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DTSTART;TZID=Europe/Rome:20210320T193000
DTEND;TZID=Europe/Rome:20210320T211000
DTSTAMP:20260403T225704
CREATED:20200902T113228Z
LAST-MODIFIED:20210224T100742Z
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SUMMARY:Don Juan
DESCRIPTION:Performance cancelled\nAterballetto dances in Schweinfurt\, Germany\, Don Juan\, the new full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-19/2021-03-20/
LOCATION:Theater der Stadt\, Roßbrunnstraße 2\, Schweinfurt\, 97421\, Germania
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20210327T200000
DTEND;TZID=Europe/Rome:20210327T214000
DTSTAMP:20260403T225704
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SUMMARY:Don Juan
DESCRIPTION:Performance cancelled\nAterballetto dances in Schaffhausen\, Switzerland\, Don Juan\, the new full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-21/
LOCATION:Stadttheater Aschaffenburg\, Schloßgasse 8\, Aschaffenburg\, 63739\, Germania
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20210328T210000
DTEND;TZID=Europe/Rome:20210328T220000
DTSTAMP:20260403T225704
CREATED:20210325T102256Z
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SUMMARY:XL Dance Company
DESCRIPTION:After a year of suspension\, we are resuming performances at the Foundry from where we stopped\, with live streaming. \nWe decided to start our streaming activity from the Foundry by giving priority to XL Dance Company\, a young company from Reggio Emilia directed by Laura Matano and Emanuela Baratin\, which was due to make its debut just a year ago in the Foundry. \nOn stage were two choreographies signed by Laura Matano\, “Oh Peter\, hello. Goodbye.” and “Before Tomorrow”. \nThe event will be streamed on OnTheatre. \nOh Peter\, hello. Goodbye. \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic Various Authors\nDuration 13.40 min \nHere is the greeting you were meant to be.\nI awaited it with understanding because in all our things there were sentences and redemptions.\nIn it is included the desire to which I had to return and which I had to keep. A\nresolute control of aspirations so as not to become a victim of them.\nYou are without siege\, and I am no longer a smile but winter.\nCover yourself too.\nYou said that every body seeks\, calls\, must fulfil itself.\nIt is true\, here is the ritual to go.\nI feel that you want to drag me into your space but I choose to return to myself\, in symbiosis\nwith my wide gestures and without constraints. Until they are fulfilled we will guard our\nsleeps but stand in profile\, to give access to nightmares.\nThen I will open my hands as in a space of my own\, without having yours around me trying to\ntake one last close look. \nXL Dance Company – “Oh Peter\, hello. Goodbye” – ph. Jessica Incerti Telani  \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nScenography Cinzia Macis\nDramaturgical Preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic Various Authors\nDuration 24.30 min \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet it go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and cherish it. A game that never ends.\nEach time\, the pain\, it is a great discovery. Dazzling\, like a black star.\nSomething is missing\, you begin to live without\, as you search for life’s vanishing point.\nYou scrape the empty words\, you invent a new language\, you derive by subtraction.\nIt is fear that comes but it comes together with courage.\nCourage. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo square the balance again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in\nin its way hospitable.\nAnd you walk\, you move forward in the disorder of destiny\, you obey the failure of time that falls\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, you do not escape\, the bridge has collapsed.\nCount the hours\, count the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time.\nCompelled state of necessity.\nThat’s it\, you have to get through it before tomorrow.\nAnd from tomorrow on\, don’t forget it. \nXL Dance Company – “Prima di domani” – ph. Elena Bianchi  \nINFO STREAMING \nHere are the complete instructions for seeing the show. \nTickets \n\nTickets are 3 euros\nBuy your ticket on www.biglietteriafonderia39.it\nWe will send you a personal code\, with which you can see the show on the OnTheatre platform\n\nOnTheatre platform \n\nSign up for free at OnTheatre here: www.ontheatre.tv/Registrati and confirm your registration by clicking on the link you will receive by email\nYou can now log in to OnTheatre using your email address and the password you have chosen\nChoose the show “Oh Peter\, hello. Goodbye. / Before tomorrow” and enter your personal code\, which we sent you by email\, under “Do you have a code? Click here” or in the CODE section of the menu on the left\nATTENTION: code valid until 30 March 2021 at 9 p.m.\n\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time. For assistance write to support@ontheatre.tv \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/xl-dance-company/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Season,Season 2021,Streaming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210506T190000
