Stravaganze in sol minore
2024-02-21 11:00 - 12:00 (Europe/Rome) | Teatro Mina Mezzadri, Contrada Santa Chiara, 50, Brescia, 25122, Italia
FND/Aterballetto-Stravaganze in sol minore
Stravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia.
Two performances:
Tue 20.02 h 11.00
Wed 21.02 h 11.00
The magical virtuosity of Toti Scialoja (1914-1998), a master not only of images but also of words, is at the heart of this new creation for children, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis.
The almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images, bearers of a musicality that mixes poetry and nursery rhyme, they make the extraordinary and the frightening go together.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and choreography: Francesca Lattuada
Texts: Toti Scialoja (from La mela di Amleto)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and objects: Natali Fortier
Performer: Vittoria Franchina, Piersilvio De Santis
Coproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In coproduction with Centro Servizi Culturali Santa Chiara

YELED / RHAPSODY IN BLUE / SECUS
2024-02-22 20:30 - 21:30, 2024-02-23 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
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Thursday 22 / Friday 23 February 2024 – 8:30 PM
In February, the Aterballetto Company returns to dance at the Fonderia in Reggio Emilia with a double bill.

On stage, a triptych composed of two repertoire choreographies: Yeled by Eyal Dadon opening the evening and Secus by Ohad Naharin concluding it. Interspersing them, the new production created by Iratxe Ansa and Igor Bacovich set to the notes of George Gershwin, debuting at the Teatro Regio in Parma on February 17: Rhapsody in Blue.
The evening involves the entire company of 16 dancers: in the first creation, Israeli choreographer Eyal Dadon leads a reflection on the moment in life when children lose their innocence; with Rhapsody in Blue Iratxe Ansa and Igor Bacovich offer an innovative interpretation of Gershwin’s famous rhapsody, just as it celebrates its 100th anniversary; Secus, the eclectic masterpiece by Ohad Naharin, concludes, a bold and extravagant choreography of races, solos, crisp gestures, and interrupted duets.

It is recommended to purchase tickets online. Booking by phone, email, and WhatsApp will be available from Tuesday, February 13, 2024.

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CREDITS
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YELED
Creation for 16 dancers of the company
Choreography Eyal Dadon
Music Eyal Dadon
Set and lights Fabiana Piccioli
Costumes Bregje Van Balen
Production National Dance Foundation / Aterballetto
Co-production Foundation I Teatri di Reggio Emilia
With the support of the Cultural Office of the Embassy of Israel in Italy
Premiere April 27, 2022, Reggio Emilia, Teatro Municipale Valli
Duration 30′
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RHAPSODY IN BLUE
Creation for 16 dancers of the company
Choreography Iratxe Ansa and Igor Bacovich
Music George Gershwin, Rhapsody in Blue
Set and costumes Fabio Cherstich
Lights Eric Soyer
Production National Dance Foundation / Aterballetto
Co-produced with Foundation Teatro Regio di Parma
Premiere February 17, 2024, Teatro Regio di Parma
Duration 20′
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SECUS
Restaging for 16 dancers of the company
Choreography Ohad Naharin
Music Chari Chari, Kid 606 + Rayon (mix: Stefan Ferry), AGF, Chronomad (Wahed), Fennesz, Kaho Naa Pyar Hai, Seefeel, The Beach Boys
Sound design & editing Ohad Fishof
Costumes Rakefet Levy
Lights Avi Yona Bueno (Bambi)
Choreography assistants Rachael Osborne, Ian Robinson
Creation for Batsheva Dance Company (within Three, 2005)
Production National Dance Foundation / AterballettoCo-produced with Festival Oriente Occidente (I), Les Halles de Schaerbeek (B), Malraux scène nationale Chambéry Savoie (F)
Premiere September 6, 2019, Festival Oriente Occidente, Teatro Zandonai, RoveretoDuration 30′
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Info & Tickets
TICKETS
Full price: 10 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is active from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

Stravaganze in sol minore
2024-02-27 10:00 - 11:00 | Teatro Comunale Laura Betti, Piazza del Popolo, 1, Casalecchio di Reno, BO, 40033, Italia
FND/Aterballetto-Stravaganze in sol minore
Stravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia.
The magical virtuosity of Toti Scialoja (1914-1998), a master not only of images but also of words, is at the heart of this new creation for children, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis.
The almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images, bearers of a musicality that mixes poetry and nursery rhyme, they make the extraordinary and the frightening go together.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and choreography: Francesca Lattuada
Texts: Toti Scialoja (from La mela di Amleto)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and objects: Natali Fortier
Performer: Vittoria Franchina, Piersilvio De Santis
Coproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In coproduction with Centro Servizi Culturali Santa Chiara

OPEN REHEARSAL -LENA
2024-02-29 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Lena is a performance that arises from an investigation into the gesture of pushing, understood as a multifaceted relational gesture.
The object to which this research refers is the swing: an object of ancestral simplicity of which we all know the sensation and condition. An object capable of providing us with a specific and exclusive dynamic of movement. Starting from these premises and from the investigation around the swing object, of which the playful dimension is also mentioned, the performance focuses on the search for that gray area between play and violence, between playful and sadistic, between joke and spite. The push, in its repetition, changes meaning, unleashes different imaginaries, acquires new values: it is a gesture that in the relational sphere often defines roles of power and strength.
This research aims to investigate the different meanings that this gesture carries with it, encapsulating them, showing them, and transforming them through the repetition of a dynamic. In this physical dialogue, a mechanism of pushed and pushing bodies is composed, a human machine made of actions and reactions, in which the intention behind the gesture is lost and confused.

