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SUMMARY:Armoniosa Unità
DESCRIPTION:Armoniosa Unità is the new evening by MM Contemporary Dance Company directed by Michele Merola\, consisting of three choreographies: Do Not Call Me a Dancer\, choreographed by Giorgia Lolli and dedicated to Isadora Duncan\, winner of the Siae Per Chi Crea 2023 award; ComeTe\, a female duet by Adriano Bolognino\, winner of the 2022 Danza&Danza Emerging Choreographer award; and finally Armoniosa Unità\, a creation by Michele Merola and Enrico Morelli\, conceived this year to celebrate the birth of Guglielmo Marconi. \n  \nDon't call me a dancer \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \nComeTe \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \n\nChoreography: Adriano Bolognino\nMusic: Giuseppe Villarosa\nAssistant Choreographer: Rosaria Di Maro\nPerformers: Laura Dell’Agnese and Giorgia Raffetto\nDuration: 11 min. \n“Like comets\, there are beings who traverse existence without seeking order or a fixed reference point. Others\, like planets\, revolve around a center and feel they must not stray from that source of warmth and light. They too experience highs and lows\, but they persevere on the right path.” – Omraam Mikhaël Aïvanhov \n\nADRIANO BOLOGNINO was born in Naples in 1995. He won the 2022 Danza&Danza award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned to create new works for the Teatro dell’Opera di Roma and the national Maltese company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the stars Eleonora Abbagnato and Jacopo Tissi during MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL” and created “SKRIK” for the MM Contemporary Dance Company. His work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned him to create a new work for the festival. He won the Prospettiva Danza Padova award in 2019. His creations are performed in national and international contexts\, including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, and more. \nArmoniosa Unità \nChoreography: Michele Merola and Enrico Morelli\nMusic: Pierre Jodlowski\, Anne Muller\nPerformers: Lorenzo Fiorito\, Mario Genovese\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 20 min. \nArmoniosa Unità is a choreography by Michele Merola and Enrico Morelli\, created this year for the celebration of Guglielmo Marconi’s birth. The work explores the meaning of the near and the far\, inspired by electromagnetic waves. It is about reaching out to a distant person and bringing them onto our path to share a common journey. This approach creates a union of intentions and a journey towards cohesion that\, even in diversity\, leads to a vision of the common good. The choreography is accompanied by a musical score by Pierre Jodlowski with the Orchestre Philharmonique de Radio France\, which incorporates a series of messages and announcements from radio broadcasts into a contemporary music composition. This sonic backdrop takes us into the world of radio\, which even today\, as in the previous century\, serves as a medium for spreading news and\, above all\, for conveying cultures and messages of great importance. \n\nMICHELE MEROLA is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With this company\, Merola has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, which won the Anita Bucchi Award in 2010\, and Bolero\, which won the Europaindanza 2017 Award for Choreographic Merit. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo in Naples\, Dominic Walsh Dance Theatre\, Teatro Massimo in Palermo\, Junior Balletto di Toscana\, National Theatre of Belgrade\, and Tanzcompagnie Landesbühnen Sachsen in Dresden. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016 he won the GD Awards 2016 (www.giornaledelladanza.com) as the Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award (in memory of Ricardo Nunez) at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Incontro con la danza” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been\, along with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\nENRICO MORELLI\, a dancer and choreographer\, began his dance studies in Barletta. In 1999\, he graduated from the National Academy of Dance\, where he later attended the advanced course for teachers. His creative talent led him to participate in major choreography competitions\, winning first place at the Michele Abbate Competition in Caltanissetta\, the Città di Perugia Competition\, the Rieti International Dance Festival\, and the Danza Estate in Florence. From 1997 to 2003\, he worked as a dancer with the N. Piccinni Concert Foundation\, Milena Zullo’s Arte Balletto company\, the Piccinni Ballet\, and Micha Van Hoeke. In 2001\, he received the silver medal from the President of the Republic as a dancer. Since 2004\, he has been part of the MM Contemporary Dance Company as a dancer and choreographer. Since 2003\, he has created choreographies for Astra Roma Ballet\, the school of Teatro dell’Opera di Roma\, Dominic Walsh Dance Theatre\, Maggio Musicale Fiorentino\, KAOS company in Florence\, Palermo InDanza\, the Hungarian Szegedi Kortàrs Ballet\, Milwaukee Ballet (USA)\, MM Contemporary Dance Company\, and Agora Coaching Project. In 2018\, Morelli won the “Incontro con la danza” award instituted by Basilicata ArteDanza. In 2010\, he founded and has since co-directed\, with Michele Merola\, Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a center for the production of events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespeople of contemporary culture. \nThe company’s repertoire\, based in Reggio Emilia\, is rich and varied\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Camilla Monga\, Roberto Tedesco. In 2010\, the MM Contemporary Dance Company won the prestigious Danza & Danza Award as the best emerging company and today\, it is\, in all respects\, a reality of excellence in Italian dance\, with a consolidated performance activity throughout the national territory. For several years it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Award for Choreographic Merit\, for the show Bolero by Michele Merola. Since 2018\, the MM Contemporary Dance Company has been an associate company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, the National Dance Foundation/Aterballetto\, the Permanent Dance Center/Reggio Emilia. \nLearn more \nInfo&TicketsTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/armoniosa-unita/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240926T193000
DTEND;TZID=Europe/Rome:20240926T210000
DTSTAMP:20260404T005825
CREATED:20240827T072915Z