DTEND;TZID=Europe/Rome:20210506T204000
DTSTAMP:20260403T225704
CREATED:20210426T091948Z
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SUMMARY:Don Juan
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto gets back to dance in a theatre after 6 months. \nFrom 6 to 9 May\, the company opens the season at the Teatro Metastasio in Prato with four performances of Don Juan\, choreographed by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nTeatro Metastasio in Prato is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-15/2021-05-06/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20210507T190000
DTEND;TZID=Europe/Rome:20210507T204000
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SUMMARY:Don Juan
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto gets back to dance in a theatre after 6 months. \nFrom 6 to 9 May\, the company opens the season at the Teatro Metastasio in Prato with four performances of Don Juan\, choreographed by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nTeatro Metastasio in Prato is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-15/2021-05-07/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210508T190000
DTEND;TZID=Europe/Rome:20210508T204000
DTSTAMP:20260403T225704
CREATED:20210426T091948Z
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SUMMARY:Don Juan
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto gets back to dance in a theatre after 6 months. \nFrom 6 to 9 May\, the company opens the season at the Teatro Metastasio in Prato with four performances of Don Juan\, choreographed by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nTeatro Metastasio in Prato is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-15/2021-05-08/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/10/FND-Aterballetto-Don-Juan-ph.-Viola-Berlanda-18-Finale-Don-Juan-Saul-Daniele-Ardillo.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210509T180000
DTEND;TZID=Europe/Rome:20210509T194000
DTSTAMP:20260403T225704
CREATED:20210426T091948Z
LAST-MODIFIED:20210426T091948Z
UID:10001715-1620583200-1620589200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto gets back to dance in a theatre after 6 months. \nFrom 6 to 9 May\, the company opens the season at the Teatro Metastasio in Prato with four performances of Don Juan\, choreographed by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nTeatro Metastasio in Prato is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-15/2021-05-09/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210515T160000
DTEND;TZID=Europe/Rome:20210515T164000
DTSTAMP:20260403T225704
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001726-1621094400-1621096800@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-15/1/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210515T180000
DTEND;TZID=Europe/Rome:20210515T184000
DTSTAMP:20260403T225704
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
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SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-15/2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/08/Progetto-per-una-casa-di-luce-Massimo-Uberti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210515T200000
DTEND;TZID=Europe/Rome:20210515T204000
DTSTAMP:20260403T225704
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001728-1621108800-1621111200@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-15/3/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/08/Progetto-per-una-casa-di-luce-Massimo-Uberti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210516T160000
DTEND;TZID=Europe/Rome:20210516T164000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001729-1621180800-1621183200@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-16/1/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/08/Progetto-per-una-casa-di-luce-Massimo-Uberti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210516T180000
DTEND;TZID=Europe/Rome:20210516T184000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001730-1621188000-1621190400@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-16/2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/08/Progetto-per-una-casa-di-luce-Massimo-Uberti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210516T200000
