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SUMMARY:Viaggio nel repertorio del balletto (A journey through the ballet repertoire). Teatro dell'Opera di Roma
DESCRIPTION:Viaggio nel repertorio del balletto (A journey through the ballet repertoire)\, curated and presented by Francesca Pedroni\, dance journalist and critic\, with the dancers of the Teatro dell’Opera di Roma.\n  \nNutcracker: between reality and magic\, the timeless Christmas ballet \n\n\n\n\n\n\n\nCurated by Francesca Pedroni \nWith Étoile Alessio Rezza\, Primi Ballerini Marianna Suriano and Claudio Cocino\, and Soloist Flavia Stocchi\, Ballet Company of the Teatro dell’Opera di Roma \nGuest: Paul Chalmer\, international choreographer \n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\nIn the world of classical-academic ballet\, Christmas wouldn’t be Christmas without The Nutcracker. Alongside The Sleeping Beauty and Swan Lake\, it completes the triad of masterpieces composed in late 19th-century Russia by Pyotr Ilyich Tchaikovsky. The Nutcracker premiered at the Mariinsky Theatre in St. Petersburg in 1892\, with a libretto by the first maître of the Imperial Theatres\, Marius Petipa\, and choreography by Lev Ivanov. A Christmas Eve filled with wonders — from the battle between toy soldiers and mice to the Waltz of the Snowflakes\, the Sugar Plum Fairy’s variation with its crystalline celesta sound\, and the transformation of the Nutcracker toy into a Prince who leads the young heroine on magical adventures. \nThe Ballet Company of the Teatro dell’Opera di Roma\, directed by Eleonora Abbagnato\, will bring it to the stage this December at the Teatro Costanzi in the version by Paul Chalmer — the focus of the November edition of Viaggio nel repertorio del balletto (A journey through the ballet repertoire)\, curated by Francesca Pedroni for the Centro Coreografico Nazionale / Aterballetto. \nA performance-conversation blending readings\, stories\, and video clips\, featuring the invaluable participation of Étoile Alessio Rezza\,  Primi Ballerini Marianna Suriano and Claudio Cocino\, and Soloist Flavia Stocchi from the Teatro dell’Opera di Roma\, who will dance some of the ballet’s most iconic excerpts — along with Paul Chalmer himself. \n\n\n\n\n\n\n\n \nALESSIO REZZA \n\n\n\n\n\n\n\nBorn in Modugno (Bari)\, Alessio Rezza graduated from the La Scala Ballet School in 2008. After performing with the Maggio Musicale Fiorentino\, the Teatro Massimo in Palermo\, and the Paris Opéra Ballet\, he joined the Ballet Company of the Teatro dell’Opera di Roma in 2010. Under the direction of Eleonora Abbagnato\, he was promoted to Soloist\, later named Principal Dancer (The Nutcracker)\, and in May 2022\, appointed Étoile (Le Corsaire). \nThroughout his career\, he has danced leading roles from both the classical and contemporary repertoire\, including Basilio in Don Quixote\, Albrecht in Giselle\, Prince Désiré in The Sleeping Beauty\, James in La Sylphide\, The Prince in The Nutcracker\, Solor and the Golden Idol in La Bayadère\, Frédéri in L’Arlésienne\, Colas in La Fille mal gardée\, Franz in Coppélia\, and Lensky in Onegin. \nHe has also performed in works by William Forsythe\, Jiří Kylián\, Rudolf Nureyev\, Angelin Preljocaj\, Roland Petit\, Jerome Robbins\, Frederick Ashton\, Mauro Bigonzetti\, Uwe Scholz\, Johan Inger\, Maurice Béjart\, José Limón\, Benjamin Millepied\, Christopher Wheeldon\, David Dawson\, Paul Chalmer\, and Jiří Bubeníček\, working with world-renowned ballet masters such as Mikhail Baryshnikov\, Julio Bocca\, Patricia Ruanne\, Laurent Hilaire\, José Martinez\, and Sylvie Guillem. \nIn 2023\, he was invited to dance at the Dubai Opera in A Thousand Tales by Francesco Ventriglia\, and also performed in the “Les Étoiles” galas (2023 and 2024) and “Il cigno nero”\, produced by Daniele Cipriani Entertainment. In 2024\, he portrayed Prince Siegfried in the Rai5 televised recording of Swan Lake\, choreographed by Benjamin Pech. \nAmong the many awards he has received are the Premio Positano\, Danza&Danza\, Roma in Danza\, Anita Bucchi\, Roma è Arte\, and Europa in Danza. \n\n\n\n\n\n\n\n \nFLAVIA STOCCHI \n\n\n\n\n\n\n\nBorn in Rome\, Flavia Stocchi trained at the Opera di Roma Ballet School\, performing in productions directed by Carla Fracci\, including La Gitana (Chalmer)\, The Nutcracker with Fracci\, and Michelangelo with Mario Marozzi. She has won several international competitions and awards such as Aurel Millos\, Anita Bucchi\, and Guido Lauri (Best Emerging Performer)\, as well as a scholarship to the Royal Ballet School in London (2010). \nAfter graduating with top honors\, she performed alongside Alessio Carbone and Giuseppe Picone in Daniele Cipriani’s galas\, and in 2013 she joined the Ballet Company of the Teatro dell’Opera di Roma\, then directed by Van Hoecke. She has also danced with MaggioDanza (La Sylphide by Bournonville; The Four Temperaments by Balanchine) and at the Teatro Massimo in Palermo (The Nutcracker and Carmen by Amodio\, for which she received the Premio Capri for Best Emerging Talent 2014). \nAt the Opera di Roma\, she has performed in Carmina Burana (Van Hoecke)\, The River (Ailey)\, and The Nutcracker (Amodio). Under Eleonora Abbagnato’s direction\, she has appeared in Pink Floyd Ballet (Petit)\, Giselle (Ruanne)\, the pas de trois in Swan Lake (Pech)\, Amorino and Kitri in Don Quixote (Hilaire)\, Suite en blanc (Lifar)\, and as Bluebird and Aurora in The Sleeping Beauty (Bart)\, a performance that earned her the Danza&Danza Award for Best Emerging Performer 2018. \nIn 2016\, she was chosen by Iancu to perform Swan Lake (Odette/Odile) in Bucharest. She took part in the Italians in the World Gala at the Coliseo Theatre in Buenos Aires alongside Eleonora