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DTSTART;TZID=Europe/Rome:20240310T190000
DTEND;TZID=Europe/Rome:20240310T203000
DTSTAMP:20260404T012940
CREATED:20240215T075139Z
LAST-MODIFIED:20240215T112350Z
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SUMMARY:YELED / SHOOT ME / RHAPSODY IN BLUE
DESCRIPTION:The Aterballetto Company arrives in the Basque Country\, in San Sebastián\, to open the Feria des Artes Escenicas with a program of three choreographies involving the entire company of 16 dancers. \nThe evening begins with Yeled by Eyal Dadon\, followed by Shoot Me by Diego Tortelli\, and concludes with Rhapsody in Blue\, the new production by Iratxe Ansa and Igor Bacovich\, debuting in February 2024. \nYELED – Eyal Dadon\nYeled\, a Hebrew word meaning “child\,” brings to the stage the reflection that Israeli choreographer Eyal Dadon \, together with the dancers of Aterballetto\, has undertaken on the moment in life when one loses the innocence of childhood. \n\n  \nSHOOT ME – Diego Tortelli\nShoot Me by the resident choreographer of CCN / Aterballetto\, Diego Tortelli\, is a frontal work that establishes a direct exchange relationship between the dancers on stage and the audience in the auditorium. A game of seduction\, gazes\,  sweat\, an assault on the senses\, and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n\n  \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin holds various attractions for us. It is beautiful music\, known but perhaps not so frequently heard by newer generations. Introducing this work to the young audience is a good goal\, and it can be a way to provide a less distant and less ‘American’ vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will naturally dictate the choreographic work\, and the lively\, sparkling changes it offers are fantastic to play with.»– Iratxe Ansa & Igor Bacovich \n\n– \nCREDITS \nYELED \nCreation for 16 dancers of the company \nChoreography by Eyal Dadon Music by Eyal Dadon Set and lights by Fabiana Piccioli Costumes by Bregje Van Balen \nProduction by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia \nWith the contribution of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30’ \n— \nSHOOT ME \nRestaging for 16 dancers of the company \nCreation for 16 dancers of the company\nChoreography by Diego Tortelli Music by Spiritualized Costumes by Marco De Vincenzo Lights by Roman Fliegel \nProduction by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30’ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography by Iratxe Ansa and Igor Bacovich Music by George Gershwin\, Rhapsody in Blue; Bessie Jones\, Beggin’ the blues Set and costumes by Fabio Cherstich Lights by Eric Soyer \nProduction by Fondazione Nazionale della Danza / Aterballetto In co-production with Fondazione Teatro Regio di Parma With the contribution of Etxepare Euskal Institutua \nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-rhapsody-in-blue/
LOCATION:Victoria Eugenia Antzokia\, Argentinar Errepublika\, 2\, 20004 Donostia-San Sebastian\, Gipuzkoa\, Spagna\, San Sebastián\, 20004\, Spagna
CATEGORIES:Aterballetto,Rhapsody in Blue,Secus,Yeled
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240312T193000
DTEND;TZID=Europe/Rome:20240312T210000
DTSTAMP:20260404T012940
CREATED:20230804T134525Z
LAST-MODIFIED:20240418T140243Z
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto dances in Bonn the triple bill Dreamers\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers  offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Ingerto the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-bonn/2024-03-12/
LOCATION:Opernhaus\, Am Boeselagerhof 1\, Bonn\, 53111\, Germania
CATEGORIES:Aterballetto,BLISS,O,Productions,Secus
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240313T193000
DTEND;TZID=Europe/Rome:20240313T210000
DTSTAMP:20260404T012940
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SUMMARY:Dreamers
DESCRIPTION:Aterballetto dances in Bonn the triple bill Dreamers\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers  offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Ingerto the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-bonn/2024-03-13/
LOCATION:Opernhaus\, Am Boeselagerhof 1\, Bonn\, 53111\, Germania
CATEGORIES:Aterballetto,BLISS,O,Productions,Secus
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240313T203000
DTEND;TZID=Europe/Rome:20240313T213000
DTSTAMP:20260404T012940
CREATED:20240216T201530Z
LAST-MODIFIED:20240418T140657Z
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SUMMARY:COL TEMPO - AMBRA SENATORE
DESCRIPTION:Ambra Senatore loves to surprise and mischievously lead the audience along paths\, true or false\, with which she plays and makes fun of the spectator. As always in her choreographies\, characters take shape\, situations and stories develop. Unexpected discrepancies\, absurdity\, and distraction from reality are the main ingredients of her choreographies. Ambra Senatore wants to create amazement\, she sets out to provoke laughter. A keen observer of the human world\, she is always attentive\, being different is her second nature and she gives precise meaning to her dance. That’s why she often breaks the fourth wall\, becoming a confidant of the spectators\, playing with them and engaging them. Ten years after her first group choreography entitled Passo\, Ambra Senatore dedicates herself to a new creation with the complicity of the performers from that time. She now brings together this group of dancers\, now well-seasoned after ten years of working together\, to create a generous and open dance towards the other; a pas de quatre on being a group\, questioning existence and desiring happiness. \n \n                      \n \n \n \n \n \n \n \n \n\n\n  \nCREDITS \nCoreography Ambra Senatore with the participation of the performers\nInterpretation Caterina Basso\, Claudia Catarzi\, Matteo Ceccarelli\, Ambra Senatore \nOriginal Music Jonathan SeilmanLighting Fausto BonviniDuration 1hProduction CNN de Nantes \nCo-production Théâtre de La Ville (Paris)\, Torinodanza Festival/Teatro Stabile – Teatro Nazionale Torino \nCHOREOGRAPHY \n“We started rehearsals at the end of January 2020\, and one of the basic reasons was reflection on the creative act in the historical\, political\, and social context: a reflection also inspired by interesting encounters with scientists and philosophers with different views on the world and the present\, realized through the project Conversation\, dialogue ouvert avec la danse. Being a small community part of a much larger community\, we wondered what our desires were and how to achieve them together. Some of them can be realized on stage. And the others? Not always finding the answers\, we meanwhile played with the questions. Shortly after the start of rehearsals\, time stopped for everyone. For a long time\, compressing. Rehearsal weeks were cut in half. The desires and questions no longer had anything to do with the unexpected experience of the last few months. At the time I write these lines\, the show does not yet exist. It will exist thanks to the encounter with the spectators. Creating a show is like traveling: you prepare\, you rehearse\, but there are always many surprises and unexpected events. We are at the beginning of the journey and I do not know exactly what form it will take. Certainly\, the desire