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SUMMARY:YELED - SHOOT ME
DESCRIPTION:For the first time Aterballetto dances in Budapest. On stage YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \nThe performance is in the framework of the 10th International Theatre Olympics in partnership with Istituto Italiano di Cultura in Budapest. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-4/
LOCATION:National Dance Theatre\, Kis Rókus u. 16-20\, Budapest\, 1024\, Ungheria
CATEGORIES:Aterballetto,Shoot me,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230506T153000
DTEND;TZID=Europe/Rome:20230506T183000
DTSTAMP:20260403T220034
CREATED:20230501T173720Z
LAST-MODIFIED:20230601T103245Z
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SUMMARY:MicroDanze - urban setting
DESCRIPTION:In the setting of the Musei Civici of Padua\, within the Prospettiva Danza Teatro Festival\, we present MicroDanze – urban setting: \n6 May 2023 – 15.30 / 16.30 / 17.30 \nMicroDanze\, in a route curated by Lara Guidetti\, are performed by young dancers from the advanced training courses Agora Coaching Project and Studio XL of Reggio Emilia. \nMicroDanze - urban setting \nMicroDanze is an ambitious project of “danced” performances. Conceived by Gigi Cristoforetti\, the project comes from an invitation by the Fondazione Palazzo Magnani in Reggio Emilia to develop and explore different ways of enjoying dance performance. \nChoreographers – national and international – have conceived short pieces (six to eight minutes\, to be danced in a tiny space)\, which can be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage\, the distance that separates the spectator from the performer\, creating a continuum between the onlooker and the watched\, soliciting an emotional and aesthetic experience as varied as it is original. \nSome MicroDanze have been the focus of a process ofreenactment: a transposition of the original versions for young dancers and public spaces aimed at creating an urban version.\n \nThe result is a project that creatively wanders between very different contexts – historical centres\, industrial areas\, residual spaces\, symbolic places in cities – defining unusual stages and creating radically new opportunities to meet the public. The guiding thread is research into dance as a form of living\, in relation to contemporary artistic practices that are rooted in the territory. \nIn Padua\, the route – curated by Lara Guidetti – passes through the Civic Museums allowing different experiences of space\, whose works sometimes resonate in the choreographies. An opportunity to experience a unique encounter with dance and visual art. \n  \nMicroDanze reenactment -Strôma di Giovanni Insaudo
URL:https://www.fndaterballetto.it/en/evento/microdanze-urban-setting-8/
LOCATION:Musei Civici Eremitani\, Piazza Eremitani\, 8\, Padova\, 35121\, Italia
CATEGORIES:MicroDanze,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230506T210000
DTEND;TZID=Europe/Rome:20230506T223000
DTSTAMP:20260403T220034
CREATED:20230323T150343Z
LAST-MODIFIED:20230407T162125Z
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SUMMARY:YELED-SHOOT ME
DESCRIPTION:Aterballetto dances YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli\, at Fonderia. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n\n  \n  \nInfo&Tickets \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,Shoot me,stagione gennaio giugno 2023,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230510T193000
DTEND;TZID=Europe/Rome:20230510T204000
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto performs in La Rochelle\, on the French Atlantic coast. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-18/
LOCATION:La Coursive | Scène nationale\, 4 Rue St Jean du Pérot\, La Rochelle\, 17000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230511T203000
DTEND;TZID=Europe/Rome:20230511T204000
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto performs in La Rochelle\, on the French Atlantic coast. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017 \n 
URL:https://www.fndaterballetto.it/en/evento/golden-days-17/
LOCATION:La Coursive | Scène nationale\, 4 Rue St Jean du Pérot\, La Rochelle\, 17000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230512T180000
DTEND;TZID=Europe/Rome:20230512T190000
DTSTAMP:20260403T220034
CREATED:20230501T100944Z
LAST-MODIFIED:20230601T104215Z
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SUMMARY:Struggle for the soul - Welcome to my funeral - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 3 euro\nFree under 6 \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230512T210000
DTEND;TZID=Europe/Rome:20230512T220000
DTSTAMP:20260403T220034
CREATED:20230501T100338Z
LAST-MODIFIED:20230601T105637Z
UID:10002975-1683925200-1683928800@www.fndaterballetto.it
SUMMARY:Struggle for the soul - Welcome to my funeral
