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DTSTART;TZID=Europe/Rome:20211214T203000
DTEND;TZID=Europe/Rome:20211214T220000
DTSTAMP:20260404T010009
CREATED:20210729T103210Z
LAST-MODIFIED:20211214T180848Z
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SUMMARY:MADE IN ITALY 25.0
DESCRIPTION:{%CAPTION%} \n  \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 25.0\, with choreographies by Emanuele Soavi and Enrico Morelli. \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Super Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-25-0-agora-coaching-project-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211217T200000
DTEND;TZID=Europe/Rome:20211217T214000
DTSTAMP:20260404T010009
CREATED:20210730T111646Z
LAST-MODIFIED:20211217T174006Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Ponchielli in Cremona\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-cremona/
LOCATION:Teatro Ponchielli\, Corso Vittorio Emanuele II\, 52\, Cremona\, 26100\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211229T200000
DTEND;TZID=Europe/Rome:20211229T214000
DTSTAMP:20260404T010009
CREATED:20211126T114655Z
LAST-MODIFIED:20211228T130151Z
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SUMMARY:Preludio - ''O'' - BLISS
DESCRIPTION:Due to the quarantine that some of the protagonists of the ballet Don Juan had to undergo\, the Teatro Comunale di Bologna and the Fondazione Nazionale della Danza / Aterballetto have decided to replace the title\, scheduled from 29 December 2021 to 2 January 2022\, with three of the most popular choreographies created in recent years by the dance company. The times and dates of the performances remain unchanged.\nWednesday 29 December h 20.00 \nThursday 30 December h 20.00 \nFriday 31 December h 18.00 \nSunday 2 January h 16.00 \nThe evening opens with Preludio\, a creation for five performers by Diego Tortelli – Aterballetto’s resident choreographer – created around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. Cave tackles the interweaving of themes such as love\, addiction\, obsession and loss. \nThe programme continues with “O” by Philippe Kratz – a former Aterballetto dancer and choreographer – a duet that has already been appreciated abroad. “O” represents two human beings or two robots that force us to question ourselves on how the sense of physical contact could change: will it remain emotional and heart-felt\, or will it become serial and alienated? \nClosing is BLISS by Johan Inger\, which won the 2016 Danza&Danza Award as ‘Italian Production of the Year’\, inspired by the music of Keith Jarrett’s Köln Concert. Inger and the dancers on stage talk about how one relates to this iconic music: a compositional and emotional challenge. \n 
URL:https://www.fndaterballetto.it/en/evento/prelufio-o-bliss-bologna-aterballetto/2021-12-29/
LOCATION:Teatro Comunale\, Fondazione\, Largo Respighi 1\, Bologna\, 40126\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211230T200000
DTEND;TZID=Europe/Rome:20211230T214000
DTSTAMP:20260404T010009
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SUMMARY:Preludio - ''O'' - BLISS
DESCRIPTION:Due to the quarantine that some of the protagonists of the ballet Don Juan had to undergo\, the Teatro Comunale di Bologna and the Fondazione Nazionale della Danza / Aterballetto have decided to replace the title\, scheduled from 29 December 2021 to 2 January 2022\, with three of the most popular choreographies created in recent years by the dance company. The times and dates of the performances remain unchanged.\nWednesday 29 December h 20.00 \nThursday 30 December h 20.00 \nFriday 31 December h 18.00 \nSunday 2 January h 16.00 \nThe evening opens with Preludio\, a creation for five performers by Diego Tortelli – Aterballetto’s resident choreographer – created around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. Cave tackles the interweaving of themes such as love\, addiction\, obsession and loss. \nThe programme continues with “O” by Philippe Kratz – a former Aterballetto dancer and choreographer – a duet that has already been appreciated abroad. “O” represents two human beings or two robots that force us to question ourselves on how the sense of physical contact could change: will it remain emotional and heart-felt\, or will it become serial and alienated? \nClosing is BLISS by Johan Inger\, which won the 2016 Danza&Danza Award as ‘Italian Production of the Year’\, inspired by the music of Keith Jarrett’s Köln Concert. Inger and the dancers on stage talk about how one relates to this iconic music: a compositional and emotional challenge. \n 
URL:https://www.fndaterballetto.it/en/evento/prelufio-o-bliss-bologna-aterballetto/2021-12-30/
LOCATION:Teatro Comunale\, Fondazione\, Largo Respighi 1\, Bologna\, 40126\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211231T180000
DTEND;TZID=Europe/Rome:20211231T194000
DTSTAMP:20260404T010009
CREATED:20211126T114655Z
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SUMMARY:Preludio - ''O'' - BLISS
