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DTSTART;TZID=Europe/Rome:20231019T220000
DTEND;TZID=Europe/Rome:20231019T230000
DTSTAMP:20260404T010201
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SUMMARY:BODY INTO THE FIGHT - ROMAEUROPA FESTIVAL
DESCRIPTION:Body into the fight is the performance curated by Diego Tortelli and born from the research together with Sony CSL and researcher Ken Endo\, at the center of the project Dis.abile | Iper.abile. The show will be presented for the first time during the Opening Conference of Maker Faire Rome on October 19th. \nThanks to the availability of Romaeuropa Festival\, on the occasion of the Dancing Days\, a selection curated by Francesca Manica as part of the 2023 edition of the Festival\, CCN/Aterballetto will have the opportunity to present the performance again. The event will take place on October 19th at the Mattatoio\, at 10:00 PM. \n\n  \n  \nBODY INTO THE FIGHT \nChoreography and Concept Diego Tortelli Scientific Consulting Ken Endo Music Oneohtrix Point Never Performers Giuseppe Morello and Karim Randé A production by Fondazione Nazionale della Danza/Aterballetto In partnership with SONY CSL \nThanks to the research we will conduct with Ken Hendo and SONY CSL\, we will have the opportunity to delve into the idea of prostheses as extensions of the body capable of making it hyper-able. An extension of the body that enhances physical performance and is no longer just a recourse to solve a physical trauma or to hide a disability. It is about extending the idea of ability in a poetic key that can come as close as possible to the definition of a “contemporary body.” Or at least to stimulate a reflection\, capable of entering the theater halls\, with a poetic serving the external world in a way that makes the body surprise us once again. \nDiego Tortelli \n\nDis.abile | Iper.abile \nDis.abile | Iper.abile arises from the desire of the two partners to support a welfare system “focused not only on emergency resolution but centered on promoting the well-being and abilities of individuals\, as an engine of development and employment and a factor of social inclusion\,” according to the definition by urbanist Carolina Giaimo. \nSociety is changing\, and healthcare is facing new needs. In this scenario\, innovation is a challenge. Assistive devices for disabilities\, as well as for daily life\, biomedical devices\, tech accessories\, and digital tools for sports: this and much more will be presented at Maker Faire Rome 2023. \nTHE COLLABORATION WITH SONY CSL \nSony CSL aims to contribute to the future of humanity and the planet by promoting the development of sciences and new technologies and their application in various fields. In particular\, at the Rome laboratory\, directed by Vittorio Loreto\, one of the research lines aims to participate in the redesign of our societies with a transdisciplinary approach that uses creativity as a starting point to address the challenges of today’s society. The comment of Vittorio Loreto from Sony CSL: \n“It is precisely in this direction that the Dis.abile | Iper.abile project takes its first steps. One of our research lines has this very objective: to observe and experiment with the interaction between humans and new technologies (such as AI) and understand how both can benefit from this virtuous exchange\, where humans receive inputs from the machine that help them improve. When we learned about the artistic work of CCN/Aterballetto\, we immediately thought of the technology of Ken Endo\, which is why we are here today ready to present this new project at the most important innovation event in Europe.”
URL:https://www.fndaterballetto.it/en/evento/body-into-the-fight-romaeuropa-festival/
LOCATION:Mattatoio\, Piazza Giustiniani\, 4\, Roma\, Italia
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231023T180000
DTEND;TZID=Europe/Rome:20231023T190000
DTSTAMP:20260404T010201
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SUMMARY:Open rehearsal - Rhapsody in Blue
DESCRIPTION:The open rehearsals are back in the halls of the Foundry! \nOn Monday\, October 23rd\, at 6:00 PM\, the audience of the Foundry will be able to attend the creation of our new production: “Rhapsody in Blue.” The choreography is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers\, and is inspired by the music of George Gershwin. For several days\, the sixteen dancers have been working on the choreography\, and the open rehearsal will be a unique opportunity to witness live the creative process. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231025T183000
DTEND;TZID=Europe/Rome:20231025T193000
DTSTAMP:20260404T010201
CREATED:20231017T155529Z
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SUMMARY:REVIVAL RHAPSODY WORKSHOP - OPEN DAY
DESCRIPTION:“After the success of ‘From Liscio to Rave\,’ here comes ‘Revival Rhapsody’: the new edition of the intergenerational dance workshop curated by Lara Guidetti. The workshop is free and open to all ages\, and no previous experience in dance or ballet is required to participate. \nOn Wednesday\, October 25th\, starting from 6:30 PM\, during the open day of the course\, it will be possible to participate in a trial workshop. \nTo participate in the open day\, it is necessary to book by contacting lab@aterballetto.it. \n‘Revival Rhapsody’ is part of Over Dance\, the project by FND/Aterballetto dedicated to longevity.”
URL:https://www.fndaterballetto.it/en/evento/revival-rhapsody-workshop-open-day/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231025T203000
DTEND;TZID=Europe/Rome:20231025T213000
DTSTAMP:20260404T010201
CREATED:20231003T132709Z
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SUMMARY:TACA TÈ / talk
DESCRIPTION:Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What links time to our nature as subjects? What do I listen to when I listen to time flowing? \nCarlo Rovelli \nAfter its debut at the Teatro Elfo Puccini in Milan\, as part of the MILANoLtre festival\, TACA TÈ lands at the Fonderia. The show is produced by Compagnia Sanpapié with artistic direction by Lara Guidetti\, in co-production with the Fondazione Nazionale della Danza / Aterballetto. \nTaca Tè\, in Emilian dialect meaning “you start\,” is a challenge to the right to exist in time\, played out between two bodies that are chronologically distant but converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. Thus\, the codes of ballroom dancing\, which dictate roles\, melodies\, and spaces\, dissolve in an “other” environment that progressively frees itself from structures to open multiple perspectives on the body and the relationship. The choreography develops a unique and ever-evolving flow of movement where the internal rhythms of the dancers diverge and oppose each other before finding common ground that allows for the transcendence of roles in an ironic\, at times theatrical and surreal game. \nFollowing the performance\, there will be a talk with Elisabetta Donati\, a sociologist and Head of the Culture and Research Department for the Ravasi-Garzanti Foundation\, the scientific partner of the Over Dance project\, which is entirely oriented towards research and policies for aging. \nCREDITS \nA co-production by Sanpapié\, Fondazione Nazionale della Danza/Aterballetto\, and MILANoLTRE \nChoreography: Lara Guidetti \nPerformers: Antonio Caporilli\, Francesca Lastella \nChoreography assistant and costumes: Fabrizio Calanna \nSet design: Maria Croce \nOriginal music and arrangements: Marcello Gori\, Alberto Sansone \nPremiere: September 30\, 2023\, Teatro Elfo Puccini – MILANoLTRE Festival\, Milan (replica October 1) \nCOMPAGNIA SANPAPIÉ / LARA GUIDETTI \nEmiliana\, after competitive acrobatics studies and theatrical acting\, graduated in 2006 as a dancer and choreographer from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with great national and international masters such as Susanne Linke\, Emio Greco\, André Minvielle\, Franco Brambilla\, Luciana Melis\, Reinhild Hoffman\, Lucinda Childs\, Susanna Beltrami; Yong Min Cho\, and Sarah Taylor. She continued her training\, both in the world of dance and performing arts and in various actor training methods\, by attending workshops and productions by international artists such as Rimas Tuminas\, Cesar Brie\, Paz Rojo\, Carolina Bolouda\, Joao Garcia Miguel\, Virgilio Sieni\, and many others. \nIn 2006\, she founded the Sanpapié Company\, of which she is artistic director\, choreographer\, and performer. She has choreographed 40 works and performances for the company\, presented throughout Europe and China. In 2017\, her show Lei won the Sonia Bonacina Award\, dedicated to women in theater. Alongside her work with Sanpapié\, she works as a choreographer and performer in theater\, dance\, and classicalANTONIO CAPORILLI / FRANCESCA LASTELLA \nAntonio Caporilli\nAntonio is a performer\, dancer\, teacher\, creator of multimedia events\, and videomaker. After experiences with Jerome Savary\, Robert Wilson\, Amy Luckenbach\, and others\, he has collaborated as a dancer/performer with Teatro alla Scala di Milano\, L’Opera National De Paris\, Staatsoper Berlin\, The Place Theater of London\, etc. His interest in the performative act as a social event\, shared with other artists and with people of different ages\, backgrounds\, and cultures\, has gradually materialized in various interventions carried out in the territory\, involving the people who live there\, such as the “Blu del Lago” Festival in Trevignano R.