Abbagnato and Giuseppe Picone. \nHer recent performances at the Opera di Roma include The Nutcracker by Peparini (as Clara) and by Chalmer (as Young Clara)\, Nuit romaine by Preljocaj\, Giselle by Fracci (Peasant Pas de deux)\, Il rosso e il nero by Scholz (Mathilde de La Mole)\, Onegin by Cranko (Olga)\, Within the Golden Hour by Wheeldon at Caracalla\, and Creature\, a new creation by Francesco Annarumma at La Nuvola. \n\n\n\n\n\n\n\n \nPAUL CHALMER \n\n\n\n\n\n\n\nBorn in Ottawa in 1962\, Paul Chalmer studied with Oliphant\, Seillier\, and Bruhn at the National Ballet School before joining the National Ballet of Canada. In 1980\, he became a member of John Cranko’s Stuttgart Ballet\, where he was later promoted to Principal Dancer. In 1985\, he joined Les Ballets de Monte-Carlo in the same rank and went on to perform with companies such as the English National Ballet\, Birmingham Royal Ballet\, Scottish Ballet\, London City Ballet\, the Teatro Colón in Buenos Aires\, the Teatro dell’Opera di Roma\, and La Scala in Milan. \nThroughout his career\, he has performed major roles from the classical repertoire as well as works by Balanchine\, Tetley\, MacMillan\, Kylián\, Forsythe\, and Scholz. He has partnered some of the greatest étoiles\, including Thesmar\, Fracci\, Seymour\, Makarova\, Evdokimova\, Jaffe\, Marcia Haydée\, Dessutter\, Keil\, Savignano\, and Terabust. \nHe was appointed Ballet Master at the Semperoper Ballett Dresden in 1999\, and the following year at the Leipziger Ballett at the invitation of Uwe Scholz\, whose successor he became as Artistic Director of the company from 2005 to 2010. \nAs a choreographer\, he has created La Fille du Danube for the Arena di Verona Ballet (1996)\, La Gitana (1996)\, and Il Talismano (awarded the Premio Massine in 1997). In 2009\, he presented Piaf à Deux at the Madrid en Danza Festival and Romeo and Juliet at the St. Prex Festival in Switzerland. He served on the Prix de Lausanne jury in 2011\, the same year he created Swan Lake – The Tchaikovsky Enigma for MaggioDanza. \nIn 2013\, he choreographed Romeo and Juliet for the Junior Ballet of the Conservatoire National de Paris and Cinderella for the Teatr Wielki in Poznań\, later revived in 2014 at the National Moravian-Silesian Theatre Ballet in the Czech Republic\, where he also created The Three Musketeers (music by Jan Kučera\, 2017) and The Picture of Dorian Gray (music by Aniello Mallardo\, 2022). For Opera Nova Bydgoszcz in Poland\, he created The Nutcracker (2015) and Romeo and Juliet (2018). \nA new production of The Three Musketeers premiered at the Latvian National Ballet in Riga in October 2018\, followed by A Midsummer Night’s Dream at the Teatro di San Carlo in Naples in 2019. \nFor the Teatro dell’Opera di Roma\, Chalmer has choreographed Lungo Viaggio (2000)\, The Sleeping Beauty (2002)\, La Gitana (2005)\, La Vestale (2006)\, A Midsummer Night’s Dream (2008)\, Chopin racconta Chopin (2010)\, La Sylphide (2019)\, and The Nutcracker (2023). \n\n\n\n\n\n\n\n \nFRANCESCA PEDRONI \n\n\n\n\n\n\n\nDance critic for the daily newspaper Il manifesto and the magazine Danza&Danza. For Classica HD (formerly Sky Classica\, Channel 124)\, she worked as author and director of the series Danza in Scena\, producing over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. \nFor cinema\, she wrote and directed the documentary film Roberto Bolle. L’arte della Danza\, produced by Classica and Artedanza srl. She curated the DVD collection I capolavori della danza\, published by Classica HD and Corriere della Sera. \nSince 2000\, she has been teaching Dance History at the Accademia Teatro alla Scala\, and she also leads ballet talks for the Teatro alla Scala’s Under30/35 audience program. \n\n\n\n\n\n\n\nInfo & Tickets \n\n\n\n\n\n\n\nTICKETS \nSingle ticket: €6 \nTICKET PURCHASE \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens 30 minutes before the performance(Via della Costituzione 39\, Reggio Emilia) \nTickets are unreserved. \nCONTACTS FOR RESERVATIONS \nMobile & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-a-journey-through-the-ballet-repertoire-teatro-dellopera-di-roma/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251129T190000
DTEND;TZID=Europe/Rome:20251129T203000
DTSTAMP:20260404T010226
CREATED:20250901T124216Z
LAST-MODIFIED:20250908T154508Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 27 al 30 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Bolzano.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-8/2025-11-29/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bozen\, 39100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251130T160000
DTEND;TZID=Europe/Rome:20251130T173000
DTSTAMP:20260404T010226
CREATED:20250901T124216Z
LAST-MODIFIED:20250908T154508Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 27 al 30 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Bolzano.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-8/2025-11-30/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bozen\, 39100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251203T203000
DTEND;TZID=Europe/Rome:20251203T220000
DTSTAMP:20260404T010226
CREATED:20250901T124207Z
LAST-MODIFIED:20251014T104635Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:At the Teatro Sociale in Como\, Aterballetto performs Notte Morricone by Marcos Morau.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-teatro-sociale-como-aterballetto/
LOCATION:Teatro Sociale\, Via Bellini\, 3\, Como\, 22100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251204T110000
DTEND;TZID=Europe/Rome:20251204T120000
DTSTAMP:20260404T010226
CREATED:20251119T152441Z
LAST-MODIFIED:20251120T161335Z
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SUMMARY:HEI AI!