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SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:The CCN/Aterballetto flies to New York for the prestigious Fall for Dance festival\, returning to dance on the stage of the New York City Center after nearly twenty years. \nThe company presents the U.S. premiere of Rhapsody in Blue\, a choreography by Iratxe Ansa and Igor Bacovich based on the famous musical composition by George Gershwin\, which in 2024 marks exactly 100 years since its first performance\, which took place in 1924 in New York. \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue is in itself a fantastic toy for a choreographer\, for a creative mind. Being so powerful\, so joyful\, so vibrant\, it is filled with constant variations in form and feels like walking through an enchanted forest: within a few steps\, you encounter a magical being\, an unreal sky that changes color above you. One moves in this fantastic world\, where the rhapsody offers a sonic space where everything is possible\, where from every corner new elements emerge\, and one is continuously surprised. The bodies react to frantic and ever-changing inputs. We played with all of this\, closing our eyes and dreaming of new worlds every time we encountered a new theme.» – Iratxe Ansa & Igor Bacovich
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-2/2024-09-26/
LOCATION:New York City Center\, 131 W 55th St\, New York\, NY\, 11019\, Stati Uniti
CATEGORIES:Aterballetto,Productions,Rhapsody in Blue
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DTSTART;TZID=Europe/Rome:20240927T193000
DTEND;TZID=Europe/Rome:20240927T210000
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SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:The CCN/Aterballetto flies to New York for the prestigious Fall for Dance festival\, returning to dance on the stage of the New York City Center after nearly twenty years. \nThe company presents the U.S. premiere of Rhapsody in Blue\, a choreography by Iratxe Ansa and Igor Bacovich based on the famous musical composition by George Gershwin\, which in 2024 marks exactly 100 years since its first performance\, which took place in 1924 in New York. \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue is in itself a fantastic toy for a choreographer\, for a creative mind. Being so powerful\, so joyful\, so vibrant\, it is filled with constant variations in form and feels like walking through an enchanted forest: within a few steps\, you encounter a magical being\, an unreal sky that changes color above you. One moves in this fantastic world\, where the rhapsody offers a sonic space where everything is possible\, where from every corner new elements emerge\, and one is continuously surprised. The bodies react to frantic and ever-changing inputs. We played with all of this\, closing our eyes and dreaming of new worlds every time we encountered a new theme.» – Iratxe Ansa & Igor Bacovich
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-2/2024-09-27/
LOCATION:New York City Center\, 131 W 55th St\, New York\, NY\, 11019\, Stati Uniti
CATEGORIES:Aterballetto,Productions,Rhapsody in Blue
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240927T203000
DTEND;TZID=Europe/Rome:20240927T213000
DTSTAMP:20260404T005825
CREATED:20240723T173743Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO PICCOLO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nThird appointment: Friday 27 September h 20.30 at Fonderia\n\n \nIl corpo piccolo (The little body)\nA dialogue with Nicolas Ballario and Lara Guidetti\nChoreographies by Lara Guidetti\nFocus on Alberto Burri\, Maurizio Cattelan\, Diane Arbus\, Jake e Dinos Chapman\, Keith Haring\, Nathalie Djurberg \n\n\n\nAfter Il corpo in pericolo and Il corpo nudo\, the third event will explore Il corpo piccolo with Lara Guidetti. The public space has undergone a transformation between its physical and virtual dimensions\, leading to new identities\, functions\, and connotations\, rapidly rewriting the network of encounters and relationships that inhabit it\, cutting across professional and personal\, intimate\, and collective domains. In the era of images and digital technology\, the real dimension of the body\, understood in its original proportion in space\, is continually modified: contracted within phone screens\, expanded in architectural and advertising projections\, multiplied\, stretched\, portioned\, and filtered in search of perfect adherence to what one desires the body to communicate. Lara Guidetti will play with these dilations and contractions. \nBefore and after the meeting\, the audience will have the opportunity to experience virtual reality with Kepler by Diego Tortelli: three micro-dancers moving under a display case\, inhabitants of a small world that the viewer approaches with a magnifying glass. \nPerformance art: Banana duct taped to fridge as a reminder to eat less meat\, inspired by Maurizio Cattelan. From Wikimedia Commons \nLara Guidetti \nOriginally from Emilia-Romagna\, Lara Guidetti graduated as a dancer and choreographer in 2006 from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with renowned national and international masters. She continued her training in the world of dance and performing arts\, exploring various pedagogical methods and training through workshops and productions. In 2008\, she founded the Sanpapié company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her show LEI won the Premio Bonacina. She collaborates with the JGM company in Lisbon\, works with La Scala in Milan as a dancer and acrobat\, and creates choreographies for opera productions. She has taught at the Paolo Grassi and Dancehaus schools in Milan and at the Teatro Stabile school in Turin. Since 2022\, she has been an associated artist of the MilanOltre festival and a collaborator of the Fondazione Nazionale della Danza as a choreographer and curator of site-specific projects. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini. \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-piccolo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240928T201500
DTEND;TZID=Europe/Rome:20240928T214500
DTSTAMP:20260404T005825
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nSTRA – NATIONAL MUSEUM VILLA PISANI\n28 September 2024 – 8:15 PM and 9:15 PM\nDuration of each performance: 25 minutes \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of *Il Combattimento di Tancredi e Clorinda*\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. *Eros* and *Thanatos* emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nVILLA PISANIThe queen of the Venetian villas\, once the property of Napoleon\, the Habsburgs\, and the House of Savoy\, as well as the headquarters of the Army General Staff during the First World War\, is at the center of a renewed enhancement process aimed at making the museum the primary cultural container of the Union of Municipalities of the Riviera del Brenta\, both for regular visits and for its capacity to host events and exhibitions. Il Combattimento di Tancredi e Clorinda will take place inside the Ball Room\, or the Hall of Honor. Learn more \n\n  \nINFO&TICKETSBooking and ticket purchase information: \n– Contact for information: tel. +39 049 502074 \n– Evening ticket price (with performance participation) from 20:00 to 23:00: € 1 + € 1 reservation fee \n– Regular ticket price from 9:00 to 19:00: € 14 (villa + park + exhibition); € 8 (park + exhibition) \n– Ticket purchase: Phone +39.055.2989887 – Website www.vivaticket.com \n– Ticket office hours: 9:00 – 22:30 \nWith the purchase of the performance ticket\, you can visit the Noble Floor and the exhibition Gente d’Italia Federico Garolla – photographs 1948-1968.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-5/
