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DTSTART;TZID=Europe/Rome:20251213T180000
DTEND;TZID=Europe/Rome:20251213T190000
DTSTAMP:20260404T010508
CREATED:20251119T155321Z
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SUMMARY:AiAiAi Pinocchio!
DESCRIPTION:A new Pinocchio for Danza in Fonderia | Anthologies. New Readings of the Body.\n \nInspired by Collodi’s famous tale\, AiAiAi Pinocchio! shifts the action into the contemporary world\, speaking the language of Generation Alpha\, a world shaped by the presence of artificial intelligence.Geppa is a tech-enthusiast passionate about digital creation\, attempting to generate a Pinocchio no longer made of wood\, but of pixels\, data\, and algorithms. Accompanying the two characters in this adventure are a talking Cricket\, a robot\, and FATA TURKINA\, the virtual assistant. \n \nA performance for children aged 5 and up \nCREDITS \nPROJECT WINNER OF THE BUGS CALL — MULTIDISCIPLINARY HABITATS FOR YOUTH THEATRE 2024 \n \nby Gruppo IbridoConcept\, creation\, and performance: Cinzia Pietribiasi and Davide TagliaviniImages\, video\, and sound: Gruppo Ibrido with Copilot\, Haiper AI\, EaseUs Voice Over AI GeneratorVideo assistant: Federica Neri \n \nProduction: Compagnia Artemis DanzaWith the support of the Italian Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Comune di ParmaWith the support of progetto BUGS\, Associazione Settimo Cielo / Periferie Artistiche\, Cooperativa Teatrale Prometeo – Passo Nord\, Giocateatro Torino / Fondazione Teatro Ragazzi e Giovani\, IntercettAzioni – Centro di Residenza Artistica della Lombardia / Circuito CLAPS\, KanterStrasse\, Officine Della Cultura\, Officine Papage\, Pilar Ternera\, Straligut Teatro\, Teatro fra le Generazioni / Giallo Mare Minimal Teatro\, Teatro Trieste 34Robot design and implementation: Fab-lab KATAPULT (Slovenia)\, Santa Chiara Lab – University of Siena \n \nDuration: 60 minutes\, no intermissionRecommended age: 5 and up \nGRUPPO IBRIDO \nGRUPPO IBRIDO was founded in 2021 by dancer Davide Tagliavini and director/digital artist Cinzia Pietribiasi. It is supported by Compagnia Artemis Danza\, which produces Pollicino Show\, their first work for young audiences\, finalist at IN-BOX Verde 2024/2025 and performed more than 45 times.In 2024\, Gruppo Ibrido won the BUGS – Multidisciplinary Habitats for Youth Theatre call with AiAiAi Pinocchio! and the CollaborAction Kids call promoted by Network Anticorpi XL with Walt e l’arte di volare. \n \nCinzia Pietribiasi (1979) teaches Multimedia Dramaturgy and Aesthetics of New Media at the Academy of Fine Arts in Palermo. She was a Junior Scientist for an art–science research project at the Academy of Fine Arts in Rome\, in collaboration with the National Institute for Nuclear Physics (INFN). After earning her Master’s degree in Cultural Heritage Conservation\, she graduated in New Art Technologies at the Brera Academy of Fine Arts in Milan.Her latest work\, Padre d’amore Padre di fango\, won the Stazioni d’emergenza 2023 call at Galleria Toledo in Naples\, the First Prize and the Critics’ Prize at the Rimini festival Le voci dell’Anima 2021\, and was selected for the Visionari call for Kilowatt Festival 2020 in Sansepolcro. As a member of Jan Voxel\, she won the Residenze Digitali 2021 call. She also performs with La Baracca – Teatro Testoni in Bologna. \n \nDavide Tagliavini (1990)\, dancer\, performer\, and choreographer\, has worked with Emma Dante\, Marina Abramović\, Luna Cenere\, Artemis Danza\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo\, and others. He choreographed L’elisir d’amore for the Teatro Regio di Parma and Tristano e Isotta for the Teatro Massimo di Palermo.He performs in Luna Cenere’s works Vanishing Place (selected for the Venice Biennale Danza) and Shoes On (selected for the NID Platform in Cagliari).He teaches in the OVER Limited program in collaboration with CCN/Aterballetto.In 2024\, he premiered his first authorial solo\, THAT’S ALL\, created for the Visavì Gorizia Dance Festival\, and selected by Danza Urbana XL 2025\, This Must Be The Space (FDE Festival Danza Estate and Festival MILANoLTRE)\, WAM! Festival\, and the Vetrina della giovane danza d’autore eXtra 2025 – Network Anticorpi XL. \nINFO & TICKETS \nTICKETSFor everyone: €6 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe Fonderia box office is open from 5:00 PM. \n \nTickets are unreserved. \n \n \nCONTACTS \n \n📞 Cell & WhatsApp: 334 1023554
URL:https://www.fndaterballetto.it/en/evento/aiaiai-pinocchio/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251214T170000
DTEND;TZID=Europe/Rome:20251214T174500
DTSTAMP:20260404T010508
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LAST-MODIFIED:20251017T084209Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada\, arrives at the Teatro Marenco in Novi Ligure.\n\n \n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-20/
LOCATION:Teatro Romualdo Marenco\, Via Nicolò Girardengo\, 48\, Novi Ligure\, AL\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251214T204500
DTEND;TZID=Europe/Rome:20251214T220000
DTSTAMP:20260404T010508
CREATED:20250901T124150Z
LAST-MODIFIED:20251212T133034Z
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SUMMARY:Solo Echo / Reconciliatio / An echo\, a wave / Rhapsody in blue
