OPEN REHEARSAL - 14.610
2024-11-04 18:00 - 19:00 (Europe/Rome) | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
PERFORMANCE POSTPONED TO NEXT SEASON
The title of the performance is 14.610, a number that hints at something never explicitly mentioned. But it is a key, like the code to a hotel room, that allows easy entry into the show. It is a small and sophisticated puzzle to solve. The latest work by Claudia Catarzi has something intimate and shameless.
Open rehearsal Monday, November 4 – 6:00 PM
Show Tuesday, November 5 – 8:30 PM

Credits
by and with Claudia Catarzi
music by Julien Desprez
scenography by Fabio Giommarelli
co-produced by Company Blu, La Manufacture – Centre de Développement Chorégraphique National Bordeaux Nouvelle-Aquitaine, Armunia/Festival Inequilibrio/Centro di residenze artistiche Castiglioncello, with the support of the Regione Toscana and the MiC
created in 2023
Discover more
It’s hard to describe the feeling of dancing almost three meters high on a surface so narrow it seems more like a pedestal than a platform. From the ground, that is, from the stage of the Teatro Rosignano Solvay, where the show debuted for the Inequilibrio festival, the latest work by Claudia Catarzi has something intimate and shameless. Shameless because the spectator, compelled to keep their eyes upwards, admires the technical skill, explicit and evident, of a figure that doesn’t perform acrobatics, but nonetheless constructs a tense and sculptural choreography, made of plastic poses, clear and defined gestures, even jumps. Although the tone is far from baroque – a certain austerity prevails, though never frigid – there is something triumphant in this construction that resembles the base for a Renaissance equestrian statue. Indeed, in the dramatic arc of the show, the satisfaction of reaching the top is palpable. As if we were in the mountains. Looking down from above is satisfying, but it also gives you chills. Not only because it’s easy to fall, but perhaps because at some point from this peak, the only thing left to do is descend.

And this is the other intimate dimension that runs through the entire show and speaks to us of fragility and strength, of change and resistance. The title of the show is 14.610, a number that hints at something never explicitly mentioned. But it is a key, like the code to a hotel room, that allows easy entry into the show. It’s a small and sophisticated puzzle to solve. Not too difficult, to be honest, but we want to leave it unresolved, so as not to spoil the pleasure of discovery. In the second part of the work, the pedestal reveals itself as a steep slide, and the descent becomes a sort of struggle; the muscular body strains to defeat the weight of gravity, as in the whirls of some Giambologna statue. Even though the aesthetics are tied to a sober normality, which makes the image even more intimate and common. About ten years ago, Catarzi debuted in her solo 40,000 Square Centimeters, again a number for a title, striking for presence and power in the small space drawn on the stage of only four square meters. Ten years later, this space has shrunk but has risen into the air. Not a diving board to jump from, but a mountain – like life – to embrace and climb.
(Rodolfo Sacchettini – July 18, 2023)
CLAUDIA CATARZI
After training at the Academy of Fine Arts in Florence, she began her career working with the Micha Van Hoecke Ensemble. She later danced with companies such as Dorky Park Constanza Macras (Berlin), Compagnia Virgilio Sieni, Aldes/Roberto Castello, Company Blu/Alessandro Certini and Charlotte Zerbey, En-Knap Group/Iztok Kovač (Ljubljana), László Hudi (J. Nadj – Budapest), among others. In 2009, she was part of Choreoroam, a research project by the Israeli choreographer Yasmeen Godder (Tel Aviv). She was later invited to follow the work of the Batsheva Dance Company by Ohad Naharin. She has collaborated with choreographer Ambra Senatore since the beginning of her company’s research work between Italy and France, participating in all her early works. Since 2011, she has been working on personal creations. The solo Arrivò senza colore won the co-production Sosta Palmizi, and Un giorno, a duo in collaboration with Mariano Nieddù, was a finalist at the “Premio Equilibrio 2010” (directed by Sidi Larbi Cherkaoui). Her two latest creations see her sharing the stage for the first time with two female figures: Michal Mualem, a historical dancer in Sasha Waltz’s company, in A set of timings, and Claudia Caldarano, a former dancer of Virgilio Sieni, in Posare il tempo. The live presence of musician Gianni Maestrucci in Posare il tempo – percussionist of the renowned group Tetraktis – transforms the danced duet into a trio. Claudia Catarzi is currently an associate artist at CDCN of Bordeaux, La Manufacture | Bordeaux-Nouvelle Aquitaine.
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EVES - OPEN REHEARSAL
2024-11-04 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy, scientific dissemination becomes a performance, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.
Open rehearsal Monday, November 4 – 6:00 PM
Performance Tuesday, November 5 – 8:30 PM

Credits
Compagnia Natiscalzi DT
Choreography: Tommaso Monza and Claudia Rossi Valli
Dancer: Claudia Rossi Valli
Scientific dissemination: Prof. Claudio Melioli, Astrophysics
Set: Natiscalzi DT
Production: Cinqueminuti APS
With the contribution of Regione Emilia Romagna L.R. 13/99
With the support of Comune di Reggio Emilia
In collaboration with Binario49 – Associazione Casa D’Altri
Duration: 60′
Read more
[Do you think you’re sitting still right now?
You’re on a Planet that’s orbiting a Star at 30km/s.
That Star is orbiting the centre of a Galaxy at 250km/s.
That Galaxy is moving through the Universe at a rate of 600km/s.
We’re never still. We’re moving continuously.
Since you’ve started reading this, you’ve travelled about 3000km.]
EVES è nato fantasticando con la testa fra le nuvole, o forse come direbbe l’astrofisico Claudio Melioli (UniBo, USP São Paulo, Unimore) dell’associazione Binario49, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia, a metà fra divulgazione scientifica e senso del sublime per il cosmo, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici.
COMPAGNIA NATISCALZI DT
CLAUDIA ROSSI VALLI
Trained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating, she continued her studies in Italy and abroad, training with, among others, Compagnia Abbondanza/Bertoni (IT), The William Forsythe Company (DE), Retina Dance Company (UK), and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC, USA), where she was selected to dance with Shen Wei Dance Arts.
She has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015), LavaBubbles, Vestire lo spazio, and I Am Beautiful. Since 2016, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT), performing in Gli Orbi, Compleanno Pubblico Ballato, Capodanno RAI 2019, and La Morte e la Fanciulla, which won the Danza&Danza Best Production Award 2017.
Claudia has pursued her interest in choreography since 2012, receiving various accolades for her productions. In 2016, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.
—
TOMMASO MONZA
Originally trained as a sculptor at the Brera Academy of Fine Arts, Tommaso Monza later transitioned to theatre-dance and contemporary dance, studying with Compagnia Abbondanza/Bertoni, Julien Hamilton, Roberto Castello, Ivan Wolf, Liat Waysbort, and Loren Potter.
Since 2005, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni, and since 2010, he has worked with Compagnia Ambra Senatore. In 2010, he began his own choreographic journey, creating a solo (Fra le mie dita rotte), a quartet (Piazze d’Italia), and a duet (Dei nostri eroi più fragili).
In 2012, he participated in the Choreoroam Europe project. Since then, he has developed ROD – Three Units on Kazakhstan, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT), MittelFest 2014 (IT), Festival Exister 2014 (IT), Vetrina Anticorpi XL 2014 (IT), and ArtBat Fest 2013 (KZ). In 2015, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.
In 2016, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally, Tommaso Monza is also an author, with a published collection of short stories titled Personaggi estranei in luoghi comuni.
Find out more
Info&Tickets
TICKETS
Full price: 3 euros
Free entry (Under 6)
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39, Reggio Emilia).

