEND;TZID=Europe/Rome:20220327T213000
DTSTAMP:20260404T010444
CREATED:20220315T080025Z
LAST-MODIFIED:20220317T152122Z
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SUMMARY:STANZE \ ROOMS
DESCRIPTION:Stanze \ Rooms\nA site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \n  \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction partnership: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \n  \nINFO AND TICKETS \nPerformance times: \nFriday 25 March\, 6 p.m.\, 7.30 p.m.\, 9 p.m.\nSaturday\, 26 March\, 6.00 p.m.\, 7.30 p.m.\, 9.00 p.m.\nSunday\, 27 March\, 4.30 p.m.\, 6 p.m.\, 7.30 p.m.\, 9 p.m. \nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-4/2022-03-27/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Aterballetto,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220329T204500
DTEND;TZID=Europe/Rome:20220329T223000
DTSTAMP:20260404T010444
CREATED:20210730T132833Z
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SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances in Meudon the triple bill Dreamers #1\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers #1 offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-aterballetto-meudon/
LOCATION:Centre d’art et de Culture\, 15 Boulevard des Nations Unies\, Meudon\, 92190\, Francia
CATEGORIES:Aterballetto,BLISS,O,Secus
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220331T200000
DTEND;TZID=Europe/Rome:20220331T214000
DTSTAMP:20260404T010444
CREATED:20210730T133542Z
LAST-MODIFIED:20210910T073504Z
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SUMMARY:Don Juan
DESCRIPTION:At the Opéra de Massy\, on 31 March and 1 April\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-massy/2022-03-31/
LOCATION:Opéra de Massy\, 1 place de France\, Massy\, 91300\, Francia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220401T200000
DTEND;TZID=Europe/Rome:20220401T214000
DTSTAMP:20260404T010444
CREATED:20210730T133542Z
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SUMMARY:Don Juan
DESCRIPTION:At the Opéra de Massy\, on 31 March and 1 April\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-massy/2022-04-01/
LOCATION:Opéra de Massy\, 1 place de France\, Massy\, 91300\, Francia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220402T180000
DTEND;TZID=Europe/Rome:20220402T184000
DTSTAMP:20260404T010444
CREATED:20220105T172459Z
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SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-02/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220403T180000
DTEND;TZID=Europe/Rome:20220403T184000
DTSTAMP:20260404T010444
CREATED:20220105T172459Z
LAST-MODIFIED:20220331T232333Z
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SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-03/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220405T210000
DTEND;TZID=Europe/Rome:20220405T223000
DTSTAMP:20260404T010444
CREATED:20220107T123109Z
LAST-MODIFIED:20220404T083906Z
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SUMMARY:Another story - ''O'' - BLISS
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto – Golden Days / BLISS – ph. Nadir Bonazzi \nPERFORMANCE POSTPONED\nWe inform you that\, due to the Covid-19 positivity of one of the performers\, the show is postponed to a date to be defined.\nAterballetto dances at Cinema Teatro Boiardo in Scandiano\, near Reggio Emilia. \nOn stage an evening of three choreographies. Another story by Diego Tortelli is a duet on the impossible gesture of the last year: the embrace. The duet “O” by Philippe Kratz: a small masterpiece that always hypnotizes. The programme closes with BLISS by Johan Inger\, a joyful choreography on Keith Jarrett’s Koln Concert.\n \n 
URL:https://www.fndaterballetto.it/en/evento/another-story-o-bliss/
LOCATION:CInema Teatro Boiardo\, via XXV Aprile\, 3\, Scandiano\, RE\, 42019\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220408T200000
DTEND;TZID=Europe/Rome:20220408T214000
DTSTAMP:20260404T010444
CREATED:20210730T135310Z
LAST-MODIFIED:20220105T163314Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Ristori in Verona\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-ristori/
LOCATION:Teatro Ristori\, via Teatro Ristori\, 7\, Verona\, 37122\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220408T210000
DTEND;TZID=Europe/Rome:20220408T220000
DTSTAMP:20260404T010444
CREATED:20220207T175544Z
LAST-MODIFIED:20220207T180008Z
UID:10001884-1649451600-1649455200@www.fndaterballetto.it
SUMMARY:50 MIN|MQ
DESCRIPTION:50 MIN|MQ presents the physical but not mental isolation that is still affecting our lives.\nThe dancers of E.sperimenti Dance Company show emotions and feelings\, which are often contrasting and euphoric\, resulting from the period of confinement we have experienced. \n  \n\nCREDITS \nDancers E.sperimenti Dance Company\nChoreography Federica Galimberti\nMusic AA.VV.\nCostumes E.sperimenti Dance Company\nLights Emilio Barone\nProduction GruppoDanzaOggi di Patrizia Salvatori \n50 MIN|MQ \nBe aware of the new that is coming\, losing control. Putting one eye on yourself and another on the world.\nTake refuge in the only place that represented and still represents\, especially in this nation\, a safe place. The dancers are the performers of the event that permanently signed a step into the new and the unknown.\nCarrying our physical\, emotional\, cultural and spiritual experience\, starting from the only place of freedom we had been given\, the “Supermarket”\, that became a special place for thoughts and ideas\, let us give time to our ego\, hit and hurt by the abuses of a time that has been taken from us\, by marking social rhythms and distances and adding a little irony in our hardest moments.\nAn awakening for many. \n50 MIN|MQ is a performance in which the dancers express emotions and feelings\, often conflicting and euphoric\, resulting from the period of isolation experienced. It is a very involving performance because it is the true emotional representation of the artists and all of us. \nA new production by the choreographer Federica Galimberti who\, together with the performers\, decided to rethink their own being as performers\, through technological\, rather than human\, connections. They have been able to draw both advantages and limits\, with an ’emotional memory’ to share with everyone because it is ”everyone’s”:\nThe artist inside each one of us\, squeezed into 50 square metres\, goes beyond the walls\, runs and draws an invisible imaginary thread that never stops uniting bodies\, minds\, languages and emotions. Art has no barriers\, no constraints\, no boundaries…\nA show that changes and ends in different ways\, proving that people are always changing\, searching for a better self\, a reborn\, renewed self. \n50 MIN|MQ shows the physical but not mental isolation that continues to condition the life of the single person and not only: it brings out the irrepressible irony\, lightness\, theatricality characteristic of E.sperimenti Dance Company. \n\nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/50-minmq/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220410T210000
DTEND;TZID=Europe/Rome:20220410T224000
DTSTAMP:20260404T010444
CREATED:20210909T133444Z
LAST-MODIFIED:20220105T163251Z
UID:10002223-1649624400-1649630400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Pisa Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-pisa/