DESCRIPTION:Aterballetto opens the 2025–2026 dance season at the Teatro Comunale Città di Vicenza on Sunday\, December 14.\nCCN/Aterballetto performs a true concert in dance. Solo Echo by Crystal Pite\, set to Brahms’ sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj set to Beethoven’s Moonlight Sonata. In An echo\, a wave by Philippe Kratz\, the flowing movements of the two dancers recall the motion of the sea\, while Rhapsody in blue by Iratxe Ansa and Igor Bacovich is a playful\, lively choreography echoing Gershwin’s famous score. \n  \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-an-echo-a-wave-rhapsody-in-blue-vicenza/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251218T210000
DTEND;TZID=Europe/Rome:20251218T223000
DTSTAMP:20260404T010508
CREATED:20251119T122115Z
LAST-MODIFIED:20251119T122115Z
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto closes the 2025 season at the Teatro Magnani in Fidenza on Thursday\, 18 December.\nThe CCN/Aterballetto performs Dreamers\, a true dance concert.Preludio by Diego Tortelli is a creation for five dancers set to the unmistakable voice of Nick Cave.Reconciliatio\, by Angelin Preljocaj\, is a delicate female duet performed to Beethoven’s Moonlight Sonata.In An echo\, a wave by Philippe Kratz\, the dancers’ flowing movement recalls the motion of the sea.Finally\, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively\, playful choreography — just like Gershwin’s iconic composition — performed by all 16 Aterballetto dancers. \n\n\n\n\n\n\n\nhttps://youtu.be/SBq99Tyc-xQ \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-5/
LOCATION:Teatro Magnani\, Piazza Giuseppe Verdi\, 1\, Fidenza\, PR\, 43036\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,Stagione 25/26,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260103T203000
DTEND;TZID=Europe/Rome:20260103T220000
DTSTAMP:20260404T010508
CREATED:20250901T124143Z
LAST-MODIFIED:20251014T112628Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto’s first performance of 2026 is Notte Morricone by Marcos Morau at the Teatro delle Muse in Ancona.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-teatro-delle-muse-ancona/
LOCATION:Teatro delle Muse\, Piazza della Repubblica\, Ancona\, 60121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260107T110000
DTEND;TZID=Europe/Rome:20260107T130000
DTSTAMP:20260404T010508
CREATED:20251222T092741Z
LAST-MODIFIED:20251230T092549Z
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SUMMARY:Rhapsody in Blue | Italian Tricolour Flag Day Celebration
DESCRIPTION:CCN/Aterballetto celebrates the Italian Tricolour Flag at the Teatro Valli in Reggio Emilia\nOn Wednesday\, January 7\, 2026\, at the invitation of the Municipality of Reggio Emilia\, CCN/Aterballetto takes part in the celebrations of the Italian Tricolour Flag\, first adopted in Reggio Emilia in 1797. \nThe ceremony will take place at the Teatro Municipale Romolo Valli at approximately 11:00 AM. Speakers will include Marco Massari\, Mayor of Reggio Emilia; Giorgio Zanni\, President of the Province; and Michele De Pascale\, President of the Emilia-Romagna Region. \nThe ceremony will be followed by a lectio magistralis by Corrado Augias. CCN/Aterballetto will close the event with the choreography Rhapsody in Blue by Iratxe Ansa and Igor Bacovich. \n\n\n\n\n\n\n\n\nRead more\nhttps://www.youtube.com/watch?v=PkJ29Y8xAqQ \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-italian-tricolour-flag-day-celebration/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260109T210000
DTEND;TZID=Europe/Rome:20260109T220000
DTSTAMP:20260404T010508
CREATED:20251007T150813Z
LAST-MODIFIED:20251014T130406Z
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto performs Dreamers at the Teatro della Regina in Cattolica on Friday\, January 9\, 2026.\n\n\n\n\n\n\n\nThe CCN/Aterballetto presents an evening that traverses body\, soul\, and memory — four creations reflecting on intimacy\, human fragility\, and the strength of shared emotion. \nPreludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion\, embodying obsession\, dependency\, and desire in a hymn to the body and its constant transformation. \nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata — a work of quiet power and profound grace. \nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea\, a symbol of eternity and a space of encounters\, departures\, and returns — a poetic duet\, fluid as a wave flowing through time. \nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient\, sacred ability to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness\, into a harmony built on listening and shared emotion. \n\n\n\n\n\n\n\n© Festival de Granada | Fermín Rodríguez \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-2/
LOCATION:Teatro della Regina\, Piazza della Repubblica\, 28/29\, Cattolica\, RN\, Italy
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260117T180000
DTEND;TZID=Europe/Rome:20260117T190000
DTSTAMP:20260404T010508
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SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260117T210000
DTEND;TZID=Europe/Rome:20260117T220000
DTSTAMP:20260404T010508
