NOTTE MORRICONE
2025-11-29 19:00 - 20:30, 2025-11-30 16:00 - 17:30 (Europe/Rome) | Teatro Comunale, Piazza Giuseppe Verdi, 40, Bozen, 39100, Italy
Dal 27 al 30 novembre 2025 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Comunale di Bolzano.
“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo

Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza
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Durata 90′

NOTTE MORRICONE
2025-12-03 20:30 - 22:00 | Teatro Sociale, Via Bellini, 3, Como, 22100, Italia
At the Teatro Sociale in Como, Aterballetto performs Notte Morricone by Marcos Morau.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutesFind out more »

HEI AI!
2025-12-04 11:00 - 12:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
On December 4, the Sanpapié company performs with artificial intelligence for Danza in Fonderia in Reggio Emilia.

Through words, dance, and metatheatrical interruptions, an ironic and poetic narrative takes shape — suspended between present and future — inviting the audience to reflect on environment, technology, identity, and relationships. A performance that blends spoken theatre, dance, physical action, and philosophical inquiry to speak to young people in a direct, profound, and provocative way.
“HEI AI!”, written in collaboration with AI, was born as a dance-theatre piece, but is first and foremost a thinking device.
A performance dedicated to middle and high school students.

CREDITS

A Sanpapié productionWith the support of MiC – TOCC Notice for the Ecological Transition of Cultural and Creative Organizations – Action B2In collaboration with Achab Group and Fabvision srl
Text: Saverio Bari and AIDirection and choreography: Lara GuidettiSoftware design: Fabvision srlCostumes: Maria Barbara De MarcoPop-up creation: Isadora BucciarelliSound design: Marcello GoriLight design: Marcello MarchiWith Francesca Lastella and Giacomo Stallone

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Dorian lands on Earth after a journey through space.He doesn’t remember exactly how long he has been away, but it feels as if not much time has passed — perhaps a year. He recalls leaving on a mission to seek solutions to the environmental disaster unfolding on the planet, which is making life on Earth increasingly difficult. But these memories are blurry… Are they really his? Was he truly on a mission? Who is he, really?
He lands together with Ai, the artificial intelligence that travelled with him, and which helps him understand what is happening to him — and above all, what has happened to the planet, now inhospitable and, it seems, uninhabited. But suddenly he encounters Corpo, apparently the only human being who survived the catastrophe — a being who has regressed to a primordial, pre-historic state…
Corpo does not speak. He communicates, yes — but only through the language of the body, through dance, a language almost unintelligible to Dorian, who is used to interacting only with Ai. Perhaps he has been away far longer than he thinks… or perhaps he has only just been “born,” and has never before seen a real human being in flesh and blood. It is Ai, through a dialogue of questions and answers, who explains to Dorian what it means to be “human,” what those expressions, reactions, and physical impulses of the creature before him signify — a creature he struggles to recognize as similar to himself.
Through direct experience — through being in the presence of Corpo — Dorian will finally discover the truth about his own nature:that he is, in fact, an artificial being.

Compagnia Sanpapié

Founded in 2008 and directed by Lara Guidetti, Sanpapié is an artistic entity distinguished by the radical nature of its choreographic research and by a transdisciplinary approach that escapes any stylistic classification. The company investigates the body as a poetic and political device, a meeting ground for the languages and imaginaries of the present. The organic intertwining of dramaturgy and movement generates works that transcend conventional formats, engaging non-traditional spaces and diverse audiences.
With more than fifty productions and an international presence spanning Europe, Asia, and the Middle East, Sanpapié has built a recognizable artistic vision in continuous transformation.
In 2025, from the merger between Sanpapié and C&C Company, SPaCCa is born — an acronym combining the two identities — a project of co-artistic direction led by Lara Guidetti and Carlo Massari. The result of an alliance between two mature and complementary artistic voices, SPaCCa establishes itself on the international scene as an outpost for choreographic research and a center for interdisciplinary creation.
A creative dialogue aimed at redefining — together — the territories of the contemporary.

Info & TICKETS
TICKETS

Full price: €3

TICKET PURCHASE

Online: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39, Reggio Emilia)

Tickets are unreserved.

CONTACTS FOR RESERVATIONS

📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it

Made in Italy 36.0
2025-12-06 18:00 - 19:00, 2025-12-06 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Agora Coaching Project – foto Nicola Stasi

On December 6, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.