to dance and feel good together is present from the beginning\, with the hope that it will be possible on a large scale.”Ambra Senatore \nAMBRA SENATORE \nAMBRA SENATORE \n\n\n\n\n\n\n\n\nAmbra Senatore\, choreographer and performer\, director of the Centre Chorégraphique National de Nantes. Ambra Senatore’s dance is close to human beings and loves to go out and meet people and places. The choreographer creates works that speak of collectivity and create bonds between people. Relationships are at the heart of all her research. In her work\, everyday life is “observed under a magnifying glass\,” shifted and turned upside down. A lover of surprises\, cuts\, and repetitions reminiscent of cinema\, Ambra Senatore recomposes reality like a film director. In Italy\, she trained with R. Castello and R. Giordano\, with whom she soon collaborated. As a performer\, she has worked with J. C. Gallotta\, G. Rossi\, G. Lavaudant\, and A. Tagliarini. In the early 2000s\, she created pieces in collaboration while completing a doctorate in contemporary dance. In 2004\, she began writing choreographies with solos\, which she performed until 2009\, and then with group pieces\, asserting her hybrid style that combines dance\, theater\, and profound humanity. As director of the CCN in Nantes since 2016\, Ambra Senatore promotes a generous and curious style of dance (site-specific creations in public parks\, markets\, schools\, museums\, heritage sites\, train stations\, etc.)\, which she considers a means of sharing and knowing oneself and others.\nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/col-tempo-ambra-senatore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240314T203000
DTEND;TZID=Europe/Rome:20240314T213000
DTSTAMP:20260404T012940
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-14/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240315T203000
DTEND;TZID=Europe/Rome:20240315T213000
DTSTAMP:20260404T012940
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
UID:10003081-1710534600-1710538200@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-15/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240316T180000
DTEND;TZID=Europe/Rome:20240316T190000
DTSTAMP:20260404T012940
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-16/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240317T160000
DTEND;TZID=Europe/Rome:20240317T170000
DTSTAMP:20260404T012940
CREATED:20230804T175216Z
LAST-MODIFIED:20230804T175217Z
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SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \nDiscover more about the project\n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/event/un-jour-nouveau-birthday-party-2-2/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240319T100000
DTEND;TZID=Europe/Rome:20240319T110000
DTSTAMP:20260404T012940
CREATED:20231031T152725Z
LAST-MODIFIED:20240111T152349Z
UID:10003182-1710842400-1710846000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-10/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T100000
DTEND;TZID=Europe/Rome:20240320T110000
DTSTAMP:20260404T012940
CREATED:20231031T152948Z
LAST-MODIFIED:20240111T152537Z
UID:10003183-1710928800-1710932400@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-11/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T203000
DTEND;TZID=Europe/Rome:20240320T213000
DTSTAMP:20260404T012940
CREATED:20240216T203231Z
LAST-MODIFIED:20240419T164409Z
UID:10003227-1710966600-1710970200@www.fndaterballetto.it
SUMMARY:ONDE - SIMONA BERTOZZI/NEXUS
DESCRIPTION:  \nAffidata all’impeto energetico e all’orizzonte visionario di giovani presenze e corporeità\, Onde prende forma attraverso una pratica performativa\, coreografica e musicale che si apre al presente di corpi protesi e fluttuanti tra estasi\, guizzi animali e curvature verso l’evanescenza. Ritmo e sforzo si intrecciano con tentativi di evasione\, di attesa e sottrazione. Non c’è tempo per definire i confini delle posture\, gli equilibri sono istanti sottili e subito reclinati verso altre congiunzioni e desideri. Il dialogo tra volumi anatomici e sonori moltiplica le prospettive di incontro\, confonde le coordinate temporali e\, come il propagarsi di onde d’urto\, sfuma i contorni delle azioni individuali\, tra provenienza e proiezione. \nSegnare\, battere\, balbettare\, tendere\, risegnare\, farsi lievi ma anche irruenti\, audaci come la falena che va verso la luce anche se può bruciarla. Di The Waves\, il celebre play-poem di Virginia Woolf\, Onde incorpora la corrente continua delle immagini e la necessità di rigenerarsi nel ritmo\, tra momenti di essere e universalità dei moti percettivi. \nAdamantina è la scrittura coreografica traboccante di inventiva; si espande e indietreggia\, diviene “vortico e volteggio”\, rimanda con fantasia al mondo animale senza mai soffermarsi in posa. E allora quegli anemoni\, quelle falene\, quei granchi che ci sembra di intravedere sono forse solo vibrazione\, identità mutanti come le maree.\nMaria Luisa Buzzi\, Danza&Danza \n  \n\n \nCREDITS \nConcept and choreography Simona Bertozzi \nPerformers Arianna Brugiolo\, Rafael Candela\, Valentina Foschi \nOriginal music performed live Luca Perciballi \nLighting design Rocio Espana Rodriguez \nCostumes Vicini D’Istanti \nPhoto and video Luca Del Pia \nOrganization Miriana Erario \nPress and communication Michele Pascarella \nDuration 60’ \nProduction: Nexus\, in coproduction with Festival Danza Estate\, Operaestate Festival Veneto/CSC. With the support of MiC\, Regione Emilia Romagna\, Comune di Bologna. In collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021. Creative residencies at: CSC Centro per la scena contemporanea\, ALMASTUDIOS Bologna\, Artists in ResidenSì Bologna 2023. \nSIMONA BERTOZZI \nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music\, and Performing Arts at the University of Bologna. One of the pioneers of the revolutions in twentieth-century choreographic art\, Loïe Fuller\, was the subject of her thesis. At a young age\, she trained in artistic gymnastics and classical dance\, then delved into the study of contemporary dance in Italy and various countries including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, including with choreographers Tomas Aragay (Societat Doctor Alonso-Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her choreographic activity in 2005\, embarking on a research and production path working with professional dancers and performers\, as well as with children\, teenagers\, amateurs\, asylum seekers\, and second-generation young immigrants. Simona Bertozzi practices a dance in which choreography constitutes a territory of events\, a complex system inhabited by the body\, resulting from practices\, thoughts\, and disciplines that make creation a layered entity\, in dialogue with the present. In 2007\, she won the GD’A choreographic competition (Young Dance Authors of Emilia Romagna) and in 2008 she founded the Compagnia Simona Bertozzi | Associazione Culturale Nexus. Over the years\, her projects have received support and hospitality from important regional\, Italian\, and European circuits\, through co-productions and choreographic residencies with national and international circulation. In 2008\, she was the Italian choreographer selected for the Aerowaves festival\, The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international Choreoroam