CREDITS
The research has developed through the exchange in the studio, at different moments of the process, with the performers Teodora Grano, Chiara Luccisano, Michael Incarbone, Erica Bravini, Daria Greco, Elena Bastogi, Luca Della CorteAnd with the Light Designer Francesco Tasselli
Performers Giulia Cannas, Claudio Larena, Marta Magini
Artistic Consulting Sofia Naglieri
Sound Designer Lorenzo Minozzi
Light Designer Francesco Tasselli
Project supported by Artisti Associati; Associazione Culturale Chiasma; Fondazione Nazionale della Danza / Aterballetto
AUTHORS
CLAUDIO LARENA
A young author and performer who explores the languages of installation, dance, and performance. After the studio debut of his first work at the RomaEuropaFestival 2020, he continues his creative path with the conception of three new projects: -LENA; Le Spinte; Stiamo Lavorando per voi (ci scusiamo per il disagio). He trains by participating in workshops with national and international artists, with particular attention to the performative field. His authorial projects always take different formats: urban performance and scenic writing; word performance and choreographic research. A craftsman by training, he often questions the entity of objects, their meanings, and the physical, historical, or conceptual relationship that arises from our connection with them.

INFO & TICKETS
TICKETS
Full price: three euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is active from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

OPEN REHEARSAL - THE RED SHOES
2024-03-02 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Open rehearsal at 6:00 PM – Performance at 8:30 PM
Dancers from the Nuovo Balletto di Toscana present The Red Shoes, choreographed by the award-winning German choreographer Philippe Kratz, dedicated to the homonymous fairy tale by Hans Christian Andersen.
As in the tale of the girl Karen and a pair of strange red shoes, Andersen repeatedly challenges in his works the traditional dichotomy between subject and object. Kratz’s creation, with music specially composed by Pierfrancesco Perrone, addresses this strangely indissoluble bond, which is not determined solely by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of goods and consumption are also reflected by dividing the scenic space in two. In contrast to the fairy tale, which ends with the violent liberation of the protagonist from the red shoes and her redemption, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships.
I don’t perceive Karen as disobedient or vain, a perspective that is emphasized in the fairy tale. Nowadays, we are so accustomed to consuming and often see products as a means to an end, to get noticed by others, to relate to others, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. In this, she fails miserably. Yet, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.
Philippe Kratz

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CREDITS
Choreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)
Dramaturgy: Sarah Ströbele (Leipzig/Magdeburg)
Music: Pierfrancesco Perrone
Lights: Giulia Maria Carlotta Pastore (Light Designer)
Costumes: Grace Lyell (Paris)
First Performance: October 19, 2023, Teatro Sociale Di Trento
Duration: 60 Minutes
Performers: Nuovo Balletto Di Toscana, 10 dancers (Florence)
AUTHORS
NUOVO BALLETTO DI TOSCANA

The Nuovo Balletto Di Toscana is a strictly professional production structure, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.

For several years, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino, with the representation of full-length ballets, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro, Fernando Cortez choreographed by Alessio Maria Romano, and Die Fledermaus choreographed by Karl Schreiner.

At the same time, the company has been engaged in a new creation by Arianna Benedetti, staging the show titled Pulcinella, Uno di Noi, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021), Mario Bermùdez Gil’s Quatuor pour la fin du temps, and Philippe Kratz’s Midnight Youth.

PHILIPPE KRATZ
Winner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza), Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián, Nacho Duato, David Dawson, invited by the director of the La Scala ballet corps Manuel Legris.

INFO & TICKETS
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TICKETS
Full price: three euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is active from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it
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THE RED SHOES - NBDT/PHILIPPE KRATZ
2024-03-02 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Open rehearsal at 6:00 PM – Show at 8:30 PM
Dancers from the Nuovo Balletto di Toscana present The Red Shoes, choreographed by the award-winning German choreographer Philippe Kratz, based on the fairy tale by Hans Christian Andersen.
Like in the tale of the girl Karen and a pair of strange red shoes, Andersen repeatedly challenges in his works the traditional juxtaposition between subject and object. Kratz’s creation, with music specially composed by Pierfrancesco Perrone, tackles this strangely unbreakable bond, which is not only determined by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of commodities and consumption are also reflected by dividing the stage space into two. In contrast to the fairy tale, which ends with the violent liberation of the protagonist from the red shoes and her redemption, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships.
I don’t perceive Karen as disobedient or vain; a perspective that is emphasized in the fairy tale. Nowadays, we are so accustomed to consuming and often see products as a means to an end, to be noticed by others, to relate to others, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. She fails miserably in this. Yet, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.
Philippe Kratz

.