DESCRIPTION:The increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions. \nStruggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us. \nWelcome to my funeral is the production by Brandon Lagaert\, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto. \n  \nStruggle for the Soul \nStudio\nChoreography: Roberta Ferrara\nDancers: Antonello Amati and Olivia Grassot \nThe study focuses on the ongoing battle between our fixed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white\, the other black. \nIf they choose to feed them both\, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two\, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect\, they will both be victorious and coexist in peace. \nA man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you? \nWelcome to my funeral \nChoreographer: Brandon Lagaert\nArtistic assistant: Sara Angelucci\nMusic: Felix Machtelinckx\nLight Designer: Alessandro Caso\nCostumes: Franco Colamorea\nDancers: Alessandro Ottaviani\, Anabel Barotte Moreno\, Olivia Grassot\, Tonia Laterza \nOrganisation and executive production: Vincenzo Losito\nProduction assistant: Alessia Cofone\nProduction: Equilibrio Dinamico\nCo-production: Fondazione Fabbrica Europa per le arti contemporanee ETS\, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA\nProduction support: Fondazione Nazionale della Danza/Aterballetto \nThe performance focuses on the increasingly blurred boundaries between the real and virtual worlds.\nDependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback\, artificial intelligence\, and algorithms that acquire information from people through their input. \nOlder generations claim to have grown up in a Jurassic era\, although even they would struggle without technology as simple as electricity. \nHow do you use technology to feed your ego?\nHow does one use technology to create unique bonds with others or manipulate strangers? \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico\, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari\, has placed itself in the spotlight for being unique on the Italian dance scene.\nRight from the start\, in fact\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný\, Igor Kirov\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse. \nIn addition to celebrating its tenth anniversary\, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance\, the only organisation in the Region of Puglia\, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno\, the platform that brings together the best of Italian dance to be exported abroad. \nEquilibrio Dinamico is annually programmed in seasons and festivals in Europe\, America and Asia. In addition\, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese. \nequilibriodinamico.org \nINFO&TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/struggle-for-the-soul-welcome-to-my-funeral/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230514T150000
DTEND;TZID=Europe/Rome:20230514T160000
DTSTAMP:20260403T220034
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN FESTIVAL INTERNAZIONALE KIDS\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \n  \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\nFree admission upon availability. Reservation recommended. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20230516T203000
DTEND;TZID=Europe/Rome:20230516T220000
DTSTAMP:20260403T220034
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SUMMARY:YELED / SHOOT ME
DESCRIPTION:YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli\, arrive at Teatro Comunale di Modena. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n  \n  \n  \n\n  \n  \n  \n  \n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-2/
LOCATION:Teatro Comunale L. Pavarotti\, Via del Teatro\, 8\, Modena\, MO\, 41121\, Italia
CATEGORIES:Aterballetto,Shoot me,Yeled/Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230517T210000
DTEND;TZID=Europe/Rome:20230517T220000
DTSTAMP:20260403T220034
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UID:10002977-1684357200-1684360800@www.fndaterballetto.it
SUMMARY:Corpi Violati #DJOperaNoir
DESCRIPTION:In CorpiViolati Monica Casadei follows up her investigation on the theme of violence against women\, begun several years ago with the transposition into dance of some famous feminicides from Italian and other melodramas.\nIn CorpiViolati\, a community of bodies\, both female and male\, swarms\, locked in the memory of a wound. This wound echoes on stage in an incessant dance nourished by impulses\, instincts\, anger and pain\, in which overwhelming group dances are interspersed with duets and solos. \n\nCREDITS \nchoreography\, direction\, set design\, lighting and costumes: Monica Casadei\nLive Electronic: Fabio Fiandrini\nChoreographer’s assistant: Alessandra Pizza\nCostume design: Elena Nunziata \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara\nIn partnership with Comune di Rimini – Teatro Galli\n \nWith the support of Ministero della Cultura\, Regione Emilia-Romagna\, Comune di Parma\n \nSynopsis \n«Giammai Carmen cederà! Libera è nata e libera morirà!». «Sempre libera degg’io».