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DTSTART;TZID=Europe/Rome:20231118T180000
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DTSTAMP:20260403T230924
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SUMMARY:Esercizi di fantastica
DESCRIPTION:Sosta Palmizi – Esercizi di Fantastica – ph. Vincenzo Siniscalco \nSpettacolo perfetto per ogni età – per la complessità\, la raffinatezza delle azioni in un crescendo gioioso – ben si comprende come abbia potuto meritare il Premio della giuria e del pubblico Vimercate Ragazzi Festival 2021. Valeria Ottolenghi\, Gazzetta di Parma \nEsercizi di Fantastica\, produzione Sosta Palmizi\, si ispira ai racconti di Gianni Rodari ed è un’occasione imperdibile per portare i bambini e le bambine dai 4 anni in su a teatro. \n\nCredits \nFrom an idea by Giorgio Rossi\nA creation by Elisa Canessa\, Federico Dimitri\, Francesco Manenti\, Giorgio Rossi\nPerformers Elisa Canessa\, Federico Dimitri e Francesco Manenti\nScenographies Francesco Givone\, Francesco Manenti\, Francesca Lombardi\nCostumes Beatrice Giannini\, Francesca Lombardi\nIllustrations Francesco Manenti\nLighting design Elena Tedde \nProduction Associazione Sosta Palmizi\nWith the contribution of  MiBACT\, Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo; Regione Toscana/Sistema Regionale dello Spettacolo\nWith the support of Armunia (Rosignano LI)\, Wintergarten – Atelier di Teatro Permanente (Livorno)\, Comune di Castiglion Fiorentino (Ar)\nThanks to Spazio Nunc\, Elena Giacomin \nEsercizi di fantastica \nA grey house. Three grey characters. Bored\, dull and clouded by the technological means\, they move like prisoners of a predetermined mechanism\, their gaze is always turned to the screens. But here comes an unexpected element! A butterfly will move their look elsewhere and the house will become the theatre of new adventures and transformations. A crescendo of emotions and vicissitudes in which the three protagonists will finally rediscover the power of fantasy\, in a continuous game to free their bodies and minds. \nSosta Palmizi – Esercizi di fantastica \n\nEsercizi di Fantastica tells\, with the language of dance and movement\, the power of imagination that transforms things and people into something always unexpected and extraordinary. The authors were inspired by the idea of “Fantastica” by the writer Gianni Rodari\, whose 100th anniversary is celebrated in 2020. Close to the surrealism of the 50s and inspired by the work of Alfred Jarry and his pataphysics (the science of imaginary solutions)\, Rodari affirmed the existence of a Fantastica in total contrast to Logic. \nSosta Palmizi – Esercizi di fantastica  \nThe AuthorsGiorgio Rossi\nAs E. Satie would probably say\, “he is a dancing mammal”. At the age of 4\, seeing the Swiss clown Dimitri perform in surreal stage time\, he realised that theatre was his life. He owes his artistic fortune to having been able to witness the work of great masters (Kantor\, Brook\, Bausch\, Carlson)\, with some of whom he learnt the art of the stage’ both as a student and as a performer. In 1984\, he co-founded Sosta Palmizi\, an acronym under which\, in 30 years\, over 400 dancers and others have worked\, who have found work in the major Italian and European dance theatre companies or founded their own groups: some of these are part of the nucleus of the association as Artisti Associati. With his performances\, over 30 productions\, he has travelled the world\, thanks to the universality of the poetic art of movement. Over the years\, he has collaborated with artists from the most diverse fields such as: Andrea Pazienza\, Paolo Fresu\, Bernardo Bertolucci\, Terry Gilliam\, Stefano Benni\, Paola Turci\, Lucia Poli\, David Riondino\, Paolo Rossi\, Banda Osiris\, Gabriele Mirabassi\, Danilo Rea\, Elisabetta Pozzi\, Jovanotti and many others\, as well as working with people of all ages\, students\, therapeutic communities and social rehabilitation groups. \nFederico Dimitri\nHe graduated in 2004 from the Accademia Teatro Dimitri\, Verscio (CH). In 2005 he won the Pinokkio Prize in Belgium with his performance entitled Perfectly Coupled. In the same year\, he co-founded the company I Tre Secondi\, and created the performances Zurigo Stazione Centrale (2005)\, I Doganieri (2010) and Kaspar (2015). In 2006\, he moved to Geneva\, where he continued to work as an actor. In the same period\, a meeting with director Teresa Ludovico led him to collaborate with the Teatro Stabile d’Innovazione Kismet Opera in Bari. He starred in the performance La Regina delle Nevi\, directed by Teresa Ludovico. In 2008\, he participated in the founding of the research group Progetto Brockenhaus\, based in Ticino\, with which he created the performances Non facciamone una tragedia and Sagra. In the summers of 2009-2010-2012\, he participated in the Origen festival\, Riom (CH) under the artistic direction of Giovanni Netzer. Arriving in Livorno in 2010\, he continued his artistic collaboration between Italy\, Switzerland and Germany. Since 2012\, he has collaborated with Theater Werkstatt Gleis 5 in Frauenfeld (CH)\, with whom he creates Laina Viva. In 2013\, together with Elisa Canessa\, he founded the Compagnia Dimitri/Canessa. Central point\, always\, the body\, container of the whole\, of the gesture as of the word of the concrete and the subtle; fundamental instrument of communication. The company has been working for years both in Italy and abroad\, particularly in Switzerland\, and has four performances to its credit: Bruno (2013)\, a performance that won the FIT\, International Theatre Festival of Lugano; …di Giulietta e del suo Romeo (2014) and Hallo!I’m Jacket! (2016)\, Ad esempio questo cielo (2019). He also made the video clips Show me\, for French singer Marina P. and Lettera di San Paolo agli operai\, Virginiana Miller\, Targa Tenco 2014.