CREDITS
Choreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)
Dramaturgy: Sarah Ströbele (Leipzig/Magdeburg)
Music: Pierfrancesco Perrone
Lights: Giulia Maria Carlotta Pastore (Light Designer)
Costumes: Grace Lyell (Paris)
First Performance: October 19, 2023, Teatro Sociale Di Trento
Duration: 60 Minutes
Performers: Nuovo Balletto Di Toscana, 10 Danzatrici E Danzatori (Florence)
THE AUTHORS
NUOVO BALLETTO DI TOSCANA

The Nuovo Balletto Di Toscana is a strictly professional production structure, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.

For several years, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino, with the representation of full-length ballets, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro, Fernando Cortez choreographed by Alessio Maria Romano, and Die Fledermaus choreographed by Karl Schreiner.

At the same time, the company has been engaged in a new creation by Arianna Benedetti, staging the show titled Pulcinella, Uno di Noi, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021), Mario Bermùdez Gil’s Quatuor pour la fin du temps, and Philippe Kratz’s Midnight Youth.

PHILIPPE KRATZ
Winner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza), Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián, Nacho Duato, David Dawson, invited by the director of the La Scala ballet corps Manuel Legris.

INFO & TICKETS
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TICKETS
Full price: 10 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is active from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

Stravaganze in sol minore
2024-03-03 16:00 - 17:00 | Teatro Girolamo Magnani, Piazza Giuseppe Verdi, 1, Fidenza, PR, 43036, Italia
Stravaganze in sol minore by Francesca Lattuada is in Fidenza (PR), at the Teatro Girolamo Magnani.
The magical virtuosity of Toti Scialoja (1914-1998), a master not only of images but also of words, with which a dancer and a baritone play, is at the heart of this new creation for children, signed by the Fondazione Nazionale della Danza / Aterballetto.
The almost magical vibrations that emanate from Scialoja’s poems are like the infinite rings that form on the surface of water when a stone is thrown: evocative of unreal or hyperreal images, carriers of a musicality that blends poetry and nursery rhyme, making the extraordinary and frightening come together.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and choreography: Francesca Lattuada
Texts: Toti Scialoja (excerpted from La mela di Amleto)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and objects: Natali Fortier
Performers: Vittoria Franchina, Piersilvio De Santis
Co-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In co-production with Centro Servizi Culturali Santa Chiara

OPEN REHEARSAL - Puccini’s Opera. Voci di donne
2024-03-05 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Compagnia Artemis Danza, with this new creation by Monica Casadei, dedicates its artistic project to the contemporary representation, investigation, and interpretation of four captivating heroines of the Lucchese composer: Tosca, Madama Butterfly, Mimì , and Turandot.
Understanding Puccini’s music involves analyzing its deep relationship with the female world. A clear message from the titles chosen for his most celebrated works: Tosca, Butterfly, Turandot, La Bohème. A kaleidoscope of different personalities, a universe full of facets, sensitivities. In the four scenes that make up Puccini’s Opera, recognizable even without any didactic necessity, we find Casadei’s personal interpretation of the feminine theme, placed at the center of a process of choreographic, visual, and musical reinterpretation. Tragic love, thwarted and opposed love, cruel love that annihilates, the desire for possession that leads to destruction, live in the faces, bodies, and gestures of the Company and continue to make us reflect on the relevance of stories that have moved audiences worldwide. The creation is permeated with a poignant atmosphere, full of tension and poetic suggestion.
Against Puccini’s orchestral score, the electronic tracks of composers Luca Vianini and Fabio Fiandrini counterpose, creating an enveloping and at times apocalyptic sound space. A choral dance, swollen with impulses and passions, instinctive and at times wild, which makes a swirling use of space and appears, also symbolically, visually full: solos protected by frames of ensembles in a dynamic accelerated by propulsive forces make the drama and passions of the protagonists live in the body and guts.