Double performance on Saturday, December 6:
6:00 PM8:30 PM
The protagonists of the evening are the dancers of Agora Coaching Project, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia, under the artistic direction of Michele Merola and Enrico Morelli.
Founded in 2010, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers.

MOVETOPIA
Coreography by Massimo Gerardi

Choreography: Massimo GerardiMusic: Jan Satler, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project
Duration: 20 minutes

Like many utopias set on islands or within isolated communities, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony, free from the interference and conflicts that arise in larger societies.
MOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music, a creative narrative unfolds, guiding the audience through a path of emotional discovery.

DI TANTI ROMEI, DI TANTE GIULIETTE
Coreography by Michele Merola

Choreography: Michele MerolaMusic: Apparat, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project
Duration: 40 minutes
Di tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable, with passions lived without defenses, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and, through an intertwining of paths, stories, and bodies, they tell us about themselves but also about us as spectators.
Our task is to guide these young people through a tragic, powerful, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema, rewritten, interpreted, and adapted countless times — yet, in every version, it never loses its timeless beauty.
Speaking of love in the era of virtual communication, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today, much is said about violence, hatred, betrayal, and love that turns violent and often kills, but far less is said about the poetry of love, its delicacy made of gestures, tenderness, glances, and words.
Equally relevant today is the generational clash: the world of young people, made not only of love but also of hatred, violence, friendship, joy, and celebration, and the adult world, driven by greed and prejudice — a world the young inherit, continuing it like Tybalt, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness, taking refuge in friendship; and a multitude of young people wander the city, fighting against a world that has no space for them. Written centuries ago, these young people do not seem far from those of today.
The choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love, take part, lose yourselves, fight, and defend your beauty.

AGORA COACHING PROJECT

AGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22, based in Reggio Emilia. Founded in 2010, it is directed by Michele Merola and Enrico Morelli, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia.
Its aim is to train artists who are ready to face, with flexibility, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents.
The project offers a broad spectrum of stimuli — technical, cultural, and based on exchange — between students and choreographers, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and, over the years, has welcomed many distinguished names.
Alongside Michele Merola and Enrico Morelli, numerous teachers contribute to the program, each with proven and highly qualified experience in the field.

MASSIMO GERARDI

Massimo Gerardi is a dancer, choreographer, and pedagogue known for integrating contemporary dance with classical technique, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau, where he oversees artistic and organizational direction and creates contemporary productions, often in collaboration with international artists.
He trained initially in Udine and Reggio Emilia, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters, including Balletto Comunale di Firenze, Teatro La Fenice, ATERballetto, Staatstheater Nürnberg, Ballett Dortmund, Stadttheater Augsburg, and Landestheater Linz, developing a personal synthesis of classical technique and contemporary language.
Alongside his performance career, he undertook an extensive path as a choreographer, presenting works in numerous theaters in Germany and abroad (Theater Kiel, Staatstheater Oldenburg, Theater Vorpommern, Stadttheater Gießen, Theater Aachen, Landesbühnen Sachsen, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival, Palucca Hochschule Dresden, National Conservatory of Prague, and the Agorá Coaching Project.
As a teacher, he has taught at institutions including the Hochschule für Musik und Tanz Köln, Palucca Hochschule Dresden, Korean National University of Arts, Vienna State Opera Ballet Academy, and SEAD Salzburg, in addition to leading workshops at various European schools and universities.
He has received numerous choreographic awards (Hannover, Düsseldorf, Treviso, Florence, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW, DAAD, ICR/American Dance Festival), enabling research periods with companies such as GöteborgsOperan, Iceland Dance Company, and Nederlands Dans Theater.
Also active on the independent scene, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza, Schrittmacher Festival Aachen, eXplore Festival Bucharest, Scenario Pubblico Catania, SAT Barcelona, Zawirowania Warsaw, and the Journées Choréographiques de Carthage.