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220416T163000
DTEND;TZID=Europe/Rome:20220416T213000
DTSTAMP:20260404T010444
CREATED:20220329T092313Z
LAST-MODIFIED:20220331T232135Z
UID:10002332-1650126600-1650144600@www.fndaterballetto.it
SUMMARY:STANZE/ROOMS
DESCRIPTION:  \nStanze \ Rooms\nAn itinerant site-specific performance specially conceived for the new layout of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction collaboration: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific itinerant performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \nINFO AND TICKETS \nPerformance times: \n\nh 16.30\nh 18.00\nh 19.30\nh 21.00\n\nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, in Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-5/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Productions,Stanze Rooms
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220421T210000
DTEND;TZID=Europe/Rome:20220421T220000
DTSTAMP:20260404T010444
CREATED:20220105T174044Z
LAST-MODIFIED:20220404T145613Z
UID:10002296-1650574800-1650578400@www.fndaterballetto.it
SUMMARY:UNDER THE FLESH
DESCRIPTION:  \nUnder the Flesh by Bassam Aboud Diab is a contemporary dance performance\, a personal reflection that investigates how the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique. \nThe performance will be followed by a talk with the audience conducted by Mattia Mariani\, director of Telereggio\, on how the artist sees the transformations of society and how culture affects them.\n \n\nCredits \nChoreography and direction: Bassam Abou Diab\nPerformer: Bassam Abou Diab\, Ayman Sharaf El Dine and a translator\nMusic: Ayman Sharaf El Dine \nCo-produced by Maqamat Beit El Raqs\nDuration: 30′ \nSYNOPSIS \nIn 1996 the war came back and it was a long time since I had met my friends\, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die. \nThe second strategy is to let your body go to the end\, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts\, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war. \nDuring the year 2000 I changed. New ideas in mind about the relationship between cultures\, the body\, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence. \nIn 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies. \nBassam Abou Diab \nBassam Abou Diab \nHe is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre\, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat\, Gilles Jobin\, Damien Jalet\, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project. \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/under-the-flesh-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220426T210000
DTEND;TZID=Europe/Rome:20220426T220000
DTSTAMP:20260404T010444
CREATED:20220328T164217Z
LAST-MODIFIED:20220422T181301Z
UID:10002333-1651006800-1651010400@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:PERFORMANCE CANCELLED\n\nFeeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Fonderia for the first time. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented during an evening dedicated to the relationship between dance and disability\, enriched by the projection of short films related to the theme and by a conversation on the Italian panorama between the director of the Fondazione Gigi Cristoforetti and the general director of Oriente Occidente Anna Consolati. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-11/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,feeling good,Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220427T203000
DTEND;TZID=Europe/Rome:20220427T220000
DTSTAMP:20260404T010444
CREATED:20211215T153929Z
LAST-MODIFIED:20211215T154022Z
UID:10002252-1651091400-1651096800@www.fndaterballetto.it
SUMMARY:YELED / SHOOT ME
DESCRIPTION:Aterballetto premieres two new productions in its hometown Reggio Emilia.\nYELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli\, will make their debut at the Teatro Municipale Romolo Valli on 27 April 2022. \nYELED\, the Hebrew word for “kid”\, brings to the stage the thoughts that the Israeli choreographer Eyal Dadon has developed\, together with the dancers of Aterballetto\, about that moment in our lives when we lose childhood innocence.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, is instead a work that wants to create a direct dialogue between the dancers on stage and the audience in the auditorium: a game of seduction\, of looks\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride.
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220428T203000
DTEND;TZID=Europe/Rome:20220428T220000
DTSTAMP:20260404T010444
CREATED:20220406T113622Z
LAST-MODIFIED:20220502T144325Z
UID:10002325-1651177800-1651183200@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, il duetto di Diego Tortelli per un danzatore abile e un danzatore disabile\, è al Teatro Carcano di Milano nella più ampia programmazione di PRESENTI ACCESSIBILI\, evento italiano organizzato da Oriente Occidente all’interno della rete Europe Beyond Access\, il più grande progetto al mondo sull’accessibilità dell’arte e della cultura. \nAccanto a Feeling Good\, poetico duetto sull’abilità di “essere” e di “sentire”\, in scena c’è anche il lavoro Fine Lines della coreografa Roser López Espinosa per la compagnia svedese Skånes Dansteater\, in cui due figure femminili delicate e potenti al tempo stesso si incontrano lasciando emergere i confini delle relazioni.\nE ancora\, pioniera dell’integrazione a livello professionale di danzatori abili e disabili\, la Candoco Dance Company ci accompagna nel repertorio contemporaneo con una pietra miliare: Set and Reset creato dalla grande Trisha Brown nel 1983.
URL:https://www.fndaterballetto.it/en/evento/feeling-good-12/
LOCATION:Teatro Carcano\, Corso di Porta Romana\, 63\, Milano\, MI\, 20122\, Italia
CATEGORIES:feeling good
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220428T210000
DTEND;TZID=Europe/Rome:20220428T220000
DTSTAMP:20260404T010444
CREATED:20220128T102128Z
LAST-MODIFIED:20220912T132437Z
UID:10001881-1651179600-1651183200@www.fndaterballetto.it
SUMMARY:AD EVA - DORA - SEAMLESS
DESCRIPTION:  \nThe young XL Dance Company directed by Emanuela Baratin and Laura Matano\, returns to the Fonderia with the triptych Ad Eva by Roberto Tedesco\, Dora by Laura Matano and Seamless by Sabrina Rigoni. \nAD EVA \nIdeazione e coreografia: Roberto Tedesco\nInterpreti: Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Linda Pasquini\nDisegno Luci: Gessica Germini\nMusica: autori vari \nDurata 18′ \nEva.\nEtimologicamente la madre dei viventi\, lei che ha scelto la vita.\nNon peccato ma virtù originale: alla paura ha preferito la curiosità\, all’obbedienza la scoperta.\nPrecorritrice di libertà\, anticipatrice di indipendenza\, colei che ci ha insegnato che chi cerca vive in eterno.\nStoria nuda\, madre sana\, sorella coraggiosa\, al suo gesto hanno abbinato il buio\, ma dove fu veramente il torto?\nOggi siamo lei e il nostro corpo libero racconta una storia che continua sulla sua traccia.\nOmaggio facciamo Ad Eva. \nDORA \nIdeazione e coreografia: Laura Matano\nInterprete: Chiara Riva\nDisegno Luci: Gessica Germini\nScenografia: Cinzia Macis\nMusica: autori vari\n \nCi attraversano o ci camminano di fianco oppure interrompono i nostri respiri quando passano oltre i loro.