\nFor years\, he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. This collaboration will see him involved from October 2016 in the creation of the children’s performance Col naso all’insù. \nElisa Canessa\nElisa began her training in 1999\, dedicating herself to the study of more specifically corporeal languages. In 2001 she graduated from the School of Theatre in Bologna\, a training course in Nouvea-Cirque. Since 2002\, she has been studying Commedia dell’Arte with the Pantakin company in Venice. In 2003\, she received a scholarship from the Ass. Sosta Palmizi. He has attended numerous Contact Improvvisation seminars with masters Dieter Hetikamp (Berlin) and Benno Voorham (Stockholm) and with the latter he collaborated for two years on a project to develop Contemporary Dance in Eastern European countries. Among others\, she studied with Maestros Giorgio Rossi\, Raffaella Giordano\, Michele Modesto Casarin\, Gey Pin Ang\, Chiara Guidi\, Francesca della Monica\, Daniel Lepkoff\, Since 2001 Elisa has been actively working as a performer for: Compagnia Agar\, Sant’Arcangelo dei Teatri; Arcipelago Circo- Teatro\, La Biennale di Venezia; Compagnia Pantakin da Venezia\, Commedia dell’arte; Benno Voorham for ADDM Fest (Moldavia); Massimiliano Barrachini\, Resolution Festival (London); Compagnia Sosta Palmizi\, Giorgio Rossi/Raffaella Giordano; Teatro Kismet Opera – Teresa Ludovico; Teatro all’Improvviso\, Mantova; Segni Particolari/Amina Amici; Origen Festival (CH). Since 2002\, alongside her activity as a performer\, she has been conducting her own theatrical research. She is the author of the performances Esercizi and Drunk. In 2008\, she co-founded the research group Progetto Brockenhaus in Switzerland\, with which she created the performances Non facciamone una tragedia and Sagra. In 2010 she graduated from the Teatro Stabile di Torino in “Scritture per la Danza Contemporanea”\, a professional specialisation course held by Raffaella Giordano. She played the lead role in one of Lorenzo Jovanotti’s video clips\, Mezzogiorno. In 2013\, Federico Dimitri founded the Dimitri/Canessa Company. For years he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. \nFrancesco Manenti\nHe works in the field of theatre\, performance and visual art. He graduated from the Professional Training Course in Noveau Cirque at the Theatre School of Bologna Galante Garrone. He studies and deepens the Contact Improvisation\, in particular following the seminars of D.Heitkamp and Benno Voorham. In 2003-2004 he was awarded a scholarship by Raffaella Giordano and Giorgio Rossi\, with whom he studied at the theatre-dance seminars held at Sosta Palmizi. Since 2010 he follows the work of Masaki Iwana attending his intensive workshops at the Atelier du Butoh Blanc in Normandy. He graduated from the International Master WTTL (World Theatre Training Library) under the artistic direction of Master Yuri Alschitz which took place at the UNAM University in Mexico City with the aim of developing theatrical pedagogy. For several years he has been studying martial arts (Ki Aikido\, Kung Fu\, TaiJiQuan)\, circus arts (in particular aerial acrobatics and dance with flaming sticks); in 2011 he graduated as Teacher of Dao Yin Fa Qi Gong at the Tao Yin Italy School. With Elisa Canessa he gives life to the Agatharandagio Project and together they create the shows “ESERCIZI” and “DRUNK” (co-production TIR-Dance) participating in several festivals including: “Lavori in Pelle”\, Iceberg Award 2005\, Festival DANAE 2006\, Italia Wave 2009\, GD’A 2004-2005 and Festival Inequilibrio-Armunia 2009. In 2008 he created together with E. di Terlizzi\, E. Canessa\, F. Dimitri\, E. Rosenberg and P. Gianotti the Swiss movement theatre company Progetto Brockenhaus. He has worked and still works as interpreter for some of the most interesting Italian and foreign companies such as Sosta Palmizi (Giorgio Rossi)\, Pantakin (Michele Modesto Casarin)\, Teatro Kismet Opera (Teresa Ludovico)\, Eccentrici Dadarò. He has also worked with: Riccardo Palmieri-ArterieCIRT\, PierrNosari-Acidi Alteri\, Maria Carpaneto-Filo di Paglia\, Company Mafalda\, Dimensioni Parallele Teatro (Stefano Cenci). At the same time he carries on a personal research in the field of visual arts.\nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/esercizi-di-fantastica/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231120T180000
DTEND;TZID=Europe/Rome:20231120T190000
DTSTAMP:20260403T230924
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SUMMARY:Open Rehearsal - Secus
DESCRIPTION:Also this month\, the Fonderia opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, November 20th\, at 6:00 PM\, the audience can attend the rehearsal of Secus\, a choreography created by Ohad Naharin in 2019: one of those performances that is difficult to forget\, capable of uniquely highlighting the technical skills and expressiveness of dancers. \nThe creation boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix takes shape before our eyes in the form of a human alphabet made of runs\, solos\, clean and precise gestures\, interrupted duets. Joy\, vulnerability\, fear\, innocence\, confusion\, and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-secus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231123T200000
DTEND;TZID=Europe/Rome:20231123T213000
DTSTAMP:20260403T230924
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LAST-MODIFIED:20240419T154723Z
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SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Théâtre Equilibre in Fribourg\, Switzerland\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-fribourg/
LOCATION:Théâtre Equilibre\, Pl. Jean Tinguely 1\, Fribourg\, 1701\, Svizzera
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231126T150000
DTEND;TZID=Europe/Rome:20231126T163000
DTSTAMP:20260403T230924
CREATED:20230804T105517Z
LAST-MODIFIED:20251014T105438Z
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SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Opéra de Vichy\, France\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert..