Seats are unnumbered.
CONTACTS FOR RESERVATIONS
Phone & WhatsApp: +39 3341023554
Email: biglietteria@aterballetto.it

NOTTE MORRICONE
2024-11-05 20:00 - 21:30, 2024-11-06 19:00 - 20:30, 2024-11-07 17:00 - 18:30, 2024-11-08 20:00 - 21:30, 2024-11-09 19:00 - 20:30, 2024-11-10 17:00 - 18:30 | Teatro Argentina, Via dei Barbieri, 21, Roma, Italia
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by the Spanish choreographer Marcos Morau.
The Spanish artist, known for his visionary power and his ability to transfigure musical universes, presents a unique creation intertwining the music of Oscar-winning Ennio Morricone with dance, visual arts, and cinematic suggestions. Marcos Morau, currently the youngest choreographer to have received the National Dance Award, Spain’s highest recognition in dance, builds imaginary worlds and landscapes where image, text, movement, music, and space create a unique universe constantly inspired by cinema, photography, and literature. Now, in his first collaboration with the CCN/Aterballetto, he has chosen to work with iconic compositions from the cinematic landscape of the past seventy years: those of Oscar-winning Ennio Morricone. The director states: «With a classical training and avant-garde vocation, Morricone has always been beyond the trends of his time. His music belongs to an entire century and has brought many of our great masters back to life, and for this evening I would like to build a universe based on his sensitivity, to confirm that his legacy is more alive than ever and that, as he himself would say, “my music has a life of its own, which can live far from the films for which it was created.”»
More info »

REPLICHE E ORARI
Romaeuropa Festival

24.10 | h 20.00
25.10 | h 20.00
26.10 | h 19.00
Fondazione Teatro di Roma

27.10 | h 17.00
29.10 | h 20.00
30.10 | h 19.00
31.10 | h 20.00
1.11 | h 20.00
2.11 | h 19.00
3.11 | h 17.00
5.11 | h 20.00
6.11 | h 19.00
7.11 | h 17.00
8.11 | h 20.00
9.11 | h 19.00
10.11 | h 17.00
CREDITS
Regia e coreografia MARCOS MORAU
Musica ENNIO MORRICONE
Direzione e adattamento musicale a cura di MAURIZIO BILLI
Sound design ALEX RÖSER VATICHÉ, BEN MEERWEIN
Set e luci MARC SALICRÚ
Costumi SILVIA DELAGNEAU
Assistenti alla coreografia SHAY PARTUSH, MARINA RODRÍGUEZ
Produzione Fondazione Nazionale della Danza / Aterballetto
Commissione, coproduzione, prima rappresentazione outdoor Macerata Opera Festival
Coproduzione, prima rappresentazione indoor Fondazione Teatro di Roma
Coproduzioni Fondazione I Teatri di Reggio Emilia, Centro Servizi Culturali Santa Chiara Trento, Centro Teatrale Bresciano
Coproduzione Ravenna Festival | Orchestra Giovanile Luigi Cherubini
Premiere outdoor 1° agosto 2024, Macerata Opera Festival
Premiere indoor 24 ottobre – 10 novembre 2024, Roma, Teatro Argentina
Le recite al Teatro Argentina sono in co-presentazione con Fondazione Teatro di Roma e Romaeuropa Festival
MARCOS MORAU
Recentemente nominato Cavaliere dell’Ordine delle Arti e delle Lettere dal Ministero della Cultura francese e selezionato come miglior coreografo dell’anno 2023 dalla rivista tedesca TANZ, la carriera di Marcos Morau (Valencia 1982) continua a crescere come creatore e regista di scena.
Formatosi tra Barcellona e New York, in fotografia, coreografia e teoria teatrale e drammaturgia, Marcos Morau costruisce mondi immaginari e paesaggi dove immagine, testo, movimento, musica e spazio costituiscono un universo unico che viene costantemente nutrito dal cinema, dalla fotografia e dalla letteratura.
Dal 2004, Marcos ha diretto La Veronal, una compagnia presente nei migliori teatri e festival di oltre trenta paesi: Théâtre National de Chaillot a Parigi, la Biennale di Venezia, il Festival d’Avignone, Tanz Im August a Berlino, il Festival RomaEuropa, il SIDance Festival de Seoul, Sadler’s Wells a Londra, Danse Danse Montreal, tra molti altri.
Oltre al suo lavoro con La Veronal, Marcos Morau è un artista ospite internazionale in diverse compagnie e teatri dove sviluppa nuove creazioni, sempre a metà strada tra le arti performative e la danza: Nederlands Dans Theater, Lyon Opera Ballet, Les Grands Ballets Canadiens, Royal Danish Ballet o The Royal Ballet of Flanders, tra gli altri.
Essendo il più giovane creatore a ottenere il Premio Nazionale di Danza, il più alto riconoscimento in Spagna, il futuro di Morau e La Veronal mira alla ricerca di nuovi formati e linguaggi dove l’opera, la danza e il teatro fisico dialogano più che mai, cercando nuovi modi di esprimersi e comunicare nel nostro tempo presente, sempre turbolento e in continua evoluzione.
Dalla presente stagione, è artista associato presso lo Staatsballett Berlin.
“La Veronal è un ricordo che la danza è spesso all’avanguardia del teatro più innovativo.” – The New York Times
“Il trattamento visivo di Morau è così brillante, così vivacemente strano, che ci lasciamo coinvolgere in ciò che si rivela anche essere una storia di trasmissione ed emancipazione.” – Le Monde
“Morau, uno dei coreografi giovani più interessanti della scena contemporanea della danza.” – El País

EVES
2024-11-05 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy, scientific dissemination becomes a performance, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.
Open rehearsal Monday, November 4 – 6:00 PM
Performance Tuesday, November 5 – 8:30 PM

Credits
Compagnia Natiscalzi DT
Choreography: Tommaso Monza and Claudia Rossi Valli
Dancer: Claudia Rossi Valli
Scientific dissemination: Prof. Claudio Melioli, Astrophysics
Set: Natiscalzi DT
Production: Cinqueminuti APS
With the contribution of Regione Emilia Romagna L.R. 13/99
With the support of Comune di Reggio Emilia
In collaboration with Binario49 – Associazione Casa D’Altri
Duration: 60′
Read more
[Do you think you’re sitting still right now?
You’re on a Planet that’s orbiting a Star at 30km/s.
That Star is orbiting the centre of a Galaxy at 250km/s.
That Galaxy is moving through the Universe at a rate of 600km/s.
We’re never still. We’re moving continuously.
Since you’ve started reading this, you’ve travelled about 3000km.]
EVES è nato fantasticando con la testa fra le nuvole, o forse come direbbe l’astrofisico Claudio Melioli (UniBo, USP São Paulo, Unimore) dell’associazione Binario49, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia, a metà fra divulgazione scientifica e senso del sublime per il cosmo, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici.
COMPAGNIA NATISCALZI DT
CLAUDIA ROSSI VALLI
Trained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating, she continued her studies in Italy and abroad, training with, among others, Compagnia Abbondanza/Bertoni (IT), The William Forsythe Company (DE), Retina Dance Company (UK), and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC, USA), where she was selected to dance with Shen Wei Dance Arts.
She has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015), LavaBubbles, Vestire lo spazio, and I Am Beautiful. Since 2016, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT), performing in Gli Orbi, Compleanno Pubblico Ballato, Capodanno RAI 2019, and La Morte e la Fanciulla, which won the Danza&Danza Best Production Award 2017.
Claudia has pursued her interest in choreography since 2012, receiving various accolades for her productions. In 2016, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.
—
TOMMASO MONZA
Originally trained as a sculptor at the Brera Academy of Fine Arts, Tommaso Monza later transitioned to theatre-dance and contemporary dance, studying with Compagnia Abbondanza/Bertoni, Julien Hamilton, Roberto Castello, Ivan Wolf, Liat Waysbort, and Loren Potter.
Since 2005, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni, and since 2010, he has worked with Compagnia Ambra Senatore. In 2010, he began his own choreographic journey, creating a solo (Fra le mie dita rotte), a quartet (Piazze d’Italia), and a duet (Dei nostri eroi più fragili).
In 2012, he participated in the Choreoroam Europe project. Since then, he has developed ROD – Three Units on Kazakhstan, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT), MittelFest 2014 (IT), Festival Exister 2014 (IT), Vetrina Anticorpi XL 2014 (IT), and ArtBat Fest 2013 (KZ). In 2015, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.
In 2016, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally, Tommaso Monza is also an author, with a published collection of short stories titled Personaggi estranei in luoghi comuni.
Find out more

Info&Tickets
TICKETS
Full price: 10 euros
Reduced price (Under 30, dance schools, Liceo Coreutico Matilde di Canossa, Over 65, CRAL Comune di Reggio Emilia members): 6 euros
Reduced price (Under 8): 3 euros
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39, Reggio Emilia).