\nAnime pure che non hanno bisogno di stare a terra. \nSEAMLESS \nConcept and choreography Sabrina Rigoni\nPerformers Diletta Antolini\, Sara Ariotti\, Melissa Bortolotti\, Noemi Garofalo\, Carlotta Serafini\nLighting design Gessica Germini\nMusic various authors \nDuration 20′ \nSolution. From Latin solutiònem\, past participle of the verb sòlvere. To dissolve\, dissolution. In its figurative meaning: breaking or stopping.\nWords\, if you know how to read them\, can always tell you something about the life flow we are all in. The search for the perfect solution is endless: ‘Get us out of the problem!’ the crowd shouts.\nA beginning is certainly not followed by an end\, and this impossible contact may represent the possibility of crossing a border: mental\, parabolic\, hyperbolic. Move away from the extreme nature of your “black or white”\, immerse yourself in the river and keep swimming\, look around and learn with others. \nA solution is not the final step towards your happiness\, try to find the way to bring the people you care about back together. Gestures\, nods\, emotions flow from you to the others. In order to move forward\, you have to be driven by your desire to discover more. Swim. Seamlessly. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ad-eva-dora-seamless/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220503T180000
DTEND;TZID=Europe/Rome:20220503T190000
DTSTAMP:20260404T010444
CREATED:20220502T132836Z
LAST-MODIFIED:20220502T152647Z
UID:10002329-1651600800-1651604400@www.fndaterballetto.it
SUMMARY:Corpi Violati
DESCRIPTION:OPEN REHEARSAL\nThe choreographic project was born from the desire to focus attention on the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network Against Violence). \nCREDITS \nChoreography\, direction\, set\, lighting and costume design Monica Casadei\nMusic Luca Vianini\, AAVV \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara \nWith the support of Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna \nSynopsis \n“Never shall Carmen yield! She was born free and she will die free.” “I shall always be free”. These are the hymns to freedom by Carmen\, the protagonist of Prosper Mérimée’s novel and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Figures of women who are symbols of independence of thought\, strength and courage and at the same time fragility in the face of violence and abuse. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. The project “Corpi violati” by the Compagnia Artemis Danza\, founded and directed by Monica Casadei\, is inspired by the many stories of gender violence told in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news.\nThe choreographic project stems from the desire to draw attention to the issue of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in networks against violence). \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/corpi-violati/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220506T180000
DTEND;TZID=Europe/Rome:20220506T190000
DTSTAMP:20260404T010444
CREATED:20220105T175222Z
LAST-MODIFIED:20220502T144034Z
UID:10002300-1651860000-1651863600@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 26.0 - OPEN REHEARSAL
DESCRIPTION:{%CAPTION%} \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 by Giuseppe Spota\, paolo Mohovich and Michele Merola.\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220507T210000
DTEND;TZID=Europe/Rome:20220507T223000
DTSTAMP:20260404T010444
CREATED:20220105T175858Z
LAST-MODIFIED:20220502T151613Z
UID:10002304-1651957200-1651962600@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 26.0
DESCRIPTION: \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 with choreographies by Giuseppe Spota\, Paolo Mohovich and Michele Merola. \nDancers: Camilla Aiazzi\, Erica Barusco\, Silvia Bellot Romanet\, Agnese Biavati\, Veronica Biondini\, Marek Brafa\, Margherita Cardinalini\, Greta Cecconi\, Filippo Cosso\, Sally Demonte\, Pietro Di Salvo\, Annachiara Gallo\, Sofia Lacava\, Carlotta Lo Piano\, Giorgia Mantovan\, Letizia Melchiorre\, Lorenzo Molinaro\, Marta Monaci\, Martina Pagliari\, Alessio Saccheri\, Rossana Samele\, Viviana Sanfilippo\, Diletta Torelli \n  \nCHOREOGRAPHIES \nSNAPES\nChoreography GIUSEPPE SPOTA\nMusic ATMO music production\nCostume designed by GIUSEPPE SPOTA and made by NUVIA VALESTRI \nWe lose ourselves in a flood of futility\, only to experience moments of true beauty\, lucidity and fragility. In a constant non-listening\, we react to the domino effect triggered by our elected leaders of the moment\, only to find ourselves empty and fragile. \nPICCOLI RITI NOTTURNI\nChoreography PAOLO MOHOVICH\nMusic MUCHAEL KIWANUKA \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (loving or not) … to be a little older the next day…\nNighttime rituals that with hindsight appear small\, but how can we forget the emotion that made them appear immense? \nExcerpts from BOLERO\nChoreography MICHELE MEROLA\nMusic MAURICE RAVEL / STEFANO CORRIAS\nCostume design NUVIA VALESTRI\nAssistant to the choreographer PAOLO LAURI \nA clockwork mechanism of rigorous precision\, Bolero (1928) is still one of the best known and most listened to pieces in the history of music. On stage is a choreographic version of Bolero created by Merola for Agora Coaching Project\, inspired by the one created for MMContemporary Dance Company. The choreographer confronted this obsessive and repetitive music\, trying to understand its identity\, reason and function\, to arrive at his interpretation: at the end of this path the inspiration focused on the inexhaustible range of human relationships. In the choreography\, fears\, repressed desires\, existential shocks that reveal entire universes\, secret ties that exist between people are projected from the inside out\, and irony gives way to fear\, love to disenchantment\, detachment to sharing\, and so on\, between crescendo and diminuendo\, like the music of the Bolero.\nStefano Corrias spoke on this same music\, with the licence and inventiveness that are the true mark of every artist. As a refined and experienced composer\, aware of the demands of the stage\, Corrias created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analysing the pages of Bolero\, and integrates perfectly with it. \n  \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & Tickets \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can only be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220512T170000
DTEND;TZID=Europe/Rome:20220512T180000
DTSTAMP:20260404T010444
CREATED:20220502T152627Z
LAST-MODIFIED:20220502T152937Z
UID:10002335-1652374800-1652378400@www.fndaterballetto.it
SUMMARY:NEXT STOP_PALCOSCENICO
DESCRIPTION:Studio XL ph Silvia Casali \nOPEN REHEARSAL\nThe young dancers of StudioXL Intenational Contemporary Dance Education\, directed by Emanuela Baratin and Laura Matano\, dance choreographies by Giovanni Insaudo\, Nunzio Perricone\, Laura Matano and Daniele Bianco. \nStudioXL International Contemporary Dance Education \nStudioXL International Contemporary Dance Education – Artistic Direction Laura Matano\, Emanuela Baratin \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 16.30.\nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/next-stop_palcoscenico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220513T203000
DTEND;TZID=Europe/Rome:20220513T221000
DTSTAMP:20260404T010444
CREATED:20211217T173920Z
LAST-MODIFIED:20220801T151818Z