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-4/
LOCATION:Opéra de Vichy\, 1\, Rue du Casino\, Vichy\, 1701\, Francia
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231128T183000
DTEND;TZID=Europe/Rome:20231128T203000
DTSTAMP:20260403T230924
CREATED:20231121T170547Z
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SUMMARY:Italia Danza - Prague
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n  \n“I am particularly pleased to present the Italia Danza project in Prague\, in an environment highly receptive to choreographic arts where dance\, in all its forms\, is a prominent part of the cultural offerings. Specifically\, in the Czech Republic\, contemporary dance is annually celebrated through highly acclaimed international showcases and festivals\, providing important glimpses into the latest developments in this field. For these reasons\, I consider it important to introduce these MicroDanze to the local audience\, allowing us to highlight the undeniable talents of our dancers and choreographers beyond the realm of classical ballet and to open a window into contemporary dance in our country.” \nVito De Bellis\nDirector Italian Cultural Institute in Prague \n28 NOVEMBER H 18:00 / H 19:30 \nItalian Cultural Institute in Prague\nŠporkova 335/14\, 118 00 Malá Strana\, Prague \nMICRODANZE \nActive Motivation\nby Elena Kekkou \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration: 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-prague/
LOCATION:Istituto Italiano di Cultura di Praga\, Šporkova 335/14\, Praga\, 118 00\, Repubblica Ceca
CATEGORIES:MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231130T193000
DTEND;TZID=Europe/Rome:20231130T203000
DTSTAMP:20260403T230924
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SUMMARY:Italia Danza - Brussels
DESCRIPTION:From November 28th to December 12th\, 2023\, dance meets cultural diplomacy and travels the world with Italia Danza: the new project of the Ministry of Foreign Affairs and International Cooperation (Maeci) curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project takes place in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The goal of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that represent cultural diplomacy par excellence in the world\, by bringing some creations of the only National Choreographic Center of our country: the CCN/Aterballetto. A cosmopolitan project\, entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \nThe Brussels stage is characterized by collaboration with the European Commission\, which helps bring the MicroDances to the ancient St. Gery market\, renovated by the Municipality of Brussels to make it a multifunctional space open to the public. The show is included in the program of activities of the 2023 edition of the Forum Cities and Regions for International Partnership\, promoted every two years by the European Commission together with the European Committee of the Regions\, to show Mayors and Presidents of Regions from the four continents an interesting artistic proposal for the enhancement of recovered urban public spaces. \nVIEW THE HALL PROGRAM\n– \n\n“We are particularly delighted to host Italia Danza here; Brussels has a rich and illustrious tradition in the field of dance\, and it is wonderful to present CCN/Aterballetto\, an Italian institution of great excellence\, in a context that loves and understands this art.” \nAllegra Iafrate\nActing Head Italian Cultural Institute in Brussels \n30 NOVEMBER – H 19:30 \nHalles Saint-Géry\nPl. Saint-Géry 1\, 1000\, Brussels \nMICRODANZE \nActive Motivation\nby Elena Kekkou \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration: 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-brussels/
LOCATION:Halles Saint-Géry\, Pl. Saint-Géry 1\, Bruxelles\, 1000\, Belgio
CATEGORIES:MicroDanze
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DTSTART;TZID=Europe/Rome:20231203T153000
DTEND;TZID=Europe/Rome:20231203T210000
DTSTAMP:20260403T230924
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SUMMARY:OVER DANCE LAB / TACA Tè
DESCRIPTION:The OVER DANCE project is the reference framework for a range of actions undertaken since 2022 on the theme of the transformation of the body and its perception as a vehicle for aesthetics. The December event in Milan is the continuation of this journey\, an opportunity rich in events and opportunities for discussion on a central issue of the contemporary world. \nOn December 3rd\, we will be guests at the Magnete space\, in the heart of the Adriano district\, for an entire afternoon dedicated to the project: \n\nFrom 3:00 PM to 6:00 PM / OVER DANCE LAB – A free workshop for people over 60 led by Claudia de Smet\, assistant to the choreographer for Agenlin Preljocaj. The workshop is open to all citizens over 60 and no previous experience in dance or dance study is required. Participants will receive a discounted ticket for the show on December 5th at the Teatro Franco Parenti.\n7:00 PM / TACA TÈ – Dance performance with a performer over 60\, directed by Lara Guidetti and co-produced with the Milanese company Sanpapié. The show premiered this autumn at the Teatro Elfo Puccini as part of the MilanOltre Festival.\nFollowed by a talk with Elisabetta Donati\, sociologist and Head of Culture and Research Area for the Fondazione Ravasi Garzanti.\n\nSIGN UP FOR THE WORKSHOP: lab@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/over-dance-lab-taca-te/
LOCATION:Magnete\, Via Adriano 107\, Milano\, Milano\, MI\, 20128\, Italia
CATEGORIES:Over Dance
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DTSTART;TZID=Europe/Rome:20231203T160000
DTEND;TZID=Europe/Rome:20231203T170000
DTSTAMP:20260403T230924
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada is at the Teatro Sociale in Trento.\nThe magical virtuosity of Toti Scialoja (1914-1998)\, master not only of images but also of words\, with which a dancer and a baritone play\, is the basis of this new creation for children\, boys and girls\, signed by the Fondazione Nazionale della Danza / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings that form on the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, carriers of a musicality that blends poetry and nursery rhyme\, they make the extraordinary and the frightening hold hands. \nUnder a cluster of scarlet roses\nThe toad offers hot tea with milk\nUnder a cluster of peony roses\nIt’s up to the toad to rinse the cups.\n(Toti Scialoja\, The Apple of Hamlet\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (taken from The Apple of Hamlet) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano \nIn co-production with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-13/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231204T200000