project\, supported by the British Council/The Place\, Dansateliers/Rotterdam\, and Bassano Opera Festival. With the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won the 2009 Electronic Choreographer award for best independent production with the video dance work: Terrestre-movement in still life. In 2012\, the collective was involved in the creation of I was wondering\, a video dance piece created for the centenary of the birth of Michelangelo Antonioni. Over the years\, important collaborations have been consolidated with artists and scholars including: Francesco Giomi artistic director of Tempo Reale\, Enrico Pitozzi and Cristiana Natali professors at the University of Bologna\, Egle Sommacal musician and guitarist of Massimo Volume\, Angela Baraldi actress and singer\, and Tabea Martin choreographer and dancer with whom she co-created This is my last dance\, a work that had significant European circulation including the Swiss Dance Days. \nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 7:30 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/onde-simona-bertozzi-nexus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240321T203000
DTEND;TZID=Europe/Rome:20240321T213000
DTSTAMP:20260404T012940
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003085-1711053000-1711056600@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-21/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260404T012940
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003102-1711139400-1711143000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-22/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260404T012940
CREATED:20230804T140207Z
LAST-MODIFIED:20230804T140207Z
UID:10003098-1711139400-1711143000@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Le Carré in Sainte-Maxime\, France\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-5/
LOCATION:Le Carré\, 107 route du Plan de la Tour\, Sainte-Maxime\, 83120\, Francia
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240323T190000
DTEND;TZID=Europe/Rome:20240323T200000
DTSTAMP:20260404T012940
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003103-1711220400-1711224000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-23/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240324T160000
DTEND;TZID=Europe/Rome:20240324T170000
DTSTAMP:20260404T012940
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003104-1711296000-1711299600@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-24/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240326T193000
DTEND;TZID=Europe/Rome:20240326T203000
DTSTAMP:20260404T012940
CREATED:20240119T145131Z
LAST-MODIFIED:20240119T150433Z
UID:10003193-1711481400-1711485000@www.fndaterballetto.it
SUMMARY:YELED / SECUS
DESCRIPTION:Tuesday\, March 26\, Aterballetto is back touring in Germany\, dancing at the Staatsoper in Hannover. The entire group of sixteen dancers will present Yeled and Secus\, choreographed by Israelis Eyal Dadon and Ohad Naharin. \nYeled by Eyal Dadon \n\nYeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?\n“In the process of creation with the dancers\, I reflected on the moment in our lives\, as adults\, when we lost the feeling of being children\, the feeling of being naturally pure\, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon \nSecus by Ohad Naharin \n\nSecus boasts a musical collage that ranges from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyaar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as the suitable backdrop for a bold and extravagant choreography that unfolds before our incredulous eyes in a human alphabet made up of sprints\, solos\, crisp and clean gestures\, interrupted duets. Through precise and sudden kicks\, sinuous disarticulation of hips\, torsos bending in all directions like molding clay\, Secus expresses pure emotions and feelings without becoming sentimental.
URL:https://www.fndaterballetto.it/en/evento/yeled-secus-3/
LOCATION:Staatsoper Hannover\, Opernpl. 1\, 30159 Hannover\, Germany\, Hannover\, 30159\, Germania
CATEGORIES:Aterballetto,Secus
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240327T203000
DTEND;TZID=Europe/Rome:20240327T213000
DTSTAMP:20260404T012940
CREATED:20231108T121010Z
LAST-MODIFIED:20240111T152831Z
UID:10003184-1711571400-1711575000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter the debut at the Teatro Municipale Valli in Reggio Emilia\, the artistic heart of the Over Dance project takes center stage at the Teatro Bonci in Cesena. \nRenowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveauandBirthday Party\, tackling the theme of body transformation in an evening with senior performers (aged 65 to 79). \nThe aging body is a central theme in our society and in the sensitivity of each of us. Aging is not a problem for the actor\, the writer\, or the visual artist: What about for those who dance? What is the true age of the body? \n  \n Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-6/
LOCATION:Teatro Bonci\, Piazza Mario Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Over Dance,Productions
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Bonci Piazza Mario Guidazzi 8 Cesena 47521 Italia;X-APPLE-RADIUS=500;X-TITLE=Piazza Mario Guidazzi\, 8:geo:12.2481756,44.135911
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240328T210000
DTEND;TZID=Europe/Rome:20240328T220000
DTSTAMP:20260404T012940
CREATED:20240216T205549Z
LAST-MODIFIED:20241007T165139Z
UID:10003226-1711659600-1711663200@www.fndaterballetto.it
SUMMARY:DECISIONE CONSAPEVOLE - ROBERTO TEDESCO / Körper
DESCRIPTION:  \nUna mappa concettuale pensata per guidare le sessioni di improvvisazione.\nEcco cosa è stata finora Decisione Consapevole.\nMa se usassimo la mappa come se fosse un vero e proprio schema da seguire per creare un lavoro coreografico che vedrà quattro danzatori alle prese con le loro decisioni? Uno spazio vuoto a disposizione da riempire e svuotare attraverso la consapevolezza di ogni singolo interprete. Il rispetto del gusto gioca un ruolo fondamentale per far sì che il tutto risulti omogeneo e che le diverse personalità siano vestite da un unico abito.\nL’abito veste gli interpreti di specifiche qualità e atteggiamenti\, ritmi e modi minuziosamente studiati. L’abito pone limiti che comprendono però infinite libertà. L’abito è tutto ciò che esorta alla decisione. Forse allora è l’abito la stessa consapevolezza?\nIsolamento\, intimità\, comunicazione\, comunità sono le quattro parole chiave. Sebbene queste vadano a restringere il cerchio e a rendere la decisione dell’interprete meno variegata e più rispettosa\, infinite sono ancora le possibilità che ogni singola parola suggerisce.\nLe decisioni totalmente consapevoli dei danzatori sulla parola chiave da scegliere per proporre la propria azione nello spazio costituirà la costruzione della scena\, decisioni che possono sì esistere singolarmente ma anche e soprattutto convivere con tutte le altre. \n  \n\nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/decisione-consapevole-roberto-tedesco-korper/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240405T190000
DTEND;TZID=Europe/Rome:20240405T203000
DTSTAMP:20260404T012940
CREATED:20240319T160845Z
LAST-MODIFIED:20240418T140048Z
UID:10003225-1712343600-1712349000@www.fndaterballetto.it
SUMMARY:Book presentation "Se danzare non mi basta" by Cristina Bozzolini.