Seats are unnumbered.
CONTACTS FOR RESERVATIONS
Phone & WhatsApp: +39 3341023554
Email: biglietteria@aterballetto.it

Aria Tango...Bolero - Open rehearsal
2024-11-12 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The Balletto di Milano, directed by M° Carlo Pesta, will perform for the first time on the Fonderia stage.
For this occasion, an open rehearsal has been organized at 6:00 PM to get to know the company and the work of M° Carlo Pesta, who will have a conversation with dance journalist and critic Raffaella Tramontano.
At 8:30 PM, the evening will take place in two acts: Aria Tango by Micha van Hoecke, restaged by Miki Matsuse, and Bolero by Adriana Mortelliti.

Credits
ARIA TANGO
Choreography Micha van Hoecke, restaged by Miki Matsuse
Music Luis Bacalov
BOLERO
Choreography Adriana Mortelliti
Music Maurice Ravel
Dancers of the Balletto di Milano: Alessandro Orlando, principal and maître of the Company, and Sofia Gironi, Amanda Hall, Annarita Maestri, Sinthya Pezzoli, Alessia Sasso, Anthea Van Der Ham, Giusy Villarà, Kevin Alsina, Anatole Blaineau, Gianmarco Damiani, Jack Farren, Mattia Imperatore, Leo Rech
Read more
Unforgettable and unforgettable artist, Micha van Hoecke would have turned 80 on July 22, 2024, but he passed away in 2021, leaving the dance world stunned and in shock. A towering personality in Italian dance, where he had been living for over thirty years, Micha van Hoecke is undoubtedly one of the figures who has left a mark. He is missed. Missed by the many friends. Missed by those who could appreciate his extraordinary human and artistic qualities. Missed by the audience who followed his works, rich in sensitivity, with passion and interest.
A generous artist, who loved theater and dance deeply, to whom the Balletto di Milano dedicates this tribute on this special birthday by bringing back to the stage the creation Aria Tango. Restaged by his beloved wife, the dancer Miki Matsuse, Aria Tango (2013) is set to music by Oscar-winning composer Luis Bacalov. Strongly autobiographical, the Choreographic Poem, as Micha van Hoecke used to say, is deeply rooted in the tango and gypsy culture so dear to the choreographer, who, without any didactic intent and in an atemporal, surreal atmosphere, tells of moods, fears, passions, and emotions.

In the second part of the evening, the emotions of Tango give way to those of Bolero, in the exclusive version by Balletto di Milano of Adriana Mortelliti on the famous score by Maurice Ravel, celebrating seduction. In the musical and choreographic crescendo, sinuous bodies intertwine in a dance that culminates in a surprising finale.
Balletto di Milano
Ambassador of Italian dance around the world, founded in 1980 and directed by Carlo Pesta since 1998, it is one of the most prestigious Italian companies. Recognized and supported by the Ministry of Culture, by the Lombardy Region, which has also awarded it the prestigious Regional Relevance Recognition, and by the Municipality of Milan, the Balletto di Milano performs its activities in major Italian theaters and abroad, where it is present in leading theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers who graduated from the best international academies and an extensive and exclusive repertoire ranging from revisited classical masterpieces to exclusive productions.
Discover more

Info&Tickets
TICKETS
Full price: 3 euros
Free for under 6
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: The box office opens one hour before the show (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACT FOR BOOKINGS
Cell and WhatsApp 3341023554
Email biglietteria@aterballetto.it

Aria Tango...Bolero
2024-11-12 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The Balletto di Milano, directed by M° Carlo Pesta, dances for the first time on the Fonderia stage.
The evening is divided into two acts: Aria Tango by Micha van Hoecke, restaged by Miki Matsuse, and Bolero by Adriana Mortelliti.

Credits
ARIA TANGO
Choreography by Micha van Hoecke, restaged by Miki Matsuse
Music by Luis Bacalov
BOLERO
Choreography by Adriana Mortelliti
Music by Maurice Ravel
Dancers of Balletto di Milano: Alessandro Orlando, principal and maître of the Company, and Sofia Gironi, Amanda Hall, Annarita Maestri, Sinthya Pezzoli, Alessia Sasso, Anthea Van Der Ham, Giusy Villarà, Kevin Alsina, Anatole Blaineau, Gianmarco Damiani, Jack Farren, Mattia Imperatore, Leo Rech
Discover more
The unforgettable and irreplaceable artist Micha van Hoecke would have turned 80 on July 22, 2024, but he passed away in 2021, leaving the dance world stunned and dismayed. A monumental figure in Italian dance, where he had resided for over thirty years, Micha van Hoecke is undoubtedly one of the most influential figures who left an indelible mark. He is missed by many friends, by those who admired his extraordinary human and artistic qualities, and by the audience who passionately and eagerly followed his sensitive works. A generous artist who deeply loved theater and dance, the Balletto di Milano dedicates its tribute to him on this special birthday by restaging his creation Aria Tango. Restaged by his beloved wife, dancer Miki Matsuse, Aria Tango (2013) is set to pieces by Oscar-winning composer Luis Bacalov. Strongly autobiographical, the Choreographic Poem, as Micha van Hoecke liked to call it, is rooted in the tango and gypsy cultures so dear to the choreographer. Without any didactic intent and in a timeless and surreal atmosphere, it conveys emotions, fears, passions, and states of mind.

In the second part of the evening, the emotions of the Tango give way to those of the Bolero in an exclusive version by Balletto di Milano, choreographed by Adriana Mortelliti to the renowned score by Maurice Ravel, celebrating seduction. In the musical and choreographic crescendo, sinuous bodies weave a dance that culminates in a surprising finale.
Balletto di Milano
An ambassador of Italian dance worldwide, founded in 1980 and directed by Carlo Pesta since 1998, the Balletto di Milano is among the most prestigious Italian companies. Recognized and supported by the Ministry of Culture, by the Lombardy Region (which has also awarded it the prestigious Recognition of Regional Relevance), and by the Municipality of Milan, the Balletto di Milano performs in major theaters in Italy and abroad, appearing in prominent theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers trained at the finest international academies. It has a wide and exclusive repertoire that ranges from revised classical masterpieces to unique productions.
Learn more

Info&Tickets
TICKETS
Full price: 10 euros
Discounted price for under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members of the Municipality of Reggio Emilia: 6 euros
Discounted price for under 8: 3 euros
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACTS FOR RESERVATIONS
Cell and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

VISIONI DEL CORPO: IL CORPO E L'ALTRO
2024-11-15 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Visioni del corpo: understanding contemporary art through auteur dance.
A “dancing encyclopedia” that speaks about the world through dance, placing the body at the center of humanity. A series of six cultural dissemination events that connects arts, movement, and current affairs, to address themes of psychological well-being, the relationship with the city, the future, and ecology, through an experimental cultural medium.
Nicolas Ballario, journalist, curator, and cultural disseminator, introduces the theme of the debate, which, moving between dance and contemporary arts, reflects on the body from a different point of view each time. Each meeting is divided into six moments, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene, who will translate the suggestions of the discussed works into dance with an original performance, specifically designed for the project.