DESCRIPTION:On December 4\, the Sanpapié company performs with artificial intelligence for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nThrough words\, dance\, and metatheatrical interruptions\, an ironic and poetic narrative takes shape — suspended between present and future — inviting the audience to reflect on environment\, technology\, identity\, and relationships. A performance that blends spoken theatre\, dance\, physical action\, and philosophical inquiry to speak to young people in a direct\, profound\, and provocative way. \n“HEI AI!”\, written in collaboration with AI\, was born as a dance-theatre piece\, but is first and foremost a thinking device. \nA performance dedicated to middle and high school students. \n\n\n\n\n\n\n\n \nCREDITS \n\n\n\n\n\n\n\nA Sanpapié productionWith the support of MiC – TOCC Notice for the Ecological Transition of Cultural and Creative Organizations – Action B2In collaboration with Achab Group and Fabvision srl \nText: Saverio Bari and AIDirection and choreography: Lara GuidettiSoftware design: Fabvision srlCostumes: Maria Barbara De MarcoPop-up creation: Isadora BucciarelliSound design: Marcello GoriLight design: Marcello MarchiWith Francesca Lastella and Giacomo Stallone \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nDorian lands on Earth after a journey through space.He doesn’t remember exactly how long he has been away\, but it feels as if not much time has passed — perhaps a year. He recalls leaving on a mission to seek solutions to the environmental disaster unfolding on the planet\, which is making life on Earth increasingly difficult. But these memories are blurry… Are they really his? Was he truly on a mission? Who is he\, really? \nHe lands together with Ai\, the artificial intelligence that travelled with him\, and which helps him understand what is happening to him — and above all\, what has happened to the planet\, now inhospitable and\, it seems\, uninhabited. But suddenly he encounters Corpo\, apparently the only human being who survived the catastrophe — a being who has regressed to a primordial\, pre-historic state… \nCorpo does not speak. He communicates\, yes — but only through the language of the body\, through dance\, a language almost unintelligible to Dorian\, who is used to interacting only with Ai. Perhaps he has been away far longer than he thinks… or perhaps he has only just been “born\,” and has never before seen a real human being in flesh and blood. It is Ai\, through a dialogue of questions and answers\, who explains to Dorian what it means to be “human\,” what those expressions\, reactions\, and physical impulses of the creature before him signify — a creature he struggles to recognize as similar to himself. \nThrough direct experience — through being in the presence of Corpo — Dorian will finally discover the truth about his own nature:that he is\, in fact\, an artificial being. \n\n\n\n\n\n\n\nCompagnia Sanpapié \n\n\n\n\n\n\n\nFounded in 2008 and directed by Lara Guidetti\, Sanpapié is an artistic entity distinguished by the radical nature of its choreographic research and by a transdisciplinary approach that escapes any stylistic classification. The company investigates the body as a poetic and political device\, a meeting ground for the languages and imaginaries of the present. The organic intertwining of dramaturgy and movement generates works that transcend conventional formats\, engaging non-traditional spaces and diverse audiences. \nWith more than fifty productions and an international presence spanning Europe\, Asia\, and the Middle East\, Sanpapié has built a recognizable artistic vision in continuous transformation. \nIn 2025\, from the merger between Sanpapié and C&C Company\, SPaCCa is born — an acronym combining the two identities — a project of co-artistic direction led by Lara Guidetti and Carlo Massari. The result of an alliance between two mature and complementary artistic voices\, SPaCCa establishes itself on the international scene as an outpost for choreographic research and a center for interdisciplinary creation. \nA creative dialogue aimed at redefining — together — the territories of the contemporary. \n\n\n\n\n\n\n\nInfo & TICKETS \nTICKETS \n \nFull price: €3 \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hei-ai/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T180000
DTEND;TZID=Europe/Rome:20251206T190000
DTSTAMP:20260404T010226
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
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SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/05/Agora-Coaching-Project.3-foto-Nicola-Stasi.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T203000
