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DTSTART;TZID=Europe/Rome:20211024T143000
DTEND;TZID=Europe/Rome:20211024T153000
DTSTAMP:20260403T230919
CREATED:20210728T104722Z
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SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T163000
DTEND;TZID=Europe/Rome:20211024T173000
DTSTAMP:20260403T230919
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001774-1635093000-1635096600@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211029T203000
DTEND;TZID=Europe/Rome:20211029T213000
DTSTAMP:20260403T230920
CREATED:20210728T142641Z
LAST-MODIFIED:20211026T165935Z
UID:10001776-1635539400-1635543000@www.fndaterballetto.it
SUMMARY:Oh Peter\, hello. Goodbye - Prima di domani
DESCRIPTION:XL Dance Company – “Prima di domani” – ph. Elena Barchi \nTwo choreographies that highlight the talent of the young XL Dance Company directed by Emanuela Baratin and Laura Matano. \n \nOh Peter\, hello. Goodbye \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic by various authors\nDuration 13’40” \nHere is the greeting you had to become.\nI awaited it comprehensively because in all our things there were sentences and redemptions.\nInside there is the desire to which I had to return to and which I had to preserve.\nA resolute control of aspirations is needed in order not to become a victim of them.\nYou are without siege\, and I am no longer a smile but the winter.\nCover yourself too.\nYou said that every body is seeking\, calling\, must fulfil itself.\nIt’s true\, here is the ritual to leave.\nI feel that you want to drag me into your space but I have chosen to let myself return to myself\, in symbiosis\nwith my wide gestures and without constraints.\nUntil they are accomplished we will guard our\nsleep\, but standing sideways\, to give access to nightmares.\nThen I will open my hands as if I am in a space of my own\, without having yours around me trying to\ntake one last close-up look. \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nSet design Cinzia Macis\nDramaturgical preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic various authors\nDuration 24’30” \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and look after it. A game that never ends.\nEach time\, pain is a great discovery. Lightning\, like a black star.\nSomething is missing\, you begin to live without it\, as you search for the vanishing point of life. It scrapes the empty words\, invents a new language\, obtains by subtraction.\nIt is fear that comes but arrives together with courage.\nStrength. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo make the balance square again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in its own way hospitable.\nAnd you walk\, you go ahead in the disorder of destiny\, you obey the failure of time that falls on you\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, no escaping\, no running away\, the bridge has collapsed.\nCount the hours\, the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time. \nCompelled state of necessity.\nThat’s it\, you’ve got to get through it before tomorrow.\nAnd don’t forget it from tomorrow. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/seamless-prima-di-domani/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211031T203000
DTEND;TZID=Europe/Rome:20211031T213000
DTSTAMP:20260403T230920
CREATED:20210728T160701Z
LAST-MODIFIED:20211019T082858Z
UID:10001778-1635712200-1635715800@www.fndaterballetto.it
SUMMARY:NEXT STOP_ PALCOSCENICO
DESCRIPTION:NEXT STOP_ PALCOSCENICO\nContainer of contemporary creations that open the doors to the professional performing world. \nChoreographers in Creation 2021\nLuna Cenere\, Daniele Ziglioli\,Emma Cianchi\, Sabrina Rigoni \nPerformers\nYoung dancers of the StudioXL advanced training course Reggio Emilia \n \nSTUDIOXL CONTEMPORARY DANCE \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nArtistic Direction Laura Matano\, Emanuela Baratin \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/next-stop-placoscenico-studioxl-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211104T203000
DTEND;TZID=Europe/Rome:20211104T213000
DTSTAMP:20260403T230920
CREATED:20210921T162111Z
LAST-MODIFIED:20211220T102516Z
UID:10002233-1636057800-1636061400@www.fndaterballetto.it
SUMMARY:SWANS_1
DESCRIPTION:What does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nThe evening Swans_1 includes new creations by Chiara Bersani\, Philippe Kratz e Silvia Gribaudi.\nThe performance will be followed by a talk hosted by the journalist Greta Pieropan.\n \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS\n \n \nL’Animale  \nBy and with Chiara Bersani\nScene and light Valeria Foti\nWith the collaboration of Richard Gargiulo and Sergio Seghettini\nVocal playwright Francesca Della Monica\nAssistance to dramaturgy and promotion Giulia Traversi\nAssistance to creation Marco D’Agostin / Elena Giannotti\nSupport to the creative process Federica Della Pozza\nProduction corpoceleste c.c.0.0 #\nCo-production Operaestate Festival/CSC\, Fabbrica Europa\, Bolzano Danza |TanzBozen\, Gender Bender Festival. \n  \nThe animal is standing still.\nThe animal is a house.\nThe animal is a war memorial.\nDid the animal fall?\nNo. The animal was under the table when everything was falling.\nDoes the animal travel?\nNo. There’s too much debris.\nHe could get hurt. More than this?\nMore than this might kill it.\nThe animal hears ghosts.\nThe animal chose them. \nIf you want to meet the animal\, you have to ask permission.