Centro Coreografico Nazionale / Aterballetto

ANTIdoti
2022-02-20 20:30 - 21:15 (Europe/Rome) | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
ANTIdoti remedies for contemporary cultural decadence

6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake.

CREDITS
Choreography and direction Afshin Varjavandi
with INC innprogress collective: Giorgia Aluigi, Jenny Mattaioli, Chiara Morelli, Gioele Papa, Chiara Parretta, Emma Viceconti
Music editing Francesco Fiorucci Chiskee
Art-work Sara Lanzi
with the support for the performing space CentroDanza Perugia
Duration: 45’
SYNOPSIS
6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake. Young and powerful, the dancers constantly run physics and metaphysics, in a dance of urban roots, deconstructed and recomposed in a movement research free from definitions of genders, going through a plastic state from which they often wake up in the intimacy of their real identity.
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
They also become heroes of a historical phase, the present, that forced them to distance themselves from everything and everyone, perhaps forcing them to look within themselves, and to find remedies for the cultural decay of the contemporary era.
Or more simply to find an answer to how to live in a world insecure between cliché and unconventional desire.
INC InNprogressCollective
INC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances, visual art and performing art.
It was founded in 2006 following the creation of “HEIM“, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto, attracting the interest of Elisabetta Terabust, Prof. Alberto Testa, Susan Sentler, Clarissa Mucci, Gigi Caciuleanu, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals, including Amores (Bologna), Cross Roads (Florence), Giffoni Film Festival (Giffoni), Notte Bianca (Rome), Fringe Festival (Spoleto).
Hence the idea of setting up a stable group of young artists, promoters of new forms of contemporary street art, urban dances and trends.
Productions followed:
Departure (2007), Underskin (2008, winner of the Spoleto International Dance Week), Protest! (2009-2010, winner of S.I.D. Spoleto, LatinArte, UISP award, Positano Leonide Massine award), Oceania (2012, in production with LaMaMa Umbria, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York).
In 2015, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto, and was sold-out for all three performances.
Director Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“, to be released in cinemas in January 2016.
innprogresscollective.com
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-02-28 20:30 - 22:10 | Teatro Verdi, Viale Martelli, 2, Pordenone, 33170, Italia
At Teatro Verdi in Pordenone, Aterballetto dances Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

Quel che resta - Open rehearsal
2022-03-08 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
OPEN REHEARSAL
A choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth, the organism multiplies its directions and continually makes possible new balances and new links, without avoiding the occurrence of mutations.
Quel che resta (What remains) is a journey towards the wonder of movement, made up of moments in which dance freezes in a gesture and surprising explosions, sudden bursts, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures.

CREDITS
Concept and choreography: Simona Bertozzi
Dance: Marta Ciappina, Simona Bertozzi
Music: Stravinsky: Diversions, Ray Chen, Timothy Young Divertimento: IV. Pas de deux, Coda Presto
Soundscape: Roberto Passuti
(with an excerpt from the documentary Big Animals survival strategies)
Lighting design: Giuseppe Filipponio
Organization: Chiara Boscariol
Press: Michele Pascarella
Photo and video: Luca Del Pia
Duration: 45’
Production: Nexus 2021
With the contribution of Mic, Regione Emilia-Romagna, Comune di Bologna
With the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze
Creative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro, Artists in ResidenSì Bologna, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021, CSS Teatro stabile di innovazione del FVG, Almastudios Bologna.
SYNOPSIS
Since the beginning of my journey with Marta, I have tried to attribute to the space environmental characteristics that could generate visions, change the density of the air and generate the unexpected ability to cross. Unusual ways of being.
All this so that we could meet in a boundless dance, able to reverberate beyond the awareness of our actions and surprise us, almost despite ourselves, in attitudes of affection and irresistible resonance.
Quel che resta (What remains) was, at first, one of the territories of the map and of the practices, between glaciation, skins, escapes, and then became the overlying image, the bubble, the necessary degree of presence, the shared gaze, the inevitable questioning on which to pause, to find the subtle breath and transit from one dance to another.
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
From a section of space, Quel che resta has become the whole organism, the living, a multiplication of vectors, perspectives, anatomical flexions, rhythm and time.
It has made us connective tissues, to imagine and welcome other inhabitants, to make temperatures and origins reverberate, to generate multiform agreements of entry into movement, looking for unexpected capacities to make the world. To generate amazement.
Quel che resta is the impetuosity and the lingering of bodies, the weightless touch: it extends a vocabulary of waits and starts, of repeated geometries, of figurines, ice, resistance, epidermis and pupils and of refrains. To be hooked.
SIMONA BERTOZZI
Simona Bertozzi, dancer and choreographer, a graduate from DAMS in Bologna, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company.
Over the years, her projects have been supported and hosted by important Italian and European circuits, through co-productions and choreographic residencies.
Her most recent works include: And it burns, burns, burns finalist at the 2017 UBU Awards as Best Dance Performance, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza, MilanOltre, Nexus and Festival Est Ovest.
Since 2014 the creation path has also addressed young performers, involving children and teenagers.
In 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award.
simonabertozzi.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-03-08 19:30 - 21:10 | Theater im Pfalzbau, Berliner Straße 30, Ludwigshafen, D – 67059, Germania
Aterballetto performs in Ludwigshafen Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation, we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

