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DTSTART;TZID=Europe/Rome:20250629T200000
DTEND;TZID=Europe/Rome:20250629T213000
DTSTAMP:20260403T225910
CREATED:20250516T141834Z
LAST-MODIFIED:20250529T162852Z
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SUMMARY:MICRODANCES
DESCRIPTION:The MicroDances by CCN/Aterballetto arrive at FEX\, the Festival Extension of Granada\, to inhabit the incredible palace complex of the Alhambra. \n\nThe performance is held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation (Maeci) and the Italian Cultural Institute of Madrid \n \n\n \nTwo routes are scheduled (8:00 PM and 8:30 PM)\, guiding audience-visitors from Plaza de los Aljibes to the Torres Bermejas\, passing through the Fundación Rodríguez-Acosta. \nAn Echo\, A Wave by Philippe Kratz \nPerformer: Federica Lamonaca\, Nolan Millioud \nTurn the Tide by Roberto Tedesco \nPerformers: Arianna Kob\, Matteo Fiorani \nA Gig by Diego Tortelli \nPerformer: Estelle Bovay\, Leonardo Farina \nNear Life Experience by Angelin Preljocaj \nPerformer: Ivana Mastroviti\, Albert Carol Perdiguer \nPlatform 02 by Ina Lesnakowski \nPerformer: Gador Lago Benito \nEppur si muove by Francesca Lattuada \nPerformer: Clément Haenen \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdances-8/
LOCATION:Alhambra y Generalife\, Plaza de los Aljibes\, Granada\, Spain
CATEGORIES:Aterballetto,Don Juan,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250704T210000
DTEND;TZID=Europe/Rome:20250704T223000
DTSTAMP:20260403T225910
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nThe Centro Coreografico Nazionale/Aterballetto presents Notte Morricone by Marcos Morau on July 4 and 5 at 9:00 PM at the Teatro Grande in Pompeii\, as part of the Pompeii Theatrum Mundi festival organized by Teatro di Napoli and the Archaeological Park of Pompeii.\n  \nThe Spanish choreographer\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic influences.\nMarcos Morau\, to date the youngest choreographer to receive the National Dance Award—Spain’s highest recognition—builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. Now\, for his first collaboration with CCN/Aterballetto\, he has chosen to explore iconic compositions from the cinematic landscape of the past seventy years: the works of Ennio Morricone.\nThe director says: “Classically trained and avant-garde in spirit\, Morricone was always beyond the trends of the moment. His music belongs to an entire century and has brought many of our great masters back to life. For this evening\, I would like to build a universe based on his sensitivity\, to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, which can live far from the films it was created for.” Find out more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-11/2025-07-04/
LOCATION:Teatro Grande – Scavi di Pompei\, Piazza Porta Marina Inferiore\, Pompei\, NA\, 80045\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250705T210000
DTEND;TZID=Europe/Rome:20250705T223000
DTSTAMP:20260403T225910
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nThe Centro Coreografico Nazionale/Aterballetto presents Notte Morricone by Marcos Morau on July 4 and 5 at 9:00 PM at the Teatro Grande in Pompeii\, as part of the Pompeii Theatrum Mundi festival organized by Teatro di Napoli and the Archaeological Park of Pompeii.\n  \nThe Spanish choreographer\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic influences.\nMarcos Morau\, to date the youngest choreographer to receive the National Dance Award—Spain’s highest recognition—builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. Now\, for his first collaboration with CCN/Aterballetto\, he has chosen to explore iconic compositions from the cinematic landscape of the past seventy years: the works of Ennio Morricone.\nThe director says: “Classically trained and avant-garde in spirit\, Morricone was always beyond the trends of the moment. His music belongs to an entire century and has brought many of our great masters back to life. For this evening\, I would like to build a universe based on his sensitivity\, to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, which can live far from the films it was created for.” Find out more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-11/2025-07-05/
LOCATION:Teatro Grande – Scavi di Pompei\, Piazza Porta Marina Inferiore\, Pompei\, NA\, 80045\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20250710T183000
DTEND;TZID=Europe/Sofia:20250710T203000
DTSTAMP:20260403T225910
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SUMMARY:MicroDanze
DESCRIPTION:MicroDanze arrive in the hills of Canossa\, in the province of Reggio Emilia\, at the Church of San Bartolomeo Apostolo in Borzano. \nSurrounded by legendary and breathtaking landscapes\, Aterballetto dancers will present Eppur si muove by Francesca Lattuada\, Near Life Experience by Angelin Preljocaj\, An Echo\, A Wave by Philippe Kratz\, and A Gig by Diego Tortelli. \nThe event\, organized by Entroterre Festival\, is part of the Festival dei Borghi. \nJuly 10\, 20256:30 PM and 7:30 PMDuration: 45 minutes \nAccess is possible only by car; carpooling is highly recommended. \nFind the exact location here.A map marking parking\, dining options\, and points of interest is available here: click here to view. \n  \n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-10/
LOCATION:Chiesa di San Bartolomeo Apostolo\, Via Borzano\, 157\, Canossa\, RE\, Italy
CATEGORIES:Aterballetto,MicroDanze
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DTSTART;TZID=Europe/Rome:20250913T200000
DTEND;TZID=Europe/Rome:20250913T220000
DTSTAMP:20260403T225910
CREATED:20250902T095641Z
LAST-MODIFIED:20250903T100239Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda in Toledo is the first performance of CCN/Aterballetto’s 2025–2026 season.\nPuerta de Bisagra – Toledo\, September 13\, 2025 at 8:00 pm and 9:30 pm \nWith the support of the Italian Cultural Institute of Madrid\, CCN/Aterballetto celebrates Spain’s Noche del Patrimonio with Il Combattimento di Tancredi e Clorinda. \n \nThe Puerta de Bisagra provides the majestic setting where the tale of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) will come to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \n   \n  \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Matteo StraffiHarpsichord: Deniel Perer \n \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, underlining the endless cycle of this story of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/combattimento-tancredi-clorinda-aterballetto-toledo/
LOCATION:Puerta de Bisagra\, Toledo\, Spain
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20250916T180000
DTEND;TZID=Europe/Rome:20250916T190000
DTSTAMP:20260403T225910
CREATED:20250904T144745Z
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SUMMARY:Cani lunari - open session
