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DTSTART;TZID=Europe/Rome:20240513T203000
DTEND;TZID=Europe/Rome:20240513T220000
DTSTAMP:20260403T212535
CREATED:20240119T163443Z
LAST-MODIFIED:20251014T105318Z
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SUMMARY:YELED / RHAPSODY IN BLUE / SECUS
DESCRIPTION:The Teatro Verdi in Pordenone hosts the Aterballetto Company as part of a series dedicated to the international dance. The evening begins with Yeled by Eyal Dadon\, followed by Rhapsody in Blue\, the latest production by Iratxe Ansa and Igor Bacovich. The night concludes with Secus\, a creation by the Israeli choreographer Ohad Naharin\, restaged for the Company in 2019. \nYELED – Eyal Dadon\nYeled\, a Hebrew word meaning “child\,” brings to the stage the reflection that Israeli choreographer Eyal Dadon\, together with the dancers of Aterballetto\, has undertaken on the moment in life when one loses the innocence of childhood. \n  \n  \n\n  \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin holds various attractions for us. It is beautiful music\, known but perhaps not so frequently heard by newer generations. Introducing this work to the young audience is a good goal\, and it can be a way to provide a less distant and less ‘American’ vision of Gershwin\, going beyond the cultural context in which the Rhapsody was created. The Rhapsody will naturally dictate the choreographic work\, and the lively\, sparkling changes it offers are fantastic to play with.» – Iratxe Ansa & Igor Bacovich \n\n  \nSECUS – Ohad Naharin\nSecus is a creation by Ohad Naharin featuring a music collage ranging from the unconventional electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai and the resonant harmonies of the Beach Boys. This daringly eclectic mix serves as a fitting backdrop for the boldly extravagant choreography. \n\n– \nCREDITSYELED \nCreation for 16 dancers of the company \nChoreography: Eyal Dadon Music: Eyal Dadon Set and lights: Fabiana Piccioli Costumes: Bregje Van Balen \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production: Fondazione I Teatri di Reggio Emilia \nWith the contribution of the Cultural Office of the Embassy of Israel in Italy \nPremiere: April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli \n\nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography: Iratxe Ansa and Igor Bacovich Music: George Gershwin\, Rhapsody in Blue; Bessie Jones\, Beggin’ the blues Set and costumes: Fabio Cherstich Lights: Eric Soyer \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production with: Fondazione Teatro Regio di Parma With the contribution of: Etxepare Euskal Institutua \nPremiere: February 17\, 2024\, Teatro Regio di Parma Duration: 20′ \n\nSECUS \nRestaging for 16 dancers of the company \nChoreography: Ohad Naharin Music: Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys Sound design & editing: Ohad Fishof Costumes: Rakefet Levy Lights: Avi Yona Bueno (Bambi) Choreography Assistants: Rachael Osborne\, Ian Robinson \nCreation for Batsheva Dance Company (inside Three\, 2005) \nProduction: Fondazione Nazionale della Danza / Aterballetto Co-production: Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F) \nPremiere: September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, Rovereto Duration: 30’
URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-3/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue,Secus,Yeled
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240514T093000
DTEND;TZID=Europe/Rome:20240514T123000
DTSTAMP:20260403T212535
CREATED:20240511T104027Z
LAST-MODIFIED:20240516T212119Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:“`html\nFND/Aterballetto-Stravaganze in G Minor  \nStravaganze in G Minor by Francesca Lattuada arrives at the Abano Danza Festival. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, played with by a dancer and a baritone\, is the basis of this new creation for children and teenagers\, signed by the National Dance Foundation / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings created on the surface of the water when a stone is thrown: evoking unreal or hyper-real images\, carrying a musicality that mixes poetry and nursery rhyme\, making the extraordinary and the frightening join hands. \nUnder a tuft of scarlet roses\nThe toad offers hot tea with milk\nUnder a tuft of purple roses\nThe toad has to wash the cups.\n(Toti Scialoja\, Hamlet’s Apple\, 1984)\n“` \nCREDITS \n“`html \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (from Hamlet’s Apple) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: National Dance Foundation / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \n \n“` \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-14/
LOCATION:Teatro Polivalente\, Via Appia Monterosso\, 29\, 35031 Abano Terme PD\, Abano Terme\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240515T210000
DTEND;TZID=Europe/Rome:20240515T220000
DTSTAMP:20260403T212535
CREATED:20240501T191329Z
LAST-MODIFIED:20240516T212217Z
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SUMMARY:A LOT OF / SEHNSUCHT
DESCRIPTION:  \n\nA LOT OF\nIn constant search. The need for the other. Avidity for contact\, scents\, and flavors. Freed from the inhibitory brake of modesty and social conventions\, what could happen? Are we all animals? How much can we desire those around us? How much and how many can we love? Two bodies\, then one\, and suddenly three. Unexpected events and probabilities. Rhythms and rituals that beat\, intertwine\, and distort. The unnatural grace of Nijinski. The predatory instinct belongs to the human DNA. Marking territory becomes a game\, imagining becomes a necessity. How much space do we have in our body\, in our mind\, and in our soul? How much can we host within ourselves? Hunger. \nDISCOVER MORE \nThe number 3 is a constant in the work: 3 performers on stage\, 3 different authors\, 3 musical compositions\, 3 historical characters\, 3 parts. \nThe first of the three parts is a duet inspired by L’Après-midi d’un Faune\, choreographed by Nijinsky in 1912. In the original work\, the author addresses the theme of uncontrollable sexual impulse\, which gives rise to a huge sense of guilt. In his Diaries\, written seven years after the ballet\, it is evident that the choreographer was inspired by his own life with Dyagilev\, whom he was in love with. From this arises his inner contrast\, due on one hand to the moral censorship of the times and on the other to the strong attraction to the prostitutes he frequented. \nThe second part is a solo built on the constant and repeated search for virility and eroticism already unwittingly inherent in popular memory. A plunge into sacrifice\, a ritual aimed at a higher pleasure. Carnal movements that clash with the most sensual delicacies. A body that observes and scrutinizes. A body that screams and savors. A body that nestles on familiar melodies sinking into ancestral memories. \nThe third part tells an ancient love story by origin\, contemporary by definition. On stage\, two bodies that love each other until a third takes the place of one of the two\, a new couple is formed but briefly\, they become a trio; the triangle composed of the legendary Vaslav Nijinsky\, Countess Romola de Pulszky\, and impresario Sergei Pavlovich Dyagilev takes shape on stage through tenderness\, passion\, voyeurism\, fun\, anger\, and loneliness. Romola’s strength\, Nijinsky’s will\, Dyagilev’s fury intertwine in forms\, trajectories\, patterns\, explosions. Three people who love each other. Is this also love? What moves their souls and their bodies? \nThe music starts from the reworking of two immortal works: L’Après-midi d’un Faune by Debussy and Le Sacre du Printemps by Stravinsky. The themes are re-elaborated and deconstructed with an electro-acoustic approach\, the harmonic material reiterated in an almost cathartic manner in order to underline the erotic and mad nuances of Nijinsky’s tormented poetry. Musical repetition is a fundamental part of the process\, the matrix of a primitive feeling refined into modern man\, a victim of love and its consequences. \n\n  \n\n  \nSEHNSUCHT\n\n\n\n\n\n\n\n\n\n\n\n\n\nSehnsucht is a key word of the German romantic spirit\, embodying a typical concept of romantic culture\, rendered in Italian as “longing dependence”. Heidegger\, on the other hand\, identifies a different meaning\, as Sucht is to be understood in its original sense as “pain”: “Nostalgia is the pain of the nearness of the distant”.\nSehnsucht means desiring to reach the limit that separates it from the next\, to discover it\, to show it\, to touch it. Bodies alone but dependent\, investigating\, in a common space\, their limits in relation to the body\, space\, time\, and the other. The dancers enter into a system of movement where each element outlines the coordinates of choreographic scores characterized by unusual directions\, accelerations\, suspensions\, falls\, balances\, and interruptions of dynamics. \nDISCOVER MORE \nThe music\, specially composed for the performance by Filippo Ripamonti\, plays a role in defining the space created by the dancers\, also through the use of reverbs and source tracking. The music expands until it breaks these boundaries with an anthropomorphic music\, no longer tied to the distance between molecules but to the distance between people. \nThe creation seeks to go beyond the choreographic container itself\, in an instantaneous composition\, different with each repetition. The dancers enter into a score of spatial and temporal coordinates\, with a vocabulary of movement to draw from each time to write a new relationship\, a new choreography\, in search of contact with the other\, of reconciliation\, of unity. \nThe choreographic flow in which the performers immerse themselves evolves and slowly reveals the internal relationships\, questioning the limit\, which forces them to constant attention to the group\, to change\, to instant reaction. \nIn this system\, bodies seek each other\, find each other\, and explore contact anew\, a new way of living the relationship in which the audience recognizes itself\, living with hope and craving the performative act. \n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS \nA LOT OF \nby Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Giovanni Careccia\, Enrico Luly\, and Gioele Cosentino\ncostumes