QUEL CHE RESTA
2022-03-09 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia

A choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth, the organism multiplies its directions and continually makes possible new balances and new links, without avoiding the occurrence of mutations.
Quel che resta (What remains) is a journey towards the wonder of movement, made up of moments in which dance freezes in a gesture and surprising explosions, sudden bursts, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures.

CREDITS
Concept and choreography: Simona Bertozzi
Dance: Marta Ciappina, Simona Bertozzi
Music: Stravinsky: Diversions, Ray Chen, Timothy Young Divertimento: IV. Pas de deux, Coda Presto
Soundscape: Roberto Passuti
(with an excerpt from the documentary Big Animals survival strategies)
Lighting design: Giuseppe Filipponio
Organization: Chiara Boscariol
Press: Michele Pascarella
Photo and video: Luca Del Pia
Duration: 45’
Production: Nexus 2021
With the contribution of Mic, Regione Emilia-Romagna, Comune di Bologna
With the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze
Creative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro, Artists in ResidenSì Bologna, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021, CSS Teatro stabile di innovazione del FVG, Almastudios Bologna.
SYNOPSIS
Since the beginning of my journey with Marta, I have tried to attribute to the space environmental characteristics that could generate visions, change the density of the air and generate the unexpected ability to cross. Unusual ways of being.
All this so that we could meet in a boundless dance, able to reverberate beyond the awareness of our actions and surprise us, almost despite ourselves, in attitudes of affection and irresistible resonance.
Quel che resta (What remains) was, at first, one of the territories of the map and of the practices, between glaciation, skins, escapes, and then became the overlying image, the bubble, the necessary degree of presence, the shared gaze, the inevitable questioning on which to pause, to find the subtle breath and transit from one dance to another.
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
From a section of space, Quel che resta has become the whole organism, the living, a multiplication of vectors, perspectives, anatomical flexions, rhythm and time.
It has made us connective tissues, to imagine and welcome other inhabitants, to make temperatures and origins reverberate, to generate multiform agreements of entry into movement, looking for unexpected capacities to make the world. To generate amazement.
Quel che resta is the impetuosity and the lingering of bodies, the weightless touch: it extends a vocabulary of waits and starts, of repeated geometries, of figurines, ice, resistance, epidermis and pupils and of refrains. To be hooked.
SIMONA BERTOZZI
Simona Bertozzi, dancer and choreographer, a graduate from DAMS in Bologna, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company.
Over the years, her projects have been supported and hosted by important Italian and European circuits, through co-productions and choreographic residencies.
Her most recent works include: And it burns, burns, burns finalist at the 2017 UBU Awards as Best Dance Performance, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza, MilanOltre, Nexus and Festival Est Ovest.
Since 2014 the creation path has also addressed young performers, involving children and teenagers.
In 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award.
simonabertozzi.it
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

NEXT GENERATION CHOREOGRAPHERS
2022-03-13 20:30 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
NEXT GENERATION CHOREOGRAPHERS
10 choreographic studies by the authors of tomorrow
The advanced training course Next Generation Choreographers promoted by Fondazione Nazionale della Danza together with Ecipar- Reggio Emilia ends with a performance.
The twelve selected choreographers put their acquired skills to use by creating ten choreographies for the young dancers of the Agora Coaching Project.
It will be a unique opportunity to attend the creations of the authors of tomorrow.
10 choreographic studies
Choreographies by Nicolò Abbattista, Adriano Bolognino, Fabrizio Calanna, Noemi Dalla Vecchia, Nwagwu Nnamdi, Marta Papaccio, Annalì Rainoldi, Sabrina Rigoni, Danilo Smedile, Federica Sorrentino, Matteo Vignali, Andrea Zardi
With 18 danzatori del corso di perfezionamento Agora Coaching Project