UID:10002274-1652473800-1652479800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Modena Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-33/
LOCATION:Teatro Comunale L. Pavarotti\, Via del Teatro\, 8\, Modena\, MO\, 41121\, Italia
CATEGORIES:Aterballetto,Don Juan
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GEO:44.64681;10.930138
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220519T200000
DTEND;TZID=Europe/Rome:20220519T214000
DTSTAMP:20260404T010444
CREATED:20210909T141315Z
LAST-MODIFIED:20210910T073215Z
UID:10002226-1652990400-1652996400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Monthey Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-monthey/
LOCATION:Théâtre du Crochetan\, Av. du Théâtre 9\, Monthey\, 1870\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T140000
DTEND;TZID=Europe/Rome:20220522T183000
DTSTAMP:20260404T010444
CREATED:20220506T153927Z
LAST-MODIFIED:20220530T165834Z
UID:10002337-1653141600-1653244200@www.fndaterballetto.it
SUMMARY:MicroDanze - Reenactment
DESCRIPTION:In the framework of the Creative Europe An Ideal City project\, on 21 and 22 May the MicroDances will restart their tour from where they left off\, at their partner Les Halles de Schaerbeek in Brussels\, before continuing to Reggio Emilia (10-12 June) and Athens (17 June). \nSome of the MicroDances are at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version that can interpret the spirit and characteristics of the three cities involved. \nIn Brussels the 8 MicroDances re-enacted are surrounded in the urban landscape of the Tour & Taxis area. The performances are on 21 and 22 May (h 14.00-15.30-17.00). \nDiscover more about the reenactment here. \nMicroDances & Urban Mutations \nIn Brussels\, MicroDances are rooted in an urban landscape that beats at two different rhythms. \nTachycardique in Tour & Taxis\, a trade centre and former industrial freight station located along the canal.\nBiorythmique in the Coulée verte\, a green trail grounded in the living beings and the knowledge buried beneath the metropolis. \nFor two decades\, the land\, which was abandoned at the end of the twentieth century\, has been fuelling the imaginations of town planners\, artists\, architects\, circus performers\, promoters\, gardeners\, and developers.\nA massive urban project will be completed in 2022. The land has the appearance of wrinkled skin. The soil is worn out. Neighbours\, runners\, children\, cyclists\, and pets and their owners are crossing public\, semi-public\, private\, common\, and liminal zones. \nWho are we? A melting pot of Brussels citizens experimenting with body-landscape interactions. Among us\, eight dancers were chosen by Les Halles for their multidisciplinary and outdoor skills. After participating in a European workshop\, they will perform six MicroDances shaped by Italian and Greek choreographers during the Covid crisis. \nEach MicroDance is a microworld\, a dialogue with the open space. A sort of acupuncture in which each point calls for a shared story told by watchmen who weave connections between the spirits of the location\, passers-by\, and the present moment. \nWith their disquieting beauty\, the MicroDances’ journeys from the underground to the surface are an essential part of the vital art of healing our connections to places. \nPauline de La Boulaye \nAn Ideal City curator\n \n\n\n\n\n\n\n\n  \n \nPannenhuis subway station\n\nLet’s explore what’s under our feet\, under Pannenhuis\, Pan’s home… There is no distinction between the living and the dead in the proto city: two spirits open the route.\nMicroDance: Eppur si muove by Francesca Lattuada\n\nPerformers: Carolina Morais Fonseca & Arti Servaes\nStreet workout park\n\nUnder the next bridge\, facing a street workout park\, one singer and one dancer embody the pain of performing: should you prioritise art before life or put art at the service of life?\nMicroDance: Phantasmagoria by Markella Manoliadi\nPerformer: Sally Demonte\nSinger: Katrishania Renata\nParckfarm greenhouse\n\nAt Parckfarm greenhouse\, we grow the land\, the connections\, and the creativity to restore the resources of the uprooted metropolis. There\, a woman is looking for a place to call home. But she is losing herself when her head invades her body.\nMicroDance: Pensieri di Carta by Hélias Tur-Dorvault\nPerformer: Eliza Pais Sogos\nUnder the skyline\n\nAfter the last bridge\, under the skyline of the towering skyscrapers of Brussels’ little Manhattan\, a proto-architect dances with wood\, in search of Human scale\, like a Vitruvian man.\nMicroDance: Forget me not by Konstantinos Rigos\nPerformer: Noémie Boes\nMusician: Karen van Schaik\nCurved tunnel\n\nAt the entrance of a tunnel\, along a curved timeline\, an extraordinary creature recreates the first motion: drawing a line\, locating their skeleton\, their hand\, and their eye before engaging with the world.\nMicroDance: Active motivation by Elena Kekkou\nPerformer: Agathe Tarillon\nGare Maritime\n\nAt the maritime station\, a temple of commercial reconversion and food concepts\,\ntwo characters emerge from an above-ground café to exorcise plastic\, a polluter of bodies that have become objects.\nMicroDance: Turn the Tide by Roberto Tedesco\nPerformers: Margaux Lissandre & Salima Brahimi\nThe Land relic\n\nAt the exit\, let’s meditate in front of the scraps of land that were stripped from the ground before development began. The majesty of simple things.\n\n \nInfo \nurban dramaturgy Pauline de La Boulaye\ncostumes Khadija Karam \npartnership in Brussels\nla cocof\, Bruxelles environnement\, Molenbeek 1080\, Tour & Taxis\, Parckfarm \nMay 21 & May 22\n14h / 15h30 / 17h \nMore Info
URL:https://www.fndaterballetto.it/en/evento/microdanze-reenactment/
LOCATION:Bruxelles\, Bruxelles\, Belgio
CATEGORIES:MicroDanze,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T180000
DTEND;TZID=Europe/Rome:20220521T190000
DTSTAMP:20260404T010445
CREATED:20220107T095658Z
LAST-MODIFIED:20220505T160951Z
UID:10002297-1653156000-1653159600@www.fndaterballetto.it
SUMMARY:My Body trio - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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DTSTART;TZID=Europe/Rome:20220522T210000
DTEND;TZID=Europe/Rome:20220522T215000
DTSTAMP:20260404T010445
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LAST-MODIFIED:20220505T161205Z
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SUMMARY:My Body trio
DESCRIPTION:PREVIEW IN FONDERIA\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \n  \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \n  \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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DTSTART;TZID=Europe/Rome:20220526T183000
DTEND;TZID=Europe/Rome:20220526T200000
DTSTAMP:20260404T010445
CREATED:20220516T084253Z
LAST-MODIFIED:20220516T084253Z
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SUMMARY:IN/FINITO
DESCRIPTION:Following an invitation by the Italian Cultural Institute of Tunis\, the Fondazione Nazionale della Danza / Aterballetto is back to dance in the Tunisian capital after eighteen years since its last performance\, dating back to 2004. On Thursday 26 May\, Tunis will host the final stop of In/Finito\, a dance and photography project for urban\, natural or historical spaces\, born in Reggio Emilia in 2018 from an idea of FND director Gigi Cristoforetti\, in collaboration with Fotografia Europea and in partnership with Fondazione Palazzo Magnani. \nAfter Reggio Emilia\, Capri\, Bologna\, Milan\, Athens and Paris\, Tunis will represent the artistic conclusion of the In/Finito project. For this occasion\, the artist of Greek-Tunisian origin Marianne Catzaras will photograph the six performances set in significant places in the city\, chosen by the Italian Cultural Institute of Tunis. \n 