by Leonardo Rossi\nco-production FLIC – Festival Lanciano in Contemporanea \nDURATION 40′ \n— \nSEHNSUCHT \na performance by Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Maria Chiara Bono\, Chiara Borghini\, Giovanni Careccia\, Gioele Cosentino\, Arianna Cunsolo\, Francesca Lastella\, Enrico Luly\, and Davide Galuppi\nwith the support of Time To Move\, Teatrino dei Fondi\, Consorzio Coreografi Danza d’Autore Con.Cor.D.A\, Residenze Artistiche Toscane \nDURATION 30′ \nThe Lost Movement company is now supported by Sanpapié\, Dance production organism supported by MiC \nCOMPAGNIA LOST MOVEMENT \nThe Lost Movement Company was founded in 2011 from an idea by Nicolò Abbattista\, in collaboration with Christian Consalvo. To date\, the company has created eighteen productions. Its most recent productions have received support from important national organizations: Fattoria Vittadini and Fondazione Milano\, Oriente Occidente in Rovereto\, OPLAS/Centro Regionale Danza Umbria\, Teatrino dei Fondi (Consorzio Coreografico CONCORDA)\, and Residenze Artistiche Toscane. \nFor international distribution\, the company is supported by Klub Żak and Gdansk Dance Festival (Poland)\, Platform 14 (Germany)\, and Dance Horizons\, a distribution organism based in Edinburgh\, Scotland. \nThe company has won numerous awards and recognitions\, including Danz’è Off 2015 (finalist for Premio Prospettiva Danza e Teatro 2017 by Arteven)\, selected for IDACO festival (New York)\, Solo Dance Contest (Poland)\, winner of Abelianodanza Contest 2018\, Time To Move 2019\, Nessuno Resti Fuori festival of theater\, city\, and people\, and Festival Presente Futuro 2022 (Movin’Up 2021-2022\, a project supporting artistic mobility and internationalization). \nSince 2023\, Lost Movement has been supported by Associazione Culturale Sanpapié\, a dance production organization recognized by the Ministry of Culture. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio Emilia: 6 euros\nReduced for under 8: 3 euros \nTICKET PURCHASE \nTickets can only be purchased on the evening of the performance at the ticket office of the Fonderia. \nThe ticket office opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS FOR RESERVATIONS\n \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/a-lot-of-sehnsucht/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240516T190000
DTEND;TZID=Europe/Rome:20240516T200000
DTSTAMP:20260403T212535
CREATED:20240119T170142Z
LAST-MODIFIED:20240419T170325Z
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SUMMARY:YELED / SECUS
DESCRIPTION:The Aterballetto Company performs at the Lodz Ballet Festival 2024 in Poland\, showcasing Yeled by Eyal Dadon and Secus by Ohad Naharin. \nYELED – Eyal Dadon\nYeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?\n“In the process of creation with the dancers\, I reflected on the moment in our lives\, as adults\, when we lost the feeling of being children\, the feeling of being naturally pure\, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon \n\nSECUS – Ohad Naharin\nSecus is a creation by Ohad Naharin which boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a fitting backdrop for the boldly extravagant choreography.
URL:https://www.fndaterballetto.it/en/evento/yeled-secus-4/2024-05-16/
LOCATION:Lodz Grand Theatre\, Plac Dąbrowskiego\, 90-249\, Łódź\, Polonia
CATEGORIES:Aterballetto,Secus,Yeled,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240517T190000
DTEND;TZID=Europe/Rome:20240517T200000
DTSTAMP:20260403T212535
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SUMMARY:YELED / SECUS
DESCRIPTION:The Aterballetto Company performs at the Lodz Ballet Festival 2024 in Poland\, showcasing Yeled by Eyal Dadon and Secus by Ohad Naharin. \nYELED – Eyal Dadon\nYeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?\n“In the process of creation with the dancers\, I reflected on the moment in our lives\, as adults\, when we lost the feeling of being children\, the feeling of being naturally pure\, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon \n\nSECUS – Ohad Naharin\nSecus is a creation by Ohad Naharin which boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a fitting backdrop for the boldly extravagant choreography.
URL:https://www.fndaterballetto.it/en/evento/yeled-secus-4/2024-05-17/
LOCATION:Lodz Grand Theatre\, Plac Dąbrowskiego\, 90-249\, Łódź\, Polonia
CATEGORIES:Aterballetto,Secus,Yeled,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240518T180000
DTEND;TZID=Europe/Rome:20240518T200000
DTSTAMP:20260403T212535
CREATED:20240501T182455Z
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SUMMARY:Revival Rhapsody
DESCRIPTION:Revival Rhapsody is much more than just a dance workshop; it is an intergenerational experience aimed at expanding the concept of inclusivity and participation through the sharing of stories\, times\, and different ways of inhabiting a place\, all through the language of dance. Revival Rhapsody is a dancing procession that on May 18th at 6:00 PM starts from the Centro Sociale del Gattaglio\, crosses the neighborhood\, and arrives at Parco del Legno. \nThe project\, promoted and realized by the Centro Coreografico Nazionale / Aterballetto in collaboration with the Comune di Reggio Emilia\, Cooperativa Rigenera\, and Centro Sociale Gattaglio\, financed by European funds from the Emilia-Romagna Region\, stems from the natural evolution of Dal liscio al Rave\, the workshop that last season involved citizens over 55 and under 25\, but for the new edition has opened up to an even wider audience\, from 16 years old and up. \n\nDance becomes the vehicle through which people can express their stories and experiences\, transforming the neighborhood into a living stage where generations mix and identities are built and revealed through the movement of the body. This process of revelation and sharing leads to the creation of a nonlinear rhapsodic narrative\, gathering pieces of history and personal testimonies. \nThe creator of this narrative is Lara Guidetti\, performer\, choreographer\, and artistic director of the Sanpapié Company\, who led the workshop and brought to life a dancing community starting from folk dancing. The choreographer explains: \n“Folk dancing\, as a true social ritual\, breaks through the boundaries of the ballrooms of Emilia-Romagna and the Temporary Autonomous Zones (TAZ) of raves to include practices typical of different historical moments\, regions\, and places deposited in collective memory and a tool for mutual knowledge and storytelling. Revival means ‘reviving\, rebirth\, awakening’: a material deposited within bodies\, memories\, and imaginaries that\, depending on the stage of life one finds themselves in\, can be very different\, but which is always present in each of us and constitutes a source of comparison\, creativity\, and intergenerational dialogue. The rhapsody evokes a free and varied composition\, built from the set of melodic ideas that focus on a popular and transmissible story. This is the underlying structure of the project\, which aims to bring together and give voice to ‘multiple uniquenesses’ within a collective discourse\, reflecting inclusion and listening.” \nCREDITS \nPerformers Citizens of Reggio Emilia \nChoreography Lara Guidetti \nDramaturgical Consultancy Saverio Bari \nSound Editing and DJ Set Marcello Gori \nChoreography Assistants Fabrizio Calanna and Lara Viscuso \nWith the participation of Filarmonica Città del Tricolore\, Centro Teatrale MaMiMò\, and Associazione XL
URL:https://www.fndaterballetto.it/en/evento/revival-rhapsody/
LOCATION:Centro Sociale Gattaglio\, Via del Gattaglio\, 30\, 42123 Reggio Emilia RE\, Reggio Emilia\, 42123\, Italia
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DTSTART;TZID=Europe/Rome:20240521T210000
DTEND;TZID=Europe/Rome:20240521T220000
DTSTAMP:20260403T212535
CREATED:20240518T113633Z
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SUMMARY:MOODBOARD
DESCRIPTION:Exploring the human soul through dance: Moodboard is an evening composed of four choreographies by young authors\, presented by Nutida Festival and Stazione Utopia. Much more than just a series of dance performances\, Moodboard is an exciting and engaging journey that explores the human spirit through the beauty of movement. Each piece carries with it a unique story\, a profound message\, and a personal vision of the world. From the life and fragility of Marilyn Monroe to the complexity of human relationships\, from the duality of life choices to the mysterious phases of the moon: each performance offers an intimate and powerful look into our existence. \nMM is a powerful exploration of the life and fragility of Marilyn Monroe through dance\, accompanied by the choreography of Giovanni Insaudo. Lunatica tells of a dreamlike journey through the phases of the moon\, interpreted by Matilde Di Ciolo and Veronica Galdo. The choreography by Roberto Doveri captures the enigma of the stars and transforms movement into poetry. IN(10)SION is an exploration of human duality and the choices that define our path in life. Through the choreography of Isabella Giustina and the performance of Beatrice Ciattini\, the show invites reflection on one’s own certainties. Closing the evening\, LANDSCAPE: based on the work of Harold Pinter – Paesaggio – explores the complexity of human relationships through two simultaneous monologues. The choreography by Alice Catapano offers a profound look at the modes of interaction within a couple\, misunderstandings\, and communicative short circuits. \nIn continuity with the philosophy of the Nutida Festival in Scandicci\, the audience will be offered an aperitif at Fonderia\, starting from 8:00 PM. \nCREDITS \nArtistic Direction Nutida Festival Cristina Bozzolini and Saverio Cona\nPerformers Mooniba Ensemble \nProduction Nutida Festival/Stazione Utopia\n \nMM\nChoreography Giovanni Insaudo\nDancer Veronica Galdo with the participation of Niccolò Poggini Music by Nick Cave & Warren Ellis \nDuration 12 minutes \n— \nLUNATICA\nChoreography Roberto Doveri\nDancers Matilde Di Ciolo and Veronica Galdo\nMusic by Tale of Us \nCo-production Nutida Festival\, NBDT \nDuration 7 minutes \nWinner of “Produktionspreis Theater Pforzheim” and “Scapino Produktionspreis” for the competition “34 International choreographic competition Hannover 2020” \n— \nIN(10)SIONE\nChoreography