\, Rome. In recent years\, his attention has turned to the everyday life of urban contexts\, with surprise blitzes or collective performances aimed at suddenly subverting the rhythms and habits of a place. \nFrancesca Lastella\nFrancesca is a dancer and teacher. After attending the Duncan Centre dance conservatory and deepening her training with international masters like the Forsythe Dance Company and Sasha Waltz & Guest\, she has worked on numerous projects alongside professionals like Lara Russo and Anna Albertarelli. Since 2019\, she has been a teacher at Artemente\, a high-level dance training center. She has collaborated with companies such as Déjà Donné\, Compagnia Balafori\, and Veicolo Danza\, while currently dancing for companies like Sanpapié\, Lost Movement\, and Luna Cenere. \nELISABETTA DONATI \nElisabetta\, the Head of the Culture and Research Department at the Ravasi-Garzanti Foundation in Milan\, is associated with a philanthropic organization aimed at promoting the well-being of elderly people. She contributed as an expert to drafting a document on the role of the family in promoting gender equality and education equality for the World Family Organization (WFO) at the 2010 Paris Summit. Previously\, she served as the Research Manager at Pari e Dispari\, a consultant for the Social Research Institute of the Piedmont Region on international studies on aging\, and a part-time lecturer in Sociology of the Family at the University of Turin’s Social Service Course. She also held positions as the President of the Equal Opportunities Commission of the Municipality of Brescia and the President of the Family Counseling Center Onlus in Brescia. Additionally\, she is a founding member of the Documentation and Information Center on Gender Health in Brescia and has authored several publications.
URL:https://www.fndaterballetto.it/en/evento/taca-te-talk/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231029T180000
DTEND;TZID=Europe/Rome:20231029T190000
DTSTAMP:20260404T010201
CREATED:20230803T074315Z
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SUMMARY:Hold Your Horses
DESCRIPTION:De Dansers – Hold Your Horses – ph. Bart Grietens \nHold Your Horses by De Dansers can be seen as an ode to our versatile\, longing arms\, as well as a cry for help in an increasingly elusive world – NRC \nThe Fonderia is one of the few stops on the Italian tour of De Dansers\, a Utrecht-based company that must be seen at least once in a lifetime. \nPerformance for children and adults. \nSuggestion to health insurers: include a visit to this cheerful dance and music company in the standard health plan. It will significantly reduce the cost of antidepressants. Daily paper Theaterfestival Boulevard \n\n  \nCredits \nChoreography: Josephine van Rheenen\nMusic (live): Guy Corneille\nMade with and performed by Yeli Beurskens\, Liam McCall\, Youri Peters\, Arturo Vargas\, Marie Khatib-Shahidi\, Noëmi Wagner\, Yoko Haveman\, Guy Corneille\nStage and lighting design: Timme Afschrift\nDramaturgy: Moniek Merkx\nCostume design: Nicky Nina de Jong \nA co-production by De Dansers and Theater Strahl Berlin\nWith the support of Gemeente Utrecht\, Fonds Podiumkunsten\, Prins Bernhard Cultuurfonds\, K.F. Hein Fonds\, Fonds 21\, Schäxpir Festival \nRunning time: 1h \nHold Your Horses \nHold Your Horses  is an energetic and sensitive dance concert about the desire to hold on. De Dansers tell their story with twelve hands\, including the accompanying bodies\, and a few guitars. We see hands grasping\, mistaking\, touching\, taking off\, falling down and plucking guitar strings. We see passion and distance. We don’t see horses\, although we do feel them. We see an unconstrained dance party\, where the cry for help slowly creeps in. \nDe Dansers – Hold Your Horses – ph. Bart Grietens  \nHold Your Horses is about the urge to hold on to something or someone\, in a world that is becoming increasingly elusive. With a spectacular\, acrobatic movement language\, six performers trot on with full dedication\, without losing human sensitivity. Suddenly we meet a personal dance solo\, or we abruptly feel the tension between the group and the individual. As one body\, the dancers move in a continuous flow\, propelled by Guy Corneille’s live music full of compelling guitar compositions and moving songs. \nHold Your Horses was partly created in Berlin and premiered in Berlin and Utrecht in September/October 2021. \nDe Dansers \nDe Dansers is a company of dancers and musicians from Utrecht directed by choreographer/dancer Josephine van Rheenen and composer/musician Guy Corneille. Their performances are ‘dance concer ‘dance concerts’\, a meeting of modern dance and live music on the theme of liberation from everything that can make the individual feel stuck\, all in an atmosphere of playful anarchy.\nPerformances that recall the liveliness of children and the almost forgotten desire of adults to indulge in physical contact. \nJosephine van Rheenen // Choreographer She studied dance at the Theaterschool in Amsterdam and\, in parallel\, performed as a dancer with De Dansers. After dancing for five years with De Dansers\, Vloeistof and Breekgoed\, she replaced Wies Merkx as artistic director of De Dansers together with Guy Corneille in 2014. Since then\, she has created performances for children and adults for this company. As a choreographer\, she is dedicated to the search for humanity in dance and a language of movement based on instinct. Openness\, surrender and interaction are the keywords of her works. \nGuy Corneille // Composer and musician He has been the artistic director of De Dansers together with Josephine van Rheenen since 2014. On stage he is a musician and physical performer at the same time. He also participates in the creation of choreographer Josephine van Rheenen’s performances as a composer and musical dramaturg. He studied sociocultural anthropology and has a background in pop with his indie band La Corneille. Her artistic interest is in communicating the physical and emotional experience\, the improvisation typical of pop concerts and the accessibility of any music without being superficial\nor of low quality. In 2017\, Guy Corneille won a VSCD Gouden Krekel for his multi-performance in The Basement (De Dansers / Theater Strahl / Wies Merkx). \nTHEATER STRAHL BERLIN\nTheater Strahl was founded in 1987 in Berlin as an independent theatre group and has been producing contemporary dance performances for young audiences in collaboration with international artists since 2013. With Theatrer Strahl\, young people are involved in the selection and development of performances\, thus actively coming into contact with the theatrical world. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hold-your-horses/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231029T180000
DTEND;TZID=Europe/Rome:20231029T193000
DTSTAMP:20260404T010201
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SUMMARY:Docufilm Screening - DANCE FOR AN IDEAL CITY
DESCRIPTION:First Screening: Cinedanza Festival / Drama Theater\, Modena – 6:00 PM \nDance for An Ideal City is the docufilm that\, starting from the MicroDances project\, explores the possibility of narrating the contemporary city through dance. Conceived by Gigi Cristoforetti and directed by filmmaker Daniele Costa and art critic Nicolas Ballario\, it will be screened for the first time on Sunday\, October 29th at 6:00 PM at the Drama Theater in Modena\, as part of the international Cinedanza festival. \nCinedanza\, now in its fifth edition in 2023\, is the first international competition and festival in Emilia Romagna entirely dedicated to videodance. The festival takes place in Modena\, between the FMAV School of Advanced Training and the Drama Theater\, with a program that includes screenings\, meetings\, and discussions. \nFrom the museums of Athens to the city parks of Brussels\, from Castel Sant’Angelo in Rome to the outskirts of Reggio Emilia\, Dance for An Ideal City is a video narrative that passes through the stages of a journey that began in 2021 with An Ideal City\, the urban art project co-financed by the Creative Europe program of the European Union\, in partnership with Les Halles de Schaerbeek in Brussels and the Greek National Opera Ballet in Athens. \nPremiering at the festival\, the docufilm showcases different ways of experiencing dance in public spaces and through different languages\, featuring interviews with artists and curators including choreographer Angelin Preljocaj\, art historian Angela Vettese\, visual artist Gianmaria Tosatti\, art curators Nadja Argyropolou and Costanza Meli\, and FND/Aterballetto director Gigi Cristoforetti.