LOCATION:Museo Nazionale di Villa Pisani\, Via Doge Pisani 7\, Stra\, VE\, 30039\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241001T180000
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CREATED:20240725T152702Z
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SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:First open rehearsal of the 2024/25 season with CCN/Aterballetto \nTuesday\, October 1st\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to meet the three new dancers of the company and witness the preparation of Glory Hall\, the new creation by Diego Tortelli that will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of the dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nNaples – Certosa e Museo di San Martino\n03 October 2024 – 8:00 PM and 9:00 PM\nDuration of each performance: 25 minutes \n\n\n\n\n\n\n\n\n\nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCERTOSA E MUSEO DI SAN MARTINOThe Certosa e Museo di San Martino\, located in the enchanting setting of Vomero in Naples\, is a place of extraordinary beauty and cultural richness\, offering visitors a fascinating journey through Neapolitan history and art. This remarkable monumental complex is not only a museum but also a vibrant center of cultural activities\, actively collaborating on educational projects with universities\, schools\, and associations.\nLive performances\, primarily focused on music\, followed by dance and theater\, have further enriched the museum’s cultural offerings. Notable thematic festivals include events like “ConCertosa” for youth orchestras\, “Tales of Sounds\, Colors\, and Emotions\,” a multidisciplinary cycle centered on the 18th century\, and “Sounds in Certosa!”\, events that have made the visitor experience truly unique.\nOn this occasion\, the Cloister of the Procurators will be a suggestive setting for the staging of “Il Combattimento di Tancredi e Clorinda\,” a work that promises to fascinate and engage the audience.\nDiscover more \n \n\nINFO&TICKETS \nInfo for booking and ticket purchase: \n– Tickets can be purchased on-site or online via the Italian Museums App or the Italian Museums Portal. \n– Ticket price: participation in the event is free with the purchase of the museum ticket (full price €6\, reduced price for ages 18 to 25 €2\, free for under 18 and according to legal benefits). \n– On-site ticket office hours: from 8:30 AM to 10:30 PM. \nWith the purchase of a ticket\, it is possible to visit the monumental complex with cloisters and courtyards\, the Church\, the Nativity Scenes\, the Carriages\, the Lani’s Altar\, the Prior’s Room\, and the Nativity section.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-10/
LOCATION:Certosa e Museo di San Martino\, Largo San Martino\, 5\, Napoli\, 80129\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241005T180000
DTEND;TZID=Europe/Rome:20241005T190000
DTSTAMP:20260404T005825
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SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-05/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241005T200000
DTEND;TZID=Europe/Rome:20241005T220000
DTSTAMP:20260404T005825
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nCastello Svevo di Bari\n05 October 2024 – 8:00 PM and 9:30 PM\nDuration of each performance: 25 minutes \n\n\n\n\n\n\n\n\n\nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCASTELLO SVEVO \n\nThe venue for high-level international events such as the G7 in 2017\, the Mediterranean Countries Synod in 2020\, and the G20 in 2021\, has regularly hosted live shows and events since 2021\, including the performative project Fairy Tales in the Castles of Puglia\, curated by director Michele Santeramo\, the Bari Piano Festival\, and other showcases\, culminating in the 2023 Campiello Prize final. The performance Il Combattimento di Tancredi e Clorinda will take place in the main courtyard. Discover more\n \n \nINFO&TICKETS \nInfo for booking and ticket purchase: \n– Contact for information: drm-pug.castellodibari@cultura.gov.it \n– Ticket price: 10 euros full price; 2 euros reduced price; free entry guaranteed by law. \n– Ticket purchase:  Online  \n– Ticket office hours: October 5\, 2024\, from 9:00 AM to 10:00 PM
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-9/
LOCATION:Castello Svevo\, Piazza Federico II di Svevia\, Bari\, 70122\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241006T163000
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nVENOSA – MUSEO E PARCO ARCHEOLOGICO\n06 October 2024 – 4:30 PM and 5:30 PM\nDuration of each performance: 25 minutes \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nMUSEO E PARCO ARCHEOLOGICO DI VENOSAThe archaeological heritage of the Park has been the protagonist of experiences that hybridize the performing arts and archaeological heritage: the Teatri di Pietra festival; ARTFEST\, in collaboration with the ETRA association\, curated by choreographer Michele Merola\, which has showcased\, among others\, Lara Guidetti – Sanpapié\, Silvia Gribaudi\, Roberto Zappalà\, and the MMCDC company. The performance will take place in the Complex of the Holy Trinity\, within the unfinished structure.  Learn more \n \nINFO&TICKETSReservation Info: \n\nContacts: 0972 36095 (Museum phone number)\nCost: free (as it falls on the first Sunday of the month\, when entry to ministerial cultural sites is free)\nTicket office hours: 9:00 AM – 6:30 PM\n\nAt 4:00 PM and 5:00 PM\, guided tours of the Archaeological Park will be held before each performance\, led by Dr. Tommaso Serafini (Director of Museums and Archaeological Parks of Melfi and Venosa) and Dr. Rosanna Calabrese (responsible for the Museum and Archaeological Park of Venosa)\, with mandatory reservations at the number +39 0972 36095. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-6/
LOCATION:Parco Archeologico\, Strada Provinciale 18 Ofantina\, 13\, Venosa\, PZ\, 85029\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-06/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTEND;TZID=Europe/Rome:20241010T190000
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SUMMARY:OPEN REHEARSAL - DECISIONE CONSAPEVOLE
DESCRIPTION:  \nA conceptual map designed to guide improvisation sessions.\nThis is what Decisione Consapevole has been so far.\nBut what if we used the map as a true structure to follow in creating a choreographic work featuring four dancers navigating their own decisions? An empty space to be filled and emptied through the awareness of each performer. Taste plays a fundamental role in ensuring everything comes together cohesively\, dressing different personalities in a single garment.\nThe garment adorns the performers with specific qualities and attitudes\, meticulously studied rhythms\, and methods. The garment sets boundaries that encompass endless freedoms. The garment is what prompts decision-making. So\, could the garment be consciousness itself?\nIsolation\, intimacy\, communication\, community are the four key words. While these narrow the scope and make the performer’s decisions less varied and more mindful\, the possibilities suggested by each word remain infinite.\nThe dancers’ fully conscious decisions about which key word to choose to inspire their action in the space will build the scene. These decisions can exist individually\, but more importantly\, they can coexist with all the others. \n  \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-decisione-consapevole/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:September - December 2024 season