DESCRIPTION:Francesco Marilungo’s Cani lunari is the opening event of the autumn edition of Danza in Fonderia.\n  \nFrancesco Marilungo inaugurates Antologie. New Readings of the Body\, the Danza in Fonderia series\, with the open rehearsal of his latest work. Cani lunari reveals the first fragments of his new creation. Inspired by a rare lunar optical phenomenon and steeped in ancestral symbols\, the piece delves into the imagery of the witch\, the healer\, the sorceress: figures on the margins of society\, suspended between fear and desire\, science and magic\, exclusion and power. \nhttps://vimeo.com/1048362306 \nCredits \nChoreography and Direction: Francesco MarilungoWith: Vera Di Lecce\, Barbara Novati\, Roberta Racis\, Alice Raffaelli\, Francesca Linnea UgoliniCostumes: Lessico FamiliareMusic and Vocal Coaching: Vera Di LecceLighting Design: Gianni StaropoliPhotography and Video: Luca Del Pia \n \nProduction: Körper | National Dance Production CentreCo-production: SNAPORAZVEREIN\, IRA Institute \n \nWith the support of ResiDance – an initiative of the Anticorpi XL Network\,Tuscany Residency Centre (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\,AMAT – Associazione Marchigiana per le Attività Teatrali\,Consorzio PUGLIA CULTURE – Regional Consortium for Arts and Culture\,in collaboration with Associazione Menhir / festival LE DANZATRICI en plein air in Ruvo di Puglia and Ass. Cult. TEATRO MENZATI’ / TEX – Il Teatro dell’ExFadda in San Vito dei Normanni (Puglia). \n \nWith the support of Cross Festival\, Primavera dei Teatri CastrovillariWith the contribution of Marosi Festival\, Teatro delle Moire \nDiscover more \nDuring the winter months\, when the moon is full or nearly full\, its light can sometimes be refracted by ice crystals in the high clouds\, creating a circular halo around the satellite with two symmetrical gleams at its sides: the moon dogs. Atmospheric phenomena that folk tradition once read as omens of storms\, but also as signals of transition—visual thresholds into the invisible. \nCANI LUNARI is a choreographic project that crosses these thresholds and immerses itself in an imaginary rooted in the archaic feminine\, in magical knowledge\, in ecstatic bodies. A sensitive inquiry into the figure of the witch\, the healer: not as folkloric residue or demonized stereotype\, but as the emblem of marginal yet powerful knowledge\, resisting the logic of utility and visibility.\n \nThrough a process of research combining archival materials\, oral testimonies\, folkloric iconographies\, and bodily practices\, CANI LUNARI builds a performative rite in which the body dances trance\, ecstasy\, metamorphosis. The performers\, holding taxidermy crows—souls released\, spirit animals\, threshold guides—enact gestures suspended between ritual and fiction\, magic and theatrical play. Movement feeds on fragmentations\, limps\, archaic gestures\, and sudden slips into animality\, evoking a world where the boundary between human and beyond-human is porous and mutable. The body moves “above water and above wind\,” echoing ancient formulas that still resonate in some Italian territories at the margins. \n \nAt the heart of the project lies a reflection on the hysterical body\, a feminine site of crisis and enigma\, historically linked to the figure of the witch and to states of possession. The 19th-century photographs of the Salpêtrière become symbolic material to embody: bodies out of control\, traversed by the invisible\, performing a different kind of knowledge. The witch’s body becomes a threshold-organism between dimensions—as John Cotta once wrote\, “not a traveler between worlds\, but the site of encounter between different spheres of being.” \n \nCANI LUNARI recalls a knowledge that is both political and sensorial\, an embodied epistemology. The soul—bird or breath—leaves the mouth\, flies\, detaches\, and then returns to the body. As in the confessions extorted from persecuted women—often visionaries\, storytellers\, healers—the body becomes narrative\, ritual of healing\, exercise in survival. The soundscape\, created by Vera Di Lecce\, interweaves electronics and natural sound\, oral chants and magical formulas\, in a score suspended between the earthly and the divine. \nCANI LUNARI is a crossing\, a white sabbath\, a collective ritual to re-enchant the world.\n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has worked with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own artistic path\, seeking a personal language at the intersection of performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the Lombardy NEXT 2017/2018 call. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS\nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/cani-lunari-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T183000
DTSTAMP:20260403T225910
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UID:10004120-1758564000-1758565800@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-22/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T190000
DTSTAMP:20260403T225910
CREATED:20250904T144126Z
LAST-MODIFIED:20250911T163911Z
UID:10004137-1758564000-1758567600@www.fndaterballetto.it
SUMMARY:Notte Morricone - open session
DESCRIPTION:CCN/Aterballetto – Notte Morricone – ph. Claudio Montanari \nAterballetto’s first open rehearsal of the 2025–26 season\, offering the chance to meet the company’s new dancers. \nOn Monday\, September 22 at 6:00 pm\, Aterballetto welcomes its audience into the rehearsal room of the Fonderia to the notes of Notte Morricone by Marcos Morau. During the open rehearsal\, the three new dancers who have joined the company—Gador Lago Benito\, Gaia Mentoglio\, and Luigi Civitarese—will also be introduced. \nOpen rehearsals are unique occasions where the audience can witness the making of a performance\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that opens the door to the daily life of dancers and choreographers. \n  \nInfo & Tickets \nTICKETS \n \nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250924T180000
DTEND;TZID=Europe/Rome:20250924T183000
DTSTAMP:20260403T225910
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004121-1758736800-1758738600@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-24/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250925T180000
DTEND;TZID=Europe/Rome:20250925T183000
DTSTAMP:20260403T225910
CREATED:20250902T095705Z
LAST-MODIFIED:20250905T104212Z
UID:10004122-1758823200-1758825000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:CCN/Aterballetto is at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda.\nItalian Pavilion Theatre\, September 22–24–25\, 2025 at 6:00 pm \nThanks to the support of the Emilia-Romagna Region\, CCN/Aterballetto takes part in Emilia-Romagna Week at Expo 2025 Osaka with Il Combattimento di Tancredi e Clorinda. \n  \nOn stage at the Italian Pavilion Theatre\, the story of love and death told by Torquato Tasso in Jerusalem Delivered (1575) and set to music by Claudio Monteverdi (1624) comes to life. The performance\, created by Fabio Cherstich and Philippe Kratz\, is interpreted by dancers Alessia Giacomelli and Kiran Gezels. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \n\nDirection and Visuals: Fabio CherstichChoreography and Stage Movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio Monteverdi (recorded music by Matteo Straffi\, tenor\, and Deniel Perer\, harpsichord)Dancers: Alessia Giacomelli\, Kiran Gezels \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\n \nIl Combattimento di Tancredi e Clorinda is a project for the promotion of live performance in museums and cultural heritage sites\, supported by the Directorate-General for Museums and co-financed by the Directorate-General for Performing Arts. \n \nFor the implementation of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto\, with the support of the Directorate-General for Museums\, have established a partnership involving five other major cultural venues: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa. In addition\, Castel Sant’Angelo in Rome will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and CCN/Aterballetto\, aimed at promoting Italian artistic heritage abroad. \nBODIES AS MIRROR \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where proximity and the likeness of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, compelled to fight and to enact a story already written. \n \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of one singer. This estranged sound\, constrained by a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this tale of love and death—destined\, tragically\, to repeat itself through the centuries and to reach us with all its force\, as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \n \nFabio Cherstich\, Director \nSTRUGGLE WITHIN \nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also the aspects I find least intriguing: when adapted into dance\, they risk becoming a mere narration of factual circumstances. \n \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and solitary—strikes me as far more compelling. Within the opposition of the two roles lies an entire world: the search for one another\, the confrontation\, the wounding of each other. The dynamic is that of a warlike\, conflictual ritual between two entities drawing close. The absurdity of the act becomes clear when one of the two loses their life\, and we realize that the other\, in any case\, has not won… a deep\, shared wound remains\, inscribed on both bodies. So\, are they two people fighting one another\, or perhaps one person struggling with themselves? \n \nPhilippe Kratz\, Choreographer \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-osaka/2025-09-25/