DTEND;TZID=Europe/Rome:20251206T213000
DTSTAMP:20260404T010226
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
UID:10004240-1765053000-1765056600@www.fndaterballetto.it
SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/05/Agora-Coaching-Project.3-foto-Nicola-Stasi.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T210000
DTEND;TZID=Europe/Rome:20251206T223000
DTSTAMP:20260404T010226
CREATED:20250901T124157Z
LAST-MODIFIED:20251120T150029Z
UID:10004060-1765054800-1765060200@www.fndaterballetto.it
SUMMARY:Aterballetto Gala
DESCRIPTION:Il CCN/Aterballetto dance at Teatro Sperimentale in Pesaro on 6 december 2025.\n\n\n\n\n\n\n\nThe company’s dancers present an evening featuring some of the most recent highlights from their repertoire\, including the brand-new female solo Terra Piccola\, choreographed by Antonella Bertoni. \n\n\n\n\n\n\n\n  \n\n  \n\n\n\n\n\n\n\nPreludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional triggers\, embodying obsessions\, dependencies\, and desires in a hymn to the body and its constant transformation. \n\n\n\n\n\n\n\nhttps://youtu.be/cN_5fZFrz4c \n  \n\n\n\n\n\n\n\nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata. \n\n\n\n\n\n\n\nhttps://youtu.be/SBq99Tyc-xQ \n  \n\n\n\n\n\n\n\nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic motion of the sea — a symbol of eternity and a place of encounters\, departures\, and returns. A poetic duet\, fluid like a wave that moves through time. \n\n\n\n\n\n\n\nhttps://youtu.be/pn4a6L_U-hs \n\n\n\n\n\n\n\nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient and sacred ability to recognize oneself in others. Solitudes and individualities gradually transform into a collective presence\, into a harmony built on listening and sharing.
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-pesaro-rossini/
LOCATION:Teatro Sperimentale\, Via Gioacchino Rossini\, Pesaro\, 61121\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251209T180000
DTEND;TZID=Europe/Rome:20251209T190000
DTSTAMP:20260404T010226
CREATED:20251119T143733Z
LAST-MODIFIED:20251120T162302Z
UID:10004241-1765303200-1765306800@www.fndaterballetto.it
SUMMARY:Rhapsody in blue | Solo Echo - open rehearsal
DESCRIPTION:Aterballetto’s final open rehearsal of 2025\nOn Tuesday\, December 9 at 6:00 PM\, Aterballetto opens the doors of Sala Fusione to share with the Reggio Emilia audience the rehearsal process of Rhapsody in Blue by Iratxe Ansa & Igor Bacovich and Solo Echo by Crystal Pite. \nOpen rehearsals are unique moments in which audiences can witness how a performance is created\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that allows the public to step inside the daily practice of dancers and choreographers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n \nFull price: €3Free: under 6 \n \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251211T203000
DTEND;TZID=Europe/Rome:20251211T220000
DTSTAMP:20260404T010226
CREATED:20250908T150311Z
LAST-MODIFIED:20251014T112228Z
UID:10004163-1765485000-1765490400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:At the Teatro Verdi in Pordenone\, Aterballetto performs Notte Morricone by Marcos Morau on the occasion of the International Mountain Day\, as part of the Montagna Teatro Festival 2025.\n  \nI\, Ennio Morricone\, am dead\,” wrote the composer before bidding farewell. His music\, however\, cannot die. Creators and artists never truly leave us; they remain\, held alive and safe by memory itself. Notte Morricone is my gift — a devoted tribute to the beauty he gave to the world. \nNotte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind — alone and dazed before his sheets of paper\, jotting down notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.\n— Marcos Morau\, Director and Choreographer \nIt is impossible to describe Notte Morricone — a masterful work that reaches the spectator in waves\, enveloping them in emotion\, capturing them in the memory of timeless melodies that have long outlived the images that inspired them. The choreography is equally enchanting — refined and deeply poetic\, crafted with meticulous attention to detail: legs and necks seem jointless\, bending and springing rhythmically like metronomes.\n— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-16/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251213T180000
DTEND;TZID=Europe/Rome:20251213T190000
DTSTAMP:20260404T010226
CREATED:20251119T155321Z
LAST-MODIFIED:20251205T123153Z
UID:10004242-1765648800-1765652400@www.fndaterballetto.it
SUMMARY:AiAiAi Pinocchio!