\nThey are the ode to freedom of Carmen\, the protagonist of Prosper Mérimée’s novella and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Women figures who are symbols of independence of thought\, of strength and courage and at the same time of fragility in the face of violence and prevarication. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. Inspired by the many stories of gender violence recounted in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news\, the project “Corpi violati” (Violated Bodies) by the Compagnia Artemis Danza\, founded and directed by Monica Casadei.\nThe choreographic project was born from the desire to bring attention to the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network against Violence). \nCOMPAGNIA ARTEMIS DANZA \nBorn in Ferrara and graduated with honours with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris\, where she met choreographers Pierre Doussaint and Isabelle Doubouloz and master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, giving life to an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company was in residence at the Fondazione Teatro Due in Parma\, while since 2014 it has been in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to numerous international tours and festivals. \nFundamental to Monica Casadei’s artistic research is the contamination with different artistic\, cultural and geographic territories\, as well as the exploration of places and urban spaces that become the stage for performative actions. \nAlongside its production activity\, Artemis supports\, produces and promotes young authors and carries out multiple activities to educate the public. \nartemisdanza.com \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/corpi-violati-djoperanoir/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230523T210000
DTEND;TZID=Europe/Rome:20230523T220000
DTSTAMP:20260403T220034
CREATED:20230208T065645Z
LAST-MODIFIED:20230601T122859Z
UID:10002918-1684875600-1684879200@www.fndaterballetto.it
SUMMARY:PROVE IN CORSO - 4ª EPISODE
DESCRIPTION:What is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the Fondazione Nazionale della Danza / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nEvent partner: \nThanks to our collaboration with YOGI TEA\, we can give our audience delicious teas and infusions\, inspired by the ancient philosophy of Ayurveda\, which aims at the well-being of body and mind. \nWHAT WILL YOU SEE? \nWe conclude our series on dance with the last episode scheduled for Tuesday 23 May at 9 pm. The evening will be dedicated to YELED\, a creation by Eyal Dadon which we are very fond of and which brings to the stage the reflection that the Israeli choreographer has conducted\, together with the dancers of Aterballetto\, on the moment in life when one comes to lose the innocence of children. \nWith his irony Nicolas Ballario will tell what it was like to work on this series\, together with the Aterballetto dancers who will show some extracts from the piece. \nThis was followed by the screening of the fourth episode of PROVE IN CORSO ending with a talk in the company of Ballario and Aterballetto. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at biglietteria@aterballetto.it \nThe ticket service in Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-4a-episode/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230526T210000
DTEND;TZID=Europe/Rome:20230526T220000
DTSTAMP:20260403T220034
CREATED:20230502T102242Z
LAST-MODIFIED:20230601T123305Z
UID:10002978-1685134800-1685138400@www.fndaterballetto.it
SUMMARY:SOAC
DESCRIPTION:WORLD PREMIERE with live music\nThe outcome of an event depends on several variables\, the behaviour of which cannot always be predicted with total precision. There is always a margin for error\, a space for chaos. Because sometimes a small difference generates an effect of great proportions. \nCREDITS \nA performance by Federica Galimberti and Cristiano Buzzi \nMusician: Giuseppe Franchellucci \nDancers: Carlos Kamizele\, Simone Panzera\, Matteo Passero\, Filippo Tonini \nProduction: KC Dance Company \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/soac/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T150000
DTEND;TZID=Europe/Rome:20230527T160000
DTSTAMP:20260403T220034
CREATED:20230501T181433Z
LAST-MODIFIED:20230601T123627Z
UID:10002979-1685199600-1685203200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-4/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T173000
DTEND;TZID=Europe/Rome:20230527T183000
DTSTAMP:20260403T220034
CREATED:20230501T181831Z
LAST-MODIFIED:20230601T124019Z