URL:https://www.fndaterballetto.it/en/evento/docufilm-screening-dance-for-an-ideal-city/
LOCATION:Drama Teatro\, Viale Buon Pastore\, 57\, 41125 Modena MO\, Modena\, 41125\, Italia
CATEGORIES:Aterballetto
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DTSTART;TZID=Europe/Rome:20231104T153000
DTEND;TZID=Europe/Rome:20231104T173000
DTSTAMP:20260404T010201
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SUMMARY:MicroDanze
DESCRIPTION:“`html \n\n    FND Aterballetto – MicroDanze – Near Life Experience – chor Angelin Preljocaj – ph. Celeste Lombardi\nDiscover the spaces of the Teatro Valli in Reggio Emilia with Aterballetto\, through the danced exhibition of 4 MicroDances: \n\nACTIVE MOTIVATION by Elena Kekkou\nEPPUR SI MUOVE by Francesca Lattuada\nNEAR LIFE EXPERIENCE by Angelin Preljocaj\nA GIG by Diego Tortelli.\n\nThe performance is part of the Festival Aperto: \n\n04.11.2023 – 3:30 PM\n04.11.2023 – 4:30 PM\n04.11.2023 – 5:30 PM\nApproximately 20 minutes\nSingle seat € 5.00\n\nActive Motivation \n“Every existence is unique. Human existence is an infinite line that\, as it progresses\, intersects with other lines creating interaction. It starts alone and ends alone. Essence\, however\, is found in the intermediate state. Movement contains a code that unlocks the essence of existence and delimits it. The choice of position is what defines the path.” \nElena Kekkou\n“` \n\nEppur si muove \nIn Eppur si muove\, enveloped in the refined and ethereal costumes by Bruno Fatalot\, two dancers move solemnly on a barrel-pedestal\, drawn by the mournful and mysterious note of Beethoven’s Allegretto. Their dance captivates and seduces\, imposing like a prayer chant. \nhttps://youtu.be/r_fSVDH7GGI \nNear life experience \n“Near life experience is the exploration of the different possibilities of the body\, possibilities that refer to intermediate sensations. We approach this state when we are particularly close to areas that hover on the border of existence\, which we access when we faint\, or in a trance\, in moments of ecstasy or orgasm. The sense of ecstasy and fading\, of dazzling sensation\, and the attempt to externalize individuality approach this experience. The subject is elsewhere\, taken away from oneself\, kidnapped. Near life experience evokes all this\, it is an attempt to extract oneself from space and time. A sort of eclipse of the self\, a search through this amniotic imaginary – a new writing in the space left empty by the body.” \nAngelin Preljocaj \nhttps://youtu.be/vYDrRikg6YA \nA Gig \nA Gig is the new unpublished work by Diego Tortelli \n“A GIG is an opening or closing number. Something short that serves to warm up the audience or to say ‘goodnight’ to those who came to see us. In ‘rock slang\,’ it is often performed by a group that is the headliner of an event. It’s not a full concert\, but a small performance that in a few minutes wants to capture the style\, vibes\, and intensity of the band
URL:https://www.fndaterballetto.it/en/evento/microdanze-6/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,MicroDanze,Productions
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DTSTART;TZID=Europe/Rome:20231104T203000
DTEND;TZID=Europe/Rome:20231104T213000
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \n  \nDiscover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20231107T210000
DTEND;TZID=Europe/Rome:20231107T220000
DTSTAMP:20260404T010201
CREATED:20230920T110746Z
LAST-MODIFIED:20240419T155052Z
UID:10003109-1699390800-1699394400@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter its debut at Teatro Municipale Valli in Reggio Emilia\, the artistic heart of the Over Dance project arrives on the stage of Teatro Rossini in Pesaro. \nThe two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \n  \n Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-3/
LOCATION:Teatro Rossini\, Piazza Lazzarini\, 1\, Pesaro\, 61121\, Italia
CATEGORIES:Over Dance,Productions
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DTSTART;TZID=Europe/Rome:20231118T180000
DTEND;TZID=Europe/Rome:20231118T185000
DTSTAMP:20260404T010201
CREATED:20230803T092049Z
LAST-MODIFIED:20230913T183952Z
UID:10003015-1700330400-1700333400@www.fndaterballetto.it
SUMMARY:Esercizi di fantastica
DESCRIPTION:Sosta Palmizi – Esercizi di Fantastica – ph. Vincenzo Siniscalco \nSpettacolo perfetto per ogni età – per la complessità\, la raffinatezza delle azioni in un crescendo gioioso – ben si comprende come abbia potuto meritare il Premio della giuria e del pubblico Vimercate Ragazzi Festival 2021. Valeria Ottolenghi\, Gazzetta di Parma \nEsercizi di Fantastica\, produzione Sosta Palmizi\, si ispira ai racconti di Gianni Rodari ed è un’occasione imperdibile per portare i bambini e le bambine dai 4 anni in su a teatro. \n\nCredits \nFrom an idea by Giorgio Rossi\nA creation by Elisa Canessa\, Federico Dimitri\, Francesco Manenti\, Giorgio Rossi\nPerformers Elisa Canessa\, Federico Dimitri e Francesco Manenti\nScenographies Francesco Givone\, Francesco Manenti\, Francesca Lombardi\nCostumes Beatrice Giannini\, Francesca Lombardi\nIllustrations Francesco Manenti\nLighting design Elena Tedde \nProduction Associazione Sosta Palmizi\nWith the contribution of  MiBACT\, Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo; Regione Toscana/Sistema Regionale dello Spettacolo\nWith the support of Armunia (Rosignano LI)\, Wintergarten – Atelier di Teatro Permanente (Livorno)\, Comune di Castiglion Fiorentino (Ar)\nThanks to Spazio Nunc\, Elena Giacomin \nEsercizi di fantastica \nA grey house. Three grey characters. Bored\, dull and clouded by the technological means\, they move like prisoners of a predetermined mechanism\, their gaze is always turned to the screens. But here comes an unexpected element! A butterfly will move their look elsewhere and the house will become the theatre of new adventures and transformations. A crescendo of emotions and vicissitudes in which the three protagonists will finally rediscover the power of fantasy\, in a continuous game to free their bodies and minds. \nSosta Palmizi – Esercizi di fantastica \n\nEsercizi di Fantastica tells\, with the language of dance and movement\, the power of imagination that transforms things and people into something always unexpected and extraordinary. The authors were inspired by the idea of “Fantastica” by the writer Gianni Rodari\, whose 100th anniversary is celebrated in 2020. Close to the surrealism of the 50s and inspired by the work of Alfred Jarry and his pataphysics (the science of imaginary solutions)\, Rodari affirmed the existence of a Fantastica in total contrast to Logic. \nSosta Palmizi – Esercizi di fantastica  \nThe AuthorsGiorgio Rossi\nAs E. Satie would probably say\, “he is a dancing mammal”. At the age of 4\, seeing the Swiss clown Dimitri perform in surreal stage time\, he realised that theatre was his life. He owes his artistic fortune to having been able to witness the work of great masters (Kantor\, Brook\, Bausch\, Carlson)\, with some of whom he learnt the art of the stage’ both as a student and as a performer. In 1984\, he co-founded Sosta Palmizi\, an acronym under which\, in 30 years\, over 400 dancers and others have worked\, who have found work in the major Italian and European dance theatre companies or