Isabella Giustina\nDancer Beatrice Ciattini\nMusic by Raime\, Svarte Greiner\n \nDuration 17 minutes \n— \nLANDSCAPE\nChoreography Alice Catapano\nDancers Alice Catapano\, Matteo Capetola\nMusic by Soaking – The Starwheel – Undercurrent / Watershed \nCo-production Nutida Festival\, NBDT \nDuration 18 minutes \nSTAZIONE UTOPIA \nStazione Utopia is a cooperative – social enterprise for culture\, entertainment\, and social activities. \nFounded in 2010\, it carries out activities on behalf of public and private institutions including theaters\, museums\, foundations\, contemporary art festivals\, and research centers in the music field\, as well as developing national and international projects. Special attention is paid to activating programs and practices of inclusion and social promotion aimed at audiences at risk of cultural and educational exclusion\, including migrants\, people in situations of economic/social hardship\, and people with cognitive and/or disabilities. \nIn the field of museum mediation and education\, Stazione Utopia offers educational activities for schools\, in-depth seminars for teachers and educators\, and professional orientation laboratory paths designed to promote creative and transversal learning\, through experience\, knowledge of artistic craftsmanship\, and the discovery of the original language of artwork. \nSince 2010\, Stazione Utopia has been providing assistance and technical direction services\, rental of stage equipment\, logistics services\, event planning\, and production of setups for exhibitions and shows\, art installations\, scenery\, and stage objects\, taking care of design\, safety\, and implementation. \nIn the field of theatrical production and contemporary arts\, Stazione Utopia has been consistently present since 2010 as a producer and co-producer of numerous shows. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Choreutic High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/moodboard/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Sofia:20240523T120000
DTEND;TZID=Europe/Sofia:20240523T180000
DTSTAMP:20260403T212535
CREATED:20240516T211533Z
LAST-MODIFIED:20240516T211533Z
UID:10003289-1716465600-1716487200@www.fndaterballetto.it
SUMMARY:Italia Danza - Madrid
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the Directorate General for Public and Cultural Diplomacy of the Farnesina\, and interpreted by CCN/Aterballetto thanks to its now rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, signed by Italian and international choreographers)\, but also stage performances revisited for the occasion\, so they can be presented anywhere. \nGalería de las Colecciones Reales | Italian Cultural Institute of Madrid\, May 23-24\, 2024 \nThanks to the collaboration between the Italian Cultural Institute of Madrid and the Galería de las Colecciones Reales\, on May 23 and 24\, the closing stage of the second edition of “Italia Danza” will be held in Madrid with a particularly ambitious itinerary: it will start at the Galería de Las Colecciones Reales and continue at the Italian Cultural Institute of Madrid\, with choreographies by Elena Kekkou\, Francesca Lattuada\, Angelin Preljocaj\, Philippe Kratz\, and Diego Tortelli. \n\n \n“We are thrilled to be part of the second edition of Italia Danza. The Madrid stage will be truly special: with the MicroDanze chosen together with Aterballetto and the Spanish partners\, we will create an ideal bridge between the wonderful spaces of our Institute\, a symbol of Italian culture in Spain\, and the Galería de las Colecciones Reales\, a custodian of the history and heritage of this extraordinary country. Once again\, Italian and Spanish culture meet\, and once again\, we are protagonists with our cultural and creative excellences.” \nMarialuisa Pappalardo \nDirector of the Italian Cultural Institute of Madrid \nMay 23\, 2024 12:00 PM – 3:00 PM – 5:00 PM\nMay 24\, 2024 12:00 PM – 4:00 PM – 6:00 PM \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nAn echo\, a wave\nby Philippe Kratz \nActive motivation\nby Elena Kekkou \nA Gig\nby Diego Tortelli \nDuration 1h \nhttps://youtu.be/2lxSYnoyvEA\n“`
URL:https://www.fndaterballetto.it/en/evento/italia-danza-madrid/2024-05-23/
LOCATION:Galería de las Colecciones Reales\, Calle Bailén s/n\, Madrid\, Spagna
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Sofia:20240524T120000
DTEND;TZID=Europe/Sofia:20240524T190000
DTSTAMP:20260403T212535
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UID:10003290-1716552000-1716577200@www.fndaterballetto.it
SUMMARY:Italia Danza - Madrid
DESCRIPTION:From Sofia to Madrid\, passing through Oslo and Cologne: this is the second phase of Italia Danza\, on stage from April 27 to May 24\, 2024. \nA cosmopolitan project\, entrusted to the universal language of the body\, desired by the Directorate General for Public and Cultural Diplomacy of the Farnesina\, and interpreted by CCN/Aterballetto thanks to its now rich heritage of site-specific creations. A contemporary repertoire that includes MicroDanze (short creations for confined spaces\, signed by Italian and international choreographers)\, but also stage performances revisited for the occasion\, so they can be presented anywhere. \nGalería de las Colecciones Reales | Italian Cultural Institute of Madrid\, May 23-24\, 2024 \nThanks to the collaboration between the Italian Cultural Institute of Madrid and the Galería de las Colecciones Reales\, on May 23 and 24\, the closing stage of the second edition of “Italia Danza” will be held in Madrid with a particularly ambitious itinerary: it will start at the Galería de Las Colecciones Reales and continue at the Italian Cultural Institute of Madrid\, with choreographies by Elena Kekkou\, Francesca Lattuada\, Angelin Preljocaj\, Philippe Kratz\, and Diego Tortelli. \n\n \n“We are thrilled to be part of the second edition of Italia Danza. The Madrid stage will be truly special: with the MicroDanze chosen together with Aterballetto and the Spanish partners\, we will create an ideal bridge between the wonderful spaces of our Institute\, a symbol of Italian culture in Spain\, and the Galería de las Colecciones Reales\, a custodian of the history and heritage of this extraordinary country. Once again\, Italian and Spanish culture meet\, and once again\, we are protagonists with our cultural and creative excellences.” \nMarialuisa Pappalardo \nDirector of the Italian Cultural Institute of Madrid \nMay 23\, 2024 12:00 PM – 3:00 PM – 5:00 PM\nMay 24\, 2024 12:00 PM – 4:00 PM – 6:00 PM \nMICRODANZE \nEppur si muove\nby Francesca Lattuada \nNear Life Experience\nby Angelin Preljocaj \nAn echo\, a wave\nby Philippe Kratz \nActive motivation\nby Elena Kekkou \nA Gig\nby Diego Tortelli \nDuration 1h \nhttps://youtu.be/2lxSYnoyvEA\n“`
URL:https://www.fndaterballetto.it/en/evento/italia-danza-madrid/2024-05-24/
LOCATION:Galería de las Colecciones Reales\, Calle Bailén s/n\, Madrid\, Spagna
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240526T100000
DTEND;TZID=Europe/Rome:20240526T123000
DTSTAMP:20260403T212535
CREATED:20240509T163315Z
LAST-MODIFIED:20240516T212731Z
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SUMMARY:Stravaganze in sol minore - Reggionarra 2024
DESCRIPTION:“`html \n \n  \nFAMILY CONTACT: THE WORKSHOP FOR CHILDREN AND FAMILIES \nSunday\, May 26 – 10:00 AM | Fonderia \n“The body has its own laws and follows a logic that\, however\, is not necessarily that of reason” (Kazuo Ono) \nThe body is an expressive instrument capable of establishing relationships\, creating forms\, interpreting stories and music. The encounter with dance is an important opportunity for both physical and emotional growth. Family Contact is a moment of sharing between children and parents that aims to explore new worlds. Being together through the body\, movement\, physical contact\, creating and building a new harmonic union. Parents and children will experiment with new relationships\, new spaces\, new languages\, all through the body that will enjoy improvising and experimenting with new collective games\, in a non-verbal dialogue rich in human connections. With Family Contact time stands still and imagination takes over. \nPARTICIPATION DETAILS \n“`html \nThe workshop is conducted by Laura Matano\, choreographer and performer \nFor children aged 5 to 10 – accompanied by 1 parent \nReservations open \n€ 5.00 – per person \n(includes ticket for the performance Stravaganze in G Minor at 11:30 AM) \ntel. 334 1023554 – biglietteria@aterballetto.it \n\n  \n\n  \nTHE SHOW: STRAVAGANZE IN G MINOR BY FRANCESCA LATTUADA \nSunday\, May 26 – 11:30 AM | Fonderia \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is the basis of this new creation for children and teenagers\, signed by the National Dance Foundation / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings created on the surface of the water when a stone is thrown: evoking unreal or hyper-real images\, carrying a musicality that mixes poetry and nursery rhyme\, making the extraordinary and the frightening join hands. \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (from Hamlet’s Apple) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: National Dance Foundation / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \n“`html \nTICKETS\nSingle: 3 euros \nCONTACTS \nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-reggionarra-2024/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240527T210000
DTEND;TZID=Europe/Rome:20240527T220000
DTSTAMP:20260403T212535
CREATED:20240509T155915Z
LAST-MODIFIED:20240520T140958Z
UID:10003293-1716843600-1716847200@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: THE BODY IN DANGER