LOCATION:Teatro Padiglione Italia\, Osaka\, Japan
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20250926T174500
DTEND;TZID=Europe/Rome:20250926T191500
DTSTAMP:20260403T225910
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004123-1758908700-1758914100@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-26/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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DTSTART;TZID=Europe/Rome:20250927T174500
DTEND;TZID=Europe/Rome:20250927T191500
DTSTAMP:20260403T225910
CREATED:20250902T095604Z
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SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-27/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250928T174500
DTEND;TZID=Europe/Rome:20250928T191500
DTSTAMP:20260403T225910
CREATED:20250902T095604Z
LAST-MODIFIED:20250903T095350Z
UID:10004125-1759081500-1759086900@www.fndaterballetto.it
SUMMARY:Caracalla Danza
DESCRIPTION:CARACALLA DANZA\nFIRST EDITION · SEPTEMBER 26–28\nA new initiative by the Special Superintendency of Rome and CCN/AterballettoGuest company: Gauthier Dance // Dance Company Theaterhaus Stuttgart \n \nIn collaboration with Romaeuropa Festival 2025 \nAn extraordinary site\, with its archaeological heritage unique in the world\, has since 2024 hosted a stage suspended above a pool of water—an installation created to bring water\, its essential element\, back to the Baths of Caracalla\, where the monument is reflected. \n \nWith Caracalla Danza\, the Special Superintendency of Rome\, in co-design with CCN/Aterballetto—returning to the space it inaugurated on April 13\, 2024\, to the notes of George Gershwin’s Rhapsody in Blue—places dance at the center of a new model for enhancing a unique heritage site. \n \nCCN/Aterballetto will perform the lunar duet Reconciliatio by Angelin Preljocaj and present the world premiere of a new creation by Diego Tortelli\, conceived to be danced in the water itself. The stage will also be shared with one of Europe’s leading companies\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, directed by Eric Gauthier\, performing works by Marco Goecke\, Hofesh Shechter\, and Sharon Eyal. \n \nOn September 26\, 27\, and 28\, Caracalla Danza will be launched with three evenings that\, in the coming years\, will establish themselves as a recurring September event\, following the major restoration works at the Baths of Caracalla. \n\nINFO & TICKETS\n \nThe performances will begin shortly before sunset\, approximately between 5:45 pm and 6:00 pm. Admission to the stage area will be possible starting at 5:00 pm. Entry to the seating area will not be permitted once the performance has started. \n \nTickets:From €20 \n \nTickets available from September 3 on\nMusei Italiani:\nwww.museiitaliani.it\nApp Musei Italiani available on Google Play and on App Store  \nEVENING PROGRAM\nSharon Eyal: ALONE\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography and Costumes: Sharon EyalSound Design: Josef LaimonMusic: ElizaLighting Design: Alon CohenAssistant to the Choreographer: Clyde Emmanuel Archer \n \nWith ALONE\, Sharon Eyal returns to the large ensemble that made her renowned. The choreographer demonstrates the hypnotic power of synchrony and the extraordinary dynamics of a body-as-machine organism. Subtle variations or serial transformations disrupt the order of her groups of dancers; individuals break free from the repetitive patterns of an apparently post-human society. \nMarco Goecke: Monstruo Grande\nWith two dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere. \n \nChoreography: Marco GoeckeMusic: Mercedes SosaLighting Design: Mario DaszeniesCostumes: Michaela Springer \n \nMarco Goecke’s creation stands out for its precision and energy. Set to the powerful music of Mercedes Sosa\, this duet unfolds in a performance full of dynamic movement and emotional tension\, captivating the audience from the very first moment. \nAngelin Preljocaj: RECONCILIATIO\n  \nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto. Rome premiere \n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Piano Sonata No. 14 “Moonlight”Costumes: Igor ChapurinLighting: Cécile GiovansiliAssistant to the Choreographer: Claudia De SmetRestaging from the 2010 creation Suivront mille ans de calmeProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Fondazione Teatro Comunale di Bologna \n \nDance\, the art of the unspeakable par excellence\, has the delicate power to reveal our fears\, anxieties\, and hopes by evoking them. The duet chosen to embody the theme of reconciliation is drawn from Suivront mille ans de calme (A Thousand Years of Calm Will Follow)\, a work imbued with a poetic and impressionistic vein\, inspired by an attentive though non-literal reading of the Apocalypse. \n \nFor the choreographer\, neither in the original work nor in this female duet—adapted for Memorare 2024 at the Basilica of San Petronio in Bologna—should one seek precise references to St. John’s text. As the etymology of the word apocalypse suggests—“to lift the veil”—it is instead a matter of revealing\, uncovering\, bringing to light elements present in our world yet hidden from our gaze. These emerge\, visible and invisible\, in the delicate relationship between the two protagonists of the duet. \nMarco Goecke: INFANT SPIRIT\nWith the dancers of Gauthier Dance // Dance Company Theaterhaus Stuttgart. Rome premiere \n \nChoreography: Marco GoeckeLighting Design: Udo HaberlandCostumes: Michaela SpringerMusic: Antony and the Johnsons \n \nThe initial spark that led Marco Goecke toward dance came from the legendary company of his hometown\, Tanztheater Wuppertal Pina Bausch. Although he only met the pioneer of dance-theatre a few times\, she nevertheless played an important role in his career—even long after he had left Wuppertal. In 2004\, she invited the young choreographer to present his works Blushing and Mopey at the festival 30 Years of Tanztheater Wuppertal. To this day\, Goecke’s gratitude is evident when he speaks of how much that trust meant to him. His solo Infant Spirit is a tribute to Pina Bausch\, to whom the choreographer owes so much. \nHofesh Shechter: BONUS TRACK\nWith the dancers of Gauthier Dance // Theaterhaus Stuttgart. Italian premiere \n \nChoreography and Composition: Hofesh ShechterLighting Design: Mario DaszeniesCostumes: Gudrun Schretzmeier & Hofesh ShechterRehearsal Director: Kim Kohlmann \n \nEric Gauthier asked Hofesh Shechter\, resident artist of his company\, to create a choreography that could stand as an independent work—adaptable for touring and ideally suited for outdoor performances. The goal was to produce a truly accessible piece\, one that would bring contemporary dance especially to younger audiences. \n \nFor those familiar with Shechter\, it comes as no surprise that he embraced this challenge with ease—particularly since the origins of Bonus Track lie precisely in an outreach project. Some time ago\, Shechter had adapted elements of his choreography Clowns for a series of open-air performances in London with a reduced cast of eight dancers. From that foundation\, he created a new version tailor-made for and with Gauthier Dance\, also reworking his own soundtrack—once again\, as always\, original. \nDiego Tortelli: LIMEN\nWith Estelle Bovay and Arianna Kob\, dancers of CCN/Aterballetto \n \nChoreography: Diego TortelliCostumes: SportmaxMusic: Weyes BloodNew production created especially for the Baths of Caracalla\, world premiere \n \nLimen (from the Latin: threshold — between real and reflected\, between presence and dissolution) is a choreographic dialogue between two female presences emerging from the veil of water as if from an invisible threshold. They mirror each other\, brush against one another\, seek and dissolve\, like unstable reflections on the liquid skin of the surface. \n \nTheir dance moves along the boundary — between body and echo\, between gesture and memory\, between what appears and what fades away. The work reactivates the memory of the site — once a temple of the body\, of care\, of collective ritual — and transforms it into an intimate\, circular\, almost whispered gesture. The two dancers do not embody characters\, but mirrored forces\, twin archetypes seeking one another without ever fully coinciding\, like two halves of a reflected image trembling in the water. \nGauthier Dance//Dance Company Theaterhaus Stuttgart\nGauthier Dance // Dance Company Theaterhaus Stuttgart is a young and dynamic company of 16 highly individual and versatile artists\, led by dancer\, choreographer\, musician\, and charismatic dance ambassador Eric Gauthier. Founded in October 2007\, the company quickly established itself on the German dance scene and has long since become an internationally recognized name. \n \nIts repertoire includes works by Gauthier himself as well as by renowned contemporary choreographers such as Mauro Bigonzetti\, Sidi Larbi Cherkaoui\, Marie Chouinard\, Sharon Eyal\, Andonis Foniadakis\, William Forsythe\, Itzik Galili\, Jiří Kylián\, Lightfoot/León\, Hans van Manen\, Marcos Morau\, Ohad Naharin\, and Sasha Waltz. \n \nIn addition to performances at its home base Theaterhaus Stuttgart\, the company regularly tours major international dance capitals\, including Toronto\, New York\, Tel Aviv\, Venice\, Amsterdam\, St. Petersburg\, Munich\, Québec City\, Montréal\, Berlin\, and Chicago. Gauthier Dance // Dance Company Theaterhaus Stuttgart was highlighted as a “German Highlight” in the 2022 yearbook of the specialist magazine tanz. \n \nAlongside its growing acclaim\, Gauthier Dance has strengthened collaborations with world-renowned choreographers—especially with resident artists Marco Goecke (January 2019 to summer 2023)\, Hofesh Shechter (since 2021)\, and Barak Marshall (from the 2024/25 season). Even during the pandemic\, the company did not stop\, launching an inspiring initiative that drew wide attention beyond the dance world: between winter and spring 2021\, 16 choreographers\, 16 filmmakers\, and 16 composers each created a solo for one of the company’s members. The Dying Swans Project is still available free of charge on the media library of the German broadcaster 3sat. The project was enthusiastically received\, even catching the attention of the President of the Federal Republic of Germany\, Frank-Walter Steinmeier\, who arranged a video call with Eric Gauthier to learn more. \n \nRecent highlights include the themed evening Swan Lakes (2021)\, with world premieres by Marie Chouinard\, Marco Goecke\, Hofesh Shechter\, and Cayetano Soto; The Seven Sins (2022)\, in which Aszure Barton\, Sidi Larbi Cherkaoui\, Sharon Eyal\, Marco Goecke\, Marcos Morau\, Hofesh Shechter\, and Sasha Waltz each transformed a deadly sin into a choreographic creation; the 2022/23 season’s 15th-anniversary celebration 15 YEARS ALIVE; and in 2024\, ELEMENTS\, featuring world premieres by Mauro Bigonzetti\, Sharon Eyal\, Andonis Foniadakis\, and Louise Lecavalier. \n \nThe 2024/25 season brought two spectacular new productions: FireWorks\, in which Mauro Bigonzetti\, Virginie Brunelle\, Stijn Celis\, Dominique Dumais\, Andonis Foniadakis\, Marco Goecke\, Johan Inger\, Barak Marshall\, Benjamin Millepied\, and Sofia Nappi each created a short new work to celebrate the 40th anniversary of Theaterhaus as a cultural landmark for Stuttgart; and in summer 2025\, the company opened the COLOURS International Dance Festival with the world premiere of The Turning of Bones\, created by international choreography star Akram Khan. \n \nBeyond its “traditional” performance activities\, Gauthier Dance has stood out since its founding for its pioneering socio-cultural initiatives. With Gauthier Dance Mobile\, the company brings dance to those unable to attend the theatre\, performing in nursing homes\, hospitals\, and facilities for people with disabilities. In 2022\, Theaterhaus and Eric Gauthier launched a new chapter of this program with the MOVES FOR FUTURE initiative\, involving the new youth company. The Gauthier Dance JUNIORS // Theaterhaus Stuttgart ignite enthusiasm for dance among younger generations through numerous school performances across the region\, showing remarkable maturity in their own independent productions\, which rival those of their more experienced colleagues. \n \nwww.theaterhaus.com/de/gauthier
URL:https://www.fndaterballetto.it/en/evento/caracalla-danza-2025-roma/2025-09-28/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,reconciliatio
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DTSTART;TZID=Europe/Rome:20251002T193000
DTEND;TZID=Europe/Rome:20251002T210000
DTSTAMP:20260403T225910
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-02/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251003T193000
DTEND;TZID=Europe/Rome:20251003T210000
DTSTAMP:20260403T225910
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
UID:10004034-1759519800-1759525200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-03/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251004T193000
DTEND;TZID=Europe/Rome:20251004T210000
DTSTAMP:20260403T225910
CREATED:20250729T154636Z
LAST-MODIFIED:20250729T155114Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-04/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251008T203000
DTEND;TZID=Europe/Rome:20251008T213000
DTSTAMP:20260403T225910
CREATED:20250905T145323Z
LAST-MODIFIED:20251014T102359Z
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SUMMARY:VISIONI DEL CORPO: LE DONNE DELLA FOTOGRAFIA CONTEMPORANEA (WOMEN IN CONTEMPORARY PHOTOGRAPHY)