\nChiara Bersani \n  \n  \nOpen Drift \nChoreography Philippe Kratz\nDancers Antonio Tafuni and Nagga Giona Baldina\nOriginal music Borderline Order\nOn commission of Festival Operaestate-Bassano del Grappa  \nThe Dying Swan by Anna Pavlova and Michel Fokine is a representation of the final moments of a living creature and it alludes to the idea of transformation. We are observing a creature transforming itself into a different state of existence.\nIn a spiritual and philosophical perspective\, we tend to use the word “passage” when referring to death because we see this process as a process of transition\, just as all life can be seen as a sequence of transformations.\nBut is it possible to encapsulate a single moment in time? With this duet\, I wanted to try. \nThe physical research is based on the idea of floating and fluctuating. Two bodies meet by chance because the currents of life have brought them together in the open sea. Something firm and resolute appears in their bearing as if they are determined to make the most out of their encounter. They know they have been accidentally brought together\, but they also know that\, for this brief moment\, one will be the only witness to the existence of the other\, and vice versa\, before drifting off again in different directions\, disconnected and unrelated\, but potentially transformed for the better.\nPhilippe Kratz\n \nOpen Drift has been created in a personal moment of transition of the choreographer and it is the result of the two-way exchange between Philippe Kratz\, at the end of his career as a dancer\, and the two young performers\, at the beginning of their working experience. \nPeso Piuma \nby and with Silvia Gribaudi\nMusic Nicola Ratti\nWith the collaboration of Associazione Culturale Zebra\nPeso Piuma was created as part of the project SWANS NEVER DIE \nPeso Piuma is a performance inspired by the first version of The Dying Swan created by Michel Fokine and danced by Anna Pavlova. \nIn her interpretation\, Anna Pavlova included in the choreography movements that were expressions of her own feelings\, performing a revolutionary act that betrayed the codes of the dance of the 1900s: Choreographers’ and dancers’ roles became blurred.\nThe dance that was staged belonged to both the choreographer and the performer\, it was impossible to know how much belonged to one or the other.\nThe dance that was staged belonged to both choreographer and performer\, it was impossible to know how much belonged to one or the other.\nWhich is the invisible legacy that remains for those who will dance that choreography?\nHow is a movement transmitted and re-interpreted?\nWhere do the past and the present meet in the body? How does the gesture go beyond time? \nIn a 15-minute performance\, together with the public\, I explore the intimacy of the body\, the abandonment to it. I reconstruct new movements\, with effort and happiness\, repeating those arms and that broken neck of Pavlova.\nI have tried to start from those steps that give impetus to the fall. It is a fall in order to get up again.\nSilvia Gribaudi \n \nGreta Pieropan \nGreta Pieropan has a background in Modern Philology and Literature Studies\, with a focus on journalism and performing arts. She works with festivals and dance companies on communicating dance to professional and non-professional audiences. Her personal research includes dance dramaturgy\, as a tool for the creative process and for developing a positive exchange between artists and audiences and researching new narratives for contemporary dance. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211104T210000
DTEND;TZID=Europe/Rome:20211104T224000
DTSTAMP:20260403T230920
CREATED:20210730T101010Z
LAST-MODIFIED:20210922T132906Z
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SUMMARY:Don Juan
DESCRIPTION:From 4 to 7 November\, at Teatro Olimpico in Rome\, Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-rome/2021-11-04/
LOCATION:Teatro Olimpico\, Piazza Gentile da Fabriano\, 17\, Rome\, 00196\, Italia
CATEGORIES:Aterballetto,Don Juan
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SUMMARY:Don Juan
DESCRIPTION:From 4 to 7 November\, at Teatro Olimpico in Rome\, Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-rome/2021-11-05/
LOCATION:Teatro Olimpico\, Piazza Gentile da Fabriano\, 17\, Rome\, 00196\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211106T210000
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SUMMARY:Don Juan
DESCRIPTION:From 4 to 7 November\, at Teatro Olimpico in Rome\, Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-rome/2021-11-06/
LOCATION:Teatro Olimpico\, Piazza Gentile da Fabriano\, 17\, Rome\, 00196\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211107T180000
DTEND;TZID=Europe/Rome:20211107T194000
DTSTAMP:20260403T230920
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SUMMARY:Don Juan
DESCRIPTION:From 4 to 7 November\, at Teatro Olimpico in Rome\, Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-rome/2021-11-07/
LOCATION:Teatro Olimpico\, Piazza Gentile da Fabriano\, 17\, Rome\, 00196\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20211111T190000
DTEND;TZID=Europe/Rome:20211111T200000
DTSTAMP:20260403T230920
CREATED:20211018T134413Z
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SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211111T210000
DTEND;TZID=Europe/Rome:20211111T220000
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SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20211112T150000
DTEND;TZID=Europe/Rome:20211112T190000
DTSTAMP:20260403T230920
CREATED:20211001T140104Z
LAST-MODIFIED:20211103T094529Z