NEXT GENERATION CHOREOGRAPHERS
Next Generation Choreographers is a course organized by Fondazione Nazionale della Danza/Aterballetto and Ecipar- Reggio Emilia that, through four intensive modules between October 2021 and March 2022, is giving twelve emerging choreographers the opportunity to work with some of the most interesting choreographers on the international scene, as well as playwrights, light designers and stage technicians.
The aim of the project is to offer participants all the technical and theoretical tools required to deepen the study of the choreographic composition.
The final part of the program is reserved for a creative workshop in which all participants are asked to create a performance and work with the young dancers of Agora Coaching Project.
AGORA COACHING PROJECT
AGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years, which is based in Reggio Emilia.
Born in 2010, the course is directed by Michele Merola and Enrico Morelli and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market, artists able to respond to requests of different nature, technical/stylistic, which come from this same market.
The course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers, each of whom comes from and works in different realities among the most interesting on the international scene. Agora, in fact, brings the students together with established choreographers of different stylistic orientations, and in recent years has seen the presence of many illustrious names: several teachers, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project
michelemerola.it
INFO & TICKETS
TICKETS
Single ticket: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

.

Don Juan
2022-03-18 21:00 - 22:40 | Teatro Galli, Piazza Cavour, 22, Rimini, Italia
Aterballetto performs in Rimini Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

IL MONDO ALTROVE - OPEN REHEARSAL
2022-03-19 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Nicola Galli – Il mondo altrove
OPEN REHEARSAL
“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which, to Giacinto Scelsi’s obsessive music full of mysticism, transports us to distant worlds, between West and East, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali, Japanese Nō and the mythical atmospheres of South America.
[…] The dancers, entering through the door at the centre of the stage, concealing an unknown elsewhere, advance like mysterious priests, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”.
Mario Bianchi [ Krapp’s Last Post – 27/07/2021 ]

CREDITS
Concept ancd choreography: Nicola Galli
Dance: Margherita Dotta, Nicola Galli, Leonardo Maietto, Silvia Remigio
Music: Giacinto Scelsi, 3/4 had been eliminated
Props: Giulio Mazzacurati
Masks and costumes: Nicola Galli
Light and sound: Giovanni Garbo
Production: TIR Danza, stereopsis
Co-production: MARCHE TEATRO / Inteatro Festival, Oriente Occidente
Artistic residences: DID Studio / Ariella Vidach, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt), Oriente Occidente Studio_Passo Nord
With the support of: Rete Almagià
Took part to the process of creation: Nicolas Grimaldi Capitello
Duration: 50′
SYNOPSIS
Il mondo altrove is a choreographic pièce in the shape of dance ritual, which celebrates the motion of an unexplored world according to a scenic mindset.
The pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals, Japanese’s symbols and traditions of Nō theater, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research, focused on a spherical concept of sound.
From the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action.
Nicola Galli – Il mondo altrove
The action takes place at sunset, embraced by the bright colors of gold, cyan and purple, and then it dissolves in a nocturnal gestural dialogue, as expression of mutual support, perpetual gift, universal and celestial communion.
Faced with this physical language, we are invited to decipher the “hieroglyphs” of this unknown, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact, without pre-established hierarchies, with the poetry of an opaque language, whether it belongs to the animal world, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter.
NICOLA GALLI
Nicola Galli (1990, Ferrara) works on body research, stated in artistic pieces and devices that ranges from choreography to performance, from body installations to graphics.
Galli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara), studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance, modern dance, hip-hop and muscular rebalancing workshop ‘Monari Method’.
In 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body, that develops in installations and choreographic pieces. Starting from the natural science, the geometry and the astronomy he is fascinated by anatomy, proportion and details; these elements compose the core of his trasversal scenic imaginary.
In his works, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.
Contextually to artistic research, Nicola Galli creates and manages educational workshops dedicated to children, adults and young dancers, designed to explore the movement, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.
From 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.
Since 2014 he is choreographer supported by TIR Danza.
His works have been presented in: Egypt, France, Germany, Italy, Holland, and via livestreaming in South Korea.
He has also collaborated with important international Institutions: Italian Cultural Institute (Paris), Balletto di Toscana (Florence), MUSE Science Museum (Trento), Scuola Normale Superiore University (Pisa), Fondazione Perugia Musica Classica (Perugia), Institute of the Arts (Seoul), IUAV University (Venice).
AWARDS
• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale
• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura
• 2019: Italian prize “Sfera d’Oro per la danza”
• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device
nicolagalli.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