DESCRIPTION:A new Pinocchio for Danza in Fonderia | Anthologies. New Readings of the Body.\n \nInspired by Collodi’s famous tale\, AiAiAi Pinocchio! shifts the action into the contemporary world\, speaking the language of Generation Alpha\, a world shaped by the presence of artificial intelligence.Geppa is a tech-enthusiast passionate about digital creation\, attempting to generate a Pinocchio no longer made of wood\, but of pixels\, data\, and algorithms. Accompanying the two characters in this adventure are a talking Cricket\, a robot\, and FATA TURKINA\, the virtual assistant. \n \nA performance for children aged 5 and up \nCREDITS \nPROJECT WINNER OF THE BUGS CALL — MULTIDISCIPLINARY HABITATS FOR YOUTH THEATRE 2024 \n \nby Gruppo IbridoConcept\, creation\, and performance: Cinzia Pietribiasi and Davide TagliaviniImages\, video\, and sound: Gruppo Ibrido with Copilot\, Haiper AI\, EaseUs Voice Over AI GeneratorVideo assistant: Federica Neri \n \nProduction: Compagnia Artemis DanzaWith the support of the Italian Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Comune di ParmaWith the support of progetto BUGS\, Associazione Settimo Cielo / Periferie Artistiche\, Cooperativa Teatrale Prometeo – Passo Nord\, Giocateatro Torino / Fondazione Teatro Ragazzi e Giovani\, IntercettAzioni – Centro di Residenza Artistica della Lombardia / Circuito CLAPS\, KanterStrasse\, Officine Della Cultura\, Officine Papage\, Pilar Ternera\, Straligut Teatro\, Teatro fra le Generazioni / Giallo Mare Minimal Teatro\, Teatro Trieste 34Robot design and implementation: Fab-lab KATAPULT (Slovenia)\, Santa Chiara Lab – University of Siena \n \nDuration: 60 minutes\, no intermissionRecommended age: 5 and up \nGRUPPO IBRIDO \nGRUPPO IBRIDO was founded in 2021 by dancer Davide Tagliavini and director/digital artist Cinzia Pietribiasi. It is supported by Compagnia Artemis Danza\, which produces Pollicino Show\, their first work for young audiences\, finalist at IN-BOX Verde 2024/2025 and performed more than 45 times.In 2024\, Gruppo Ibrido won the BUGS – Multidisciplinary Habitats for Youth Theatre call with AiAiAi Pinocchio! and the CollaborAction Kids call promoted by Network Anticorpi XL with Walt e l’arte di volare. \n \nCinzia Pietribiasi (1979) teaches Multimedia Dramaturgy and Aesthetics of New Media at the Academy of Fine Arts in Palermo. She was a Junior Scientist for an art–science research project at the Academy of Fine Arts in Rome\, in collaboration with the National Institute for Nuclear Physics (INFN). After earning her Master’s degree in Cultural Heritage Conservation\, she graduated in New Art Technologies at the Brera Academy of Fine Arts in Milan.Her latest work\, Padre d’amore Padre di fango\, won the Stazioni d’emergenza 2023 call at Galleria Toledo in Naples\, the First Prize and the Critics’ Prize at the Rimini festival Le voci dell’Anima 2021\, and was selected for the Visionari call for Kilowatt Festival 2020 in Sansepolcro. As a member of Jan Voxel\, she won the Residenze Digitali 2021 call. She also performs with La Baracca – Teatro Testoni in Bologna. \n \nDavide Tagliavini (1990)\, dancer\, performer\, and choreographer\, has worked with Emma Dante\, Marina Abramović\, Luna Cenere\, Artemis Danza\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo\, and others. He choreographed L’elisir d’amore for the Teatro Regio di Parma and Tristano e Isotta for the Teatro Massimo di Palermo.He performs in Luna Cenere’s works Vanishing Place (selected for the Venice Biennale Danza) and Shoes On (selected for the NID Platform in Cagliari).He teaches in the OVER Limited program in collaboration with CCN/Aterballetto.In 2024\, he premiered his first authorial solo\, THAT’S ALL\, created for the Visavì Gorizia Dance Festival\, and selected by Danza Urbana XL 2025\, This Must Be The Space (FDE Festival Danza Estate and Festival MILANoLTRE)\, WAM! Festival\, and the Vetrina della giovane danza d’autore eXtra 2025 – Network Anticorpi XL. \nINFO & TICKETS \nTICKETSFor everyone: €6 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe Fonderia box office is open from 5:00 PM. \n \nTickets are unreserved. \n \n \nCONTACTS \n \n📞 Cell & WhatsApp: 334 1023554
URL:https://www.fndaterballetto.it/en/evento/aiaiai-pinocchio/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251214T170000
DTEND;TZID=Europe/Rome:20251214T174500
DTSTAMP:20260404T010227
CREATED:20251016T175649Z
LAST-MODIFIED:20251017T084209Z
UID:10004190-1765731600-1765734300@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada\, arrives at the Teatro Marenco in Novi Ligure.\n\n \n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-20/
LOCATION:Teatro Romualdo Marenco\, Via Nicolò Girardengo\, 48\, Novi Ligure\, AL\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251214T204500
DTEND;TZID=Europe/Rome:20251214T220000
DTSTAMP:20260404T010227
CREATED:20250901T124150Z
LAST-MODIFIED:20251212T133034Z
UID:10004061-1765745100-1765749600@www.fndaterballetto.it
SUMMARY:Solo Echo / Reconciliatio / An echo\, a wave / Rhapsody in blue
DESCRIPTION:Aterballetto opens the 2025–2026 dance season at the Teatro Comunale Città di Vicenza on Sunday\, December 14.\nCCN/Aterballetto performs a true concert in dance. Solo Echo by Crystal Pite\, set to Brahms’ sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj set to Beethoven’s Moonlight Sonata. In An echo\, a wave by Philippe Kratz\, the flowing movements of the two dancers recall the motion of the sea\, while Rhapsody in blue by Iratxe Ansa and Igor Bacovich is a playful\, lively choreography echoing Gershwin’s famous score. \n  \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-an-echo-a-wave-rhapsody-in-blue-vicenza/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251218T210000
DTEND;TZID=Europe/Rome:20251218T223000
DTSTAMP:20260404T010227
CREATED:20251119T122115Z
LAST-MODIFIED:20251119T122115Z