URL:https://www.fndaterballetto.it/en/evento/in-finito-4/
LOCATION:Ennejma Ezzahra\, 8\, rue du 2 mars 1934\, Tunisi\, Tunisia
CATEGORIES:Aterballetto,In/Finito
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LAST-MODIFIED:20220606T130401Z
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SUMMARY:MicroDanze - urban setting
DESCRIPTION:In the framework of the Creative Europe An Ideal City project\, the MicroDances are in Reggio Emilia on 10-12 June. \nIn the past months some of the MicroDances were at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version that can interpret the spirit and characteristics of the three cities involved: Reggio Emilia\, Athens and Brussels. \nFind out more about reenactment here. \nIn Reggio Emilia\, the 8 MicroDances that are the subject of the reenactment are immersed in an urban route that starts in the historic centre and stops at the Parco Innovazione on the northern outskirts of the town. \nProtagonists of the performances are the young talents from the advanced training courses Agora Coaching Project and Studio XL. \nIn addition to the urban MicroDances route\, other events are organised from 10 to 12 June to discover public art and the city itself. \nAn Ideal City | Reggio Emilia is curated by Costanza Meli. \nFND_Aterballetto – MicroDanze -Eppur si muove-chor. Francesca Lattuada – dancers Arianna Ganassi\, Antonio Tafuni – Palazzo da Mosto – ph Alice Vacondio \nMicroDances - Urban Route \nEight 8 MicroDances are performed in Reggio Emilia along a path that links its historic city center both physically and symbolically with the new area of urban renewal and development known as Parco Innovazione\, the former industrial area previously occupied by Officine Meccaniche Reggiane. The route winds through the city’s pedestrian island with locations to stop and witness the performances on a path that takes around two hours to complete. \nFor two days (10 and 12 June)\, these MicroDances will be staged in places of strategic significance and areas of passage between the town center and its outskirts on a journey to rediscovering and redefining Reggio Emilia’s social\, cultural\, and historical heritage of the past and present.\nThe presentation throughout the city is at the disposal of both casual audiences that encounter the performances by chance and those who decide to follow its seven itineraries and discover how dance suits the city’s locations of greatest social\, historical\, and future relevance. \nThe Project combines the languages of dance and public art in developing its ideal of the inclusive\, dynamic\, and experimental city\, one that takes part by placing all its various forms of energy into relationship and working for a shared objective. No city is ever ideal\, however: each is real and keeps growing also in the circulation of knowledge and experiences among its citizens\, especially those who consider the dimension of the community and shared space a precious asset. With this aspiration\, An Ideal City – Reggio Emilia decided to create a network of collaborations with institutional partners\, associations\, and local actors and actresses to animate the city’s social and cultural life in different ways. \nIn its urban version\, An Ideal City involves the reenactment of the MicroDances with participation from the Peri-Merulo Conservatory\, the K-Lab community tailory\, the SemiLiberi social carpentry shop set up inside a prison by Cooperativa L’Ovile and the Via Roma Citizens’ Committee in creating essential parts of performance stage design and choreography and others required for the enjoyment of the city’s events and cultural heritage by the public at large. \nCostanza Meli \nAn Ideal City curator \nStages of the route \n1 Teatro San Prospero\nForget Me Not\nChoreography: Konstantinos Rigos\nPerformer: Alessio Saccheri\nMusic: Giorgos Koumendakis\nClarinet: Jennifer Piazza \n2 Piazza Casotti\nTurn the Tide\nChoreography\, set\, costumes: Roberto Tedesco\nPerformers: Marianna Basso\, Federico Russo\nMusic: BowLand \n3 Via Roma\, 22\nEppur si Muove\nChoreography: Francesca Lattuada\nPerformer: Arianna Ganassi\nMusic: Ludwig van Beethoven\, Symphony n. 7\, 2nd movement: Allegretto\nCostume: Bruno Fatalot \n4 Viale Ramazzini\, 9\nFantasmagoria\nChoreography: Markella Manoliadi\nPerformer: Sally Demonte\nMusic: Gabriel Fauré\, “Après un rêve”\nSinger: Loredana Ferrante \n5 VR33 / Viale Ramazzini\, 33\nPensieri di Carta\nChoreography\, original music: Hélias Tur-Dorvault\nPerformer: Rossana Samele\nSound design: Alessandro Grisendi \n6 Garage Poppi / Viale Ramazzini\, 33\nKnight Rider\nChoreography: Yannis Nikolaidis\nPerformer: Veronica Biondini\nSound design: Manolis Manousakis\nCostume: Ioanna Tsami \n7 Ex Reggiane – Capannone 18\nStrôma\nChoreography and costumes: Giovanni Insaudo\nPerformers: Agnese Biavati\, Marek Brafa\nMusic: BFRND\, “La vie en rose” \n8 Green Park Centro Internazionale Loris Malaguzzi\nActive Motivation\nChoreography: Elena Kekkou\nPerfomer: Lorenzo Molinaro\nMusic: Antonis Vlachos \nInfo & reservations \nFriday 10 June 5.00 p.m. and 6.30 p.m.\nSunday 12 June at 4.30 p.m.\, 5.30 p.m. and 6.30 p.m. \nStart from Teatro San Prospero\, Via Guidelli\, 5\nGuided tour on foot\, duration approximately 2 hours \nInfo: 0522273011 / whatsapp 3341023554\nTicket: 5 euro\nOnline purchase: www.biglietteriafonderia39.it \n\n \n \nSIDE EVENTS\n\nAtelier with Reggio Children \nFriday 10 June from 4.30 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nWorkshop “A pin on a journey”\nA space to make your own pin with unusual materials.\nFrom age 3 and up – Free entrance for small groups\n \n  \nFriday 10 June from 4.45 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nAtelier Mosaic of Graphics Words Matter\nAn atelier to experiment with unexpected graphic tools and material surfaces. \nfrom 3 to 7 years – max 24 participants\nAdults 5 euros – Children 3 euros\nbooking required: http://bitly.ws/rjcB \ninfo: www.reggiochildren.it \nReggio Children – Atelier  \nConference An Ideal City: where dance meets the urban landscape \nSaturday 11 June from 10 a.m. to 2 p.m.\nFonderia Aterballetto – via della Costituzione\, 39\nAlso available in online streaming: www.aterballetto.it \n\nSpeakers: \n– Gigi Cristoforetti\, Director of the Fondazione Nazionale della Danza / Aterballetto:\nWhat is the project An Ideal City? The importance of the project in the path of the Foundation and the dancers regarding the relationship with the city. \n– Annalisa Rabitti\, Councillor for Culture of the Municipality of Reggio Emilia:\nConsiderations on how cultural projects relate to the city and the social context. \n– Costanza Meli – Nadja Argyropoulou – Pauline de la Boulaye\, curators of the project An Ideal City:\nWhat is the relationship between the first version of MicroDances and the reenactment? Considerations on the meaning of the project in relation to the ideal city and the real city. \n– Choreographers and performers involved in An Ideal City:\nConsiderations on this project of dance\, public art and encounter with the city. \n– Vittorio Salmoni\, coordinator of the Italian UNESCO Creative Cities network:\nConcluding analysis of the project in relation to urban regeneration processes. \nThe partners who took part in the project will also speak\, presenting their reality within the social environment and sharing their experience within the An Ideal City project. \nGuided tour of the Street Museum Via Roma zero \nSunday 12 June from 10 a.m. to 10.30 a.m.