IL MONDO ALTROVE
2022-03-19 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Nicola Galli – Il mondo altrove

“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which, to Giacinto Scelsi’s obsessive music full of mysticism, transports us to distant worlds, between West and East, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali, Japanese Nō and the mythical atmospheres of South America.
[…] The dancers, entering through the door at the centre of the stage, concealing an unknown elsewhere, advance like mysterious priests, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”.
Mario Bianchi [ Krapp’s Last Post – 27/07/2021 ]

CREDITS
Concept ancd choreography: Nicola Galli
Dance: Margherita Dotta, Nicola Galli, Leonardo Maietto, Silvia Remigio
Music: Giacinto Scelsi, 3/4 had been eliminated
Props: Giulio Mazzacurati
Masks and costumes: Nicola Galli
Light and sound: Giovanni Garbo
Production: TIR Danza, stereopsis
Co-production: MARCHE TEATRO / Inteatro Festival, Oriente Occidente
Artistic residences: DID Studio / Ariella Vidach, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt), Oriente Occidente Studio_Passo Nord
With the support of: Rete Almagià
Took part to the process of creation: Nicolas Grimaldi Capitello
Duration: 50′
SYNOPSIS
Il mondo altrove is a choreographic pièce in the shape of dance ritual, which celebrates the motion of an unexplored world according to a scenic mindset.
The pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals, Japanese’s symbols and traditions of Nō theater, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research, focused on a spherical concept of sound.
From the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action.
Nicola Galli – Il mondo altrove
The action takes place at sunset, embraced by the bright colors of gold, cyan and purple, and then it dissolves in a nocturnal gestural dialogue, as expression of mutual support, perpetual gift, universal and celestial communion.
Faced with this physical language, we are invited to decipher the “hieroglyphs” of this unknown, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact, without pre-established hierarchies, with the poetry of an opaque language, whether it belongs to the animal world, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter.
NICOLA GALLI
Nicola Galli (1990, Ferrara) works on body research, stated in artistic pieces and devices that ranges from choreography to performance, from body installations to graphics.
Galli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara), studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance, modern dance, hip-hop and muscular rebalancing workshop ‘Monari Method’.
In 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body, that develops in installations and choreographic pieces. Starting from the natural science, the geometry and the astronomy he is fascinated by anatomy, proportion and details; these elements compose the core of his trasversal scenic imaginary.
In his works, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.
Contextually to artistic research, Nicola Galli creates and manages educational workshops dedicated to children, adults and young dancers, designed to explore the movement, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.
From 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.
Since 2014 he is choreographer supported by TIR Danza.
His works have been presented in: Egypt, France, Germany, Italy, Holland, and via livestreaming in South Korea.
He has also collaborated with important international Institutions: Italian Cultural Institute (Paris), Balletto di Toscana (Florence), MUSE Science Museum (Trento), Scuola Normale Superiore University (Pisa), Fondazione Perugia Musica Classica (Perugia), Institute of the Arts (Seoul), IUAV University (Venice).
AWARDS
• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale
• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura
• 2019: Italian prize “Sfera d’Oro per la danza”
• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device
nicolagalli.it
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Dreamers #1
2022-03-23 20:30 - 22:00 | La Maison des Arts du Léman, 4 bis avenue d’Evian, Thonon-les-Bains, 74200, Francia
Aterballetto dances in Thonon-les-Bains the triple bill Dreamers #1, composed of Secus by Ohad Naharin, “O” by Philippe Kratz and BLISS by Johan Inger.
Dreamers #1 offers a unique opportunity to admire the company through shades of contrast, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz, to vigorous rituality of Ohad Naharin.

STANZE ROOMS
2022-03-25 18:00 - 21:30, 2022-03-26 18:00 - 21:30, 2022-03-27 16:30 - 21:30 | Pinacoteca Tosio Martinengo, Piazza Moretto, 1, Brescia, BS, 25121, Italia
Stanze Rooms
A site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.

The resident choreographer of the Fondazione Nazionale della Danza / Aterballetto, Diego Tortelli, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto.