UID:10002980-1685208600-1685212200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-5/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/aaffiche-alligator-Titre-1-e1676589680155.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230530T210000
DTEND;TZID=Europe/Rome:20230530T223000
DTSTAMP:20260403T220034
CREATED:20230502T103400Z
LAST-MODIFIED:20230601T124549Z
UID:10002981-1685480400-1685485800@www.fndaterballetto.it
SUMMARY:Made in Italy 29.0
DESCRIPTION:The protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 29.0 with choreographies by Enrico Morelli and Ivan Alboresi. \nAGORA COACHING PROJECT\nAGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands coming from this same market. \nThe aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli\, technical\, cultural and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies\, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work\, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles. \nArtistic direction: Michele Merola and Enrico Morelli \nDancers: Camilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Pietro Di Salvo\, Vittoria Facci\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Emily Rondanini\,Susanna Russing\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco\,Diletta Torelli \nDIMORA DELL'ANIMA \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Travis Lake\, Joep Beving\nCostumes Nuvia Valestri \nIvan Alboresi’s new choreography for Agora Coaching Project is developed on the ‘breathing’ of bodies and on the attention to touching and caring for the other. The study made with the young dancers of the course is understood as an act of connection between the choreographer’s poetics of movement and the outcome of the transmission on the different bodies of the performers. \nThrough the exchange of energy and mutual support\, choreographic actions based on the interplay of mutual support between bodies and souls\, proximity and absence\, are constructed. In creating the choreographic score\, the starting point was memory and the desire to return the gesture of supporting the other\, thinking of the body as an infinite\, inexhaustible source of memories\, fragility and compassion. The performers establish a visible dialogue between their physical strengths and the importance of their gazes and their sensitive touch\, changing the perspective of seeking each other out. The audience\, freely observing the choreographic action\, crosses and crosses musical and choreographic suggestions\, developing a perceptive and subjective reading. \nTHE RITE OF SPRING (2011) \nChoreography Enrico Morelli\nMusic Igor Stravinsky\nCostumes Nuvia Valestri\nChoreography Assistant Annalisa Perricone \nOn 29 May 2013\, Igor Stravinsky’s Le Sacre du Printemps turned one hundred years old and the entire dance world remembered and celebrated this event. After the scandal it caused at its debut\, with the first version of the choreography\, created in Paris by Vaslav Nijinsky for Diaghilev’s Ballets Russes\, the score has become well known\, and recognisable at the first beat. Le Sacre is inspired by an ancient Slavic legend\, according to which every spring a virgin had to be ritually sacrificed so that the earth could flourish again. \nIn his interpretation of Le Sacre\, Morelli approaches this score with profound respect.\nIn the resulting staging\, a facet of the frantic dynamism of our time is reflected. To combat old and new fears\, and to exorcise the evil of living that accompanies the present\, every opportunity is good to find a scapegoat.\nIn Enrico Morelli’s directorial choice\, on the bare stage\, as the only element\, lugubrious slaughterhouse hooks emerge from the darkness and loom from the ceiling. They are as many swords of Damocles\, a stern warning inviting us to look back to the past\, to the times of terror and death when so many men were sent to the slaughterhouse\, considered ‘numbers’ without identity or dignity. \nThe assumption of the choreography is all here: as long as human beings sacrifice their fellow human beings to the violence of blind cannibalism\, and do not choose the path of respect for others\, the light of culture and the clarity of reason will not prevail. Then\, forever and ever\, each individual will only be able to think and want the evil of others\, to eliminate anyone who stands in the way of the fulfilment of his desires. Everyone will have in his neighbour an enemy. From this will result war of all against all\, with no more right or wrong. Thus the animal man will be condemned to remain Homo homini lupus. \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-29-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230609T213000
DTEND;TZID=Europe/Rome:20230609T223000
DTSTAMP:20260403T220034
CREATED:20230607T071359Z
LAST-MODIFIED:20230619T165537Z
UID:10002983-1686346200-1686349800@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:Aterballetto performs Storie in Abano Terme. \nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-abano-danza/