DTEND;TZID=Europe/Rome:20210516T204000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001731-1621195200-1621197600@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-16/3/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/08/Progetto-per-una-casa-di-luce-Massimo-Uberti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210517T160000
DTEND;TZID=Europe/Rome:20210517T164000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001732-1621267200-1621269600@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-17/1/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210517T180000
DTEND;TZID=Europe/Rome:20210517T184000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001733-1621274400-1621276800@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-17/2/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210517T200000
DTEND;TZID=Europe/Rome:20210517T204000
DTSTAMP:20260403T225705
CREATED:20210505T143052Z
LAST-MODIFIED:20210514T070549Z
UID:10001734-1621281600-1621284000@www.fndaterballetto.it
SUMMARY:Stanze \ Rooms
DESCRIPTION:SITE-SPECIFIC ITINERANT PERFORMANCE \nChoreography and concept: Diego Tortelli\nLighting design: Diego Tortelli and Paolo Bonapace\nMusic: various artists\n \nStaging and creation specially conceived for the Teatro Municipale Valli\n \nANOTHER STORY / 2021 – Premiere – site specific version \nPRELUDIO / 2021 – Premiere – site specific version \nDOMUS AUREA – 2018 creation – excerpts \nWorks in exhibition: \nDomus Aurea – installation by Massimo Uberti\nLASCIA CH’IO… – video – installation by Diego Tortelli \n  \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Teatro Municipale Valli. A tribute to a special place of the town\, a message of artistic vitality in one of the most difficult periods experienced by the citizens and a reaffirmation of the central importance of the collaboration between two of the major Italian cultural institutions\, I Teatri and Aterballetto. \nStanze \ Rooms is a site-specific itinerant performance. Tortelli starts from the suggestions of the foyer\, the stage and the rooms of the Ridotto of the Teatro Valli and imagines a choreographic and musical tour. The audience will enter in an exciting close relationship with the dancers of the company and will live in a special way spaces usually dedicated to representation and conviviality. \n  \nWhen \nSaturday 15\, Sunday 16 and Monday 17 May 2021 \nHours \n16.00 / 18.00 / 20.00 \nDuration \n40′ \n\n\n\n\nAnother story \n\n\nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consultant Federico Bigonzetti \nDuration 13’ – For 2 dancers \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \n  \n\n\nPRELUDIO \nChoreography Diego Tortelli\nMusic Nick Cave\nAssistant to the choreographer Casia Vengoechea \nDuration 16’ – For 5 dancers \n\n\nPRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. \nIn his songs\, Cave explores the interplay of themes such as love\, “belief”\, addiction\, obsession and loss\, crossing over each other as if he were telling a story\, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work\, Cave argues that we should not go to the theatre\, to a concert\, to a museum\, in order to understand\, but in order to ask questions and to enrich ourselves\, to analyse ourselves. \nIn one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief). \nWhat do I believe in? I believe in the ‘body’\, I believe in its fragility and strength\, in its limitation and expansion\, in its capacity for change and constant transformation\, I believe in its contemporaneity\, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions\, compulsions\, addictions\, contrasts\, transforming the bodies of the five dancers not into men and women\, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage. \nPRELUDIO is my profane prayer\, my love letter to the body\, my credo for today. \nDiego Tortelli \n\n\nFND/Aterballetto – Preludio – ph. Celeste Lombardi  \nDomus Aurea - excerpts \nChoreography Diego Tortelli\nMusic Johann Sebastian Bach\, Suites Francesi\, transcribed by Giorgio Colombo Taccani\nEugène Ysaye\, 6 Sonatas for Solo Violin\, Op. 27: NO 2\, Sonata in A Minor\nGeorges Ivanovitch Gurdjieff\, Prayer of Gratitude \nDomus Aurea is a space created through a continuous interweaving of the rational and the irrational.\nThis is the condition we live in\, always poised between the certain and the uncertain\, driven by the desire for change and the utopia of being able to at least touch perfection and freedom. And perhaps today this belongs only to art. \nFondazione Nazionale della Danza / Aterballetto – Domus Aurea – ph. Lorenza Daverio
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-3/2021-05-17/3/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Bach Project,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210605T153000
DTEND;TZID=Europe/Rome:20210605T191000
DTSTAMP:20260403T225705
CREATED:20210531T152534Z
LAST-MODIFIED:20210607T124838Z