CREDITS
Choreography and concept: Diego Tortelli
Music: Daniela Savoldi
Cello: Daniela Savoldi
Sound design: Federico Bigonzetti
Costumes: Diego Tortelli in collaboration with Nuvia Valestri
Dancers: Fabio Calvisi, Marta Castelletta, Cristian Cucco, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Promoted by Comune di Brescia and Fondazione Brescia Musei
Production: Fondazione Nazionale della Danza / Aterballetto
Production partnership: Fondazione I Teatri Reggio Emilia
In collaboration with Centro Teatrale Bresciano
STANZE ROOMS
Stanze Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path, where history and innovation meet. For the choreographer, the museum is where we keep our memories, and it is to this special place that he wants to entrust all those duets and solos that have never been performed, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity, surrounded by the works of art and the wonderful places of the Pinacoteca.
The spectators will enter into an exciting close relationship with the dancers, accompanied by Daniela Savoldi‘s cello, and will experience in a special way the significant collection of Brescian and Italian paintings, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century.

INFO AND TICKETS
Performance times:
Friday 25 March, 6 p.m., 7.30 p.m., 9 p.m.
Saturday, 26 March, 6.00 p.m., 7.30 p.m., 9.00 p.m.
Sunday, 27 March, 4.30 p.m., 6 p.m., 7.30 p.m., 9 p.m.
Duration of each performance:
30′
Tickets:
Tickets are on sale at the Teatro Sociale box office, every day, Tuesday to Saturday from 4pm to 9pm, at the Centro Teatrale Bresciano point of sale, Piazza della Loggia 6, Tuesday to Friday from 10am to 1pm, or online at ctb.vivaticket.it.
Tickets cost 15 euros.

Dreamers #1
2022-03-29 20:45 - 22:30 | Centre d’art et de Culture, 15 Boulevard des Nations Unies, Meudon, 92190, Francia
Aterballetto dances in Meudon the triple bill Dreamers #1, composed of Secus by Ohad Naharin, “O” by Philippe Kratz and BLISS by Johan Inger.
Dreamers #1 offers a unique opportunity to admire the company through shades of contrast, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz, to vigorous rituality of Ohad Naharin.

Don Juan
2022-03-31 20:00 - 21:40, 2022-04-01 20:00 - 21:40 | Opéra de Massy, 1 place de France, Massy, 91300, Francia
At the Opéra de Massy, on 31 March and 1 April, Aterballetto dances Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

ALICE IN WONDERLAND
2022-04-02 18:00 - 18:40, 2022-04-03 18:00 - 18:40 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
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Alice in Wonderland is the new, colourful choreography by Carlo Massari and Emanuele Rosa, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter, the susceptible White Rabbit, a wiggly caterpillar, the dark and moody Queen of Hearts, the Cheshire Cat and the crazy tea party.

CREDITS
MM Contemporary Dance Company presents Agora Coaching Project
Choreography: Carlo Massari and Emanuele Rosa
Music: various authors
Lighting design: Gessica Germini
Costume design: Nuvia Valestri
Performers: Agora Coaching Project (10 dancers)
Duration: 40′
Recommended age 4-11 years old

SYNOPSIS
Alice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole, increasingly bizarre events occur… While wandering through Wonderland, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts, who is on the run for stealing tarts. Confusion mounts, until Alice wakes up with a start: was it just a daydream?
AGORA COACHING PROJECT
AGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22, based in Reggio Emilia. Created in 2010, it is directed by Michele Merola and Enrico Morelli, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical, cultural and exchange stimuli between students and choreographers, each of whom comes from and works in different realities among the most interesting on the international scene. Agora, in fact, brings students together with established choreographers of different stylistic orientations, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli, various teachers, each with proven and qualified experience in the sector, collaborate in the realisation of the project.
michelemerola.it
INFO & TICKETS
TICKETS
Price: 6 euro
PURCHASE TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The box office service in the Fonderia is open from h 17.00.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Another story - ''O'' - BLISS
2022-04-05 21:00 - 22:30 | CInema Teatro Boiardo, via XXV Aprile, 3, Scandiano, RE, 42019, Italia
Fondazione Nazionale della Danza / Aterballetto – Golden Days / BLISS – ph. Nadir Bonazzi
PERFORMANCE POSTPONED
We inform you that, due to the Covid-19 positivity of one of the performers, the show is postponed to a date to be defined.
Aterballetto dances at Cinema Teatro Boiardo in Scandiano, near Reggio Emilia.
On stage an evening of three choreographies. Another story by Diego Tortelli is a duet on the impossible gesture of the last year: the embrace. The duet “O” by Philippe Kratz: a small masterpiece that always hypnotizes. The programme closes with BLISS by Johan Inger, a joyful choreography on Keith Jarrett’s Koln Concert.