founded their own groups: some of these are part of the nucleus of the association as Artisti Associati. With his performances\, over 30 productions\, he has travelled the world\, thanks to the universality of the poetic art of movement. Over the years\, he has collaborated with artists from the most diverse fields such as: Andrea Pazienza\, Paolo Fresu\, Bernardo Bertolucci\, Terry Gilliam\, Stefano Benni\, Paola Turci\, Lucia Poli\, David Riondino\, Paolo Rossi\, Banda Osiris\, Gabriele Mirabassi\, Danilo Rea\, Elisabetta Pozzi\, Jovanotti and many others\, as well as working with people of all ages\, students\, therapeutic communities and social rehabilitation groups. \nFederico Dimitri\nHe graduated in 2004 from the Accademia Teatro Dimitri\, Verscio (CH). In 2005 he won the Pinokkio Prize in Belgium with his performance entitled Perfectly Coupled. In the same year\, he co-founded the company I Tre Secondi\, and created the performances Zurigo Stazione Centrale (2005)\, I Doganieri (2010) and Kaspar (2015). In 2006\, he moved to Geneva\, where he continued to work as an actor. In the same period\, a meeting with director Teresa Ludovico led him to collaborate with the Teatro Stabile d’Innovazione Kismet Opera in Bari. He starred in the performance La Regina delle Nevi\, directed by Teresa Ludovico. In 2008\, he participated in the founding of the research group Progetto Brockenhaus\, based in Ticino\, with which he created the performances Non facciamone una tragedia and Sagra. In the summers of 2009-2010-2012\, he participated in the Origen festival\, Riom (CH) under the artistic direction of Giovanni Netzer. Arriving in Livorno in 2010\, he continued his artistic collaboration between Italy\, Switzerland and Germany. Since 2012\, he has collaborated with Theater Werkstatt Gleis 5 in Frauenfeld (CH)\, with whom he creates Laina Viva. In 2013\, together with Elisa Canessa\, he founded the Compagnia Dimitri/Canessa. Central point\, always\, the body\, container of the whole\, of the gesture as of the word of the concrete and the subtle; fundamental instrument of communication. The company has been working for years both in Italy and abroad\, particularly in Switzerland\, and has four performances to its credit: Bruno (2013)\, a performance that won the FIT\, International Theatre Festival of Lugano; …di Giulietta e del suo Romeo (2014) and Hallo!I’m Jacket! (2016)\, Ad esempio questo cielo (2019). He also made the video clips Show me\, for French singer Marina P. and Lettera di San Paolo agli operai\, Virginiana Miller\, Targa Tenco 2014.\nFor years\, he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. This collaboration will see him involved from October 2016 in the creation of the children’s performance Col naso all’insù. \nElisa Canessa\nElisa began her training in 1999\, dedicating herself to the study of more specifically corporeal languages. In 2001 she graduated from the School of Theatre in Bologna\, a training course in Nouvea-Cirque. Since 2002\, she has been studying Commedia dell’Arte with the Pantakin company in Venice. In 2003\, she received a scholarship from the Ass. Sosta Palmizi. He has attended numerous Contact Improvvisation seminars with masters Dieter Hetikamp (Berlin) and Benno Voorham (Stockholm) and with the latter he collaborated for two years on a project to develop Contemporary Dance in Eastern European countries. Among others\, she studied with Maestros Giorgio Rossi\, Raffaella Giordano\, Michele Modesto Casarin\, Gey Pin Ang\, Chiara Guidi\, Francesca della Monica\, Daniel Lepkoff\, Since 2001 Elisa has been actively working as a performer for: Compagnia Agar\, Sant’Arcangelo dei Teatri; Arcipelago Circo- Teatro\, La Biennale di Venezia; Compagnia Pantakin da Venezia\, Commedia dell’arte; Benno Voorham for ADDM Fest (Moldavia); Massimiliano Barrachini\, Resolution Festival (London); Compagnia Sosta Palmizi\, Giorgio Rossi/Raffaella Giordano; Teatro Kismet Opera – Teresa Ludovico; Teatro all’Improvviso\, Mantova; Segni Particolari/Amina Amici; Origen Festival (CH). Since 2002\, alongside her activity as a performer\, she has been conducting her own theatrical research. She is the author of the performances Esercizi and Drunk. In 2008\, she co-founded the research group Progetto Brockenhaus in Switzerland\, with which she created the performances Non facciamone una tragedia and Sagra. In 2010 she graduated from the Teatro Stabile di Torino in “Scritture per la Danza Contemporanea”\, a professional specialisation course held by Raffaella Giordano. She played the lead role in one of Lorenzo Jovanotti’s video clips\, Mezzogiorno. In 2013\, Federico Dimitri founded the Dimitri/Canessa Company. For years he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. \nFrancesco Manenti\nHe works in the field of theatre\, performance and visual art. He graduated from the Professional Training Course in Noveau Cirque at the Theatre School of Bologna Galante Garrone. He studies and deepens the Contact Improvisation\, in particular following the seminars of D.Heitkamp and Benno Voorham. In 2003-2004 he was awarded a scholarship by Raffaella Giordano and Giorgio Rossi\, with whom he studied at the theatre-dance seminars held at Sosta Palmizi. Since 2010 he follows the work of Masaki Iwana attending his intensive workshops at the Atelier du Butoh Blanc in Normandy. He graduated from the International Master WTTL (World Theatre Training Library) under the artistic direction of Master Yuri Alschitz which took place at the UNAM University in Mexico City with the aim of developing theatrical pedagogy. For several years he has been studying martial arts (Ki Aikido\, Kung Fu\, TaiJiQuan)\, circus arts (in particular aerial acrobatics and dance with flaming sticks); in 2011 he graduated as Teacher of Dao Yin Fa Qi Gong at the Tao Yin Italy School. With Elisa Canessa he gives life to the Agatharandagio Project and together they create the shows “ESERCIZI” and “DRUNK” (co-production TIR-Dance) participating in several festivals including: “Lavori in Pelle”\, Iceberg Award 2005\, Festival DANAE 2006\, Italia Wave 2009\, GD’A 2004-2005 and Festival Inequilibrio-Armunia 2009. In 2008 he created together with E. di Terlizzi\, E. Canessa\, F. Dimitri\, E. Rosenberg and P. Gianotti the Swiss movement theatre company Progetto Brockenhaus. He has worked and still works as interpreter for some of the most interesting Italian and foreign companies such as Sosta Palmizi (Giorgio Rossi)\, Pantakin (Michele Modesto Casarin)\, Teatro Kismet Opera (Teresa Ludovico)\, Eccentrici Dadarò. He has also worked with: Riccardo Palmieri-ArterieCIRT\, PierrNosari-Acidi Alteri\, Maria Carpaneto-Filo di Paglia\, Company Mafalda\, Dimensioni Parallele Teatro (Stefano Cenci). At the same time he carries on a personal research in the field of visual arts.\nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/esercizi-di-fantastica/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231120T180000
DTEND;TZID=Europe/Rome:20231120T190000
DTSTAMP:20260404T010201
CREATED:20231115T170225Z
LAST-MODIFIED:20240419T155004Z
UID:10003253-1700503200-1700506800@www.fndaterballetto.it
SUMMARY:Open Rehearsal - Secus