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nPavia – Collegio Ghislieri\, Salone San Pio\n12 October 2024 – 5:00 PM and 7:00 PM\nDuration of each performance: 25 minutes \nCREDITS\nDirection and visuals: FABIO CHERSTICH \nChoreography and stage movements: PHILIPPE KRATZ \nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI \nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nCollegio Ghislieri – Pavia – 12 October 2024\n\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\n \nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \n \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \n \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \n \n\nINFO&TICKETS \nAt 4:00 PM guided tour with Prof. Gianpaolo Angelini \nInfo for booking and ticket purchase: \n– Ticket price: €5 \n– Ticket purchase: Online \n– On the day of the performance\, there will be a ticket office directly at the venue of the performance. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-11/
LOCATION:Collegio Ghislieri\, Salone San Pio\, Piazza Collegio Ghislieri\, 5\, Pavia\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241018T203000
DTEND;TZID=Europe/Rome:20241018T213000
DTSTAMP:20260404T005825
CREATED:20240725T160913Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO MUOVE
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFourth appointment: Friday 18 October h 20.30 at Fonderia\n\n \nIl corpo muove (The body moves)\nTalk withNicolas Ballario and Riccardo Buscarini\nChoreographies by Riccardo Buscarini\nFocus on Jackson Pollock\, Nan Goldin\, Michelangelo Pistoletto\, Cindy Sherman\, Studio Azzurro\, Yōko Ono \n\n\n\nNicolas Ballario will present works related to “moving” art\, that is\, art that makes the artists move during creation or the audience when experiencing it (from Jackson Pollock to Nan Goldin\, from Michelangelo Pistoletto to Yoko Ono). The evening will feature Riccardo Buscarini bringing some excerpts from Form O\, a very recent work that is based on visual symmetries and asymmetries\, and the effect that what we see creates in our body. \nAddressing the theme of the body moved by passions\, in a whirlwind of seductions and intrigues\, Johan Inger’s Don Juan in VR will be presented\, where the audience will fall into a dynamic flow that is difficult to resist. \n‘War Is Over! (if you want it) Yoko Ono’ exhibition – Sydney\, Museum of Contemporary Art Australia. From Wikimedia Commons \nCrediti \nconcept / choreography Riccardo Buscarini\ndance Annalisa Perricone\, Giulia Quacqueri\noriginal music by Alessandro Baldessari assisted by Luca Felici\, “Nostalgia for Nothing” (A. Baldessari) and Piano Sonata No. 3\, Op. 2 No. 3\, in C major (L. Van Beethoven)\ncostumes Mara Leonora Pieri\nlights Alessandro Gelmini\nproduction De Arte Saltandi \nWinner of the Theodor Rawyler Prize 2023 / Festival TenDance\, Latina. Supported by Citofonare PimOff 2024\, Milan\, Centro Coreografico Nazionale/Aterballetto\, and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza and AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara and Vincenzo Losito\, MM Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the People who have contributed to and will encounter this project. \nRiccardo Buscarini \nEcco la traduzione in inglese del testo: \n**Riccardo Buscarini**\, an award-winning choreographer in Italy and abroad\, is active in the fields of contemporary dance\, opera\, and visual arts. He graduated from the London Contemporary Dance School in 2009. Buscarini won the Prospettiva Danza Prize in 2011\, Fondo Fare Anticorpi in 2012\, and The Place Prize in 2013 with “Athletes”. He has participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, the Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, and NID Platform in 2014 and 2022. \nIn the visual arts field\, he has collaborated with Summerhall (Edinburgh)\, London Festival of Architecture (2016 and 2019)\, Nahmad Projects (London and Milan)\, and UNA Galleria at Spazio Leonardo (Milan). His creation “Silk” for the Chelyabinsk Contemporary Dance Theater (Russia) was nominated for two Golden Mask Awards in 2018 at the Bolshoi Theater in Moscow and was later restaged for ŻfinMalta\, the National Dance Company of Malta. In 2019\, he created two works\, “Suite Escape” for Equilibrio Dinamico Dance Company and “Nocturne” for Chelyabinsk Contemporary Dance Theater. In 2020\, he choreographed “Charade” for EDGE (The Place\, London) and was invited to perform at the 45th Cantiere Internazionale d’Arte in Montepulciano. In 2022\, he created “Requiem for Juliet\,” based on W. Shakespeare for ŻfinMalta. \nIn 2023\, he directed his first opera\, “Madama Butterfly” by Giacomo Puccini at Teatru Aurora in Gozo\, Malta\, and founded De Arte Saltandi\, a cultural association dedicated to Domenichino da Piacenza\, through which he curates dAS FESTIVAL. \n  \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, enjoy an exquisite wine tasting thanks to the collaboration with Venturini Baldini.\n \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-muove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241018T210000
DTEND;TZID=Europe/Rome:20241018T220000
DTSTAMP:20260404T005825
CREATED:20240620T220529Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-18/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241019T223000
DTEND;TZID=Europe/Rome:20241019T233000
DTSTAMP:20260404T005825
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-19/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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SUMMARY:OPEN REHEARSAL - WAITING FOR NOTTE MORRICONE
DESCRIPTION:Monday\, October 21 at 6:00 PM at Fonderia\, Waiting for Notte Morricone: an open rehearsal of the Aterballetto Company with choreographer Marcos Morau\, allowing the audience to experience the emotions before the indoor debut of Notte Morricone at Teatro Argentina in Rome\, where the show will be on stage from October 24 to November 10. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \nCREDITS \nDirection and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, First Outdoor Performance Macerata Opera Festival\nCo-production\, First Indoor Performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, which music inspires or accompanies me in my daily life\, and I always answer the same way: from classical music to new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith classical training and avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, which can live far from the films for which it was created.”» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Chevalier of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Festival d’Avignon\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival of Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in several companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expressing and communicating in our present time\, always turbulent and constantly evolving. \nFrom this season\, he is an associate artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we get involved in what also turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-waiting-for-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Productions,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241022T190000