Fifth appointment: Friday 15 November h 20.30 at Fonderia

Il corpo e l’altro (The body and the other)
Talk with Nicolas Ballario and Pablo Girolami
Choreographies by Pablo Girolami
Focus on Marcel Duchamp, Georgia O’Keeffe, Yayoi Kusama, Louise Bourgeois, Sylvie Fleury, Francesca Woodman

Pablo Girolami is a young choreographer who blends the imaginations and traditions of his various countries of origin and study (Switzerland, Spain, Italy). He will be entrusted with exploring the interaction between movement and material objects, substances, and different textures.
The fusion of bodies in art will be investigated, experimenting with materials, optical and perceptual illusions: the theme is indeed The body and the other, in a whirlwind of objects and textures, from Marcel Duchamp to Francesca Woodman.
The virtual dance that will be offered in VR is Shelter by Saul Daniele Ardillo: remaining on the theme of the double, the spectator will have the opportunity to establish a direct and strong connection with the protagonist dancer.
Aranha, Louise Joséphine Bourgeois Parque Ibirapuera, Avenida Pedro Álvares Cabral, s/n. Photo by André Deak for Arte Fora do Museu. From Wikimedia Commons
Pablo Girolami
Pablo Girolami, born in Neuchâtel (Switzerland), has Italian-Spanish origins. He studied at the Tanz Akademie Zürich, where he graduated in 2014. In 2014, he began his professional career as a dancer in Wiesbaden/Darmstadt with the Hessisches Staatsballett. In 2018, he danced for Spellbound Contemporary Ballet. Between 2017 and 2018, he created I see you over there for the Hessisches Staatsballett and Mose3 in collaboration with DeDa Production and Café Klatsch.
He is currently a freelance choreographer and the artistic director of IVONA, a project-based company he founded with Giacomo Todeschi.
In 2019, he created Manbuhsa, which won the Twain_DirezioniAltre 2019 Award and the audience award at both the CortoinDanza 2019 in Cagliari and the 33rd Certamen Coreográfico de Madrid. Manbuhsa was also selected for the Anticorpi XL 2019 showcase of young dance authors and for the Red Acieloabierto.
In 2020, Pablo Girolami choreographed Manbuhsona for IVONA, a full evening production for five performers, and two short creations, Gianni-Pasquale and T.R.Y.P.O.P.H.O.B.I.A.
In 2020, he was selected by the AnticorpiXL Network for the ResidanceXL initiative.
Since 2019, he has collaborated and choreographed for various companies and schools: EgriBianco Danza, Kseij Dance Company, The LabCollective, TanzWerk101 Zürich, Ateneo della Danza Siena, and ChoreoLab – Made in Ulm.

Nicolas Ballario
Nicolas Ballario, born in 1984, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications.
In 2016, he became the youngest ever recipient of the Premio Bassani, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone, Living from Corriere della Sera, and Il Giornale dell’Arte. In 2019, he hosted the photography format Camera Oscura on LA7, while from 2020 to 2022, he led programs on Sky Arte including Io ti vedo, tu mi senti?, The Square, and Italia Contemporanea.
He is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects.
Info&Tickets
APERITIVO IN FONDERIA
From 7:00 PM
TICKETS
Single: 3 euros
TICKET PURCHASE
Tickets can be purchased online at www.biglietteriafonderia39.it.
The box office at Fonderia is open from 7:30 PM.
Tickets are not numbered.
CONTACTS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it
FONDERIA ATERBALLETTO
Via della Costituzione 39, Reggio Emilia

OPEN REHEARSAL - SEMA
2024-11-18 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Semâ, the name of the whirling dance of the dervishes, gives the title to this production by the Compagnie Linga.
Choreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters, and with the living, ever-evolving interdependence between the dancer and the musician, the melody and the gesture, which mutually nourish each other in the flow of movement.
Open rehearsal at 18:00
Show at 20:30

Credits
Idea and choreography: Katarzyna Gdaniec and Marco Cantalupo
Original music: Mathias Delplanque, Philippe Foch
Performers: Martin Angiuli, Enzo Blond, Bonni Bogya, Aude-Marie Bouchard, András Engelmann, Lia Ujcic, Csaba Varga, Cindy Villemin
Lighting design: German Schwab
Costumes: Geneviève Mathier
A co-production: Compagnie Linga, l’Octogone – Théâtre de Pully
This tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.
Compagnie Linga benefits from a funding agreement with the City of Pully, the City of Lausanne, and the Canton of Vaud.
Discover more
Semâ, the latest creation from the Pully-based company, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle, inner and outer, “the necessary intermediary between the Same and the Other, the visible and the invisible”, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers.

In just over an hour, Semâ covers a range of movements, from the organic to the more sophisticated, such as a series of attitudes derived from genuflection. Regularly punctuating the piece, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation, of Sufi origin, leading to ecstasy – that continues to fascinate (…). The whirling, exultant bodies seduced the premiere audience, who stood up to a standing ovation at the Octogone on Friday.
Excerpts from Corinne Jaquiéry’s review
24heures Lausanne, 29.04.2023
Compagnie Linga
In 1992, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully, the City of Lausanne, the Canton of Vaud, and Pro Helvetia – Swiss Arts Council, they became associated artists at the Octogone, Théâtre de Pully/Lausanne (CH), where they have been in residence since 1993. They have developed a space dedicated to choreographic research, staging a physical, sensual, and powerful dance that explores the influence of political and social situations on the body.
Creating one or two productions per year, they quickly established their repertoire on the Swiss and international scene, becoming one of the most dynamic independent companies in the country. As such, they are invited to the most important contemporary dance events.
International collaborations: Opera of Lausanne, Dresden, Florence, Ankara, Mannheim National Theatre, Portugal National Ballet, Avenches Opera Festival, TV ARTE, WDR Orchestra.
Awards: 2019, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015, Danzatalenti Prize (Genoa, IT); 2012, Grand Prix de la Fondation Vaudoise pour la Culture; 2001, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995, Choreography Contest Hannover (DE); 1995, Léonide Massine Prize in Positano (IT).
In 2022, Compagnie Linga celebrates its 30th anniversary.
Discover more

SEMA
2024-11-18 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Semâ, the name of the whirling dance of the dervishes, gives the title to this production by the Compagnie Linga.
Choreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters, and with the living, ever-evolving interdependence between the dancer and the musician, the melody and the gesture, which mutually nourish each other in the flow of movement.
Open rehearsal at 18:00
Show at 20:30

Credits
Idea and choreography: Katarzyna Gdaniec and Marco Cantalupo
Original music: Mathias Delplanque, Philippe Foch
Performers: Martin Angiuli, Enzo Blond, Bonni Bogya, Aude-Marie Bouchard, András Engelmann, Lia Ujcic, Csaba Varga, Cindy Villemin
Lighting design: German Schwab
Costumes: Geneviève Mathier
A co-production: Compagnie Linga, l’Octogone – Théâtre de Pully
This tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.
Compagnie Linga benefits from a funding agreement with the City of Pully, the City of Lausanne, and the Canton of Vaud.
Discover more
Semâ, the latest creation from the Pully-based company, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle, inner and outer, “the necessary intermediary between the Same and the Other, the visible and the invisible”, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers.

In just over an hour, Semâ covers a range of movements, from the organic to the more sophisticated, such as a series of attitudes derived from genuflection. Regularly punctuating the piece, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation, of Sufi origin, leading to ecstasy – that continues to fascinate (…). The whirling, exultant bodies seduced the premiere audience, who stood up to a standing ovation at the Octogone on Friday.
Excerpts from Corinne Jaquiéry’s review
24heures Lausanne, 29.04.2023
Compagnie Linga
In 1992, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully, the City of Lausanne, the Canton of Vaud, and Pro Helvetia – Swiss Arts Council, they became associated artists at the Octogone, Théâtre de Pully/Lausanne (CH), where they have been in residence since 1993. They have developed a space dedicated to choreographic research, staging a physical, sensual, and powerful dance that explores the influence of political and social situations on the body.
Creating one or two productions per year, they quickly established their repertoire on the Swiss and international scene, becoming one of the most dynamic independent companies in the country. As such, they are invited to the most important contemporary dance events.
International collaborations: Opera of Lausanne, Dresden, Florence, Ankara, Mannheim National Theatre, Portugal National Ballet, Avenches Opera Festival, TV ARTE, WDR Orchestra.
Awards: 2019, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015, Danzatalenti Prize (Genoa, IT); 2012, Grand Prix de la Fondation Vaudoise pour la Culture; 2001, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995, Choreography Contest Hannover (DE); 1995, Léonide Massine Prize in Positano (IT).
In 2022, Compagnie Linga celebrates its 30th anniversary.
Discover more
Info&Tickets
TICKETS
Full price: 10 euros
Reduced (under 30, dance schools, Matilde di Canossa Dance High School, over 65, CRAL Municipality of Reggio Emilia members): 6 euros
Reduced (under 8): 3 euros
PURCHASE TICKETS

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACTS FOR RESERVATIONS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

Ballade
2024-11-21 20:30 - 22:30, 2024-11-22 20:30 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Under the title BALLADE, the MM Contemporary Dance Company, directed by Michele Merola, presents a new show featuring two original choreographies by two Italian creators, Mauro Bigonzetti and Enrico Morelli. The pieces, performed by the MMCDC dancers, will take the audience on a journey through different generations: BALLADE by Bigonzetti is a comprehensive portrait of the 1980s, a decade that has lost its temporal boundaries to become a symbol of an era, while ELEGIA by Morelli is set in and tells the story of our current age, a time that, more than ever, brings vertigo and confusion, but also the renewed hope for a new beginning.

