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SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-37/2023-01-31/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20230201T190000
DTEND;TZID=Europe/Rome:20230201T200000
DTSTAMP:20260404T010317
CREATED:20230105T142658Z
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SUMMARY:C'è vita su Venere
DESCRIPTION:C’è vita su Venere – Abbondanza/Bertoni Company – ph. Tobia Abbondanza \nCompagnia Abbondanza/Bertoni\, one of the most prolific companies on the Italian scene for its creations and for the diffusion of contemporary dance theater\, presents a show that sees the return on stage of Antonella Bertoni. \nC’è vita su Venere is a solo that investigates the diversity of the body\, particularly the female body and its evolution with age and time. A journey on Venus\, where gravity is dense\, where in its slow going the body will reveal itself in a final metamorphosis. \nTwo perfomances:  at 7.00 p.m and 9.00 p.m \n\n\n\nCREDITS \nC’È VITA SU VENERE \nBy Michele Abbondanza and Antonella BertoniWith Antonella BertoniLights Andrea GentiliSound elaborations Orlando CainelliTechnical Claudio ModugnoMask and props Nadezhda SimenovaDress Chiara Defant \nOrganization\, strategy and development Dalia MaciiAdministration and coordination Francesca LeonelliPress office Susanna CaldonazziCommunication Francesca VeneziaPhotos Tobia Abbondanza \nCONCEPT\nI had long been away from the scene\, (pandemic outcomes aside) shyly listening to and respecting the transformations that age digs into my body. \nPassing years in which I hesitated to take the step of taking steps to make a transition: to show myself. \nThen perhaps the very special moment we are living in prompted me\, as if instinctively\, to re-engage in a practice that I know well and yet feel new. A practice\, physical and otherwise\, that was immediately sensitive to a vocation I felt in me primary: yearning for the moment of encounter\, of the “moving” of making theater. \n \nAnd in doing so\, I could not disregard a strongly personal marker: persona\, that is\, literally “the mask of a character (actor)\,” which I have tried\, and I still do not know if vainly\, to peel off my face. Thus I landed on another planet\, finding there an infinity of life and other lives. Of all of them it would have been worth telling and dancing the contours: I went through only and curiously some of them convinced that no woman is “every woman”. I did it with the form that this present time has given me and gives me: silver\, oak and Venus. \nThis me being\, this me being is the only way I feel the ephemerality that sops us up fade a little. \nI am here in one piece.\nMammal agèe\,\nslow\,\nknotted doing\,\nsmelling of interlocking.\nAlone and double\,\nStill as the water of a trembling stream\, always. \n \n\nABBONDANZA BERTONI COMPANY\nFrom New York experience in the school of Alwin Nikolais to French studies with Dominique Dupuy\, through Carolyn Carlson‘s ‘poetic’ improvisations and the study and practice of Zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Theatre School in Milan) and Antonella Bertoni founded the Abbondanza/Bertoni Company\, recognized as one of the most prolific artistic realities on the Italian scene for their creations\, educational and pedagogical activities and for the dissemination of contemporary dance theater. \nTheirs is an intimate dance\, which is reflected in the otherness of the couple; Belonging to their being together on stage is a quality of movement in two voices in which is tangible the acceptance of the body of one in the other\, the habit in the movement to listening\, a dialectic of encounter and clash between thoughts and physicality not experienced only in artistic practice. \nhttp://www.abbondanzabertoni.it \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 6 p.m. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ce-vita-su-venere/2023-02-01/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230201T203000
DTEND;TZID=Europe/Rome:20230201T220000
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SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-brescia-aterballetto/2023-02-01/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
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SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-37/2023-02-01/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20230201T210000
DTEND;TZID=Europe/Rome:20230201T220000
DTSTAMP:20260404T010317
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SUMMARY:C'è vita su Venere
DESCRIPTION:C’è vita su Venere – Abbondanza/Bertoni Company – ph. Tobia Abbondanza \nCompagnia Abbondanza/Bertoni\, one of the most prolific companies on the Italian scene for its creations and for the diffusion of contemporary dance theater\, presents a show that sees the return on stage of Antonella Bertoni. \nC’è vita su Venere is a solo that investigates the diversity of the body\, particularly the female body and its evolution with age and time. A journey on Venus\, where gravity is dense\, where in its slow going the body will reveal itself in a final metamorphosis. \nTwo perfomances:  at 7.00 p.m and 9.00 p.m \n\n\n\nCREDITS \nC’È VITA SU VENERE \nBy Michele Abbondanza and Antonella BertoniWith Antonella BertoniLights Andrea GentiliSound elaborations Orlando CainelliTechnical Claudio ModugnoMask and props Nadezhda SimenovaDress Chiara Defant \nOrganization\, strategy and development Dalia MaciiAdministration and coordination Francesca LeonelliPress office Susanna CaldonazziCommunication Francesca VeneziaPhotos Tobia Abbondanza \nCONCEPT\nI had long been away from the scene\, (pandemic outcomes aside) shyly listening to and respecting the transformations that age digs into my body. \nPassing years in which I hesitated to take the step of taking steps to make a transition: to show myself. \nThen perhaps the very special moment we are living in prompted me\, as if instinctively\, to re-engage in a practice that I know well and yet feel new. A practice\, physical and otherwise\, that was immediately sensitive to a vocation I felt in me primary: yearning for the moment of encounter\, of the “moving” of making theater. \n \nAnd in doing so\, I could not disregard a strongly personal marker: persona\, that is\, literally “the mask of a character (actor)\,” which I have tried\, and I still do not know if vainly\, to peel off my face. Thus I landed on another planet\, finding there an infinity of life and other lives. Of all of them it would have been worth telling and dancing the contours: I went through only and curiously some of them convinced that no woman is “every woman”. I did it with the form that this present time has given me and gives me: silver\, oak and Venus. \nThis me being\, this me being is the only way I feel the ephemerality that sops us up fade a little. \nI am here in one piece.