Don Juan
2022-04-08 20:00 - 21:40 | Teatro Ristori, via Teatro Ristori, 7, Verona, 37122, Italia
At Teatro Ristori in Verona, Aterballetto dances Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

50 MIN|MQ
2022-04-08 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
50 MIN|MQ presents the physical but not mental isolation that is still affecting our lives.
The dancers of E.sperimenti Dance Company show emotions and feelings, which are often contrasting and euphoric, resulting from the period of confinement we have experienced.

CREDITS
Dancers E.sperimenti Dance Company
Choreography Federica Galimberti
Music AA.VV.
Costumes E.sperimenti Dance Company
Lights Emilio Barone
Production GruppoDanzaOggi di Patrizia Salvatori
50 MIN|MQ
Be aware of the new that is coming, losing control. Putting one eye on yourself and another on the world.
Take refuge in the only place that represented and still represents, especially in this nation, a safe place. The dancers are the performers of the event that permanently signed a step into the new and the unknown.
Carrying our physical, emotional, cultural and spiritual experience, starting from the only place of freedom we had been given, the “Supermarket”, that became a special place for thoughts and ideas, let us give time to our ego, hit and hurt by the abuses of a time that has been taken from us, by marking social rhythms and distances and adding a little irony in our hardest moments.
An awakening for many.
50 MIN|MQ is a performance in which the dancers express emotions and feelings, often conflicting and euphoric, resulting from the period of isolation experienced. It is a very involving performance because it is the true emotional representation of the artists and all of us.
A new production by the choreographer Federica Galimberti who, together with the performers, decided to rethink their own being as performers, through technological, rather than human, connections. They have been able to draw both advantages and limits, with an ’emotional memory’ to share with everyone because it is ”everyone’s”:
The artist inside each one of us, squeezed into 50 square metres, goes beyond the walls, runs and draws an invisible imaginary thread that never stops uniting bodies, minds, languages and emotions. Art has no barriers, no constraints, no boundaries…
A show that changes and ends in different ways, proving that people are always changing, searching for a better self, a reborn, renewed self.
50 MIN|MQ shows the physical but not mental isolation that continues to condition the life of the single person and not only: it brings out the irrepressible irony, lightness, theatricality characteristic of E.sperimenti Dance Company.

INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-04-10 21:00 - 22:40
Aterballetto performs in Pisa Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

STANZE/ROOMS
2022-04-16 16:30 - 21:30 | Pinacoteca Tosio Martinengo, Piazza Moretto, 1, Brescia, BS, 25121, Italia
Stanze Rooms
An itinerant site-specific performance specially conceived for the new layout of the Pinacoteca Tosio Martinengo in Brescia.

The resident choreographer of the Fondazione Nazionale della Danza / Aterballetto, Diego Tortelli, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto.
CREDITS
Choreography and concept: Diego Tortelli
Music: Daniela Savoldi
Cello: Daniela Savoldi
Sound design: Federico Bigonzetti
Costumes: Diego Tortelli in collaboration with Nuvia Valestri
Dancers: Fabio Calvisi, Marta Castelletta, Cristian Cucco, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Promoted by Comune di Brescia and Fondazione Brescia Musei
Production: Fondazione Nazionale della Danza / Aterballetto
Production collaboration: Fondazione I Teatri Reggio Emilia
In collaboration with Centro Teatrale Bresciano
STANZE ROOMS
Stanze Rooms is a site-specific itinerant performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path, where history and innovation meet. For the choreographer, the museum is where we keep our memories, and it is to this special place that he wants to entrust all those duets and solos that have never been performed, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity, surrounded by the works of art and the wonderful places of the Pinacoteca.
The spectators will enter into an exciting close relationship with the dancers, accompanied by Daniela Savoldi‘s cello, and will experience in a special way the significant collection of Brescian and Italian paintings, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century.
INFO AND TICKETS
Performance times:

h 16.30
h 18.00
h 19.30
h 21.00

Duration of each performance:
30′
Tickets:
Tickets are on sale at the Teatro Sociale box office, every day, Tuesday to Saturday from 4pm to 9pm, at the Centro Teatrale Bresciano point of sale, in Piazza della Loggia 6, Tuesday to Friday from 10am to 1pm, or online at ctb.vivaticket.it.
Tickets cost 15 euros.