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto performs Dreamers at the Teatro del Popolo in Concordia sulla Secchia (MO) on Saturday\, January 17\, 2026.\nThe National Choreographic Centre Aterballetto presents an evening that traverses body\, soul\, and memory — four creations reflecting on intimacy\, human fragility\, and the strength of shared emotion. \nPreludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion\, embodying obsession\, dependence\, and desire in a hymn to the body and its constant transformation. \nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata\, a piece of subtle power and poetic grace. \nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea — a symbol of eternity and a place of encounters\, departures\, and returns. It is a poetic duet\, fluid and timeless like the waves themselves. \nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient\, sacred capacity to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness\, into a harmony built on listening and shared emotion. \n© Festival de Granada | Fermín Rodríguez \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-3/
LOCATION:Teatro del Popolo\, via della Pace\, 108\, Concordia sul Secchia\, MO\, Italy
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260118T173000
DTEND;TZID=Europe/Rome:20260118T181500
DTSTAMP:20260404T010508
CREATED:20251222T142959Z
LAST-MODIFIED:20251230T090759Z
UID:10004265-1768757400-1768760100@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Moruzzi in Noceto\, near Parma.\n\n \n\n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998)—a master not only of images but also of words—lies at the heart of this new creation by the Fondazione Nazionale della Danza / Aterballetto for children and young audiences\, where a dancer and an actor play with his language. \nThe almost magical vibrations that spring from Scialoja’s poems are like the endless ripples that form on the surface of water when a stone is thrown: evokers of unreal or hyper-real images\, bearers of a musicality that blends poetry and nursery rhyme\, allowing the extraordinary and the frightening to meet. \nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of peacock-hued rosesIt’s the toad’s turn to rinse the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \n\n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and props: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-22/
LOCATION:Teatro Moruzzi\, Via Boni e Gavazzi\, 1\, Noceto\, PR\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260118T180000
DTEND;TZID=Europe/Rome:20260118T190000
DTSTAMP:20260404T010508
CREATED:20251222T110429Z
LAST-MODIFIED:20260112T180655Z
UID:10004270-1768759200-1768762800@www.fndaterballetto.it
SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-18/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260120T180000
DTEND;TZID=Europe/Rome:20260120T190000
DTSTAMP:20260404T010508
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LAST-MODIFIED:20260113T092456Z
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SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-20/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260121T203000
DTEND;TZID=Europe/Rome:20260121T213000
DTSTAMP:20260404T010508
CREATED:20251222T113708Z
LAST-MODIFIED:20260113T092456Z
UID:10004272-1769027400-1769031000@www.fndaterballetto.it
SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260123T210000
DTEND;TZID=Europe/Rome:20260123T223000
DTSTAMP:20260404T010508
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-23/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260124T180000
DTEND;TZID=Europe/Rome:20260124T193000
DTSTAMP:20260404T010508
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
UID:10004247-1769277600-1769283000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-24/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260125T150000
DTEND;TZID=Europe/Rome:20260125T160000
DTSTAMP:20260404T010508
CREATED:20251222T102618Z
LAST-MODIFIED:20260107T162202Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda arrives at Palazzo Bentivoglio in Gualtieri.\n \nSunday\, January 25\, 20263:00 PM and 5:00 PM \n \nThe Fondazione Museo Antonio Ligabue has a dream: to transform the Salone dei Giganti of Palazzo Bentivoglio into a living theatre. More than that\, it envisions the frescoes depicting scenes from Gerusalemme liberata by Torquato Tasso coming to life through the dance of Il Combattimento di Tancredi e Clorinda\, curated by the Centro Coreografico Nazionale / Aterballetto. \n \nThis is not just a performance. It is a one-of-a-kind site-specific event. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.Myth will become flesh\, breath\, and movement. \nWould you like to help make this ambitious dream a reality and become part of the myth?\n \n\n\n\n\n\n\n\n\nJoin the crowdfunding campaign here! \n\n\n\n\n\n\n\n\n  \nhttps://youtu.be/mjZQdcn1fgc \n\n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death\, inspired by the story of Tancredi and Clorinda as told by Torquato Tasso in Gerusalemme Liberata (whose 450th anniversary of its first draft falls in 2025) and set to music by Claudio Monteverdi (1624)\, retains a striking relevance today. \nThe CCN/Aterballetto interprets this legacy through dance—its privileged language for conveying the work’s intensity and dramatic power—in a performance created by Fabio Cherstich and Philippe Kratz\, performed by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \nThe performance is preceded and followed by talks by Antonio Audino\, theatre critic and journalist for Radio Rai 3\, who\, with his characteristic clarity\, will cast a contemporary light on what are considered “sacred texts” of Italy’s cultural heritage. \n\n\n\n\n\n\n\n\n  \nCREDITS \n\n\n\n\n\n\n\n\n\nDirection and visuals: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger (tenor): Matteo StraffiHarpsichord: Deniel Perer \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, GhislieriMusica – Centro di Musica Antica \nPremiered in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within cultural institutions and heritage sites\, promoted by the Directorate General for Museums and co-funded by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria—and in particular the National Archaeological Museum and Roman Theatre of Spoleto—established\, with the support of the Directorate General for Museums\, a partnership shared with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Castello Svevo in Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa.Castel Sant’Angelo in Rome later joined the project\, hosting the initiative as part of the summer program Sotto l’angelo di Castello 2024. \n\n\n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating an humanity struggling against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, forced to fight and to enact a story that has already been written. \nA single voice brings three characters to life: the text itself\, Tancredi\, and Clorinda merge into the body and sound of a single singer. This estranged sound\, constrained within a circular path\, creates a sense of constant repetition\, underscoring the endless cycle of this story of love and death—tragically destined to repeat itself through the centuries and reach us today with all its force\, as an emanation of the poetic power of Tasso’s words and the sublime music of Monteverdi. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\n\nIn Tasso’s narrative\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances. \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and alone—appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another\, confronting one another\, and wounding one another. The dynamic is that of a warlike\, conflictual ritual between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other\, in any case\, has not won… a deep\, shared wound that remains on both bodies. \nSo are these two people fighting each other\, or is it perhaps one person struggling with themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-14/2026-01-25/1/
LOCATION:Palazzo Bentivoglio\, Piazza Bentivoglio\, 32\, Gualtieri\, RE\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260125T160000
DTEND;TZID=Europe/Rome:20260125T173000
DTSTAMP:20260404T010508
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
UID:10004248-1769356800-1769362200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-25/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260125T170000
DTEND;TZID=Europe/Rome:20260125T180000
DTSTAMP:20260404T010508
CREATED:20251222T102618Z
LAST-MODIFIED:20260107T162202Z
UID:10004267-1769360400-1769364000@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda arrives at Palazzo Bentivoglio in Gualtieri.\n \nSunday\, January 25\, 20263:00 PM and 5:00 PM \n \nThe Fondazione Museo Antonio Ligabue has a dream: to transform the Salone dei Giganti of Palazzo Bentivoglio into a living theatre. More than that\, it envisions the frescoes depicting scenes from Gerusalemme liberata by Torquato Tasso coming to life through the dance of Il Combattimento di Tancredi e Clorinda\, curated by the Centro Coreografico Nazionale / Aterballetto. \n \nThis is not just a performance. It is a one-of-a-kind site-specific event. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.Myth will become flesh\, breath\, and movement. \nWould you like to help make this ambitious dream a reality and become part of the myth?\n \n\n\n\n\n\n\n\n\nJoin the crowdfunding campaign here! \n\n\n\n\n\n\n\n\n  \nhttps://youtu.be/mjZQdcn1fgc \n\n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death\, inspired by the story of Tancredi and Clorinda as told by Torquato Tasso in Gerusalemme Liberata (whose 450th anniversary of its first draft falls in 2025) and set to music by Claudio Monteverdi (1624)\, retains a striking relevance today. \nThe CCN/Aterballetto interprets this legacy through dance—its privileged language for conveying the work’s intensity and dramatic power—in a performance created by Fabio Cherstich and Philippe Kratz\, performed by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \nThe performance is preceded and followed by talks by Antonio Audino\, theatre critic and journalist for Radio Rai 3\, who\, with his characteristic clarity\, will cast a contemporary light on what are considered “sacred texts” of Italy’s cultural heritage. \n\n\n\n\n\n\n\n\n  \nCREDITS \n\n\n\n\n\n\n\n\n\nDirection and visuals: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger (tenor): Matteo StraffiHarpsichord: Deniel Perer \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, GhislieriMusica – Centro di Musica Antica \nPremiered in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within cultural institutions and heritage sites\, promoted by the Directorate General for Museums and co-funded by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria—and in particular the National Archaeological Museum and Roman Theatre of Spoleto—established\, with the support of the Directorate General for Museums\, a partnership shared with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Castello Svevo in Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa.Castel Sant’Angelo in Rome later joined the project\, hosting the initiative as part of the summer program Sotto l’angelo di Castello 2024. \n\n\n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating an humanity struggling against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, forced to fight and to enact a story that has already been written. \nA single voice brings three characters to life: the text itself\, Tancredi\, and Clorinda merge into the body and sound of a single singer. This estranged sound\, constrained within a circular path\, creates a sense of constant repetition\, underscoring the endless cycle of this story of love and death—tragically destined to repeat itself through the centuries and reach us today with all its force\, as an emanation of the poetic power of Tasso’s words and the sublime music of Monteverdi. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\n\nIn Tasso’s narrative\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances. \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and alone—appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another\, confronting one another\, and wounding one another. The dynamic is that of a warlike\, conflictual ritual between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other\, in any case\, has not won… a deep\, shared wound that remains on both bodies. \nSo are these two people fighting each other\, or is it perhaps one person struggling with themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-14/2026-01-25/2/
LOCATION:Palazzo Bentivoglio\, Piazza Bentivoglio\, 32\, Gualtieri\, RE\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/04/Il-Combattimento-di-Tancredi-e-Clorinda_Foto-di-Paolo-Porto-14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260128T193000
DTEND;TZID=Europe/Rome:20260128T210000
DTSTAMP:20260404T010508
CREATED:20250901T124113Z
LAST-MODIFIED:20251014T131715Z
UID:10004068-1769628600-1769634000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:On January 28 and 29\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at Theater Gütersloh in Germany.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-17/
LOCATION:Theater Gütersloh\, Barkeystraße 15\, Gütersloh\, 33330\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260129T193000
DTEND;TZID=Europe/Rome:20260129T210000
DTSTAMP:20260404T010508
CREATED:20250901T124105Z
LAST-MODIFIED:20251016T153952Z
UID:10004067-1769715000-1769720400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Il 28 e 29 gennaio 2026\, Aterballetto danza Notte Morricone di Marcos Morau al Theater Gütersloh in Germania.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-gutersloh-2/
LOCATION:Theater Gütersloh\, Barkeystraße 15\, Gütersloh\, 33330\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260206T193000
DTEND;TZID=Europe/Rome:20260206T210000
DTSTAMP:20260404T010508
CREATED:20250901T112135Z
LAST-MODIFIED:20251014T134724Z
UID:10004071-1770406200-1770411600@www.fndaterballetto.it
SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto performs in Canada as part of the Dance at the Royal Series by Dance Victoria on February 6 and 7\, 2026.\nOn stage: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, a lively and playful choreography echoing Gershwin’s famous score. This is followed by Crystal Pite’s Solo Echo\, which\, through Brahms’ sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. The final piece\, Glory Hall\, is a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-canada-victoria/
LOCATION:Royal Theatre\, 805 Broughton Street\, Victoria\, Canada
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260206T210000
DTEND;TZID=Europe/Rome:20260206T220000
DTSTAMP:20260404T010508
CREATED:20260119T184347Z
LAST-MODIFIED:20260120T145852Z
UID:10004277-1770411600-1770415200@www.fndaterballetto.it
SUMMARY:Impromptus. Arias\, dances\, and improvisations
DESCRIPTION:IMPROMPTUS\nArias\, dances\, and improvisations \n\n\n\n\n\n\n\n\nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni collaborate once again to bring to life a project where dance and music meet\, intertwine\, and transform into original performances. The aim is to create a creative space in which choreographers and musicians work side by side\, shaping works that arise from improvisation and mutual inspiration. \nThe project’s goal is to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (15–20 minutes) that express the intensity of this encounter. \nFriday\, February 6\, 9:00 PMArtificerie Almagià\, Ravenna \nSimone Zanchini – accordionMatilde Di Ciolo and Matteo Capetola – dancers \n\n\n\n\n\n\n\n\n  \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/impromptus-arias-dances-and-improvisations/
LOCATION:Artificerie Almagià\, via dell’Almagià\, 50\, Ravenna\, Italy
CATEGORIES:Aterballetto,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260207T193000
DTEND;TZID=Europe/Rome:20260207T210000
DTSTAMP:20260404T010508
CREATED:20250901T112111Z
LAST-MODIFIED:20250908T154229Z
UID:10004070-1770492600-1770498000@www.fndaterballetto.it
SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto danza in Canada all’interno del Dance at the Royal Series di Dance Victoria il 6 e 7 febbraio 2026.\nIn scena Rhapsody in blue di Iratxe Ansa e Igor Bacovich\, coreografia divertente\, vivace\, come l’omonimo brano di Gershwin. A seguire Solo Echo di Crystal Pite che\, attraverso le sonate per pianoforte e violoncello di Brahms\, invoca l’inverno per esprimere qualcosa di essenziale sull’accettazione e la perdita. L’ultima coreografia Glory Hall è la nuova produzione firmata da Diego Tortelli\, che regala alla compagnia e al pubblico un affresco di sensualità e travolgente vitalità.