\nMammal agèe\,\nslow\,\nknotted doing\,\nsmelling of interlocking.\nAlone and double\,\nStill as the water of a trembling stream\, always. \n \n\nABBONDANZA BERTONI COMPANY\nFrom New York experience in the school of Alwin Nikolais to French studies with Dominique Dupuy\, through Carolyn Carlson‘s ‘poetic’ improvisations and the study and practice of Zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Theatre School in Milan) and Antonella Bertoni founded the Abbondanza/Bertoni Company\, recognized as one of the most prolific artistic realities on the Italian scene for their creations\, educational and pedagogical activities and for the dissemination of contemporary dance theater. \nTheirs is an intimate dance\, which is reflected in the otherness of the couple; Belonging to their being together on stage is a quality of movement in two voices in which is tangible the acceptance of the body of one in the other\, the habit in the movement to listening\, a dialectic of encounter and clash between thoughts and physicality not experienced only in artistic practice. \nhttp://www.abbondanzabertoni.it \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 6 p.m. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ce-vita-su-venere/2023-02-01/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230202T203000
DTEND;TZID=Europe/Rome:20230202T220000
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SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto performs Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-brescia-aterballetto/2023-02-02/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20230202T203000
DTEND;TZID=Europe/Rome:20230202T220000
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SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-37/2023-02-02/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/10/FND-Aterballetto-Don-Juan-ph.-Viola-Berlanda-18-Finale-Don-Juan-Saul-Daniele-Ardillo.jpg
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DTSTART;TZID=Europe/Rome:20230205T180000
DTEND;TZID=Europe/Rome:20230205T193000
DTSTAMP:20260404T010317
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LAST-MODIFIED:20221216T131042Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto is in the wonderful Cannes and dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-cannes-aterballetto/
LOCATION:Palais des Festivals et des Congrès\, La Croisette CS 30051\, Cannes\, 06414\, Francia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20230207T180000
DTEND;TZID=Europe/Rome:20230207T190000
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SUMMARY:MEMENTO - OPEN REHEARSAL
DESCRIPTION:  \n \nMemento – Cornelia Dance Company – ph. Sabrina Cirillo \nOPEN REHEARSAL\nMemento is a dance piece that is based on the non-event. Just as in the Beckettian masterpiece\, Waiting for Godot\, the tension is created by the succession of hopes that find no concrete outlet\, so likewise\, in life\, every moment is waiting for something definitive that then\, when we think we have obtained it\, we always discover to be fragmented and subjective. \nWithin the choreography\, the performers experience this waiting and\, in their search for a definitive answer\, divine or otherwise\, to their existential condition\, they seek solace from each other\, challenge each other\, or\, like a chorus\, all tend toward the same point.\nIn the end\, the very goal of their journey will be realized in the remembrance (memento means\, precisely\, “remembered”) of these relationships and the sensations they have felt\, making it a ritual moment\, a sacred\, and therefore eternal\, act. \n\nCREDITS \nChoreography Nyko Piscopo\nMusic Arvo Pärt\nCostume Design Rosario Martone\nDramaturgy Ciro Ciancio\nSet Design Paola Castrignanò\nLights Camilla Piccioni \nDancers Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno\, Francesco Russo \nTechnical Manager Giuseppe Ferrigno\nManagement Vittorio Stasi\nVideo Andrea De Simone\nPhotos Sabrina Cirillo \nProduction Cornelia\nSupport Caleidoscopio\, Teatro Eduardo de Filippo \nIn collaboration with: AMAT MARCHE\, Compagnia Zappalà Danza – SCENARIO PUBBLICO. \nCONCEPT \nInnovative\, out-of-the-box and label-free\, “Memento” is a celebration of the self in all its forms and rests its foundation on gender equality. Performers are asked to renounce the inherent characteristics associated with their gender or stereotypes about it. The gaze becomes fixed\, facial expressions limited\, however\, they are also given the opportunity to express\, in a fluid manner and according to stage sensibility\, the emotionality perceived at that particular moment. Nothing has to start from an idea\, but from an internal impulse: in this way the body does not drag behind a stereotyped gesturality\, and the choreographic dynamics are built free of all patterns\, so that the man can be lifted up by the woman\, if the inner need of the couple on stage requires it\, reversing (or following) the canons without preconceived barriers. \n\nThe succession of tension and apparent calm involves every aspect of the staging. The lights rest on the performers like spots that suddenly appear and\, just as suddenly\, vanish\, conveying the anxiety and agony felt by the play’s protagonists. The atmosphere of unease tends to be amplified by an eternal return to choreographic stillness\, stillness that is\, however\, constantly challenged\, not only by the progression of light and darkness\, but also by the scenographic dynamics that\, by evoking those places that seem suspended between the earthly and the otherworldly like the monolithic complex of Stonehenge\, increases the sense of uncertainty and inner disequilibrium. The musical score also contributes to this effect of constant suspension and restart. While\, through moments of lightness and irony\, the anguish seems to be successfully concealed\, Arvo Pärt’s music reinforces the emotionality\, denying both dancers and spectators to remain indifferent to the feelings that transpire from the work. \nCORNELIA\nCornelia is a dance company founded in 2019 in Naples by Nyko Piscopo\, Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno and Francesco Russo. \nKey word of Cornelia‘s