DESCRIPTION:  \nVENERDÌ 5 APRILE\, ALLE ORE 19.00\, IN FONDERIA\, IN COLLABORAZIONE CON NARDINI EDITORE\, PRESENTIAMO IL LIBRO SE DANZARE NON MI BASTA DI CRISTINA BOZZOLINI. CON L’EVENTO RICORDIAMO SILVIA POLETTI\, GIORNALISTA\, CRITICA\, CONSULENTE ARTISTICA INTERNAZIONALE PER LA DANZA\, CURATRICE DELL’OPERA.\n\n\n\n\n\n\nIf Dancing Is Not Enough traces the career and life of Cristina Bozzolini\, offering a glimpse into the international dance world\, the political and social climate of her beloved Florence\, and the artistic experiments with Aterballetto. A book written and curated by women\, tireless professionals and leading figures in the field\, addressing struggles for culture and the affirmation of women and artists in society. \nAmong its pages flow the memories of a major protagonist in Italian dance and the artistic expressions that are part of it: from the 1960s when she was Prima Ballerina of the Ballet Company of the Florence May Music Festival\, to the memorable performances alongside artists such as Nureyev\, Fracci\, Baryshnikov\, to the founding of the Center for Dance Studies\, to the establishment of the Balletto di Toscana\, to the direction of Aterballetto\, a national excellence. The common thread of her professional and life experience is the struggle for the affirmation of civil rights and for a just society\, in which cultural education must be the engine for development. \nThe meeting is hosted by Maria Luisa Buzzi\, editor-in-chief of the magazine Danza&Danza\, and includes interventions by choreographers and dancers who had Cristina as their director and mentor\, such as the award-winning Philippe Kratz. \nAt the end of the presentation\, the dancers of Compagnia Aterballetto will offer the audience a dance surprise. \nFree admission with reservation (whatsapp 3341023554 | info@aterballetto.it) until seats are filled.\nBar service available from 18:00. \nDuring the meeting\, it will be possible to purchase the book\, and Cristina Bozzolini will be available to sign copies. \nIf Dancing Is Not Enough can be purchased here.
URL:https://www.fndaterballetto.it/en/evento/book-presentation-se-danzare-non-mi-basta-by-cristina-bozzolini/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240407T160000
DTEND;TZID=Europe/Rome:20240407T171500
DTSTAMP:20260404T012940
CREATED:20230804T141145Z
LAST-MODIFIED:20240412T134759Z
UID:10003100-1712505600-1712510100@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:La Compagnia Aterballetto è in scena sul palcoscenico del Teatro Municipale di Piacenza con un inedito trittico di coreografie: Alpha Grace di Philippe Kratz\, “O” di Philippe Kratz e Bliss di Johan Inger. \nAlpha Grace\, di Philippe Kratz (Premio Danza&Danza 2019 ‘Miglior Coreografo’)\, ha debuttato nel 2021 a Operaestate Festival di Bassano del Grappa e ha come oggetto l’empatia intesa come percezione di noi stessi in relazione a chi ci sta accanto. Il duo “O” ci propone due corpi / automi\, che ci obbligano a interrogarci su come potrebbe mutare il senso del contatto fisico: resterà emotivo e sentito\, o diventerà seriale e alienato? BLISS è uno dei cavalli di battaglia della compagnia\, firmato dal pluripremiato coreografo svedese Johan Inger. La coreografia\, accompagnata dalle note del celebre e iconico Köln Concert di Keith Jarrett\, è un vero e proprio inno alla gioia di danzare. L’euforia degli interpreti è un piacere alla vista\, così contagiosa e potente che dal 2016 continua ammaliare ad ammaliare i teatri di tutto il mondo. \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/storie-piacenza/
LOCATION:Teatro Municipale\, via Giuseppe Verdi\, 41\, Piacenza\, 29121\, Italia
CATEGORIES:Aterballetto,BLISS,O,Productions,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240412T210000
DTEND;TZID=Europe/Rome:20240412T210000
DTSTAMP:20260404T012940
CREATED:20240324T104940Z
LAST-MODIFIED:20240412T134646Z
UID:10003224-1712955600-1712955600@www.fndaterballetto.it
SUMMARY:MELTING POT 0116 - ROBERTO ZAPPALÀ / PREMIERE
DESCRIPTION:Melting Pot 0116 is a work that\, as the title suggests\, brings together in an original composition fragments of various creations realized over time by Roberto Zappalà. In particular\, sequences from 74bpm from I am beautiful (2016)\, 24 préludes (2007)\, and Mediterraneo (2001) – all productions for his company – are included\, along with I’m a good cook. Spaghetti anybody?\, a creation made in 2004 for the Swedish company Norrdans\, and sud-virus\, commissioned by the Goteborg Ballet in 2011. Within this interweaving of choreographies that have marked his creative journey\, the choreographer will create a new section\, specifically conceived for this production. \nThe main idea is to emancipate the work\, constantly questioning it through new choreographic interventions designed for the dancers of the moment: an ever-evolving melting pot. \n“In addition to developing new parts\, some scenes from old works have been recovered and reworked\, bringing a new and fresh gesturality\, the result of renewed physical confrontation. Visionary images\, interrupted spaces\, poetic gestures to traverse a path made of gestural measure but also of its opposite. A summary born a few years ago but which with each reprisal is drained of the past and flooded with the future” – Roberto Zappalà \n  \n\n  \nCREDITS \nDirection and Choreography: Roberto Zappalà\nMusic: Johann Sebastian Bach\, Puccio Castrogiovanni\, Frédéric Chopin\, Lautari\, Gustav Mahler\, Salvo Farruggio\, Giovanni Sollima\nArtistic Coordination: Silvia Oteri and Fernando Roldan Ferrer\nPerformers: Benedetta Agostinis\, Giulia Berretta\, Siria Cacco\, Melania Caggegi\, Andrea Rachele Bruno\, Laura Finocchiaro\, William Mazzei\, Paola Tosto\, Alessandra Verona\nSet\, Lighting\, and Costumes: Roberto Zappalà\nCostume Production: Majoca\nTechnical Direction: Sammy Torrisi\nTour Management: Federica Cincotti\nGeneral Management: Maria Inguscio \nA co-production by Scenario Pubblico|Compagnia Zappalà Danza-Centro di Rilevante Interesse per la Danza and Menhir/Le danzatrici en plein air –\nIn collaboration with Asti Teatro Festival and Centro Coreografico Nazionale/Aterballetto – with the support of MiC Ministry of Culture and Sicilian Region Department of Tourism\, Sports and Entertainment \nWORLD PREMIERE April 12\, 2024 Centro Coreografico Nazionale/Aterballetto \nBIOS \nCOMPAGNIAZAPPALÀDANZA2 \nThe compagniazappalàdanza2 is composed of dancers selected from the MoDem PRO program\, a valuable pool from which the company itself has drawn over the years for its members. \nFrom 2023\, a new chapter begins for CZD2. The main goal will be to focus on preserving the repertoire of Compagnia Zappalà Danza. \nThe reflection that Roberto Zappalà has been carrying forward for some time will find concreteness in the learning\, development\, and finally in the staging of the great\, medium\, and small historical productions of the choreographer’s repertoire. \nThe importance of repertoire in the context of dance at a national and international level is a theme that Zappalà has been dedicated to for many years. This dedication concerns not only the preservation of his own works but is aimed at all contemporary choreography\, which over time has proven to be a tool for research and authentic representation of the thought of each choreographer. \nIn recent years\, CZD2 has demonstrated remarkable maturity and has been constantly enriched by the presence of dancers from the new generations\, possessing excellent technical qualities as well as creative sensitivity\, with a strong predisposition to the MoDem language\, which represents the essence of Roberto Zappalà’s poetics. It is precisely these qualities that now lead CZD2 to take on the important task of preserving and keeping alive the choreographer’s repertoire. \nRoberto Zappalà \nRoberto Zappalà is the artistic director and choreographer of Compagnia Zappalà Danza\, which he founded in 1990 in Catania. He has created over 80 productions exclusively for his company\, mostly full-length works. His creations “A.semu tutti devoti tutti?” (2009\, reprised in 2019) and “La Nona-dal caos\, il corpo” (2015) received the Danza&Danza Italian Production of the Year Award. \nArticulated projects have accompanied the creative journey of the Catania-born choreographer\, from ‘re-mapping-sicily\,’ an unpublished reinterpretation of Sicily through his personal language\, to ‘Transiti Humanitatis\,’ with which he continues to narrate humanity through gestures and the body\, their history\, their transformation over time and space\, or conversely their immutable permanence. \nHe has collaborated with various companies\, including Balletto di Toscana\, the Ballet School of Teatro alla Scala in Milan\, Norrdans (S)\, ArtEZ Arnhem (NL)\, Fondazione Theaterwerkplaats Generale Oost (NL)\, Goteborg Ballet/Opera di Goteborg (S). In 2011\, he created the choreography for the opening ceremony of the Fencing World Championships. In 2016\, he curated the project Insieme – Parata Urbana for Torinodanza and the Défilée of the Lyon Biennale. \nHe has collaborated with opera directors such as Federico Tiezzi\, Daniele Abbado\, and Giorgio Barberio Corsetti\, and with international artists including Giovanni Sollima\, Paolo Fresu\, Fabio Vacchi\, Puccio Castrogiovanni\, Vincenzo Pirrotta\, Luca Ballerini\, Alfio Antico\, Gianluigi Trovesi\, Nello Toscano\, and others. \nWith Christian Graupner (Humatic\, Berlin)\, he created the interactive installation “MindBox\,” which won second prize at the Guthman Musical Instrument Competition (Atlanta/USA 2011). La Malcor D’ published his book Omnia Corpora on the methodology of his work. \nRoberto Zappalà is responsible for the recovery and conception of Scenario Pubblico in Catania\, inaugurated in 2002\, the headquarters of Compagnia Zappalà Danza and a rare example in Italy of a choreographic center. In 2015\, Scenario Pubblico|Compagnia Zappalà Danza was recognized as a National Dance Production Center by MiC and in 2022 received an upgrade to C.R.I.D. (Center of Relevant Interest for Dance). \nHis choreographic style\, after years of movement research with his dancers\, has become a language with its own well-defined and unique identity called MoDem Democratic Movement. Every year\, Roberto Zappalà selects a group of dancers from the MoDem Pro program who merge into CZD2 compagniazappalàdanza2. \nRoberto Zappalà is an associated artist of the MilanOltre festival for the 2022-2024 triennium. Among the numerous awards received\, he received the National Association of Theater Critics Award (2013) and the Hystrio Award ‘corpo a corpo’ (2022). \nINFO & TICKETS \nTICKETS \nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/melting-pot-0116-roberto-zappala-premiere/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240413T160000
DTEND;TZID=Europe/Rome:20240413T180000
DTSTAMP:20260404T012940
CREATED:20240410T065051Z
LAST-MODIFIED:20240412T134259Z
UID:10003223-1713024000-1713031200@www.fndaterballetto.it
SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:Terme di Caracalla \nSaturday\, April 13\, 2024\, at 4:00 PM and 5:30 PM \nAccess to the performance is included with the purchase of the entrance ticket to the site \nAfter over a thousand years\, water\, the foundational and vital element of all thermal facilities\, returns to the Terme di Caracalla with the Water Mirror: a contemporary architectural intervention promoted by the Soprintendenza Speciale di Roma\, directed by Daniela Porro. \nThe project\, born from the collaboration of Mirella Serlorenzi\, site director\, with architect Hannes Peer\, evokes the suggestions of the thermal environments with mist\, jets\, and light effects that will evoke the ancient Baths. Added to this is the element of the reflection of the archaeological architecture in the Water Mirror\, which invites contemplation in parallel with the immersive experience. \nOn Saturday\, April 13\, at 4:00 PM\, the Aterballetto Company will perform at Caracalla for the inauguration of the Water Mirror. On this occasion\, the Roman premiere of Rhapsody in Blue\, choreographed by Iratxe Ansa and Igor Bacovich for the centenary of George Gershwin’s composition\, will be presented. \nThe show\, realized in collaboration with Electa and scheduled at the Terme di Caracalla thanks to an initial idea by Cristiano Leone\, artistic consultant for cultural activities at the site\, will be presented in a double performance\, at 4:00 PM and at 5:30 PM. Access to the performance is included with the entrance ticket to the site. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240416T203000
DTEND;TZID=Europe/Rome:20240416T213000
DTSTAMP:20260404T012940