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-canada-victoria-2/2026-02-07/
LOCATION:Royal Theatre\, 805 Broughton Street\, Victoria\, Canada
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260207T203000
DTEND;TZID=Europe/Rome:20260207T213000
DTSTAMP:20260404T010508
CREATED:20260119T183430Z
LAST-MODIFIED:20260120T150031Z
UID:10004278-1770496200-1770499800@www.fndaterballetto.it
SUMMARY:Impromptus. Arias\, dances\, and improvisations
DESCRIPTION:IMPROMPTUS\nArias\, dances\, and improvisations \n\n\n\n\n\n\n\n\nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni once again collaborate to bring to life a project in which dance and music meet\, intertwine\, and transform into original performances. The aim is to create a creative space where choreographers and musicians work side by side\, shaping works born from improvisation and mutual inspiration. \nThe project seeks to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (15–20 minutes) that express the intensity of this encounter. \nSaturday\, February 7 – 8:30 PMFonderia\, Reggio Emilia \nSimone Zanchini – accordionMatilde Di Ciolo and Matteo Capetola – dancers \nFrom 7:30 PM\, aperitif curated by Mercato del Tricolore / Campagna Amica \n\n\n\n\n\n\n\n\nhttps://www.youtube.com/watch?v=eJX-lPCGkvY&list=RDeJX-lPCGkvY&start_radio=1 \nhttps://www.youtube.com/watch?v=9imfew2wUh4 \nInfo & Tickets \nTICKETS \n \n€10 \n \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia box office: the box office opens one hour before the start of the performance(Via della Costituzione 39\, Reggio Emilia). \n \nTickets are not numbered. \n \n \nBOOKING CONTACTS \n \nMobile & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/impromptus-arias-dances-and-improvisations-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,Stagione 25/26,stagione gennaio-giugno 2026
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260211T193000
DTEND;TZID=Europe/Rome:20260211T210000
DTSTAMP:20260404T010508
CREATED:20250901T112103Z
LAST-MODIFIED:20251014T134904Z
UID:10004074-1770838200-1770843600@www.fndaterballetto.it
SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto performs at Stanford\, California\, on February 11 and 12\, 2026.\nOn stage: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, a playful\, vibrant choreography echoing Gershwin’s iconic score. This is followed by Crystal Pite’s Solo Echo\, which\, through Brahms’ sonatas for piano and cello\, summons winter to express something essential about acceptance and loss. The evening concludes with Glory Hall\, a new creation by Diego Tortelli\, offering both the company and the audience a fresco of sensuality and overwhelming vitality. \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-2/
LOCATION:Memorial Auditorium\, 551 Jane Stanford Way\, Stanford\, CA\, 94305\, United States
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260212T180000
DTEND;TZID=Europe/Rome:20260212T190000
DTSTAMP:20260404T010508
CREATED:20260123T115955Z
LAST-MODIFIED:20260216T082935Z
UID:10004280-1770919200-1770922800@www.fndaterballetto.it
SUMMARY:BOW
DESCRIPTION:BOW – open rehearsal \n\n\n\n\n\n\n\n\nFor the first time\, Gaetano Palermo and Michele Petrosino are guests of the Danza in Fonderia programme.\nAudiences will have the opportunity to attend the work in progress of BOW\, a new choreographic project that investigates the act of bowing as a gesture shaped and traversed by time. \nFar from being a form of praise\, BOW explores the bow as an ambiguous and layered bodily gesture which\, throughout history\, has taken on strong social\, political\, and cultural meanings. Suspended between a turning inward and an opening toward the other\, the gesture becomes a site of tension between recognition and submission\, intimacy and public representation. \nThrough the performers’ bodies\, BOW reactivates the memory of this gesture in the present\, making visible the temporal dynamics that continue to inhabit our bodies today. \n\n\n\n\n\n\n\n\n \n \nCREDITS \n\n\n\n\n\n\n\n\na performance by Gaetano Palermo\, Michele Petrosinosound design: Luca Galliolighting design: to be defined \nproduction: KLmwith the support of SIAE – Per Chi Creawith the support of SupportER – Rete Anticorpi Emilia-Romagna \nSupported by MiC and SIAE\, in the framework of the programme “Per Chi Crea” \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\nBow is a choreographic project centred on the act of bowing or reverence (in English bow)\, a gesture typical of theatrical and religious contexts and also widespread—though in different forms and modes—within social practices of greeting\, recognition\, and consent. Through a form of writing embodied in the performers’ bodies\, the project aims to develop an analysis of the tensions and ambiguities inherent in this gesture\, retracing its history through a catalogue of its variations in order to grasp its sociopolitical and psychological implications. \nAt once a folding inward toward the self and an opening toward the other\, the practice of bowing or reverence is a sign of acknowledging a presence perceived as possessing vital\, worldly\, or divine power. This recognition—of which the bow is the bodily manifestation—corresponds to a human disposition of dependence\, obligation\, service\, or prayer\, oriented toward transcending a limit or obtaining a gift\, a grace. Situated on the threshold between subjective intimacy and public representation\, this gesture takes on different meanings depending on the degree of bending\, ranging from a simple inclination of the head to kneeling or complete prostration. Abnegation and salvation\, servility and power coexist within a physical tension that finds in the bow its fragile yet potent measure. \n\n\n\n\n\n\n\n\nPALERMO / PETROSINO \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPalermo/Petrosino is a duo formed by Gaetano Palermo and Michele Petrosino\, working at the intersection of contemporary dance and visual arts. Their research investigates the ontology of movement—from stillness to transformation—with a strong focus on perceptual devices and on the relationship between body\, image\, and gaze. Their work has been supported and presented by institutions and festivals such as La Biennale di Venezia\, Triennale Milano\, MAMbo Bologna\, Fondazione I Teatri di Reggio Emilia\, Teatro Regio di Parma\, Santarcangelo Festival\, and Kilowatt Festival. In 2025\, they won the SIAE – Per Chi Crea grant with BOW. \nGaetano Palermo\, whose background spans philosophy\, performing arts\, and visual arts (University of Bologna\, IUAV Venice\, Academy of Kassel)\, has worked with artists including Bruce Nauman\, Romeo Castellucci\, Chiara Guidi\, Claudia Castellucci\, and Tamara Cubas. He has presented his work at the Venice Biennale and in national and international festivals and contexts. \nMichele Petrosino\, an artist and performer with training in theatre\, dance\, and literary studies (University of Bologna)\, has collaborated with Kinkaleri\, Nico Vascellari\, and Bruce Nauman\, and was a performer in Bros by Romeo Castellucci (2021–2023). Together with Palermo\, he is the author of Still\, winner of the CosmoGiani Award 2024. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS€3 for everyone / free admission for children under 6 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe Fonderia box office opens one hour before the start of the performance. \nSeats are not numbered. \nCONTACTS \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/bow/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260212T193000
DTEND;TZID=Europe/Rome:20260212T210000
DTSTAMP:20260404T010508
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SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto danza a Stanford in California l’11 e 12 febbraio 2026.\nIn scena Rhapsody in blue di Iratxe Ansa e Igor Bacovich\, coreografia divertente\, vivace\, come l’omonimo brano di Gershwin. A seguire Solo Echo di Crystal Pite che\, attraverso le sonate per pianoforte e violoncello di Brahms\, invoca l’inverno per esprimere qualcosa di essenziale sull’accettazione e la perdita. L’ultima coreografia Glory Hall è la nuova produzione firmata da Diego Tortelli\, che regala alla compagnia e al pubblico un affresco di sensualità e travolgente vitalità.
