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DTSTART;TZID=Europe/Rome:20251016T203000
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DTSTAMP:20260403T230921
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SUMMARY:Stuporosa
DESCRIPTION:Francesco Marilungo’s Stuporosa is a whirling dance in which tarantism\, “possession\,” and funeral lament hypnotize the audience.\n \nThe Ubu Award for Best Dance Performance 2024 comes to Fonderia. Francesco Marilungo draws inspiration from popular funeral rituals\, tarantism\, and the dance of Saint Vitus to create Stuporosa\, an extraordinary collective work for five performers exploring the universality of grief and its healing. \n\n  \n  \nCredits \nDirection and Choreography: Francesco MarilungoWith: Vera Di Lecce\, Martina Di Prato\, Barbara Novati\, Roberta Racis\, Francesca Linnea Ugolini\, Music and Vocal Coaching: Vera Di LecceSet and Lighting Design: Gianni StaropoliCostumes: Lessico FamiliarePhotography and Video: Luca Del Pia \n  \nProduction: Körper | National Dance Production CentreCo-production: Fabbrica EuropaWith the support of IntercettAzioni – Centro di Residenza Artistica della LombardiaWith the support of Short Theatre Festival\, Fuori Programma Festival\, Teatro Akropolis & Dracma Teatro – Progetto CURA\, Did Studio\, Base Milano\, Qenhun \nDiscover more \nThus\, apparently without reason\, the five performers of Stuporosa weep\, giving life to a cry that takes on many shades: at times restrained\, at times stifled\, at times becoming music\, then flowing into hope\, then transforming into song\, echoing the sounds of an ancient Salentinian funeral lament.\n \nTheir bodies fragment in search of archaic\, distant forms that vanish and dissolve instantly. These forms are figures of pathos\, archetypal images of human suffering handed down over centuries and civilizations—images drawn from ancient funeral rites but universal in meaning\, for since the dawn of humanity\, suffering has always been endured in the same way. The five performers attempt to reclaim a sense of collectivity\, of rituality\, to create new forms of mutual support—whispering ancient magical formulas\, evoking traditional dances\, singing a Salentinian lullaby. \n \nIn Stuporosa\, as in ritual weeping\, one witnesses a stylization of pathos\, a de-hystericization of grief; and the performance itself seeks to be an invitation to reflect on mourning\, on the human need for a shared cultural institution\, a communal rite\, to overcome moments of individual crisis. \n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has collaborated with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own creative journey\, seeking a personal language between performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the NEXT 2017/2018 call in Lombardy. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stuporosa-marilungo-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251018T180000
DTEND;TZID=Europe/Rome:20251018T185000
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SUMMARY:Ti vedo. La leggenda del Basilisco
DESCRIPTION:What if a fairy tale were told by an enormous dress of fabric?\n \nTi vedo. La leggenda del Basilisco \n \nby Teatro del Buratto is an immersive and poetic performance designed for children\, weaving together theatre\, myth\, and magic. Among witches\, spells\, and the dreaded King of Serpents\, children will be carried on an exciting journey where fear and courage meet. A little hero and a fearsome basilisk teach us that sometimes it is enough to look beyond appearances to discover that every creature holds the possibility of change. \n \nRecommended age: from 4 years \n \nCREDITS \nA project by: Emanuela Dall’AglioWith: Emanuela Dall’Aglio\, Riccardo PaltenghiDirection: Emanuela Dall’AglioSoundscapes and Lighting: Mirto BalianiConstructions: Emanuela Dall’Aglio\, Michele Columna\, Riccardo Paltenghi\, Caterina BertaAssistant Director: Beatrice Masala \n \nA co-production by: Teatro del Buratto\, CSS Teatro Stabile di Innovazione del Friuli Venezia Giulia \n \nRecommended age: from 4 yearsDuration: 50 minutes \nDiscover more \n\n“I see you\, all the creatures that men call monsters.\nMonstrous creatures? Monstrous?… Who are they\, really? They are those who cannot be saved\, who are of a form unsuited to this world. But what if\, for once\, they were the heroes—clumsy\, reckless\, involuntary saviors of themselves?”\nN. Haynes \n\n \nA dress-story that tells a myth.A great skirt that contains within itself all the elements of this tale. A mountain of red fabric in which a narrator recounts the story of a witch and her basilisk. \n \nHumankind has always needed to create and to fight monsters that embody evil and the flaws of the world\, and this performance begins with the act of creation—the magical rite that gives birth to a basilisk. \n \nBut now we must face the King of Serpents\, a creature unsuited to life among men\, with supernatural powers\, sowing terror\, and with a single gaze turning living beings into stone. Through the centuries\, countless legends have cast him as a terrible and deadly figure. Drawing on some of these\, our story begins with the arrival of the Basilisk in a peaceful village. His power breeds fear and dismay; the villagers\, not knowing how to banish him and powerless against his magic\, lock themselves in their homes in fear. \n \nBut is this creature truly a monster\, or is it simply unable to change its nature?Perhaps\, unaware of how to handle its power\, it is imprisoned by it.Only through the encounter and clash with a small\, unsuspecting hero—through his reckless courage and his gentleness—will the Basilisk be offered a way out: in this case\, a magical antidote\, a trick to ensure that no one dies—neither the monster nor the village. \n \nThrough knowledge\, courage\, encounter\, and even a touch of magic\, we find a new solution to an old legend. \nTeatro del Buratto \nFounded in 1975 in Milan\, Teatro del Buratto is a theatre production center that combines actor’s theatre\, puppet and animation theatre\, and black theatre\, with a strong focus on visual\, musical\, and scenographic research. Its productions\, aimed at children\, adolescents\, and adults\, range from reimagined classics to new dramaturgies\, often addressing contemporary social issues. \n \nActive both nationally and internationally\, Buratto is recognized by the Italian Ministry of Culture as a Theatre Production Centre and manages the Teatro Bruno Munari and Teatro Verdi in Milan. Beyond production\, it promotes residencies\, training\, workshops\, and festivals such as IF Festival and Segnali\, standing as a key reference point for visual and innovative theatre. \nInfo\, Tickets\, Workshop \nSATURDAY\, OCTOBER 18 – 4:30 pmFAMILY CONTACT \n \nWorkshop led by choreographer Laura Matano \n \nFamily Contact is a moment of sharing between children and parents\, exploring new worlds together. Through the body\, movement\, and physical contact\, participants create and build a new sense of harmonious connection. For children accompanied by one parent. \n \n(Includes ticket for the 6:00 pm performance) \n \nTICKETSSingle ticket: €6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONSPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ti-vedo-la-leggenda-del-basilisco/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251022T203000