CREATED:20240119T161519Z
LAST-MODIFIED:20240412T134206Z
UID:10003195-1713299400-1713303000@www.fndaterballetto.it
SUMMARY:Rhapsody in Blue / Another Story / Bliss
DESCRIPTION:The Aterballetto Company is on stage at the Modena Municipal Theater with a new triptych of choreographies: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Another Story by Diego Tortelli\, and Bliss by Johan Inger. \nRhapsody in Blue is a brand-new creation by Iratxe Ansa and Igor Bacovich set to the music of George Gershwin’s eponymous composition. Another Story by Diego Tortelli\, premiered in 2021 in Rovereto\, tells the story of the most feared and desired gesture of 2020\, a year marked by a global epidemic: the hug\, set to the music of the English rock band Spiritualized. BLISS is one of the company’s flagship works\, created by the award-winning Swedish choreographer Johan Inger. Accompanied by the notes of Keith Jarrett’s famous and iconic Köln Concert\, the choreography is a true celebration of the joy of dancing. The euphoria of the performers is a pleasure to behold\, so contagious and powerful that since 2016 it continues to captivate theaters around the world. \n\n– \n\n–
URL:https://www.fndaterballetto.it/en/evento/alpha-grace-another-story-rhapsody-in-blue/
LOCATION:Teatro Comunale Modena\, Via del Teatro\, 8\, Modena\, 41121\, Italia
CATEGORIES:Another Story,Aterballetto,BLISS,Rhapsody in Blue
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GEO:44.64676;10.92968
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Comunale Modena Via del Teatro 8 Modena 41121 Italia;X-APPLE-RADIUS=500;X-TITLE=Via del Teatro\, 8:geo:10.92968,44.64676
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240418T210000
DTEND;TZID=Europe/Rome:20240418T220000
DTSTAMP:20260404T012940
CREATED:20240416T203936Z
LAST-MODIFIED:20240419T165656Z
UID:10003260-1713474000-1713477600@www.fndaterballetto.it
SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n“`html \n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how un \ngrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci\n“`  \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it\n“`
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240419T210000
DTEND;TZID=Europe/Rome:20240419T220000
DTSTAMP:20260404T012941
CREATED:20240416T204036Z
LAST-MODIFIED:20240419T165836Z
UID:10003261-1713560400-1713564000@www.fndaterballetto.it
SUMMARY:Made in Italy 31.0
DESCRIPTION:  \n\n  \nDouble Repertoire:\nThursday\, April 18th – 9:00 PM\nFriday\, April 19th – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Initiated in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nALLEGRO by Maša Kolar\n \nAllegro is a choreography focused on the character of Leonard Bernstein\, presented through the environment in which he excelled best\, namely music in all its forms. Hence\, one of his most significant interpretations has been chosen\, namely the orchestral direction of Beethoven’s nine symphonies. In addition to the music\, the choreography focuses on Bernstein’s live performance and observes his conducting gesture: since the specificity of this gesture is individual and authentic for each conductor\, Bernstein’s cheerful and joyful character takes center stage\, marked in music by the term Allegro. \nThese two key concepts\, ‘allegro’ tempo and the conductor’s gesture\, have become the backbone of this work: it has led to five separate units but united by these concepts. The conductor’s gestures range from very abstract ones transferred to the entire body to very concrete gestures\, such as using the conductor’s baton with which the dancers communicate and/or manipulate other people. \nThe very form of the stage through the set design (white chairs) and costumes (black uniforms) suggests an orchestra. It is this form that has allowed structuring five different scenes while maintaining a sense of unity and integrity. Through their dance\, gestures\, mutual manipulations\, and the play of chairs\, the dancers dissolve and reconstruct each scene\, establishing a constantly changing idea of the orchestra’s hierarchy. \nThe working experience that young dancers gather within the Agora Coaching Project\, in encountering the various choreographic languages of authors who have built these same or similar choreographies with professionals\, is very intense\, exciting\, and also very precious. This is the moment when these young dance talents\, still under the protection of the Agora project\, appear before their future audience\, dancing choreographies with an ever-new aesthetic of an unknown choreographer. The dynamics created in facing the artistic uncertainty of this project are an important educational tool. For me\, it has been a great pleasure to be part of this significant moment of transformation for young dancers. – Maša Kolar \n\nLAST MOVEMENT OF HOPE – I CHAPTER by Adriano Bolognino \n“In this historical moment that unites us all\, marked by fear\, instability\, and the unknown\, it seems to us that our lives cannot follow the paths we had imagined. Every brick of our constructions seems to crumble with each new shock. Wars\, environmental phenomena\, our world is collapsing on us\, and we are increasingly defenseless\, waiting\, because often we do not have the opportunity to have power\, or positions that allow us to react or decide. We are all in the same condition\, but isn’t it true that we all have the same possibilities of action\, whether of thought or physical? We do not act or escape. \nEscaping from all this evil\, even if it costs us so much\, would seem the most serene path; and we struggle tremendously to continue searching for that glimmer of hope that can make us still believe in this life. Hoping for a new place perhaps\, made of security and love. We are an army of nothing\, finding ourselves fighting against unbeatable monsters\, crushed by forces we cannot confront\, destroyed by our own wars. And like fearless knights\, driven by great dreams\, we encounter this tortuous path\, unaware\, or perhaps forced to fight for ideals that are not our own. Like a mother carrying her precious creature in her womb\, adding and not destroying those bricks that each of us is slowly placing in our own path. \nI would like to create a dance that could be a soundtrack of what we are experiencing through intersecting relationships