DTEND;TZID=Europe/Rome:20231204T221500
DTSTAMP:20260403T230924
CREATED:20231121T194517Z
LAST-MODIFIED:20240418T162505Z
UID:10003158-1701720000-1701728100@www.fndaterballetto.it
SUMMARY:Italia Danza - Zagreb
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n4 DECEMBER – H 20.00 / H 21.15 \nZagrebački Plesni Centar\nIlica 10/1\, 10 000\, Zagreb \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nAn echo\, a wave\nby Philippe Kratz \nDuration 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-zagreb/
LOCATION:Zagrebački Plesni Centar\, Ilica 10/1\, Zagabria\, 10 000\, Croazia (Nome Locale: Hrvatska)
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231205T200000
DTEND;TZID=Europe/Rome:20231205T210000
DTSTAMP:20260403T230924
CREATED:20230920T133056Z
LAST-MODIFIED:20240418T161355Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter its debut at the Teatro Municipale Valli in Reggio Emilia and a repeat performance at the Teatro Rossini in Pesaro\, the artistic heart of the Over Dance project arrives on the stage of the Teatro Franco Parenti in Milan. \nThe two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body?Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-4/
LOCATION:Teatro Franco Parenti\, Via Pier Lombardo\, 14\, Milan\, 20135\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231205T203000
DTEND;TZID=Europe/Rome:20231205T213000
DTSTAMP:20260403T230924
CREATED:20230803T125038Z
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UID:10003021-1701808200-1701811800@www.fndaterballetto.it
SUMMARY:THE DAY WHEN I CHOSE TO BE A DAUGHTER
DESCRIPTION:DaCru – The day when I chose to be a daughter – ph. Sara Meliti \nThe Dacru Dance Company returns to the Fonderia with its latest performance The day when I chose to be a daughter. \nDancers with a highly virtuosic technique\, performers with a communicative directness\, they have the talent to transform urban dance into a real theatrical tale. \n\nCredits \nConcept and direction: Marisa Ragazzo\nChoreographies: Marisa Ragazzo and Omid Ighani\nBy and with Elda Bartolacci\, Davide Angelozzi\, Alessandra Ruggeri\nMusiche: Jocelyn Pook \, Julia Kent\, David Lang\, The Books\, Max Richter \, Nils Frahm \nProduction: Compagnia Naturalis Labor\nCo-production: Festival Abano Danza 2022\nWith the support ofMic / Regione Veneto / Comune di Vicenza\nIn partnership with DanceLab / Latina \nThe day when I chose to be a daughter \nThree dancers investigate the state of sonship. A profound and poetic analysis\, steeped in secret visions\, that answers one main question: does being a child last a lifetime?… and from others that follow spontaneously… does this privileged state of sonship persist even when the point that formally grants it disappear?… without parents\, is one still a child? Does the state of sonship change when one becomes a mother or a father? \nThe company’s new production stems from the choreographer’s involved and individual vision of the theme\, which becomes collective through meetings and discussions with the dancers.\nIt has been a long and complex work of reflection on the state of sonship that we stage\, a search through the specific memories of each of us\, choreographers and dancers. Memories written down\, detailed\, shared\, made narrative and almost always referring above all to the mother\, in whom we danced for months immersed in her vital paste. \nDaCru – The day when I chose to be a daughter – ph. Sara Meliti  \nWe began the creative process related to the project ‘THE DAY WHEN I CHOSE TO BE A DAUGHTER’ by taking time for everything\, talking at length\, sharing memories and emotional states… four children reflecting on the state of sonship. No mother\, no father\, only sons. Much has been written about motherhood and fatherhood\, extensive and articulate narratives\, but about the state of sonship\, very little. What is the state of sonship? The first of many questions that drives us to an active sharing: we would like to dialogue with other sons in order to arrive at a more extensive and in-depth narrative by interweaving a silent dialogue with the audience\, prompting everyone to undertake a process to recover memories and small stories hidden in the secret places of the mind. \nMarisa Ragazzo and Omid Ighani \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop training schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional training schools\, they carry out an intense teaching activity\, in Italy and abroad. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-day-when-i-chose-to-be-a-daughter/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231206T194500
DTEND;TZID=Europe/Rome:20231206T204500
DTSTAMP:20260403T230924
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter its debut at the Teatro Municipale Valli in Reggio Emilia and a repeat performance at the Teatro Rossini in Pesaro\, the artistic heart of the Over Dance project arrives on the stage of the Teatro Franco Parenti in Milan. \nThe two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body?Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-5/
LOCATION:Teatro Franco Parenti\, Via Pier Lombardo\, 14\, Milan\, 20135\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231207T180000
DTEND;TZID=Europe/Rome:20231207T190000
DTSTAMP:20260403T230924
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SUMMARY:Italia Danza - Stockholm
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n“Italia Danza\, which we will host on December 7th at the Italian Cultural Institute in Stockholm\, transforms the idea of choreography starting from the relationship with the spaces in which they are presented. In Aterballetto’s MicroDanze\, space is no longer just a place of consumption but becomes part of the choreography itself\, allowing a different interaction between the audience and the performers. The project is particularly significant for our venue\, designed by Gio Ponti and Pier Luigi Nervi. The dancers will guide the Stockholm audience through an evocative journey that will reinterpret the spaces envisioned by the great Milanese architect.” \nFrancesco Di Lella\nDirector Italian Cultural Institute in Stockholm \n  \n7 DECEMBER – H 18:00 \nItalian Cultural Institute in Stockholm\nGärdesgatan 14\, 115 27\, Stockholm \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nAn echo\, a wave\nby Philippe Kratz \nDuration 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-stockholm/