DTEND;TZID=Europe/Rome:20241022T193000
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nFESTIVAL APERTO\nREGGIO EMILIA – TEATRO MUNICIPALE ROMOLO VALLI – SALA DEGLI SPECCHI \n22 October 2024 – h 19.00 and h 21.00 \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND BASSO CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nProject co-financed through the call of the DIREZIONE GENERALE SPETTACOLO for the enhancement of live performance activities in institutions and places of culture\, with the lead partner being the MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (through the MUSEI NAZIONALI DI PERUGIA – DIREZIONE REGIONALE MUSEI NAZIONALI UMBRIA). \n\nSITE-SPECIFIC VERSION\n    PREMIERE: CHIESA DI SANT’AGATA-MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (PG) – 12 SEPTEMBER 2024\n    CASTEL SANT’ANGELO IN ROME – 13 SEPTEMBER 2024\n    COMPLESSO MONUMENTALE DEL CASTELLO E DEL PARCO DI RACCONIGI (CN) – 22 SEPTEMBER 2024\n    MUSEO NAZIONALE DI VILLA PISANI\, STRA (VE) – 28 SEPTEMBER 2024\n    CERTOSA E MUSEO DI SAN MARTINO\, NAPLES – 03 OCTOBER 2024\n    CASTELLO SVEVO IN BARI – 05 OCTOBER 2024\n    MUSEO ARCHEOLOGICO NAZIONALE “MARIO TORELLI” IN VENOSA (PZ) – 06 OCTOBER 2024\n    KOSMOS – MUSEUM OF NATURAL HISTORY OF THE UNIVERSITY OF PAVIA – 12 OCTOBER 2024\n\n \n\nTHEATRICAL VERSION\n    PREVIEW: TURIN – TORINODANZA FESTIVAL\, FONDERIE LIMONE – 20-21 SEPTEMBER 2024\n    PREMIERE: PARMA – FESTIVAL VERDI\, TEATRO FARNESE – 18-19 OCTOBER 2024\n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-4/2024-10-22/1/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nFESTIVAL APERTO\nREGGIO EMILIA – TEATRO MUNICIPALE ROMOLO VALLI – SALA DEGLI SPECCHI \n22 October 2024 – h 19.00 and h 21.00 \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND BASSO CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nProject co-financed through the call of the DIREZIONE GENERALE SPETTACOLO for the enhancement of live performance activities in institutions and places of culture\, with the lead partner being the MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (through the MUSEI NAZIONALI DI PERUGIA – DIREZIONE REGIONALE MUSEI NAZIONALI UMBRIA). \n\nSITE-SPECIFIC VERSION\n    PREMIERE: CHIESA DI SANT’AGATA-MUSEO ARCHEOLOGICO NAZIONALE E TEATRO ROMANO DI SPOLETO (PG) – 12 SEPTEMBER 2024\n    CASTEL SANT’ANGELO IN ROME – 13 SEPTEMBER 2024\n    COMPLESSO MONUMENTALE DEL CASTELLO E DEL PARCO DI RACCONIGI (CN) – 22 SEPTEMBER 2024\n    MUSEO NAZIONALE DI VILLA PISANI\, STRA (VE) – 28 SEPTEMBER 2024\n    CERTOSA E MUSEO DI SAN MARTINO\, NAPLES – 03 OCTOBER 2024\n    CASTELLO SVEVO IN BARI – 05 OCTOBER 2024\n    MUSEO ARCHEOLOGICO NAZIONALE “MARIO TORELLI” IN VENOSA (PZ) – 06 OCTOBER 2024\n    KOSMOS – MUSEUM OF NATURAL HISTORY OF THE UNIVERSITY OF PAVIA – 12 OCTOBER 2024\n\n \n\nTHEATRICAL VERSION\n    PREVIEW: TURIN – TORINODANZA FESTIVAL\, FONDERIE LIMONE – 20-21 SEPTEMBER 2024\n    PREMIERE: PARMA – FESTIVAL VERDI\, TEATRO FARNESE – 18-19 OCTOBER 2024\n\nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-4/2024-10-22/2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20241025T180000
DTEND;TZID=Europe/Rome:20241025T190000
DTSTAMP:20260404T005825
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SUMMARY:OPEN REHEARSAL - WHOMAN?
DESCRIPTION:  \nCan a human being exist regardless of their gender identity?\nIs it possible to be completely free? \nWHOMAN? draws upon the stylistic elements of science fiction cinema to transform choreography into a universal metaphor for the contemporary world. The concepts of masculinity and femininity are equally placed beyond any preconceived notions\, and the age-old conflict of gender inequality is deconstructed\, weakened\, made fragile\, and reinterpreted within a broader vision of humanity. \nCREDITS \nChoreography: Mario Coccetti | Collective\nDancers: Rocco Suma\, Sally Damonte\, Giovanni Karol Borriello\nProduction: ASMED | Balletto di Sardegna\nCo-production: MILANoLTRE Festival \nS DANCE COMPANY \n\n\n\n\n\n\n\nS Dance Company is an artistic project by Mario Coccetti\, Rocco Suma\, and Salvatore Sciancalepore.\nFounded in 2016 as a collective of artists\, it has gradually solidified into a contemporary dance company\, building a diverse repertoire in terms of stage setups and the number of performers. Today\, the company features productions ranging from two to five dancers\, with both indoor and outdoor performances. The permanent company dancers include Sofia Zanetti\, Flavia Giuliani\, and Marco Arzenton\, who were joined in 2023 by Flavia Giuliani\, Samuele Arisci\, Paolo Grosso\, Alessia La Notte\, and Alessio Saccheri.\nCurrently\, S Dance Company is produced by ASMED Balletto di Sardegna and is actively engaged in national and international tours.\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is available one hour before the show starts \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-whoman/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241030T180000
DTEND;TZID=Europe/Rome:20241030T190000
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SUMMARY:Open Rehearsal - Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241030T203000
DTEND;TZID=Europe/Rome:20241030T213000
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LAST-MODIFIED:20241024T165338Z
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SUMMARY:Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n  \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241104T180000
DTEND;TZID=Europe/Rome:20241104T190000
DTSTAMP:20260404T005825
CREATED:20240730T163150Z
LAST-MODIFIED:20241025T153112Z
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SUMMARY:OPEN REHEARSAL - 14.610
DESCRIPTION:PERFORMANCE POSTPONED TO NEXT SEASON\nThe title of the performance is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It is a small and sophisticated puzzle to solve. The latest work by Claudia Catarzi has something intimate and shameless. \nOpen rehearsal Monday\, November 4 – 6:00 PM \nShow Tuesday\, November 5 – 8:30 PM \n\nCredits \nby and with Claudia Catarzi\nmusic by Julien Desprez\nscenography by Fabio Giommarelli \nco-produced by Company Blu\, La Manufacture – Centre de Développement Chorégraphique National Bordeaux Nouvelle-Aquitaine\, Armunia/Festival Inequilibrio/Centro di residenze artistiche Castiglioncello\, with the support of the Regione Toscana and the MiC \ncreated in 2023 \nDiscover more \nIt’s hard to describe the feeling of dancing almost three meters high on a surface so narrow it seems more like a pedestal than a platform. From the ground\, that is\, from the stage of the Teatro Rosignano Solvay\, where the show debuted for the Inequilibrio festival\, the latest work by Claudia Catarzi has something intimate and shameless. Shameless because the spectator\, compelled to keep their eyes