UNDER THE FLESH
2022-04-21 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Under the Flesh by Bassam Aboud Diab is a contemporary dance performance, a personal reflection that investigates how the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique.
The performance will be followed by a talk with the audience conducted by Mattia Mariani, director of Telereggio, on how the artist sees the transformations of society and how culture affects them.

Credits
Choreography and direction: Bassam Abou Diab
Performer: Bassam Abou Diab, Ayman Sharaf El Dine and a translator
Music: Ayman Sharaf El Dine
Co-produced by Maqamat Beit El Raqs
Duration: 30′
SYNOPSIS
In 1996 the war came back and it was a long time since I had met my friends, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die.
The second strategy is to let your body go to the end, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war.
During the year 2000 I changed. New ideas in mind about the relationship between cultures, the body, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence.
In 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies.
Bassam Abou Diab
Bassam Abou Diab
He is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat, Gilles Jobin, Damien Jalet, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project.
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Feeling Good
2022-04-26 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
PERFORMANCE CANCELLED

Feeling Good, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer, is at Fonderia for the first time.
For this performance starring Cristian Cucco and Annemieke Mooij.
The creation, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival, as part of EBA Europe Beyond Access, co-funded by the European Union’s Creative Europe Programme, is presented during an evening dedicated to the relationship between dance and disability, enriched by the projection of short films related to the theme and by a conversation on the Italian panorama between the director of the Fondazione Gigi Cristoforetti and the general director of Oriente Occidente Anna Consolati.
Feeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.

YELED / SHOOT ME
2022-04-27 20:30 - 22:00 | Teatro Municipale Valli, Piazza Martiri del 7 luglio, Reggio Emilia, 42121, Italia
Aterballetto premieres two new productions in its hometown Reggio Emilia.
YELED and SHOOT ME, by the two young choreographers Eyal Dadon and Diego Tortelli, will make their debut at the Teatro Municipale Romolo Valli on 27 April 2022.
YELED, the Hebrew word for “kid”, brings to the stage the thoughts that the Israeli choreographer Eyal Dadon has developed, together with the dancers of Aterballetto, about that moment in our lives when we lose childhood innocence.
SHOOT ME, by our resident choreographer Diego Tortelli, is instead a work that wants to create a direct dialogue between the dancers on stage and the audience in the auditorium: a game of seduction, of looks, of sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.

Feeling Good
2022-04-28 20:30 - 22:00 | Teatro Carcano, Corso di Porta Romana, 63, Milano, MI, 20122, Italia
Feeling Good, il duetto di Diego Tortelli per un danzatore abile e un danzatore disabile, è al Teatro Carcano di Milano nella più ampia programmazione di PRESENTI ACCESSIBILI, evento italiano organizzato da Oriente Occidente all’interno della rete Europe Beyond Access, il più grande progetto al mondo sull’accessibilità dell’arte e della cultura.
Accanto a Feeling Good, poetico duetto sull’abilità di “essere” e di “sentire”, in scena c’è anche il lavoro Fine Lines della coreografa Roser López Espinosa per la compagnia svedese Skånes Dansteater, in cui due figure femminili delicate e potenti al tempo stesso si incontrano lasciando emergere i confini delle relazioni.
E ancora, pioniera dell’integrazione a livello professionale di danzatori abili e disabili, la Candoco Dance Company ci accompagna nel repertorio contemporaneo con una pietra miliare: Set and Reset creato dalla grande Trisha Brown nel 1983.

AD EVA - DORA - SEAMLESS
2022-04-28 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The young XL Dance Company directed by Emanuela Baratin and Laura Matano, returns to the Fonderia with the triptych Ad Eva by Roberto Tedesco, Dora by Laura Matano and Seamless by Sabrina Rigoni.
AD EVA
Ideazione e coreografia: Roberto Tedesco
Interpreti: Diletta Antolini, Melissa Bortolotti, Noemi Garofalo, Linda Pasquini
Disegno Luci: Gessica Germini
Musica: autori vari
Durata 18′
Eva.
Etimologicamente la madre dei viventi, lei che ha scelto la vita.
Non peccato ma virtù originale: alla paura ha preferito la curiosità, all’obbedienza la scoperta.
Precorritrice di libertà, anticipatrice di indipendenza, colei che ci ha insegnato che chi cerca vive in eterno.
Storia nuda, madre sana, sorella coraggiosa, al suo gesto hanno abbinato il buio, ma dove fu veramente il torto?
Oggi siamo lei e il nostro corpo libero racconta una storia che continua sulla sua traccia.
Omaggio facciamo Ad Eva.
DORA
Ideazione e coreografia: Laura Matano
Interprete: Chiara Riva
Disegno Luci: Gessica Germini
Scenografia: Cinzia Macis
Musica: autori vari