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall/2026-02-12/
LOCATION:Memorial Auditorium\, 551 Jane Stanford Way\, Stanford\, CA\, 94305\, United States
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260223T180000
DTEND;TZID=Europe/Rome:20260223T190000
DTSTAMP:20260404T010508
CREATED:20260130T183113Z
LAST-MODIFIED:20260203T135504Z
UID:10004311-1771869600-1771873200@www.fndaterballetto.it
SUMMARY:Macbeth study
DESCRIPTION:Macbeth study – open rehearsal \nDanza in Fonderia opens its doors to an open rehearsal of Macbeth Study\, a new work by Monica Casadei with her company Compagnia Artemis Danza.\n \n\n\n\n\n\n\n\n\nAn immersion into the creative process that reinterprets William Shakespeare’s masterpiece through the body\, rhythm\, and the tension of inner time. Ambition\, power\, and destiny take shape in an intense\, visceral choreographic writing\, where movement becomes a space of conflict and transformation. A unique opportunity to witness the birth of a creation up close and the living dialogue between dance and dramaturgy. \n\n\n\n\n\n\n\n\n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOriginally from Ferrara and graduating summa cum laude with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance—first in Italy\, then in London\, and finally in Paris. There she met choreographers Pierre Doussaint and Isabelle Doubouloz\, as well as master André Cognard Hanshi So Shihan\, with whom she still practices the martial art of Aikido.In France she founded Compagnia Artemis Danza\, relocating to Italy in 1997 and initiating an intense production activity that to date includes over forty original creations. From 1998 to 2007\, the company was artist-in-residence at Fondazione Teatro Due\, and since 2014 it has held an artistic residency at the Teatro Comunale di Bologna. Artemis Danza has been invited to perform in major Italian theatres and festivals\, as well as on numerous international tours and festival circuits. \nCentral to Monica Casadei’s artistic research are cross-pollination with different artistic\, cultural\, and geographical contexts\, alongside the exploration of urban spaces that become stages for performative actions. \nAlongside its production activity\, Artemis Danza supports\, produces\, and promotes emerging artists and develops a wide range of audience development and educational initiatives. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS€3 for all / free admission for children under 6 \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe on-site box office at Fonderia opens one hour before the start of the performance. \n \nTickets are unnumbered. \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/macbeth-study/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio-giugno 2026
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260226T203000
DTEND;TZID=Europe/Rome:20260226T213000
DTSTAMP:20260404T010508
CREATED:20260202T104028Z
LAST-MODIFIED:20260203T140052Z
UID:10004312-1772137800-1772141400@www.fndaterballetto.it
SUMMARY:Made in Italy 37.0
DESCRIPTION:The young talents of Agora Coaching Project take the stage at Danza in Fonderia.\n  \n\n\n\n\n\n\n\n\nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training programme promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza\, under the artistic direction of Michele Merola and Enrico Morelli. Launched in 2010\, the programme has gained full recognition within the European dance scene and boasts collaborations with internationally renowned teachers and choreographers. \nFor this new Made in Italy evening\, Agora Coaching Project brings to the stage at Fonderia choreographies by Roberto Tedesco\, formerly a dancer with Aterballetto and for several years now one of the most compelling emerging choreographic voices on the Italian scene. \n\n\n\n\n\n\n\n\n  \nAGORA COACHING PROJECT \n\n\n\n\n\n\n\n\nAgora Coaching Project is a year-long advanced dance training programme based in Reggio Emilia\, aimed at dancers aged between 18 and 22. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and the Centro Permanente Danza. \nThe project aims to train artists who are ready to face the diversity of the international dance market with flexibility—artists capable of responding to a wide range of technical and stylistic demands emerging from today’s professional context. Agora offers a broad spectrum of stimuli\, encompassing technical training\, cultural enrichment\, and opportunities for exchange between students and choreographers\, each of whom comes from and operates within some of the most dynamic and interesting realities of the international dance scene. \nThrough encounters with established choreographers of different stylistic orientations\, Agora exposes young dancers to a plurality of artistic visions. Over the years\, the project has welcomed many distinguished names. Alongside Michele Merola and Enrico Morelli\, a number of highly experienced and qualified teachers collaborate in the realisation of the programme\, each bringing recognised expertise within the field. \n\n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \n\n\n\n\n\n\n\n\nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n\n\n\n\n\n\n\n\n \nINFO AND TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-37-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260301T180000