LOCATION:Istituto Italiano di Cultura di Stoccolma\, Gärdesgatan 14\, Stoccolma\, 115 27\, Svezia
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231212T170000
DTEND;TZID=Europe/Rome:20231212T190000
DTSTAMP:20260403T230924
CREATED:20231121T200232Z
LAST-MODIFIED:20240418T163243Z
UID:10003160-1702400400-1702407600@www.fndaterballetto.it
SUMMARY:Italia Danza - Dakar
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n“We are very proud to host in Dakar the final stage of the international tour of Italy Dance\, promoted by the General Directorate for Public and Cultural Diplomacy. It will be a unique opportunity to connect the “dakarois” audience with one of the excellences of Italian contemporary dance. Dance is a very popular language in Senegal\, strongly rooted in tradition\, with important figures recognized internationally such as Germaine Acogny\, founder of the École des Sables and Golden Lion for Lifetime Achievement at the 2021 Dance Biennale. With Aterballetto\, we bring to Dakar a different vision\, an aesthetic linked to movement that is very refined and technically complex\, grounded in our academic tradition but looking to the present. It will be interesting to see the audience’s reaction\, especially in this format that involves close engagement and therefore a high degree of emotional involvement for the spectator.” \nSerena Cinquegrana\nDirector of the Italian Cultural Institute in Dakar \nDECEMBER 12 – 5:00 PM / 6:00 PM \nMusée Théodore Monod d’art africain – IFAN (Institut Fondamental d’Afrique Noire Cheikh Anta Diop)\n1\, Place Soweto\, BP 206\, Dakar\, Sénégal \nMICRODANCES \nActive Motivation\nby Elena Kekkou \nAnd yet it moves\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration 60 minutes
URL:https://www.fndaterballetto.it/en/evento/italia-danza-dakar/
LOCATION:Musée Théodore Monod d’art africain – IFAN\, 1\, Place Soweto\, BP 206\, Dakar\, Senegal
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231216T170000
DTEND;TZID=Europe/Rome:20231216T183000
DTSTAMP:20260403T230924
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SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-6/
LOCATION:Domus dei Tappeti di Pietra\, Via Gian Battista Barbiani\, 16\, Ravenna
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231217T120000
DTEND;TZID=Europe/Rome:20231217T130000
DTSTAMP:20260403T230924
CREATED:20231211T160901Z
LAST-MODIFIED:20240418T164713Z
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SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-5/
CATEGORIES:Aterballetto,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/ZPC-Microdanze_foto-Neven-Petrovic-67.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231217T180000
DTEND;TZID=Europe/Rome:20231217T190000
DTSTAMP:20260403T230924
CREATED:20230803T135722Z
LAST-MODIFIED:20240418T164448Z
UID:10003025-1702836000-1702839600@www.fndaterballetto.it
SUMMARY:Darwin
DESCRIPTION:Darwin – M/eta/morfosi is a dance and theater show for children and families on the theme of growth and transformation\, which elicits more than just a smile from the audience.\n \nThe authors Christian Pellino and Francesco Marchi are associated artists of the Artemis Danza Company / Monica Casadei. \n[Watch the video here](https://vimeo.com/887649437) \n\nCredits \nBy and with Francesco Marchi and Christian Pellino\nDirection and dramaturgy: Francesco Marchi\nChoreographies: Christian Pellino\nRunning time: 50′ \nRecommended for an audience of 8 to 14 years of age \nA co-production Artemis Danza and Europa Teatri\nWith the support Mic\, Regione Emilia Romagna Assessorato alla Cultura\, Comune di Parma \nDarwin \nLike the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, so does man go through multiple phases before undergoing evolution. From single-celled organisms to Homo Sapiens\, from newborn to adult\, everything evolves in continuous pursuit of perfection… but something went wrong! The planet is in danger\, and humanity is certainly not without flaws. Thus\, an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and Earth from the Big Bang to today. To help him in this endeavor\, a multifaceted and constantly changing character\, who communicates not with words but with body and movement\, will embody the different phases of this crazy metamorphosis. A synergy between dance and prose theater\, expressive gestures\, and words that accompanies young people on a fun and educational journey where fantasy\, science\, and creativity meet. \nDarwin – M/eta/morfosi arises from the need to try to bring the younger audience closer to the world of dance theater\, often perceived as distant from the new generations and therefore difficult to understand. Through a path that involves meetings with schools\, teacher training\, and stage representation\, Darwin – M/eta/morfosi will attempt to explore the concept of transformation by combining the language of dance\, curated by choreographer Christian Pellino\, with the word and gesture of prose theater by actor Francesco Marchi. The goal is to introduce young people to a new language\, facilitating their understanding and involving them in a journey of genre exploration while\, simultaneously\, allowing them to develop personal reflections on the theme of growth and transformation. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/darwin/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231219T170000
DTEND;TZID=Europe/Rome:20231219T183000
DTSTAMP:20260403T230924
CREATED:20231211T161016Z
LAST-MODIFIED:20240418T164215Z
UID:10003245-1703005200-1703010600@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \n“`html\nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM\n“` \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-4/
CATEGORIES:Aterballetto,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/ZPC-Microdanze_foto-Neven-Petrovic-67.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231220T170000
DTEND;TZID=Europe/Rome:20231220T183000
DTSTAMP:20260403T230924