DTEND;TZID=Europe/Rome:20251022T220000
DTSTAMP:20260403T230921
CREATED:20250901T124318Z
LAST-MODIFIED:20251014T074233Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Valli in Reggio Emilia for Festival Aperto.\n  \nThe dancers of CCN/Aterballetto take center stage in a production by multi-award-winning Canadian choreographer Crystal Pite\, now considered among the greats of contemporary dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and by Mark Strand’s poem Lines for Winter. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n  \nReconciliatio is a delicate female duet inspired by the reading of the Apocalypse\, created by one of today’s most important international choreographers\, Angelin Preljocaj. \n  \nThe final piece\, Glory Hall\, is a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n\nCREDITS \nSolo Echo\n  \nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and Restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \nGlory Hall\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-reggio-emilia-teatro-valli/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251029T203000
DTEND;TZID=Europe/Rome:20251029T213000
DTSTAMP:20260403T230921
CREATED:20250926T145956Z
LAST-MODIFIED:20251027T163437Z
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SUMMARY:Sogni (di una notte di mezza estate)
DESCRIPTION:The Natiscalzi DT Company debuts at Danza in Fonderia with its contemporary reinterpretation of Shakespeare’s A Midsummer Night’s Dream.\n \n\n\n\n\n\n\n\nAmid metamorphic bodies\, desire\, magic\, and fate\, dance becomes a language to explore Shakespeare’s timeless themes\, supported by Giuseppe Cordaro’s soundscape that weaves together electronic textures and fragments of Mendelssohn. A poetic and visionary journey that renews the dialogue with the classics\, revealing the ever-living power of their enchantment. \n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\nby Natiscalzi DTchoreography by Tommaso Monza and Claudia Rossi Valliwith Marco Bissoli\, Julia Canard\, Chiara Esposito\, Elena Grappi\, Federico Russo\, Maxime Schiavonoriginal music by Giuseppe Cordaro / Mendelssohntexts by Claudia Rossi Valli / William Shakespeare \nproduced by cinqueminuti APSwith the support of MIC – Italian Ministry of Culture and Regione Emilia-Romagna – Performing Arts Departmentspecial thanks to Vignale in Danza\, Festival Teatro nel Bicchiere\, and Teatro Sociale di Gualtieri \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nIn a forest that belongs to no time\, suspended in a limbo between dream and reality\, six dancers move in search of answers\, like pawns in a cosmic game seemingly governed by chance. \n\n\n\n\n\n\n\n \nThe performance is a contemporary reinterpretation of Shakespeare’s classic A Midsummer Night’s Dream\, where body and dance become the means to explore universal themes such as love and desire\, as well as magic and transformation — alongside the play of misunderstandings and the unpredictable hand of fate.\n \n\n\n\n\n\n\n\nThe six performers are fluid\, multifaceted\, and metamorphic figures who move between the roles of lovers\, woodland creatures\, and dreamlike alter egos\, challenging the conventions of identity and reality. The figure of Puck — guide of the dream world and symbol of chance — emerges through choral compositions that reclaim unpredictability as a space of possibility and transformation\, and the dream as both escape and refuge\, an ephemeral tool of assertion and rebellion. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThe visionary power of the dream is supported — as a well-established stylistic hallmark of the company — by the scenographic design and the soundscape specially created by composer Giuseppe Cordaro\, who combines electronic sonorities with fragments of Mendelssohn’s work. This interplay between classical and contemporary elements permeates the entire performance\, echoing the intricate web of Shakespearean relationships. \nOnce again\, Natiscalzi DT takes on the challenge of reinterpreting the classics\, as previously seen in The Nutcracker and Annotations for a Faust. This time\, the company breathes new life into Shakespeare’s timeless poetry\, guided by the deep conviction that the great works must be revisited with fresh eyes\, generation after generation — to connect authors\, performers\, and audiences in a journey of rediscovery of art itself\, reminding us that magic (in theatre and beyond) has not vanished: it is merely hidden\, waiting to be awakened. \n\n\n\n\n\n\n\n \n  \nCOMPAGNIA NATISCALZI DT \n\n\n\n\n\n\n\nNatiscalzi DT was founded through the collaboration between Tommaso Monza and Claudia Rossi Valli — dancers and choreographers united by a shared language that intertwines poetry\, irony\, and a keen gaze on life. Established in 2016\, the company represents a creative laboratory in constant evolution: blending dance\, theatre\, and performance art\, Natiscalzi DT explores universal themes through a poetic vision that is both profound and\, at times\, dreamlike. \nA prominent presence in the national dance-theatre and contemporary dance scene\, Natiscalzi DT has created works such as Mary’s Bath (Critics’ Award – Palio Poetico ErmoColle 2015\, Special Mention – Premio Sonia Bonacina 2016\, Finalist – Direction Under 30\, 7th edition 2020\, Honorable Mention – Teatro Festival Valtellina 2021); The Nutcracker (Winner – Lavanderia a Vapore Choreographic Residencies Call 2016 | Fondazione Piemonte dal Vivo\, selected by CID Cantieri OrienteOccidente 2017); DIVINO (Winner – Toscana Terra Accogliente 2022); Dreaming Costa Rica (supported in distribution by MIC / SIAE “Per Chi Crea” 2024); and COSA HAI IN TESTA? (Winner – Premio Scenario Infanzia 2024). \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\n\n\n\n\n\n\n \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \n  \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sogni-di-una-notte-di-mezza-estate/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251101T203000