World Premiere: Theatre Comunale di Modena – Saturday, November 19, 2022
Production: MM Contemporary Dance Company
Co-production: Teatro Comunale di Modena
With the support of ATER Fondazione, Municipality of Correggio / Centro di Documentazione Pier Vittorio Tondelli – Correggio
Ministry of Culture / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia
The performance BALLADE won the Danza & Danza 2022 Award for Best Italian Production.
ELEGIA
Choreography: Enrico Morelli
Music: Frédéric Chopin, Giuseppe Villarosa
Lighting Design: Carlo Cerri
Costumes: Nuvia Valestri
Narrating Voice: Isidora Balberini
Choreographic Assistant: Paolo Lauri
Dancers: Lorenzo Fiorito, Mario Genovese, Matilde Gherardi, Fabiana Lonardo, Alice Ruspaggiari, Nicola Stasi, Giuseppe Villarosa
Duration: 35 minutes

People searching for their own path and identity, united by the same inclusion in a historical period, in an era like the present one, which brings vertigo and confusion. Individuals tracing new trajectories and seeking new paths to regain their direction, in a moment of exile from normality. A story of lost moments and relationships, along with a search in one’s memory for familiar and comforting images and landscapes. A dreamlike journey to rediscover one’s lost self. A collective dance that immerses us in a vortex of lines and trajectories that intersect and intertwine, in an apparent primordial chaos until the return of calm, which carries the choice to surrender to newfound hope, looking forward to a new rebirth. A tribute to care and attention to others, amplified by words from the poetry of Mariangela Gualtieri.
BALLADE
Choreography and Direction: Mauro Bigonzetti
Music: Nick Cave, CCCP – Fedeli alla linea, Leonard Cohen, Arvo Pärt, Prince, Nina Simone, Frank Zappa
Lighting Design: Carlo Cerri
Costumes: Silvia Califano
Choreographic Assistant: Roberto Zamorano
Repetiteurs: Paolo Lauri, Enrico Morelli
Dancers: Lorenzo Fiorito, Mario Genovese, Matilde Gherardi, Fabiana Lonardo, Alice Ruspaggiari, Rossana Samele, Nicola Stasi, Giuseppe Villarosa, Leonardo Zannella
Duration: 50 minutes

Mauro Bigonzetti’s new creation for the MM Contemporary Dance Company aims to be a tribute, a collective narrative, a comprehensive portrait of the 1980s, a decade that has lost its temporal boundaries to become a symbol of an era.
A musical image narrative that recovers the sensations of a generation, its erased euphoria, collective absurdities, “dreams cast away,” but at the same time also reclaims the lifestyle of those years, the scents of vitality, and the dense experimental artistic creativity that characterized a rapidly evolving society, transforming in step with the impulses of sharing and the anxiety of change.
A work staged without artifices, performed by the MMCDC dancers, and tailored to a musical dramaturgy structured around the tensions and visions of those years, drawing from various authors who were prominent during that period, from Prince to the anarchic genius of Frank Zappa, to the profound poetry of Leonard Cohen, and the punk and existential aesthetic of CCCP.

The choreography is also inspired by one of the most significant literary voices of the time: it aims to pay homage to the writer Pier Vittorio Tondelli, who in those years created and produced his major masterpieces. Through an abstract narrative, the choreographic score brings to life a space of memory and feeling where man, shedding his shell and armor, rediscovers his living and vulnerable body. A journey that leads us to uncover pain, love, abandonment, and rebirth. A symbolic journey in the incessant search for a new collective rebirth where beauty enriches and guides our path.
MM CONTEMPORARY DANCE COMPANY
The MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola. It was founded in 1999 as a center for producing events and performances and as a promoter of festivals and workshops with the goal of fostering exchanges and alliances between Italian and international artists, witnesses and spokespersons of contemporary culture.
The company, based in Reggio Emilia, has a rich and varied repertoire, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin, Mats Ek, Mauro Bigonzetti, Thomas Noone, Gustavo Ramirez Sansano, Karl Alfred Schreiner, Eugenio Scigliano, Emanuele Soavi, Enrico Morelli, Daniele Ninarello, Ginevra Panzetti, Enrico Ticconi, Camilla Monga, and Roberto Tedesco.
In 2010, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the Best Emerging Company, and today, it is, in all respects, an excellence in Italian dance, with a well-established activity of performances throughout the national territory. In recent years, it has conquered an international market with performances in European and non-European countries (South Korea, Colombia, Canada, Germany, Russia, Morocco, Belgium, Spain, Slovenia, Hungary, Czech Republic, Sweden, France, Finland, Serbia…). In 2017, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Merit Award for Choreography for the performance Bolero by Michele Merola.
Since 2018, the MM Contemporary Dance Company has been an associated company of the InDanza Circuit of Trentino Alto Adige.
The MMCDC is supported by the Ministry of Culture, Emilia-Romagna Region, Municipality of Reggio Emilia, National Dance Foundation/Aterballetto, Permanent Dance Center/Reggio Emilia.
Discover more
Info&Tickets
TICKETS
Full price: 10 euros
Discounted under 30, dance schools, Matilde di Canossa High School, over 65, CRAL members of the Municipality of Reggio Emilia: 6 euros
Discounted under 8: 3 euros
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Box Office at Fonderia: The box office opens one hour before the start of the performance (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACTS FOR RESERVATIONS Cell and WhatsApp: 3341023554 Email biglietteria@aterballetto.it

NOTTE MORRICONE
2024-11-23 19:30 - 21:00 | Großer Saal, Kulturbezirk 2, St. Pölten, 3100, Austria
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′

Pierino e il Lupo
2024-11-26 11:00 - 12:00, 2024-11-27 11:00 - 12:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
SHOW FOR PRIMARY SCHOOLS
Peter and the Wolf is a simple yet emotionally rich tale. As the story unfolds, the protagonist will meet friends and foes who will experience fear, friendship, joy, and sorrow alongside him. In an original and fun way, the audience will try to recognize, together with the characters, the orchestra’s instruments, their movements, and their emotions. What do they sound like? How do they move?
In the introduction, the audience will be involved in creating the movements that the dancers will perform in the second part of the show. The children themselves will make Peter and the Wolf an interactive performance, always different and easy to understand even for the youngest viewers.
A perfect show to make children aged 6 and up fall in love with theater.
CREDITS
Direction and script: KanterStrasse
Choreography: Beatrice Ciattini and Niccolò Poggini
Music: Sergei Prokofiev
Narrator: Alessio Martinoli
Dancers: 7 dancers
Duration: 55 minutes
Production: Nuovo Balletto di Toscana
First performance 2/12/2023 MET RAGAZZI, Fabbricone Prato (PO)
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The language used is contemporary dance, with particular attention to the exploration of movements that evoke clear yet non-descriptive imagery. The choreographers guide young spectators through a vision marked by narrative clarity, which, however, does not rely on the pantomime of classical ballet. Instead, through a play of forms and dynamics, they allow the audience to follow the plot’s development.