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SUMMARY:Meridiana - Kepler
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto presents for the first time to the public the first results of Virtual Dance for Real People\, a research project that combines dance and virtual reality technologies in co-production with Fondazione Palazzo Magnani and in partnership with RE:Lab and Riot studio. \nThe spectator will experience two choreographies by Diego Tortelli both live and in cinematic vr\, as part of the festival Onlife. Connessioni tra persone by AGO Modena Fabbriche Culturali\, co-producer of the Meridiana creation. \nPerformance times are at 3.30\, 5.00 and 6.30 pm. \n\nMeridiana\n\nA site-specific choreography specifically designed to be hosted inside the historic Pharmacy\, part of the former Sant’Agostino Hospital. \nThe experience of the live performance will be alternated with the experience of the same “micro-dance” in virtual reality. At the end of the performance the spectator will be able to relive the show through an oculus capable of replicating the physical experience in virtual reality. \nLocation: Historical Pharmacy – Former Sant’Agostino Hospital\nDuration live performance plus virtual performance: about 40 minutes\nTo book the live and virtual reality performance: bookings available from Tuesday 1 June at 8:00 a.m. at the following link https://www.eventbrite.it/e/biglietti-meridiana-157229627047 \n\n\nKepler\n\nAn almost sci-fi choreography that creates micro/macro-worlds\, live and in virtual reality. \nThe experience of the live performance will be alternated with the experience of the same “micro-dance” in virtual reality. At the end of the performance the spectator will be able to relive the show through an oculus capable of replicating the physical experience in virtual reality. A comparison between physical and digital dimensions\, capable of broadening the spectator’s perceptive spectrum. \nVenue: Chiesa San Nicolò – Former Sant’Agostino Hospital\nDuration live performance plus virtual performance: about 40 minutes\nTo book the live and virtual reality performance: bookings available from Tuesday 1 June at 8:00 a.m. at the following link https://www.eventbrite.it/e/biglietti-kepler-157244473453 \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/meridiana-kepler/2021-06-05/
LOCATION:AGO Modena Fabbriche Culturali\, Largo Porta Sant’Agostino\, 228\, Modena\, 41121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210606T153000
DTEND;TZID=Europe/Rome:20210606T191000
DTSTAMP:20260403T225705
CREATED:20210531T152534Z
LAST-MODIFIED:20210607T124838Z
UID:10002153-1622993400-1623006600@www.fndaterballetto.it
SUMMARY:Meridiana - Kepler
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto presents for the first time to the public the first results of Virtual Dance for Real People\, a research project that combines dance and virtual reality technologies in co-production with Fondazione Palazzo Magnani and in partnership with RE:Lab and Riot studio. \nThe spectator will experience two choreographies by Diego Tortelli both live and in cinematic vr\, as part of the festival Onlife. Connessioni tra persone by AGO Modena Fabbriche Culturali\, co-producer of the Meridiana creation. \nPerformance times are at 3.30\, 5.00 and 6.30 pm. \n\nMeridiana\n\nA site-specific choreography specifically designed to be hosted inside the historic Pharmacy\, part of the former Sant’Agostino Hospital. \nThe experience of the live performance will be alternated with the experience of the same “micro-dance” in virtual reality. At the end of the performance the spectator will be able to relive the show through an oculus capable of replicating the physical experience in virtual reality. \nLocation: Historical Pharmacy – Former Sant’Agostino Hospital\nDuration live performance plus virtual performance: about 40 minutes\nTo book the live and virtual reality performance: bookings available from Tuesday 1 June at 8:00 a.m. at the following link https://www.eventbrite.it/e/biglietti-meridiana-157229627047 \n\n\nKepler\n\nAn almost sci-fi choreography that creates micro/macro-worlds\, live and in virtual reality. \nThe experience of the live performance will be alternated with the experience of the same “micro-dance” in virtual reality. At the end of the performance the spectator will be able to relive the show through an oculus capable of replicating the physical experience in virtual reality. A comparison between physical and digital dimensions\, capable of broadening the spectator’s perceptive spectrum. \nVenue: Chiesa San Nicolò – Former Sant’Agostino Hospital\nDuration live performance plus virtual performance: about 40 minutes\nTo book the live and virtual reality performance: bookings available from Tuesday 1 June at 8:00 a.m. at the following link https://www.eventbrite.it/e/biglietti-kepler-157244473453 \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/meridiana-kepler/2021-06-06/