DESCRIPTION:Women’s photography is the focus of the new Visioni del corpo event — discovering contemporary art through signature dance.\nThanks to the curatorial collaboration of Nicolas Ballario (listed among the 100 most influential figures in the art world by Il Giornale dell’Arte)\, the “dancing encyclopedia” continues to take shape — a project that tells the story of the world through dance\, placing the body at the center of the human experience. \nFor the festival Anthologies. New Readings of the Body\, Nicolas Ballario has chosen to present the photographic works of Tina Modotti\, Diane Arbus\, Cindy Sherman\, Nan Goldin\, and Lisetta Carmi\, accompanied by original choreographies created for the occasion by Sofia Nappi\, one of the most acclaimed Italian choreographers on the contemporary scene. \n\nAPERITIF AT THE FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with Coldiretti Reggio Emilia. \n\n \n\nSofia Nappi \n\n\n\n\n\n\n\nSofia Nappi is a choreographer and the artistic director of KOMOCO\, a contemporary dance company based in Italy and active internationally\, which she co-founded together with her first muses\, Adriano Popolo Rubbio and Paolo Piancastelli. From the outset\, Sofia’s early creations with KOMOCO earned major recognition\, including the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021) and the First Prize\, Critics’ Award\, and Production Award at the 35th International Choreography Competition Hannover\, presented by the Tanja Liedtke Foundation and Marco Goecke (2021). \nToday\, KOMOCO’s works choreographed by Sofia are performed throughout Italy and internationally across Europe\, as well as in Mexico\, Canada\, and Serbia\, featured in renowned institutions and festivals. As an independent choreographer\, Sofia also creates original works for internationally acclaimed dance companies and theatres such as Nederlands Dans Theater 2\, Leipzig Ballet\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, Ballet BC\, Göteborg Opera\, National Theatre Mannheim\, Staatsoper Hannover\, and Scottish Dance Theatre. \nAlongside her creative work\, Sofia Nappi is deeply engaged in research and professional training on an international level\, in close collaboration with the dancers of KOMOCO. Since 2022\, she has organized the Komoco Intensive workshop twice a year in Florence\, welcoming professional dancers from around the world. A graduate of the Alvin Ailey American Dance Theater in New York\, Sofia’s artistic development has been profoundly shaped by her close connection with the Hofesh Shechter Dance Company and her study of Gaga\, the movement language developed by the renowned choreographer Ohad Naharin. \n\n\n\n\n\n\n\n  \nNicolas Ballario \nBorn in 1984\, Nicolas Ballario works at the intersection of contemporary art and media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. Over the years\, he has collaborated with major artistic institutions and numerous publications\, and in 2016 he became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in the fields of culture and the environment. \nHe is currently the author and host of contemporary art programs on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 he has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nNicolas is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. He curates exhibitions and catalogues\, and has been featured twice in Artribune’s “Best of” list of leading art professionals — in 2019 for radio and in 2020 for television projects. \n \nInfo & Tickets \nTICKETS\nSingle price: 3 euro \nTICKET PURCHASE\nITickets can be purchased online at www.biglietteriafonderia39.it.\nThe Fonderia box office is open from 7:30 p.m. onwards.\nSeats are unassigned. \nCONTACTS\nMobile e whatsapp 3341023554\nEmail biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-le-donne-della-fotografia-contemporanea-women-in-contemporary-photography/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251011T180000
DTEND;TZID=Europe/Rome:20251011T191500
DTSTAMP:20260403T225910
CREATED:20250926T103602Z
LAST-MODIFIED:20251016T093632Z
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SUMMARY:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire). Teatro San Carlo di Napoli
DESCRIPTION:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire)\, curated and presented by dance journalist and critic Francesca Pedroni\, featuring the étoiles of Teatro San Carlo\, Naples.\n \nGiselle: Romanticism\, Pointe Shoes\, and the Ballet Blanc \nCurated by Francesca Pedroni \nWith Étoiles Anna Chiara Amirante and Alessandro Staiano\, Ballet Company of Teatro San Carlo\, Naples \nAn iconic title of Romanticism\, Giselle premiered in Paris in 1841 with choreography by Jean Coralli and Jules Perrot and music by Charles Adam. It remains an essential work in the repertoire of every major classical ballet company. A love story unfolding between the radiant\, pastoral realism of the first act and the nocturnal forest realm of the Wilis — spirits of young women who died of heartbreak after being abandoned before their weddings. Diaphanous in their white tutus and pointe shoes\, they rise from midnight to dawn\, forcing any man who enters their haunted circle to dance to his death. \nThe Ballet Company of Teatro San Carlo\, directed by Clotilde Vayer\, will stage Giselle in Naples this November in Patricia Ruanne’s choreographic version. Around this title\, the Journey into Ballet Repertoire series curated by Francesca Pedroni for the National Choreographic Centre / Aterballetto resumes. This performance-conversation blends readings\, stories\, and video excerpts\, featuring the invaluable participation of Étoiles Anna Chiara Amirante and Alessandro Staiano of the Teatro San Carlo Ballet\, who will perform live some of the ballet’s most emblematic scenes in dialogue with the curator. \n \n  \nANNA CHIARA AMIRANTE \n\n\n\n\n\n\n\nBorn in Naples\, she trained at the Ballet School of the Teatro San Carlo.In 2006\, she joined the ballet company of the Teatro San Carlo in Naples under the direction of Elisabetta Terabust. That same year\, Alberto Testa awarded her the “Premio Positano” as an emerging young talent. In December 2006\, she joined the ballet company of Teatro alla Scala in Milan\, directed by Frédéric Olivieri. \nIn 2007\, she became a member of the Teatro dell’Opera di Roma company\, directed by Carla Fracci\, where she immediately performed soloist and principal roles — among them the Russian Princess\, the two Big Swans and the Pas de trois in Swan Lake\, the Jewels in The Sleeping Beauty\, and the Three Odalisques in Scheherazade. For A Midsummer Night’s Dream\, Paul Chalmer created the role of Venus especially for her\, and she was later chosen to dance the Sugar Plum Fairy in The Nutcracker. \nIn October 2011\, La Bayadère premiered at the Teatro dell’Opera\, with Anna Chiara cast in the leading role of Nikia. In October 2012\, she danced the principal role of the Street Dancer and one of Kitri’s friends in Messerer’s Don Quixote. \n\n\n\n\n\n\n\n \nAlso in 2014\, she performed various principal and soloist roles at her home theatre\, the Teatro San Carlo in Naples\, including Giselle by Lyudmila Semenyaka.In 2016\, she was chosen by Mikhail Lavrovsky to dance the role of one of the “Young Troubadours” in Romeo and Juliet.More recently\, she has performed as the Sugar Plum Fairy in Charles Jude’s The Nutcracker. \nShe has also danced other leading roles\, including: \n\n\n\n\n\n\n\n\nQueen of Hearts in Alice in Wonderland (chor. Gianluca Schiavoni)\nEchos Pas de Deux in Pink Floyd Ballet (chor. Roland Petit)\nGymnopédies Pas de Deux (chor. Roland Petit)\nMarina in Zorba the Greek (chor. Lorca Massine)\nCinderella (chor. Giuseppe Picone)\nMarguerite in The Lady of the Camellias (chor. Derek Deane)\nHippolyta in A Midsummer Night’s Dream (chor. Paul Chalmer)\nQueen of the Dryads in Don Quixote (chor. Aleksej Fadeechev)\nOdette/Odile in Swan Lake (chor. Patrice Bart)\nTheme and Variations (chor. George Balanchine)\nJuliet in Romeo & Juliet (chor. Kenneth MacMillan)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn December 2022\, following her performance as Odette/Odile\, she was named Étoile of the Teatro San Carlo by Artistic Director Clotilde Vayer. \nIn January 2023\, she took part as the leading performer in Francesco Ventriglia’s A Thousand Tales at the Dubai Opera\, also dancing the role of Raymonda in Raymonda and Serenade by George Balanchine. \nIn September 2023\, she was once again awarded the “Premio Positano”\, this time as Best Performer. \nShe has since appeared in productions such as Suite en Blanc by Serge Lifar\, In the Middle\, Somewhat Elevated by William Forsythe\, and Onegin by John Cranko. \nShe