upwards\, admires the technical skill\, explicit and evident\, of a figure that doesn’t perform acrobatics\, but nonetheless constructs a tense and sculptural choreography\, made of plastic poses\, clear and defined gestures\, even jumps. Although the tone is far from baroque – a certain austerity prevails\, though never frigid – there is something triumphant in this construction that resembles the base for a Renaissance equestrian statue. Indeed\, in the dramatic arc of the show\, the satisfaction of reaching the top is palpable. As if we were in the mountains. Looking down from above is satisfying\, but it also gives you chills. Not only because it’s easy to fall\, but perhaps because at some point from this peak\, the only thing left to do is descend. \n \nAnd this is the other intimate dimension that runs through the entire show and speaks to us of fragility and strength\, of change and resistance. The title of the show is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It’s a small and sophisticated puzzle to solve. Not too difficult\, to be honest\, but we want to leave it unresolved\, so as not to spoil the pleasure of discovery. In the second part of the work\, the pedestal reveals itself as a steep slide\, and the descent becomes a sort of struggle; the muscular body strains to defeat the weight of gravity\, as in the whirls of some Giambologna statue. Even though the aesthetics are tied to a sober normality\, which makes the image even more intimate and common. About ten years ago\, Catarzi debuted in her solo 40\,000 Square Centimeters\, again a number for a title\, striking for presence and power in the small space drawn on the stage of only four square meters. Ten years later\, this space has shrunk but has risen into the air. Not a diving board to jump from\, but a mountain – like life – to embrace and climb. \n(Rodolfo Sacchettini – July 18\, 2023) \nCLAUDIA CATARZI \nAfter training at the Academy of Fine Arts in Florence\, she began her career working with the Micha Van Hoecke Ensemble. She later danced with companies such as Dorky Park Constanza Macras (Berlin)\, Compagnia Virgilio Sieni\, Aldes/Roberto Castello\, Company Blu/Alessandro Certini and Charlotte Zerbey\, En-Knap Group/Iztok Kovač (Ljubljana)\, László Hudi (J. Nadj – Budapest)\, among others. In 2009\, she was part of Choreoroam\, a research project by the Israeli choreographer Yasmeen Godder (Tel Aviv). She was later invited to follow the work of the Batsheva Dance Company by Ohad Naharin. She has collaborated with choreographer Ambra Senatore since the beginning of her company’s research work between Italy and France\, participating in all her early works. Since 2011\, she has been working on personal creations. The solo Arrivò senza colore won the co-production Sosta Palmizi\, and Un giorno\, a duo in collaboration with Mariano Nieddù\, was a finalist at the “Premio Equilibrio 2010” (directed by Sidi Larbi Cherkaoui). Her two latest creations see her sharing the stage for the first time with two female figures: Michal Mualem\, a historical dancer in Sasha Waltz’s company\, in A set of timings\, and Claudia Caldarano\, a former dancer of Virgilio Sieni\, in Posare il tempo. The live presence of musician Gianni Maestrucci in Posare il tempo – percussionist of the renowned group Tetraktis – transforms the danced duet into a trio. Claudia Catarzi is currently an associate artist at CDCN of Bordeaux\, La Manufacture | Bordeaux-Nouvelle Aquitaine. \nLearn more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-14-610/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241104T180000
DTEND;TZID=Europe/Rome:20241104T190000
DTSTAMP:20260404T005825
CREATED:20241025T162004Z
LAST-MODIFIED:20250218T111110Z
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SUMMARY:EVES - OPEN REHEARSAL
DESCRIPTION:EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy\, scientific dissemination becomes a performance\, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.   \nOpen rehearsal Monday\, November 4 – 6:00 PM   \nPerformance Tuesday\, November 5 – 8:30 PM \n\nCredits \nCompagnia Natiscalzi DT\nChoreography: Tommaso Monza and Claudia Rossi Valli\nDancer: Claudia Rossi Valli\nScientific dissemination: Prof. Claudio Melioli\, Astrophysics\nSet: Natiscalzi DT\nProduction: Cinqueminuti APS\nWith the contribution of Regione Emilia Romagna L.R. 13/99\nWith the support of Comune di Reggio Emilia\nIn collaboration with Binario49 – Associazione Casa D’Altri   \nDuration: 60′ \nRead more \n[Do you think you’re sitting still right now?\nYou’re on a Planet that’s orbiting a Star at 30km/s.\nThat Star is orbiting the centre of a Galaxy at 250km/s.\nThat Galaxy is moving through the Universe at a rate of 600km/s.\nWe’re never still. We’re moving continuously.\nSince you’ve started reading this\, you’ve travelled about 3000km.] \nEVES è nato fantasticando con la testa fra le nuvole\, o forse come direbbe l’astrofisico Claudio Melioli (UniBo\, USP São Paulo\, Unimore) dell’associazione Binario49\, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia\, a metà fra divulgazione scientifica e senso del sublime per il cosmo\, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza\, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida\, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici. \nCOMPAGNIA NATISCALZI DT \nCLAUDIA ROSSI VALLI\nTrained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating\, she continued her studies in Italy and abroad\, training with\, among others\, Compagnia Abbondanza/Bertoni (IT)\, The William Forsythe Company (DE)\, Retina Dance Company (UK)\, and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC\, USA)\, where she was selected to dance with Shen Wei Dance Arts.   \nShe has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015\, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015)\, LavaBubbles\, Vestire lo spazio\, and I Am Beautiful. Since 2016\, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT)\, performing in Gli Orbi\, Compleanno Pubblico Ballato\, Capodanno RAI 2019\, and La Morte e la Fanciulla\, which won the Danza&Danza Best Production Award 2017.   \nClaudia has pursued her interest in choreography since 2012\, receiving various accolades for her productions. In 2016\, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024\, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.   \n— \nTOMMASO MONZA\nOriginally trained as a sculptor at the Brera Academy of Fine Arts\, Tommaso Monza later transitioned to theatre-dance and contemporary dance\, studying with Compagnia Abbondanza/Bertoni\, Julien Hamilton\, Roberto Castello\, Ivan Wolf\, Liat Waysbort\, and Loren Potter.   \nSince 2005\, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni\, and since 2010\, he has worked with Compagnia Ambra Senatore. In 2010\, he began his own choreographic journey\, creating a solo (Fra le mie dita rotte)\, a quartet (Piazze d’Italia)\, and a duet (Dei nostri eroi più fragili).   \nIn 2012\, he participated in the Choreoroam Europe project. Since then\, he has developed ROD – Three Units on Kazakhstan\, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT)\, MittelFest 2014 (IT)\, Festival Exister 2014 (IT)\, Vetrina Anticorpi XL 2014 (IT)\, and ArtBat Fest 2013 (KZ). In 2015\, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.   \nIn 2016\, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally\, Tommaso Monza is also an author\, with a published collection of short stories titled Personaggi estranei in luoghi comuni.   \nFind out more \nInfo&Tickets \nTICKETS   \nFull price: 3 euros   \nFree entry (Under 6)   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/eves-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241105T203000