MICHELE MEROLA

Michele Merola is the artistic director of the MM Contemporary Dance Company, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company, Merola has brought to the stage—both in Italy and abroad—many of his works, including La metà dell’ombra, winner of the Anita Bucchi Prize in 2010, and Bolero, recipient of the Europaindanza 2017 Award for Choreographic Merit.
Since 2000, he has created numerous works for other companies, including Aterballetto, the Teatro San Carlo in Naples, the Dominic Walsh Dance Theater, the Teatro Massimo in Palermo, the Junior Balletto di Toscana, the National Theatre of Belgrade, the Tanzcompagnie Landesbühnen Sachsen in Dresden, and the Teatro dell’Opera di Roma.
In 2003 he won the International Choreographic Competition of Hannover, in 2008 the Positano Leonide Massine Award for the Art of Dance, in 2016 the Giornale della Danza Award as Best Italian Choreographer, in 2018 the Basilicata ArteDanza Award, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC.
Since 2010, Merola has been, together with Enrico Morelli, the artistic director of Agora Coaching Project, a professional training program for dancers based in Reggio Emilia.

PERFORMERS AGORA COACHING PROJECT
Riccardo Basile, Sara Bianchi, Tommaso Brintazzoli, Alisa Businaro, Anita Campanini, Simone Casella, Giovanni Cennamo, Giulia Chiletti, Margherita Ciardi, Alessandra Fusco, Giulia Giannini, Samuele Iannacchero, Louis Franck Kamta, Marica Lisco, Elena Manfredini, Nicolò Marroccu, Linda Massai, Sofia Oliva, Alessia Romeo, Paula Salinas Alvarez, Alice Scarangelli, Loris Schirinzi, Gabriel Sprovieri, Chiara Tonussi, Claudio Tornesi, Carolina Torrini, Michelle Tuani, Eva Vannini, Camilla Veronesi

INFO AND TICKETS
TICKETSFull price: €10Reduced (€6): under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL Comune di Reggio Emilia membersReduced (€3): under 8

TICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it

The box office opens one hour before the performance.Tickets are unreserved.

CONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it

Aterballetto Gala
2025-12-06 21:00 - 22:30 | Teatro Sperimentale, Via Gioacchino Rossini, Pesaro, 61121, Italia
Il CCN/Aterballetto dance at Teatro Sperimentale in Pesaro on 6 december 2025.

The company’s dancers present an evening featuring some of the most recent highlights from their repertoire, including the brand-new female solo Terra Piccola, choreographed by Antonella Bertoni.

Preludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional triggers, embodying obsessions, dependencies, and desires in a hymn to the body and its constant transformation.

https://youtu.be/cN_5fZFrz4c

Reconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata.

https://youtu.be/SBq99Tyc-xQ

An Echo, A Wave by Philippe Kratz draws inspiration from the hypnotic motion of the sea — a symbol of eternity and a place of encounters, departures, and returns. A poetic duet, fluid like a wave that moves through time.

https://youtu.be/pn4a6L_U-hs

Finally, Alpha Grace, also by Philippe Kratz, is a reflection on empathy — that ancient and sacred ability to recognize oneself in others. Solitudes and individualities gradually transform into a collective presence, into a harmony built on listening and sharing.

Rhapsody in blue | Solo Echo - open rehearsal
2025-12-09 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Aterballetto’s final open rehearsal of 2025
On Tuesday, December 9 at 6:00 PM, Aterballetto opens the doors of Sala Fusione to share with the Reggio Emilia audience the rehearsal process of Rhapsody in Blue by Iratxe Ansa & Igor Bacovich and Solo Echo by Crystal Pite.
Open rehearsals are unique moments in which audiences can witness how a performance is created, engage in dialogue with the artists, and be surprised by the art of dance: a special opportunity that allows the public to step inside the daily practice of dancers and choreographers.

Info & Tickets
TICKETS

Full price: €3Free: under 6

TICKET PURCHASE

Online: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39, Reggio Emilia)

Tickets are unreserved.

CONTACTS FOR RESERVATIONS

📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it

NOTTE MORRICONE
2025-12-11 20:30 - 22:00 | Teatro Verdi, Viale Martelli, 2, Pordenone, 33170, Italia
At the Teatro Verdi in Pordenone, Aterballetto performs Notte Morricone by Marcos Morau on the occasion of the International Mountain Day, as part of the Montagna Teatro Festival 2025.