DESCRIPTION:Visioni del corpo is a series of events that from May 27th to November 29th\, 2024 will feature a blend of contemporary art and dance\, in a journey where the common denominator will be the body. Six encounters on contemporary art led by Nicolas Ballario\, where alongside words there will be dance\, through some performative interventions in connection with the presented works. Each encounter will be divided into six moments where Ballario will introduce six works by six different artists\, well-known figures in the contemporary scene also to non-enthusiast audiences. Each encounter will be entrusted to a choreographer\, who will translate into dance the suggestions evoked by the discussed works. Each encounter will enrich a small “dancing encyclopedia” of contemporary art\, investigating how illustrious artists have dealt with the theme of the body. Before and after the events at Fonderia\, the bar service will be available\, offering an aperitif to stimulate dialogue among different audiences and different forms of art. \n\n\n \n \nFirst Appointment: Monday\, May 27th at 9:00 PM at Fonderia\n\n \nThe Body in Danger\nDialogue between Nicolas Ballario\, Roberto Escobar\, and Roberto Tedesco \nChoreography by Roberto Tedesco \nFocus on Marina Abramovich\, Jean Michel Basquiat\, Joseph Beuys\, Yves Kleins\, Tracey Emin\, Bill Viola \nIn partnership with \n \n\n\n \nThe first appointment is born in collaboration with the festivalfilosofia of Modena\, Carpi\, and Sassuolo\, a historic event that connects a key word in each edition\, which refers to fundamental issues in philosophical discussion and crucial experiences of contemporary condition\, like the upcoming September with psyche. A reflection on the mind will also open the theme interpreted by Roberto Tedesco: on May 27th at Fonderia\, the investigation will delve into The Body in Danger\, a macro-topic starting from the anthropology of risk and could extend to climate emergency\, addressing in general all physical and psychosomatic emergencies that the contemporary body faces. Dialoguing with the choreographer and Nicolas Ballario will be the philosopher Roberto Escobar. \nThe audience will also experience a VR experience with Francesca Lattuada’s MicroDanza\, It’s Dangerous Not to Lean Out\, with Oculus available one hour before and one hour after the encounter. \n\n\nInfo & reservations \nAPERITIVO AT FONDERIA\nFrom 8:00 PM organized by Associazione Prosit \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket office at Fonderia opens at 7:30 PM.\nTickets are not numbered. \nCONTACTS\nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n\nRoberto Tedesco\nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Escobar\nAlready a professor of Political Philosophy and Analysis of Political Language at the University of Milan and a collaborator of the Domenica insert of Il Sole 24 Ore. In his research\, he has investigated the anthropological foundations of the dynamics of power mechanisms\, with specific attention to totalitarian political movements\, in order to recover a new space for reflection on categories such as order\, exclusion\, fear\, persecution\, and surveillance. Among his recent works: The Good of the World: The Reasons for Solidarity (il Mulino\, Bologna\, 2018); Facing the Shadow. What Plagues Teach (Raffaello Cortina\, Milan\, 2022); The Faces of Fear (il Mulino\, Bologna\, 2023).
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-the-body-in-danger/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240604T210000
DTEND;TZID=Europe/Rome:20240604T220000
DTSTAMP:20260403T212535
CREATED:20240527T144324Z
LAST-MODIFIED:20240613T135642Z
UID:10003308-1717534800-1717538400@www.fndaterballetto.it
SUMMARY:Made in Italy 32.0
DESCRIPTION:  \n\n  \n\n“`html\n  \nDouble Performance: \nTuesday\, June 4 – 9:00 PM\nWednesday\, June 5 – 9:00 PM \nThe protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nSCHUBERT FRAMES by Enrico Morelli \nTo the extraordinary music of Franz Schubert\, Enrico Morelli has entrusted his work: no one better than the Viennese composer has been able to interpret the conflicting feelings of love\, tension\, melancholy\, regret\, but also hope. A collage of famous pieces by Schubert\, extracted from true masterpieces – composed two centuries ago\, still amaze today for their great relevance – serve as the soundtrack to this work dedicated to the many souls of contemporary man\, where love gives way to disenchantment\, detachment to sharing\, passion to fear\, and vice versa\, in a back-and-forth between crescendos and diminuendos\, revealing entire universes and secret connections. The choreography aims to be a tale of solitudes and kindred spirits\, in an era like ours\, weary\, murky\, disenchanted\, tormented by a malaise that is in the air\, but also anxiously searching for meaning and a hope of happiness\, some tenderness. A tale of comings and goings that focuses mainly on the moment of return\, because happiness is a home to return to\, perhaps changed\, heedless of the accelerated pace of a present that risks making us struggle and a future we fear to explore. The problem is not to arrive\, but to return. To learn to love again each time. To have the courage to recognize ourselves as fragile\, and therefore generous in tenderness. \n  \nMETEOROLOGY RECHARGED by Michele Di Stefano \nSeven pieces on the coexistence and proximity between bodies\, on what makes dance a formidable tool for knowing the other and others; the work is primarily a path of appropriation of the external space to give body and rhythm to a very simple idea: that dance has the ability to create a welcoming place where someone else’s dance can exist. For this reason\, the dancers’ attention is always directed outward\, to what is near\, around the body. With an exotic touch that doesn’t hurt. We would like this space\, which each body projects outward\, to be perceived as a “possible” space of coexistence\, proximity\, and invention\, based purely on facts. \n  \nPERFORMERS \nJune 4\nErica Barusco\, Jasmine Begici\, Giovanni Karol Borriello\, Elisa D’Acciavo\, Laura Dell’Agnese\, Sara Ferrentino\, Giulia Lusetti\, Lucrezia Maggiore\, Gioele Marcante\, Maya Maselli\, Carlotta Maucioni\, Federico Musumeci\, Giada Piccinini\, Giorgia Raffetto\, Susanna Russing\, Viviana Maria Sanfilippo\, Gennaro Todisco\, Diletta Torelli \nJune 5\nCorrado Azzolini\, Giulia Boccarossa\, Elisa Bocconi\, Salvatore Bruno\, Lucrezia Capuzzelli\, Anna Dal Maso\, Vittoria Facci\, Nicole Forni\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Filippo Penco\, Martina Procacci\, Alessia Russo\, Diletta Suman\, Gaia Zorrilla \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual advanced dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. Its goal is to train artists who are ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands that come from this same market. The project aims to offer a wide range of stimuli\, of a technical and cultural nature\, and of exchange between students and choreographers\, each coming from diverse and interesting realities in the international panorama. Agora allows young dancers to meet established choreographers with different stylistic orientations and has seen the presence of many illustrious names over the years: Michele Merola and Enrico Morelli collaborate with several teachers\, each with proven and qualified experience in the field\, to realize the project. \nCREDITS \nSCHUBERT FRAMES \nChoreography by Enrico Morelli \nMusic by Franz Schubert \nChoreography Assistants: Nicola Stasi\, Lorenzo Fiorito \nDuration: 30 minutes \n  \n— \nMETEOROLOGY RECHARGED \nChoreography by Michele Di Stefano \nRestaged by Biagio Caravano \nMusic by LCD Soundsystem\, Don Bigg\, Dame Grease & Riff Raff\, Cliff Martinez\, Lorenzo Bianchi Hoesch \nDuration: 45 minutes \n  \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-32-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240605T210000
DTEND;TZID=Europe/Rome:20240605T220000
DTSTAMP:20260403T212535
CREATED:20240527T144415Z
LAST-MODIFIED:20240613T135954Z
UID:10003309-1717621200-1717624800@www.fndaterballetto.it
SUMMARY:Made in Italy 32.0
DESCRIPTION:  \n\n  \n\n  \nDouble Performance: \nTuesday\, June 4 – 9:00 PM\nWednesday\, June 5 – 9:00 PM \nThe protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nSCHUBERT FRAMES by Enrico Morelli \nTo the extraordinary music of Franz Schubert\, Enrico Morelli has entrusted his work: no one better than the Viennese composer has been able to interpret the conflicting feelings of love\, tension\, melancholy\, regret\, but also hope. A collage of famous pieces by Schubert\, extracted from true masterpieces – composed two centuries ago\, still amaze today for their great relevance – serve as the soundtrack to this work dedicated to the many souls of contemporary man\, where love gives way to disenchantment\, detachment to sharing\, passion to fear\, and vice versa\, in a back-and-forth between crescendos and diminuendos\, revealing entire universes and secret connections. The choreography aims to be a tale of solitudes and kindred spirits\, in an era like ours\, weary\, murky\, disenchanted\, tormented by a malaise that is in the air\, but also anxiously searching for meaning and a hope of happiness\, some tenderness. A tale of comings and goings that focuses mainly on the moment of return\, because happiness is a home to return to\, perhaps changed\, heedless of the accelerated pace of a present that risks making us struggle and a future we fear to explore. The problem is not to arrive\, but to return. To learn to love again each time. To have the courage to recognize ourselves as fragile\, and therefore generous in tenderness. \n  \nMETEOROLOGY RECHARGED by Michele Di Stefano \nSeven pieces on the coexistence and proximity between bodies\, on what makes dance a formidable tool for knowing the other and others; the work is primarily a path of appropriation of the external space to give body and rhythm to a very simple idea: that dance has the ability to create a welcoming place where someone else’s dance can exist. For this reason\, the dancers’ attention is always directed outward\, to what is near\, around the body. With an exotic touch that doesn’t hurt. We would like this space\, which each body projects outward\, to be perceived as a “possible” space of coexistence\, proximity\, and invention\, based purely on facts. \n  \nPERFORMERS \nJune 4\nErica Barusco\, Jasmine Begici\, Giovanni Karol Borriello\, Elisa D’Acciavo\, Laura Dell’Agnese\, Sara Ferrentino\, Giulia Lusetti\, Lucrezia Maggiore\, Gioele Marcante\, Maya Maselli\, Carlotta Maucioni\, Federico Musumeci\, Giada Piccinini\, Giorgia Raffetto\, Susanna Russing\, Viviana Maria Sanfilippo\, Gennaro Todisco\, Diletta Torelli \nJune 5\nCorrado Azzolini\, Giulia Boccarossa\, Elisa Bocconi\, Salvatore Bruno\, Lucrezia Capuzzelli\, Anna Dal Maso\, Vittoria Facci\, Nicole Forni\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Filippo Penco\, Martina Procacci\, Alessia Russo\, Diletta Suman\, Gaia Zorrilla \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual advanced dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. Its goal is to train artists who are ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands that come from this same market. The project aims to offer a wide range of stimuli\, of a technical and cultural nature\, and of exchange between students and choreographers\, each coming from diverse and interesting realities in the international panorama. Agora allows young dancers to meet established choreographers with different stylistic orientations and has seen the presence of many illustrious names over the years: Michele Merola and Enrico Morelli collaborate with several teachers\, each with proven and qualified experience in the field\, to realize the project. \nCREDITS \nSCHUBERT FRAMES \nChoreography by Enrico Morelli \nMusic by Franz Schubert \nChoreography Assistants: Nicola Stasi\, Lorenzo Fiorito \nDuration: 30 minutes \n  \n— \nMETEOROLOGY RECHARGED \nChoreography by Michele Di Stefano \nRestaged by Biagio Caravano \nMusic by LCD Soundsystem\, Don Bigg\, Dame Grease & Riff Raff\, Cliff Martinez\, Lorenzo Bianchi Hoesch \nDuration: 45 minutes \n  \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it\n“`