LOCATION:Teatro Parco Magnolia\, Via A. Volta\, 20\, Abano Terme\, PD\, 35031
CATEGORIES:Aterballetto,O,Storie
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Parco Magnolia Via A. Volta 20 Abano Terme PD 35031;X-APPLE-RADIUS=500;X-TITLE=Via A. Volta\, 20:geo:11.7828256,45.3497206
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230623T190000
DTEND;TZID=Europe/Rome:20230623T193000
DTSTAMP:20260403T220034
CREATED:20230607T105322Z
LAST-MODIFIED:20230619T164556Z
UID:10002985-1687546800-1687548600@www.fndaterballetto.it
SUMMARY:Preludio
DESCRIPTION:Preludio by Diego Tortelli is in Scandicci for Nutida festival. \n“Preludio” is a creation for five performers\, a love letter from the choreographer to the body\, a profane prayer built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave. \n\n\nFND/Aterballetto – Preludio – ph. Claudio Montanari
URL:https://www.fndaterballetto.it/en/evento/preludio/
LOCATION:Giardino Pomario del Castello dell’Acciaiolo\, via Pantin 63\, Scandicci\, FI\, 50018\, Italia
CATEGORIES:Aterballetto,Storie
GEO:43.758337600411;11.177044465005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Giardino Pomario del Castello dell’Acciaiolo via Pantin 63 Scandicci FI 50018 Italia;X-APPLE-RADIUS=500;X-TITLE=via Pantin 63:geo:11.177044465005,43.758337600411
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230712T193000
DTEND;TZID=Europe/Rome:20230712T211500
DTSTAMP:20260403T220034
CREATED:20230616T091851Z
LAST-MODIFIED:20230616T094119Z
UID:10002987-1689190200-1689196500@www.fndaterballetto.it
SUMMARY:Défilé - excerpts from Shoot me
DESCRIPTION:Aterballetto dances in Piazza Prampolini\, in Reggio Emilia\, within Restate 2023\, the the cultural summer programme by Comune di Reggio Emilia and Fondazione Palazzo Magnani. \nIn front of the city’s cathedral\, the company’s 16 dancers present Défilé\, performance created for the occasion from excerpts of Shoot me by Diego Tortelli on music of the British rock band Spiritualized. \nPerformance times: 19.30 / 20.15 / 21.00 \nFree admission \nInfo: whatsapp 3341023554\ninfo@aterballetto.it\nFND/Aterballetto – Shoot me – ph. Claudio Montanari
URL:https://www.fndaterballetto.it/en/evento/defile-excerpts-from-shoot-me/
LOCATION:Piazza Prampolini\, Reggio Emilia\, Italia
CATEGORIES:Aterballetto,Productions,Shoot me
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GEO:44.697933724081;10.63068759893
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230721T220000
DTEND;TZID=Europe/Rome:20230721T233000
DTSTAMP:20260403T220034
CREATED:20230619T165335Z
LAST-MODIFIED:20230619T165335Z
UID:10002989-1689976800-1689982200@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:Aterballetto performs Storie at Armonie d’Arte Festival in Borgia\, near Catanzaro. \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-8/
LOCATION:Parco Archeologico Nazionale di Scolacium\, Via Scylletion\, 1\, Borgia\, CZ\, 88021\, Italia
CATEGORIES:Aterballetto,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230727T210000
DTEND;TZID=Europe/Rome:20230727T223000
DTSTAMP:20260403T220034
CREATED:20230323T115058Z
LAST-MODIFIED:20230329T160153Z
UID:10002943-1690491600-1690497000@www.fndaterballetto.it
SUMMARY:DON JUAN
DESCRIPTION:At the Arena Sferisterio in Macerata Aterballetto dances Don Juan\, the full evening signed by Johan Inger. \nFor the Macerata Opera Festival the company will dance with the live music played by FORM-Orchestra Filarmonica Marchigiana and directed by the baton of  Manuel Coves. \nThe choreography stems from Inger’s desire to confront Don Juan\, an ancient and still contemporary paradigmatic myth. The original play by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character. \nIn the creation we find all the characters in the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasize nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, and subtly but clearly reveals the inner worlds of the men and women on stage. \nDanza&Danza ‘Best Production’ Award 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-42/
LOCATION:Arena Sferisterio\, Piazza Nazario Sauro\, 2\, Macerata\, MC\, 62100\, Italia
CATEGORIES:Aterballetto,Don Juan,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230908T210000
DTEND;TZID=Europe/Rome:20230908T223000
DTSTAMP:20260403T220034
CREATED:20230628T154535Z
LAST-MODIFIED:20230628T154535Z
UID:10002991-1694206800-1694212200@www.fndaterballetto.it
SUMMARY:Yeled - Shoot me
DESCRIPTION:Aterballetto starts its 2023/24 season by opening the prestigious festival Le temps d’aimer la danse in Biarritz. \nOn stage YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-6/
LOCATION:Théâtre de la Gare du Midi\, 23 Av. du Maréchal Foch\, Biarritz\, Francia
CATEGORIES:Aterballetto,Productions,Shoot me,Yeled/Shoot me