CREATED:20231211T161147Z
LAST-MODIFIED:20240418T165517Z
UID:10003244-1703091600-1703097000@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-3/
LOCATION:Domus dei Tappeti di Pietra\, Via Gian Battista Barbiani\, 16\, Ravenna
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231220T203000
DTEND;TZID=Europe/Rome:20231220T214500
DTSTAMP:20260403T230925
CREATED:20230804T111440Z
LAST-MODIFIED:20240418T160004Z
UID:10003061-1703104200-1703108700@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-20/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/FND-Aterballetto-Golden-Days-Rain-Dogs-ph.-Christophe-Bernard-91.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231221T203000
DTEND;TZID=Europe/Rome:20231221T214500
DTSTAMP:20260403T230925
CREATED:20230804T111440Z
LAST-MODIFIED:20240418T160004Z
UID:10003068-1703190600-1703195100@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-21/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/FND-Aterballetto-Golden-Days-Rain-Dogs-ph.-Christophe-Bernard-91.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231222T170000
DTEND;TZID=Europe/Rome:20231222T183000
DTSTAMP:20260403T230925
CREATED:20231211T161244Z
LAST-MODIFIED:20240418T155901Z
UID:10003243-1703264400-1703269800@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-2/
LOCATION:Domus dei Tappeti di Pietra\, Via Gian Battista Barbiani\, 16\, Ravenna
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231222T180000
DTEND;TZID=Europe/Rome:20231222T220000
DTSTAMP:20260403T230925
CREATED:20230803T142752Z
LAST-MODIFIED:20240418T154053Z
UID:10003027-1703268000-1703282400@www.fndaterballetto.it
SUMMARY:Made in Italy 30.0
DESCRIPTION:  \n\n“`html\n  \nThe performance will take place on December 22nd with two showings:\n1st showing: 6:00 PM\n2nd showing: 9:00 PM \n  \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nB.7 SYMPHONY by Emanuele Soavi\nThe tireless drive of Beethoven towards artistic renewal and his dissected and even visionary vision of the social and political movements of his time give his work an inexhaustible energy\, like a continuous flow\, just like the flood in nature when it changes the shape of the landscape and living conditions. This idea of constant change\, of juxtaposition of opposites\, of interaction\, of exchange\, of shared emotions and experiences is essentially the starting point for this choreographic composition. Both the stage itself and the protagonists who inhabit it with their movements\, which continually take on a new form in each of the individual parts\, create abstract images that consciously and unconsciously define the idea of a multiform self\, which lives today in a modern society that is in a state of continuous upheaval and change. \nGERSHWIN SUITE by Michele Merola\nIn the notes of George Gershwin (1898-1937)\, one of the most representative musicians of the 20th century\, reflects the spirit of the time in which they are created\, the moods and atmospheres of the Roaring Twenties. Starting from the best pieces of the composer\, and from the suggestions of the pictorial works of another great American artist of the ‘900\, Edward Hopper (1882-1967)\, Michele Merola has created Gershwin Suite. On stage\, a lot of variety takes on the ways of a movie set\, thanks also to a constantly changing set design\, just like on a set\, and a choreography that touches more keys\, the work of a choreographer capable of declining his creativity and his talent in step with the times of contemporaneity. \n PERFORMERS \n6:00 PM\nCorrado Azzollini\, Jasmine Begici\, Elisa Bocconi\, Laura Dell’Agnese\, Sara Ferrentino\, Nicole Forni\, Giulia Lusetti\, Lucrezia Maggiore\, Maya Maselli\, Carlotta Maucioni\, Martina Procacci\, Federico Musumec\, Filippo Penco\, Jada Piccinini\, Susanna Russing\, Gennaro Todisco\, Gaia Camilla\, Zorrilla Leonini. \n9:00 PM\nChiara Barril\, Jacopo Bellan\, Giulia Boccarossa\, Giovanni Karol Borriello\, Salvatore Bruno\, Lucrezia Capuzzell\, Anna Dal Maso\, Vittoria Facci\, Chiara Gionti\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Alessia Russo\, Diletta Suman.\n“` \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training program aimed at dancers aged between 18 and 22 years old\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its goal is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, both technical and stylistic\, coming from this same market. The project aims to offer a wide range of stimuli\, including technical\, cultural\, and exchange opportunities between students and choreographers\, each of whom comes from different and interesting backgrounds in the international dance scene. Agora allows students to meet established choreographers with different stylistic orientations\, and over the years has seen the participation of many illustrious names. Michele Merola and Enrico Morelli collaborate with various teachers\, each of whom has proven and qualified experience in the field\, to realize the project. \nMICHELE MEROLA \nMichele Merola is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With the company\, he has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, winner of the Anita Bucchi Award in 2010\, and Bolero\, Europaindanza Award 2017 – Choreography Merit Award. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo di Napoli\, Dominic Walsh Dance Theatre\, Teatro Massimo di Palermo\, Junior Balletto di Toscana\, Teatro Nazionale di Belgrado\, Tanzcompagnie Landesbühnen Sachsen in Dresden\, and Teatro dell’Opera di Roma. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016\, the GD Awards 2016 as Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Encounter with Dance” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been the artistic director\, alongside Enrico Morelli\, of Agora Coaching Project\, a professional training project for dancers based in Reggio Emilia. \nEMANUELE SOAVI \nEmanuele Soavi began his dance studies in Ferrara and later at the Balletto di Toscana. In 1996\, he started working in various Italian theaters\, including the Teatro Petruzzelli in Bari and the Teatro dell’Opera di Roma. In 1998\, he moved to Germany\, where he worked for three years as a soloist for the Ballet Dortmund\, before moving to the Netherlands to join the renowned Introdans company. Throughout his career\, he has interpreted works by choreographers such as Maurice Béjart\, Jiří Kylián\, Hans van Manen\, Nils Christe\, Renato Zanella\, William Forsythe\, Ton Wiggers\, Nacho Duato\, Karole Armitage\, and Mats Ek. Since 1999\, Soavi has also worked as a choreographer in numerous theaters\, including Theater Dortmund\, Theater Duisburg\, Staatstheater Regensburg\, Theater Aachen\, Introdans\, Staatstheater am Gärtnerplatz in Munich\, Opera Köln\, Dansateliers Rotterdam\, Folkwang Essen\, ZHdK Zürich\, Dance Limerick\, MM Contemporary Dance Company\, and AGORA Coaching Project. Since 2012\, he has been the director of the Emanuele Soavi Incompany collective in Cologne. He has received the award for Best Performing Artist in Germany and has collaborated on co-productions since 2016 with Susanne Linke\, Jone San Martin of the Forsythe Company\, Cora Bos\, and Joris-Jan Bos of the Netherlands Dance Theatre. \n\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-30-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231222T203000