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-32-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240610T180000
DTEND;TZID=Europe/Rome:20240610T190000
DTSTAMP:20260403T212535
CREATED:20240610T084432Z
LAST-MODIFIED:20240613T145552Z
UID:10003310-1718042400-1718046000@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - NOTTE MORRICONE
DESCRIPTION:«”I\, Ennio Morricone\, am dead\,” wrote the composer before saying goodbye. His music\, on the other hand\, cannot do so. And this is how creators and artists always leave us without really leaving\, and this is how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father or my grandfather; I am a direct heir to his legacy\, to the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.» – Marcos Morau \nNotte Morricone\, the new creation by CCN / Aterballetto created by the award-winning choreographer Marcos Morau\, debuts on August 1\, 2024\, at the Arena Sferisterio during the Macerata Opera Festival. The show features the entire ensemble of the Compagnia Aterballetto and\, thanks to a coalition of national co-producers\, celebrates the indelible artistic legacy of Oscar-winning Ennio Morricone. \nOn Monday\, June 10\, at 6:00 PM\, the Fonderia audience will have the opportunity to witness the preparation of Notte Morricone. \nOpen rehearsals are unique moments where one can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special occasion that allows the audience into the daily routines of the dancers and choreographers. \n  \nCREDITS \nDirector and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, Outdoor Premiere Macerata Opera Festival\nCo-production\, Indoor Premiere Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nOutdoor Premiere August 1\, 2024\, Macerata Opera Festival \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«I am often asked what music I listen to\, what music inspires me or accompanies me in my daily life\, and I always respond the same way: from classical music to contemporary waves\, I draw inspiration from many diverse sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images it accompanies\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and building itself every day.\nHis music has a powerful melancholic quality that stems both from the contemplation of the past and from the impossibility of capturing any past experience. \nClassically trained with an avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century\, having revived many of our great masters.\nHis music was a genre in itself\, and for this evening\, I want to build a universe based on his sensibility to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, that can live far from the films for which it was created”.» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of 2023 by the German magazine TANZ\, the career of Marcos Morau (born in Valencia in 1982) continues to flourish as a creator and stage director. \nTrained between Barcelona and New York in photography\, choreography\, theater theory\, and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in top theaters and festivals across more than thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival de Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always at the intersection of performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, and The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims to explore new formats and languages where opera\, dance\, and physical theater interact more than ever\, seeking new ways to express and communicate in our turbulent and ever-evolving times. \nStarting from this season\, he is an associated artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we become involved in what turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Open rehearsals,Productions,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240618T210000
DTEND;TZID=Europe/Rome:20240618T220000
DTSTAMP:20260403T212535
CREATED:20240527T144816Z
LAST-MODIFIED:20240613T145719Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore\nStravaganze in sol minore by Francesca Lattuada arrives at the Colpi di Scena Festival in Forlì. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, with which a dancer and a baritone play\, is at the heart of this new creation for children\, signed by the Fondazione Nazionale della Danza / Aterballetto. \nThe almost magical vibrations that emanate from Scialoja’s poems are like the infinite rings that form on the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, carriers of a musicality that blends poetry and nursery rhyme\, making the extraordinary and the frightening hold hands. \nUnder a clump of scarlet roses\nThe toad offers hot tea with milk\nUnder a clump of peacock-blue roses\nIt’s the toad’s turn to rinse the cups.\n(Toti Scialoja\, The Apple of Hamlet\, 1984) \nCREDITS \nDirection and Choreography: Francesca Lattuada\nTexts: Toti Scialoja (excerpted from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and Objects: Natali Fortier\nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-15/
LOCATION:Accademia Perduta Romagna Teatri\, Teatro Il Piccolo - Via Cerchia 98\, 47121 Forlì\, Forlì\, 47121\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240620T200000
DTEND;TZID=Europe/Rome:20240620T223000
DTSTAMP:20260403T212535
CREATED:20240607T132220Z
LAST-MODIFIED:20240607T132220Z
UID:10003312-1718913600-1718922600@www.fndaterballetto.it
SUMMARY:MICRODANZE
DESCRIPTION:  \nMicroDances arrive in Sarzana at the Fisiko! Festival – International Festival of Bad Actions. \nThe Program\nEppur si muove by Francesca Lattuada\nNear life experience by Angelin Preljocaj\nA GIG by Diego Tortelli\nActive Motivation by Elena Kekkou \nIn Eppur si muove by Francesca Lattuada\, a performer on a pedestal barrel is drawn to the notes of Beethoven’s Allegretto. His dance fascinates and seduces\, imposing like a prayer chant. Near life experience by Angelin Preljocaj explores the body in intermediate situations\, such as ecstasy and fainting. The subject is elsewhere\, captured by space and time. A GIG\, in the jargon of musicians and rock enthusiasts\, is a performance by the headlining group of an event. Diego Tortelli designs a short opening or closing act\, something brief to warm up the audience or bid them goodnight. Active Motivation by Elena Kekkou explores human existence\, an infinite line that\, in its wandering\, intersects with other lines creating interaction. \n\nFor groups of 30 spectators every 10 minutes. To attend the performance\, it is necessary to arrive promptly at the chosen time slot. \nDuration: 60 minutes \nThree performances: 8:00 PM\, 8:45 PM\, 9:30 PM
URL:https://www.fndaterballetto.it/en/evento/microdanze-8/
LOCATION:Fortezza Firmafede\, Piazza Cittadella\, 19038 Sarzana SP\, Sarzana\, 19038\, Italia
CATEGORIES:Aterballetto,MicroDanze
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DTSTART;TZID=Europe/Rome:20240623T183000
DTEND;TZID=Europe/Rome:20240623T203000
DTSTAMP:20260403T212535
CREATED:20240527T174329Z
LAST-MODIFIED:20240623T091726Z
UID:10003313-1719167400-1719174600@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: IL CORPO NUDO
DESCRIPTION:NOTICE \nDue to unstable weather conditions\, the show will take place at the Bismantova Theater\, located at Via Roma 75\, Castelnovo ne’ Monti (Reggio Emilia)\, at the same time\, 6:30 PM. \nFor more information\, please write or call the ticket office at 3341023554 \nVisions of the body: discovering contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks of the world through dance\, placing the body at the center of the human experience. This is the new project by CCN / Aterballetto\, a series of six cultural dissemination events that\, from May 27 to November 29\, 2024\, will fill the halls of the Fonderia in Reggio Emilia. Connecting the arts\, movement\, and current events\, the meetings address themes such as psychological well-being\, the relationship with the city\, the future\, and ecology through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and communicator\, introduces the topic of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different perspective each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: famous faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with a new performance specifically designed for the project. \nSecond event: Sunday\, June 23\, 6:30 PM\nThe Naked Body \n\nNOTICE \nDue to unstable weather conditions\, the show will take place at the Bismantova Theater\, located at Via Roma 75\, Castelnovo ne’ Monti (Reggio Emilia)\, at the same time\, 6:30 PM. \nFor more information\, please write or call the ticket office at 3341023554 \nThe second event\, organized with the Municipality of Castelnovo ne’ Monti and part of the festival L’Uomo che Cammina\, will take place on June 23 in the evocative setting of the Pietra di Bismantova: Carlo Massari and Nicolas Ballario will guide the audience on a truly performative walk along the paths leading to the magnificent Pietra. On the evening dedicated to The Naked Body\, the choreographer will present Metamorphosis\, a