UID:10004243-1766091600-1766097000@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto closes the 2025 season at the Teatro Magnani in Fidenza on Thursday\, 18 December.\nThe CCN/Aterballetto performs Dreamers\, a true dance concert.Preludio by Diego Tortelli is a creation for five dancers set to the unmistakable voice of Nick Cave.Reconciliatio\, by Angelin Preljocaj\, is a delicate female duet performed to Beethoven’s Moonlight Sonata.In An echo\, a wave by Philippe Kratz\, the dancers’ flowing movement recalls the motion of the sea.Finally\, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively\, playful choreography — just like Gershwin’s iconic composition — performed by all 16 Aterballetto dancers. \n\n\n\n\n\n\n\nhttps://youtu.be/SBq99Tyc-xQ \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-5/
LOCATION:Teatro Magnani\, Piazza Giuseppe Verdi\, 1\, Fidenza\, PR\, 43036\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,Stagione 25/26,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260103T203000
DTEND;TZID=Europe/Rome:20260103T220000
DTSTAMP:20260404T010227
CREATED:20250901T124143Z
LAST-MODIFIED:20251014T112628Z
UID:10004062-1767472200-1767477600@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto’s first performance of 2026 is Notte Morricone by Marcos Morau at the Teatro delle Muse in Ancona.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-teatro-delle-muse-ancona/
LOCATION:Teatro delle Muse\, Piazza della Repubblica\, Ancona\, 60121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260107T110000
DTEND;TZID=Europe/Rome:20260107T130000
DTSTAMP:20260404T010227
CREATED:20251222T092741Z
LAST-MODIFIED:20251230T092549Z
UID:10004268-1767783600-1767790800@www.fndaterballetto.it
SUMMARY:Rhapsody in Blue | Italian Tricolour Flag Day Celebration
DESCRIPTION:CCN/Aterballetto celebrates the Italian Tricolour Flag at the Teatro Valli in Reggio Emilia\nOn Wednesday\, January 7\, 2026\, at the invitation of the Municipality of Reggio Emilia\, CCN/Aterballetto takes part in the celebrations of the Italian Tricolour Flag\, first adopted in Reggio Emilia in 1797. \nThe ceremony will take place at the Teatro Municipale Romolo Valli at approximately 11:00 AM. Speakers will include Marco Massari\, Mayor of Reggio Emilia; Giorgio Zanni\, President of the Province; and Michele De Pascale\, President of the Emilia-Romagna Region. \nThe ceremony will be followed by a lectio magistralis by Corrado Augias. CCN/Aterballetto will close the event with the choreography Rhapsody in Blue by Iratxe Ansa and Igor Bacovich. \n\n\n\n\n\n\n\n\nRead more\nhttps://www.youtube.com/watch?v=PkJ29Y8xAqQ \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-italian-tricolour-flag-day-celebration/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260109T210000
DTEND;TZID=Europe/Rome:20260109T220000
DTSTAMP:20260404T010227
CREATED:20251007T150813Z
LAST-MODIFIED:20251014T130406Z
UID:10004164-1767992400-1767996000@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto performs Dreamers at the Teatro della Regina in Cattolica on Friday\, January 9\, 2026.\n\n\n\n\n\n\n\nThe CCN/Aterballetto presents an evening that traverses body\, soul\, and memory — four creations reflecting on intimacy\, human fragility\, and the strength of shared emotion. \nPreludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion\, embodying obsession\, dependency\, and desire in a hymn to the body and its constant transformation. \nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata — a work of quiet power and profound grace. \nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea\, a symbol of eternity and a space of encounters\, departures\, and returns — a poetic duet\, fluid as a wave flowing through time. \nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient\, sacred ability to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness\, into a harmony built on listening and shared emotion. \n\n\n\n\n\n\n\n© Festival de Granada | Fermín Rodríguez \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-2/
LOCATION:Teatro della Regina\, Piazza della Repubblica\, 28/29\, Cattolica\, RN\, Italy
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260117T180000
DTEND;TZID=Europe/Rome:20260117T190000
DTSTAMP:20260404T010227
CREATED:20251222T110429Z
LAST-MODIFIED:20260112T180655Z
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SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260117T210000
DTEND;TZID=Europe/Rome:20260117T220000
DTSTAMP:20260404T010227
CREATED:20251007T151301Z
LAST-MODIFIED:20251014T130654Z
UID:10004165-1768683600-1768687200@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto performs Dreamers at the Teatro del Popolo in Concordia sulla Secchia (MO) on Saturday\, January 17\, 2026.\nThe National Choreographic Centre Aterballetto presents an evening that traverses body\, soul\, and memory — four creations reflecting on intimacy\, human fragility\, and the strength of shared emotion. \nPreludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion\, embodying obsession\, dependence\, and desire in a hymn to the body and its constant transformation. \nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata\, a piece of subtle power and poetic grace. \nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea — a symbol of eternity and a place of encounters\, departures\, and returns. It is a poetic duet\, fluid and timeless like the waves themselves. \nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient\, sacred capacity to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness\, into a harmony built on listening and shared emotion. \n© Festival de Granada | Fermín Rodríguez \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-3/
LOCATION:Teatro del Popolo\, via della Pace\, 108\, Concordia sul Secchia\, MO\, Italy
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260118T173000
DTEND;TZID=Europe/Rome:20260118T181500
DTSTAMP:20260404T010227
CREATED:20251222T142959Z
LAST-MODIFIED:20251230T090759Z
UID:10004265-1768757400-1768760100@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Moruzzi in Noceto\, near Parma.\n\n \n\n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998)—a master not only of images but also of words—lies at the heart of this new creation by the Fondazione Nazionale della Danza / Aterballetto for children and young audiences\, where a dancer and an actor play with his language. \nThe almost magical vibrations that spring from Scialoja’s poems are like the endless ripples that form on the surface of water when a stone is thrown: evokers of unreal or hyper-real images\, bearers of a musicality that blends poetry and nursery rhyme\, allowing the extraordinary and the frightening to meet. \nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of peacock-hued rosesIt’s the toad’s turn to rinse the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \n\n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and props: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-22/