Prokofiev’s music supports the directorial approach, which, while preserving the original and highly descriptive score, allows the work to be completely understandable and accessible to the audience. The performance plays on the parallelism between music and movement; it recreates repeated movements over time that characterize the characters, just as the musical score does.
Info&Tickets
TICKETS
Single ticket: 3 euros
CONTACTS FOR RESERVATIONS
Cell and WhatsApp: 3341023554
Email biglietteria@aterballetto.it

VISIONI DEL CORPO: IL CORPO GRANDE
2024-11-29 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The final event of Visions of the Body: understanding contemporary art through signature dance.
A “dancing encyclopedia” that speaks about the world through dance, placing the body at the center of the human experience. A series of six cultural dissemination events that connect the arts, movement, and current issues, addressing themes such as psychological well-being, the relationship with the city, the future, and ecology, through an experimental cultural medium.
Nicolas Ballario, journalist, curator, and educator, introduces the theme of the debate, which, moving between dance and contemporary arts, reflects on the body from a different perspective each time. Each event is divided into six segments, dedicated to the works of six artists chosen to explore the central theme: well-known faces of the contemporary art world, familiar to the general public. Each event will be interpreted by a choreographer from the contemporary scene, who will translate the inspirations of the featured works into dance through an original performance, created specifically for the project.

Sixth appointment: Friday 29 November h 20.30 at Fonderia

Il corpo grande (The big body)
Talk with Nicolas Ballario and Roberta Ferrara
Choreographies by Roberta Ferrara
Focus on Fausto Delle Chiaie, Damien Hirst, JR, Ron Mueck, Niki de Saint Phalle, Claes Oldenburg

On November 29th, the series of events concludes with The Big Body: Roberta Ferrara brings to Fonderia details and impactful disproportions, from glamour to urban art, from Fausto Delle Chiaie to Damien Hirst.
The audience will have the opportunity to experience Fernando Melo’s Never Odd or Even through Oculus headsets: a work where proportion is pushed to the extreme, entirely based on the real size of the two dancers, who always tower over the viewer.

Niki de Saint Phalle (1930-2002), Dancing Nana (Rouge d’Orient – Bloum), 1995, polyethylene resin, fiberglass, steel, paint, 1,024 x 768 cm. François Odermatt Collection, in collaboration with the McGill University Visual Arts Collection. © 2017 Niki Charitable Art Foundation / ADAGP
Roberta Ferrara
Roberta Ferrara (1988) has been the artistic director of Equilibrio Dinamico DANCE company and the international training program ED ENSEMBLE since 2011. Since 2020, she has also been an associate artistic director for Odyssey Dance Theatre in Singapore, one of Asia’s leading professional dance arts organizations, founded by Dr. Danny Tan.
She holds a degree in Modern Literature with a focus on Theater Culture, with an experimental thesis on the value of instinctive movement as a therapeutic gift for dancers and non-dancers alike. Alongside her research, she has engaged in immersive studies with various artists on techniques and languages of international contemporary dance. As a performer, she has worked with choreographer Emanuel Gat in projects promoted by the Venice Biennale and the Ravello Festival. She has been a guest artist for various national and international entities such as Staatstheater Ballet Augsburg, Teatrul De Balet Sibiu, English National Ballet School, Korea Ballet House, Conservatorio Internacional de Ballet e Dança Annarella Sánchez, Morikawa Dance Academy, Ateneo della Danza, Elan Ballet, Mosa Ballet School, Balletto di Siena, ODT, Experimental Film Virginia, Eko Dance Project, and has been supported in her work by the Italian Cultural Institutes of Cologne, New York, Mexico City, Zagreb, San Francisco, Ankara, São Paulo.
Her creations have been selected and hosted in various international festivals including MASDANZA, FIDCMX, Cortoindanza, Network Danza Urbana XL, Festival Ammutinamenti Anticorpi XL, ZED Festival, Puglia Showcase, DanzInc, BallettGala Staatstheater Bremerhaven, Prospettiva Danza Teatro, Festival delle 100 Scale, Danza in Rete Festival, Lucky Trimmer, Fuoriformato Festival, VIVADANCA, SoloCoreografico USA, Solo Contemporary Dance Festival Ankara, Sid Festival Seattle, Interdans, Split Summer Festival, and Solo Tanz Theater, where she received the Best Choreographer Award and a residency prize from R. Fernando, the director and chief choreographer of Staatstheater Augsburg. She was also invited as a guest choreographer for the Stara Zagora State Opera by director S. Tomova and received the InDivenire Award for Best Dance Project, presented by étoile L. Savignano.

Nicolas Ballario
Nicolas Ballario, born in 1984, specializes in contemporary art applied to media. After completing his studies at the photography academy, he joined Oliviero Toscani’s factory ‘La Sterpaia’, where he later became the cultural manager. He has collaborated with major art institutions and numerous publications, and in 2016, he became the youngest ever to win the Bassani Prize, one of the most prestigious awards for journalists who have excelled in cultural and environmental fields. Currently, he is the author and host of contemporary art programs on Radio Uno Rai and collaborates with L’Espresso (where he has a weekly column), Living del Corriere della Sera, il Post, and Il Giornale dell’Arte. In 2019, he hosted the photography format “Camera Oscura” on LA7, and since 2020, he has been the host on Sky Arte for the programs “Io ti vedo, tu mi senti?”, “Italia Contemporanea,” and “The Square.” He directs the newly established exhibition production company “Piuma” and is the founder and president of Cucù, a communication studio dedicated to culture. He also curates exhibitions and catalogs. The magazine Artribune included him in its ‘Best of’ list of art world excellence for two consecutive years: in 2019 for radio and in 2020 for television projects.

Info&Tickets
APERITIVO AT FONDERIA
From 7:00 PM

TICKETS
Single: 3 euros
PURCHASE TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket service at Fonderia is available from 7:30 PM.
Tickets are not numbered.
CONTACTS
Cell and WhatsApp: 3341023554
Email biglietteria@aterballetto.it
FONDERIA ATERBALLETTO
via della Costituzione 39, Reggio Emilia

Stravaganze in sol minore
2024-11-30 16:00 - 17:00 | PARC, Piazzale delle Cascine 4/5/7, Firenze, 50144
FND/Aterballetto-Stravaganze in Sol Minore
Stravaganze in Sol Minore by Francesca Lattuada arrives in Florence as the closing show of the Komorebi project, curated by Stazione Utopia for the Autunno Fiorentino 2024.
The magical virtuosity of Toti Scialoja (1914–1998), a master not only of images but also of words, forms the foundation of this new creation for children and young audiences by Fondazione Nazionale della Danza / Aterballetto.
The almost magical vibrations emanating from Scialoja’s poetry are like the endless ripples created on the surface of water when a stone is thrown: evocative of surreal or hyperreal images, carrying a musicality that blends poetry and nursery rhyme, and uniting the extraordinary and the eerie.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and Choreography: Francesca Lattuada
Texts: Toti Scialoja (from The Apple of Hamlet)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and Props: Natali Fortier
Performers: Vittoria Franchina, Rocco Ancarola
Coproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In coproduction with Centro Servizi Culturali Santa Chiara

Stravaganze in sol minore
2024-12-01 16:30 - 17:30 | Teatro del Parco, Via Sergio Gori, 11, Mestre, VE
FND/Aterballetto-Stravaganze in Sol Minore
Stravaganze in Sol Minore by Francesca Lattuada arrives in Mestre, near Venice.
The magical virtuosity of Toti Scialoja (1914–1998), a master not only of images but also of words, forms the foundation of this new creation for children and young audiences by Fondazione Nazionale della Danza / Aterballetto.
The almost magical vibrations emanating from Scialoja’s poetry are like the endless ripples created on the surface of water when a stone is thrown: evocative of surreal or hyperreal images, carrying a musicality that blends poetry and nursery rhyme, and uniting the extraordinary and the eerie.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Regia e coreografia: Francesca Lattuada
Testi: Toti Scialoja (tratti da La mela di Amleto)
Musica: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Maschere e oggetti: Natali Fortier
Interpreti: Vittoria Franchina, Rocco Ancarola

Coproduzione: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano
In coproduzione con Centro Servizi Culturali Santa Chiara