DTEND;TZID=Europe/Rome:20251101T220000
DTSTAMP:20260403T230921
CREATED:20250901T124310Z
LAST-MODIFIED:20251014T075358Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:On November 1 and 2\, 2025\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Comunale di Ferrara for the Contemporary Dance Festival.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-14/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251102T160000
DTEND;TZID=Europe/Rome:20251102T173000
DTSTAMP:20260403T230921
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Il 1 e 2 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Ferrara per il Festival di Danza Contemporanea.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-ferrara-2-2/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Productions
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DTSTART;TZID=Europe/Rome:20251104T183000
DTEND;TZID=Europe/Rome:20251104T193000
DTSTAMP:20260403T230921
CREATED:20251017T145055Z
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UID:10004202-1762281000-1762284600@www.fndaterballetto.it
SUMMARY:ITALIA DANZA - VISIONI DEL CORPO. MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nOn Tuesday\, November 4\, the CCN/Aterballetto will be at the Italian Cultural Institute in Paris with Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of Italy’s most renowned and controversial contemporary artists on the international stage. \nAt the heart of the evening are three of Cattelan’s works — irreverent\, provocative pieces that challenge both art and society through biting irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and silences of his art into physical gesture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVisioni del corpo. Maurizio Cattelan for the Italian Cultural Institute in Paris is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale (MAECI) and the CCN/Aterballetto. \n\n\n\n\n\n\n\n  \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\n  \nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/italia-danza-visioni-del-corpo-maurizio-cattelan/
LOCATION:Istituto Italiano di Cultura di Parigi\, 50\, rue de Varenne\, Parigi\, France
CATEGORIES:Aterballetto,Stagione 25/26
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251106T110000
DTEND;TZID=Europe/Rome:20251106T120000
DTSTAMP:20260403T230922
CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
UID:10004180-1762426800-1762430400@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251106T193000
DTEND;TZID=Europe/Rome:20251106T203000
DTSTAMP:20260403T230922
CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
UID:10004181-1762457400-1762461000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251107T203000
DTEND;TZID=Europe/Rome:20251107T214500
DTSTAMP:20260403T230922
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004182-1762547400-1762551900@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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END:VEVENT
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DTSTART;TZID=Europe/Rome:20251108T183000
DTEND;TZID=Europe/Rome:20251108T194000
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CREATED:20251016T102626Z
LAST-MODIFIED:20251016T102626Z
UID:10004185-1762626600-1762630800@www.fndaterballetto.it
SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n  \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture\nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre\nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace/
LOCATION:UJ Arts & Culture\, University Road\, Johannesburg\, GP 2092\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
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SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251109T180000
DTEND;TZID=Europe/Rome:20251109T190000
DTSTAMP:20260403T230922
CREATED:20251020T085347Z
LAST-MODIFIED:20251105T114713Z
UID:10004203-1762711200-1762714800@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n  \n\nHAPPY HOUR AT LA FONDERIA \n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nSingle ticket: €3 \n\n\n\n\n\n\n\nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.Seats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251109T203000
DTEND;TZID=Europe/Rome:20251109T214500
DTSTAMP:20260403T230922
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004184-1762720200-1762724700@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-09/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/01/CCN-Aterballetto-Solo-Echo-ph.-Christophe-Bernard-165.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251110T110000
DTEND;TZID=Europe/Rome:20251110T120000
DTSTAMP:20260403T230922
CREATED:20251017T143437Z
LAST-MODIFIED:20251105T120506Z
UID:10004204-1762772400-1762776000@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n\nAPERITIF AT LA FONDERIA \n\n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS\nSingle ticket: €3 \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.\nSeats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-2/2025-11-10/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251110T180000
DTEND;TZID=Europe/Rome:20251110T191000
DTSTAMP:20260403T230922
CREATED:20251016T103833Z
LAST-MODIFIED:20251016T103833Z
UID:10004188-1762797600-1762801800@www.fndaterballetto.it
SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture\nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre\nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace-2/
LOCATION:The Adam Small Theatre\, 15 Victoria Street\, Stellenbosch\, WC 7602\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/10/FND-Aterballetto-Alpha-Grace-ph.-Claudio-Montanari-121.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251110T203000
DTEND;TZID=Europe/Rome:20251110T213000
DTSTAMP:20260403T230922
CREATED:20251017T143437Z
LAST-MODIFIED:20251105T120506Z
UID:10004205-1762806600-1762810200@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n\nAPERITIF AT LA FONDERIA \n\n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS\nSingle ticket: €3 \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.\nSeats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-2/2025-11-10/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251111T103000
DTEND;TZID=Europe/Rome:20251111T113000
DTSTAMP:20260403T230922
CREATED:20251016T175720Z
LAST-MODIFIED:20251017T082758Z