DESCRIPTION:Also this month\, the Fonderia opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, November 20th\, at 6:00 PM\, the audience can attend the rehearsal of Secus\, a choreography created by Ohad Naharin in 2019: one of those performances that is difficult to forget\, capable of uniquely highlighting the technical skills and expressiveness of dancers. \nThe creation boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix takes shape before our eyes in the form of a human alphabet made of runs\, solos\, clean and precise gestures\, interrupted duets. Joy\, vulnerability\, fear\, innocence\, confusion\, and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-secus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231123T200000
DTEND;TZID=Europe/Rome:20231123T213000
DTSTAMP:20260404T010201
CREATED:20230804T102829Z
LAST-MODIFIED:20240419T154723Z
UID:10003050-1700769600-1700775000@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Théâtre Equilibre in Fribourg\, Switzerland\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-fribourg/
LOCATION:Théâtre Equilibre\, Pl. Jean Tinguely 1\, Fribourg\, 1701\, Svizzera
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231126T150000
DTEND;TZID=Europe/Rome:20231126T163000
DTSTAMP:20260404T010201
CREATED:20230804T105517Z
LAST-MODIFIED:20251014T105438Z
UID:10003052-1701010800-1701016200@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Opéra de Vichy\, France\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert..
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-4/
LOCATION:Opéra de Vichy\, 1\, Rue du Casino\, Vichy\, 1701\, Francia
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231128T183000
DTEND;TZID=Europe/Rome:20231128T203000
DTSTAMP:20260404T010201
CREATED:20231121T170547Z
LAST-MODIFIED:20231128T151310Z
UID:10003156-1701196200-1701203400@www.fndaterballetto.it
SUMMARY:Italia Danza - Prague
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n  \n“I am particularly pleased to present the Italia Danza project in Prague\, in an environment highly receptive to choreographic arts where dance\, in all its forms\, is a prominent part of the cultural offerings. Specifically\, in the Czech Republic\, contemporary dance is annually celebrated through highly acclaimed international showcases and festivals\, providing important glimpses into the latest developments in this field. For these reasons\, I consider it important to introduce these MicroDanze to the local audience\, allowing us to highlight the undeniable talents of our dancers and choreographers beyond the realm of classical ballet and to open a window into contemporary dance in our country.” \nVito De Bellis\nDirector Italian Cultural Institute in Prague \n28 NOVEMBER H 18:00 / H 19:30 \nItalian Cultural Institute in Prague\nŠporkova 335/14\, 118 00 Malá Strana\, Prague \nMICRODANZE \nActive Motivation\nby Elena Kekkou \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration: 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-prague/
LOCATION:Istituto Italiano di Cultura di Praga\, Šporkova 335/14\, Praga\, 118 00\, Repubblica Ceca
CATEGORIES:MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231130T193000
DTEND;TZID=Europe/Rome:20231130T203000
DTSTAMP:20260404T010201
CREATED:20231121T193348Z
LAST-MODIFIED:20240419T154604Z
UID:10003157-1701372600-1701376200@www.fndaterballetto.it
SUMMARY:Italia Danza - Brussels
DESCRIPTION:From November 28th to December 12th\, 2023\, dance meets cultural diplomacy and travels the world with Italia Danza: the new project of the Ministry of Foreign Affairs and International Cooperation (Maeci) curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project takes place in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The goal of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that represent cultural diplomacy par excellence in the world\, by bringing some creations of the only National Choreographic Center of our country: the CCN/Aterballetto. A cosmopolitan project\, entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \nThe Brussels stage is characterized by collaboration with the European Commission\, which helps bring the MicroDances to the ancient St. Gery market\, renovated by the Municipality of Brussels to make it a multifunctional space open to the public. The show is included in the program of activities of the 2023 edition of the Forum Cities and Regions for International Partnership\, promoted every two years by the European Commission together with the European Committee of the Regions\, to show Mayors and Presidents of Regions from the four continents an interesting artistic proposal for the enhancement of recovered urban public spaces. \nVIEW THE HALL PROGRAM\n– \n\n“We are particularly delighted to host Italia Danza here; Brussels has a rich and illustrious tradition in the field of dance\, and it is wonderful to present CCN/Aterballetto\, an Italian institution of great excellence\, in a context that loves and understands this art.” \nAllegra Iafrate\nActing Head Italian Cultural Institute in Brussels \n30 NOVEMBER – H 19:30 \nHalles Saint-Géry\nPl. Saint-Géry 1\, 1000\, Brussels \nMICRODANZE \nActive Motivation\nby Elena Kekkou \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration: 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-brussels/
LOCATION:Halles Saint-Géry\, Pl. Saint-Géry 1\, Bruxelles\, 1000\, Belgio
CATEGORIES:MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231203T153000
DTEND;TZID=Europe/Rome:20231203T210000
DTSTAMP:20260404T010201
CREATED:20231121T145112Z
LAST-MODIFIED:20240419T154422Z
UID:10003252-1701617400-1701637200@www.fndaterballetto.it
SUMMARY:OVER DANCE LAB / TACA Tè
DESCRIPTION:The OVER DANCE project is the reference framework for a range of actions undertaken since 2022 on the theme of the transformation of the body and its perception as a vehicle for aesthetics. The December event in Milan is the continuation of this journey\, an opportunity rich in events and opportunities for discussion on a central issue of the contemporary world. \nOn December 3rd\, we will be guests at the Magnete space\, in the heart of the Adriano district\, for an entire afternoon dedicated to the project: \n\nFrom 3:00 PM to 6:00 PM / OVER DANCE LAB – A free workshop for people over 60 led by Claudia de Smet\, assistant to the choreographer for Agenlin Preljocaj. The workshop is open to all citizens over 60 and no previous experience in dance or dance study is required. Participants will receive a discounted ticket for the show on December 5th at the Teatro Franco Parenti.\n7:00 PM / TACA TÈ – Dance performance with a performer over 60\, directed by Lara Guidetti and co-produced with the Milanese company Sanpapié. The show premiered this autumn at the Teatro Elfo Puccini as part of the MilanOltre Festival.\nFollowed by a talk with Elisabetta Donati\, sociologist and Head of Culture and Research Area for the Fondazione Ravasi Garzanti.\n\nSIGN UP FOR THE WORKSHOP: lab@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/over-dance-lab-taca-te/
LOCATION:Magnete\, Via Adriano 107\, Milano\, Milano\, MI\, 20128\, Italia
CATEGORIES:Over Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231203T160000
DTEND;TZID=Europe/Rome:20231203T170000
DTSTAMP:20260404T010201
CREATED:20231030T173146Z
LAST-MODIFIED:20240419T154237Z