artistic manifesto is INNOVATION\, which manifests itself both by carrying out projects where different languages coexist and through the reinterpretation in a modern key of some classics of dance and literature. Consequently\, the themes addressed by the company are those of contemporaneity. They include\, in fact\, the “instances” of the new generations\, such as the battles for self-determination of one’s body and for the affirmation of one’s sexuality\, but also investigating the new possibilities of connection given by the social revolution. \nIn addition to the founders\, Cornelia relies on numerous external collaborators who share the same philosophy as the group. The ‘company’s activity is widespread both in Italy and abroad: artistic productions are presented in various Italian theaters (Teatro delle Muse in Ancona\, Teatro Bellini in Naples\, Teatro Comunale in Vicenza\, Teatro Carignano in Turin) and participate in the most important dance and video dance festivals\, both national (Venice Biennale 2020\, Campania Teatro Festival 2021 and many others) and international (Filmpride in Brighton\, Choreoscope in Barcelona)\, as well as projects streamed in New York\, London\, Belgrade\, Sweden\, Iran. \nActive not only in dance at the production level\, the company is also involved in collaborating in the organization of national events such as MOVI|MENTALE and Cilentart Fest and in training with free initiatives for local dancers such as Wake Up! Training. \nIt has achieved an important recognition from the Ministry of Culture\, being included in the list of dance companies funded by the FUS. \nhttps://www.corneliaperformingarts.com/ \nINFO & TICKETS  \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/memento-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230207T203000
DTEND;TZID=Europe/Rome:20230207T213000
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CREATED:20230105T152748Z
LAST-MODIFIED:20230110T155341Z
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SUMMARY:MEMENTO
DESCRIPTION:Memento – Cornelia Dance Company – ph. Sabrina Cirillo \nMemento is a dance piece that is based on the non-event. Just as in the Beckettian masterpiece\, Waiting for Godot\, the tension is created by the succession of hopes that find no concrete outlet\, so likewise\, in life\, every moment is waiting for something definitive that then\, when we think we have obtained it\, we always discover to be fragmented and subjective. \nWithin the choreography\, the performers experience this waiting and\, in their search for a definitive answer\, divine or otherwise\, to their existential condition\, they seek solace from each other\, challenge each other\, or\, like a chorus\, all tend toward the same point.\nIn the end\, the very goal of their journey will be realized in the remembrance (memento means\, precisely\, “remembered”) of these relationships and the sensations they have felt\, making it a ritual moment\, a sacred\, and therefore eternal\, act. \n\nCREDITS \nChoreography Nyko Piscopo\nMusic Arvo Pärt\nCostumes Rosario Martone\nDramaturgy Ciro Ciancio\nSet Design Paola Castrignanò\nLights Camilla Piccioni \nDancers Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno\, Francesco Russo \nTechnical Manager Giuseppe Ferrigno\nManagement Vittorio Stasi\nVideo Andrea De Simone\nPhotos Sabrina Cirillo \nProduction Cornelia\nSupport Caleidoscopio\, Teatro Eduardo de Filippo \nIn collaboration with: AMAT MARCHE\, Compagnia Zappalà Danza – SCENARIO PUBBLICO. \nCONCEPT \nInnovative\, out-of-the-box and label-free\, “Memento” is a celebration of the self in all its forms and rests its foundation on gender equality. Performers are asked to renounce the inherent characteristics associated with their gender or stereotypes about it. The gaze becomes fixed\, facial expressions limited\, however\, they are also given the opportunity to express\, in a fluid manner and according to stage sensibility\, the emotionality perceived at that particular moment. Nothing has to start from an idea\, but from an internal impulse: in this way the body does not drag behind a stereotyped gesturality\, and the choreographic dynamics are built free of all patterns\, so that the man can be lifted up by the woman\, if the inner need of the couple on stage requires it\, reversing (or following) the canons without preconceived barriers. \n\nThe succession of tension and apparent calm involves every aspect of the staging. The lights rest on the performers like spots that suddenly appear and\, just as suddenly\, vanish\, conveying the anxiety and agony felt by the play’s protagonists. The atmosphere of unease tends to be amplified by an eternal return to choreographic stillness\, stillness that is\, however\, constantly challenged\, not only by the progression of light and darkness\, but also by the scenographic dynamics that\, by evoking those places that seem suspended between the earthly and the otherworldly like the monolithic complex of Stonehenge\, increases the sense of uncertainty and inner disequilibrium. The musical score also contributes to this effect of constant suspension and restart. While\, through moments of lightness and irony\, the anguish seems to be successfully concealed\, Arvo Pärt’s music reinforces the emotionality\, denying both dancers and spectators to remain indifferent to the feelings that transpire from the work. \nCORNELIA\nCornelia is a dance company founded in 2019 in Naples by Nyko Piscopo\, Nicolas Grimaldi Capitello\, Eleonora Greco\, Leopoldo Guadagno and Francesco Russo. \nKey word of Cornelia‘s artistic manifesto is INNOVATION\, which manifests itself both by carrying out projects where different languages coexist and through the reinterpretation in a modern key of some classics of dance and literature. Consequently\, the themes addressed by the company are those of contemporaneity. They include\, in fact\, the “instances” of the new generations\, such as the battles for self-determination of one’s body and for the affirmation of one’s sexuality\, but also investigating the new possibilities of connection given by the social revolution. \nIn addition to the founders\, Cornelia relies on numerous external collaborators who share the same philosophy as the group. The ‘company’s activity is widespread both in Italy and abroad: artistic productions are presented in various Italian theaters (Teatro delle Muse in Ancona\, Teatro Bellini in Naples\, Teatro Comunale in Vicenza\, Teatro Carignano in Turin) and participate in the most important dance and video dance festivals\, both national (Venice Biennale 2020\, Campania Teatro Festival 2021 and many others) and international (Filmpride in Brighton\, Choreoscope in Barcelona)\, as well as projects streamed in New York\, London\, Belgrade\, Sweden\, Iran. \nActive not only in dance at the production level\, the company is also involved in collaborating in the organization of national events such as MOVI|MENTALE and Cilentart Fest and in training with free initiatives for local dancers such as Wake Up! Training. \nIt has achieved an important recognition from the Ministry of Culture\, being included in the list of dance companies funded by the FUS. \nhttps://www.corneliaperformingarts.com/ \nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/memento/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230211T173000