DTEND;TZID=Europe/Rome:20231222T214500
DTSTAMP:20260403T230925
CREATED:20230804T111440Z
LAST-MODIFIED:20240418T160004Z
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SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-22/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
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DTSTART;TZID=Europe/Rome:20231223T150000
DTEND;TZID=Europe/Rome:20231223T161500
DTSTAMP:20260403T230925
CREATED:20230804T111440Z
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SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-23/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240112T203000
DTEND;TZID=Europe/Rome:20240112T203000
DTSTAMP:20260403T230925
CREATED:20230803T111332Z
LAST-MODIFIED:20240109T092020Z
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SUMMARY:Golden Days
DESCRIPTION:In January\, Aterballetto returns to the Fonderia in Reggio Emilia with Golden Days by Johan Inger\, kicking off the new year and dance season. The evening blends the smoky vibes of Rain Dogs with the upbeat energy of BLISS and a playful solo in Birdland\, creating a nostalgic journey set to the tunes of Tom Waits\, Patti Smith\, and Keith Jarret. \n“As we age\, we often reflect on our life journey. This time\, I look back with a genuine smile\, reminiscing about the radiant and carefree days.”\nJohan Inger \n“It’s like a dance concert—a cantabile andante\, an adagio\, and a rondo. Yet\, it’s all about dance\, accompanied by a magnificent soundtrack.”\nSergio Trombetta\, La Stampa \n  \n\nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/golden-days-16/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Golden Days,Performances,Rain Dogs,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240120T180000
DTEND;TZID=Europe/Rome:20240120T190000
DTSTAMP:20260403T230925
CREATED:20240109T163911Z
LAST-MODIFIED:20240116T091759Z
UID:10003175-1705773600-1705777200@www.fndaterballetto.it
SUMMARY:POP UP - Un fossile di cartone animato
DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \n\n\n\n\n\n\n\n\n\n\n\n\nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS\nTICKETS \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n.
URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240121T180000
DTEND;TZID=Europe/Rome:20240121T190000
DTSTAMP:20260403T230925
CREATED:20240109T164242Z
LAST-MODIFIED:20240116T091842Z
UID:10003185-1705860000-1705863600@www.fndaterballetto.it
SUMMARY:POP UP - UN FOSSILE DI CARTONE ANIMATO
DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \nINFO & TICKETS\nTICKETS \n  \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n–
URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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DTSTART;TZID=Europe/Rome:20240124T180000
DTEND;TZID=Europe/Rome:20240124T190000
DTSTAMP:20260403T230925
CREATED:20240115T095325Z
LAST-MODIFIED:20240418T153536Z
UID:10003242-1706119200-1706122800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - RUGGINE / PLAY_BACH DIVERTISSEMENT
DESCRIPTION:  \n\n  \nOpen Rehearsal – 6:00 PM \nShow  – 8:30 PM \n  \nRust / Manfredi Perego \n“Self-portrait\nNoise grinds\nNatural within” \nRust is a reflection on the product of the antagonism between darkness and light in humans. Rust is a dramaturgical thought that deals with the dark\, unease\, caprice\,\nsuffering; observing these emotions and the actions they provoke without judgment. Rust is a dedication to the area that is usually hidden with great effort. The choreography does not generate an answer\, but rather creates a path that allows one to immerse and cross these moods and dissect them without prejudice. Like in a liberating dedication to the annoying part of ourselves\, the choreography outlines and crosses a sequence devoid of chronology\, an ideal representation of what is usually considered a flaw. \nPLAY_BACH DIVERTISSEMENT / Balletto Teatro di Torino \n“The choreographic challenge is to give visual and dynamic concreteness to the emotion that each note expresses\, capturing the nuances of Bach’s music by translating into dance a process of emotional analysis of what the musical score suggests.\nThe violence and sweetness that arise from the vibration of the played notes must have a physical correspondence\, creating dances that traverse worlds of new carnal frequencies. The project starts from the need to challenge oneself with classical musical scores\, never tackled before\, to discover new approaches to choreography and open up to new dynamic visions. Studies on Bach will be a choreographic gym\, a mutable choreographic space\, which does not end its evolution. Live music stitches the dancer’s epidermis to the place\, bringing it to another level of interpretation and listening. At the same time\, the air moved by the bodies impacts the musicians\, making tangible the action of dance on the instrument.” – Manfredi Perego \n  \nCREDITS \n“`html\nRUST \nChoreography/Dance by Manfredi Perego\nOriginal Music by Paolo Codognola\nLighting Design by Roberta Faiolo\nDuration 20 minutes\nA work produced by Tirdanza\, with the co-production of Milanoltre Festival\, in collaboration with Fondazione TeatroDue Parma\, Europa Teatri \nPLAY_BACH DIVERTISSEMENT \nChoreography by Manfredi Perego\nDancers: Flavio Ferruzzi\, Lisa Mariani\, Luca Tomasoni\, Nadja Guesewell\, Viola Scaglione\nMusic by J.S. Bach performed live by Janine Bratu\nLighting Design by Roberta Faiolo\nCostume