work focusing on the ancestral\, animal\, and primitive body\, in three short pieces: Larva\, Blatta\, and Sapiens. \nWith Nicolas Ballario and Carlo Massari\nChoreographies by Carlo Massari\nFocus on Vanessa Beecroft\, Lucian Freud\, Jeff Koons\, David Lachapelle\, Robert Mapplethorpe\, Takashi Murakami \nIn partnership with \nPractical Information \nMeeting point\n6:30 PM – Ginepreto Cemetery (Castelnovo ne’ Monti hamlet) at Via Ginepreto 12 (there is a parking lot there) \nArrival point\nForesteria di San Benedetto\, Viale Bismantova 43/a \nTotal performance duration\n120 minutes \nFrom the meeting point to the arrival point\, a scenic dirt path of about 1.5 km\, overlooking the Pietra di Bismantova\, will be covered\, during which Nicolas Ballario’s interventions and dance performances will alternate. \nThe path is easy and suitable for everyone: we recommend wearing comfortable shoes – sneakers or sandals – avoiding high heels. \nhttps://vimeo.com/771485342 \n  \nCARLO MASSARI \nCarlo Massari is a performer\, choreographer\, and transdisciplinary creator active in the Italian and international contemporary scene. Always engaged in exploring new performative languages\, he delves into the hybridization and blending of diverse artistic disciplines\, defining in the “amphibious” form a clear and recognizable characteristic. His eclectic educational and professional path is marked by experiences that alternate between prose\, musical theater\, and ultimately dance and physical theater. \nOver the years\, he has collaborated as a performer with: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Balletto Civile\, Compagnia Abbondanza-Bertoni\, Compagnia della Rancia\, Compagnia Petri Dish. In 2011\, he co-founded C&C Company\, a research and production company in the field of dance-theater (supported by MIC)\, where he is Artistic Director and has created several award-winning productions. \nIn addition to his company work\, he has been engaged as a choreographer by: Salzburger Landestheater\, Teatro Regio di Parma\, Teatro dell’Opera di Roma\, Bologna Festival\, Ferrara Musica\, Cie.Balletto Teatro di Torino\, Cie.OPUS Ballet. In 2019\, in collaboration with Leggere Strutture Art Factory\, he launched ANFIBIA\, a transdisciplinary training program for contemporary performers and creators. In 2020\, he was awarded the CollaborActionXL recognition by Rete AnticorpiXL and became an Associate Artist of Festival Oriente Occidente. \n \nNICOLAS BALLARIO \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \n \nINFO & RESERVATIONS \n\nNOTICE\nDue to unstable weather conditions\, the show will take place at the Bismantova Theater\, located at Via Roma 75\, Castelnovo ne’ Monti (Reggio Emilia)\, at the same time\, 6:30 PM. \nFor more information\, please write or call the ticket office at 3341023554. \nBOOKINGS\nCell and whatsapp 3341023554\nEmail biglietteria@aterballetto.it \nUSEFUL INFORMATION \nDeparture from Ginepreto Cemetery\, via Ginepreto 12\, Castelnovo ne’ Monti (RE)\nArrival at San Benedetto Foresteria\, viale Bismantova 43\, Castelnovo ne’ Monti (RE) \nWalking path along a marked trail through meadows and a small forest. Comfortable shoes recommended\, not necessarily hiking boots. \nPath length: 1.5 km\nDuration of the path: 2 hours \nParking:\nIf arriving by car\, park between Sant’Apollinare Church of Ginepreto and Ginepreto Cemetery on via Ginepreto\, Castelnovo ne’ Monti (RE).\nAfter the performance\, the audience can return to the parking area by walking the performance path in reverse. Bringing a torch is recommended. \nNudity scenes will be present during the performance.
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-nudo/
LOCATION:Teatro Bismantova\, via Roma\, 75\, Castelnovo ne' Monti\, RE\, Italia
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240702T190000
DTEND;TZID=Europe/Rome:20240702T193000
DTSTAMP:20260403T212535
CREATED:20240607T141536Z
LAST-MODIFIED:20240621T134310Z
UID:10003314-1719946800-1719948600@www.fndaterballetto.it
SUMMARY:AN ECHO\, A WAVE
DESCRIPTION:“`html \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFrom June 6th to July 4th\, 2024\, at the garden of the medieval Castello dell’Acciaiolo in Scandicci\, Stazione Utopia presents\, also for 2024\, Nutida | Nuovə Danzatorə: a dance festival inspired by the relationship with the place and its inhabitants\, supporting new generations of dancers\, and featuring site-specific performances conceived or adapted in a “nude” form\, in a garden\, outdoors\, during summer\, at sunset. \nFor the occasion\, we will present\, in its preview\, An Echo\, a wave by Philippe Kratz\, performed by Federica Lamonaca and Giovanni Leone. \n\nThere is probably no other view like that of the sea that can come close to explaining the difficult concept of eternity. It hypnotizes us and can fill us with spiritual awe. Watching the flow of movement of a dancer\, we sometimes rediscover that natural motion of marine surfaces. \n“` \n\n\n\n\n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/an-echo-a-wave/
LOCATION:Giardino Pomario del Castello dell’Acciaiolo\, via Pantin 63\, Scandicci\, FI\, 50018\, Italia
CATEGORIES:Aterballetto,MicroDanze,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240703T190000
DTEND;TZID=Europe/Rome:20240703T193000
DTSTAMP:20260403T212535
CREATED:20240607T141634Z
LAST-MODIFIED:20240618T170239Z
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SUMMARY:AN ECHO\, A WAVE
DESCRIPTION:“`html\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFrom June 6th to July 4th\, 2024\, at the garden of the medieval Castello dell’Acciaiolo in Scandicci\, Stazione Utopia presents\, also for 2024\, Nutida | Nuovə Danzatorə: a dance festival inspired by the relationship with the place and its inhabitants\, supporting new generations of dancers\, and featuring site-specific performances conceived or adapted in a “nude” form\, in a garden\, outdoors\, during summer\, at sunset. \nFor the occasion\, we will present\, in its preview\, An Echo\, a wave by Philippe Kratz\, performed by Federica Lamonaca and Giovanni Leone. \n\nThere is probably no other view like that of the sea that can come close to explaining the difficult concept of eternity. It hypnotizes us and can fill us with spiritual awe. Watching the flow of movement of a dancer\, we sometimes rediscover that natural motion of marine surfaces. \n“`\n \n\n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/an-echo-a-wave-2/
LOCATION:Giardino Pomario del Castello dell’Acciaiolo\, via Pantin 63\, Scandicci\, FI\, 50018\, Italia
CATEGORIES:Aterballetto,MicroDanze,Productions
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DTSTART;TZID=Europe/Rome:20240703T190000
DTEND;TZID=Europe/Rome:20240703T220000
DTSTAMP:20260403T212535
CREATED:20240527T150029Z
LAST-MODIFIED:20240613T150631Z
UID:10003316-1720033200-1720044000@www.fndaterballetto.it
SUMMARY:MICRODANZE
DESCRIPTION:“`html\n  \nA new event for MicroDanze: on July 3rd and 4th\, we will once again be guests at the Ravenna Festival\, this time in the splendid setting of Classis Ravenna. Museo della Città e del Territorio. \nThe Program\nFrancesca Lattuada Eppur si muove\nAngelin Preljocaj Near life experience\nElena Kekkou Active Motivation\nIna Lesnakowski Platform 02\nPhilippe Kratz Afterimage\nFernando Melo The bell jar\nSaul Daniele Ardillo  Shelter\nDiego Tortelli A gig \n \n“` \n\n  \nPROGRAM AND HOURS \nWednesday\, July 3rd – 7:00 PM / 9:00 PM \nThursday\, July 4th – 7:00 PM / 9:00 PM
URL:https://www.fndaterballetto.it/en/evento/microdanze-9/
LOCATION:Classis Ravenna\, Via Classense\, 29\, 48124 Ravenna RA\, Ravenna\, 48124\, Italia
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240704T190000
DTEND;TZID=Europe/Rome:20240704T220000
DTSTAMP:20260403T212535
CREATED:20240527T150358Z
LAST-MODIFIED:20240620T152028Z
UID:10003317-1720119600-1720130400@www.fndaterballetto.it
SUMMARY:MICRODANZE
DESCRIPTION:  \nA new event for MicroDanze: on July 3rd and 4th\, we will once again be guests at the Ravenna Festival\, this time in the splendid setting of Classis Ravenna. Museo della Città e del Territorio. \nThe Program\nFrancesca Lattuada Eppur si muove\nAngelin Preljocaj Near life experience\nElena Kekkou Active Motivation\nIna Lesnakowski Platform 02\nPhilippe Kratz Afterimage\nFernando Melo The bell jar\nSaul Daniele Ardillo  Shelter\nDiego Tortelli A gig \n  \n\n  \nPROGRAM AND HOURS \nWednesday\, July 3rd – 7:00 PM / 9:00 PM \nThursday\, July 4th – 7:00 PM / 9:00 PM
URL:https://www.fndaterballetto.it/en/evento/microdanze-ravenna-festival-aterballetto/
LOCATION:Classis Ravenna\, Via Classense\, 29\, 48124 Ravenna RA\, Ravenna\, 48124\, Italia
CATEGORIES:Aterballetto,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240727T220000
DTEND;TZID=Europe/Rome:20240727T230000
DTSTAMP:20260403T212535
CREATED:20240711T091714Z
LAST-MODIFIED:20240711T092158Z
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SUMMARY:Yes\, Yes... - Stravaganze in sol minore
DESCRIPTION:CCN/Aterballetto dances at Festival Armonie d’Arte in Soverato\, near Catanzaro. \nOn stage Yes\, Yes… by Diego Tortelli and the show for families Stravaganze in sol minore by Francesca Lattuada. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/yes-yes-stravaganze-in-sol-minore/
LOCATION:Orto Botanico\, Soverato\, CZ\, 88068\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240801T210000
DTEND;TZID=Europe/Rome:20240801T220000
DTSTAMP:20260403T212535
CREATED:20240521T104255Z
LAST-MODIFIED:20240712T140010Z