DTEND;TZID=Europe/Rome:20230211T183000
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LAST-MODIFIED:20230111T095623Z
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SUMMARY:ALI
DESCRIPTION:Ali – La Ribalta – ph. Andreas Marini \nAli\, from texts by Antonio Viganò\, Remo Rostagno and Gian Luigi Gherzi\, is a creation that stages the encounter between a young man and an angel to tell of confronting identities\, mutually unveiled dimensions\, impossible challenge between the human and the celestial. The two young performers of the La Ribalta – Kunst der Vielfalt company\, Jason De Majo and Michael Untertrifaller\, bring to the stage a spectrum of brutal and at the same time tender sensations\, capable of creating an infinite range of expressive coloring. \nTwo perfomances: \nSaturday\, February 11\, 5:30 p.m.\nSunday\, February 12\, 5:30 p.m. \n\n  \nCREDITS\nText by Gianluigi Gherzi\, Remo Rostagno\, Antonio Viganò\nDirected by Antonio Viganò\nChoreography by Julie Anne Stanzak (Tanztheater Wuppertal)\nProduction direction Paola Guerra\nWith Michael Untertrifaller and Jason De Majo \nInspired by the 1993 show ALI\, a co-production Le Grand Bleu and Teatro La Ribalta \n(PremioETIstregagatto 1995). \nA production Teatro La Ribalta-Kunst der Vielfalt – Lebenshilfe Südtirol \nA tribute to Joseph Scicluna\nCONCEPT\nAli is the story of an encounter between an ordinary young man\, somewhat disillusioned and pessimistic\, and an individual with two red wounds on his shoulders\, a fallen angel who is willing to suffer and love as all human beings do. The creature\, descended from heaven through a light pole\, asks\, questions\, wants to understand the why of everything. It is as curious and naive as a child. \nA web of mutual questioning\, curiosity\, and conflict is established between the two\, causing the angel to discover feelings and sensations he has never experienced before. \nThe angel and the man meet\, clash\, struggle\, recognize each other\, grapple and brush against each other in a dance of life until death. Uncovering memories buried under piles of stones\, the angel lays bare man’s life\, his sorrows and joys. \nWhy do you touch where it hurts? Man asks. \n \nThe struggle between the two becomes as hard as a game. A cruel and poetic game in which man discovers his uniqueness\, his being a unique and unrepeatable “story\,” while the angel will have to choose between being everything and nothing or a precise\, earthly identity by giving up his divine dimension. \nI have no stories \nIt is not possible. Everyone has one! Everybody! \nNo\, I don’t have stories…no\, no. I have one. Just one. This one. (Opens a suitcase of feathers). \nAnd this is your story? \nIt is my story: sky\, air\, flying…. \nI would like to be like you: one suitcase\, light. I would like to be like you. \nWe have illustrious masters to guide us: Rilke with his “Elegie Duinesi”\, Peter Handke and Wim Wenders with “Heaven Above Berlin”\, Wallace Stevens’ “The Necessary Angel”\, James Stephens’ “Semidei”\, and Walter Benjamin’s “Angelus Novus”. \n \nTEATRO LA RIBALTA\nTeatro La Ribalta – Kunst der Vielfalt is a community of dancers and actors-versus-actors who want to develop their own legitimate strangeness. Live performance workers who are extraordinary solely and uniquely in their way of being on stage and for the professionalism they have chosen to practice. \nDaily\, doggedly\, they work to seek and unveil ” beauty ” and try to give it back\, to those who meet them\, through poetry and the art of theater. Men and women who like the idea that the boundary between reality and fiction is penetrable\, that fantasies and desires can become material\, that work subjects and practices become opportunities to live and dream\, that a person in difficulty can become the protagonist of his or her own life\, when he or she crosses boundaries\, changes the everyday\, navigates unexplored waters\, reconstructs identities. They bring to the theater a mystery\, a personal poetics\, the shadows and wounds that nourish art and life. They are aware that only through quality artistic practice and a deep work ethic can they defeat prejudices\, change paradigms\, make people think and move. That is why their theater is a political act. \nThe company\, founded in Bolzano in 2011\, has a repertoire of shows (The Sound of Falling\, Characters\, Nobody Knows About Us\, The Dance\, H+G\, Wings\, Superable\, Othello Circus\, A Peep Show for Cinderella\, Paradise Lost) that are touring Italy and Europe and contributing a new look and artistic depth to social art theater. \nWinner of the 2015 and 2018 Eolo Award for the shows “H+G” and “Superabile” as the best new productions of the year in the childhood and youth theater sector; the 2015 Critic’s Award promoted by the National Association of Theater Critics as well as the 2018 UBU Special Award “for the quality of artistic\, creative and political research in often marginal areas and with capillary attention to diversity ” and Hystrio Award – Other Muses 2021 “for making theater practice an instrument of social inclusion at 360 degrees.”\nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at  www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 4:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ali/2023-02-11/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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SUMMARY:Double Side