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SUMMARY:MicroDanze
DESCRIPTION:After the premiere in Athens\, six of the thirteen MicroDances will be performed for the first time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci. Orizzonti del Corpo will be open in the historical Palazzo da Mosto from 12 November 2021 to 16 January 2022. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the first and the last weekend of the exhibition\, while during the entire period it will be possible to experience them through virtual reality visors. \n\n12\, 13\, 14 November 2021 (every day three performances at h 15.00 / 16.30 / 18.00)\n14\, 15 January 2022 (three performances at h18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nSix MicroDanze at Palazzo da Mosto in live:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj only live; Meridiana by Diego Tortelli only in virtual reality. \n\nFrom 15 November 2021 to 13 January 2022\nFridays\, Saturdays\, Sundays from 10 a.m. to 7 p.m.\n\n\nSix MicroDanze at Palazzo da Mosto in VR and video:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Meridiana by Diego Tortelli presented in VR Experience.\nAfterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski and Near Life Experience by Angelin Preljocaj presented in video. \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-reggio-emilia/2021-11-12/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211113T150000
DTEND;TZID=Europe/Rome:20211113T190000
DTSTAMP:20260403T230920
CREATED:20211001T140104Z
LAST-MODIFIED:20211103T094529Z
UID:10001821-1636815600-1636830000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:After the premiere in Athens\, six of the thirteen MicroDances will be performed for the first time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci. Orizzonti del Corpo will be open in the historical Palazzo da Mosto from 12 November 2021 to 16 January 2022. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the first and the last weekend of the exhibition\, while during the entire period it will be possible to experience them through virtual reality visors. \n\n12\, 13\, 14 November 2021 (every day three performances at h 15.00 / 16.30 / 18.00)\n14\, 15 January 2022 (three performances at h18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nSix MicroDanze at Palazzo da Mosto in live:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj only live; Meridiana by Diego Tortelli only in virtual reality. \n\nFrom 15 November 2021 to 13 January 2022\nFridays\, Saturdays\, Sundays from 10 a.m. to 7 p.m.\n\n\nSix MicroDanze at Palazzo da Mosto in VR and video:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Meridiana by Diego Tortelli presented in VR Experience.\nAfterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski and Near Life Experience by Angelin Preljocaj presented in video. \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-reggio-emilia/2021-11-13/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211114T150000
DTEND;TZID=Europe/Rome:20211114T190000
DTSTAMP:20260403T230920
CREATED:20211001T140104Z
LAST-MODIFIED:20211103T094529Z
UID:10001822-1636902000-1636916400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:After the premiere in Athens\, six of the thirteen MicroDances will be performed for the first time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci. Orizzonti del Corpo will be open in the historical Palazzo da Mosto from 12 November 2021 to 16 January 2022. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the first and the last weekend of the exhibition\, while during the entire period it will be possible to experience them through virtual reality visors. \n\n12\, 13\, 14 November 2021 (every day three performances at h 15.00 / 16.30 / 18.00)\n14\, 15 January 2022 (three performances at h18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nSix MicroDanze at Palazzo da Mosto in live:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj only live; Meridiana by Diego Tortelli only in virtual reality. \n\nFrom 15 November 2021 to 13 January 2022\nFridays\, Saturdays\, Sundays from 10 a.m. to 7 p.m.\n\n\nSix MicroDanze at Palazzo da Mosto in VR and video:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Meridiana by Diego Tortelli presented in VR Experience.\nAfterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski and Near Life Experience by Angelin Preljocaj presented in video. \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-reggio-emilia/2021-11-14/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211117T190000
DTEND;TZID=Europe/Rome:20211117T203000
DTSTAMP:20260403T230920
CREATED:20211105T164136Z
LAST-MODIFIED:20211105T165329Z
UID:10001838-1637175600-1637181000@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at  the Dance Festival DansFunk 3.0.\, in Malmö. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented on Mixed Doubles evening\, along with three other duets produced by Onassis Cultural Centre (GR)\, Holland Dance Festival (NL)\, Skånes Dansteater (SE). \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-8/2021-11-17/
LOCATION:Skånes Dansteater\, Östra Varvsgatan 13 A\, Malmö\, Svezia
CATEGORIES:feeling good,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211118T190000
DTEND;TZID=Europe/Rome:20211118T203000
DTSTAMP:20260403T230920
CREATED:20211105T164136Z
LAST-MODIFIED:20211105T165329Z