La Bottega dei Giocattoli
2024-12-01 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
La bottega dei giocattoli (The Toy Shop) is the perfect show to experience the magic of Christmas.
The great book of fairy tales opens, bringing to life a story of toys with voices and souls, of enchanted nights where a young shop assistant is allowed to cross the thresholds of the impossible and become the champion of a universe threatened by a dark, faceless master.
Recommended age: 3 years and up
CREDITS
Text and direction: Sandra Novellino and Delia De Marco
With Savino Maria Italiano, Sara Pagliaro, Andrea Romanazzi/Delia De Marco
Recorded voices by Anna Ferruzzo and Giovanni Guarino
Set, costumes, and lighting design by Maria Pascale
Original music by Mirko Lodedo
Stage technician Vito Marra / Walter Mirabile
Special thanks to Chiara Calò
Production by Crest
Recommended age: 3 years and up | Technique: actor theater and dance | Duration: 55 minutes
Discover more
Stories about toys that come to life have always inhabited the fantasies of children, who naturally play by giving a soul to objects.
Our story takes place in a toy shop, and aren’t toy shops like little cities where toys live like people? Or perhaps, aren’t cities like toy shops where people live like toys? There’s always a more beautiful doll and an envious doll, a teddy bear that falls in love and a jealous toy soldier, a bad mother and a good fairy, carousels and toy cars that never tire of spinning. A parallel world that helps children experience emotions, learning not to “lose their way,” moving from joy to disappointment, from melancholy to cheerfulness, from love to resentment. A city usually alive at night, because it dwells deep within emotions. Not just childhood ones.

Aimed at younger children, the production is the result of years of work by Crest’s team, even in preschools, exploring the most effective theatrical language for such a unique and challenging audience. The goal is to test languages and techniques that naturally leave little room for words, favoring images, music, and… play.

The show also comes to life through the original music of Mirko Lodedo, a true soundscape for the actions, dance, and storytelling that bring the toys to life. Or perhaps it’s the toys that bring the actors to life? You’ll only find out by visiting our shop.

Crest
Born in Taranto in 1977, Crest—an acronym for “Collettivo di Ricerche Espressive e Sperimentazione Teatrale” (Collective for Expressive Research and Theatrical Experimentation)—was initially led by Gianni Solazzo, Mauro Maggioni, and Gaetano Colella, and later by Clara Cottino, Giovanni Guarino, and Sandra Novellino. The company has maintained a coherent and innovative theatrical discourse in a challenging environment—both socially and culturally—by telling stories of complicated lives, stubborn dreams, and encounters between different cultures and conditions. Crest strives to blend traditional theatrical languages with contemporary research.
Since 1992, Crest has been listed by the Italian Presidency of the Council of Ministers among the “…companies that perform at a high and qualified level in the field of theater for children and youth.” The company has chosen children, adolescents, and young people as its primary audience, aiming to create a strong cultural and professional reference point. Crest’s goal has always been to bridge the gap between different audiences. Its productions are presented in evening programs, school events, research schedules, and drama seasons, as well as in specialized festivals.
Notably, Crest was a finalist for the ETI-Stregagatto Prize with the plays “La neve era bianca” in 1999, “La mattanza” in 2000, and “Cane nero” in 2001. The company also produced the winning play of the 2005 Premio Scenario, “Il deficiente.” Crest won three editions of the “L’uccellino azzurro” Award (at the “Ti fiabo e ti racconto” festival in Molfetta) with the plays “La storia di Hansel e Gretel” (2009 and 2015) and “Sposa sirena” (2013). Additionally, the company received the Eolo Award in 2018 and the 2017 Padova Prize – Friends of Emanuele Luzzati (XXXVI National Festival of Theater for Children) with the play “Biancaneve, la vera storia.”
In 2023, Crest won the National Association of Theater Critics Award “for its significant commitment to working in an environmentally critical area.”
Learn more
Info&TicketsTICKETS
Single ticket: 6 euros
PURCHASING TICKETS

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: the box office opens one hour before the start of the show (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACT FOR RESERVATIONS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it

OPEN REHEARSAL - SOLO ECHO
2024-12-09 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
FND Aterballetto – rehearsals – ph. Christophe Bernard (18)
Monday, December 9, at 6:00 PM, the audience at the Fonderia will have the opportunity to witness the preparation of Solo Echo, a creation by the multi-award-winning Canadian choreographer Crystal Pite, which will premiere in February at the Teatro Comunale di Bologna.
Open rehearsals are unique moments where you can watch the creation of a performance, engage with the artists, and be captivated by the art of dance: a special occasion that allows the audience to step into the daily routines of dancers and choreographers.

Stravaganze in sol minore
2024-12-11 10:00 - 11:30, 2024-12-12 10:00 - 11:00, 2024-12-13 10:00 - 11:00, 2024-12-14 17:00 - 18:00 | Teatro Biondo, Via Roma 258, Palermo, 90133, Italia
FND/Aterballetto-Stravaganze in Sol Minore
Stravaganze in Sol Minore by Francesca Lattuada arrives in Palermo with a new staging, thanks to the coproduction with Teatro Biondo.
From December 11 to 22, 2024
Tuesday, Wednesday, Thursday, Friday at 10:00 AM
Saturday at 5:00 PM
Sunday at 11:30 AM
The magical virtuosity of Toti Scialoja (1914–1998), a master not only of images but also of words, forms the foundation of this new creation for children and young audiences by Fondazione Nazionale della Danza / Aterballetto.
The almost magical vibrations emanating from Scialoja’s poetry are like the endless ripples created on the surface of water when a stone is thrown: evocative of surreal or hyperreal images, carrying a musicality that blends poetry and nursery rhyme, and uniting the extraordinary and the eerie.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and Choreography: Francesca Lattuada
Texts: Toti Scialoja (from The Apple of Hamlet)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and Props: Natali Fortier
Performers: Vittoria Franchina, Rocco Ancarola
Fondazione Nazionale della Danza / Aterballetto
In coproduction with Teatro Biondo di Palermo, Centro Servizi Culturali Santa Chiara, Centro Teatrale Bresciano