DESCRIPTION:Double Side is at Teatro Morlacchi in Perugia\, on 11th and 12th February. \nBaroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto\, which features two choreographers from Canada and Cuba who are little known in Italy\, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma\, its orchestral counterpart from Emilia-Romagna Region\, the renowned company brings along a musical ensemble of singers and string players\, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt. \n \nSynopsis \nThe Cuban Norge Cedeño Raffo creates to religious music\, of all things. The young\, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba\, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic\, reduced style. The moving effect of this music also characterises the expressive\, free and\, in the most beautiful sense\, pure dance: how can one find hope again in a destroyed world and after such a great loss\, how can one go on living\, Norge Cedeño Raffo asks himself in his work. \n\nChoreographer Danièle Desnoyers comes from Montréal\, the metropolis of modern Canadian dance\, where her light\, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element\, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell. \n  \n \n  \nCredits \nSTABAT MATER\n(Creation for 3 dancers\, 3 musicians\, 3 singers) \nChoreography Norge Cedeño Raffo\nSet and lighting design Fabiana Piccioli\nMusic Stabat Mater by Arvo Pärt\nCostume design Norge Cedeño Raffo and Fabiana Piccioli\nAssistant to the choreographer Thais Suàrez Fernàndez \nWITH DROOPING WINGS\n(Creation for 8 dancers\, 4 strings) \nChoreography Danièle Desnoyers\nMusic An English Suite by Federico Gon after Henry Purcell\nSet and lighting design Fabiana Piccioli\nCostume design Danièle Desnoyers\nWith the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec \n \n\nCo-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini\nCo-production Festspiele Ludwigshafen\, Fondazione I Teatri di Reggio Emilia \nWorld-premiere 23 October 2022\, Reggio Emilia\, Festival Aperto\, Teatro Municipale Romolo Valli (I)\nGerman premiere 9-10 December 2022\, Ludwigshafen\, Theater Im Pfalzbau (D) \n\nDancers Aterballetto Company\nQuartetto Motus for La Toscanini: Giulia Soli\, Agnese Rava violin\, Dario Carrera viola\, Margherita Curti cello\nSoprano: Theodora Io Koutsothodoru\nCountertenor: Nicolò Balducci\nTenor: Kim Bowoo\nMusical coaching: Antonio De Lorenzi \nDocufilm Stabat Mater - Danzare oltre i confini\nNorge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders). \nThe docufilm closely reports the artistic and human experience of the young talented choreographer\, for the first time in Italy\, and shows his creative process\, in the setting of the Teatro Asioli in Correggio\, a small Italian-style theatre immersed in the Po Valley\, one of the most fascinating and evocative. \nThe filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio\, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021\, on the occasion of the International Day of Dance. \nMEDIA PARTNER\n \nWatch the docufilm
URL:https://www.fndaterballetto.it/en/evento/double-side-11/2023-02-11/
LOCATION:Teatro Morlacchi\, Piazza Francesco Morlacchi\, 13\, Perugia\, 06123\, Italia
CATEGORIES:Aterballetto,Stabat Mater
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SUMMARY:Double Side
DESCRIPTION:Double Side is at Teatro Morlacchi in Perugia\, on 11th and 12th February. \nBaroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto\, which features two choreographers from Canada and Cuba who are little known in Italy\, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma\, its orchestral counterpart from Emilia-Romagna Region\, the renowned company brings along a musical ensemble of singers and string players\, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt. \n \nSynopsis \nThe Cuban Norge Cedeño Raffo creates to religious music\, of all things. The young\, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba\, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic\, reduced style. The moving effect of this music also characterises the expressive\, free and\, in the most beautiful sense\, pure dance: how can one find hope again in a destroyed world and after such a great loss\, how can one go on living\, Norge Cedeño Raffo asks himself in his work. \n\nChoreographer Danièle Desnoyers comes from Montréal\, the metropolis of modern Canadian dance\, where her light\, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element\, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell. \n  \n \n  \nCredits \nSTABAT MATER\n(Creation for 3 dancers\, 3 musicians\, 3 singers) \nChoreography Norge Cedeño Raffo\nSet and lighting design Fabiana Piccioli\nMusic Stabat Mater by Arvo Pärt\nCostume design Norge Cedeño Raffo and Fabiana Piccioli\nAssistant to the choreographer Thais Suàrez Fernàndez \nWITH DROPPING WINGS\n(Creation for 8 dancers\, 4 strings) \nChoreography Danièle Desnoyers\nMusic An English Suite by Federico Gon after Henry Purcell\nSet and lighting design Fabiana Piccioli\nCostume design Danièle Desnoyers\nWith the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec \n \n\nCo-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini\nCo-production Festspiele Ludwigshafen\, Fondazione I Teatri di Reggio Emilia \nWorld-premiere 23 October 2022\, Reggio Emilia\, Festival Aperto\, Teatro Municipale Romolo Valli (I)\nGerman premiere 9-10 December 2022\, Ludwigshafen\, Theater Im Pfalzbau (D) \n\nDancers Aterballetto Company\nQuartetto Motus for La Toscanini: Giulia Soli\, Agnese Rava violin\, Dario Carrera viola\, Margherita Curti cello\nSoprano: Theodora Io Koutsothodoru\nCountertenor: Niccolò Balducci\nTenor: Kim Bowoo\nMusical coaching: Antonio De Lorenzi \nDocufilm Stabat Mater - Danzare oltre i confini\nNorge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders). \nThe docufilm closely reports the artistic and human experience of the young talented choreographer\, for the first time in Italy\, and shows his creative process\, in the setting of the Teatro Asioli in Correggio\, a small Italian-style theatre immersed in the Po Valley\, one of the most fascinating and evocative. \nThe filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio\, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021\, on the occasion of the International Day of Dance. \nMEDIA PARTNER\n \nWatch the docufilm
URL:https://www.fndaterballetto.it/en/evento/double-side-perugia-aterballetto/2023-02-12/
LOCATION:Teatro Morlacchi\, Piazza Francesco Morlacchi\, 13\, Perugia\, 06123\, Italia
CATEGORIES:Aterballetto,Stabat Mater
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DTSTART;TZID=Europe/Rome:20230212T170000
DTEND;TZID=Europe/Rome:20230212T183000
DTSTAMP:20260404T010317
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UID:10002428-1676221200-1676226600@www.fndaterballetto.it