also performs in numerous national and international galas\, interpreting both classical and contemporary repertoire. \n\n\n\n\n\n\n\nALESSANDRO STAIANO \n\n\n\n\n\n\n\nHe graduated in 2011 from the Ballet School of the Teatro di San Carlo. In 2012\, he joined the Teatro dell’Opera di Roma for the production of Romeo and Juliet by Patrice Bart. With the Ballet Company of the Teatro di San Carlo\, he has performed as a soloist and principal dancer in productions such as The Nutcracker\, Romeo and Juliet\, Carmen\, Swan Lake\, Without Words\, The Bat (Czarda soloist)\, Cantata\, Don Quixote\, Carmina Burana\, Mozart Requiem\, and Le Corsaire (as Conrad). \nIn 2015\, he danced as principal in The Nutcracker and Giselle\, and took part in the 9th Festival Internacional de Ballet in Cali\, Colombia. In 2016\, he performed the role of Frantz in Roland Petit’s Coppélia\, and was selected by Mikhail Lavrovsky to interpret one of the leading roles in Romeo and Juliet. He also appeared in “Bolle and Friends”\, performing alongside the international star in the Pas de deux from Proust ou les Intermittences du Cœur (Roland Petit) in the role of Saint Loup. \nHe was invited as a guest principal dancer by the Opéra National de Bordeaux\, performing the role of Frantz in Charles Jude’s Coppélia. In 2017\, he danced the role of the Prince\, partnering Maria Eichwald\, in Cinderella\, and in the same year performed as the Knave in Alice in Wonderland (chor. Gianluca Schiavoni) alongside Alicia Amatrain. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nIn 2022\, under the direction of Clotilde Vayer\, he was named Étoile of the Teatro San Carlo\, following his performance as Romeo in Romeo and Juliet (chor. Kenneth MacMillan). \nAs an Étoile\, he has performed:La Rose Malade (chor. Roland Petit)\, leading roles in Pink Floyd Ballet (chor. Roland Petit)\, Zorba the Greek (chor. Leonide Massine)\, The Lady of the Camellias (chor. Derek Deane)\, Don Quixote (chor. Aleksej Fadeechev)\, Swan Lake (R. Nureyev / P. Bart / R. Nuñez)\, Theme and Variations (chor. George Balanchine)\, In the Middle\, Somewhat Elevated (chor. William Forsythe)\, Serenade (chor. George Balanchine)\, A Thousand Tales (chor. Francesco Ventriglia)\, Don Quixote (R. Nureyev)\, Suite en Blanc (chor. Serge Lifar)\, Le Jeune Homme et la Mort (chor. Roland Petit)\, and Onegin (chor. John Cranko). \nHe has participated in numerous national and international galas\, performing pas de deux such as Diana and Acteon\, Swan Lake\, Pas d’Esclave\, Le Corsaire\, Raymonda\, The Talisman\, Don Quixote\, Scheherazade\, and Thaïs. \nThroughout his career\, he has danced alongside internationally renowned étoiles including Maria Eichwald\, Alicia Amatriain\, Maia Makhateli\, Ludmila Konovalova\, Maria Yakovleva\, and many others. \n\n\n\n\n\n\n\nFRANCESCA PEDRONI \n\n\n\n\n\n\n\nDance critic for the daily newspaper Il Manifesto and for the magazine Danza&Danza. For Classica HD (formerly Sky Classica\, channel 124)\, she has worked as author and director of the series Danza in Scena — over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. \nFor cinema\, she wrote and directed the docufilm Roberto Bolle. L’arte della danza\, produced by Classica and Artedanza srl. She also curated the DVD collection I capolavori della danza\, published by Classica HD and Corriere della Sera. \nSince 2000\, she has been teaching Dance History at the Accademia Teatro alla Scala\, where she also leads ballet talks for the theatre’s Under 30/35 subscribers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nSingle price: 6 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens half an hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \nCONTACTS FOR RESERVATIONS \nMobile e whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-journey-into-ballet-repertoire-teatro-san-carlo-di-napoli/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251015T200000
DTEND;TZID=Europe/Rome:20251015T213000
DTSTAMP:20260403T225910
CREATED:20250901T124328Z
LAST-MODIFIED:20251013T143556Z
UID:10004045-1760558400-1760563800@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto performs Notte Morricone by Marcos Morau at the International Dance Festival of Tirana\, directed by Angelin Preljocaj.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone takes place in the twilight of an ordinary night in the life of a creative mind\, who\, alone and dazed before his sheets of paper\, takes notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that arrives in waves to the spectator\, envelops them with emotional currents\, and captures them through the memory of timeless melodies that have long outlived the images that first generated them. Equally enchanting is the finely crafted\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more »
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-tirana-aterballetto/
LOCATION:National Theater of Opera and Ballet\, Pallati i Kulturës\, Sheshi Skënderbej\, Tirana\, Albania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251016T203000
DTEND;TZID=Europe/Rome:20251016T213000
DTSTAMP:20260403T225910
CREATED:20250904T144549Z
LAST-MODIFIED:20251016T094507Z
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SUMMARY:Stuporosa
DESCRIPTION:Francesco Marilungo’s Stuporosa is a whirling dance in which tarantism\, “possession\,” and funeral lament hypnotize the audience.\n \nThe Ubu Award for Best Dance Performance 2024 comes to Fonderia. Francesco Marilungo draws inspiration from popular funeral rituals\, tarantism\, and the dance of Saint Vitus to create Stuporosa\, an extraordinary collective work for five performers exploring the universality of grief and its healing. \n\n  \n  \nCredits \nDirection and Choreography: Francesco MarilungoWith: Vera Di Lecce\, Martina Di Prato\, Barbara Novati\, Roberta Racis\, Francesca Linnea Ugolini\, Music and Vocal Coaching: Vera Di LecceSet and Lighting Design: Gianni StaropoliCostumes: Lessico FamiliarePhotography and Video: Luca Del Pia \n  \nProduction: Körper | National Dance Production CentreCo-production: Fabbrica EuropaWith the support of IntercettAzioni – Centro di Residenza Artistica della LombardiaWith the support of Short Theatre Festival\, Fuori Programma Festival\, Teatro Akropolis & Dracma Teatro – Progetto CURA\, Did Studio\, Base Milano\, Qenhun \nDiscover more \nThus\, apparently without reason\, the five performers of Stuporosa weep\, giving life to a cry that takes on many shades: at times restrained\, at times stifled\, at times becoming music\, then flowing into hope\, then transforming into song\, echoing the sounds of an ancient Salentinian funeral lament.\n \nTheir bodies fragment in search of archaic\, distant forms that vanish and dissolve instantly. These forms are figures of pathos\, archetypal images of human suffering handed down over centuries and civilizations—images drawn from ancient funeral rites but universal in meaning\, for since the dawn of humanity\, suffering has always been endured in the same way. The five performers attempt to reclaim a sense of collectivity\, of rituality\, to create new forms of mutual support—whispering ancient magical formulas\, evoking traditional dances\, singing a Salentinian lullaby. \n \nIn Stuporosa\, as in ritual weeping\, one witnesses a stylization of pathos\, a de-hystericization of grief; and the performance itself seeks to be an invitation to reflect on mourning\, on the human need for a shared cultural institution\, a communal rite\, to overcome moments of individual crisis. \n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has collaborated with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own creative journey\, seeking a personal language between performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the NEXT 2017/2018 call in Lombardy. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stuporosa-marilungo-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251018T180000