LOCATION:AGO Modena Fabbriche Culturali\, Largo Porta Sant’Agostino\, 228\, Modena\, 41121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210619T190000
DTEND;TZID=Europe/Rome:20210619T203000
DTSTAMP:20260403T225705
CREATED:20210609T140307Z
LAST-MODIFIED:20210630T082336Z
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SUMMARY:Made in Italy 24.0 - open rehearsal
DESCRIPTION:Agora Coaching Project – ph. Nicola Stasi \n OPEN DRESS REHEARSAL_AGORA COACHING PROJECT\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 24.0\, a programme consisting of Träfen Wir Uns\, Uscita di Sicurezza\, LEGO. \nTräfen Wir Uns \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Stefan Levin\, Frèdèric Chopin \nTräfen wir uns is a new creation by Ivan Alboresi for the young dancers of the Agora Coaching Project. The choreography deals with various problems of the individual in contemporary society. The virtual reality\, which the world pushes us to seek and create\, contrasts with the loneliness present in everyday life. The problem of one’s identity outside of the digital self-presentation\, the desire for “real” encounters and connections\, as well as the omnipresence of fears and their influence on our actions\, form the foundations of this piece. \nIvan Alboresi shows restless protagonists who are constantly searching for themselves\, for support\, for security. But at the same time the fear of connecting with the other\, of losing control or being rejected. He contrasts this restlessness with moments of almost catatonic torpor. The choice of music\, a fundamental part of Ivan Alboresi’s choreographies\, goes from classical pieces to contemporary music to the use of sound carpets created in collaboration with the composer Davidson Jaconello. \nDuration: 30′ \nUscita di sicurezza \nChoreography Enrico Morelli\nMusic Ben Frost\, Vex’d\, Max Richter\nCostumes Nuvia Valestri \nFirst performance: March 2012 \nUscita di Sicurezza catapults us into a parallel universe\, into an alienating underworld where fog\, rhythmic contractions and frenetic bodies enhance the dangerous influence of the herd.\nThey are all victims and aggressors\, they are all perpetrators of a revolt suffocated within bodies that abandon and recover in a rhythmically controlled tension. The lack of personal identity\, if not in function of the others\, the need to belong\, the incapacity of autonomy determine a sense of oppression from which to escape. The way out and the road to freedom here pass through the recognition of one’s own weakness: no longer existing only in function of others but breaking the rhythm by accepting oneself and one’s own fragile uniqueness. \nDuration: 30′ \nLEGO \nChoreography Giuseppe Spota\nMusic Afiletta\, Ezio Bosso\, Jóhann Jóhannsson\, Ólafur Arnalds/Nils Frahm\nMaster repeater Damiano Artale \nCreation created for Compagnia Aterballetto (2015) \nBridges\, connections\, streets to be travelled searching for oneself\, searching for love\, friendship\, family\, life. Events that form unions\, which then transform themselves into other events. The all-encompassing\, inescapable need to walk\, to create\, brick after brick\, the road ahead\, to understand those who will be part of it and to collect the fragments\, without which many relationships would never exist. \nThus\, it is the designing of a great map: streets and labyrinths that intersect\, meet and collide\, that indicate direction and movement\, that create casual or voluntary relationships. \nDuration: 35′ \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nDancers\nAgora First Year\n \nErica Barusco / Filippo Cosso / Sally Demonte / Marek Brafa Misicoro / Francesca Russo / Viviana Sanfilippo / Melissa Venturi Degli Esposti / Silvia Romanet Bellot \nAgora Second Year\n \nLucrezia Aiuto / Veronica Biondini / Greta Cecconi / Sara Flamini / Anna Chiara Gallo / Arianna Ganassi / Letizia Melchiorre / Lorenzo Molinaro / Diletta Ranuzzi / Rossana Samele / Angelo Antonio Tafuni / Gaia Tamagnini / Diletta Torelli / Vito Damiano Volpicella / Antonio Emanuele Meraglia \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-24-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210619T210000
DTEND;TZID=Europe/Rome:20210619T223000
DTSTAMP:20260403T225705
CREATED:20210525T094334Z
LAST-MODIFIED:20210525T100223Z
UID:10002149-1624136400-1624141800@www.fndaterballetto.it
SUMMARY:Dreamers#1
DESCRIPTION:Aterballetto dances the triple bill Dreamers#1 at Arena Shakespeare of Teatro Due in Parma. \nOn scene the visceral Secus by Ohad Naharin\, the hypnotic duet  “O” by Philippe Kratz\, BLISS\, masterpiece by Swedish Johan Inger on Köln Concert by Keith Jarrett.