SUMMARY:Double Side
DESCRIPTION:Double Side is at Teatro Morlacchi in Perugia\, on 11th and 12th February. \nBaroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto\, which features two choreographers from Canada and Cuba who are little known in Italy\, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma\, its orchestral counterpart from Emilia-Romagna Region\, the renowned company brings along a musical ensemble of singers and string players\, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt. \n \nSynopsis \nThe Cuban Norge Cedeño Raffo creates to religious music\, of all things. The young\, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba\, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic\, reduced style. The moving effect of this music also characterises the expressive\, free and\, in the most beautiful sense\, pure dance: how can one find hope again in a destroyed world and after such a great loss\, how can one go on living\, Norge Cedeño Raffo asks himself in his work. \n\nChoreographer Danièle Desnoyers comes from Montréal\, the metropolis of modern Canadian dance\, where her light\, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element\, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell. \n  \n \n  \nCredits \nSTABAT MATER\n(Creation for 3 dancers\, 3 musicians\, 3 singers) \nChoreography Norge Cedeño Raffo\nSet and lighting design Fabiana Piccioli\nMusic Stabat Mater by Arvo Pärt\nCostume design Norge Cedeño Raffo and Fabiana Piccioli\nAssistant to the choreographer Thais Suàrez Fernàndez \nWITH DROOPING WINGS\n(Creation for 8 dancers\, 4 strings) \nChoreography Danièle Desnoyers\nMusic An English Suite by Federico Gon after Henry Purcell\nSet and lighting design Fabiana Piccioli\nCostume design Danièle Desnoyers\nWith the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec \n \n\nCo-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini\nCo-production Festspiele Ludwigshafen\, Fondazione I Teatri di Reggio Emilia \nWorld-premiere 23 October 2022\, Reggio Emilia\, Festival Aperto\, Teatro Municipale Romolo Valli (I)\nGerman premiere 9-10 December 2022\, Ludwigshafen\, Theater Im Pfalzbau (D) \n\nDancers Aterballetto Company\nQuartetto Motus for La Toscanini: Giulia Soli\, Agnese Rava violin\, Dario Carrera viola\, Margherita Curti cello\nSoprano: Theodora Io Koutsothodoru\nCountertenor: Nicolò Balducci\nTenor: Kim Bowoo\nMusical coaching: Antonio De Lorenzi \nDocufilm Stabat Mater - Danzare oltre i confini\nNorge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders). \nThe docufilm closely reports the artistic and human experience of the young talented choreographer\, for the first time in Italy\, and shows his creative process\, in the setting of the Teatro Asioli in Correggio\, a small Italian-style theatre immersed in the Po Valley\, one of the most fascinating and evocative. \nThe filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio\, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021\, on the occasion of the International Day of Dance. \nMEDIA PARTNER\n \nWatch the docufilm
URL:https://www.fndaterballetto.it/en/evento/double-side-11/2023-02-12/
LOCATION:Teatro Morlacchi\, Piazza Francesco Morlacchi\, 13\, Perugia\, 06123\, Italia
CATEGORIES:Aterballetto,Stabat Mater
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230212T173000
DTEND;TZID=Europe/Rome:20230212T183000
DTSTAMP:20260404T010317
CREATED:20230105T145443Z
LAST-MODIFIED:20230111T095623Z
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SUMMARY:ALI
DESCRIPTION:Ali – La Ribalta – ph. Andreas Marini \nAli\, from texts by Antonio Viganò\, Remo Rostagno and Gian Luigi Gherzi\, is a creation that stages the encounter between a young man and an angel to tell of confronting identities\, mutually unveiled dimensions\, impossible challenge between the human and the celestial. The two young performers of the La Ribalta – Kunst der Vielfalt company\, Jason De Majo and Michael Untertrifaller\, bring to the stage a spectrum of brutal and at the same time tender sensations\, capable of creating an infinite range of expressive coloring. \nTwo perfomances: \nSaturday\, February 11\, 5:30 p.m.\nSunday\, February 12\, 5:30 p.m. \n\n  \nCREDITS\nText by Gianluigi Gherzi\, Remo Rostagno\, Antonio Viganò\nDirected by Antonio Viganò\nChoreography by Julie Anne Stanzak (Tanztheater Wuppertal)\nProduction direction Paola Guerra\nWith Michael Untertrifaller and Jason De Majo \nInspired by the 1993 show ALI\, a co-production Le Grand Bleu and Teatro La Ribalta \n(PremioETIstregagatto 1995). \nA production Teatro La Ribalta-Kunst der Vielfalt – Lebenshilfe Südtirol \nA tribute to Joseph Scicluna\nCONCEPT\nAli is the story of an encounter between an ordinary young man\, somewhat disillusioned and pessimistic\, and an individual with two red wounds on his shoulders\, a fallen angel who is willing to suffer and love as all human beings do. The creature\, descended from heaven through a light pole\, asks\, questions\, wants to understand the why of everything. It is as curious and naive as a child. \nA web of mutual questioning\, curiosity\, and conflict is established between the two\, causing the angel to discover feelings and sensations he has never experienced before. \nThe angel and the man meet\, clash\, struggle\, recognize each other\, grapple and brush against each other in a dance of life until death. Uncovering memories buried under piles of stones\, the angel lays bare man’s life\, his sorrows and joys. \nWhy do you touch where it hurts? Man asks. \n \nThe struggle between the two becomes as hard as a game. A cruel and poetic game in which man discovers his uniqueness\, his being a unique and unrepeatable “story\,” while the angel will have to choose between being everything and nothing or a precise\, earthly identity by giving up his divine dimension. \nI have no stories \nIt is not possible. Everyone has one! Everybody! \nNo\, I don’t have stories…no\, no. I have one. Just one. This one. (Opens a suitcase of feathers). \nAnd this is your story? \nIt is my story: sky\, air\, flying…. \nI would like to be like you: one suitcase\, light. I would like to be like you. \nWe have illustrious masters to guide us: Rilke with his “Elegie Duinesi”\, Peter Handke and Wim Wenders with “Heaven Above Berlin”\, Wallace Stevens’ “The Necessary Angel”\, James Stephens’ “Semidei”\, and Walter Benjamin’s “Angelus Novus”. \n \nTEATRO LA RIBALTA\nTeatro La Ribalta – Kunst der Vielfalt is a community of dancers and actors-versus-actors