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Théâtre de la Gare du Midi 23 Av. du Maréchal Foch Biarritz Francia;X-APPLE-RADIUS=500;X-TITLE=23 Av. du Maréchal Foch:geo:-1.5579891,43.479442
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230909T113000
DTEND;TZID=Europe/Rome:20230909T193000
DTSTAMP:20260403T220034
CREATED:20230629T110728Z
LAST-MODIFIED:20230829T103625Z
UID:10002998-1694259000-1694287800@www.fndaterballetto.it
SUMMARY:Yes\, Yes... | SoaC
DESCRIPTION:Once again this season the Fondazione Nazionale della Danza / Aterballetto is a guest of the Festival di Danza Contemporanea | Interno Verde Danza\, an event organized by the Teatro Comunale ‘Claudio Abbado’ in Ferrara and the Interno Verde festival. \n9 -10 September 2023 | h 12:00 – 17:00 – 18:30 | running time 1 ora \nIn the Renaissance halls of Palazzo Schifanoia\, dancers Edoardo Brovardi and Vittoria Franchina will recreate the atmosphere of Andy Warhol’s legendary ‘Factory’ through  Yes\, Yes… by Diego Tortelli. \n\nIn addition to this performance is SoaC by Federica Galimberti (who also directs) and Cristiano Buzzi (Kris)\, to music by Bach\, Tommaso Ussardi and Giuseppe Franchellucci\, who will play them on the cello.\n2 extraordinary dancers use the hip hop technique in its countless declinations to create a poetic and powerful performance. The choreography is a co-production with Orchestra Senzaspine. \n \n 
URL:https://www.fndaterballetto.it/en/evento/yes-yes-soac/2023-09-09/
LOCATION:Palazzo Schifanoia\, via Scandiana\, 23\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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GEO:44.830621755832;11.629698670571
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Palazzo Schifanoia via Scandiana 23 Ferrara 44121 Italia;X-APPLE-RADIUS=500;X-TITLE=via Scandiana\, 23:geo:11.629698670571,44.830621755832
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T113000
DTEND;TZID=Europe/Rome:20230910T193000
DTSTAMP:20260403T220034
CREATED:20230629T110728Z
LAST-MODIFIED:20230829T103625Z
UID:10002999-1694345400-1694374200@www.fndaterballetto.it
SUMMARY:Yes\, Yes... | SoaC
DESCRIPTION:Once again this season the Fondazione Nazionale della Danza / Aterballetto is a guest of the Festival di Danza Contemporanea | Interno Verde Danza\, an event organized by the Teatro Comunale ‘Claudio Abbado’ in Ferrara and the Interno Verde festival. \n9 -10 September 2023 | h 12:00 – 17:00 – 18:30 | running time 1 ora \nIn the Renaissance halls of Palazzo Schifanoia\, dancers Edoardo Brovardi and Vittoria Franchina will recreate the atmosphere of Andy Warhol’s legendary ‘Factory’ through  Yes\, Yes… by Diego Tortelli. \n\nIn addition to this performance is SoaC by Federica Galimberti (who also directs) and Cristiano Buzzi (Kris)\, to music by Bach\, Tommaso Ussardi and Giuseppe Franchellucci\, who will play them on the cello.\n2 extraordinary dancers use the hip hop technique in its countless declinations to create a poetic and powerful performance. The choreography is a co-production with Orchestra Senzaspine. \n \n 
URL:https://www.fndaterballetto.it/en/evento/yes-yes-soac/2023-09-10/
LOCATION:Palazzo Schifanoia\, via Scandiana\, 23\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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GEO:44.830621755832;11.629698670571
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Palazzo Schifanoia via Scandiana 23 Ferrara 44121 Italia;X-APPLE-RADIUS=500;X-TITLE=via Scandiana\, 23:geo:11.629698670571,44.830621755832
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T180000
DTEND;TZID=Europe/Rome:20230910T193000
DTSTAMP:20260403T220034
CREATED:20230629T094811Z
LAST-MODIFIED:20230629T094811Z
UID:10002993-1694368800-1694374200@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:After the opening performance on 8 September\, Aterballetto dances again within the prestigious Le Temps d’Aimer la Danse festival in Biarritz. \nOn 10 September\, the company will show its talent for ubiquity and dance Storie in two different theatres\, near Biarritz\, at the same time: \nSaint-Pée-sur-Nivelle\, Espace Culturel Larreko || Errenteria – Pays Basque Sud\, Lekuona Fabrika \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-9/
LOCATION:Espace Culturel Larreko\, Place Xan Ithourria\, Saint-Pée-sur-Nivelle\, 64310\, Francia
CATEGORIES:Aterballetto,O,Productions,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T200000
DTEND;TZID=Europe/Rome:20230910T213000
DTSTAMP:20260403T220034
CREATED:20230629T101922Z
LAST-MODIFIED:20230804T155944Z
UID:10002995-1694376000-1694381400@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:After the opening performance on 8 September\, Aterballetto dances again within the prestigious Le Temps d’Aimer la Danse festival in Biarritz. \nOn 10 September\, the company will show its talent for ubiquity and dance Storie in two different theatres\, near Biarritz\, at the same time: \nSaint-Pée-sur-Nivelle\, Espace Culturel Larreko || Errenteria – Pays Basque Sud\, Lekuona Fabrika \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-10/