I, Ennio Morricone, am dead,” wrote the composer before bidding farewell. His music, however, cannot die. Creators and artists never truly leave us; they remain, held alive and safe by memory itself. Notte Morricone is my gift — a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind — alone and dazed before his sheets of paper, jotting down notes and envisioning melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
— Marcos Morau, Director and Choreographer
It is impossible to describe Notte Morricone — a masterful work that reaches the spectator in waves, enveloping them in emotion, capturing them in the memory of timeless melodies that have long outlived the images that inspired them. The choreography is equally enchanting — refined and deeply poetic, crafted with meticulous attention to detail: legs and necks seem jointless, bending and springing rhythmically like metronomes.
— Maria Luisa Buzzi, Danza&Danza
Discover more »
Duration 90′

AiAiAi Pinocchio!
2025-12-13 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
A new Pinocchio for Danza in Fonderia | Anthologies. New Readings of the Body.

Inspired by Collodi’s famous tale, AiAiAi Pinocchio! shifts the action into the contemporary world, speaking the language of Generation Alpha, a world shaped by the presence of artificial intelligence.Geppa is a tech-enthusiast passionate about digital creation, attempting to generate a Pinocchio no longer made of wood, but of pixels, data, and algorithms. Accompanying the two characters in this adventure are a talking Cricket, a robot, and FATA TURKINA, the virtual assistant.

A performance for children aged 5 and up
CREDITS
PROJECT WINNER OF THE BUGS CALL — MULTIDISCIPLINARY HABITATS FOR YOUTH THEATRE 2024

by Gruppo IbridoConcept, creation, and performance: Cinzia Pietribiasi and Davide TagliaviniImages, video, and sound: Gruppo Ibrido with Copilot, Haiper AI, EaseUs Voice Over AI GeneratorVideo assistant: Federica Neri

Production: Compagnia Artemis DanzaWith the support of the Italian Ministry of Culture, Regione Emilia-Romagna – Department of Culture, Comune di ParmaWith the support of progetto BUGS, Associazione Settimo Cielo / Periferie Artistiche, Cooperativa Teatrale Prometeo – Passo Nord, Giocateatro Torino / Fondazione Teatro Ragazzi e Giovani, IntercettAzioni – Centro di Residenza Artistica della Lombardia / Circuito CLAPS, KanterStrasse, Officine Della Cultura, Officine Papage, Pilar Ternera, Straligut Teatro, Teatro fra le Generazioni / Giallo Mare Minimal Teatro, Teatro Trieste 34Robot design and implementation: Fab-lab KATAPULT (Slovenia), Santa Chiara Lab – University of Siena

Duration: 60 minutes, no intermissionRecommended age: 5 and up
GRUPPO IBRIDO
GRUPPO IBRIDO was founded in 2021 by dancer Davide Tagliavini and director/digital artist Cinzia Pietribiasi. It is supported by Compagnia Artemis Danza, which produces Pollicino Show, their first work for young audiences, finalist at IN-BOX Verde 2024/2025 and performed more than 45 times.In 2024, Gruppo Ibrido won the BUGS – Multidisciplinary Habitats for Youth Theatre call with AiAiAi Pinocchio! and the CollaborAction Kids call promoted by Network Anticorpi XL with Walt e l’arte di volare.

Cinzia Pietribiasi (1979) teaches Multimedia Dramaturgy and Aesthetics of New Media at the Academy of Fine Arts in Palermo. She was a Junior Scientist for an art–science research project at the Academy of Fine Arts in Rome, in collaboration with the National Institute for Nuclear Physics (INFN). After earning her Master’s degree in Cultural Heritage Conservation, she graduated in New Art Technologies at the Brera Academy of Fine Arts in Milan.Her latest work, Padre d’amore Padre di fango, won the Stazioni d’emergenza 2023 call at Galleria Toledo in Naples, the First Prize and the Critics’ Prize at the Rimini festival Le voci dell’Anima 2021, and was selected for the Visionari call for Kilowatt Festival 2020 in Sansepolcro. As a member of Jan Voxel, she won the Residenze Digitali 2021 call. She also performs with La Baracca – Teatro Testoni in Bologna.