\nDeparture Porta Santa Croce\nIn partnership with the Associazione ‘Via Roma Zero’ \nTwo exceptional guides will take you through the stories of yesterday and today. A leap back in time to meet the Popol Giòst\, imagine the 1980s\, revisit the old taverns and discover the latest practices of sustainability and social cohesion. \nReservations required: cittadiniviaroma@gmail.com; messages at 335330948 \nUrban walk: art in Santa Croce between past and present \nSunday 12 June from 11 a.m. to 12.30 p.m.\nStart from Via Cirillo Manicardi\, 1 – Santa Croce railway station\nIn partnership with Progetto Strade / coop.va sociale CORESS \nURBAN WALK: artistic and cultural memory in Santa Croce. The innovative cultural approach of the urban walk shifts attention to the communities that inhabit places and the practices of using spaces and describing them; they are valuable resources for those who want to get to know an area in depth\, to involve and integrate old and new inhabitants. Starting from Viale Ramazzini 33\, we will discover some places in the neighbourhood that bear witness to and preserve traces and memories of a past dense with art and culture. \nThe urban walk is organised and led by educators and adults with fragility who are part of the STRADE project (Social and Occupational Area of Reggio Emilia and district) in collaboration with the CORESS Social Cooperative. \nMax 20 people \nreservations: 3668212116 \n\n \nPARTNERS\n\nDiscover the partnerships \n \nMicroDances are in co-production with \n \nThe MicroDances of the Urban Route / Reggio Emilia are performed by the young dancers of the advanced training courses: \n      \nThe musical contributions of the Urban Route / Reggio Emilia are by \n \nThe costumes of the MicroDances of the Urban Route / Reggio Emilia were made by the social tailoring of \n \nThe scenes of the MicroDances of the Urban Route / Reggio Emilia were created by the prison carpentry workshop: \n \n\n  \nin the framework of \n \nin partnership with
URL:https://www.fndaterballetto.it/en/evento/microdanze-urban-setting/2022-06-10/1/
LOCATION:Reggio Emilia\, Reggio Emilia\, 42121\, Italia
CATEGORIES:MicroDanze,special events
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SUMMARY:MicroDanze - urban setting
DESCRIPTION:In the framework of the Creative Europe An Ideal City project\, the MicroDances are in Reggio Emilia on 10-12 June. \nIn the past months some of the MicroDances were at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version that can interpret the spirit and characteristics of the three cities involved: Reggio Emilia\, Athens and Brussels. \nFind out more about reenactment here. \nIn Reggio Emilia\, the 8 MicroDances that are the subject of the reenactment are immersed in an urban route that starts in the historic centre and stops at the Parco Innovazione on the northern outskirts of the town. \nProtagonists of the performances are the young talents from the advanced training courses Agora Coaching Project and Studio XL. \nIn addition to the urban MicroDances route\, other events are organised from 10 to 12 June to discover public art and the city itself. \nAn Ideal City | Reggio Emilia is curated by Costanza Meli. \nFND_Aterballetto – MicroDanze -Eppur si muove-chor. Francesca Lattuada – dancers Arianna Ganassi\, Antonio Tafuni – Palazzo da Mosto – ph Alice Vacondio \nMicroDances - Urban Route \nEight 8 MicroDances are performed in Reggio Emilia along a path that links its historic city center both physically and symbolically with the new area of urban renewal and development known as Parco Innovazione\, the former industrial area previously occupied by Officine Meccaniche Reggiane. The route winds through the city’s pedestrian island with locations to stop and witness the performances on a path that takes around two hours to complete. \nFor two days (10 and 12 June)\, these MicroDances will be staged in places of strategic significance and areas of passage between the town center and its outskirts on a journey to rediscovering and redefining Reggio Emilia’s social\, cultural\, and historical heritage of the past and present.\nThe presentation throughout the city is at the disposal of both casual audiences that encounter the performances by chance and those who decide to follow its seven itineraries and discover how dance suits the city’s locations of greatest social\, historical\, and future relevance. \nThe Project combines the languages of dance and public art in developing its ideal of the inclusive\, dynamic\, and experimental city\, one that takes part by placing all its various forms of energy into relationship and working for a shared objective. No city is ever ideal\, however: each is real and keeps growing also in the circulation of knowledge and experiences among its citizens\, especially those who consider the dimension of the community and shared space a precious asset. With this aspiration\, An Ideal City – Reggio Emilia decided to create a network of collaborations with institutional partners\, associations\, and local actors and actresses to animate the city’s social and cultural life in different ways. \nIn its urban version\, An Ideal City involves the reenactment of the MicroDances with participation from the Peri-Merulo Conservatory\, the K-Lab community tailory\, the SemiLiberi social carpentry shop set up inside a prison by Cooperativa L’Ovile and the Via Roma Citizens’ Committee in creating essential parts of performance stage design and choreography and others required for the enjoyment of the city’s events and cultural heritage by the public at large. \nCostanza Meli \nAn Ideal City curator \nStages of the route \n1 Teatro San Prospero\nForget Me Not\nChoreography: Konstantinos Rigos\nPerformer: Alessio Saccheri\nMusic: Giorgos Koumendakis\nClarinet: Jennifer Piazza \n2 Piazza Casotti\nTurn the Tide\nChoreography\, set\, costumes: Roberto Tedesco\nPerformers: Marianna Basso\, Federico Russo\nMusic: BowLand \n3 Via Roma\, 22\nEppur si Muove\nChoreography: Francesca Lattuada\nPerformer: Arianna Ganassi\nMusic: Ludwig van Beethoven\, Symphony n. 7\, 2nd movement: Allegretto\nCostume: Bruno Fatalot \n4 Viale Ramazzini\, 9\nFantasmagoria\nChoreography: Markella Manoliadi\nPerformer: Sally Demonte\nMusic: Gabriel Fauré\, “Après un rêve”\nSinger: Loredana Ferrante \n5 VR33 / Viale Ramazzini\, 33\nPensieri di Carta\nChoreography\, original music: Hélias Tur-Dorvault\nPerformer: Rossana Samele\nSound design: Alessandro Grisendi \n6 Garage Poppi / Viale Ramazzini\, 33\nKnight Rider\nChoreography: Yannis Nikolaidis\nPerformer: Veronica Biondini\nSound design: Manolis Manousakis\nCostume: Ioanna Tsami \n7 Ex Reggiane – Capannone 18\nStrôma\nChoreography and costumes: Giovanni Insaudo\nPerformers: Agnese Biavati\, Marek Brafa\nMusic: BFRND\, “La vie en rose” \n8 Green Park Centro Internazionale Loris Malaguzzi\nActive Motivation\nChoreography: Elena Kekkou\nPerfomer: Lorenzo Molinaro\nMusic: Antonis Vlachos \nInfo & reservations \nFriday 10 June 5.00 p.m. and 6.30 p.m.