LOCATION:Lekuona Fabrika\, Ugarritza Etorbidea\, 1\, Errenteria\, 20100\, Francia
CATEGORIES:Aterballetto,O,Productions,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230926T180000
DTEND;TZID=Europe/Rome:20230926T190000
DTSTAMP:20260403T220034
CREATED:20230919T152854Z
LAST-MODIFIED:20230919T152854Z
UID:10003248-1695751200-1695754800@www.fndaterballetto.it
SUMMARY:BLISS / MicroDanze - Open Rehearsal
DESCRIPTION:Open rehearsals are back in the halls of Fonderia! \nTo inaugurate the new season and get to know up close the two dancers who have recently joined the company\, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger\, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed! \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/bliss-microdanze-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Open rehearsals,Season,Stagione settembre-dicembre 2023
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230930T160000
DTEND;TZID=Europe/Rome:20230930T200000
DTSTAMP:20260403T220034
CREATED:20230922T145310Z
LAST-MODIFIED:20240418T172604Z
UID:10003249-1696089600-1696104000@www.fndaterballetto.it
SUMMARY:TACA TÈ
DESCRIPTION:“Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What connects time to our nature as subjects? What do I hear when I hear the passing of time?”\n– Carlo Rovelli \nMaking its national premiere at the MILANoLTRE Festival\, the choreography directed by Lara Guidetti\, in co-production with Compagnia Sanpapiè\, is featured in Over Dance\, a project promoted by the Centro Coreografico Nazionale / Aterballetto on the theme of longevity in dance. \nTaca Tè\, in Emilian dialect “you start”\, is a challenge to the right to exist in time\, played out between two bodies far apart in age that converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. \nThree 20-minute performances | at 16:00 – 18:00 – 19:30
URL:https://www.fndaterballetto.it/en/evento/taca-te/
LOCATION:Teatro Elfo Puccini\, Corso Buenos Aires\, 33\, Milan\, 20124\, Italia
CATEGORIES:Productions
GEO:45.479402;9.209847
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Elfo Puccini Corso Buenos Aires 33 Milan 20124 Italia;X-APPLE-RADIUS=500;X-TITLE=Corso Buenos Aires\, 33:geo:9.209847,45.479402
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231001T160000
DTEND;TZID=Europe/Rome:20231001T200000
DTSTAMP:20260403T220034
CREATED:20230922T144638Z
LAST-MODIFIED:20240418T172650Z
UID:10003250-1696176000-1696190400@www.fndaterballetto.it
SUMMARY:TACA TÈ
DESCRIPTION:“Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What connects time to our nature as subjects? What do I hear when I hear the passing of time?”\n– Carlo Rovelli \nMaking its national premiere at the MILANoLTRE Festival\, the choreography directed by Lara Guidetti\, in co-production with Compagnia Sanpapiè\, is featured in Over Dance\, a project promoted by the Centro Coreografico Nazionale / Aterballetto on the theme of longevity in dance. \nTaca Tè\, in Emilian dialect “you start”\, is a challenge to the right to exist in time\, played out between two bodies far apart in age that converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. \nThree 20-minute performances | at 16:00 – 18:00 – 19:30
URL:https://www.fndaterballetto.it/en/evento/taca-te-2/
LOCATION:Teatro Elfo Puccini\, Corso Buenos Aires\, 33\, Milan\, 20124\, Italia
CATEGORIES:Productions
GEO:45.479402;9.209847
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Elfo Puccini Corso Buenos Aires 33 Milan 20124 Italia;X-APPLE-RADIUS=500;X-TITLE=Corso Buenos Aires\, 33:geo:9.209847,45.479402
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231004T170000
DTEND;TZID=Europe/Rome:20231004T181500
DTSTAMP:20260403T220034
CREATED:20230802T094011Z
LAST-MODIFIED:20240418T172712Z
UID:10003005-1696438800-1696443300@www.fndaterballetto.it
SUMMARY:Callas\, Callas\, Callas - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani)  \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani)  \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231004T203000
DTEND;TZID=Europe/Rome:20231004T214500
DTSTAMP:20260403T220034
CREATED:20230802T072012Z
LAST-MODIFIED:20240419T164228Z
UID:10003003-1696451400-1696455900@www.fndaterballetto.it
SUMMARY:Callas\, Callas\, Callas