Davide Tagliavini (1990), dancer, performer, and choreographer, has worked with Emma Dante, Marina Abramović, Luna Cenere, Artemis Danza, Gruppo Nanou, Anna Albertarelli, Lara Russo, and others. He choreographed L’elisir d’amore for the Teatro Regio di Parma and Tristano e Isotta for the Teatro Massimo di Palermo.He performs in Luna Cenere’s works Vanishing Place (selected for the Venice Biennale Danza) and Shoes On (selected for the NID Platform in Cagliari).He teaches in the OVER Limited program in collaboration with CCN/Aterballetto.In 2024, he premiered his first authorial solo, THAT’S ALL, created for the Visavì Gorizia Dance Festival, and selected by Danza Urbana XL 2025, This Must Be The Space (FDE Festival Danza Estate and Festival MILANoLTRE), WAM! Festival, and the Vetrina della giovane danza d’autore eXtra 2025 – Network Anticorpi XL.
INFO & TICKETS
TICKETSFor everyone: €6

TICKET PURCHASE

Tickets can be purchased online at:www.biglietteriafonderia39.it

The Fonderia box office is open from 5:00 PM.

Tickets are unreserved.

CONTACTS

📞 Cell & WhatsApp: 334 1023554

Stravaganze in sol minore
2025-12-14 17:00 - 17:45 | Teatro Romualdo Marenco, Via Nicolò Girardengo, 48, Novi Ligure, AL, Italy
Stravaganze in sol minore by Francesca Lattuada, arrives at the Teatro Marenco in Novi Ligure.

The magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada, a creation for children presented by the CCN/Aterballetto.
The almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images, imbued with a musicality that blends poetry and nursery rhyme, where the extraordinary and the frightening meet and hold hands.

Beneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja, La mela di Amleto, 1984)
CREDITS

Direction and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina, Rocco Ancarola
Co-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara

https://www.youtube.com/watch?v=Wouh0x0D4HQ

Solo Echo / Reconciliatio / An echo, a wave / Rhapsody in blue
2025-12-14 20:45 - 22:00 | Teatro Comunale, Viale Mazzini 39, Vicenza, 36100, Italia
Aterballetto opens the 2025–2026 dance season at the Teatro Comunale Città di Vicenza on Sunday, December 14.
CCN/Aterballetto performs a true concert in dance. Solo Echo by Crystal Pite, set to Brahms’ sonatas for piano and cello, invokes winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj set to Beethoven’s Moonlight Sonata. In An echo, a wave by Philippe Kratz, the flowing movements of the two dancers recall the motion of the sea, while Rhapsody in blue by Iratxe Ansa and Igor Bacovich is a playful, lively choreography echoing Gershwin’s famous score.

Dreamers
2025-12-18 21:00 - 22:30 | Teatro Magnani, Piazza Giuseppe Verdi, 1, Fidenza, PR, 43036, Italia
Aterballetto closes the 2025 season at the Teatro Magnani in Fidenza on Thursday, 18 December.
The CCN/Aterballetto performs Dreamers, a true dance concert.Preludio by Diego Tortelli is a creation for five dancers set to the unmistakable voice of Nick Cave.Reconciliatio, by Angelin Preljocaj, is a delicate female duet performed to Beethoven’s Moonlight Sonata.In An echo, a wave by Philippe Kratz, the dancers’ flowing movement recalls the motion of the sea.Finally, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively, playful choreography — just like Gershwin’s iconic composition — performed by all 16 Aterballetto dancers.

https://youtu.be/SBq99Tyc-xQ

NOTTE MORRICONE
2026-01-03 20:30 - 22:00 | Teatro delle Muse, Piazza della Repubblica, Ancona, 60121, Italia
Aterballetto’s first performance of 2026 is Notte Morricone by Marcos Morau at the Teatro delle Muse in Ancona.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutesFind out more »

Rhapsody in Blue | Italian Tricolour Flag Day Celebration
2026-01-07 11:00 - 13:00 | Teatro Municipale Valli, Piazza Martiri del 7 luglio, Reggio Emilia, 42121, Italia
CCN/Aterballetto celebrates the Italian Tricolour Flag at the Teatro Valli in Reggio Emilia
On Wednesday, January 7, 2026, at the invitation of the Municipality of Reggio Emilia, CCN/Aterballetto takes part in the celebrations of the Italian Tricolour Flag, first adopted in Reggio Emilia in 1797.
The ceremony will take place at the Teatro Municipale Romolo Valli at approximately 11:00 AM. Speakers will include Marco Massari, Mayor of Reggio Emilia; Giorgio Zanni, President of the Province; and Michele De Pascale, President of the Emilia-Romagna Region.
The ceremony will be followed by a lectio magistralis by Corrado Augias. CCN/Aterballetto will close the event with the choreography Rhapsody in Blue by Iratxe Ansa and Igor Bacovich.