DTEND;TZID=Europe/Rome:20251018T185000
DTSTAMP:20260403T225910
CREATED:20250904T144531Z
LAST-MODIFIED:20251016T094809Z
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SUMMARY:Ti vedo. La leggenda del Basilisco
DESCRIPTION:What if a fairy tale were told by an enormous dress of fabric?\n \nTi vedo. La leggenda del Basilisco \n \nby Teatro del Buratto is an immersive and poetic performance designed for children\, weaving together theatre\, myth\, and magic. Among witches\, spells\, and the dreaded King of Serpents\, children will be carried on an exciting journey where fear and courage meet. A little hero and a fearsome basilisk teach us that sometimes it is enough to look beyond appearances to discover that every creature holds the possibility of change. \n \nRecommended age: from 4 years \n \nCREDITS \nA project by: Emanuela Dall’AglioWith: Emanuela Dall’Aglio\, Riccardo PaltenghiDirection: Emanuela Dall’AglioSoundscapes and Lighting: Mirto BalianiConstructions: Emanuela Dall’Aglio\, Michele Columna\, Riccardo Paltenghi\, Caterina BertaAssistant Director: Beatrice Masala \n \nA co-production by: Teatro del Buratto\, CSS Teatro Stabile di Innovazione del Friuli Venezia Giulia \n \nRecommended age: from 4 yearsDuration: 50 minutes \nDiscover more \n\n“I see you\, all the creatures that men call monsters.\nMonstrous creatures? Monstrous?… Who are they\, really? They are those who cannot be saved\, who are of a form unsuited to this world. But what if\, for once\, they were the heroes—clumsy\, reckless\, involuntary saviors of themselves?”\nN. Haynes \n\n \nA dress-story that tells a myth.A great skirt that contains within itself all the elements of this tale. A mountain of red fabric in which a narrator recounts the story of a witch and her basilisk. \n \nHumankind has always needed to create and to fight monsters that embody evil and the flaws of the world\, and this performance begins with the act of creation—the magical rite that gives birth to a basilisk. \n \nBut now we must face the King of Serpents\, a creature unsuited to life among men\, with supernatural powers\, sowing terror\, and with a single gaze turning living beings into stone. Through the centuries\, countless legends have cast him as a terrible and deadly figure. Drawing on some of these\, our story begins with the arrival of the Basilisk in a peaceful village. His power breeds fear and dismay; the villagers\, not knowing how to banish him and powerless against his magic\, lock themselves in their homes in fear. \n \nBut is this creature truly a monster\, or is it simply unable to change its nature?Perhaps\, unaware of how to handle its power\, it is imprisoned by it.Only through the encounter and clash with a small\, unsuspecting hero—through his reckless courage and his gentleness—will the Basilisk be offered a way out: in this case\, a magical antidote\, a trick to ensure that no one dies—neither the monster nor the village. \n \nThrough knowledge\, courage\, encounter\, and even a touch of magic\, we find a new solution to an old legend. \nTeatro del Buratto \nFounded in 1975 in Milan\, Teatro del Buratto is a theatre production center that combines actor’s theatre\, puppet and animation theatre\, and black theatre\, with a strong focus on visual\, musical\, and scenographic research. Its productions\, aimed at children\, adolescents\, and adults\, range from reimagined classics to new dramaturgies\, often addressing contemporary social issues. \n \nActive both nationally and internationally\, Buratto is recognized by the Italian Ministry of Culture as a Theatre Production Centre and manages the Teatro Bruno Munari and Teatro Verdi in Milan. Beyond production\, it promotes residencies\, training\, workshops\, and festivals such as IF Festival and Segnali\, standing as a key reference point for visual and innovative theatre. \nInfo\, Tickets\, Workshop \nSATURDAY\, OCTOBER 18 – 4:30 pmFAMILY CONTACT \n \nWorkshop led by choreographer Laura Matano \n \nFamily Contact is a moment of sharing between children and parents\, exploring new worlds together. Through the body\, movement\, and physical contact\, participants create and build a new sense of harmonious connection. For children accompanied by one parent. \n \n(Includes ticket for the 6:00 pm performance) \n \nTICKETSSingle ticket: €6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONSPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ti-vedo-la-leggenda-del-basilisco/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251022T203000
DTEND;TZID=Europe/Rome:20251022T220000
DTSTAMP:20260403T225910
CREATED:20250901T124318Z
LAST-MODIFIED:20251014T074233Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Valli in Reggio Emilia for Festival Aperto.\n  \nThe dancers of CCN/Aterballetto take center stage in a production by multi-award-winning Canadian choreographer Crystal Pite\, now considered among the greats of contemporary dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and by Mark Strand’s poem Lines for Winter. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n  \nReconciliatio is a delicate female duet inspired by the reading of the Apocalypse\, created by one of today’s most important international choreographers\, Angelin Preljocaj. \n  \nThe final piece\, Glory Hall\, is a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n\nCREDITS \nSolo Echo\n  \nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and Restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \nGlory Hall\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-reggio-emilia-teatro-valli/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251029T203000
DTEND;TZID=Europe/Rome:20251029T213000
DTSTAMP:20260403T225910
CREATED:20250926T145956Z
LAST-MODIFIED:20251027T163437Z
UID:10004158-1761769800-1761773400@www.fndaterballetto.it
SUMMARY:Sogni (di una notte di mezza estate)
DESCRIPTION:The Natiscalzi DT Company debuts at Danza in Fonderia with its contemporary reinterpretation of Shakespeare’s A Midsummer Night’s Dream.\n \n\n\n\n\n\n\n\nAmid metamorphic bodies\, desire\, magic\, and fate\, dance becomes a language to explore Shakespeare’s timeless themes\, supported by Giuseppe Cordaro’s soundscape that weaves together electronic textures and fragments of Mendelssohn. A poetic and visionary journey that renews the dialogue with the classics\, revealing the ever-living power of their enchantment. \n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\nby Natiscalzi DTchoreography by Tommaso Monza and Claudia Rossi Valliwith Marco Bissoli\, Julia Canard\, Chiara Esposito\, Elena Grappi\, Federico Russo\, Maxime Schiavonoriginal music by Giuseppe Cordaro / Mendelssohntexts by Claudia Rossi Valli / William Shakespeare \nproduced by cinqueminuti APSwith the support of MIC – Italian Ministry of Culture and Regione Emilia-Romagna – Performing Arts Departmentspecial thanks to Vignale in Danza\, Festival Teatro nel Bicchiere\, and Teatro Sociale di Gualtieri \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nIn a forest that belongs to no time\, suspended in a limbo between dream and reality\, six dancers move in search of answers\, like pawns in a cosmic game seemingly governed by chance. \n\n\n\n\n\n\n\n \nThe performance is a contemporary reinterpretation of Shakespeare’s classic A Midsummer Night’s Dream\, where body and dance become the means to explore universal themes such as love and desire\, as well as magic and transformation — alongside the play of misunderstandings and the unpredictable hand of fate.