Design by Majatai\nProduction by Balletto Teatro di Torino\nIn collaboration with Conservatorio Statale di Musica “Giuseppe Verdi” di Torino\nDuration 30 minutes\n“` \nAUTHORS \nMANFREDI PEREGO \nBorn in Parma in 1981\, Manfredi Perego began studying contemporary dance at his mother Lucia Perego’s school. He graduated from the Academy of Fine Arts in Bologna and continued his dance studies while simultaneously starting his professional career as a freelance dancer in Switzerland and Germany. In 2013\, he developed his first personal movement research project. In 2014\, he founded MP.ideograms and the following year debuted at the Equilibrio Festival and at the Vetrina della Giovane danza d’autore in Ravenna. In 2016\, he participated in the “VITA NOVA” project of the Venice Biennale with the first chapter of the “Primitiva” project\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A Giovane Danza D’Autore Award. Since 2017\, he has collaborated with BTT \ Balletto Teatro di Torino as a guest teacher and since 2019 as a choreographer. He was an Associated Choreographer at the National Dance Production Center Scenario Pubblico/CZD in the three-year period 2019-2021. In the three-year period 2022-24\, he became an Associated Choreographer at the MilanOltre Festival. Currently\, he teaches as a freelance instructor in various professional training programs in Italy and abroad. \nBALLETTO TEATRO DI TORINO \nBalletto Teatro di Torino is an organization dedicated to production\, training\, and programming in the field of dance.\nSupported by MIC\, Regione Piemonte\, Fondazione Compagnia di San Paolo\, Fondazione CRT\, Città di Torino\, TAP Torino Arti Performative. In network with NEST Rete degli Organismi di Produzione di Danza del Piemonte. \nINFO & TICKETS \nTICKETS\nFull Price: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-ruggine-play_bach-divertissement/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024
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DTSTART;TZID=Europe/Rome:20240124T203000
DTEND;TZID=Europe/Rome:20240124T213000
DTSTAMP:20260403T230925
CREATED:20240109T170044Z
LAST-MODIFIED:20240116T144618Z
UID:10003176-1706128200-1706131800@www.fndaterballetto.it
SUMMARY:Ruggine / PLAY_BACH DIVERTISSEMENT
DESCRIPTION:  \n  \n\n  \n\n  \nOpen Rehearsal – 6:00 PM \nPerformance – 8:30 PM \nRuggine / Manfredi Perego \nRuggine is a contemplation of the outcome of the antagonism between darkness and light within humans. It is a dramaturgical exploration of the obscure\, restlessness\, caprice\, suffering; observing these emotions and the actions they provoke without judgment. Ruggine is a dedication to the area that is usually concealed with great effort. The choreography doesn’t generate an answer but rather creates a path that allows immersion and traversal of these moods\, dissecting them without prejudice. Like a liberating dedication to the bothersome part of ourselves\, the choreography sketches and traverses a sequence without chronology\, an ideal representation of what is usually considered a flaw. \nPLAY_BACH DIVERTISSEMENT / Balletto Teatro di Torino \nThe choreographic challenge is to give visual and dynamic concreteness to the emotion that each note expresses\, capturing the nuances of Bach’s music and translating into dance an emotional analysis process of what the musical score suggests. The violence and sweetness that arise from the vibration of the played notes must have a physical correspondence\, creating dances that traverse worlds of new carnal frequencies. The project starts from the need to challenge classical musical scores\, never tackled before\, to discover new approaches to choreography and open up to new dynamic visions. Studies on Bach will be a choreographic gym\, a mutable choreutic place that doesn’t end its evolution. Live music stitches the dancer’s epidermis to the space\, taking interpretation and listening to another level. At the same time\, the air moved by the bodies impacts the musicians\, making tangible the dance’s action on the instrument. \nCREDITS \nRUGGINE \nCoreography/Dance by Manfredi Perego\nOriginal Music by Paolo Codognola\nLighting Design by Roberta Faiolo\nDuration 20′\nA work produced by Tirdanza\, co-produced by Milanoltre Festival\, in collaboration with Fondazione TeatroDue Parma\, Europa Teatri \nPLAY_BACH DIVERTISSEMENT \nChoreography by Manfredi Perego\nDancers Flavio Ferruzzi\, Lisa Mariani\, Luca Tomasoni\, Nadja Guesewell\, Viola Scaglione\nMusic by J.S. Bach performed live by Janine Bratu\nLighting Design by Roberta Faiolo\nCostumes by Majatai\nProduction by Balletto Teatro di Torino\nIn collaboration with the State Conservatory of Music “Giuseppe Verdi” in Turin\nDuration 30′ \nTHE AUTHORS \nMANFREDI PEREGO \nBorn in Parma in 1981\, Manfredi Peregо began practicing contemporary dance at the age of 17 in his mother’s school. In 2002\, he was a scholarship holder at the Isola Danza Academy directed by Carolyn Carlson and worked as a freelance dancer in theater-dance and contemporary dance companies across Europe. Upon returning to Italy\, he collaborated with Simona Bertozzi and Damian Munoz for various dance companies. In 2014\, he founded MP.ideograms and won the Equilibrio Prize with the solo “Grafiche del Silenzio.” In 2016\, he participated in the VITA NOVA project at the Venice Biennale with the first chapter of the Primitiva project\, which continued in 2017 at the National Center for Dance Production Scenario Pubblico/Compagnia Zappalà Danza\, where he became an Associate Choreographer for the triennium 2018/20. In 2017\, he began collaborating as a guest teacher with the Balletto del Teatro di Torino\, winning the GDA Award in the same year from Emilia Romagna. \nBALLETTO TEATRO DI TORINO \nBalletto Teatro di Torino is an organism for production\, training\, and programming in the field of dance. Supported by MIC\, Regione Piemonte\, Fondazione Compagnia di San Paolo\, Fondazione CRT\, Città di Torino\, TAP Torino Arti Performative. In collaboration with NEST\, the Network of Dance Production Organizations in Piedmont. \nINFO & TICKETS \nTICKETS\nFull Price: 10 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 5:00 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ruggine-play_bach-divertissement/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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