URL:https://www.fndaterballetto.it/en/evento/dreamers1/
CATEGORIES:Aterballetto,BLISS,O,Secus
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/Secus_ph.-Alice-Vacondio_10-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210620T213000
DTEND;TZID=Europe/Rome:20210620T230000
DTSTAMP:20260403T225705
CREATED:20210609T141628Z
LAST-MODIFIED:20210630T081903Z
UID:10001745-1624224600-1624230000@www.fndaterballetto.it
SUMMARY:Made in Italy 24.0
DESCRIPTION:Agora Coaching Project – ph. Nicola Stasi \n  \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 24.0\, a programme consisting of Träfen Wir Uns\, Uscita di Sicurezza\, LEGO. \nTräfen Wir Uns \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Stefan Levin\, Frèdèric Chopin \nTräfen wir uns is a new creation by Ivan Alboresi for the young dancers of the Agora Coaching Project. The choreography deals with various problems of the individual in contemporary society. The virtual reality\, which the world pushes us to seek and create\, contrasts with the loneliness present in everyday life. The problem of one’s identity outside of the digital self-presentation\, the desire for “real” encounters and connections\, as well as the omnipresence of fears and their influence on our actions\, form the foundations of this piece. \nIvan Alboresi shows restless protagonists who are constantly searching for themselves\, for support\, for security. But at the same time the fear of connecting with the other\, of losing control or being rejected. He contrasts this restlessness with moments of almost catatonic torpor. The choice of music\, a fundamental part of Ivan Alboresi’s choreographies\, goes from classical pieces to contemporary music to the use of sound carpets created in collaboration with the composer Davidson Jaconello. \nDuration: 30′ \nUscita di sicurezza \nChoreography Enrico Morelli\nMusic Ben Frost\, Vex’d\, Max Richter\nCostumes Nuvia Valestri \nFirst performance: March 2012 \nUscita di Sicurezza catapults us into a parallel universe\, into an alienating underworld where fog\, rhythmic contractions and frenetic bodies enhance the dangerous influence of the herd.\nThey are all victims and aggressors\, they are all perpetrators of a revolt suffocated within bodies that abandon and recover in a rhythmically controlled tension. The lack of personal identity\, if not in function of the others\, the need to belong\, the incapacity of autonomy determine a sense of oppression from which to escape. The way out and the road to freedom here pass through the recognition of one’s own weakness: no longer existing only in function of others but breaking the rhythm by accepting oneself and one’s own fragile uniqueness. \nDuration: 30′ \nLEGO \nChoreography Giuseppe Spota\nMusic Afiletta\, Ezio Bosso\, Jóhann Jóhannsson\, Ólafur Arnalds/Nils Frahm\nMaster repeater Damiano Artale \nCreation created for Compagnia Aterballetto (2015) \nBridges\, connections\, streets to be travelled searching for oneself\, searching for love\, friendship\, family\, life. Events that form unions\, which then transform themselves into other events. The all-encompassing\, inescapable need to walk\, to create\, brick after brick\, the road ahead\, to understand those who will be part of it and to collect the fragments\, without which many relationships would never exist. \nThus\, it is the designing of a great map: streets and labyrinths that intersect\, meet and collide\, that indicate direction and movement\, that create casual or voluntary relationships. \nDuration: 35′ \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nDancers\nAgora First Year\n \nErica Barusco / Filippo Cosso / Sally Demonte / Marek Brafa Misicoro / Francesca Russo / Viviana Sanfilippo / Melissa Venturi Degli Esposti / Silvia Romanet Bellot \nAgora Second Year\n \nLucrezia Aiuto / Veronica Biondini / Greta Cecconi / Sara Flamini / Anna Chiara Gallo / Arianna Ganassi / Letizia Melchiorre / Lorenzo Molinaro / Diletta Ranuzzi / Rossana Samele / Angelo Antonio Tafuni / Gaia Tamagnini / Diletta Torelli / Vito Damiano Volpicella / Antonio Emanuele Meraglia \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-24-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210622T160000
DTEND;TZID=Europe/Rome:20210622T170000
DTSTAMP:20260403T225705
CREATED:20210611T085311Z
LAST-MODIFIED:20210630T081033Z
UID:10001748-1624377600-1624381200@www.fndaterballetto.it