DTEND;TZID=Europe/Rome:20241105T213000
DTSTAMP:20260404T005825
CREATED:20241025T161630Z
LAST-MODIFIED:20250218T110913Z
UID:10003805-1730838600-1730842200@www.fndaterballetto.it
SUMMARY:EVES
DESCRIPTION:EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy\, scientific dissemination becomes a performance\, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.   \nOpen rehearsal Monday\, November 4 – 6:00 PM   \nPerformance Tuesday\, November 5 – 8:30 PM \n\nCredits \nCompagnia Natiscalzi DT\nChoreography: Tommaso Monza and Claudia Rossi Valli\nDancer: Claudia Rossi Valli\nScientific dissemination: Prof. Claudio Melioli\, Astrophysics\nSet: Natiscalzi DT\nProduction: Cinqueminuti APS\nWith the contribution of Regione Emilia Romagna L.R. 13/99\nWith the support of Comune di Reggio Emilia\nIn collaboration with Binario49 – Associazione Casa D’Altri   \nDuration: 60′ \nRead more \n[Do you think you’re sitting still right now?\nYou’re on a Planet that’s orbiting a Star at 30km/s.\nThat Star is orbiting the centre of a Galaxy at 250km/s.\nThat Galaxy is moving through the Universe at a rate of 600km/s.\nWe’re never still. We’re moving continuously.\nSince you’ve started reading this\, you’ve travelled about 3000km.] \nEVES è nato fantasticando con la testa fra le nuvole\, o forse come direbbe l’astrofisico Claudio Melioli (UniBo\, USP São Paulo\, Unimore) dell’associazione Binario49\, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia\, a metà fra divulgazione scientifica e senso del sublime per il cosmo\, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza\, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida\, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici. \nCOMPAGNIA NATISCALZI DT \nCLAUDIA ROSSI VALLI\nTrained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating\, she continued her studies in Italy and abroad\, training with\, among others\, Compagnia Abbondanza/Bertoni (IT)\, The William Forsythe Company (DE)\, Retina Dance Company (UK)\, and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC\, USA)\, where she was selected to dance with Shen Wei Dance Arts.   \nShe has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015\, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015)\, LavaBubbles\, Vestire lo spazio\, and I Am Beautiful. Since 2016\, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT)\, performing in Gli Orbi\, Compleanno Pubblico Ballato\, Capodanno RAI 2019\, and La Morte e la Fanciulla\, which won the Danza&Danza Best Production Award 2017.   \nClaudia has pursued her interest in choreography since 2012\, receiving various accolades for her productions. In 2016\, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024\, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.   \n— \nTOMMASO MONZA\nOriginally trained as a sculptor at the Brera Academy of Fine Arts\, Tommaso Monza later transitioned to theatre-dance and contemporary dance\, studying with Compagnia Abbondanza/Bertoni\, Julien Hamilton\, Roberto Castello\, Ivan Wolf\, Liat Waysbort\, and Loren Potter.   \nSince 2005\, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni\, and since 2010\, he has worked with Compagnia Ambra Senatore. In 2010\, he began his own choreographic journey\, creating a solo (Fra le mie dita rotte)\, a quartet (Piazze d’Italia)\, and a duet (Dei nostri eroi più fragili).   \nIn 2012\, he participated in the Choreoroam Europe project. Since then\, he has developed ROD – Three Units on Kazakhstan\, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT)\, MittelFest 2014 (IT)\, Festival Exister 2014 (IT)\, Vetrina Anticorpi XL 2014 (IT)\, and ArtBat Fest 2013 (KZ). In 2015\, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.   \nIn 2016\, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally\, Tommaso Monza is also an author\, with a published collection of short stories titled Personaggi estranei in luoghi comuni.   \nFind out more   \n  \nInfo&Tickets \nTICKETS   \nFull price: 10 euros   \nReduced price (Under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, Over 65\, CRAL Comune di Reggio Emilia members): 6 euros   \nReduced price (Under 8): 3 euros   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/eves/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T180000
DTEND;TZID=Europe/Rome:20241112T190000
DTSTAMP:20260404T005825
CREATED:20241107T075059Z
LAST-MODIFIED:20250218T113002Z
UID:10003809-1731434400-1731438000@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero - Open rehearsal
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, will perform for the first time on the Fonderia stage. \nFor this occasion\, an open rehearsal has been organized at 6:00 PM to get to know the company and the work of M° Carlo Pesta\, who will have a conversation with dance journalist and critic Raffaella Tramontano. \nAt 8:30 PM\, the evening will take place in two acts: Aria Tango  by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero  by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography Micha van Hoecke\, restaged by Miki Matsuse\nMusic Luis Bacalov \nBOLERO \nChoreography Adriana Mortelliti\nMusic Maurice Ravel \nDancers of the Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nRead more \nUnforgettable and unforgettable artist\, Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and in shock. A towering personality in Italian dance\, where he had been living for over thirty years\, Micha van Hoecke is undoubtedly one of the figures who has left a mark. He is missed. Missed by the many friends. Missed by those who could appreciate his extraordinary human and artistic qualities. Missed by the audience who followed his works\, rich in sensitivity\, with passion and interest.\nA generous artist\, who loved theater and dance deeply\, to whom the Balletto di Milano dedicates this tribute on this special birthday by bringing back to the stage the creation Aria Tango. Restaged by his beloved wife\, the dancer Miki Matsuse\, Aria Tango (2013) is set to music by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke used to say\, is deeply rooted in the tango and gypsy culture so dear to the choreographer\, who\, without any didactic intent and in an atemporal\, surreal atmosphere\, tells of moods\, fears\, passions\, and emotions. \n \nIn the second part of the evening\, the emotions of Tango give way to those of Bolero\, in the exclusive version by Balletto di Milano of Adriana Mortelliti on the famous score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies intertwine in a dance that culminates in a surprising finale. \nBalletto di Milano \nAmbassador of Italian dance around the world\, founded in 1980 and directed by Carlo Pesta since 1998\, it is one of the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region\, which has also awarded it the prestigious Regional Relevance Recognition\, and by the Municipality of Milan\, the Balletto di Milano performs its activities in major Italian theaters and abroad\, where it is present in leading theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers who graduated from the best international academies and an extensive and exclusive repertoire ranging from revisited classical masterpieces to exclusive productions. \nDiscover more \n  \nInfo&Tickets \nTICKETS \nFull price: 3 euros \nFree for under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T203000