UID:10001839-1637262000-1637267400@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at  the Dance Festival DansFunk 3.0.\, in Malmö. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented on Mixed Doubles evening\, along with three other duets produced by Onassis Cultural Centre (GR)\, Holland Dance Festival (NL)\, Skånes Dansteater (SE). \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-8/2021-11-18/
LOCATION:Skånes Dansteater\, Östra Varvsgatan 13 A\, Malmö\, Svezia
CATEGORIES:feeling good,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211118T210000
DTEND;TZID=Europe/Rome:20211118T222000
DTSTAMP:20260403T230920
CREATED:20210921T113559Z
LAST-MODIFIED:20211116T103008Z
UID:10002230-1637269200-1637274000@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:PREMIERE \nAterballetto dances Storie at Auditorium Fausto Melotti in Rovereto. \n\nStorie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the bill\, is a love letter to the body for five dancers on Nick Cave music\, Another story is a duo about the impossible gesture of 2020\, the hug. \nBetween past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt\, or will it become serial and alienated?\nAlpha Grace\, a creation for six dancers at the end of the bill\, is a reflection on empathy\, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/storie-4/
LOCATION:Auditorium Fausto Melotti\, Corso Bettini\, 43\, Rovereto\, TN\, 38068\, Italia
CATEGORIES:Aterballetto,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211120T203000
DTEND;TZID=Europe/Rome:20211120T221000
DTSTAMP:20260403T230920
CREATED:20210921T114439Z
LAST-MODIFIED:20210921T114921Z
UID:10002232-1637440200-1637446200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Bolzano Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-26/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bozen\, 39100\, Italy
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211125T203000
DTEND;TZID=Europe/Rome:20211125T220000
DTSTAMP:20260403T230920
CREATED:20210921T162159Z
LAST-MODIFIED:20211220T102523Z
UID:10001812-1637872200-1637877600@www.fndaterballetto.it
SUMMARY:SWANS_2
DESCRIPTION:{%CAPTION%} \nWhat does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nIn the evening Swans_2\, the traditional version of The Dying Swan is presented with new creations by Camilla Monga and Collettivo MINE.\nThe performance will be followed by a talk hosted by the Professor Alessandro Pontremoli. \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS \n \nSwaën  \nBy and with Camilla Monga\nLive music  Filippo Vignato e Emanuele Maniscalco\nProduction VAN\nCoproduction Lavanderia a Vapore/Piemonte dal Vivo\, Operaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del Grappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza; “Memory in Motion. \nCamilla Monga’s creation starts from the artistic synesthesia between dance and music\, which becomes a crasis in the chosen title: Swaën\, a combination of the noun Swan and part of the surname of the composer of  The Dying Swan: Saint-Saens.\nSwaën is a jazz trio that combines improvised and more structured movements involving one female dancer\, the trombone player Filippo Vignato and the multi-instrumentalist Emanuele Maniscalco.\nThey are the authors of a re-writing of piece no. 13 of The Carnival of the Animals. \nLiving like I know I’m gonna die \nChoreography\, invention and dance Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nPerformers Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nSound F. De Isabella\nStyling Ettore Lombardi\nPhoto and video Tonia Laterza\nProduction Fabbrica Europa\, Operaestate Festival/CSC Bassano \nLiving like I know I’m gonna die has been realized within Swans never die\n(Danzare la memoria 2020-2022) with the support of Lavanderia a Vapore/Piemonte dal Vivo\,\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del\nGrappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza;\n“Memory in Motion. Re-Membering Dance History (Mnemedance)” – Università Ca’ Foscari\nVenezia; Ecole Universitaire de Recherche CREATES e Centre Transdisciplinaire\nd’Epistémologie de la Littérature et des Arts Vivants\, Université Côte d’Azur e con il\ncoordinamento scientifico di Susanne Franco.\n \n” While we speak\, time will have escaped greedily. \nGrab this day”\nOrazio  \nLiving like I know I’m gonna die is a dance for five bodies. \nTwo couples and a single one form a group in reciprocity\, a single body made by linked arms \nunfolds in a network of lightning-fast encounters that cross the space with a progressive and \nunavoidable rhythm.\nThe sudden rhythmic character articulates a continuous\, intensely dense and intrinsically\nfleeting movement\, destined to change\, dissolve and end challenging time and its ephemeral\nnature.\nIn this way Pavlova daces the dying swan for Fokine\, like a real fight against death\,\nembodying a constant symbol of the transience of existence and of life’s things. \nThe Dying Swan \nChoreography Michel Fokine for Anna Pavlova\nMusic Camille Saint-Saëns\nDancer Martina Dall’Asta from Nuovo Balletto Classico \nThe historical choreography by Fokine The Dying Swan\, performed from Nuovo Balletto di Toscana\, ends the evening. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211125T204500
DTEND;TZID=Europe/Rome:20211125T214500
DTSTAMP:20260403T230920
CREATED:20211116T172324Z
LAST-MODIFIED:20211116T172324Z
UID:10001843-1637873100-1637876700@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Scenario Pubblico in Catania\, as part of an evening that also includes creations from the two Dance Production Centres Scenario Pubblico/Compagnia Zappalà Danza e DanceHauspiù.  \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation is a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.