Hai detto:
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Open rehearsal - Artemis Next Generation
2024-12-11 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
A night dedicated to emerging choreographers under 35.
The new creation by Davide Tagliavini, That’s all, is followed by OPERA DRAMA_EXCERPT by Monica Casadei. The evening concludes with Akmé by La casa oscura, a young emerging company directed by Sabino Barbieri and Núria Argilés.
Wednesday, December 11 at 18:00 open rehearsal
Wednesday, December 11 at 20:30 performance
Akmé
Direction and choreography: Sabino Barbieri and Núria Argilés
Performers: Sabino Barbieri and Núria Argilés
Dramaturgy: Sabino Barbieri
Music composition and editing: Leonardo Carletti
Photography: Dimitrios Klingopoulos
Translation: Sophie Smith
Co-production: Compagnia Artemis Danza, Festival Internazionale di Danza Acqui in Palcoscenico BEinSIDE
Akmé is a piece of contemporary dance performed by two dancers who convey sensations close to the limit. They use their bodies to create images open to the viewer’s interpretation.
An inspiring choreography that immerses you in the world of relationships, both the one you share with another person and the one you have with yourself.
The original word Akmé, which comes from Greek, signifies the point of greatest intensity, of highest splendor.
Can you recall a situation in which you experienced the highest intensity?
https://youtu.be/gFb2j7F84UY?feature=shared
That's all
Choreography, concept, and performance by Davide Tagliavini
Sound design by Emanuele Nanni
Artistic consultancy by Anna Albertarelli, Monica Barone, Rosa Maria Rizzi
Produced by Compagnia Artemis Danza
Co-produced by Artisti Associati – Centro di Produzione Teatrale
With the support of Ministry of Culture, Emilia-Romagna Region – Department of Culture
Duration: 25 minutes
That’s all: it’s everything.
It could be a surrender, a farewell, or the beginning of a new act about to start. In a wunderkammer full of gestures and dances, we find wonder and irony, body and voice, sounds, and characters that appear only to dissolve. Here, a series of events emerge and vanish, making space for one another. Starting from themes such as meditation and the emergence of unconscious parts, the performer articulates the action, following a flow and rhythmic crescendo that leads him through a small odyssey filled with unexpected situations. Physicality, changes in state and color, ignite a play of sparks and invitations, open to transformation and unpredictability.
“One thing is certain: time is long, in these conditions, and it drives us to fill it with movements that may seem reasonable at first glance, but to which we are accustomed. You will tell me that it is to prevent our reason from sinking. Agreed. But isn’t it already soaring in the absolute night of the great abysses, that’s what I sometimes wonder. Are you following me?”
“Waiting for Godot” by Samuel Beckett
OPERA DRAMA_ESTRATTO
Choreography, direction, set design, lighting, and costumes Monica Casadei
Original music and musical arrangements Fabio Fiandrini
Performers Michelle Atoe, Chiara Falzone, Costanza Leporatti, Minami Michiwaki
Production Compagnia Artemis Danza
Duration 7 minutes
ARTISTS
Sabino Barbieri, born in Caracas (January 15, 1997) and residing in Modena, has a background as a theater director from UNEARTE in Venezuela. He studied music at the Simón Bolívar Conservatory. He trained at Modena Danza and Art Factory International in Italy. He has worked with the contemporary dance company of the Teresa Carreño Theater, DRAMO, Artemis Danza, and others. He won the Miradas Festival (2017) for new directors in Caracas and international dance competitions in the cities of Rieti and Spoleto. At the same time, he is a yoga instructor at AIYY. He is the founder of the dance company La Casa Oscura.
Núria Argilés, born in Spain (October 30, 1997) and residing in Bologna, graduated in Motor Sciences and Physical Activity from INEF. She trained in contemporary dance at Art Factory International in Italy. She has classical dance training, achieving up to Advanced 1 from the RAD.
She has worked with the urban dance group MovementiCS, the duet Akrúa, the Austrian company Connecting Arts, and others. She is a founder of the dance company La Casa Oscura. Simultaneously, she works as a personal trainer and fitness trainer and is developing a study on physical preparation for professional dancers.
Davide Tagliavini, a dancer, performer, and choreographer, trained in Italy and Brussels. In 2024, he choreographed the operas L’elisir d’amore for the Teatro Regio di Parma and Tristan und Isolde for the Teatro Massimo di Palermo, both directed by Daniele Menghini. As a performer and dancer, he has worked with Marina Abramović, Monica Casadei / Artemis Danza, Luna Cenere, Gruppo Nanou, Fabio Cherstich, Filippo Andreatta / OHT, among others. Co-author and performer of dance performances for young audiences, he is a teacher at the Studio XL training program based in Reggio Emilia. For several years, he has been conducting dance workshops for people with disabilities, collaborating with institutions such as CCN/Aterballetto.

Artemis Next Generation
2024-12-11 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
A night dedicated to emerging choreographers under 35.
The new creation by Davide Tagliavini, That’s all, is followed by OPERA DRAMA_EXCERPT by Monica Casadei. The evening concludes with Akmé by La casa oscura, a young emerging company directed by Sabino Barbieri and Núria Argilés.
Wednesday, December 11 at 18:00 open rehearsal
Wednesday, December 11 at 20:30 performance
Akmé
Direction and choreography: Sabino Barbieri and Núria Argilés
Performers: Sabino Barbieri and Núria Argilés
Dramaturgy: Sabino Barbieri
Music composition and editing: Leonardo Carletti
Photography: Dimitrios Klingopoulos
Translation: Sophie Smith
Co-production: Compagnia Artemis Danza, Festival Internazionale di Danza Acqui in Palcoscenico BEinSIDE
Akmé is a piece of contemporary dance performed by two dancers who convey sensations close to the limit. They use their bodies to create images open to the viewer’s interpretation.
An inspiring choreography that immerses you in the world of relationships, both the one you share with another person and the one you have with yourself.
The original word Akmé, which comes from Greek, signifies the point of greatest intensity, of highest splendor.
Can you recall a situation in which you experienced the highest intensity?
https://youtu.be/gFb2j7F84UY?feature=shared
That's all
Choreography, concept, and performance by Davide Tagliavini
Sound design by Emanuele Nanni
Artistic consultancy by Anna Albertarelli, Monica Barone, Rosa Maria Rizzi
Produced by Compagnia Artemis Danza
Co-produced by Artisti Associati – Centro di Produzione Teatrale
With the support of Ministry of Culture, Emilia-Romagna Region – Department of Culture
Duration: 25 minutes
That’s all: it’s everything.
It could be a surrender, a farewell, or the beginning of a new act about to start. In a wunderkammer full of gestures and dances, we find wonder and irony, body and voice, sounds, and characters that appear only to dissolve. Here, a series of events emerge and vanish, making space for one another. Starting from themes such as meditation and the emergence of unconscious parts, the performer articulates the action, following a flow and rhythmic crescendo that leads him through a small odyssey filled with unexpected situations. Physicality, changes in state and color, ignite a play of sparks and invitations, open to transformation and unpredictability.
“One thing is certain: time is long, in these conditions, and it drives us to fill it with movements that may seem reasonable at first glance, but to which we are accustomed. You will tell me that it is to prevent our reason from sinking. Agreed. But isn’t it already soaring in the absolute night of the great abysses, that’s what I sometimes wonder. Are you following me?”
“Waiting for Godot” by Samuel Beckett
OPERA DRAMA_ESTRATTO
Choreography, direction, set design, lighting, and costumes Monica Casadei
Original music and musical arrangements Fabio Fiandrini
Performers Michelle Atoe, Chiara Falzone, Costanza Leporatti, Minami Michiwaki
Production Compagnia Artemis Danza
Duration 7 minutes
ARTISTS
Sabino Barbieri, born in Caracas (January 15, 1997) and residing in Modena, has a background as a theater director from UNEARTE in Venezuela. He studied music at the Simón Bolívar Conservatory. He trained at Modena Danza and Art Factory International in Italy. He has worked with the contemporary dance company of the Teresa Carreño Theater, DRAMO, Artemis Danza, and others. He won the Miradas Festival (2017) for new directors in Caracas and international dance competitions in the cities of Rieti and Spoleto. At the same time, he is a yoga instructor at AIYY. He is the founder of the dance company La Casa Oscura.
Núria Argilés, born in Spain (October 30, 1997) and residing in Bologna, graduated in Motor Sciences and Physical Activity from INEF. She trained in contemporary dance at Art Factory International in Italy. She has classical dance training, achieving up to Advanced 1 from the RAD.
She has worked with the urban dance group MovementiCS, the duet Akrúa, the Austrian company Connecting Arts, and others. She is a founder of the dance company La Casa Oscura. Simultaneously, she works as a personal trainer and fitness trainer and is developing a study on physical preparation for professional dancers.
Davide Tagliavini, a dancer, performer, and choreographer, trained in Italy and Brussels. In 2024, he choreographed the operas L’elisir d’amore for the Teatro Regio di Parma and Tristan und Isolde for the Teatro Massimo di Palermo, both directed by Daniele Menghini. As a performer and dancer, he has worked with Marina Abramović, Monica Casadei / Artemis Danza, Luna Cenere, Gruppo Nanou, Fabio Cherstich, Filippo Andreatta / OHT, among others. Co-author and performer of dance performances for young audiences, he is a teacher at the Studio XL training program based in Reggio Emilia. For several years, he has been conducting dance workshops for people with disabilities, collaborating with institutions such as CCN/Aterballetto.
Info&Tickets
TICKETS
Full price: 10 euros
Discounted for under 30s, dance schools, Liceo Coreutico Matilde di Canossa, over 65s, CRAL members of the Municipality of Reggio Emilia: 6 euros
Discounted for under 8s: 3 euros
TICKET PURCHASE

ONLINE: https://www.biglietteriafonderia39.it/home.aspx
Fonderia Box Office: the box office opens one hour before the start of the show (via della Costituzione 39, Reggio Emilia).

Tickets are not numbered.
CONTACT FOR RESERVATIONS
Phone and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it