UID:10003251-1701619200-1701622800@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada is at the Teatro Sociale in Trento.\nThe magical virtuosity of Toti Scialoja (1914-1998)\, master not only of images but also of words\, with which a dancer and a baritone play\, is the basis of this new creation for children\, boys and girls\, signed by the Fondazione Nazionale della Danza / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings that form on the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, carriers of a musicality that blends poetry and nursery rhyme\, they make the extraordinary and the frightening hold hands. \nUnder a cluster of scarlet roses\nThe toad offers hot tea with milk\nUnder a cluster of peony roses\nIt’s up to the toad to rinse the cups.\n(Toti Scialoja\, The Apple of Hamlet\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (taken from The Apple of Hamlet) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano \nIn co-production with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-13/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231204T200000
DTEND;TZID=Europe/Rome:20231204T221500
DTSTAMP:20260404T010201
CREATED:20231121T194517Z
LAST-MODIFIED:20240418T162505Z
UID:10003158-1701720000-1701728100@www.fndaterballetto.it
SUMMARY:Italia Danza - Zagreb
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n4 DECEMBER – H 20.00 / H 21.15 \nZagrebački Plesni Centar\nIlica 10/1\, 10 000\, Zagreb \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nAn echo\, a wave\nby Philippe Kratz \nDuration 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-zagreb/
LOCATION:Zagrebački Plesni Centar\, Ilica 10/1\, Zagabria\, 10 000\, Croazia (Nome Locale: Hrvatska)
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231205T200000
DTEND;TZID=Europe/Rome:20231205T210000
DTSTAMP:20260404T010201
CREATED:20230920T133056Z
LAST-MODIFIED:20240418T161355Z
UID:10003112-1701806400-1701810000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter its debut at the Teatro Municipale Valli in Reggio Emilia and a repeat performance at the Teatro Rossini in Pesaro\, the artistic heart of the Over Dance project arrives on the stage of the Teatro Franco Parenti in Milan. \nThe two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body?Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-4/
LOCATION:Teatro Franco Parenti\, Via Pier Lombardo\, 14\, Milan\, 20135\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231205T203000
DTEND;TZID=Europe/Rome:20231205T213000
DTSTAMP:20260404T010201
CREATED:20230803T125038Z
LAST-MODIFIED:20230803T131922Z
UID:10003021-1701808200-1701811800@www.fndaterballetto.it
SUMMARY:THE DAY WHEN I CHOSE TO BE A DAUGHTER
DESCRIPTION:DaCru – The day when I chose to be a daughter – ph. Sara Meliti \nThe Dacru Dance Company returns to the Fonderia with its latest performance The day when I chose to be a daughter. \nDancers with a highly virtuosic technique\, performers with a communicative directness\, they have the talent to transform urban dance into a real theatrical tale. \n\nCredits \nConcept and direction: Marisa Ragazzo\nChoreographies: Marisa Ragazzo and Omid Ighani\nBy and with Elda Bartolacci\, Davide Angelozzi\, Alessandra Ruggeri\nMusiche: Jocelyn Pook \, Julia Kent\, David Lang\, The Books\, Max Richter \, Nils Frahm \nProduction: Compagnia Naturalis Labor\nCo-production: Festival Abano Danza 2022\nWith the support ofMic / Regione Veneto / Comune di Vicenza\nIn partnership with DanceLab / Latina \nThe day when I chose to be a daughter \nThree dancers investigate the state of sonship. A profound and poetic analysis\, steeped in secret visions\, that answers one main question: does being a child last a lifetime?… and from others that follow spontaneously… does this privileged state of sonship persist even when the point that formally grants it disappear?… without parents\, is one still a child? Does the state of sonship change when one becomes a mother or a father? \nThe company’s new production stems from the choreographer’s involved and individual vision of the theme\, which becomes collective through meetings and discussions with the dancers.\nIt has been a long and complex work of reflection on the state of sonship that we stage\, a search through the specific memories of each of us\, choreographers and dancers. Memories written down\, detailed\, shared\, made narrative and almost always referring above all to the mother\, in whom we danced for months immersed in her vital paste. \nDaCru – The day when I chose to be a daughter – ph. Sara Meliti  \nWe began the creative process related to the project ‘THE DAY WHEN I CHOSE TO BE A DAUGHTER’ by taking time for everything\, talking at length\, sharing memories and emotional states… four children reflecting on the state of sonship. No mother\, no father\, only sons. Much has been written about motherhood and fatherhood\, extensive and articulate narratives\, but about the state of sonship\, very little. What is the state of sonship? The first of many questions that drives us to an active sharing: we would like to dialogue with other sons in order to arrive at a more extensive and in-depth narrative by interweaving a silent dialogue with the audience\, prompting everyone to undertake a process to recover memories and small stories hidden in the secret places of the mind. \nMarisa Ragazzo and Omid Ighani \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop training schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional training schools\, they carry out an intense teaching activity\, in Italy and abroad. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-day-when-i-chose-to-be-a-daughter/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231206T194500
DTEND;TZID=Europe/Rome:20231206T204500
DTSTAMP:20260404T010201
CREATED:20230920T133243Z
LAST-MODIFIED:20240418T161319Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter its debut at the Teatro Municipale Valli in Reggio Emilia and a repeat performance at the Teatro Rossini in Pesaro\, the artistic heart of the Over Dance project arrives on the stage of the Teatro Franco Parenti in Milan. \nThe two renowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveau and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body?Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-5/
LOCATION:Teatro Franco Parenti\, Via Pier Lombardo\, 14\, Milan\, 20135\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231207T180000
DTEND;TZID=Europe/Rome:20231207T190000
DTSTAMP:20260404T010201
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UID:10003159-1701972000-1701975600@www.fndaterballetto.it
SUMMARY:Italia Danza - Stockholm
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n“Italia Danza\, which we will host on December 7th at the Italian Cultural Institute in Stockholm\, transforms the idea of choreography starting from the relationship with the spaces in which they are presented. In Aterballetto’s MicroDanze\, space is no longer just a place of consumption but becomes part of the choreography itself\, allowing a different interaction between the audience and the performers. The project is particularly significant for our venue\, designed by Gio Ponti and Pier Luigi Nervi. The dancers will guide the Stockholm audience through an evocative journey that will reinterpret the spaces envisioned by the great Milanese architect.” \nFrancesco Di Lella\nDirector Italian Cultural Institute in Stockholm \n  \n7 DECEMBER – H 18:00 \nItalian Cultural Institute in Stockholm\nGärdesgatan 14\, 115 27\, Stockholm \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nAn echo\, a wave\nby Philippe Kratz \nDuration 60′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-stockholm/