UID:10004200-1762857000-1762860600@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Dance Week is for the children of Reggio Emilia too!\n \n\n\n\n\n\n\n\nOn Monday\, November 10 at 10:30 a.m. and 2:30 p.m.\, the doors of La Fonderia open to nursery and primary schools of Reggio Emilia. \nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \nInfo & Tickets \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39  3341023554 \nEmail biglietteria@aterballetto.it \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-19/2025-11-11/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Productions,Stagione 25/26,stagione settembre-dicembre 2025,Stravaganze in sol minore
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/05/Stravaganze-in-sol-minore-ph.-Harabel-Contemporary-Art-Platform-10.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251111T143000
DTEND;TZID=Europe/Rome:20251111T153000
DTSTAMP:20260403T230922
CREATED:20251016T175720Z
LAST-MODIFIED:20251017T082758Z
UID:10004201-1762871400-1762875000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Dance Week is for the children of Reggio Emilia too!\n \n\n\n\n\n\n\n\nOn Monday\, November 10 at 10:30 a.m. and 2:30 p.m.\, the doors of La Fonderia open to nursery and primary schools of Reggio Emilia. \nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \nInfo & Tickets \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39  3341023554 \nEmail biglietteria@aterballetto.it \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-19/2025-11-11/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Productions,Stagione 25/26,stagione settembre-dicembre 2025,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251112T183000
DTEND;TZID=Europe/Rome:20251112T194000
DTSTAMP:20260403T230922
CREATED:20251016T105017Z
LAST-MODIFIED:20251016T105017Z
UID:10004189-1762972200-1762976400@www.fndaterballetto.it
SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture \nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre \nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace-3/
LOCATION:The Fairtree Atterbury Theatre\, 4 Daventry St\, Lynnwood Manor\, Pretoria\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251113T203000
DTEND;TZID=Europe/Rome:20251113T213000
DTSTAMP:20260403T230922
CREATED:20250905T134843Z
LAST-MODIFIED:20251021T131142Z
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SUMMARY:Duo d'Eden | Grosse Fugue
DESCRIPTION:Maguy Marin’s dance arrives at Fonderia through the interpretation of the MM Contemporary Dance Company.\n  \nDirected by Michela Merola\, the company presents for Danza in Fonderia two masterpieces by the multi-award-winning French choreographer Maguy Marin: Duo d’Eden\, a duet of rare\, almost mythical beauty\, and the all-female quartet Grosse Fugue\, Marin’s personal interpretation of Ludwig van Beethoven’s work\, considered a milestone in the relationship between classical music and contemporary dance. After the performance\, a short talk with a dance critic is scheduled. \n  \nThe MM Contemporary Dance Company won the 2024 Danza&Danza Award for Repertoire Enhancement with Maguy Marin’s Grosse Fugue. \nhttps://vimeo.com/480791125/2e8682f7fb \n\n\n  \n  \nDuo d'Eden \n\nChoreography and Soundtrack: Maguy MarinRestaged by: Cathy Polo and Ennio SammarcoCostumes: Montserrat CasanovaLighting: Alexandre BéneteaudRehearsal Director: Enrico MorelliPerformers: Mario Genovese\, Fabiana Lonardo \nDuration: 18 minutes \nProduction: MM Contemporary Dance CompanyCo-production: Fondazione I Teatri di Reggio Emilia \nWorld Premiere – Compagnie Maguy Marin: December 12\, 1986 – AngersFirst Performance with MM Contemporary Dance Company: October 21\, 2020 – Teatro Sociale di Trento \n\n \n“Two bodies\, as if naked\, advance on stage\, entwining with one another and never letting go. A man and a woman\, their bodies drawn together and clinging\, joined until they become inseparable. She\, a vine that wraps and coils. He\, who holds her\, restrains her\, supports her. There is something mythical in their dance\, in this total fusion of two beings who become one\, never to part again. \n  \nEden is original love\, love of the time of innocence. There is also something raw and primitive in this duet. The soundscape of waterfalls and storms accompanies the dance. \n  \nEden is a dance full of strength and beauty\, perhaps because of the natural force that emanates from the purity of movement and the precision of gesture\, from the almost sculptural forms\, from the power of the bodies. That is where the emotion arises—from this simplicity that reveals the essential. If love is a dance\, it is surely Eden.” \n  \nYasmine Tigoe \n \nIn Duo d’Eden\, two dancers of MMCDC perform with mastery and style a work of rare beauty—original\, complex\, and demanding—created in 1986 by Maguy Marin for her company. Simply a man and a woman: flesh-colored unitards highlighting their nudity\, a long wig for her\, entwined with each other throughout the piece as she continuously evolves across his body. An Adam and Eve immersed in a journey of sensuality\, eros\, defense\, and attack\, within a world that is anything but calm\, safe\, and idyllic. A poetic and intense work. \nGrosse Fugue \nChoreography: Maguy MarinRestaged by: Dorothée DelabieMusic: Ludwig van Beethoven\, Die Grosse Fuge\, Op. 133Costumes: Chantal CloupetLighting: François RenardRehearsal Director: Enrico MorelliPerformers: Fabiana Lonardo\, Giorgia Raffetto\, Alice Ruspaggiari\, Diletta Savini \n  \nDuration: 20 minutes \n  \nProduction: MM Contemporary Dance CompanyCo-production: Reggio Parma Festival\, Festival Bolzano Danza / Fondazione Haydn di Bolzano e Trento\, MilanOltre Festival \n  \nWorld Premiere – Compagnie Maguy Marin: 2001 – Espace Jean Poperen\, MeyzieuNational Preview with MM Contemporary Dance Company: December 16\, 2023 – Reggio Parma Festival – Teatro Ariosto\, Reggio EmiliaNational Premiere with MM Contemporary Dance Company: July 16\, 2024 – Festival Bolzano Danza \n \nFour women and an extraordinary musical work such as Die Grosse Fuge: Maguy Marin’s personal reading of Ludwig van Beethoven’s masterpiece—considered a milestone in the relationship between classical music and contemporary dance—is built on a constant\, intimate dialogue between dance and music\, on a profound connection between the two arts. \n  \nCreated in 2001 for the C.ie Maguy Marin\, it is revived here in the interpretation of four dancers from the MM Contemporary Dance Company. From the encounter between these four women and the music emerges a complexity between the growing vital force of the feminine and the state of exhilaration and despair of this score. \n  \nThe dance becomes an euphoric explosion of