DESCRIPTION:The 2023/24 season at the Fonderia opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays tribute to the great singer by bringing together for the first time three of the most interesting names in Italian contemporary choreography\, Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco (former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic figures of the twentieth century. \nEach choreographer brings to the stage a different aspect of Maria Callas’s life and work in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations\, and iconography merge with contemporary dance to create a new language. \nThe project ideally continues the artistic research path that the company has been pursuing for years\, engaging contemporary dance with classical stories and music\, considered “repertoire” that becomes fertile ground for the creation of something completely different. The classical becomes a lens for viewing the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak about a lived\, tangible reality that is close to us. \nCredits\n“`html \nCALLAS CALLAS CALLAS\nCoreography by Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco\nA production by COB Compagnia Opus Ballet\nIn coproduction with Fondazione Festival La Versiliana \nArtistic Direction Rosanna Brocanello\nArtistic Consultant Laura Pulin\nLight Designer Giacomo Ungari\nRepetiteur Giulia Orlando\nOrganization Margherita Fantoni\nDistribution Laura Montagna \nWorld Premiere July 12\, 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic by Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic by Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal Creation by Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusic Editing by Luca Martone\nSupport for Stage Outfits Giovanna Ficaccio \n\nTotal Duration: 75 minutes\nA 6-minute intermission is included between the choreographies\n“` \nCallas\, Callas\, Callas \nMaria Callas\, “The Divine”\, was endowed with “three voices\,” it was said\, due to her exceptional vocal range. Described as having the talent of a “dramatic coloratura soprano\,” an 19th-century term for her unique timbre. A charismatic woman and artist\, possessing a powerful and theatrical voice\, she was skilled in blending singing and acting\, capable of fiery and engaging interpretations in embodying both seductive and tragic female characters. Her name is engraved in the history of opera. And beyond. Art and style\, triumphs and acclaim\, glamour and personal affairs intertwined in the life of Maria Callas\, “The Divine”. She is also remembered for her diva tantrums\, the mystery of her drastic weight loss\, chronic insomnia\, the child she never had\, her friendship with Pasolini\, and\, above all\, her ill-fated liaison with shipping magnate Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris apartment on September 16\, 1977\, for causes not yet determined. On the centenary of her birth\, amidst tributes already celebrated and others underway\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, holds a particular significance also for the originality that inspired it: entrusting three young\, and already established\, contemporary choreographers to create an evening production that reflects their personal vision of the legendary artist\, without intending to recount her life story. Three different perspectives\, therefore\, three approaches and renditions in dance that the beautiful title Callas Callas Callas already highlights. A title that also serves as an invitation\, for the audience\, to discover or rediscover within the folds of movement or the ensemble’s choreography\, among electronic sounds or fragments of famous arias scattered throughout the choreographic architecture\, within a light or a costume that shapes gestures and postures\, their own Callas. Or perhaps a new\, unseen one\, suggested\, evoked\, imprinted in the atmosphere and memory by abstract dance. Surely\, three famous arias will be recognized\, whether subtly hinted or prominently displayed: from Tosca\, Norma\, and Carmen. \n\n    STANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani)\nRoberto Tedesco merges the notes of Vissi d’arte with the electronic musical score composed by Giuseppe Villarosa\, incorporating also snippets of interviews and voice interferences. In the famous aria’s lyrics\, extracted from Tosca\, the Calabrian choreographer identifies the moment when Callas is at death’s door\, wanting to reaffirm to everyone that she lived deeply for art and love as simply a person\, a woman\, before being considered a diva. It is mainly in the sound structure that the choreographer imbues his vision of Callas’s life\, almost wanting to prepare the audience – quoting George Balanchine – to “see the music and listen to the dance.” Tedesco weaves an imaginary dramaturgy with an almost chronological musical journey\, from the years in New York where Callas was born\, to her Greek origins; from Italy\, which\, with La Scala Theatre\, brought her the greatest success\, to France where she eventually retired. Vague jazz sounds initially allude to America\, then those of the Bouzouki to Greece\, and a 1970s pop song to the mood of suffering that accompanied her. On a gradually increasing techno rhythm\, a choral dance pulsates within the bodies – male and female\, a single entity -\, dressed in stylized \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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