UID:10003297-1722546000-1722549600@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:“‘I\, Ennio Morricone\, am dead\,’ wrote the composer before bidding farewell. His music\, on the other hand\, cannot. And thus\, creators and artists always leave us without leaving us\, and thus memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devout tribute to the beauty he gave to the world. Ennio Morricone could be my father\, or my grandfather\, I am a direct heir to his legacy\, to the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.” – Marcos Morau \nNotte Morricone\, the new creation of CCN / Aterballetto by the award-winning choreographer Marcos Morau\, debuts on August 1\, 2024\, at the Arena Sferisterio of the Macerata Opera Festival. The show features the entire ensemble of the Aterballetto Company and\, thanks to a group of national co-producers\, celebrates the indelible artistic legacy of Oscar-winning Ennio Morricone. \nAfter collaborating with some of the most renowned international choreographers\, such as Jiří Kylián\, Ohad Naharin\, and Johan Inger\, the CCN now turns to Marcos Morau\, one of the most sought-after choreographers in the contemporary scene. The Spanish author\, with his visionary power and the ability to transfigure musical universes\, proposes a unique evening that intertwines dance\, visual arts\, and cinematic suggestions. According to Gigi Cristoforetti\, “thanks also to the collaboration of important production partners\, some of whom have been faithful over the years\, others brand new and arrived for the occasion\, the CCN/Aterballetto faces its most ambitious challenge.” \nWith an innate tendency to reconcile very different vocabularies and inspirations\, Marcos Morau is an artist capable of deeply interrogating contemporaneity\, of which he is an intense choreographic voice\, but not only. In him\, the theme of the hybridization of languages is “native\,” as we could say borrowing the expression used for millennials and their digital practice. \nThe show is the result of interdisciplinary collaborations between dance\, music\, and theater entities. Two main co-producers: Macerata Opera Festival (first outdoor: August 1\, 2024) and Teatro di Roma (first indoor: October 24 at Teatro Argentina\, where the performances will continue until November 10). Also co-producing are the Fondazione I Teatri di Reggio Emilia\, the Centro Servizi Culturali Santa Chiara of Trento\, the Centro Teatrale Bresciano\, and Ravenna Festival which has made available the Orchestra Giovanile Luigi Cherubini\, to which the score is entrusted\, adapted and transcribed by Maestro Maurizio Billi. \nPURCHASE THE TICKET\n  \nCREDITS \nDirection and choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical direction and adaptation by MAURIZIO BILLI\nSound design ALEX RÖSER VATICHÉ\, BEN MEERWEIN\nSet and lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU\nChoreography assistants SHAY PARTUSH\, MARINA RODRÍGUEZ   \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, co-production\, outdoor premiere Macerata Opera Festival\nCo-production\, indoor premiere Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nOutdoor premiere August 1\, 2024\, Macerata Opera Festival \nIndoor premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n“People often ask me what music I listen to\, what music inspires or accompanies me in my daily life\, and I always respond in the same way: from classical music to the new contemporary waves\, I draw inspiration from many different sources and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is unsaid and unseen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith a classical background and avant-garde vocation\, Morricone has always been beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries from various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening\, I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, ‘my music has a life of its own\, which can live far from the films for which it was created’.” \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe that is constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival in Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always halfway between performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Prize\, the highest recognition in Spain\, the future of Morau and La Veronal aims at the search for new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expression and communication in our present time\, always turbulent and constantly evolving. \nFrom this season onwards\, he is an associated artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we are drawn into what also proves to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-macerata-opera-festival-aterballetto/
LOCATION:Arena Sferisterio\, Piazza Nazario Sauro\, 2\, Macerata\, MC\, 62100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20240912T190000
DTEND;TZID=Europe/Rome:20240912T213000
DTSTAMP:20260403T212535
CREATED:20240731T215128Z
LAST-MODIFIED:20241007T173351Z
UID:10003581-1726167600-1726176600@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nChiesa di Sant’Agata – Museo Archeologico Nazionale e Teatro Romano di Spoleto\n12 September 2024 – 7:00 PM and 9:00 PM\nDuration of each performance: 25 minutes \nSite-specific version Premiere \n \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \n\nINFO&TICKETS \nAdmission to the show is free\, with mandatory reservation at the email drm-umb.segreteria@cultura.gov.it. \nAt 6:00 PM and 8:00 PM\, guided tours will also be offered by reservation (drm-umb.segreteria@cultura.gov.it)\, upon purchase of the museum entry ticket. \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-8/
LOCATION:Chiesa di Sant’Agata\, Via Sant'Agata\, Spoleto\, PG\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240913T193000
DTEND;TZID=Europe/Rome:20240913T213000
DTSTAMP:20260403T212535
CREATED:20240626T070911Z
LAST-MODIFIED:20241007T164301Z
UID:10003462-1726255800-1726263000@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nSOTTO L’ANGELO DI CASTELLO 2024\nROME – CASTEL SANT’ANGELO \n13 September 2024 – h 19.30 and 21.00\nduration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-rome-castel-sant-angelo/
LOCATION:Castel Sant’Angelo\, Lungotevere Castello\, 50\, Rome\, 00193\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240916T203000
DTEND;TZID=Europe/Rome:20240916T223000
DTSTAMP:20260403T212535
CREATED:20240624T101852Z
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SUMMARY:Reconciliatio
DESCRIPTION:The CCN/Aterballetto is among the guest artists at Memorare ’24. Dance and song for peace in the Basilica of San Petronio. \n\nThe event\, promoted by the Church of Bologna under the guidance of Cardinal Matteo Zuppi\, the Municipality of Bologna and Mayor Matteo Lepore\, the Teatro Comunale di Bologna and Superintendent Fulvio Macciardi\, was conceived by Vittoria Cappelli\, who developed the artistic project together with Valentina Bonelli and Don Stefano Culiersi. \nA preparation for the upcoming Jubilee\, an opportunity for reconciliation with God\, with our brothers\, and with the earth\, which we cannot neglect. The resonance is with Pope Francis’s appeal to be “all brothers\,” in a culture of peace\, as the pontiff writes in his encyclical on universal fraternity. From Bologna\, Memorare ‘24 will launch Cardinal Matteo Zuppi’s invitation to unite in giving hope to the world\, in the spirit of solidarity. The gathering of the community responding to this call aims to be a barrier against the winds of war\, both old (among others\, we remember the Monte Sole massacre\, Marzabotto – Bologna\, in 1944) and current\, especially the ongoing conflicts in Ukraine and Palestine\, which provoke and taint our consciences by offering only paths of violence. \n\nREAD THE PRESS RELEASE\n\nFor the occasion\, CCN/Aterballetto presents for the first time Reconciliatio\, an original choreography by Angelin Preljocaj\, specially composed for Memorare ’24. To the piano notes of Beethoven’s “Moonlight” Sonata\, the female duo composed of Estelle Bovay and Arianna Kob unfolds in a pensive nocturne\, between intimate retreats and altruistic impulses. Interpreting the liberating journey of reconciliation to overcome one’s grievances. \nFREE ENTRY. RESERVATIONS FROM SEPTEMBER 3
URL:https://www.fndaterballetto.it/en/evento/reconciliatio-bologna-memorare-aterballetto/
LOCATION:Basilica di San Petronio\, Piazza Maggiore\, Bologna\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio
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DTSTART;TZID=Europe/Rome:20240917T210000
DTEND;TZID=Europe/Rome:20240917T221000
DTSTAMP:20260403T212535
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SUMMARY:Somewhere Between
DESCRIPTION:The 2024/25 dance season at the Fonderia opens with Somewhere Between by FLOCK\, a company founded in Chicago in 2017 by choreographers Florian Lochner and Alice Klock. \n“With a quality that is both liquid and articulated\, jointed and limbed throughout\, the interlocking partnering among the dancers […] produces forms that evolve and develop like watching an agave bloom in the fluctuating luminescence of a desert sky.” \nIrene Hsiao\, The Chicago Reader \n\n\nDiscover more \nAlice Klock and Florian Lochner\, co-directors of FLOCK\, bring together artists and audiences in open\, dynamic\, and joy-based environments\, creating work that communicates on many different levels and builds a community and a new understanding of what dance can be. \nSomewhere Between examines how memory and imagination influence our reality and our definition of self. Drawing on myths or childhood stories\, this new creation is emblematic of FLOCK’s work\, featuring duets and group collaborations\, complex movements\, and an emotionally rich narrative. \n \nCREDITS \nChoreography: Alice Klock and Florian Lochner\nDancers: Liane Aung\, Alice Klock\, Emily Krenik\, Florian Lochner\, Robert Rubama\, Kevin J Shannon\nMusic: Angus MacRae\, Natalia Tsupryk\, Brambles\, Cedric Vermue\, Richard Skelton\, Wolff Bergen\, Michael Wall\, Clem Leek\, Rob Lewis\nTechnical Director/Lighting Designer: Julie E. Ballard\nCostumes: FLOCK \nDuration: 1h 5′ without intermission \n  \nFLOCK \nAlice Klock and Florian Lochner met at Hubbard Street Dance Chicago and founded the dance company FLOCK in 2017\, through which they perform internationally and co-create new choreography for film and stage. Together\, they work as choreographers for various dance companies\, universities\, and cultural institutions including Hubbard Street Dance Chicago\, Whim W’Him\, Ballet Idaho\, Seattle Dance Collective\, Ballet Arkansas\, Emergence\, Goethe Institut\, Adaptations Dance Theater\, Alonzo King LINES Ballet BFA\, and 92nd Street Y. Their main goal for 2023 is to create and tour new FLOCK shows internationally with rotating teams of collaborators. In all their work\, they are committed to bringing artists and audiences together in open\, dynamic\, and joyful environments. \nFind out more \n \nINFO & TICKETS \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \nWINE TASTING AT FONDERIA \nFrom 8:00 PM to 9:00 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini.