DTEND;TZID=Europe/Rome:20260301T190000
DTSTAMP:20260404T010508
CREATED:20260202T140332Z
LAST-MODIFIED:20260225T105541Z
UID:10004313-1772388000-1772391600@www.fndaterballetto.it
SUMMARY:Body Sweats
DESCRIPTION:Girls just wanna have… PLEASURE \nGiorgia Lolli’s open rehearsal kicks off Dance Week\, celebrating female creativity.\n \n\n\n\n\n\n\n\n\nCan pleasure be a driving force in creation? Giorgia Lolli’s new project is a tribute to Elsa von Freytag-Loringhoven\, a feminist artist and the “mother” of Dadaism. \n\n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\n\nBy Giorgia LolliWith Vittoria Caneva\, Elena Grappi\, Maria Chiara Vitti\, Giorgia LolliCostumes Eva-Liis Lidenburg\, Sara Lando (tiger)Sound Sebastian KurténDramaturgy Piero Ramella \nProduction: Nexus Factorywith the contribution of the Ministero della Cultura\, Regione Emilia-Romagna\, Comune di Bologna \nwith the support of supportER – Rete Anticorpi Emilia-Romagna\, Nouveau Grand Tour 2024 (Istituto Italiano di Cultura di Parigi and Le Gymnase CNDC)\, Ira Institute\, Operaestate / CSC Centro di Residenza del Veneto – Vene.Re\, Piemonte dal Vivo within the Residenze Coreografiche Lavanderie a Vapore project\, I Teatri di Reggio Emilia\, Dance Gallery Perugia (HOME 2025)\, City of Espoo Culture Committee\, Graner (Barcelona) \nwithin LANDING\, a project supported by the Ministero degli Affari Esteri e della Cooperazione Internazionale and produced by Santarcangelo Festival\, in collaboration with and supported by the Istituto Italiano di Cultura di Oslo \nartistic residency presented within the R.O.M. – Residencies On the Move network for the Reykjavik Dance Festival\, by invitation of Santarcangelo Festival\, in partnership with La Balsamine (Belgium)\, le joli collectif – Théâtre l’Aire Libre (France)\, Théâtre Prospero and Théâtre Periscope (Canada) \nthe R.O.M. network is supported by the European Union through the Creative Europe programme\, the Conseil des arts de Montréal\, and the Conseil des arts et des lettres du Québec. \n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBODY SWEATS is a tribute to Baroness Elsa von Freytag-Loringhoven (1874–1927)\, poet and avant-garde artist\, pioneer of the Dada movement. The title is drawn from her collection of poems of the same name—an erotic and proto-punk manifesto. \nDance\, lecture performance\, poetry reading\, workout: sweat becomes a pathway to explore the intertwining of effort and pleasure\, the binding force of a heterogeneous collage of danced and textual materials. Love letters between friends and lovers. Waterless gymnastics in tiger-print leotards. A poem for the Baroness. A split dedicated to her. Dada(umpa). \n\n\n\n\n\n\n\n\n \n\nMy interest in her writings—bold and long overlooked—stems from their ability to weave subtexts into her poetry\, particularly around female eroticism. A proto-punk\, neurotic\, kleptomaniac\, and man-hunter\, the Baroness left behind a legacy that paved the way for the eccentric divas of the 21st century (from Courtney Love to Lady Gaga). \nBorrowing the title of her only poetry collection\, BODY SWEATS\, I imagine a choreography that seeps from bodily materiality. From this perspective\, sweat becomes both a trace and a stimulus for investigating the interweaving of effort\, pleasure\, and empowerment. The project explores our relationship with systems of discipline—especially rich in subtext when viewed through the backgrounds of dancers\, ranging from ballet to aqua gym and fitness culture. In the studio\, the work revisits these familiar movement languages from a feminist “I\,” reflecting on how their meaning can be rewritten through practice itself. \n\n \nGiorgia Lolli \n\n\n\n\n\n\n\n\nGIORGIA LOLLI \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGiorgia Lolli (Reggio Emilia\, 1996) earned a Master’s degree in Choreography from University of the Arts Helsinki (Uniarts) in 2025 and\, over the past three years\, has worked between Italy and Finland. Since 2022\, she has been teaching Dance Well – Movement Research for Parkinson’s within the European project coordinated by Operaestate. \nHer choreographic work has been presented on several national and international platforms\, including Anghiari Dance Hub (2020)\, Vetrina della Giovane Danza d’Autore (2021)\, SIAE Per Chi Crea (2023)\, Nuovo Forno del Pane (2023)\, and MAMbo – Museo di Arte Moderna di Bologna. \nWith EAT ME\, winner of DNAppunti Coreografici\, she made her debut at the Romaeuropa Festival in 2024. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS€3 for all / free admission for children under 6 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/body-sweats/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio-giugno 2026
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