Read more
https://www.youtube.com/watch?v=PkJ29Y8xAqQ

Dreamers
2026-01-09 21:00 - 22:00 | Teatro della Regina, Piazza della Repubblica, 28/29, Cattolica, RN, Italy
Aterballetto performs Dreamers at the Teatro della Regina in Cattolica on Friday, January 9, 2026.

The CCN/Aterballetto presents an evening that traverses body, soul, and memory — four creations reflecting on intimacy, human fragility, and the strength of shared emotion.
Preludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion, embodying obsession, dependency, and desire in a hymn to the body and its constant transformation.
Reconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata — a work of quiet power and profound grace.
An Echo, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea, a symbol of eternity and a space of encounters, departures, and returns — a poetic duet, fluid as a wave flowing through time.
Finally, Alpha Grace, also by Philippe Kratz, is a reflection on empathy — that ancient, sacred ability to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness, into a harmony built on listening and shared emotion.

© Festival de Granada | Fermín Rodríguez

White Pages
2026-01-17 18:00 - 19:00, 2026-01-18 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.

Saturday, January 17, 2026 – 6:00 PM: Open rehearsal
Sunday, January 18, 2026 – 6:00 PM: Performance
Fonderia – Via della Costituzione 39, Reggio Emilia

Manfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations.
Estemporanea, danced by Manfredi Perego, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence, speech, the body, and dynamics. Estemporanea seeks to release the generative potential of the present moment, making improvisation its primary language.
Dedica al tempo is not a journey into memory, but a liberation of the body, of experience, of the will to remain on the threshold. Time, conceived as a space for creative urgency rather than haste, is explored through the body of Lucia Nicolussi, the artist’s seventy-year-old mother.
With Dedica al silenzio, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness, giving it form and order.

CREDITS
Estemporanea

choreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms

Dedica al tempo
choreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival

Dedica al silenzio
choreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival

Manfredi Perego

He graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany.
In 2014, he founded MP.ideograms, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna.
In 2016, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva, which continued in 2017 at Scenario Pubblico in Catania. In the same year, he won the GD’A – Giovane Danza d’Autore Award.
Since 2017, he has collaborated with Balletto Teatro di Torino as a guest teacher and, from 2019, as a choreographer.
He was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021.
From 2022 to 2024, he served as Associate Choreographer at the MILANoLTRE Festival.
He currently teaches as a freelance artist in various professional training programs in Italy and abroad.

INFO & TICKETS
TICKETS

Open rehearsal€3 for everyone / free admission for children under 6

PerformanceFull price: €10Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The Fonderia box office opens one hour before the performance.

Tickets are unassigned.

CONTACTS

Mobile & WhatsApp: +393341023554

Dreamers
2026-01-17 21:00 - 22:00 | Teatro del Popolo, via della Pace, 108, Concordia sul Secchia, MO, Italy
Aterballetto performs Dreamers at the Teatro del Popolo in Concordia sulla Secchia (MO) on Saturday, January 17, 2026.
The National Choreographic Centre Aterballetto presents an evening that traverses body, soul, and memory — four creations reflecting on intimacy, human fragility, and the strength of shared emotion.
Preludio by Diego Tortelli is a profane prayer inspired by the writings of Nick Cave: five dancers become vessels of emotion, embodying obsession, dependence, and desire in a hymn to the body and its constant transformation.
Reconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata, a piece of subtle power and poetic grace.
An Echo, A Wave by Philippe Kratz draws inspiration from the hypnotic movement of the sea — a symbol of eternity and a place of encounters, departures, and returns. It is a poetic duet, fluid and timeless like the waves themselves.
Finally, Alpha Grace, also by Philippe Kratz, is a reflection on empathy — that ancient, sacred capacity to recognize oneself in others. Solitude and individuality gradually dissolve into togetherness, into a harmony built on listening and shared emotion.
© Festival de Granada | Fermín Rodríguez

Stravaganze in sol minore
2026-01-18 17:30 - 18:15 | Teatro Moruzzi, Via Boni e Gavazzi, 1, Noceto, PR, Italy
Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Moruzzi in Noceto, near Parma.