LOCATION:Istituto Italiano di Cultura di Stoccolma\, Gärdesgatan 14\, Stoccolma\, 115 27\, Svezia
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231212T170000
DTEND;TZID=Europe/Rome:20231212T190000
DTSTAMP:20260404T010201
CREATED:20231121T200232Z
LAST-MODIFIED:20240418T163243Z
UID:10003160-1702400400-1702407600@www.fndaterballetto.it
SUMMARY:Italia Danza - Dakar
DESCRIPTION:From November 28 to December 12\, 2023\, dance meets cultural diplomacy and travels with Italia Danza: the new project by the Ministry of Foreign Affairs and International Cooperation (Maeci)\, curated by CCN/Aterballetto. \nRealized through the General Directorate for Public and Cultural Diplomacy\, the project unfolds in collaboration with the Italian Cultural Institutes\, with the support of the Emilia-Romagna Region and the City of Reggio Emilia. The objective of Italia Danza is simple: to enhance the Italian Cultural Institutes\, places that remarkably represent cultural diplomacy worldwide\, by bringing some creations from the only National Choreographic Center in our country: CCN/Aterballetto. It’s a cosmopolitan project entrusted to the universal language of the body\, which CCN/Aterballetto interprets with its rich heritage of site-specific creations. \n\n“We are very proud to host in Dakar the final stage of the international tour of Italy Dance\, promoted by the General Directorate for Public and Cultural Diplomacy. It will be a unique opportunity to connect the “dakarois” audience with one of the excellences of Italian contemporary dance. Dance is a very popular language in Senegal\, strongly rooted in tradition\, with important figures recognized internationally such as Germaine Acogny\, founder of the École des Sables and Golden Lion for Lifetime Achievement at the 2021 Dance Biennale. With Aterballetto\, we bring to Dakar a different vision\, an aesthetic linked to movement that is very refined and technically complex\, grounded in our academic tradition but looking to the present. It will be interesting to see the audience’s reaction\, especially in this format that involves close engagement and therefore a high degree of emotional involvement for the spectator.” \nSerena Cinquegrana\nDirector of the Italian Cultural Institute in Dakar \nDECEMBER 12 – 5:00 PM / 6:00 PM \nMusée Théodore Monod d’art africain – IFAN (Institut Fondamental d’Afrique Noire Cheikh Anta Diop)\n1\, Place Soweto\, BP 206\, Dakar\, Sénégal \nMICRODANCES \nActive Motivation\nby Elena Kekkou \nAnd yet it moves\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nA Gig\nby Diego Tortelli \nDuration 60 minutes
URL:https://www.fndaterballetto.it/en/evento/italia-danza-dakar/
LOCATION:Musée Théodore Monod d’art africain – IFAN\, 1\, Place Soweto\, BP 206\, Dakar\, Senegal
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231216T170000
DTEND;TZID=Europe/Rome:20231216T183000
DTSTAMP:20260404T010201
CREATED:20231211T160355Z
LAST-MODIFIED:20240418T164945Z
UID:10003247-1702746000-1702751400@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-6/
LOCATION:Domus dei Tappeti di Pietra\, Via Gian Battista Barbiani\, 16\, Ravenna
CATEGORIES:Aterballetto,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/ZPC-Microdanze_foto-Neven-Petrovic-67.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231217T120000
DTEND;TZID=Europe/Rome:20231217T130000
DTSTAMP:20260404T010201
CREATED:20231211T160901Z
LAST-MODIFIED:20240418T164713Z
UID:10003246-1702814400-1702818000@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-5/
CATEGORIES:Aterballetto,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/ZPC-Microdanze_foto-Neven-Petrovic-67.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231217T180000
DTEND;TZID=Europe/Rome:20231217T190000
DTSTAMP:20260404T010201
CREATED:20230803T135722Z
LAST-MODIFIED:20240418T164448Z
UID:10003025-1702836000-1702839600@www.fndaterballetto.it
SUMMARY:Darwin
DESCRIPTION:Darwin – M/eta/morfosi is a dance and theater show for children and families on the theme of growth and transformation\, which elicits more than just a smile from the audience.\n \nThe authors Christian Pellino and Francesco Marchi are associated artists of the Artemis Danza Company / Monica Casadei. \n[Watch the video here](https://vimeo.com/887649437) \n\nCredits \nBy and with Francesco Marchi and Christian Pellino\nDirection and dramaturgy: Francesco Marchi\nChoreographies: Christian Pellino\nRunning time: 50′ \nRecommended for an audience of 8 to 14 years of age \nA co-production Artemis Danza and Europa Teatri\nWith the support Mic\, Regione Emilia Romagna Assessorato alla Cultura\, Comune di Parma \nDarwin \nLike the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, so does man go through multiple phases before undergoing evolution. From single-celled organisms to Homo Sapiens\, from newborn to adult\, everything evolves in continuous pursuit of perfection… but something went wrong! The planet is in danger\, and humanity is certainly not without flaws. Thus\, an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and Earth from the Big Bang to today. To help him in this endeavor\, a multifaceted and constantly changing character\, who communicates not with words but with body and movement\, will embody the different phases of this crazy metamorphosis. A synergy between dance and prose theater\, expressive gestures\, and words that accompanies young people on a fun and educational journey where fantasy\, science\, and creativity meet. \nDarwin – M/eta/morfosi arises from the need to try to bring the younger audience closer to the world of dance theater\, often perceived as distant from the new generations and therefore difficult to understand. Through a path that involves meetings with schools\, teacher training\, and stage representation\, Darwin – M/eta/morfosi will attempt to explore the concept of transformation by combining the language of dance\, curated by choreographer Christian Pellino\, with the word and gesture of prose theater by actor Francesco Marchi. The goal is to introduce young people to a new language\, facilitating their understanding and involving them in a journey of genre exploration while\, simultaneously\, allowing them to develop personal reflections on the theme of growth and transformation. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/darwin/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231219T170000
DTEND;TZID=Europe/Rome:20231219T183000
DTSTAMP:20260404T010201
CREATED:20231211T161016Z
LAST-MODIFIED:20240418T164215Z
UID:10003245-1703005200-1703010600@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \n“`html\nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM\n“` \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-4/
CATEGORIES:Aterballetto,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/ZPC-Microdanze_foto-Neven-Petrovic-67.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231220T170000