URL:https://www.fndaterballetto.it/en/evento/feeling-good-9/
LOCATION:Scenario Pubblico\, via Teatro Massimo\, 16\, Catania\, 95131\, Italia
CATEGORIES:feeling good,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211126T190000
DTEND;TZID=Europe/Rome:20211126T200000
DTSTAMP:20260403T230920
CREATED:20211104T174303Z
LAST-MODIFIED:20211105T165800Z
UID:10001833-1637953200-1637956800@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Teatro Santa Chiara Mina Mezzadri in Brescia\, within the festival Area Fuorinorma 2021\, organised by Somebody Teatro delle Diversità. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe performance will be followed by a talk with the choreographer Diego Tortelli and the director of Fondazione Nazionale della Danza / Aterballetto Gigi Cristoforetti and by a session of live creation curated by the choreographer and the two dancers. \nThe creation is a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-7/2021-11-26/1/
LOCATION:Teatro Santa Chiara\, Contrada Santa Chiara 50/a\, Brescia\, 25122\, Italia
CATEGORIES:feeling good,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211126T210000
DTEND;TZID=Europe/Rome:20211126T214000
DTSTAMP:20260403T230920
CREATED:20211123T164553Z
LAST-MODIFIED:20211124T215739Z
UID:10001847-1637960400-1637962800@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - Don Juan
DESCRIPTION:What is behind a performance of Aterballetto? What happens in the rooms of the Fonderia in Reggio Emilia? \nBefore the lockdown\, our audience could discover the daily work of dancers and choreographers by attending the open rehearsals of the company. \nNow our fans\, and not only those from Reggio Emilia but from every city will be able to enter the universe of Aterballetto with PROVE IN CORSO\, our first series of four episodes curated by Nicolas Ballario: one of the most appreciated journalists of contemporary art who\, thanks to his unique verve and extraordinary competence\, is bringing everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario we enter the world of the Fondazione Nazionale della Danza / Aterballetto.\nBetween hilarious encounters\, ironic scenes involving people who work at the Fonderia every day\, and dancing moments\, in four episodes directed by Fabrizio Spucches\, we will discover the secrets of the company and the backstage of the shows\, in a way never told before. \nPROVE IN CORSO will be broadcast on the OnTheatre.tv  platform.\nPROVE IN CORSO is supported by the Ministry of Culture / Special Projects 2021. \nIn the first episode\, scheduled on Friday 26th November at 9 p.m. (available until 28th November at 12 p.m.)\, we will be seduced by the amazing Don Juan by Johan Inger\, a choreography inspired by the myth of Don Giovanni. \nTickets \n\nTicket: 3€.\nIf you are planning to watch all 4 episodes\, you can buy the package ticket: 10€\nBuy your ticket on https://www.biglietteriafonderia39.it/home.aspx or https://www.ontheatre.tv/Prove-in-Corso-80c9a500 (for the package).\nWe will send you a personal code that will allow you to watch the show on OnTheatre platform.\n\n\nThe purchased episode will be viewable from the scheduled date (Friday 26 November at 21.00).\nIf you are unable to watch the episode on Friday\, you will be able to start the episode within 28 days of purchase.\nOnce started\, the episode will be available for 48 hours.\nBy purchasing the package\, all shows will be visible in the MY SHOWS area of the OnTheatre website\, but individual episodes can only be played from scheduled Fridays (Don Juan will be available from 26 November\, Storie from 3 December…).\nWhen you purchase the package\, the 28 days period starts from the date the show is scheduled.\n\nOnTheatre platform \n\nRegister for free on OnTheatre: ontheatre.tv/Sign up and confirm your registration by clicking on the link you will receive by e-mail.\nYou can now log in to OnTheatre by using your email address and the password you have chosen.\nChoose the show ” PROVE IN CORSO ” and enter your personal code\, which we have sent you by email\, in the section “Do you have a code? Click here” or in the CODE section of the menu on the left.\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time.\nFor assistance write to support@ontheatre.tv\n\n\n.
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-don-juan/
LOCATION:Fonderia – streaming\, Italia
CATEGORIES:Season,Season 2021,season September-December 2021,Streaming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211126T210000
DTEND;TZID=Europe/Rome:20211126T220000
DTSTAMP:20260403T230920
CREATED:20211104T174303Z
LAST-MODIFIED:20211105T165800Z
UID:10001834-1637960400-1637964000@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Teatro Santa Chiara Mina Mezzadri in Brescia\, within the festival Area Fuorinorma 2021\, organised by Somebody Teatro delle Diversità. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe performance will be followed by a talk with the choreographer Diego Tortelli and the director of Fondazione Nazionale della Danza / Aterballetto Gigi Cristoforetti and by a session of live creation curated by the choreographer and the two dancers. \nThe creation is a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-7/2021-11-26/2/
LOCATION:Teatro Santa Chiara\, Contrada Santa Chiara 50/a\, Brescia\, 25122\, Italia
CATEGORIES:feeling good,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/11/Feeling_Good_photo_by_Albert_Vidal-_Vèrtex-Comunicació_0000-10.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211127T190000
DTEND;TZID=Europe/Rome:20211127T200000
DTSTAMP:20260403T230920
CREATED:20211104T172023Z
LAST-MODIFIED:20211105T165819Z
UID:10002247-1638039600-1638043200@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at DanceHaus in Milan\, as part of an evening that also includes creations from the two Dance Production Centres Scenario Pubblico/Compagnia Zappalà Danza e DanceHauspiù.  \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation is a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.
URL:https://www.fndaterballetto.it/en/evento/feeling-good-6/2021-11-27/1/
LOCATION:DanceHaus\, via Tertulliano\, 70\, Milan\, 20137\, Italia
CATEGORIES:feeling good,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/11/Feeling_Good_KDF_photo_by_Albert_Vidal-_Vèrtex-Comunicació_0000-5.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211127T210000
DTEND;TZID=Europe/Rome:20211127T220000
DTSTAMP:20260403T230920
CREATED:20211104T172023Z
LAST-MODIFIED:20211105T165819Z
UID:10002248-1638046800-1638050400@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at DanceHaus in Milan\, as part of an evening that also includes creations from the two Dance Production Centres Scenario Pubblico/Compagnia Zappalà Danza e DanceHauspiù.  \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation is a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.