with ourselves and others; experienced all in the same space\, a place of the past\, present\, and a different future. The same fears\, the same difficulties\, the same last movement of hope. An adventure\, a journey into weakness\, perhaps futility\, of the human being\, which\, however\, always carries with it the great strength of those who rise when everything seems to give nothing more than demolition. A moment of reflection also regarding our relationship with the planet that hosts us\, and that perhaps we are no longer able to care for and manage. A dialogue with nature\, not only enlightening of how small we are compared to it but also of how ungrateful we have been and still are in killing life in its entirety. Almost as if to overturn the famous Dialogue between Nature and an Islander by Giacomo Leopardi. Bringing it back to our reality\, where we ourselves harm\, striking all nature\, to which we foolishly still assign blame. A last movement\, that is one of renewed energy and awareness. Running together towards a less shadowy future.” – Adriano Bolognino \nI want\, I will — if not here\,\nin another place that I do not yet know.\nI have lost nothing. I will be everything.\nFernando Pessoa \nDANCERS \nApril 18th\nGiulia Lusetti\, Corrado Azzollini\, Federico Musumeci\, Filippo Penco\, Gennaro Todisco\, Laura Dell’Agnese\, Lucrezia Maggiore\, Martina Procacci\, Maya Maselli\, Nicole Forni\, Susanna Russing\, Elisa Bocconi\, Gabriele Scarcia\, Gaia Zorilla\, Giada Piccinini\, Jasmine Begici\, Sara Ferrentino\, Giorgia Raffetto\, Carlotta Maucioni \nApril 19th\nAurora Lattanzi\, Jacopo Bellani\, Alessia Russo\, Anna Dal Maso\, Chiara Barrile\, Diletta Suman\, Giovanni Karol Borriello\, Gioele Marcante\, Giulia Boccarossa \, Laura Miotti\, Lucrezia Capuzzelli\, Luna Lefebvre\, Martina Pagliari\, Salvatore Bruno\, Vittoria Facci \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance refinement project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its aim is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, technical/stylistic\, originating from this same market. The project aims to offer a wide range of stimuli\, of a technical\, cultural\, and exchange nature between students and choreographers\, each of whom comes from different and interesting realities of the international scene. Agora allows young dancers to meet established choreographers of different stylistic orientations and over the years has seen the presence of many illustrious names: Michele Merola and Enrico Morelli collaborate with various teachers\, each with proven and qualified experience in the field\, to realize the project. \nMAŠA KOLAR \nMAŠA KOLAR\nShe was born in Zagreb. Her dance training began in Croatia and continued in Belgium. She earned a BA in Contemporary Dance from the University of the Arts in Zurich and a Master’s degree in Cultural Studies. Her career as a professional dancer began in 1986 at the Comedy Theatre in Zagreb\, and continued in 1992 at the Semperoper Ballet Dresden\, where in 1995 she attained the status of soloist. In 1998\, she joined the Thoss TanzKompanie in Kiel and later in Hannover\, concluding with Aterballetto in Reggio Emilia. Subsequently\, she began choreographing for the Ballet of the National Theatre in Belgrade\, the Bitef Dance Company\, the National Youth Ballet of Hamburg\, for all three Croatian national ballet companies (Zagreb\, Split\, and Rijeka). In the 2017/18 season\, she was appointed artistic director of the Ballet Company of Rijeka\, and currently works as a choreographer and producer in her seventh season. \nADRIANO BOLOGNINO \nADRIANO BOLOGNINO\nBorn in Naples in 1995. He won the Danza&Danza 2022 award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned new works for the Teatro dell’Opera di Roma Company and for the Maltese national company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the étoiles Eleonora Abbagnato and Jacopo Tissi during the MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL and created “SKRIK” for the MM Contemporary Dance Company. The work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned a new work for the festival. He won the Prospettiva Danza Padova Award in 2019. His creations are staged in national and international contexts including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, etc. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-31-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240424T200000
DTEND;TZID=Europe/Rome:20240424T223000
DTSTAMP:20260404T012941
CREATED:20240421T163740Z
LAST-MODIFIED:20240422T075048Z
UID:10003264-1713988800-1713997800@www.fndaterballetto.it
SUMMARY:HO CUORE
DESCRIPTION:&nbsp;\n<blockquote>Two showings: <strong>8:00 PM</strong> and <strong>9:30 PM</strong></blockquote>\nThe word Courage derives from the Latin <em>cor habeo</em>\, which means to have heart. \nA fragment of life.\nA fragment of life together.\nA fragment before going out and facing with courage together what will be theirs and between them living that important moment made of insecurities\, separations\, approaches\, and breaths in unison\, retracing a small part of their journey that led them to have courage for that choice decided and elaborated together. \nThe audience will be immersed in the lived fragment.\nOnly a few at a time will be able to live and breathe together with the performers their fragment. \nCREDITS \n<p>By Laura Matano</p>\n<p>Danced by Melissa Bortolotti\, Danilo Smedile</p>\n<p>Music by A.V.</p>\n<p>Lighting Design by Gessica Germini</p> \n<p>Co-Produced by Compagnia Simona Bucci</p> \n<p>Duration: 40 minutes</p> \nXL COMPANY \n<p>XL Company is a contemporary dance company based in Reggio Emilia\, under the artistic direction of Laura Matano and Emanuela Baratin. It aims to create projects where movement\, the body\, and gesture become material and surface for individual and collective expression\, tools for choreographic experimentation; collaborate with different choreographers and international realities. Some recent works include: Frau – Taulant Shehu (Germany); Light – Natalia Iwaniec (Poland/UK); Hurricane – Damian Munoz (Spain); Now – Laura Matano; Before Tomorrow – Laura Matano; If – Simona Bucci. The company participates in numerous cultural events\, also proposing dance and visual art projects\, video-dance\, and site-specific performances\, focusing on the importance of relationships and nonconformity.</p> \n\nINFO AND TICKETS \n<h2>TICKETS</h2>\n<p>Full price: 10 euros</p>\n<p>Reduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros</p>\n<p>Reduced price for under 8: 3 euros</p> \n<h2>TICKET PURCHASE</h2>\n<p>Tickets can be purchased online at <a href=”http://www.biglietteriafonderia39.it”>www.biglietteriafonderia39.it</a></p>\n<p>The ticket office opens one hour before the start of the show</p>\n<p>Tickets are not numbered</p> \n<h2>CONTACTS</h2>\n<p>Phone and WhatsApp: 3341023554</p>\n<p>Email: <a href=”mailto:biglietteria@aterballetto.it”>biglietteria@aterballetto.it</a></p>