The magical virtuosity of Toti Scialoja (1914–1998)—a master not only of images but also of words—lies at the heart of this new creation by the Fondazione Nazionale della Danza / Aterballetto for children and young audiences, where a dancer and an actor play with his language.
The almost magical vibrations that spring from Scialoja’s poems are like the endless ripples that form on the surface of water when a stone is thrown: evokers of unreal or hyper-real images, bearers of a musicality that blends poetry and nursery rhyme, allowing the extraordinary and the frightening to meet.
Beneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of peacock-hued rosesIt’s the toad’s turn to rinse the cups.(Toti Scialoja, La mela di Amleto, 1984)

CREDITS

Direction and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara RockmoreMasks and props: Natali FortierPerformers: Vittoria Franchina, Rocco Ancarola
Co-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara

https://www.youtube.com/watch?v=Wouh0x0D4HQ

Nostalgia
2026-01-20 18:00 - 19:00, 2026-01-21 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.

Tuesday, January 20, 2026 – 6:00 PM – Open rehearsal
Wednesday, January 21, 2026 – 8:30 PM – Performance
Fonderia – Via della Costituzione 39, Reggio Emilia

Nostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm, time shatters like memory, creating an immersive experience that draws the audience into the dancer’s most intimate emotions.

Starring two former Aterballetto dancers, Sandra Salietti Aguilera and Hélias Tur-Dorvault.
https://vimeo.com/1075239301?fl=pl&fe=sh
CREDITS

Choreography, concept, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera, Hélias DorvaultDramaturgy: Giovanni Insaudo, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One, Son Lux – Sever, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack)
Organization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre, Palcoscenico Danza

Giovanni Insaudo

Giovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania, Balletto dell’Esperia, Gärtnerplatz Theater, and Luzerner Theater. His works are presented at international festivals and competitions.
In 2024, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies, including Landestheater Linz, Semperoper Dresden, Theater Lüneburg, Palucca Hochschule Dresden, Opera di Graz, Konzert und Theater St. Gallen, CCN/Aterballetto, Theater Trier, Theater Nordhausen, Gärtnerplatz Theater, Hung Dance, Tanz Luzerner Theater, Compagnia Opus Ballet, Tanz Labor / Roxy Theater Ulm, Eko Dance Project, Contemporary Bachelor ZHdK Zurich, Oriol Martorell Conservatory Barcelona, D.A.F. Roma, and Nuovo Balletto di Toscana.

INFO & TICKETS
TICKETS

Open rehearsal€3 for everyone / free admission for children under 6

PerformanceFull price: €10Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The Fonderia box office is open one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile & WhatsApp: +39 334 1023554

NOTTE MORRICONE
2026-01-23 21:00 - 22:30, 2026-01-24 18:00 - 19:30, 2026-01-25 16:00 - 17:30 | Théâtre de Liège, Place du 20-Août, 16, Liège, 4000, Belgium
In the prestigious setting of the Pays de Danses Festival in Liège, Aterballetto performs Notte Morricone by Marcos Morau on January 23 and 24, 2026.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutesFind out more »
The performances are held in collaboration with the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and with the Italian Cultural Institute of Brussels.

Il combattimento di Tancredi e Clorinda
2026-01-25 15:00 - 16:00, 2026-01-25 17:00 - 18:00 | Palazzo Bentivoglio, Piazza Bentivoglio, 32, Gualtieri, RE, Italy
Il Combattimento di Tancredi e Clorinda arrives at Palazzo Bentivoglio in Gualtieri.

Sunday, January 25, 20263:00 PM and 5:00 PM

The Fondazione Museo Antonio Ligabue has a dream: to transform the Salone dei Giganti of Palazzo Bentivoglio into a living theatre. More than that, it envisions the frescoes depicting scenes from Gerusalemme liberata by Torquato Tasso coming to life through the dance of Il Combattimento di Tancredi e Clorinda, curated by the Centro Coreografico Nazionale / Aterballetto.

This is not just a performance. It is a one-of-a-kind site-specific event. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.Myth will become flesh, breath, and movement.
Would you like to help make this ambitious dream a reality and become part of the myth?