DESCRIPTION:Due to the quarantine that some of the protagonists of the ballet Don Juan had to undergo\, the Teatro Comunale di Bologna and the Fondazione Nazionale della Danza / Aterballetto have decided to replace the title\, scheduled from 29 December 2021 to 2 January 2022\, with three of the most popular choreographies created in recent years by the dance company. The times and dates of the performances remain unchanged.\nWednesday 29 December h 20.00 \nThursday 30 December h 20.00 \nFriday 31 December h 18.00 \nSunday 2 January h 16.00 \nThe evening opens with Preludio\, a creation for five performers by Diego Tortelli – Aterballetto’s resident choreographer – created around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. Cave tackles the interweaving of themes such as love\, addiction\, obsession and loss. \nThe programme continues with “O” by Philippe Kratz – a former Aterballetto dancer and choreographer – a duet that has already been appreciated abroad. “O” represents two human beings or two robots that force us to question ourselves on how the sense of physical contact could change: will it remain emotional and heart-felt\, or will it become serial and alienated? \nClosing is BLISS by Johan Inger\, which won the 2016 Danza&Danza Award as ‘Italian Production of the Year’\, inspired by the music of Keith Jarrett’s Köln Concert. Inger and the dancers on stage talk about how one relates to this iconic music: a compositional and emotional challenge. \n 
URL:https://www.fndaterballetto.it/en/evento/prelufio-o-bliss-bologna-aterballetto/2021-12-31/
LOCATION:Teatro Comunale\, Fondazione\, Largo Respighi 1\, Bologna\, 40126\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220102T160000
DTEND;TZID=Europe/Rome:20220102T174000
DTSTAMP:20260404T010009
CREATED:20211126T114655Z
LAST-MODIFIED:20211228T130151Z
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SUMMARY:Preludio - ''O'' - BLISS
DESCRIPTION:Due to the quarantine that some of the protagonists of the ballet Don Juan had to undergo\, the Teatro Comunale di Bologna and the Fondazione Nazionale della Danza / Aterballetto have decided to replace the title\, scheduled from 29 December 2021 to 2 January 2022\, with three of the most popular choreographies created in recent years by the dance company. The times and dates of the performances remain unchanged.\nWednesday 29 December h 20.00 \nThursday 30 December h 20.00 \nFriday 31 December h 18.00 \nSunday 2 January h 16.00 \nThe evening opens with Preludio\, a creation for five performers by Diego Tortelli – Aterballetto’s resident choreographer – created around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. Cave tackles the interweaving of themes such as love\, addiction\, obsession and loss. \nThe programme continues with “O” by Philippe Kratz – a former Aterballetto dancer and choreographer – a duet that has already been appreciated abroad. “O” represents two human beings or two robots that force us to question ourselves on how the sense of physical contact could change: will it remain emotional and heart-felt\, or will it become serial and alienated? \nClosing is BLISS by Johan Inger\, which won the 2016 Danza&Danza Award as ‘Italian Production of the Year’\, inspired by the music of Keith Jarrett’s Köln Concert. Inger and the dancers on stage talk about how one relates to this iconic music: a compositional and emotional challenge. \n 
URL:https://www.fndaterballetto.it/en/evento/prelufio-o-bliss-bologna-aterballetto/2022-01-02/
LOCATION:Teatro Comunale\, Fondazione\, Largo Respighi 1\, Bologna\, 40126\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220114T180000
DTEND;TZID=Europe/Rome:20220114T210000
DTSTAMP:20260404T010009
CREATED:20220104T165223Z
LAST-MODIFIED:20220112T183828Z
UID:10002278-1642183200-1642194000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-14/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220115T180000
DTEND;TZID=Europe/Rome:20220115T210000
DTSTAMP:20260404T010009
CREATED:20220104T165223Z
LAST-MODIFIED:20220112T183828Z
UID:10002279-1642269600-1642280400@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-15/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220116T150000
DTEND;TZID=Europe/Rome:20220116T180000
DTSTAMP:20260404T010009
CREATED:20220104T165223Z
LAST-MODIFIED:20220112T183828Z
UID:10002280-1642345200-1642356000@www.fndaterballetto.it
SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-16/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220120T193000
DTEND;TZID=Europe/Rome:20220120T211000
DTSTAMP:20260404T010009
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
UID:10002255-1642707000-1642713000@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-20/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220121T193000
DTEND;TZID=Europe/Rome:20220121T211000
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UID:10002256-1642793400-1642799400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-21/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220122T193000
DTEND;TZID=Europe/Rome:20220122T211000
DTSTAMP:20260404T010009
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UID:10002257-1642879800-1642885800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-22/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/FND-Aterballetto-Don-Juan-ph.-Viola-Berlanda-5-Don-Juan-Saul-Daniele-Ardillo-Donna-Ana-Ivana-Mastroviti.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T143000
DTEND;TZID=Europe/Rome:20220123T161000
DTSTAMP:20260404T010009
CREATED:20211215T152227Z
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UID:10002258-1642948200-1642954200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-23/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/FND-Aterballetto-Don-Juan-ph.-Viola-Berlanda-5-Don-Juan-Saul-Daniele-Ardillo-Donna-Ana-Ivana-Mastroviti.jpg