energy\, where the four performers\, dressed in red\, in an almost frenetic alternation\, leap\, run\, collapse\, and rise again in a whirlwind of life and frenzy. A metaphor of life that turns into a vortex\, an exhilarating race against death\, where the very vertigo of the end drives us to run breathlessly\, to live every moment as if it were the last. A powerful\, moving work\, a moment of pure emotion. \n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance ensemble directed by choreographer Michele Merola. Founded in 1999\, it was conceived both as a production center for events and performances and as a promoter of festivals and workshops\, with the aim of fostering exchanges and collaborations between Italian and international artists as witnesses and spokespeople of contemporary culture. \n \nBased in Reggio Emilia\, the company’s repertoire is rich and diverse\, thanks to the works of Michele Merola and creations by leading European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramírez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \n \nIn 2010\, MM Contemporary Dance Company won the prestigious Danza&Danza Award as Best Emerging Company and has since become a recognized excellence of Italian dance\, with an established presence across the national stage. In recent years\, it has also gained international acclaim\, performing in both European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia\, Norway\, Croatia). \n \nIn 2017\, the company won the Europaindanza Award for Choreographic Merit with Michele Merola’s Bolero. In 2022\, MMCDC received the Danza&Danza Award for Best Italian Production with Ballade (choreography by Mauro Bigonzetti and Enrico Morelli). In 2024\, it was awarded the Danza&Danza Prize for Repertoire Enhancement for Maguy Marin’s Grosse Fugue. \n \nIn 2021\, 2022\, and 2024\, MMCDC appeared on RAI 1 in Roberto Bolle’s TV programs Danza con me and Viva la danza\, performing works by Mauro Bigonzetti and Lorca Massine. For the 2018–2020 and 2022–2024 triennia\, as well as in 2021\, the company was an associate ensemble of the InDanza Circuit of Trentino-Alto Adige. \n \nMM Contemporary Dance Company is supported by the Italian Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, and the Centro Permanente Danza Danza / Reggio Emilia. \nMaguy Marin \nMaguy Marin was born in Toulouse in 1951. After her dance studies\, in 1972 she joined Mudra\, the school and choreographic residence created by Maurice Béjart in Brussels\, where she took part in the formation of the group Chandra\, which gathered the school’s talents under the direction of Micha van Hoecke. From 1974 to 1977 she was a full member of Les Ballets du XXe Siècle\, directed by Béjart\, where she not only performed repertoire works and new creations\, but also choreographed Yu-Ku-Ri (1976). \n \nIn 1984\, she founded the Compagnie Maguy Marin. After residencies at the Centre Chorégraphique National de Créteil\, the Centre Chorégraphique National de Rillieux-la-Pape (Lyon)\, and later in Toulouse\, in 2015 the company settled in Ramdam\, in the Lyon region\, a space dedicated to artistic creation\, to develop an ambitious project: Ramdam\, a center for the arts. \n \nMaguy Marin is one of the leading figures of the “new French dance” and has created many works that have become renowned\, including Babel Babel (1976)\, Cendrillon (1985)\, Coups d’État (1988)\, Made in France (1992)\, Aujourd’hui peut-être (1996)\, Quoi qu’il en soit (1999)\, Pièces détachées (2002)\, Umwelt (2004)\, Turba (2007)\, Salves (2010). Yet it is May B (1981)\, inspired by the literary world of Samuel Beckett\, that remains a true masterpiece\, still performed today in France and worldwide. \n \nIn addition to creating all the works for her own company\, she has also choreographed for major companies such as Dutch National Ballet\, Nederlands Dans Theater 3\, Paris Opera\, and Lyon Opera Ballet. \n \nAlongside numerous honors received in her home country—including being named Chevalier of the Order of Arts and Letters in 1998—she is among the few non-Americans to have been awarded the American Dance Festival Award (2003) and\, in 2008\, the Bessie Award in New York for Umwelt. In 2016\, she received the Golden Lion for Lifetime Achievement at the Venice Biennale Danza. \n \nOverall\, Maguy Marin’s creative production could be gathered under the title “the human condition”: from May B to her most recent works\, she has brought to life characters that reveal the grotesque soul\, intrinsically tied to the essence of humanity. The result is powerful\, ironic\, and at times fierce. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/mm-company-maguy-marin-aterballetto-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251113T203000
DTEND;TZID=Europe/Rome:20251113T214500
DTSTAMP:20260403T230922
CREATED:20250901T124248Z
LAST-MODIFIED:20251014T110412Z
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SUMMARY:Dreamers
DESCRIPTION:At the Teatro Sociale in Trento\, on November 13 and 14\, 2025\, Aterballetto performs Dreamers\, a triptych featuring choreographies by Tortelli\, Kratz\, and Pite.\nDreamers is a choreographic journey through three visions\, three distinct poetics\, which together form a single reflection on desire\, memory\, loss\, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz\, Crystal Pite\, and Diego Tortelli — unfold like chapters of a single dream. \nIn An echo\, a wave\, Philippe Kratz draws inspiration from the sea as a metaphor for eternity\, for encounter and separation. The waves\, like the dancers’ bodies\, carry with them stories\, emotions\, and continuous movement\, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature\, yet also of our capacity for beauty and connection. \n© Festival de Granada | Fermín Rodríguez \nWith Preludio\, Diego Tortelli creates a love letter to the body—its fragility and its strength\, its constant state of transformation. Through the poetic and musical universe of Nick Cave\, the work explores personal “creed\,” the human need to give meaning and shape to emotions. On stage\, the dancers are not individuals but emotional pulsations\, inhabiting space with urgency and lyricism. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage\, one breathes the winter of the soul: time slows down\, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity\, Pite reflects on the themes of loss\, the acceptance of change\, and the mystery of resilience. \n  \n\nDreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream\, a mirror of our most intimate tensions\, a memory of our deepest desires.