CREDITS
Choreography, direction, set design, lighting, and costumes by Monica Casadei.
Music by Giacomo Puccini.
Musical elaboration by Fabio Fiandrini.
Production by Compagnia Artemis Danza.
Co-produced with Fondazione Teatro Comunale di Ferrara.
With the support of Ministero della Cultura, Regione Emilia-Romagna – Assessorato alla Cultura, Comune di Parma.
INFO & TICKETS
TICKETS
Full price: 3 euros
PURCHASE TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket service at Fonderia is available from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and whatsapp: 3341023554
Email: biglietteria@aterballetto.it

OPEN REHEARSAL - Corpi violati #DjOperaNoir
2024-03-06 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Translation leaving HTML code:
In CorpiViolati , a community of bodies, both feminine and masculine, thrives, thirteen in total, bound by the memory of a wound. Whether still open or healed, this wound reverberates on the stage in an incessant dance fueled by impulses, instincts, anger, and pain, where overwhelming group dances alternate with duets and solos, and vulnerable bodies stand alongside violent and ruthless bodies of aggressors upon whom a veil of pity never descends, at least until they themselves become victims.
Born from the search for testimonies of rape and abuse victims and from improvisational work in the studio with the dancers, Monica Casadei constructs a performance oscillating between raw realism and poetry dictated by a possible redemption. At its core, the victims, too often blamed and cornered in the lengthy judicial processes faced to obtain justice, inhabit a bare stage dominated by two defendant benches and a backdrop of gold and black damask. Antithetical colors – on one side, the brilliance and light of gold; on the other, the enigmatic darkness of black – create a precious tapestry of an imaginary domestic hearth where respect and love should reign. Musically, the remixed electronic samples by Fiandrini ebb and flow within the story in melodrama and symphonic music.

CREDITS
Choreography, direction, set design, lighting, and costumes by Monica Casadei.
Live Electronics by Fabio Fiandrini.
Production by Compagnia Artemis Danza/Monica Casadei.
Co-produced with Festival di Danza Contemporanea Teatro Comunale di Ferrara.
In collaboration with Comune di Rimini and Teatro Galli.
With the support of Ministero della Cultura, Regione Emilia Romagna, and Comune di Parma.
INFO & TICKETS
TICKETS
Full price: 3 euros
PURCHASE TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket service at Fonderia is available from 5:00 PM.
Tickets are not numbered.
CONTACTS
Phone and whatsapp: 3341023554
Email: biglietteria@aterballetto.it

YELED / SHOOT ME / RHAPSODY IN BLUE
2024-03-10 19:00 - 20:30 | Victoria Eugenia Antzokia, Argentinar Errepublika, 2, 20004 Donostia-San Sebastian, Gipuzkoa, Spagna, San Sebastián, 20004, Spagna
The Aterballetto Company arrives in the Basque Country, in San Sebastián, to open the Feria des Artes Escenicas with a program of three choreographies involving the entire company of 16 dancers.
The evening begins with Yeled by Eyal Dadon, followed by Shoot Me by Diego Tortelli, and concludes with Rhapsody in Blue, the new production by Iratxe Ansa and Igor Bacovich, debuting in February 2024.
YELED – Eyal Dadon
Yeled, a Hebrew word meaning “child,” brings to the stage the reflection that Israeli choreographer Eyal Dadon , together with the dancers of Aterballetto, has undertaken on the moment in life when one loses the innocence of childhood.

SHOOT ME – Diego Tortelli
Shoot Me by the resident choreographer of CCN / Aterballetto, Diego Tortelli, is a frontal work that establishes a direct exchange relationship between the dancers on stage and the audience in the auditorium. A game of seduction, gazes, sweat, an assault on the senses, and an ode to the body, to breathing the same air, sweat, tears, fury, pride.

RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin holds various attractions for us. It is beautiful music, known but perhaps not so frequently heard by newer generations. Introducing this work to the young audience is a good goal, and it can be a way to provide a less distant and less ‘American’ vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will naturally dictate the choreographic work, and the lively, sparkling changes it offers are fantastic to play with.»– Iratxe Ansa & Igor Bacovich

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CREDITS
YELED
Creation for 16 dancers of the company
Choreography by Eyal Dadon Music by Eyal Dadon Set and lights by Fabiana Piccioli Costumes by Bregje Van Balen
Production by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia
With the contribution of the Cultural Office of the Embassy of Israel in Italy
Premiere April 27, 2022, Reggio Emilia, Teatro Municipale Valli
Duration 30’
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SHOOT ME
Restaging for 16 dancers of the company
Creation for 16 dancers of the company
Choreography by Diego Tortelli Music by Spiritualized Costumes by Marco De Vincenzo Lights by Roman Fliegel
Production by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia
Premiere April 27, 2022, Reggio Emilia, Teatro Municipale Valli
Duration 30’
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RHAPSODY IN BLUE
Creation for 16 dancers of the company
Choreography by Iratxe Ansa and Igor Bacovich Music by George Gershwin, Rhapsody in Blue; Bessie Jones, Beggin’ the blues Set and costumes by Fabio Cherstich Lights by Eric Soyer
Production by Fondazione Nazionale della Danza / Aterballetto In co-production with Fondazione Teatro Regio di Parma With the contribution of Etxepare Euskal Institutua
Premiere February 17, 2024, Teatro Regio di Parma
Duration 20′

Dreamers
2024-03-12 19:30 - 21:00, 2024-03-13 19:30 - 21:00 | Opernhaus, Am Boeselagerhof 1, Bonn, 53111, Germania
Aterballetto dances in Bonn the triple bill Dreamers, composed of Secus by Ohad Naharin, “O” by Philippe Kratz and BLISS by Johan Inger.
Dreamers offers a unique opportunity to admire the company through shades of contrast, from the joyful concert in dance by Johan Ingerto the unstoppable and hypnotic rhythm of Philippe Kratz, to vigorous rituality of Ohad Naharin.