\nSunday 12 June at 4.30 p.m.\, 5.30 p.m. and 6.30 p.m. \nStart from Teatro San Prospero\, Via Guidelli\, 5\nGuided tour on foot\, duration approximately 2 hours \nInfo: 0522273011 / whatsapp 3341023554\nTicket: 5 euro\nOnline purchase: www.biglietteriafonderia39.it \n\n \n \nSIDE EVENTS\n\nAtelier with Reggio Children \nFriday 10 June from 4.30 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nWorkshop “A pin on a journey”\nA space to make your own pin with unusual materials.\nFrom age 3 and up – Free entrance for small groups\n \n  \nFriday 10 June from 4.45 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nAtelier Mosaic of Graphics Words Matter\nAn atelier to experiment with unexpected graphic tools and material surfaces. \nfrom 3 to 7 years – max 24 participants\nAdults 5 euros – Children 3 euros\nbooking required: http://bitly.ws/rjcB \ninfo: www.reggiochildren.it \nReggio Children – Atelier  \nConference An Ideal City: where dance meets the urban landscape \nSaturday 11 June from 10 a.m. to 2 p.m.\nFonderia Aterballetto – via della Costituzione\, 39\nAlso available in online streaming: www.aterballetto.it \n\nSpeakers: \n– Gigi Cristoforetti\, Director of the Fondazione Nazionale della Danza / Aterballetto:\nWhat is the project An Ideal City? The importance of the project in the path of the Foundation and the dancers regarding the relationship with the city. \n– Annalisa Rabitti\, Councillor for Culture of the Municipality of Reggio Emilia:\nConsiderations on how cultural projects relate to the city and the social context. \n– Costanza Meli – Nadja Argyropoulou – Pauline de la Boulaye\, curators of the project An Ideal City:\nWhat is the relationship between the first version of MicroDances and the reenactment? Considerations on the meaning of the project in relation to the ideal city and the real city. \n– Choreographers and performers involved in An Ideal City:\nConsiderations on this project of dance\, public art and encounter with the city. \n– Vittorio Salmoni\, coordinator of the Italian UNESCO Creative Cities network:\nConcluding analysis of the project in relation to urban regeneration processes. \nThe partners who took part in the project will also speak\, presenting their reality within the social environment and sharing their experience within the An Ideal City project. \nGuided tour of the Street Museum Via Roma zero \nSunday 12 June from 10 a.m. to 10.30 a.m.\nDeparture Porta Santa Croce\nIn partnership with the Associazione ‘Via Roma Zero’ \nTwo exceptional guides will take you through the stories of yesterday and today. A leap back in time to meet the Popol Giòst\, imagine the 1980s\, revisit the old taverns and discover the latest practices of sustainability and social cohesion. \nReservations required: cittadiniviaroma@gmail.com; messages at 335330948 \nUrban walk: art in Santa Croce between past and present \nSunday 12 June from 11 a.m. to 12.30 p.m.\nStart from Via Cirillo Manicardi\, 1 – Santa Croce railway station\nIn partnership with Progetto Strade / coop.va sociale CORESS \nURBAN WALK: artistic and cultural memory in Santa Croce. The innovative cultural approach of the urban walk shifts attention to the communities that inhabit places and the practices of using spaces and describing them; they are valuable resources for those who want to get to know an area in depth\, to involve and integrate old and new inhabitants. Starting from Viale Ramazzini 33\, we will discover some places in the neighbourhood that bear witness to and preserve traces and memories of a past dense with art and culture. \nThe urban walk is organised and led by educators and adults with fragility who are part of the STRADE project (Social and Occupational Area of Reggio Emilia and district) in collaboration with the CORESS Social Cooperative. \nMax 20 people \nreservations: 3668212116 \n\n \nPARTNERS\n\nDiscover the partnerships \n \nMicroDances are in co-production with \n \nThe MicroDances of the Urban Route / Reggio Emilia are performed by the young dancers of the advanced training courses: \n      \nThe musical contributions of the Urban Route / Reggio Emilia are by \n \nThe costumes of the MicroDances of the Urban Route / Reggio Emilia were made by the social tailoring of \n \nThe scenes of the MicroDances of the Urban Route / Reggio Emilia were created by the prison carpentry workshop: \n \n\n  \nin the framework of \n \nin partnership with
URL:https://www.fndaterballetto.it/en/evento/microdanze-urban-setting/2022-06-10/2/
LOCATION:Reggio Emilia\, Reggio Emilia\, 42121\, Italia
CATEGORIES:MicroDanze,special events
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND_Aterballetto-MicroDanze-Eppur-si-muove-chor.-Francesca-Lattuada-dancers-Arianna-Ganassi-Antonio-Tafuni-Palazzo-da-Mosto-ph-Alice-Vacondio-22.jpg
GEO:44.698611236739;10.625892516734
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220612T163000
DTEND;TZID=Europe/Rome:20220612T183000
DTSTAMP:20260404T010445
CREATED:20220517T111407Z
LAST-MODIFIED:20220606T130401Z
UID:10002347-1655051400-1655058600@www.fndaterballetto.it
SUMMARY:MicroDanze - urban setting
DESCRIPTION:In the framework of the Creative Europe An Ideal City project\, the MicroDances are in Reggio Emilia on 10-12 June. \nIn the past months some of the MicroDances were at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version that can interpret the spirit and characteristics of the three cities involved: Reggio Emilia\, Athens and Brussels. \nFind out more about reenactment here. \nIn Reggio Emilia\, the 8 MicroDances that are the subject of the reenactment are immersed in an urban route that starts in the historic centre and stops at the Parco Innovazione on the northern outskirts of the town. \nProtagonists of the performances are the young talents from the advanced training courses Agora Coaching Project and Studio XL. \nIn addition to the urban MicroDances route\, other events are organised from 10 to 12 June to discover public art and the city itself. \nAn Ideal City | Reggio Emilia is curated by Costanza Meli. \nFND_Aterballetto – MicroDanze -Eppur si muove-chor. Francesca Lattuada – dancers Arianna Ganassi\, Antonio Tafuni – Palazzo da Mosto – ph Alice Vacondio \nMicroDances - Urban Route \nEight 8 MicroDances are performed in Reggio Emilia along a path that links its historic city center both physically and symbolically with the new area of urban renewal and development known as Parco Innovazione\, the former industrial area previously occupied by Officine Meccaniche Reggiane. The route winds through the city’s pedestrian island with locations to stop and witness the performances on a path that takes around two hours to complete. \nFor two days (10 and 12 June)\, these MicroDances will be staged in places of strategic significance and areas of passage between the town center and its outskirts on a journey to rediscovering and redefining Reggio Emilia’s social\, cultural\, and historical heritage of the past and present.