who want to develop their own legitimate strangeness. Live performance workers who are extraordinary solely and uniquely in their way of being on stage and for the professionalism they have chosen to practice. \nDaily\, doggedly\, they work to seek and unveil ” beauty ” and try to give it back\, to those who meet them\, through poetry and the art of theater. Men and women who like the idea that the boundary between reality and fiction is penetrable\, that fantasies and desires can become material\, that work subjects and practices become opportunities to live and dream\, that a person in difficulty can become the protagonist of his or her own life\, when he or she crosses boundaries\, changes the everyday\, navigates unexplored waters\, reconstructs identities. They bring to the theater a mystery\, a personal poetics\, the shadows and wounds that nourish art and life. They are aware that only through quality artistic practice and a deep work ethic can they defeat prejudices\, change paradigms\, make people think and move. That is why their theater is a political act. \nThe company\, founded in Bolzano in 2011\, has a repertoire of shows (The Sound of Falling\, Characters\, Nobody Knows About Us\, The Dance\, H+G\, Wings\, Superable\, Othello Circus\, A Peep Show for Cinderella\, Paradise Lost) that are touring Italy and Europe and contributing a new look and artistic depth to social art theater. \nWinner of the 2015 and 2018 Eolo Award for the shows “H+G” and “Superabile” as the best new productions of the year in the childhood and youth theater sector; the 2015 Critic’s Award promoted by the National Association of Theater Critics as well as the 2018 UBU Special Award “for the quality of artistic\, creative and political research in often marginal areas and with capillary attention to diversity ” and Hystrio Award – Other Muses 2021 “for making theater practice an instrument of social inclusion at 360 degrees.”\nINFO & TICKETS  \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at  www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 4:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ali/2023-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230215T203000
DTEND;TZID=Europe/Rome:20230215T213000
DTSTAMP:20260404T010317
CREATED:20221213T150035Z
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SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-15/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230216T193000
DTEND;TZID=Europe/Rome:20230216T203000
DTSTAMP:20260404T010317
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SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-16/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230216T203000
DTEND;TZID=Europe/Rome:20230216T220000
DTSTAMP:20260404T010317
CREATED:20230124T133540Z
LAST-MODIFIED:20230222T221213Z
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SUMMARY:PROVE IN CORSO – 2ª EPISODE
DESCRIPTION:The new FND/Aterballetto series curated by Nicolas Ballario. \nWhat is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the National Dance Foundation / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nEvent partner:\n \nThanks to our collaboration with YOGI TEA\, we can treat our audience to delicious teas and infusions\, inspired by the ancient philosophy of Ayurveda\, which aims at the well-being of body and mind. \nWHAT WILL YOU SEE? \nIn the second episode\, scheduled for Thursday\, Feb. 16\, 8:30 p.m.\, we present Storie\, a small anthology of danced fragments\, part of the immense artistic and human universe of choreographers Diego Tortelli and Philippe Kratz. \nTogether with the dancers of Aterballetto we will discover the curiosities of the four choreographies that make up the evening. \nThis will be followed by a screening of the second installment of PROVE IN CORSO. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Foundry runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-2a-episode/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230217T203000
DTEND;TZID=Europe/Rome:20230217T213000
DTSTAMP:20260404T010317
CREATED:20221213T150035Z
LAST-MODIFIED:20230222T221342Z
UID:10002513-1676665800-1676669400@www.fndaterballetto.it
SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-17/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230218T170000
DTEND;TZID=Europe/Rome:20230218T180000
DTSTAMP:20260404T010317
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SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-18/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230220T180000
DTEND;TZID=Europe/Rome:20230220T190000
DTSTAMP:20260404T010317
CREATED:20230216T071611Z
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SUMMARY:ALPHA GRACE – OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL \nFondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nFor the second open rehearsal of this season\, Aterballetto presents Philippe Kratz’s Alpha Grace to the audience. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/alpha-grace-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230221T203000
DTEND;TZID=Europe/Rome:20230221T213000
DTSTAMP:20260404T010317
CREATED:20221213T150035Z
LAST-MODIFIED:20230222T221342Z
UID:10002515-1677011400-1677015000@www.fndaterballetto.it
SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-21/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-22/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230223T193000
DTEND;TZID=Europe/Rome:20230223T203000
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SUMMARY:Over Dance
DESCRIPTION:PREMIERE \nThe body changing with the years is a central theme in our society\, and in the sensibilities of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premieres on Feb. 15\, 2023 in Paris. \nPerformances at Chaillot – Théâtre national de la Danse (Paris): \n\nWednesday 15.02 – 20h30\nThursday 16.02 – 19h30\nFriday 17.02 – 20h30\nSaturday 18.02 – 17h00\nTuesday 21.02 – 20h30\nWednesday 22.02 – 20h30\nThursday 23.02 – 19h30\n\nLearn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance/2023-02-23/
LOCATION:Théâtre de Chaillot\, 1 Place du Trocadéro et du 11 Novembre\, Paris\, 75016\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230224T180000
DTEND;TZID=Europe/Rome:20230224T190000
DTSTAMP:20260404T010317
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SUMMARY:Stravaganze in sol minore - Open rehearsal
DESCRIPTION:OPEN REHEARSAL \n<strong>PREVIEW\n</strong> \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte.\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 3 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230225T180000