COL TEMPO - AMBRA SENATORE
2024-03-13 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Ambra Senatore loves to surprise and mischievously lead the audience along paths, true or false, with which she plays and makes fun of the spectator. As always in her choreographies, characters take shape, situations and stories develop. Unexpected discrepancies, absurdity, and distraction from reality are the main ingredients of her choreographies. Ambra Senatore wants to create amazement, she sets out to provoke laughter. A keen observer of the human world, she is always attentive, being different is her second nature and she gives precise meaning to her dance. That’s why she often breaks the fourth wall, becoming a confidant of the spectators, playing with them and engaging them. Ten years after her first group choreography entitled Passo, Ambra Senatore dedicates herself to a new creation with the complicity of the performers from that time. She now brings together this group of dancers, now well-seasoned after ten years of working together, to create a generous and open dance towards the other; a pas de quatre on being a group, questioning existence and desiring happiness.

CREDITS
Coreography Ambra Senatore with the participation of the performers
Interpretation Caterina Basso, Claudia Catarzi, Matteo Ceccarelli, Ambra Senatore
Original Music Jonathan SeilmanLighting Fausto BonviniDuration 1hProduction CNN de Nantes
Co-production Théâtre de La Ville (Paris), Torinodanza Festival/Teatro Stabile – Teatro Nazionale Torino
CHOREOGRAPHY
“We started rehearsals at the end of January 2020, and one of the basic reasons was reflection on the creative act in the historical, political, and social context: a reflection also inspired by interesting encounters with scientists and philosophers with different views on the world and the present, realized through the project Conversation, dialogue ouvert avec la danse. Being a small community part of a much larger community, we wondered what our desires were and how to achieve them together. Some of them can be realized on stage. And the others? Not always finding the answers, we meanwhile played with the questions. Shortly after the start of rehearsals, time stopped for everyone. For a long time, compressing. Rehearsal weeks were cut in half. The desires and questions no longer had anything to do with the unexpected experience of the last few months. At the time I write these lines, the show does not yet exist. It will exist thanks to the encounter with the spectators. Creating a show is like traveling: you prepare, you rehearse, but there are always many surprises and unexpected events. We are at the beginning of the journey and I do not know exactly what form it will take. Certainly, the desire to dance and feel good together is present from the beginning, with the hope that it will be possible on a large scale.”Ambra Senatore
AMBRA SENATORE
AMBRA SENATORE

Ambra Senatore, choreographer and performer, director of the Centre Chorégraphique National de Nantes. Ambra Senatore’s dance is close to human beings and loves to go out and meet people and places. The choreographer creates works that speak of collectivity and create bonds between people. Relationships are at the heart of all her research. In her work, everyday life is “observed under a magnifying glass,” shifted and turned upside down. A lover of surprises, cuts, and repetitions reminiscent of cinema, Ambra Senatore recomposes reality like a film director. In Italy, she trained with R. Castello and R. Giordano, with whom she soon collaborated. As a performer, she has worked with J. C. Gallotta, G. Rossi, G. Lavaudant, and A. Tagliarini. In the early 2000s, she created pieces in collaboration while completing a doctorate in contemporary dance. In 2004, she began writing choreographies with solos, which she performed until 2009, and then with group pieces, asserting her hybrid style that combines dance, theater, and profound humanity. As director of the CCN in Nantes since 2016, Ambra Senatore promotes a generous and curious style of dance (site-specific creations in public parks, markets, schools, museums, heritage sites, train stations, etc.), which she considers a means of sharing and knowing oneself and others.
INFO & TICKETS
TICKETSFull price: 10 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is available from 5:00 PM.
Tickets are not numbered.
CONTACTS
Cell and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

Un jour nouveau | Birthday Party
2024-03-14 20:30 - 21:30, 2024-03-15 20:30 - 21:30, 2024-03-16 18:00 - 19:00 | Teatro Sociale, Via Felice Cavallotti, 20, Brescia
The artistic heart of the Over Dance project arrives on the stage of the Teatro Sociale di Trento.
The two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79).
The body transforming with the years is a central theme in our society, and in the sensitivity of each of us. Ageing is not a problem for the actor, writer or visual artist: for those who dance, however? What is the real age of the body?
Four performances:
Thu 14.03 h 20.30
Fri 15.03 h 20.30
Sat 16.03 h 18.00
Sun 17.03 h 16.00
Discover more about the project

The evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence), Chaillot – Théâtre national de la Danse (Paris), ERT/Teatro Nazionale (Modena), Fondazione I Teatri (Reggio Emilia), Centro Servizi Culturali Santa Chiara (Trento).
Supporter and scientific partner: Ravasi Garzanti Foundation (Milan)
In partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite
with the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français