URL:https://www.fndaterballetto.it/en/evento/dreamers-pite-tortelli-kratz-trento/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251114T203000
DTEND;TZID=Europe/Rome:20251114T214500
DTSTAMP:20260403T230922
CREATED:20250901T124239Z
LAST-MODIFIED:20250908T154646Z
UID:10004051-1763152200-1763156700@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Al Teatro Sociale di Trento\, il 13 e 14 novembre 2025\, Aterballetto danza Dreamers\, trittico composto dalle coreografie firmate da Tortelli\, Kratz e Pite.\nDreamers è un viaggio coreografico in tre visioni\, tre poetiche differenti\, che insieme compongono un’unica riflessione sul desiderio\, la memoria\, la perdita e la forza del corpo come spazio emotivo e spirituale. Tre creazioni firmate da coreografi tra i più significativi della scena contemporanea — Philippe Kratz\, Crystal Pite e Diego Tortelli — si susseguono come capitoli di un unico sogno. \nIn An echo\, a wave Philippe Kratz parte dalla suggestione del mare come metafora dell’eternità\, dell’incontro e della separazione. Le onde\, come i corpi dei danzatori\, portano con sé storie\, emozioni e movimenti continui\, in un flusso che richiama le infinite partenze e ritorni della nostra esistenza. Il Mediterraneo diventa così specchio del nostro essere effimeri\, ma anche capaci di bellezza e connessione. \n© Festival de Granada | Fermín Rodríguez \nCon Preludio Diego Tortelli firma una dichiarazione d’amore al corpo\, alla sua fragilità e potenza\, al suo continuo trasformarsi. Attraverso l’universo poetico e musicale di Nick Cave\, la creazione si interroga sul “credo” personale\, sul bisogno umano di trovare senso e forma alle emozioni. In scena\, i danzatori non sono individui\, ma pulsazioni emotive che abitano lo spazio con urgenza e lirismo. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo di Crystal Pite si ispira a due sonate per violoncello e pianoforte di Johannes Brahms e ai versi profondi di Mark Strand. In scena si respira l’inverno dell’anima: il tempo rallenta\, il corpo si fa veicolo di un’introspezione commossa e potente. Con delicatezza e intensità\, Pite riflette sul tema della perdita\, sull’accettazione del cambiamento e sul mistero della resilienza. \n\nDreamers è un incontro tra tre modi di sentire e raccontare il mondo\, un invito a lasciarsi attraversare dalla danza come sogno lucido\, specchio delle nostre tensioni più intime\, memoria dei nostri desideri più profondi.
URL:https://www.fndaterballetto.it/en/evento/dreamers-pite-tortelli-kratz-trento-2/2025-11-14/
LOCATION:Teatro Sociale\, Via Paolo Oss-Mazzurana\, 19\, Trento\, 38122\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20251114T210000
DTEND;TZID=Europe/Rome:20251114T220000
DTSTAMP:20260403T230922
CREATED:20251031T151403Z
LAST-MODIFIED:20251104T085728Z
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SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nAt PARC in Florence\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through the lens of choreographic creation.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the history and poetics of Maurizio Cattelan\, one of the most renowned and controversial contemporary Italian artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge art and society with sharp irony and striking visual power. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and silence of his works into physical gesture. \nThe three choreographic pieces created for this evening stem from works that are vastly different from one another\, compelling the dancers to inhabit ever-changing physical grammars: from physical theatre to abstract form\, from extreme restraint to the poetic power of the mask. The challenge is not to create a stylistic continuum\, but to generate radical metamorphoses that free the performers from the traces of the author and lead them into unforeseen territories. \nOn stage\, images intertwine\, oscillating between beauty and rawness: a Milan that resembles a factory farm of unconscious bodies\, a child on the verge of becoming a monster\, an ordinary man facing a gun. It is dance that recomposes these fragmented visions\, restoring unity to what is dissonant — turning each artwork into a physical experience and each vision into a living presence. \n\n\n\n\n\n\n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Theatre-Dance Atelier of the Paolo Grassi School in Milan\, studying with leading national and international masters. She continued her education in dance and performing arts by exploring various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her performance LEI won the Bonacina Prize. \nShe collaborates with the JGM Company in Lisbon and with La Scala Theatre in Milan as a dancer and acrobat\, and she has created choreography for several opera productions. She has also taught at the Paolo Grassi School\, DanceHaus Milano\, and the Teatro Stabile di Torino School. \nSince 2022\, she has been an associated artist at the MilanOltre Festival and a collaborator with CCN/Aterballetto as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\n  \nNicolas Ballario \n\n\n\n\n\n\n\nBorn in Saluzzo in 1984\, Nicolas Ballario works in the field of contemporary art applied to the media. His professional career began in Oliviero Toscani’s creative factory\, “La Sterpaia\,” where he went on to become cultural director. \nHe has collaborated with major artistic institutions and numerous publications. He is currently the author and host of contemporary art programs on Radio Uno Rai\, and a contributor to L’Espresso and Il Giornale dell’Arte. \nIn 2019\, he hosted the photography series “Camera Oscura” on LA7\, and since 2020 he has led several Sky Arte programs\, including “Io ti vedo\, tu mi senti?”\, “The Square\,” and “Italia Contemporanea.” \nHe is also the founder of Studio Cucù and curated the dossier that led to Alba being named Italian Capital of Contemporary Art 2027. \n\n\n\n\n\n\n\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-3/
LOCATION:PARC\, Piazzale delle Cascine 4/5/7\, Firenze\, 50144
CATEGORIES:Aterballetto,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251116T203000
DTEND;TZID=Europe/Rome:20251116T214500
DTSTAMP:20260403T230922
CREATED:20250901T124232Z
LAST-MODIFIED:20251014T110638Z
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SUMMARY:Dreamers
DESCRIPTION:At the Teatro Cristallo in Bolzano\, Aterballetto performs Dreamers\, a triptych featuring choreographies by Tortelli\, Kratz\, and Pite.\nDreamers is a choreographic journey through three visions\, three distinct poetics\, which together form a single reflection on desire\, memory\, loss\, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz\, Crystal Pite\, and Diego Tortelli — unfold like chapters of a single dream. \nIn An echo\, a wave\, Philippe Kratz draws inspiration from the sea as a metaphor for eternity\, for encounter and separation. The waves\, like the dancers’ bodies\, carry with them stories\, emotions\, and continuous movement\, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature\, yet also of our capacity for beauty and connection. \n© Festival de Granada | Fermín Rodríguez \nWith Preludio\, Diego Tortelli creates a love letter to the body—its fragility and its strength\, its constant state of transformation. Through the poetic and musical universe of Nick Cave\, the work explores personal “creed\,” the human need to give meaning and shape to emotions. On stage\, the dancers are not individuals but emotional pulsations\, inhabiting space with urgency and lyricism. \nFND/Aterballetto – Preludio – ph. Claudio Montanari \nSolo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage\, one breathes the winter of the soul: time slows down\, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity\, Pite reflects on the themes of loss\, the acceptance of change\, and the mystery of resilience. \n  \n\nDreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream\, a mirror of our most intimate tensions\, a memory of our deepest desires.