DTEND;TZID=Europe/Rome:20231220T183000
DTSTAMP:20260404T010201
CREATED:20231211T161147Z
LAST-MODIFIED:20240418T165517Z
UID:10003244-1703091600-1703097000@www.fndaterballetto.it
SUMMARY:MICRODANCES
DESCRIPTION:From December 16th to 22nd\, the MicroDances are on stage at the Domus dei Tappeti di Pietra in Ravenna\, an archaeological site located in the undergrounds of the late Baroque church of Sant’Eufemia and considered by many as one of the most important discoveries in Italy in recent decades. The area features a prestigious complex of residential houses dating back to the 1st and 6th centuries AD\, enriched by “stone carpets”: marble and mosaic floors of high aesthetic and decorative value. The spaces of the Domus will host two works by Diego Tortelli – Yes\, Yes… and A Gig – as part of the program of the Ravenna Festival 2023. The stage for the two MicroDances is the large reception hall\, which contains the mosaic representation of the dancing seasons to the sound of the musician Pan: a play of refined geometries and inserts that meets the contemporary gestures of choreographer Diego Tortelli. \n“The MicroDances project at the Domus dei Tappeti di Pietra marks a very interesting cultural operation that puts together a collaboration capable of involving at the same time one of the most fascinating sites of our historical and cultural heritage and the high artistic projectuality put in place by the Ravenna Festival\, of which the Autumn Trilogy is one of the highest and internationally recognized expressions. The Domus dei Tappeti di Pietra\, a place that guards the roots of the great Ravenna history of mosaic\, thus becomes a stage for a dance project aimed precisely at the dialogue between the arts. The MicroDances project arrives in Ravenna after prestigious debuts in the major European museums. It is not just about a virtuous collaboration between institutions\, but about a new paradigm that sees in the dialogue between different communicative codes an opportunity for multiplied fruition through an extraordinary immersive experience.” Fabio Sbaraglia – Councilor for Culture of Ravenna \nYes\, Yes… \nA creation that in a few minutes seeks to capture the atmosphere of the Silver Factory created by Andy Warhol in 1962: a place that has entered the collective imagination as a meeting point for artists and a hub of innovation and development of pop culture. The music for Yes\, Yes… is composed by artists Dean and Britta for Andy Warhol’s film Most Beautiful. The guitar sounds and the rock references to the 1970s remind us of the rhythms of the rock band Velvet Underground\, whose album was produced right at the Silver Factory. \n\n  \nA Gig \nA Gig is an opening or closing number. Something brief that serves to warm up the audience or bid goodnight to those who came to see us. In rock slang\, it’s often performed by the headlining group of an event. It’s not a full concert\, but a short performance that aims to capture the style\, vibes\, and intensity of the band in just a few minutes. In this new MicroDance\, I want to use the two dancers to engage closely with the audience’s gaze\, as if it were a little surprise in a context where a performance was unexpected. With the sound of the music\, the two dancers move over a text that says “easy\,” becoming themselves broken voices and glamorous seduction instruments. \n\n  \nPROGRAM AND HOURS \nSaturday\, December 16th\nA Gig – Performance times: 5:00 PM and 6:00 PM \nSunday\, December 17th\nYes\, Yes… – Performance times: 12:00 PM and 12:30 PM \nTuesday\, December 19th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nWednesday\, December 20th\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nFriday\, December 22nd\nYes\, Yes… – Performance times: 5:00 PM and 6:00 PM \nTHE ARCHAEOLOGICAL SITE \nBetween 1993 and 1994\, the Superintendence for Archaeological Heritage of Emilia Romagna\, interrupting the works for the construction of an underground parking lot\, unearthed near Via D’Azeglio a complex of building structures dating back to the Republican Roman period and the Byzantine period. \nIn particular\, what stood out among the archaeological stratigraphy was a complex of about 700 square meters consisting of 14 rooms and 2 courtyards dating to the 6th century AD\, surely belonging to an affluent family of the city given the splendor of the materials found concurrently. \nElevated walkways allow visitors to walk around the entire perimeter of the archaeological site and admire up close the wonderful floor mosaics that characterize it. In particular\, during the process of musealization\, priority was given to showcasing the phases of the rich Byzantine residence\, in which the amalgamation of two different buildings is now clearly visible\, originally separated by a Roman road of which part of the pavement is still visible. \nAll the rooms of the building were floored with marble tarsia or polychrome tesserae with refined geometries and figurative inserts. Among these\, the large reception hall stands out\, at the center of which is the mosaic depiction of the dancing seasons in a circle to the sound of the musician Pan. Autumn\, Spring on the left\, Winter covered by a hood can be recognized\, and finally a hint of Summer can be inferred\, a decoration unfortunately lost. \nINFO AND TICKETS \nMicroDanze admission included in the entrance ticket to the Domus dei Tappeti di Pietra: Full price €6\, reduced price €5 \nFree admission for holders of the Trilogia d’Autunno 2023 ticket (also valid for free admission to the Museo Classis Ravenna until January 7\, 2024) \nInformation: tel. 0544 32512 or at the ticket office of the Domus dei Tappeti di Pietra\, via Barbiani www.ravennantica.it \n 
URL:https://www.fndaterballetto.it/en/evento/microdances-3/
LOCATION:Domus dei Tappeti di Pietra\, Via Gian Battista Barbiani\, 16\, Ravenna
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231220T203000
DTEND;TZID=Europe/Rome:20231220T214500
DTSTAMP:20260404T010201
CREATED:20230804T111440Z
LAST-MODIFIED:20240418T160004Z
UID:10003061-1703104200-1703108700@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-20/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/FND-Aterballetto-Golden-Days-Rain-Dogs-ph.-Christophe-Bernard-91.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231221T203000
DTEND;TZID=Europe/Rome:20231221T214500
DTSTAMP:20260404T010201
CREATED:20230804T111440Z
LAST-MODIFIED:20240418T160004Z
UID:10003068-1703190600-1703195100@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:FND/Aterballetto – Golden Days – Rain Dogs – ph. Christophe Bernard \nAterballetto closes 2023 in Toulouse\, France\, dancing Golden Days by Johan Inger\, a performance that is a real Christmas present. \nFour performances:\nWed 20.12 h 20.30\nThu 21.12 h 20.30\nFri 22.12 h 20.30\nSat 23.12 h 15.00 \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-19/2023-12-21/
LOCATION:Théâtre de la Cité\, 1\, Rue Pierre Baudis\, Toulouse\, 31000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Productions,Rain Dogs
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/FND-Aterballetto-Golden-Days-Rain-Dogs-ph.-Christophe-Bernard-91.jpg
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END:VEVENT
END:VCALENDAR