Un jour nouveau | Birthday Party
2024-03-17 16:00 - 17:00 | Teatro Sociale, Via Felice Cavallotti, 20, Brescia
The artistic heart of the Over Dance project arrives on the stage of the Teatro Sociale di Trento.
The two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79).
The body transforming with the years is a central theme in our society, and in the sensitivity of each of us. Ageing is not a problem for the actor, writer or visual artist: for those who dance, however? What is the real age of the body?
Four performances:
Thu 14.03 h 20.30
Fri 15.03 h 20.30
Sat 16.03 h 18.00
Sun 17.03 h 16.00
Discover more about the project

The evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence), Chaillot – Théâtre national de la Danse (Paris), ERT/Teatro Nazionale (Modena), Fondazione I Teatri (Reggio Emilia), Centro Servizi Culturali Santa Chiara (Trento).
Supporter and scientific partner: Ravasi Garzanti Foundation (Milan)
In partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite
with the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français

Stravaganze in sol minore
2024-03-19 10:00 - 11:00, 2024-03-20 10:00 - 11:00 | Teatro delle Briciole, Parco Ducale 1, Parma, PR, 43125, Italia

ONDE - SIMONA BERTOZZI/NEXUS
2024-03-20 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Affidata all’impeto energetico e all’orizzonte visionario di giovani presenze e corporeità, Onde prende forma attraverso una pratica performativa, coreografica e musicale che si apre al presente di corpi protesi e fluttuanti tra estasi, guizzi animali e curvature verso l’evanescenza. Ritmo e sforzo si intrecciano con tentativi di evasione, di attesa e sottrazione. Non c’è tempo per definire i confini delle posture, gli equilibri sono istanti sottili e subito reclinati verso altre congiunzioni e desideri. Il dialogo tra volumi anatomici e sonori moltiplica le prospettive di incontro, confonde le coordinate temporali e, come il propagarsi di onde d’urto, sfuma i contorni delle azioni individuali, tra provenienza e proiezione.
Segnare, battere, balbettare, tendere, risegnare, farsi lievi ma anche irruenti, audaci come la falena che va verso la luce anche se può bruciarla. Di The Waves, il celebre play-poem di Virginia Woolf, Onde incorpora la corrente continua delle immagini e la necessità di rigenerarsi nel ritmo, tra momenti di essere e universalità dei moti percettivi.
Adamantina è la scrittura coreografica traboccante di inventiva; si espande e indietreggia, diviene “vortico e volteggio”, rimanda con fantasia al mondo animale senza mai soffermarsi in posa. E allora quegli anemoni, quelle falene, quei granchi che ci sembra di intravedere sono forse solo vibrazione, identità mutanti come le maree.
Maria Luisa Buzzi, Danza&Danza

CREDITS
Concept and choreography Simona Bertozzi
Performers Arianna Brugiolo, Rafael Candela, Valentina Foschi
Original music performed live Luca Perciballi
Lighting design Rocio Espana Rodriguez
Costumes Vicini D’Istanti
Photo and video Luca Del Pia
Organization Miriana Erario
Press and communication Michele Pascarella
Duration 60’
Production: Nexus, in coproduction with Festival Danza Estate, Operaestate Festival Veneto/CSC. With the support of MiC, Regione Emilia Romagna, Comune di Bologna. In collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021. Creative residencies at: CSC Centro per la scena contemporanea, ALMASTUDIOS Bologna, Artists in ResidenSì Bologna 2023.
SIMONA BERTOZZI
Choreographer, dancer, and performer, Simona Bertozzi holds a degree from the Department of Arts, Music, and Performing Arts at the University of Bologna. One of the pioneers of the revolutions in twentieth-century choreographic art, Loïe Fuller, was the subject of her thesis. At a young age, she trained in artistic gymnastics and classical dance, then delved into the study of contemporary dance in Italy and various countries including France, Spain, Belgium, and England. She has collaborated extensively as a performer, including with choreographers Tomas Aragay (Societat Doctor Alonso-Spain) and, from 2005 to 2010, with Virgilio Sieni. She began her choreographic activity in 2005, embarking on a research and production path working with professional dancers and performers, as well as with children, teenagers, amateurs, asylum seekers, and second-generation young immigrants. Simona Bertozzi practices a dance in which choreography constitutes a territory of events, a complex system inhabited by the body, resulting from practices, thoughts, and disciplines that make creation a layered entity, in dialogue with the present. In 2007, she won the GD’A choreographic competition (Young Dance Authors of Emilia Romagna) and in 2008 she founded the Compagnia Simona Bertozzi | Associazione Culturale Nexus. Over the years, her projects have received support and hospitality from important regional, Italian, and European circuits, through co-productions and choreographic residencies with national and international circulation. In 2008, she was the Italian choreographer selected for the Aerowaves festival, The Place Theatre (London), and in the same year, with the solo Terrestre, she took part in the international Choreoroam project, supported by the British Council/The Place, Dansateliers/Rotterdam, and Bassano Opera Festival. With the collective Gemelli Kessler (Simona Bertozzi, Marcello Briguglio, Celeste Taliani), she won the 2009 Electronic Choreographer award for best independent production with the video dance work: Terrestre-movement in still life. In 2012, the collective was involved in the creation of I was wondering, a video dance piece created for the centenary of the birth of Michelangelo Antonioni. Over the years, important collaborations have been consolidated with artists and scholars including: Francesco Giomi artistic director of Tempo Reale, Enrico Pitozzi and Cristiana Natali professors at the University of Bologna, Egle Sommacal musician and guitarist of Massimo Volume, Angela Baraldi actress and singer, and Tabea Martin choreographer and dancer with whom she co-created This is my last dance, a work that had significant European circulation including the Swiss Dance Days.
INFO & TICKETS
TICKETSFull price: 10 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at Fonderia is active from 7:30 PM.
Tickets are not numbered.
CONTACTS
Cell and WhatsApp: 3341023554
Email biglietteria@aterballetto.it