Join the crowdfunding campaign here!

https://youtu.be/mjZQdcn1fgc

The theme of love overwhelmed by war and death, inspired by the story of Tancredi and Clorinda as told by Torquato Tasso in Gerusalemme Liberata (whose 450th anniversary of its first draft falls in 2025) and set to music by Claudio Monteverdi (1624), retains a striking relevance today.
The CCN/Aterballetto interprets this legacy through dance—its privileged language for conveying the work’s intensity and dramatic power—in a performance created by Fabio Cherstich and Philippe Kratz, performed by dancers Alessia Giacomelli and Kiran Gezels, tenor Matteo Straffi, and harpsichordist Deniel Perer.
The performance is preceded and followed by talks by Antonio Audino, theatre critic and journalist for Radio Rai 3, who, with his characteristic clarity, will cast a contemporary light on what are considered “sacred texts” of Italy’s cultural heritage.

CREDITS

Direction and visuals: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli, Kiran GezelsSinger (tenor): Matteo StraffiHarpsichord: Deniel Perer
Co-production: Fondazione Nazionale della Danza / Aterballetto, Teatro Regio di Parma / Festival Verdi, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale, GhislieriMusica – Centro di Musica Antica
Premiered in September 2024, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within cultural institutions and heritage sites, promoted by the Directorate General for Museums and co-funded by the Directorate General for Performing Arts.
For the realization of the project, the National Museums of Perugia – Regional Directorate of National Museums of Umbria—and in particular the National Archaeological Museum and Roman Theatre of Spoleto—established, with the support of the Directorate General for Museums, a partnership shared with five other major cultural sites: Villa Pisani in Stra, the Castle and Park of Racconigi, the Castello Svevo in Bari, the Certosa di San Martino in Naples, and the Archaeological Park of Venosa.Castel Sant’Angelo in Rome later joined the project, hosting the initiative as part of the summer program Sotto l’angelo di Castello 2024.

The project is part of Italia Danza, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN/Aterballetto, aimed at promoting Italy’s artistic heritage abroad.
BODIES AS MIRRORS

In my vision of Il Combattimento di Tancredi e Clorinda, I imagine a confined, circular space, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz, we explore the idea of bodies as mirrors, thus narrating an humanity struggling against itself. Eros and Thanatos emerge as equally powerful forces, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.In our vision, Tancredi and Clorinda are contemporary warriors, indissolubly bound to one another, forced to fight and to enact a story that has already been written.
A single voice brings three characters to life: the text itself, Tancredi, and Clorinda merge into the body and sound of a single singer. This estranged sound, constrained within a circular path, creates a sense of constant repetition, underscoring the endless cycle of this story of love and death—tragically destined to repeat itself through the centuries and reach us today with all its force, as an emanation of the poetic power of Tasso’s words and the sublime music of Monteverdi.
Fabio Cherstich, Director

INNER STRUGGLE

In Tasso’s narrative, set to music by Claudio Monteverdi, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances.
A more philosophical or psychoanalytic reading of this struggle—one from which both protagonists emerge defeated, deceived, and alone—appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another, confronting one another, and wounding one another. The dynamic is that of a warlike, conflictual ritual between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other, in any case, has not won… a deep, shared wound that remains on both bodies.
So are these two people fighting each other, or is it perhaps one person struggling with themselves?
Philippe Kratz, Choreographer

NOTTE MORRICONE
2026-01-28 19:30 - 21:00 | Theater Gütersloh, Barkeystraße 15, Gütersloh, 33330, Germania
On January 28 and 29, 2026, Aterballetto performs Notte Morricone by Marcos Morau at Theater Gütersloh in Germany.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutesFind out more »

NOTTE MORRICONE
2026-01-29 19:30 - 21:00 | Theater Gütersloh, Barkeystraße 15, Gütersloh, 33330, Germania
Il 28 e 29 gennaio 2026, Aterballetto danza Notte Morricone di Marcos Morau al Theater Gütersloh in Germania.
“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo

Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza
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Durata 90′

Rhapsody in blue / Solo Echo / Glory Hall
2026-02-06 19:30 - 21:00 | Royal Theatre, 805 Broughton Street, Victoria, Canada
Aterballetto performs in Canada as part of the Dance at the Royal Series by Dance Victoria on February 6 and 7, 2026.
On stage: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, a lively and playful choreography echoing Gershwin’s famous score. This is followed by Crystal Pite’s Solo Echo, which, through Brahms’ sonatas for piano and cello, invokes winter to express something essential about acceptance and loss. The final piece, Glory Hall, is a new creation by Diego Tortelli, offering the company and the audience a fresco of sensuality and overwhelming vitality.