URL:https://www.fndaterballetto.it/en/evento/somewhere-between/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240920T193000
DTEND;TZID=Europe/Rome:20240920T224500
DTSTAMP:20260403T212535
CREATED:20240620T200808Z
LAST-MODIFIED:20241007T164102Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTORINODANZA FESTIVAL\nFONDERIE LIMONE – SALA PICCOLA | RING – MITO SettembreMusica\n20 – 21 September 2024 – 7:30 PM and 10:15 PM\nDuration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS \nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-2/2024-09-20/
LOCATION:Fonderie Limone\, via Pastrengo\, 88\, Moncalieri\, TO\, 10024\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240921T193000
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, which is universally renowned as a masterpiece of Italian Baroque music\, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTORINODANZA FESTIVAL\nFONDERIE LIMONE – SALA PICCOLA | RING – MITO SettembreMusica\n20 – 21 September 2024 – 7:30 PM and 10:15 PM\nDuration of each performance: 20 minutes\nPreview of the theatrical version \nCREDITS \nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-2/2024-09-21/
LOCATION:Fonderie Limone\, via Pastrengo\, 88\, Moncalieri\, TO\, 10024\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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DTSTART;TZID=Europe/Rome:20240922T153000
DTEND;TZID=Europe/Rome:20240922T173000
DTSTAMP:20260403T212535
CREATED:20240730T152306Z
LAST-MODIFIED:20241007T171228Z
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SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of the most extraordinary works by Claudio Monteverdi\, the most universally renowned figure in Italian Baroque music\, Il Combattimento di Tancredi e Clorinda\, which celebrates its 400th anniversary in 2024\, becomes the foundation of an innovative multidisciplinary project\, where music\, singing\, theater\, and dance blend to create a seamless hybrid of performance languages. The choreography is by Philippe Kratz\, while the direction is by Fabio Cherstich\, whose work combines a strong focus on imagery and a passion for visual languages. \nCastello e Parco Reale di Racconigi\n22 September 2024 – 3:30 PM and 5:00 PM\nDuration of each performance: 25 minutes \n  \nCREDITS\nDirection and visuals: FABIO CHERSTICH\nChoreography and stage movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nCoproduction: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performance activities within institutes and cultural sites\, promoted by the Directorate General of Museums and co-financed by the Directorate General of Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and specifically the National Archaeological Museum and Roman Theatre of Spoleto – established\, with the support of the Directorate General of Museums\, a partnership shared by five other significant cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Charterhouse of San Martino in Naples\, and the Archaeological Park of Venosa; joining them is Castel Sant’Angelo in Rome\, which will host the initiative as part of the summer festival Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\nCharterhouse and Museum of San Martino\, Naples – 03 October 2024\n\nSwabian Castle of Bari – 05 October 2024\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n \nTHEATRICAL VERSION \n\nPREVIEW: Turin – Torinodanza Festival\, Fonderie Limone – 20-21 September 2024\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 October 2024\n\nThe project is part of Italia Danza\, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN/Aterballetto for the promotion of Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating the story of humanity in a struggle against itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced fight between human beings. \nIn conceiving this new creation\, I explicitly draw inspiration from body art\, particularly the work of Marina Abramović and Ana Mendieta\, who explore the connection between the body\, the earth\, and primordial rites. I want the combat to reflect the protagonists’ relationship with the surrounding space\, incorporating natural elements into their absurd dance of death. \nA single voice will give life to three characters: the text itself\, Tancredi\, and Clorinda will merge into the body and sound of a countertenor. This estranged and forced sound\, following a circular path\, creates a sense of constant repetition\, emphasizing the endless cycle of this love-and-death story\, tragically destined to repeat itself through the centuries\, reaching us in all its strength—the emanation of the poetic power of Tasso’s words and the magnificent music of Monteverdi. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom Torquato Tasso’s story\, transposed into music by Claudio Monteverdi\, the most obvious themes are the battle between woman and man\, and religious conversion. However\, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances. \nA more philosophical or psychoanalytic reading of this struggle\, from which both protagonists emerge defeated\, deceived\, and solitary\, seems far more interesting to me. Within the opposition of the two roles\, there is already an entire world: the seeking\, the confrontation\, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life\, and we realize that the other\, nevertheless\, has not won… a strong\, shared wound that remains on both bodies. So\, are these two people fighting each other\, or perhaps is one person fighting against themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe dance and live music project in museums Il Combattimento di Tancredi e Clorinda represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage\, dance enriches the museum experience\, making it vibrant\, dynamic\, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, General Director of Museums\nMinistry of Culture \nWe are pleased that from a project – Italia Danza – born from the Directorate General for Public and Cultural Diplomacy to promote\, in partnership with Aterballetto\, contemporary Italian dance abroad\, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us\, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy General Director for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.\nThe Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theatre of Spoleto\, seemed to us the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages\, from the past to the present. The dancers will perform in an 11th-century environment\, in front of the new altarpiece created by the artist Stefano di Stasio\, a dialogue between the ancient and the contemporary that fits well with this project. \nCostantino D’Orazio\, Director of the National Museums of Perugia – \nRegional Directorate of National Museums of Umbria \nCASTELLO E PARCO REALE DI RACCONIGI \nRoyal residence and birthplace of the last King of Italy\, it has hosted events for different audiences and art forms\, featuring numerous temporary exhibitions\, thematic meeting cycles\, a showcase dedicated to Argentine Tango\, and a literary festival. The year 2024 will see a significant revival towards performing arts\, thanks to a collaboration with the multidisciplinary circuit Piemonte dal Vivo for dance cycles at the castle. The Salone d’Ercole will host Il Combattimento di Tancredi e Clorinda. Learn more \n \n  \nINFO&TICKETSReservation and Ticket Purchase Info: \n\nContacts: Email drm-pie.racconigi@cultura.gov.it; Phone 0172 84005\nCost: full € 8.00; reduced € 2.00 for ages 18 to 25; free for under 18s; free for persons with disabilities and their companions; free for holders of Museum Subscription\, Torino+Piemonte Card\, Royal Pass; additional reductions and exemptions based on legal provisions and agreements.\nOnline Purchase: www.museiitaliani.it or via the Italian Museums app.\nTicket Office Hours: Sunday 9:00 AM – 6:00 PM\n\nWith the purchase of a performance ticket\, visitors can access the interior of the Castle.
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-7/
LOCATION:Castello di Racconigi\, Piazza Carlo Alberto\, Racconigi\, CN\, 12035\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
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