URL:https://www.fndaterballetto.it/en/evento/feeling-good-6/2021-11-27/2/
LOCATION:DanceHaus\, via Tertulliano\, 70\, Milan\, 20137\, Italia
CATEGORIES:feeling good,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/11/Feeling_Good_KDF_photo_by_Albert_Vidal-_Vèrtex-Comunicació_0000-5.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211128T180000
DTEND;TZID=Europe/Rome:20211128T190000
DTSTAMP:20260403T230920
CREATED:20210728T164745Z
LAST-MODIFIED:20211005T094001Z
UID:10001780-1638122400-1638126000@www.fndaterballetto.it
SUMMARY:Danza d'Autore - Open Rehearsal
DESCRIPTION:Danza d’Autore – Open Rehearsal\n\nMM Contemporary Dance Company directed by Michele Merola presents Danza d’Autore\, a triple bill composed of Extended by Camilla Monga\, Round Trip by Roberto Tedesco and La metà dell’ombra by Michele Merola. \n \n\n  \nExtended \nChoreography and concept Camilla Monga\nMusic Federica Furlani and By This River by Brian Eno\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Annalisa Perricone\, Alice Ruspaggiari\, Giuseppe Villarosa \nProduction MM Contemporary Dance Company\nWith the support of VAN \nProject born from the action Prove d’autore XL\, promoted by Network Anticorpi XL and coordinated by Associazione Cantieri \nDuration 20′ \nHere we are\nStuck by this river\nYou and I\nUnderneath a sky that’s ever falling down\, down\, down\nEver falling down \nBrian Eno’s By This River brings dancers and spectators into a rarefied atmosphere while the sound of the piano and keyboards caress each other embroidering a precious harmonic fabric. The song invites to a sweet disorientation to idealise a time without time and a space without borders. Camilla Monga works with the musician Federica Furlani to create a polyphony of images that are always new and unrepeatable\, creating an elsewhere that is outlined minute by minute before the eyes of the spectator. Each musical framework guides the talented MMCDC dancers\, giving each one few features that mark their characters; while closely connected actions provoke chain reactions\, outlining increasingly meditative and ethereal panoramas. Extended is expanded music that seems to have neither a beginning nor an ending; it is a reflection on the nature and fragility of man\, but also on his ability to evoke a universe\, false or real\, to create spaces in which one can fall and rise again. \nRound Trip \nChoreography Roberto Tedesco\nMusic Not Waving\nLighting Design Gessica Germini\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Giuseppe Villarosa \nDuration 12′ \nThere is no linear story but moments\, images\, situations that transfigure the formal aspect of the choreographic score into music\, in what seems to be a “mosaic-work”.\nAn investigation into pure movement\, starting from the awareness that “without space there would be no movement\, but without movement space would not be conceivable. With Round Trip we enter into an analysis of different identities\, of the encounter with the other and its many facets. Individuals engaged in a unique and multiple research confront and identify themselves\, mixing again\, not caring about any classification. A circular motion that consists of invading and abandoning space\, going and returning that do not always coincide\, as if every single situation were disconnected from the previous or the following one and could belong each time to an infinitely variable number of performers. \nRoberto Tedesco \nLa metà dell'ombra \n\n\n\n\n\n\nChoreography Michele Merola\nMusic Johann Sebastian Bach\, Geert Hendrix\, Senking\nCostume design Carlotta Montanari\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Paolo Lauri\, Nicola Stasi\, Giuseppe Villarosa \nDuration 28′ \nLa metà dell’ombra stages an ideal and impalpable journey into sacrality. The gestures and the music remind us of the ritual\, of an archaic world\, lost forever. The dancers alternate the physicality of the ‘dancing body’ with an intimate interpretation of the most spiritual part of man. \n\nIn Michele Merola’s dance there is always a time where the human tension and the truth about feelings get exalted: dance brings out the aching sense of life. His dance goes straight to heart\, shaped as knife\, without intermissions and it breaks our self-confidence. La metà dell’ombra is the last leg of this path: it’s structured on human male bodies and it can be considered as a journey to\nexplore the mystery of the sacred in us. The choreography moves in a continuous tension between the sense of expiation\, expressed with gestures lacerating\, self-punitive\, and the hope of redemption and the liberation of the body. There is a constant movement between atonement\, punishment\, hope and freedom. The feelings are mixed\, opposed and drawn in a collective ritual ending. Each frame we see and each choral dance performed exalt the human presence. By those choices the choreographer gains a new dance language that conquered us with power and evocation. \nErmanno Romanelli – Dance News \n\n\n\nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company\, based in Reggio Emilia\, Italy\, is directed by choreographer Michele Merola. The company was born in 1999 as a permanent center for the production of events and shows and as a promoter of projects and workshops with the aim  of supporting exchanges and alliances between italian and international artists\, witnesses and spokesmen of contemporary culture.\nCompany repertoire is composed by a various range of styles: Merola’s works and other creations of international and Italian choreographers as Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello. \nIn 2010 MMCDC won Danza&Danza Critics Award as Best Emergent Italian Dance Company and in 2017 got the Europaindanza – Merit Award to Choreography for the show Bolero by Michele Merola.\nToday the company is\, in effect\, an outstanding ensemble of italian dance\, with consolidated activity of shows all over the country: it is hosted in many theaters in most of Italian regions\, is invited in major festivals\, collaborates with almost all the regional circuits. Abroad\, MMCDC was present in European and extra-European countries such as Korea\, Colombia\, Canada\, Russia\, Germany\, Morocco\, Belgium… \nFor the three-year period 2018-20 MM Contemporary Dance Company is associated company of InDanza Circuit of Trentino Alto Adige. MM Contemporary Dance Company is supported by Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/danza-dautore-open-rehearsal-mm-company-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211128T203000