URL:https://www.fndaterballetto.it/en/evento/dreamers-aterballetto-bolzano-teatro-cristallo/
LOCATION:Teatro Cristallo\, via Dalmazia\, 30\, Bolzano\, 39100\, Italia
CATEGORIES:Aterballetto,Productions,solo echo,Stagione 25/26,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251118T203000
DTEND;TZID=Europe/Rome:20251118T220000
DTSTAMP:20260403T230922
CREATED:20251007T143134Z
LAST-MODIFIED:20251014T111047Z
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto performs Dreamers at the Teatro Asioli in Correggio on Tuesday\, November 18.\n\n\n\n\n\n\n\nOn stage\, four creations unfold: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nThe second piece\, An echo\, a wave by Philippe Kratz\, translates the sense of wonder and eternity evoked by the view of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nReconciliatio\, by the extraordinary Angelin Preljocaj\, delves into the theme of reconciliation — a poetic\, impressionistic tableau inspired by the imagery of Saint John’s Apocalypse. \nFinally\, Solo Echo by Crystal Pite draws inspiration from two cello and piano sonatas by Johannes Brahms and the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \n\n\n\n\n\n\n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/dreamers/
LOCATION:Teatro Asioli\, Corso Cavour\, 9\, Correggio\, Italy
CATEGORIES:Aterballetto,Productions,reconciliatio,solo echo,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251121T203000
DTEND;TZID=Europe/Rome:20251121T213000
DTSTAMP:20260403T230922
CREATED:20251027T092154Z
LAST-MODIFIED:20251030T155747Z
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SUMMARY:Author’s Evening
DESCRIPTION:Opus Ballet Company presents the world premiere of its new “Choreographers’ Evening\,” featuring works by Roberto Tedesco\, Adriano Bolognino\, and Giovanni Insaudo. \n \n\n\n\n\n\n\n\nThe evening is born from the encounter of three choreographers — Adriano Bolognino\, Giovanni Insaudo\, and Roberto Tedesco — all winners of the Danza&Danza Award. The idea is to bring their creations together in a single program\, offering the audience a mosaic of visions that\, though distinct in style\, engage in a dialogue of intensity and coherence. \nPiano-Forte by Roberto Tedesco\, set to Chopin’s Nocturnes\, explores the tension of opposites — presence and absence\, strength and fragility\, fall and elevation — revealing how every polarity exists through its counterpart\, until it is recomposed into a profound unity. \nBehind You by Adriano Bolognino is an intense\, dramatic work that evokes winter as an existential condition: a journey through hardship and fear that reshapes our inner boundaries\, leading us toward poetic resistance and the possibility of renewal. \nThe evening concludes with Vespri by Giovanni Insaudo\, where Sicilian folklore becomes a field of reflection on the tension between tradition and modernity — a bridge between past and present that transforms collective ritual into contemporary gesture. \nThree choreographers\, three visions\, three languages intertwining roots and modernity\, light and shadow\, fragility and strength. A journey that turns movement into a mirror of life\, offering the audience the energy of a dance that unites the individual and collective poetic experience. \n\n\n\n\n\n\n\n \nCredits \nPIANO-FORTE\n \nChoreography: Roberto TedescoLighting and Space Design: Davide CavandoliCostumes: Santi RinciariTechnical Direction: Laura De BernardisPerformers: Matheus Alves De Oliveira\, Ginevra GioliBallet Master: Giusi Santagati \nBEHIND YOU (excerpt from White Room)\n \nChoreography: Adriano BologninoAssistant Choreographer: Rosaria Di MaroWith the support of Rosa CoppolaLighting Design: Laura De BernardisCostumes: Santi RinciariPerformers: Gaia Mondini\, Frederic ZounglaBallet Master: Giusi Santagati \n \nWith the support of the Centro Nazionale di Produzione della Danza Virgilio Sieni and the Fondazione CR Firenze (Bando Abitante) \nVESPRI\n \nConcept and Choreography: Giovanni InsaudoAssistant Choreographer: Sandra SaliettiLighting Design: Giovanni InsaudoTechnical Direction: Laura De BernardisSet Elements: Margherita CitranCostume Production: Lisa PerinPerformers: Matheus Alves De Oliveira\, Ginevra Gioli\, Gaia Mondini\, Frederic Zoungla\, Rebeca ZucchegniBallet Master: Giusi Santagati \nCOB | Compagnia Opus Ballet \n\n\n\n\n\n\n\nDirected by Rosanna Brocanello since its founding\, the company is composed of a stable ensemble of professional dancers and has developed an extensive repertoire of productions over the years. \nAmong its most recent works: \n\n\nLe Quattro Stagioni (2020) by Vivaldi\, choreographed by Aurélie Mounier\, with live music performed by the Orchestra di Padova e del Veneto; \n\n\nRIGHT. La Sagra della Primavera (2021) by Carlo Massari\, co-produced with C&C Company\, Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, and Associazione Culturale Mosaico Danza / Interplay Festival (Winner of the CollaborAction XL 2020 Award\, part of the Anticorpi XL Network\, coordinated by Ass. Cantieri Danza\, in support of independent choreography); \n\n\nIl Labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; \n\n\nWhite Room (2022) by Adriano Bolognino\, in collaboration with the Centro Nazionale Virgilio Sieni; \n\n\nLa diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi\, co-produced with Compagnia Bellanda; \n\n\nCoding Dance (2023) by Leonardo Diana\, co-produced with Versiliadanza; \n\n\nOTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, winner of the 13th edition of the International Prospettiva Danza Teatro Award\, co-produced with Festival Danza In Rete – Teatro Comunale Città di Vicenza. \n\n\nSince 2021\, the company has been supported by the Italian Ministry of Culture. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio EmiliaReduced price (€3): under 8 \n\n\n\n\n\n\n\nTICKETS PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance at Via della Costituzione 39\, Reggio Emilia.\n\n \n\n\n\n\n\n\n\nSeats are unreserved. \n\n\n\n\n\n\n\nCONTACTS \nMobile e whatsapp +393341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/authors-evening/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251122T213000
DTEND;TZID=Europe/Rome:20251122T214500
DTSTAMP:20260403T230922
CREATED:20251119T142539Z
LAST-MODIFIED:20251119T142539Z
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SUMMARY:AN ECHO\, A WAVE
DESCRIPTION:The new Aterballetto duet will be performed at FLIC in Lanciano on Saturday\, 22 November.\n\n\n\n\n\n\n\n\n\n\nThe Lanciano in Contemporanea Festival presents An Echo\, a Wave by Philippe Kratz\, performed by Alessia Giacomelli and Kiran Gezels. \nThere is perhaps no view like that of the sea that can help us grasp the elusive idea of eternity. It mesmerizes us and can fill us with a sense of spiritual wonder. Watching the flowing movement of a dancer\, we sometimes rediscover that same natural motion of the sea’s surface.