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DTSTART;TZID=Europe/Rome:20220123T180000
DTEND;TZID=Europe/Rome:20220123T190000
DTSTAMP:20260404T010009
CREATED:20220105T110532Z
LAST-MODIFIED:20220105T111301Z
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SUMMARY:ARA! ARA! - OPEN REHEARSAL
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza \n  \nOPEN REHEARSAL\nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio  \nARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \n  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/ara-ara-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T203000
DTEND;TZID=Europe/Rome:20220123T213000
DTSTAMP:20260404T010009
CREATED:20220105T102835Z
LAST-MODIFIED:20220110T161208Z
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SUMMARY:ARA! ARA!
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio \nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \nARA! ARA!is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Foundry is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ara-ara-panzetti-ticconi-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220127T180000
DTEND;TZID=Europe/Rome:20220127T213000
DTSTAMP:20260404T010009
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002309-1643306400-1643319000@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-27/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220128T180000
DTEND;TZID=Europe/Rome:20220128T213000
DTSTAMP:20260404T010009
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002310-1643392800-1643405400@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-28/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
GEO:24.961343808598;55.155245705019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220129T180000
DTEND;TZID=Europe/Rome:20220129T213000
DTSTAMP:20260404T010009
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002311-1643479200-1643491800@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-29/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220130T180000
DTEND;TZID=Europe/Rome:20220130T213000
DTSTAMP:20260404T010009
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002312-1643565600-1643578200@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-30/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
GEO:24.961343808598;55.155245705019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220208T210000
DTEND;TZID=Europe/Rome:20220208T214000
DTSTAMP:20260404T010009
CREATED:20211014T135755Z
LAST-MODIFIED:20211014T135837Z
UID:10002239-1644354000-1644356400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Cesena Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-28/
LOCATION:Teatro Alessandro Bonci\, Piazza Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/FND-Aterballetto-Don-Juan-ph.-Celeste-Lombardi-3-Don-Juan-Saul-Daniele-Ardillo-Tisbea-Martina-Forioso.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T180000
DTEND;TZID=Europe/Rome:20220209T190000
DTSTAMP:20260404T010009
CREATED:20220105T122314Z
LAST-MODIFIED:20220105T122927Z
UID:10002289-1644429600-1644433200@www.fndaterballetto.it
SUMMARY:NUBIVAGO - Open Rehearsal
DESCRIPTION:Equilibrio Dinamico Dance Company – Continuum – ph. Stefano Sasso \nOPEN REHEARSAL\nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, inRoberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy.\n \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n  \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/CONTINUUM-3-@STEFANO-SASSO.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T203000
DTEND;TZID=Europe/Rome:20220209T220000
DTSTAMP:20260404T010009
CREATED:20220105T115716Z
LAST-MODIFIED:20220110T161254Z
UID:10002293-1644438600-1644444000@www.fndaterballetto.it
SUMMARY:NUBIVAGO
DESCRIPTION:Equilibrio Dinamico Dance Company – Simple Love – ph. Stefano Sasso \n  \nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, in Roberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy. \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/SIMPLE-LOVE4-PH@Stefano-Sasso.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220212T173000
DTEND;TZID=Europe/Rome:20220212T183000
DTSTAMP:20260404T010010
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002283-1644687000-1644690600@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/12/40.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220213T173000
DTEND;TZID=Europe/Rome:20220213T183000
DTSTAMP:20260404T010010
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002284-1644773400-1644777000@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-13/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/12/40.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220219T204500
DTEND;TZID=Europe/Rome:20220219T222500
DTSTAMP:20260404T010010
CREATED:20210928T163711Z
LAST-MODIFIED:20220105T163351Z
UID:10001816-1645303500-1645309500@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Vicenza Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-31/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220220T180000
DTEND;TZID=Europe/Rome:20220220T184500
DTSTAMP:20260404T010010
CREATED:20220119T131206Z
LAST-MODIFIED:20220208T120742Z
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SUMMARY:ANTI\doti - OPEN REHEARSAL