DTEND;TZID=Europe/Rome:20211128T220000
DTSTAMP:20260403T230920
CREATED:20210728T171721Z
LAST-MODIFIED:20210910T103016Z
UID:10002193-1638131400-1638136800@www.fndaterballetto.it
SUMMARY:DANZA D'AUTORE
DESCRIPTION: \nMM Contemporary Dance Company  directed by Michele Merola presents Danza d’Autore\, a triple bill composed of Extended by Camilla Monga\, Round Trip by Roberto Tedesco and La metà dell’ombra by Michele Merola. \n \n\n  \nExtended \nChoreography and concept Camilla Monga\nMusic Federica Furlani and By This River by Brian Eno\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Annalisa Perricone\, Alice Ruspaggiari\, Giuseppe Villarosa \nProduction MM Contemporary Dance Company\nWith the support of VAN \nProject born from the action Prove d’autore XL\, promoted by Network Anticorpi XL and coordinated by Associazione Cantieri \nDuration 20′ \nHere we are\nStuck by this river\nYou and I\nUnderneath a sky that’s ever falling down\, down\, down\nEver falling down \nBrian Eno’s By This River brings dancers and spectators into a rarefied atmosphere while the sound of the piano and keyboards caress each other embroidering a precious harmonic fabric. The song invites to a sweet disorientation to idealise a time without time and a space without borders. Camilla Monga works with the musician Federica Furlani to create a polyphony of images that are always new and unrepeatable\, creating an elsewhere that is outlined minute by minute before the eyes of the spectator. Each musical framework guides the talented MMCDC dancers\, giving each one few features that mark their characters; while closely connected actions provoke chain reactions\, outlining increasingly meditative and ethereal panoramas. Extended is expanded music that seems to have neither a beginning nor an ending; it is a reflection on the nature and fragility of man\, but also on his ability to evoke a universe\, false or real\, to create spaces in which one can fall and rise again. \nRound Trip \nChoreography Roberto Tedesco\nMusic Not Waving\nLighting Design Gessica Germini\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Giuseppe Villarosa \nDuration 12′ \nThere is no linear story but moments\, images\, situations that transfigure the formal aspect of the choreographic score into music\, in what seems to be a “mosaic-work”.\nAn investigation into pure movement\, starting from the awareness that “without space there would be no movement\, but without movement space would not be conceivable. With Round Trip we enter into an analysis of different identities\, of the encounter with the other and its many facets. Individuals engaged in a unique and multiple research confront and identify themselves\, mixing again\, not caring about any classification. A circular motion that consists of invading and abandoning space\, going and returning that do not always coincide\, as if every single situation were disconnected from the previous or the following one and could belong each time to an infinitely variable number of performers. \nRoberto Tedesco \nLa metà dell'ombra \n\nChoreography Michele Merola\nMusic Johann Sebastian Bach\, Geert Hendrix\, Senking\nCostume design Carlotta Montanari\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Paolo Lauri\, Nicola Stasi\, Giuseppe Villarosa\n\n\n\nDuration 28′ \nLa metà dell’ombra stages an ideal and impalpable journey into sacrality. The gestures and the music remind us of the ritual\, of an archaic world\, lost forever. The dancers alternate the physicality of the ‘dancing body’ with an intimate interpretation of the most spiritual part of man. \nIn Michele Merola’s dance there is always a time where the human tension and the truth about feelings get exalted: dance brings out the aching sense of life. His dance goes straight to heart\, shaped as knife\, without intermissions and it breaks our self-confidence. La metà dell’ombra is the last leg of this path: it’s structured on human male bodies and it can be considered as a journey to\nexplore the mystery of the sacred in us. The choreography moves in a continuous tension between the sense of expiation\, expressed with gestures lacerating\, self-punitive\, and the hope of redemption and the liberation of the body. There is a constant movement between atonement\, punishment\, hope and freedom. The feelings are mixed\, opposed and drawn in a collective ritual ending. Each frame we see and each choral dance performed exalt the human presence. By those choices the choreographer gains a new dance language that conquered us with power and evocation. \nErmanno Romanelli – Dance News \n\n\n\nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company\, based in Reggio Emilia\, Italy\, is directed by choreographer Michele Merola. The company was born in 1999 as a permanent center for the production of events and shows and as a promoter of projects and workshops with the aim  of supporting exchanges and alliances between italian and international artists\, witnesses and spokesmen of contemporary culture.\nCompany repertoire is composed by a various range of styles: Merola’s works and other creations of international and Italian choreographers as Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello. \nIn 2010 MMCDC won Danza&Danza Critics Award as Best Emergent Italian Dance Company and in 2017 got the Europaindanza – Merit Award to Choreography for the show Bolero by Michele Merola.\nToday the company is\, in effect\, an outstanding ensemble of italian dance\, with consolidated activity of shows all over the country: it is hosted in many theaters in most of Italian regions\, is invited in major festivals\, collaborates with almost all the regional circuits. Abroad\, MMCDC was present in European and extra-European countries such as Korea\, Colombia\, Canada\, Russia\, Germany\, Morocco\, Belgium… \nFor the three-year period 2018-20 MM Contemporary Dance Company is associated company of InDanza Circuit of Trentino Alto Adige. MM Contemporary Dance Company is supported by Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/danza-dautore-mm-contemporary-dance-company-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211203T210000