DTEND;TZID=Europe/Rome:20241112T220000
DTSTAMP:20260404T005825
CREATED:20240730T171809Z
LAST-MODIFIED:20240730T172334Z
UID:10003503-1731443400-1731448800@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, dances for the first time on the Fonderia stage. \nThe evening is divided into two acts: Aria Tango by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography by Micha van Hoecke\, restaged by Miki Matsuse\nMusic by Luis Bacalov \nBOLERO \nChoreography by Adriana Mortelliti\nMusic by Maurice Ravel \nDancers of Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nDiscover more \nThe unforgettable and irreplaceable artist Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and dismayed. A monumental figure in Italian dance\, where he had resided for over thirty years\, Micha van Hoecke is undoubtedly one of the most influential figures who left an indelible mark. He is missed by many friends\, by those who admired his extraordinary human and artistic qualities\, and by the audience who passionately and eagerly followed his sensitive works. A generous artist who deeply loved theater and dance\, the Balletto di Milano dedicates its tribute to him on this special birthday by restaging his creation Aria Tango. Restaged by his beloved wife\, dancer Miki Matsuse\, Aria Tango (2013) is set to pieces by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke liked to call it\, is rooted in the tango and gypsy cultures so dear to the choreographer. Without any didactic intent and in a timeless and surreal atmosphere\, it conveys emotions\, fears\, passions\, and states of mind. \n \nIn the second part of the evening\, the emotions of the Tango give way to those of the Bolero in an exclusive version by Balletto di Milano\, choreographed by Adriana Mortelliti to the renowned score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies weave a dance that culminates in a surprising finale. \nBalletto di Milano \nAn ambassador of Italian dance worldwide\, founded in 1980 and directed by Carlo Pesta since 1998\, the Balletto di Milano is among the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region (which has also awarded it the prestigious Recognition of Regional Relevance)\, and by the Municipality of Milan\, the Balletto di Milano performs in major theaters in Italy and abroad\, appearing in prominent theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers trained at the finest international academies. It has a wide and exclusive repertoire that ranges from revised classical masterpieces to unique productions. \nLearn more \n  \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted price for under 8: 3 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241115T203000
DTEND;TZID=Europe/Rome:20241115T213000
DTSTAMP:20260404T005825
CREATED:20240731T141040Z
LAST-MODIFIED:20240731T141843Z
UID:10003505-1731702600-1731706200@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: IL CORPO E L'ALTRO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that connects arts\, movement\, and current affairs\, to address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFifth appointment: Friday 15 November h 20.30 at Fonderia\n\n \nIl corpo e l’altro (The body and the other)\nTalk with Nicolas Ballario and Pablo Girolami\nChoreographies by Pablo Girolami\nFocus on Marcel Duchamp\, Georgia O’Keeffe\, Yayoi Kusama\, Louise Bourgeois\, Sylvie Fleury\, Francesca Woodman \n\n\n\nPablo Girolami is a young choreographer who blends the imaginations and traditions of his various countries of origin and study (Switzerland\, Spain\, Italy). He will be entrusted with exploring the interaction between movement and material objects\, substances\, and different textures. \nThe fusion of bodies in art will be investigated\, experimenting with materials\, optical and perceptual illusions: the theme is indeed The body and the other\, in a whirlwind of objects and textures\, from Marcel Duchamp to Francesca Woodman. \nThe virtual dance that will be offered in VR is Shelter by Saul Daniele Ardillo: remaining on the theme of the double\, the spectator will have the opportunity to establish a direct and strong connection with the protagonist dancer. \nAranha\, Louise Joséphine Bourgeois Parque Ibirapuera\, Avenida Pedro Álvares Cabral\, s/n. Photo by André Deak for Arte Fora do Museu. From Wikimedia Commons \nPablo Girolami \nPablo Girolami\, born in Neuchâtel (Switzerland)\, has Italian-Spanish origins. He studied at the Tanz Akademie Zürich\, where he graduated in 2014. In 2014\, he began his professional career as a dancer in Wiesbaden/Darmstadt with the Hessisches Staatsballett. In 2018\, he danced for Spellbound Contemporary Ballet. Between 2017 and 2018\, he created I see you over there for the Hessisches Staatsballett and Mose3 in collaboration with DeDa Production and Café Klatsch.\nHe is currently a freelance choreographer and the artistic director of IVONA\, a project-based company he founded with Giacomo Todeschi. \nIn 2019\, he created Manbuhsa\, which won the Twain_DirezioniAltre 2019 Award and the audience award at both the CortoinDanza 2019 in Cagliari and the 33rd Certamen Coreográfico de Madrid. Manbuhsa was also selected for the Anticorpi XL 2019 showcase of young dance authors and for the Red Acieloabierto.\nIn 2020\, Pablo Girolami choreographed Manbuhsona for IVONA\, a full evening production for five performers\, and two short creations\, Gianni-Pasquale and T.R.Y.P.O.P.H.O.B.I.A.\nIn 2020\, he was selected by the AnticorpiXL Network for the ResidanceXL initiative.\nSince 2019\, he has collaborated and choreographed for various companies and schools: EgriBianco Danza\, Kseij Dance Company\, The LabCollective\, TanzWerk101 Zürich\, Ateneo della Danza Siena\, and ChoreoLab – Made in Ulm. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nAPERITIVO IN FONDERIA\nFrom 7:00 PM \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-e-laltro/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241118T180000
DTEND;TZID=Europe/Rome:20241118T190000
DTSTAMP:20260404T005825
CREATED:20240731T161220Z
LAST-MODIFIED:20240731T161526Z
UID:10003509-1731952800-1731956400@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241118T203000
DTEND;TZID=Europe/Rome:20241118T213000
DTSTAMP:20260404T005825
CREATED:20240731T154355Z
LAST-MODIFIED:20240731T160028Z
UID:10003507-1731961800-1731965400@www.fndaterballetto.it
SUMMARY:SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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