\nThe presentation throughout the city is at the disposal of both casual audiences that encounter the performances by chance and those who decide to follow its seven itineraries and discover how dance suits the city’s locations of greatest social\, historical\, and future relevance. \nThe Project combines the languages of dance and public art in developing its ideal of the inclusive\, dynamic\, and experimental city\, one that takes part by placing all its various forms of energy into relationship and working for a shared objective. No city is ever ideal\, however: each is real and keeps growing also in the circulation of knowledge and experiences among its citizens\, especially those who consider the dimension of the community and shared space a precious asset. With this aspiration\, An Ideal City – Reggio Emilia decided to create a network of collaborations with institutional partners\, associations\, and local actors and actresses to animate the city’s social and cultural life in different ways. \nIn its urban version\, An Ideal City involves the reenactment of the MicroDances with participation from the Peri-Merulo Conservatory\, the K-Lab community tailory\, the SemiLiberi social carpentry shop set up inside a prison by Cooperativa L’Ovile and the Via Roma Citizens’ Committee in creating essential parts of performance stage design and choreography and others required for the enjoyment of the city’s events and cultural heritage by the public at large. \nCostanza Meli \nAn Ideal City curator \nStages of the route \n1 Teatro San Prospero\nForget Me Not\nChoreography: Konstantinos Rigos\nPerformer: Alessio Saccheri\nMusic: Giorgos Koumendakis\nClarinet: Jennifer Piazza \n2 Piazza Casotti\nTurn the Tide\nChoreography\, set\, costumes: Roberto Tedesco\nPerformers: Marianna Basso\, Federico Russo\nMusic: BowLand \n3 Via Roma\, 22\nEppur si Muove\nChoreography: Francesca Lattuada\nPerformer: Arianna Ganassi\nMusic: Ludwig van Beethoven\, Symphony n. 7\, 2nd movement: Allegretto\nCostume: Bruno Fatalot \n4 Viale Ramazzini\, 9\nFantasmagoria\nChoreography: Markella Manoliadi\nPerformer: Sally Demonte\nMusic: Gabriel Fauré\, “Après un rêve”\nSinger: Loredana Ferrante \n5 VR33 / Viale Ramazzini\, 33\nPensieri di Carta\nChoreography\, original music: Hélias Tur-Dorvault\nPerformer: Rossana Samele\nSound design: Alessandro Grisendi \n6 Garage Poppi / Viale Ramazzini\, 33\nKnight Rider\nChoreography: Yannis Nikolaidis\nPerformer: Veronica Biondini\nSound design: Manolis Manousakis\nCostume: Ioanna Tsami \n7 Ex Reggiane – Capannone 18\nStrôma\nChoreography and costumes: Giovanni Insaudo\nPerformers: Agnese Biavati\, Marek Brafa\nMusic: BFRND\, “La vie en rose” \n8 Green Park Centro Internazionale Loris Malaguzzi\nActive Motivation\nChoreography: Elena Kekkou\nPerfomer: Lorenzo Molinaro\nMusic: Antonis Vlachos \nInfo & reservations \nFriday 10 June 5.00 p.m. and 6.30 p.m.\nSunday 12 June at 4.30 p.m.\, 5.30 p.m. and 6.30 p.m. \nStart from Teatro San Prospero\, Via Guidelli\, 5\nGuided tour on foot\, duration approximately 2 hours \nInfo: 0522273011 / whatsapp 3341023554\nTicket: 5 euro\nOnline purchase: www.biglietteriafonderia39.it \n\n \n \nSIDE EVENTS\n\nAtelier with Reggio Children \nFriday 10 June from 4.30 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nWorkshop “A pin on a journey”\nA space to make your own pin with unusual materials.\nFrom age 3 and up – Free entrance for small groups\n \n  \nFriday 10 June from 4.45 p.m. to 6.15 p.m.\nCentro Internazionale Loris Malaguzzi – Viale Ramazzini\, 72/a\nIn partnership with Reggio Children \nAtelier Mosaic of Graphics Words Matter\nAn atelier to experiment with unexpected graphic tools and material surfaces. \nfrom 3 to 7 years – max 24 participants\nAdults 5 euros – Children 3 euros\nbooking required: http://bitly.ws/rjcB \ninfo: www.reggiochildren.it \nReggio Children – Atelier  \nConference An Ideal City: where dance meets the urban landscape \nSaturday 11 June from 10 a.m. to 2 p.m.\nFonderia Aterballetto – via della Costituzione\, 39\nAlso available in online streaming: www.aterballetto.it \n\nSpeakers: \n– Gigi Cristoforetti\, Director of the Fondazione Nazionale della Danza / Aterballetto:\nWhat is the project An Ideal City? The importance of the project in the path of the Foundation and the dancers regarding the relationship with the city. \n– Annalisa Rabitti\, Councillor for Culture of the Municipality of Reggio Emilia:\nConsiderations on how cultural projects relate to the city and the social context. \n– Costanza Meli – Nadja Argyropoulou – Pauline de la Boulaye\, curators of the project An Ideal City:\nWhat is the relationship between the first version of MicroDances and the reenactment? Considerations on the meaning of the project in relation to the ideal city and the real city. \n– Choreographers and performers involved in An Ideal City:\nConsiderations on this project of dance\, public art and encounter with the city. \n– Vittorio Salmoni\, coordinator of the Italian UNESCO Creative Cities network:\nConcluding analysis of the project in relation to urban regeneration processes. \nThe partners who took part in the project will also speak\, presenting their reality within the social environment and sharing their experience within the An Ideal City project. \nGuided tour of the Street Museum Via Roma zero \nSunday 12 June from 10 a.m. to 10.30 a.m.\nDeparture Porta Santa Croce\nIn partnership with the Associazione ‘Via Roma Zero’ \nTwo exceptional guides will take you through the stories of yesterday and today. A leap back in time to meet the Popol Giòst\, imagine the 1980s\, revisit the old taverns and discover the latest practices of sustainability and social cohesion. \nReservations required: cittadiniviaroma@gmail.com; messages at 335330948 \nUrban walk: art in Santa Croce between past and present \nSunday 12 June from 11 a.m. to 12.30 p.m.\nStart from Via Cirillo Manicardi\, 1 – Santa Croce railway station\nIn partnership with Progetto Strade / coop.va sociale CORESS \nURBAN WALK: artistic and cultural memory in Santa Croce. The innovative cultural approach of the urban walk shifts attention to the communities that inhabit places and the practices of using spaces and describing them; they are valuable resources for those who want to get to know an area in depth\, to involve and integrate old and new inhabitants. Starting from Viale Ramazzini 33\, we will discover some places in the neighbourhood that bear witness to and preserve traces and memories of a past dense with art and culture. \nThe urban walk is organised and led by educators and adults with fragility who are part of the STRADE project (Social and Occupational Area of Reggio Emilia and district) in collaboration with the CORESS Social Cooperative. \nMax 20 people \nreservations: 3668212116 \n\n \nPARTNERS\n\nDiscover the partnerships \n \nMicroDances are in co-production with \n \nThe MicroDances of the Urban Route / Reggio Emilia are performed by the young dancers of the advanced training courses: \n      \nThe musical contributions of the Urban Route / Reggio Emilia are by \n \nThe costumes of the MicroDances of the Urban Route / Reggio Emilia were made by the social tailoring of \n \nThe scenes of the MicroDances of the Urban Route / Reggio Emilia were created by the prison carpentry workshop: \n \n\n  \nin the framework of \n \nin partnership with
URL:https://www.fndaterballetto.it/en/evento/microdanze-urban-setting/2022-06-12/1/
LOCATION:Reggio Emilia\, Reggio Emilia\, 42121\, Italia
CATEGORIES:MicroDanze,special events
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END:VEVENT
END:VCALENDAR