DTEND;TZID=Europe/Rome:20211203T214000
DTSTAMP:20260403T230920
CREATED:20211124T163249Z
LAST-MODIFIED:20220801T165929Z
UID:10001852-1638565200-1638567600@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - Storie
DESCRIPTION:What is behind a performance of Aterballetto? What happens in the rooms of the Fonderia in Reggio Emilia? \nBefore the lockdown\, our audience could discover the daily work of dancers and choreographers by attending the open rehearsals of the company. \nNow our fans\, and not only those from Reggio Emilia but from every city will be able to enter the universe of Aterballetto with PROVE IN CORSO\, our first series of four episodes curated by Nicolas Ballario: one of the most appreciated journalists of contemporary art who\, thanks to his unique verve and extraordinary competence\, is bringing everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario we enter the world of the Fondazione Nazionale della Danza / Aterballetto.\nBetween hilarious encounters\, ironic scenes involving people who work at the Fonderia every day\, and dancing moments\, in four episodes directed by Fabrizio Spucches\, we will discover the secrets of the company and the backstage of the shows\, in a way never told before. \nPROVE IN CORSO will be broadcast on the OnTheatre.tv platform.\nPROVE IN CORSO is supported by the Ministry of Culture / Special Projects 2021. \nOn Friday 3 December at 9 p.m. (available until 5th December at 12 p.m.)\, the second episode is focused on the rehearsals of the creations by Philippe Kratz and Diego Tortelli that are part of the evening Storie. \nTickets \n\nTicket: 3€.\nIf you are planning to watch all 4 episodes\, you can buy the package ticket: 10€\nBuy your ticket on https://www.biglietteriafonderia39.it/home.aspx or https://www.ontheatre.tv/Prove-in-Corso-80c9a500 (for the package).\nWe will send you a personal code that will allow you to watch the show on OnTheatre platform.\n\n\nThe purchased episode will be viewable from the scheduled date (Friday 3 December at 21.00).\nIf you are unable to watch the episode on Friday\, you will be able to start the episode within 28 days of purchase.\nOnce started\, the episode will be available for 48 hours.\nBy purchasing the package\, all shows will be visible in the MY SHOWS area of the OnTheatre website\, but individual episodes can only be played from scheduled Fridays (Don Juan will be available from 26 November\, Storie from 3 December…).\nWhen you purchase the package\, the 28 days period starts from the date the show is scheduled.\n\nOnTheatre Platform \n\nRegister for free on OnTheatre: ontheatre.tv/Sign up and confirm your registration by clicking on the link you will receive by e-mail.\nYou can now log in to OnTheatre by using your email address and the password you have chosen.\nChoose the show ” PROVE IN CORSO ” and enter your personal code\, which we have sent you by email\, in the section “Do you have a code? Click here” or in the CODE section of the menu on the left.\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time.\nFor assistance write to support@ontheatre.tv\n\n\n.
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-storie/
LOCATION:Fonderia – streaming\, Italia
CATEGORIES:Season,Season 2021,season September-December 2021,Streaming
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/01/71-copy-e1610464739178.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211204T203000
DTEND;TZID=Europe/Rome:20211204T220000
DTSTAMP:20260403T230920
CREATED:20210730T105608Z
LAST-MODIFIED:20210910T072759Z
UID:10001802-1638649800-1638655200@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances in Alès the triple bill Dreamers #1\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers #1 offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-aterballetto-ales/2021-12-04/
LOCATION:Le Cratère\, Place Henri Barbusse\, Alès\, 30100\, Francia
CATEGORIES:Aterballetto,BLISS,O,Secus
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/Secus_ph.-Alice-Vacondio_15-1.jpg
GEO:44.124194;4.081206
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Le Cratère Place Henri Barbusse Alès 30100 Francia;X-APPLE-RADIUS=500;X-TITLE=Place Henri Barbusse:geo:4.081206,44.124194
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211205T180000
DTEND;TZID=Europe/Rome:20211205T193000
DTSTAMP:20260403T230920
CREATED:20210730T105608Z
LAST-MODIFIED:20210910T072759Z
UID:10001803-1638727200-1638732600@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances in Alès the triple bill Dreamers #1\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers #1 offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-aterballetto-ales/2021-12-05/
LOCATION:Le Cratère\, Place Henri Barbusse\, Alès\, 30100\, Francia
CATEGORIES:Aterballetto,BLISS,O,Secus
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/Secus_ph.-Alice-Vacondio_15-1.jpg
GEO:44.124194;4.081206
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Le Cratère Place Henri Barbusse Alès 30100 Francia;X-APPLE-RADIUS=500;X-TITLE=Place Henri Barbusse:geo:4.081206,44.124194
END:VEVENT
END:VCALENDAR