Un jour nouveau | Birthday Party
2024-03-21 20:30 - 21:30, 2024-03-22 20:30 - 21:30, 2024-03-23 19:00 - 20:00, 2024-03-24 16:00 - 17:00 | Teatro Comunale, Piazza Giuseppe Verdi, 40, Bolzano, 39100, Italia
The artistic heart of the Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia.
The two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79).
The body transforming with the years is a central theme in our society, and in the sensitivity of each of us. Ageing is not a problem for the actor, writer or visual artist: for those who dance, however? What is the real age of the body?
Four performances:
Thu 21.03 h 20.30
Fri 22.03 h 19.00
Sat 23.03 h 19.00
Sun 24.03 h 16.00
Discover more about the project

The evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence), Chaillot – Théâtre national de la Danse (Paris), ERT/Teatro Nazionale (Modena), Fondazione I Teatri (Reggio Emilia), Centro Servizi Culturali Santa Chiara (Trento).
Supporter and scientific partner: Ravasi Garzanti Foundation (Milan)
In partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite
with the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français

Dreamers #1
2024-03-22 20:30 - 21:30 | Le Carré, 107 route du Plan de la Tour, Sainte-Maxime, 83120, Francia
Aterballetto dances at Le Carré in Sainte-Maxime, France, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers.
The evening opens with Shoot me, a new creation by Diego Tortelli on the music of the rock group Spiritualized, an abstract but tautly energetic choreography. This is followed by “O”, Philippe Kratz’s little masterpiece, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.

YELED / SECUS
2024-03-26 19:30 - 20:30 | Staatsoper Hannover, Opernpl. 1, 30159 Hannover, Germany, Hannover, 30159, Germania
Tuesday, March 26, Aterballetto is back touring in Germany, dancing at the Staatsoper in Hannover. The entire group of sixteen dancers will present Yeled and Secus, choreographed by Israelis Eyal Dadon and Ohad Naharin.
Yeled by Eyal Dadon

Yeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?
“In the process of creation with the dancers, I reflected on the moment in our lives, as adults, when we lost the feeling of being children, the feeling of being naturally pure, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon
Secus by Ohad Naharin

Secus boasts a musical collage that ranges from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyaar Hai, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as the suitable backdrop for a bold and extravagant choreography that unfolds before our incredulous eyes in a human alphabet made up of sprints, solos, crisp and clean gestures, interrupted duets. Through precise and sudden kicks, sinuous disarticulation of hips, torsos bending in all directions like molding clay, Secus expresses pure emotions and feelings without becoming sentimental.

Un jour nouveau | Birthday Party
2024-03-27 20:30 - 21:30 | Teatro Bonci, Piazza Mario Guidazzi, 8, Cesena, 47521, Italia
After the debut at the Teatro Municipale Valli in Reggio Emilia, the artistic heart of the Over Dance project takes center stage at the Teatro Bonci in Cesena.
Renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveauandBirthday Party, tackling the theme of body transformation in an evening with senior performers (aged 65 to 79).
The aging body is a central theme in our society and in the sensitivity of each of us. Aging is not a problem for the actor, the writer, or the visual artist: What about for those who dance? What is the true age of the body?