LOCATION:Teatro Moruzzi\, Via Boni e Gavazzi\, 1\, Noceto\, PR\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260118T180000
DTEND;TZID=Europe/Rome:20260118T190000
DTSTAMP:20260404T010227
CREATED:20251222T110429Z
LAST-MODIFIED:20260112T180655Z
UID:10004270-1768759200-1768762800@www.fndaterballetto.it
SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-18/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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DTSTART;TZID=Europe/Rome:20260120T180000
DTEND;TZID=Europe/Rome:20260120T190000
DTSTAMP:20260404T010227
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LAST-MODIFIED:20260113T092456Z
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SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-20/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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DTSTART;TZID=Europe/Rome:20260121T203000
DTEND;TZID=Europe/Rome:20260121T213000
DTSTAMP:20260404T010227
CREATED:20251222T113708Z
LAST-MODIFIED:20260113T092456Z
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SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260123T210000
DTEND;TZID=Europe/Rome:20260123T223000
DTSTAMP:20260404T010227
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-23/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260124T180000
DTEND;TZID=Europe/Rome:20260124T193000
DTSTAMP:20260404T010227
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
UID:10004247-1769277600-1769283000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-24/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260125T150000
DTEND;TZID=Europe/Rome:20260125T160000
DTSTAMP:20260404T010227
CREATED:20251222T102618Z
LAST-MODIFIED:20260107T162202Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda arrives at Palazzo Bentivoglio in Gualtieri.\n \nSunday\, January 25\, 20263:00 PM and 5:00 PM \n \nThe Fondazione Museo Antonio Ligabue has a dream: to transform the Salone dei Giganti of Palazzo Bentivoglio into a living theatre. More than that\, it envisions the frescoes depicting scenes from Gerusalemme liberata by Torquato Tasso coming to life through the dance of Il Combattimento di Tancredi e Clorinda\, curated by the Centro Coreografico Nazionale / Aterballetto. \n \nThis is not just a performance. It is a one-of-a-kind site-specific event. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.Myth will become flesh\, breath\, and movement. \nWould you like to help make this ambitious dream a reality and become part of the myth?\n \n\n\n\n\n\n\n\n\nJoin the crowdfunding campaign here! \n\n\n\n\n\n\n\n\n  \nhttps://youtu.be/mjZQdcn1fgc \n\n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death\, inspired by the story of Tancredi and Clorinda as told by Torquato Tasso in Gerusalemme Liberata (whose 450th anniversary of its first draft falls in 2025) and set to music by Claudio Monteverdi (1624)\, retains a striking relevance today. \nThe CCN/Aterballetto interprets this legacy through dance—its privileged language for conveying the work’s intensity and dramatic power—in a performance created by Fabio Cherstich and Philippe Kratz\, performed by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \nThe performance is preceded and followed by talks by Antonio Audino\, theatre critic and journalist for Radio Rai 3\, who\, with his characteristic clarity\, will cast a contemporary light on what are considered “sacred texts” of Italy’s cultural heritage. \n\n\n\n\n\n\n\n\n  \nCREDITS \n\n\n\n\n\n\n\n\n\nDirection and visuals: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger (tenor): Matteo StraffiHarpsichord: Deniel Perer \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, GhislieriMusica – Centro di Musica Antica \nPremiered in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within cultural institutions and heritage sites\, promoted by the Directorate General for Museums and co-funded by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria—and in particular the National Archaeological Museum and Roman Theatre of Spoleto—established\, with the support of the Directorate General for Museums\, a partnership shared with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Castello Svevo in Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa.Castel Sant’Angelo in Rome later joined the project\, hosting the initiative as part of the summer program Sotto l’angelo di Castello 2024. \n\n\n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating an humanity struggling against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, forced to fight and to enact a story that has already been written. \nA single voice brings three characters to life: the text itself\, Tancredi\, and Clorinda merge into the body and sound of a single singer. This estranged sound\, constrained within a circular path\, creates a sense of constant repetition\, underscoring the endless cycle of this story of love and death—tragically destined to repeat itself through the centuries and reach us today with all its force\, as an emanation of the poetic power of Tasso’s words and the sublime music of Monteverdi. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\n\nIn Tasso’s narrative\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances. \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and alone—appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another\, confronting one another\, and wounding one another. The dynamic is that of a warlike\, conflictual ritual between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other\, in any case\, has not won… a deep\, shared wound that remains on both bodies. \nSo are these two people fighting each other\, or is it perhaps one person struggling with themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-14/2026-01-25/1/
LOCATION:Palazzo Bentivoglio\, Piazza Bentivoglio\, 32\, Gualtieri\, RE\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260125T160000