Ci attraversano o ci camminano di fianco oppure interrompono i nostri respiri quando passano oltre i loro.
Anime pure che non hanno bisogno di stare a terra.
SEAMLESS
Concept and choreography Sabrina Rigoni
Performers Diletta Antolini, Sara Ariotti, Melissa Bortolotti, Noemi Garofalo, Carlotta Serafini
Lighting design Gessica Germini
Music various authors
Duration 20′
Solution. From Latin solutiònem, past participle of the verb sòlvere. To dissolve, dissolution. In its figurative meaning: breaking or stopping.
Words, if you know how to read them, can always tell you something about the life flow we are all in. The search for the perfect solution is endless: ‘Get us out of the problem!’ the crowd shouts.
A beginning is certainly not followed by an end, and this impossible contact may represent the possibility of crossing a border: mental, parabolic, hyperbolic. Move away from the extreme nature of your “black or white”, immerse yourself in the river and keep swimming, look around and learn with others.
A solution is not the final step towards your happiness, try to find the way to bring the people you care about back together. Gestures, nods, emotions flow from you to the others. In order to move forward, you have to be driven by your desire to discover more. Swim. Seamlessly.

XL DANCE COMPANY
It was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano.
The aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company, the movement, the body, the gestures become matter and surface for the individual and collective expression, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions, resonances and perceptions. The productions reflect the DNA of XL Dance Company, which makes contamination between styles its distinctive feature. Open to innovation, the dancers perform in important national and international festivals and theatres.
studioxlcontemporary.it
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Corpi Violati
2022-05-03 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
The choreographic project was born from the desire to focus attention on the theme of violence against women, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network Against Violence).
CREDITS
Choreography, direction, set, lighting and costume design Monica Casadei
Music Luca Vianini, AAVV
Production Compagnia Artemis Danza
Coproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara
With the support of Ministero per i Beni e le Attività Culturali, Regione Emilia-Romagna
Synopsis
“Never shall Carmen yield! She was born free and she will die free.” “I shall always be free”. These are the hymns to freedom by Carmen, the protagonist of Prosper Mérimée’s novel and Georges Bizet’s opera, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Figures of women who are symbols of independence of thought, strength and courage and at the same time fragility in the face of violence and abuse. Their freedom, as in so many other cases, is punished, violated, with tragic results. The project “Corpi violati” by the Compagnia Artemis Danza, founded and directed by Monica Casadei, is inspired by the many stories of gender violence told in literature and melodrama, only a small number compared to the infinite number of stories in the daily news.
The choreographic project stems from the desire to draw attention to the issue of violence against women, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in networks against violence).
COMPAGNIA ARTEMIS DANZA
Originally from Ferrara, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast, she takes to studying classic and modern dance, at first in Italy, then in London, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido.
In France, she founds the company Artemis Danza, with which she later moves to Italy, in 1997, giving birth to a fervent production activity that amounts, nowadays, to over 40 original creations.
From 1998 to 2007, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas, from 2014 up to this day, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals.
Pivotal elements in Monica Casadei’ s artistic research are the influences from different artistic, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances.
Alongside the production activity, Artemis funds, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience.
artemisdanza.com
INFO & TICKETS
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket service in the Fonderia is available from h 17.30.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.

MADE IN ITALY 26.0 - OPEN REHEARSAL
2022-05-06 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
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OPEN REHEARSAL
The protagonists are the dancers of the Agora Coaching Project, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers.
On stage Made in Italy 26.0 by Giuseppe Spota, paolo Mohovich and Michele Merola.

AGORA COACHING PROJECT
AGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years, which is based in Reggio Emilia.
Born in 2010, the course is directed by Michele Merola and Enrico Morelli, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market, artists able to respond to requests of different nature, technical / stylistic, which come from this same market.
The course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers, each of whom comes from and works in different realities among the most interesting on the international scene. Agora, in fact, brings the students together with established choreographers of different stylistic orientations, and in recent years has seen the presence of many illustrious names: several teachers, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project
michelemerola.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The box office service in the Fonderia is available from h 17.30.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.