\n \n\n\n\n\n\n\n\nThe six performers are fluid\, multifaceted\, and metamorphic figures who move between the roles of lovers\, woodland creatures\, and dreamlike alter egos\, challenging the conventions of identity and reality. The figure of Puck — guide of the dream world and symbol of chance — emerges through choral compositions that reclaim unpredictability as a space of possibility and transformation\, and the dream as both escape and refuge\, an ephemeral tool of assertion and rebellion. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThe visionary power of the dream is supported — as a well-established stylistic hallmark of the company — by the scenographic design and the soundscape specially created by composer Giuseppe Cordaro\, who combines electronic sonorities with fragments of Mendelssohn’s work. This interplay between classical and contemporary elements permeates the entire performance\, echoing the intricate web of Shakespearean relationships. \nOnce again\, Natiscalzi DT takes on the challenge of reinterpreting the classics\, as previously seen in The Nutcracker and Annotations for a Faust. This time\, the company breathes new life into Shakespeare’s timeless poetry\, guided by the deep conviction that the great works must be revisited with fresh eyes\, generation after generation — to connect authors\, performers\, and audiences in a journey of rediscovery of art itself\, reminding us that magic (in theatre and beyond) has not vanished: it is merely hidden\, waiting to be awakened. \n\n\n\n\n\n\n\n \n  \nCOMPAGNIA NATISCALZI DT \n\n\n\n\n\n\n\nNatiscalzi DT was founded through the collaboration between Tommaso Monza and Claudia Rossi Valli — dancers and choreographers united by a shared language that intertwines poetry\, irony\, and a keen gaze on life. Established in 2016\, the company represents a creative laboratory in constant evolution: blending dance\, theatre\, and performance art\, Natiscalzi DT explores universal themes through a poetic vision that is both profound and\, at times\, dreamlike. \nA prominent presence in the national dance-theatre and contemporary dance scene\, Natiscalzi DT has created works such as Mary’s Bath (Critics’ Award – Palio Poetico ErmoColle 2015\, Special Mention – Premio Sonia Bonacina 2016\, Finalist – Direction Under 30\, 7th edition 2020\, Honorable Mention – Teatro Festival Valtellina 2021); The Nutcracker (Winner – Lavanderia a Vapore Choreographic Residencies Call 2016 | Fondazione Piemonte dal Vivo\, selected by CID Cantieri OrienteOccidente 2017); DIVINO (Winner – Toscana Terra Accogliente 2022); Dreaming Costa Rica (supported in distribution by MIC / SIAE “Per Chi Crea” 2024); and COSA HAI IN TESTA? (Winner – Premio Scenario Infanzia 2024). \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\n\n\n\n\n\n\n \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \n  \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sogni-di-una-notte-di-mezza-estate/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251101T203000
DTEND;TZID=Europe/Rome:20251101T220000
DTSTAMP:20260403T225910
CREATED:20250901T124310Z
LAST-MODIFIED:20251014T075358Z
UID:10004049-1762029000-1762034400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:On November 1 and 2\, 2025\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Comunale di Ferrara for the Contemporary Dance Festival.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-14/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251102T160000
DTEND;TZID=Europe/Rome:20251102T173000
DTSTAMP:20260403T225910
CREATED:20251014T075806Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Il 1 e 2 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Ferrara per il Festival di Danza Contemporanea.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-ferrara-2-2/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251104T183000
DTEND;TZID=Europe/Rome:20251104T193000
DTSTAMP:20260403T225910
CREATED:20251017T145055Z
LAST-MODIFIED:20251020T085228Z
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SUMMARY:ITALIA DANZA - VISIONI DEL CORPO. MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nOn Tuesday\, November 4\, the CCN/Aterballetto will be at the Italian Cultural Institute in Paris with Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of Italy’s most renowned and controversial contemporary artists on the international stage. \nAt the heart of the evening are three of Cattelan’s works — irreverent\, provocative pieces that challenge both art and society through biting irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and silences of his art into physical gesture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVisioni del corpo. Maurizio Cattelan for the Italian Cultural Institute in Paris is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale (MAECI) and the CCN/Aterballetto. \n\n\n\n\n\n\n\n  \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\n  \nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/italia-danza-visioni-del-corpo-maurizio-cattelan/
LOCATION:Istituto Italiano di Cultura di Parigi\, 50\, rue de Varenne\, Parigi\, France
CATEGORIES:Aterballetto,Stagione 25/26
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251106T110000
DTEND;TZID=Europe/Rome:20251106T120000
DTSTAMP:20260403T225910
CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
UID:10004180-1762426800-1762430400@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251106T193000
DTEND;TZID=Europe/Rome:20251106T203000
DTSTAMP:20260403T225910
CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
UID:10004181-1762457400-1762461000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251107T203000
DTEND;TZID=Europe/Rome:20251107T214500
DTSTAMP:20260403T225910
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004182-1762547400-1762551900@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251108T183000
DTEND;TZID=Europe/Rome:20251108T194000
DTSTAMP:20260403T225910
CREATED:20251016T102626Z
LAST-MODIFIED:20251016T102626Z
UID:10004185-1762626600-1762630800@www.fndaterballetto.it
SUMMARY:Preludio / "O" / Alpha Grace
DESCRIPTION:  \nFrom November 8 to 12\, 2025\, Aterballetto embarks on its first tour in South Africa.\n\n\n\n\n\n\n\nThanks to the collaboration of the Embassy of Italy in Pretoria and the Italian Cultural Institute of Pretoria\, Aterballetto performs the triptych Dreamers in three South African cities. \n\n\n\n\n\n\n\nTOUR \n  \n\n\n\n\n\n\n\n\nSaturday\, November 8 – 6:30 p.m. – Johannesburg\, UJ Arts & Culture\nMonday\, November 10 – 6:00 p.m. – Stellenbosch\, The Adam Small Theatre\nWednesday\, November 12 – 6:30 p.m. – Pretoria\, The Fairtree Atterbury Theatre\n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\nThe triptych opens with Preludio by Italian choreographer Diego Tortelli\, who has been collaborating with the company since 2018: a love letter to the body for five dancers\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, whose unmistakable voice envelops the audience. \nAt the heart of the evening is the duet O by German choreographer Philippe Kratz\, former principal dancer with Aterballetto and now a sought-after creator for major international theatres. A small masterpiece of unstoppable rhythm\, it hypnotically draws the viewer in. \nThe evening concludes with the sextet Alpha Grace\, also by Philippe Kratz — a reflection on empathy\, “a gentle form of communication\,” as the choreographer says\, “between people who feel they stand on the same level.” \n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/preludio-o-alpha-grace/
LOCATION:UJ Arts & Culture\, University Road\, Johannesburg\, GP 2092\, South Africa
CATEGORIES:Alpha Grace,Aterballetto,O,Productions,Stagione 25/26,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/10/FND-Aterballetto-Alpha-Grace-ph.-Claudio-Montanari-81.jpg
END:VEVENT
END:VCALENDAR