DTEND;TZID=Europe/Rome:20230225T190000
DTSTAMP:20260404T010317
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SUMMARY:STRAVAGANZE IN SOL MINORE
DESCRIPTION:PREVIEW\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, boys and girls by the Fondazione Nazionale della Danza/Aterballetto. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go hand in hand. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nLyrics: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and props: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto e Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nYou can buy tickets  online on www.biglietteriafonderia39.it. \nThe box office is open from 16.30. \nThe tickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20230225T200000
DTEND;TZID=Europe/Rome:20230225T211500
DTSTAMP:20260404T010318
CREATED:20220729T084439Z
LAST-MODIFIED:20220801T200201Z
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto performs in Nevers\, in Burgundy. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-nevers-aterballetto/
LOCATION:La Maison\, 2 Bd Pierre de Coubertin\, Nevers\, 58000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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DTSTART;TZID=Europe/Rome:20230301T203000
DTEND;TZID=Europe/Rome:20230301T220000
DTSTAMP:20260404T010318
CREATED:20230124T134202Z
LAST-MODIFIED:20230222T212648Z
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SUMMARY:PROVE IN CORSO - 3ª EPISODE
DESCRIPTION:La nuova serie di FND/Aterballetto a cura di Nicolas Ballario. \nCosa c’è dietro a uno spettacolo di Aterballetto? Cosa succede nelle sale della Fonderia di Reggio Emilia? \nLo scoprirai con PROVE IN CORSO\, nostra prima serie di quattro puntate a cura di Nicolas Ballario: uno dei più apprezzati giornalisti di arte contemporanea che grazie alla sua verve unica e alla sua straordinaria competenza avvicina proprio tutti al mondo dell’arte con le sue trasmissioni su Sky Arte e di RadioUnoRai. \nInsieme a Ballario entrerai nel mondo della Fondazione Nazionale della Danza / Aterballetto. Tra incontri esilaranti\, situazioni ironiche con chi vive ogni giorno la Fonderia e momenti danzati\, in quattro puntate con la regia di Fabrizio Spucches\, scopriremo le curiosità della compagnia e il dietro le quinte degli spettacoli\, in un modo mai raccontato prima. \nPartner dell’evento: \n \nGrazie alla collaborazione con YOGI TEA\, possiamo omaggiare il nostro pubblico di deliziosi tè e infusi\, ispirati all’antica filosofia dell’Ayurveda\, che mira al benessere di corpo e mente. \nWHAT WILL YOU SEE? \nIn the third episode\, scheduled for March 1\, 8:30 p.m.\, come discover the magic of our MicroDanze\, an ambitious project of “danced” performances created by twelve internationally renowned choreographers with the goal of establishing a dialogue between the viewer and the watched\, soliciting an entirely original emotional experience. \nThe evening will be hosted by Nicolas Ballario who with Aterballetto dancers will talk about the meeting between dance and public space. \nThis will be followed by a screening of the third installment of PROVE IN CORSO and then finish with a talk  with Ballario and Aterballetto. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-3a-episode/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230302T200000
DTEND;TZID=Europe/Rome:20230302T210000
DTSTAMP:20260404T010318
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SUMMARY:Over Dance
DESCRIPTION:  \nOver Dance arrives in Aix-en-Provence\, to the Pavillon Noir\, home of Ballet Preljocaj. \nThe body transforming with the years is a central theme in our society\, and in the sensibility of each of us. Aging is not a problem for the actor\, writer or visual artist: For those who dance\, however? What is the true age of the body? \nIn a new creation for the Fondazione Nazionale della Danza/Aterballetto\, the two renowned choreographers Angelin Preljocaj and Rachid Ouramdane address the theme of the transformation of the body with an evening with senior performers (ages 65 to 79) that premiered on Feb. 15\, 2023 in Paris. \nPerformances at Pavillon Noir (Aix-en-Provence): \n\nThursday 02.03 – 20h00\nFriday 03.03 – 20h00\nSaturday 04.03 – 19h00\n\n Learn more about the project \n\nOVER DANCE (working title) is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Comune di Reggio Emilia and Farmacie Comunali Riunite
URL:https://www.fndaterballetto.it/en/evento/over-dance-8/2023-03-02/
LOCATION:Pavillon Noir\, 530 Avenue Mozart\, Aix-en-Provence\, Francia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20230303T170000
DTEND;TZID=Europe/Rome:20230303T213000
DTSTAMP:20260404T010318
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SUMMARY:MicroDanze / Brescia
DESCRIPTION:After Athens (Acropolis Museum\, EMST Museum\, Stavros Niarchos Foundation Cultural Center\, Greek National Opera)\, Brussels (Les Halles de Schaerbeek) and Rome (Castel Sant’Angelo)\, the site-specific performance MicroDanze signed Fondazione Nazionale della Danza/Aterballetto arrives in Brescia\, thanks to the project of Fondazione Brescia Musei and FND/Aterballetto\, for a great event conceived for Brescia and declined in its civic museums\, in the year of the Italian Capital of Culture 2023. \nMicroDanze Capitale Italiana della Cultura 2023 Brescia/Performance di danza in percorsi urbani is an ambitious project of “danced” performances. \nStyles and expressive worlds confront and mix in a single project addressing both art and performing arts audiences. It is a project that aims to explore the potential of dance as public art\, grafted into an urban landscape; dance that creatively wanders between very different choreographers\, creating radically new opportunities for encounters with the public and for comparison between significant European urban contexts. \n\n\nWHERE AND WHEN \nThe performance will be showcased from 3 to 5 March.\nYou can choose between:\n-Turn A: (17.00 – 18.30 – 20.00)\nlasting h.1′ 15″\n-Turn B: (17.30 – 19.00 – 20.30)\nof a duration of h. 1′ 30″ \nDeparture from Pinacoteca Tosio Martinengo\, Piazza Moretto 4 – Brescia \nTickets and reservations \n\nTicket: 15 euro\nPurchasable online\n\n\nTel. 0302928609 \n\nCell. 3760450269 \nbiglietteria@centroteatralebresciano.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-brescia/2023-03-03/
LOCATION:BRESCIA\, Brescia\, BS\, Italia
CATEGORIES:Aterballetto
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