URL:https://www.fndaterballetto.it/en/evento/an-echo-a-wave-3/
LOCATION:Liceo Classico Vittorio Emanuele II\, via Bologna\, 8\, Lanciano\, CH\, Italy
CATEGORIES:Aterballetto,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251126T100000
DTEND;TZID=Europe/Rome:20251126T105000
DTSTAMP:20260403T230922
CREATED:20251031T144500Z
LAST-MODIFIED:20251104T090248Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Metastasio in Prato from 26 to 29 November 2025.\n\n \n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — lies at the heart of this new creation by the Fondazione Nazionale della Danza / Aterballetto\, designed for children and young audiences\, where a dancer and an actor play with his poetic imagination. \nThe almost magical vibrations that spring from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown in: they evoke unreal or hyper-real images and carry a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening go hand in hand. \n\n\n\n\n\n\n\nSotto un cespo di rose scarlatte (Under a bush of scarlet roses)Offre il rospo tè caldo con latte (The toad serves hot tea with milk.)Sotto un cespo di rose paonazze (Under a bush of purple roses)Tocca al rospo sciacquare le tazze. (It’s the toad’s turn to rinse the cups.)(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nRegia e coreografia: Francesca LattuadaTesti: Toti Scialoja (tratti da La mela di Amleto)Musica: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMaschere e oggetti: Natali FortierInterpreti: Vittoria Franchina\, Rocco Ancarola \nCoproduzione: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale BrescianoIn coproduzione con: Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-21/2025-11-26/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20251126T203000
DTEND;TZID=Europe/Rome:20251126T213000
DTSTAMP:20260403T230922
CREATED:20251027T170956Z
LAST-MODIFIED:20251030T155757Z
UID:10004209-1764189000-1764192600@www.fndaterballetto.it
SUMMARY:Il mare che ci unisce
DESCRIPTION:For the first time at Danza in Fonderia\, the company ArtgarageDanceCo\, led by Emma Cianchi\, takes part.\n \n\n\n\n\n\n\n\nIl mare che ci unisce is an emotional experience that invites the audience\, through an abstract structure\, to reflect on their roots and on the power of human connection that transcends time and space. With a clear reference to the mythological women of ancient Italy and Greece\, four dancers — with their powerful and mysterious presence — explore the connections between their bodies\, expressing a sensory\, visual\, and sonic journey between the real and the immaterial. \nMythological creatures whose legacy continues to inspire\, reminding us that — in ancient stories as in modern life — the role of women is fundamental and intrinsically linked to growth and transformation\, equality and peace. \n\n\n\n\n\n\n\n \nCREDITS \n\n\n\n\n\n\n\nChoreography: Emma CianchiOriginal Music: Lino CannavacciuoloCostumes: Leandro FabbriSet Design: Alessandro Sodano \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nA journey suspended between myth and reality\, where the prophetic figure of the Cumaean Sibyl becomes a symbol of wisdom and ancestral connection. \nThe choreography draws inspiration from her prophetic power and mystical bond with the sea\, transforming the stage into a ritual of memory and oracles. The figure of the Sibyl\, embodied in dance by the performers — guardian of prophecies — becomes a bridge between past and present. \nThe Sibyls\, brought to life through the dancers’ strength and the evocative music\, guide the audience through the voices of generations and migrations\, evoking stories and identities interwoven across the Mediterranean. \n\n\n\n\n\n\n\nArtgarageDanceCo \n\n\n\n\n\n\n\nArtGarage is a dance production organization active since 2003 on both national and international stages\, recognized by the Italian Ministry of Culture and the Campania Region.The company has always supported and collaborated with artists from diverse backgrounds who explore the languages of contemporary dance and new audiovisual and multimedia technologies. \nArtGarage’s work is grounded in the cross-pollination of different expressive forms\, in a constant search for new creative possibilities to give life to live performances\, sound installations\, and visual environments. \nThe core ensemble of ArtgarageDanceCo is led by Emma Cianchi\, Italian choreographer and artistic director\, and includes a multidisciplinary team composed of a permanent group of dancers\, videomaker Gilles Dubroca\, and sound designer Dario Casillo. \nThe organization also curates and promotes HumanBodies — a professional training program for contemporary dancers\, recognized by the Campania Region — and Immagi]Na FilmFestival\, an event dedicated to videodance\, supported by the Campania Region Film Commission. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price: under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio EmiliaReduced price (€3): under 8 \n\n\n\n\n\n\n\nTICKETS PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance at Via della Costituzione 39\, Reggio Emilia.\n\n \n\n\n\n\n\n\n\nSeats are unreserved. \n\n\n\n\n\n\n\nCONTACTS \nMobile e whatsapp +393341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/il-mare-che-ci-unisce/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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