SUMMARY:OMBRE (excerpts) - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nTribute to Dante Alighieri\, is a scenic polyphony between body\, Dante’s verses and sound environments.\nThe originality of the creative approach lies both in the cross-media staging and in the production format. The project is in fact conceived to be modular and modulable: each solo is composed of several interchangeable scenic elements\, which relate dynamically to the structure that houses them.\nThe 3 “actors” of the scenic polyphony imagined by Monica Casadei are the performers for the choreography of the chosen Dantean Ombra\, the voice off of an actor/actress\, the sound carpet/atmosphere composed by a sound designer who elaborates a Dantean sound from Verdi’s Requiem. \nCREDITS \nChoreography\, direction Monica Casadei\nMusic by Luca Vianini\nVoice actor Agostino Rocca\nDirection Alessandro Ceci\nProduction Compagnia Artemis Danza\nIn collaboration with the Italian Cultural Institutes of Jakarta\, Lima\, Mumbai\, Prague\, Tunisi \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/ombre-excerpts-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/06/Ombre.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210622T180000
DTEND;TZID=Europe/Rome:20210622T190000
DTSTAMP:20260403T225705
CREATED:20210611T091820Z
LAST-MODIFIED:20210630T080651Z
UID:10001752-1624384800-1624388400@www.fndaterballetto.it
SUMMARY:Excerpts from varoius creations - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe Compagnia Artemis Danza presents various excerpts from its most famous creations. \nCho Cho San \nChoreography\, direction Monica Casadei\nMusic Madama Butterfly by Giacomo Puccini\nSound design Luca Vianini\nProduction Compagnia Artemis Danza \nA new production inspired by Butterfly\, conceived for non-theatrical spaces and performance situations\, which focuses totally on the figure of the young protagonist of one of Puccini’s most dramatic operas. \nFigaro-Il Barbiere di Siviglia \nChoreography\, direction Monica Casadei\nMusic Il Barbiere di Siviglia by Gioachino Rossini\nCostume design Daniela Usai\nMusical elaboration and original music Luca Vianini\nProduction Compagnia Artemis Danza \nFigaro\, Rossini’s iconic character who in Monica Casadei’s vision encapsulates the vices and virtues of the successful man in today’s world\, is the absolute protagonist of a performance inspired by the opera of the same name. Rossini’s hero becomes the emblem of those who manage to meet with efficiency\, vivacity and savoir faire the expectations of a society that demands every day to achieve its goals by optimising time and energy. \nLucenia \nChoreography\, direction Monica Casadei\nMusic Ave Maria by W. A. Mozart\nMusical elaboration Luca Vianini\nProduction Compagnia Artemis Danza \nEvent organised within the framework of the European Year of Cultural Heritage\nin collaboration with the Complesso Monumentale della Pilotta as part of the celebrations for the 400th anniversary of the Teatro Farnese\, with the patronage of the Municipality of Parma. \nUnder the patronage of Comune di Parma \nA woman\, a destiny\, a tormented history at the Farnese court. A body\, a soul\, the struggle of contrasts. From the elaboration of these essential elements takes shape Lucenia\, a creation by Monica Casadei realised in collaboration with the Complesso Monumentale della Pilotta as part of the celebrations for the 400th anniversary of the Farnese Theatre\, under the patronage of the Municipality of Parma. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/excerpts-from-varoius-creations-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/06/Figaro.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210622T213000
DTEND;TZID=Europe/Rome:20210622T230000
DTSTAMP:20260403T225705
CREATED:20210513T175316Z
LAST-MODIFIED:20210608T055325Z
UID:10002147-1624397400-1624402800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Don Juan\, choreography by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award\, finally reaches Ravenna Festival\, where it was due to première last year. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nRavenna Festival is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-25/2021-06-22/
LOCATION:Teatro Alighieri\, via Mariani\, 2\, Ravenna\, 48121\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210623T160000
DTEND;TZID=Europe/Rome:20210623T170000
DTSTAMP:20260403T225705
CREATED:20210611T093001Z
LAST-MODIFIED:20210630T075954Z
UID:10001757-1624464000-1624467600@www.fndaterballetto.it