Learn more about the project–

The evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence), Chaillot – Théâtre national de la Danse (Paris), ERT/Teatro Nazionale (Modena), Fondazione I Teatri (Reggio Emilia), Centro Servizi Culturali Santa Chiara (Trento).
Supporter and scientific partner: Ravasi Garzanti Foundation (Milan)
In partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite
with the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français

DECISIONE CONSAPEVOLE - ROBERTO TEDESCO / Körper
2024-03-28 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Una mappa concettuale pensata per guidare le sessioni di improvvisazione.
Ecco cosa è stata finora Decisione Consapevole.
Ma se usassimo la mappa come se fosse un vero e proprio schema da seguire per creare un lavoro coreografico che vedrà quattro danzatori alle prese con le loro decisioni? Uno spazio vuoto a disposizione da riempire e svuotare attraverso la consapevolezza di ogni singolo interprete. Il rispetto del gusto gioca un ruolo fondamentale per far sì che il tutto risulti omogeneo e che le diverse personalità siano vestite da un unico abito.
L’abito veste gli interpreti di specifiche qualità e atteggiamenti, ritmi e modi minuziosamente studiati. L’abito pone limiti che comprendono però infinite libertà. L’abito è tutto ciò che esorta alla decisione. Forse allora è l’abito la stessa consapevolezza?
Isolamento, intimità, comunicazione, comunità sono le quattro parole chiave. Sebbene queste vadano a restringere il cerchio e a rendere la decisione dell’interprete meno variegata e più rispettosa, infinite sono ancora le possibilità che ogni singola parola suggerisce.
Le decisioni totalmente consapevoli dei danzatori sulla parola chiave da scegliere per proporre la propria azione nello spazio costituirà la costruzione della scena, decisioni che possono sì esistere singolarmente ma anche e soprattutto convivere con tutte le altre.

CREDITS
Choreography: Roberto Tedesco
Performers: Mattias Amadori, Eleonora Dominici, Laila Luchetta Lovino, Francesco Misceo
Music: Eskmo, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /
J.S. Bach / Raime / Senking
Sound designer: Giuseppe Villarosa
Lighting design: Giacomo Ungari
Costumes: Francesca Messori
Duration: 50′
Production: Körper | National Dance Production Center
Co-production: National Choreographic Center Aterballetto
in collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG
The project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino

Finalist project of DNA choreographic notes 2022
Project selected for the Open Studios of NID 2023
THE CHOREOGRAPHER
ROBERTO TEDESCO

Roberto Tedesco, born in 1992, began studying dance at the age of eleven.
In 2009, he joined the Balletto di Toscana School, immediately dancing for the junior company Junior Bdt. In 2011, he joined Aterballetto where he remained for ten years, working with great choreographers of the national and international scene, including: Ohad Naharin, Jiri Kylian, Hofesh Shechter, William Forsythe, Johan Inger, etc. Still as a dancer with Aterballetto, he began choreographing and participated twice in the International Choreographic Competition in Hannover, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021, he began a career as a freelance choreographer.
He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.
In Germany, he stages the duet Line-up at the National Theater Mannheim, creates By the throat for the Ballett Vorpormmern, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network, through which he begins working on the project Decisione consapevole. With the latter, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.

INFO & TICKETS
TICKETS
Full price 10 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it
The ticket office service at Fonderia is active one hour before the start of the show
Tickets are not numbered
CONTACTS
Cell and WhatsApp: 3341023554
Email biglietteria@aterballetto.it

Book presentation "Se danzare non mi basta" by Cristina Bozzolini.
2024-04-05 19:00 - 20:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
VENERDÌ 5 APRILE, ALLE ORE 19.00, IN FONDERIA, IN COLLABORAZIONE CON NARDINI EDITORE, PRESENTIAMO IL LIBRO SE DANZARE NON MI BASTA DI CRISTINA BOZZOLINI. CON L’EVENTO RICORDIAMO SILVIA POLETTI, GIORNALISTA, CRITICA, CONSULENTE ARTISTICA INTERNAZIONALE PER LA DANZA, CURATRICE DELL’OPERA.

If Dancing Is Not Enough traces the career and life of Cristina Bozzolini, offering a glimpse into the international dance world, the political and social climate of her beloved Florence, and the artistic experiments with Aterballetto. A book written and curated by women, tireless professionals and leading figures in the field, addressing struggles for culture and the affirmation of women and artists in society.
Among its pages flow the memories of a major protagonist in Italian dance and the artistic expressions that are part of it: from the 1960s when she was Prima Ballerina of the Ballet Company of the Florence May Music Festival, to the memorable performances alongside artists such as Nureyev, Fracci, Baryshnikov, to the founding of the Center for Dance Studies, to the establishment of the Balletto di Toscana, to the direction of Aterballetto, a national excellence. The common thread of her professional and life experience is the struggle for the affirmation of civil rights and for a just society, in which cultural education must be the engine for development.
The meeting is hosted by Maria Luisa Buzzi, editor-in-chief of the magazine Danza&Danza, and includes interventions by choreographers and dancers who had Cristina as their director and mentor, such as the award-winning Philippe Kratz.
At the end of the presentation, the dancers of Compagnia Aterballetto will offer the audience a dance surprise.
Free admission with reservation (whatsapp 3341023554 | info@aterballetto.it) until seats are filled.
Bar service available from 18:00.
During the meeting, it will be possible to purchase the book, and Cristina Bozzolini will be available to sign copies.
If Dancing Is Not Enough can be purchased here.