URL:https://www.fndaterballetto.it/en/evento/ho-cuore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20240427T163000
DTEND;TZID=Europe/Sofia:20240427T194500
DTSTAMP:20260404T012941
CREATED:20240423T201931Z
LAST-MODIFIED:20240426T141615Z
UID:10003270-1714235400-1714247100@www.fndaterballetto.it
SUMMARY:Italia Danza - Sofia
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (Farnesina)\, and performed by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, created by Italian and international choreographers)\, but also stage shows reimagined for the occasion\, so they can be presented anywhere. \nUnder the dome of Largo di Sofia\, on April 27\, 2024 at 4:30 PM\, 5:45 PM\, and 7:00 PM. \nOrganized by: Embassy of Italy in Sofia\, Italian Cultural Institute of Sofia \nIn collaboration with: Municipality of Sofia\, Regional Museum of the City of Sofia \n\n“Presenting Aterballetto’s MicroDances in Sofia is an opportunity to bring to the attention of the capital’s audience an absolute excellence of Italian contemporary dance and Made in Italy. Bulgaria\, on the other hand\, is known worldwide for the very high level of its artists in the musical field and for its traditional dances. Therefore\, a fertile ground will welcome the talented dancers of Aterballetto in Sofia\, for whom the Municipality itself has made available a place symbolizing the history and culture of the country\, the Largo. I am confident that the Italian artists will give the local audience an unforgettable artistic moment\, further proof of the strong cultural ties that unite Italy and Bulgaria. \nMaria Mazza\nDirector of the Italian Cultural Institute in Sofia \n\n27 APRIL – H 16.30 / 17.45 / 19.00 Largo di Sofia \nMICRODANZE \nAn echo\, a wave\nby Philippe Kratz \nNear Life Experience\nby Angelin Preljocaj \nEppur si muove\nby Francesca Lattuada \nA Gig\nby Diego Tortelli \nDuration 45′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-sofia/
LOCATION:Largo di Sofia\, Sofia Center\, 1000 Sofia\, Bulgaria\, Sofia\, 1000\, Bulgaria
CATEGORIES:Aterballetto,MicroDanze
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DTSTART;TZID=Europe/Rome:20240427T180000
DTEND;TZID=Europe/Rome:20240427T193000
DTSTAMP:20260404T012941
CREATED:20240427T103614Z
LAST-MODIFIED:20240430T163106Z
UID:10003272-1714240800-1714246200@www.fndaterballetto.it
SUMMARY:Intersezioni & Next Generation
DESCRIPTION:From April 27th to May 29th\, in Parma\, the fifth edition of Intersections & Next Generation\, a dance showcase curated by Artemis Danza\, directed by Monica Casadei and supported by the Municipality of Parma\, will take place. There will be five events spread across unconventional and evocative spaces: Palazzo Marchi\, Teatro al Parco\, Workout Pasubio\, Galleria San Ludovico\, Spazio 360-ex Ferramola. Each evening will feature short choreographies by both emerging and established authors from all over Italy\, artists very different from each other in sensitivity\, aesthetics\, and style\, enriched by encounters with visual arts and live electronics\, which will continually nourish the scene with new suggestions. A full immersion into the world of dance where moments of spectacle and site-specific performances will alternate. \nFor the opening day\, Saturday\, April 27th\, the CCN / Aterballetto participates with a double performance in the enchanting setting of Palazzo Marchi\, in collaboration with Interno Verde Parma. At 6:00 PM and 7:00 PM\, the dancers of Aterballetto perform A Gig\, MicroDanza choreographed by Diego Tortelli. Following that\, SoaC\, a hip hop performance by Federica Galimberti and Cristiano Buzzi. The performance concludes with the dancers of Artemis Danza presenting Artemis Experience\, an exciting “garden-specific” dance performance with choreography by Monica Casadei.
URL:https://www.fndaterballetto.it/en/evento/intersezioni-next-generation/
LOCATION:Palazzo Marchi\, Str. della Repubblica\, 57\, 43121 Parma PR\, Parma\, 43121\, Italia
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DTSTART;TZID=Europe/Sofia:20240429T183000
DTEND;TZID=Europe/Sofia:20240429T203000
DTSTAMP:20260404T012941
CREATED:20240423T202915Z
LAST-MODIFIED:20240426T135836Z
UID:10003269-1714415400-1714422600@www.fndaterballetto.it
SUMMARY:Italia Danza - Cologne
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the General Directorate for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (Farnesina)\, and performed by CCN/Aterballetto thanks to its rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, created by Italian and international choreographers)\, but also stage shows reimagined for the occasion\, so they can be presented anywhere. \nItalian Cultural Institute of Cologne\, on April 29\, 2024 at 6:30 PM and 7:30 PM \nas part of the International Dance Day. \n\n“We are pleased to present in Cologne a project that\, while celebrating the direct experience of performance by the audience\, also offers the public a new perspective on the use of the Institute’s spaces\, animating them with a presence that is not only aesthetic but also of strong emotional impact.” \nJolanda Lamberti\nDirector of the Italian Cultural Institute in Cologne \n29 APRIL – H 18.30 e 19.30/ Italian Cultural Institute in Cologne \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nAn echo\, a wave\nby Philippe Kratz \nA Gig\nby Diego Tortelli \nDuration 45′
URL:https://www.fndaterballetto.it/en/evento/italia-danza-cologne/
LOCATION:Istituto Italiano di Cultura di Colonia\, Politische Wissenschaften\, Universitätsstraße 81\, 50931 Köln\, Germany\, Colonia\, 50931\, Germania
CATEGORIES:Aterballetto,MicroDanze
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