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nOPEN REHEARSAL\nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \n  \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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DTSTART;TZID=Europe/Rome:20220220T180000
DTEND;TZID=Europe/Rome:20220220T194000
DTSTAMP:20260404T010010
CREATED:20210928T162953Z
LAST-MODIFIED:20220105T163340Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Vicenza Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-27/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T203000
DTEND;TZID=Europe/Rome:20220220T211500
DTSTAMP:20260404T010010
CREATED:20220112T170256Z
LAST-MODIFIED:20220112T171941Z
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SUMMARY:ANTI\doti
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \n  \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves\, and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220228T203000
DTEND;TZID=Europe/Rome:20220228T221000
DTSTAMP:20260404T010010
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LAST-MODIFIED:20211217T173334Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Verdi in Pordenone\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-32/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220308T180000
DTEND;TZID=Europe/Rome:20220308T190000
DTSTAMP:20260404T010010
CREATED:20220105T154457Z
LAST-MODIFIED:20220105T174525Z
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SUMMARY:Quel che resta - Open rehearsal
DESCRIPTION:Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia \nOPEN REHEARSAL\nA choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth\, the organism multiplies its directions and continually makes possible new balances and new links\, without avoiding the occurrence of mutations. \nQuel che resta (What remains) is a journey towards the wonder of movement\, made up of moments in which dance freezes in a gesture and surprising explosions\, sudden bursts\, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures. \n  \n\nCREDITS \nConcept and choreography: Simona Bertozzi\nDance: Marta Ciappina\, Simona Bertozzi\nMusic: Stravinsky: Diversions\, Ray Chen\, Timothy Young Divertimento: IV. Pas de deux\, Coda Presto\nSoundscape: Roberto Passuti\n(with an excerpt from the documentary Big Animals survival strategies)\nLighting design: Giuseppe Filipponio \nOrganization: Chiara Boscariol\nPress: Michele Pascarella\nPhoto and video: Luca Del Pia \nDuration: 45’\nProduction: Nexus 2021 \nWith the contribution of Mic\, Regione Emilia-Romagna\, Comune di Bologna\nWith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze \nCreative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro\, Artists in ResidenSì Bologna\, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021\, CSS Teatro stabile di innovazione del FVG\, Almastudios Bologna. \nSYNOPSIS \nSince the beginning of my journey with Marta\, I have tried to attribute to the space environmental characteristics that could generate visions\, change the density of the air and generate the unexpected ability to cross. Unusual ways of being. \nAll this so that we could meet in a boundless dance\, able to reverberate beyond the awareness of our actions and surprise us\, almost despite ourselves\, in attitudes of affection and irresistible resonance. \nQuel che resta (What remains) was\, at first\, one of the territories of the map and of the practices\, between glaciation\, skins\, escapes\, and then became the overlying image\, the bubble\, the necessary degree of presence\, the shared gaze\, the inevitable questioning on which to pause\, to find the subtle breath and transit from one dance to another. \nSimona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia  \nFrom a section of space\, Quel che resta has become the whole organism\, the living\, a multiplication of vectors\, perspectives\, anatomical flexions\, rhythm and time.\nIt has made us connective tissues\, to imagine and welcome other inhabitants\, to make temperatures and origins reverberate\, to generate multiform agreements of entry into movement\, looking for unexpected capacities to make the world. To generate amazement. \nQuel che resta is the impetuosity and the lingering of bodies\, the weightless touch: it extends a vocabulary of waits and starts\, of repeated geometries\, of figurines\, ice\, resistance\, epidermis and pupils and of refrains. To be hooked. \nSIMONA BERTOZZI \nSimona Bertozzi\, dancer and choreographer\, a graduate from DAMS in Bologna\, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company. \nOver the years\, her projects have been supported and hosted by important Italian and European circuits\, through co-productions and choreographic residencies. \nHer most recent works include: And it burns\, burns\, burns finalist at the 2017 UBU Awards as Best Dance Performance\, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione\, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza\, MilanOltre\, Nexus and Festival Est Ovest. \nSince 2014 the creation path has also addressed young performers\, involving children and teenagers. \nIn 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award. \nsimonabertozzi.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/quel-che-resta-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VCALENDAR