DTEND;TZID=Europe/Rome:20260125T173000
DTSTAMP:20260404T010227
CREATED:20250901T124135Z
LAST-MODIFIED:20251014T131002Z
UID:10004248-1769356800-1769362200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:In the prestigious setting of the Pays de Danses Festival in Liège\, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24\, 2026.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \nThe performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pays-de-danses-liegi-aterballetto/2026-01-25/
LOCATION:Théâtre de Liège\, Place du 20-Août\, 16\, Liège\, 4000\, Belgium
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260125T170000
DTEND;TZID=Europe/Rome:20260125T180000
DTSTAMP:20260404T010227
CREATED:20251222T102618Z
LAST-MODIFIED:20260107T162202Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda arrives at Palazzo Bentivoglio in Gualtieri.\n \nSunday\, January 25\, 20263:00 PM and 5:00 PM \n \nThe Fondazione Museo Antonio Ligabue has a dream: to transform the Salone dei Giganti of Palazzo Bentivoglio into a living theatre. More than that\, it envisions the frescoes depicting scenes from Gerusalemme liberata by Torquato Tasso coming to life through the dance of Il Combattimento di Tancredi e Clorinda\, curated by the Centro Coreografico Nazionale / Aterballetto. \n \nThis is not just a performance. It is a one-of-a-kind site-specific event. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.Myth will become flesh\, breath\, and movement. \nWould you like to help make this ambitious dream a reality and become part of the myth?\n \n\n\n\n\n\n\n\n\nJoin the crowdfunding campaign here! \n\n\n\n\n\n\n\n\n  \nhttps://youtu.be/mjZQdcn1fgc \n\n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death\, inspired by the story of Tancredi and Clorinda as told by Torquato Tasso in Gerusalemme Liberata (whose 450th anniversary of its first draft falls in 2025) and set to music by Claudio Monteverdi (1624)\, retains a striking relevance today. \nThe CCN/Aterballetto interprets this legacy through dance—its privileged language for conveying the work’s intensity and dramatic power—in a performance created by Fabio Cherstich and Philippe Kratz\, performed by dancers Alessia Giacomelli and Kiran Gezels\, tenor Matteo Straffi\, and harpsichordist Deniel Perer. \nThe performance is preceded and followed by talks by Antonio Audino\, theatre critic and journalist for Radio Rai 3\, who\, with his characteristic clarity\, will cast a contemporary light on what are considered “sacred texts” of Italy’s cultural heritage. \n\n\n\n\n\n\n\n\n  \nCREDITS \n\n\n\n\n\n\n\n\n\nDirection and visuals: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger (tenor): Matteo StraffiHarpsichord: Deniel Perer \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, GhislieriMusica – Centro di Musica Antica \nPremiered in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within cultural institutions and heritage sites\, promoted by the Directorate General for Museums and co-funded by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria—and in particular the National Archaeological Museum and Roman Theatre of Spoleto—established\, with the support of the Directorate General for Museums\, a partnership shared with five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Castello Svevo in Bari\, the Certosa di San Martino in Naples\, and the Archaeological Park of Venosa.Castel Sant’Angelo in Rome later joined the project\, hosting the initiative as part of the summer program Sotto l’angelo di Castello 2024. \n\n\n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space\, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating an humanity struggling against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.In our vision\, Tancredi and Clorinda are contemporary warriors\, indissolubly bound to one another\, forced to fight and to enact a story that has already been written. \nA single voice brings three characters to life: the text itself\, Tancredi\, and Clorinda merge into the body and sound of a single singer. This estranged sound\, constrained within a circular path\, creates a sense of constant repetition\, underscoring the endless cycle of this story of love and death—tragically destined to repeat itself through the centuries and reach us today with all its force\, as an emanation of the poetic power of Tasso’s words and the sublime music of Monteverdi. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\n\nIn Tasso’s narrative\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances. \nA more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated\, deceived\, and alone—appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another\, confronting one another\, and wounding one another. The dynamic is that of a warlike\, conflictual ritual between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other\, in any case\, has not won… a deep\, shared wound that remains on both bodies. \nSo are these two people fighting each other\, or is it perhaps one person struggling with themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-14/2026-01-25/2/
LOCATION:Palazzo Bentivoglio\, Piazza Bentivoglio\, 32\, Gualtieri\, RE\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260128T193000
DTEND;TZID=Europe/Rome:20260128T210000
DTSTAMP:20260404T010227
CREATED:20250901T124113Z
LAST-MODIFIED:20251014T131715Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:On January 28 and 29\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at Theater Gütersloh in Germany.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-17/
LOCATION:Theater Gütersloh\, Barkeystraße 15\, Gütersloh\, 33330\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260129T193000
DTEND;TZID=Europe/Rome:20260129T210000
DTSTAMP:20260404T010227
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Il 28 e 29 gennaio 2026\, Aterballetto danza Notte Morricone di Marcos Morau al Theater Gütersloh in Germania.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-gutersloh-2/
LOCATION:Theater Gütersloh\, Barkeystraße 15\, Gütersloh\, 33330\, Germania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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