SUMMARY:CIRCUS 1 - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nCircus is a dance show enriched by surprising physical skills and an imagery that takes us back to the magic of the circus and its inhabitants.\nAcrobatics and dance\, juggling\, eccentric comedy and clownish art are some of the ingredients that go to make up a rich and energetic fresco\, the result of collaboration between different arts and performers. Thanks to this union of elements\, Circus becomes a powerful kaleidoscope of colours and music\, costumes and images\, which together celebrate a tradition that is both ancient and contemporary\, capable of enchanting adults and children alike. \nCREDITS \nChoreography\, dirction Monica Casadei\nMusic Nino Rota\nIn partnership with Festival Al Levar dell’Ombra da Terra\nProduction Compagnia Artemis Danza\nCo-Production Festival Danza Estate \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/circus-1-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/06/Circus-6.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210623T180000
DTEND;TZID=Europe/Rome:20210623T190000
DTSTAMP:20260403T225705
CREATED:20210611T093852Z
LAST-MODIFIED:20210726T114243Z
UID:10002168-1624471200-1624474800@www.fndaterballetto.it
SUMMARY:Frammenti d’Inferno_1 - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nFrammenti d’Inferno_ 1 brings the author’s focus to the representation of the demons and damned of the infernal hosts\, to the investigation of the characters that the Poet encounters on his journey and the torments reserved for them. A succession of choreographic pictures\, with different music and atmospheres. Characters chosen by the choreographer to investigate the human soul and compose a poetic and fascinating picture\, perturbing\, in which every archetype of the collective unconscious finds its own carnal and earthly manifestation. Dissipating\, as Dante did\, the darkness that envelops these famous damned souls and bringing them to the light\, literally under the spotlight\, Monica Casadei chooses to follow them along a path of sin\, awareness\, acceptance\, where the point of arrival is no longer punishment but the expressive power of the Ego\, in its fullness and truth. \nCREDITS \nChoreography\, direction Monica Casadei\nMusic Giuseppe Verdi\nSound design Luca Vianini\nProduction Compagnia Artemis Danza\nCo-production FIND Festival \n  \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/frammenti-dinferno_1-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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DTSTART;TZID=Europe/Rome:20210623T213000
DTEND;TZID=Europe/Rome:20210623T230000
DTSTAMP:20260403T225705
CREATED:20210513T175316Z
LAST-MODIFIED:20210608T055325Z
UID:10002148-1624483800-1624489200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Don Juan\, choreography by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award\, finally reaches Ravenna Festival\, where it was due to première last year. \nThe choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni\, an ancient and still contemporary\, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière\, Bertold Brecht and Suzanne Lilar. Inger\, together with the playwright Gregor Acuña-Pohl\, thoroughly read twenty-five different texts inspired by Don Juan. \nThis Don Juan features all the characters of the story\, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel\, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage. \nRavenna Festival is one of the co-producers of the choreography.
URL:https://www.fndaterballetto.it/en/evento/don-juan-25/2021-06-23/
LOCATION:Teatro Alighieri\, via Mariani\, 2\, Ravenna\, 48121\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20210626T213000
DTEND;TZID=Europe/Rome:20210626T221500
DTSTAMP:20260403T225705
CREATED:20210611T101027Z
LAST-MODIFIED:20210630T075038Z
UID:10002171-1624743000-1624745700@www.fndaterballetto.it
SUMMARY:LES MISERABLES - OPEN REHEARSAL
DESCRIPTION:©Piero Tauro \nOPEN DRESS REHEARSAL_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCredits \nOriginal creation: Carlo Massari / C&C Company\nOriginal cast: Martina La Ragione\, Carlo Massari\, Alice Monti\, Daniele Monti\nVocal coaching: Chiara Osella\nAudio and lighting design: Francesco Massari\n \nProduction: C&C Company\nCo-production: Teatri di Vetro/Triangolo Scaleno; Teatro Comunale Città di Vicenza\nProduction 2019/2020 \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/les-miserables-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210627T213000
DTEND;TZID=Europe/Rome:20210627T221500
DTSTAMP:20260403T225705
CREATED:20210611T111736Z
LAST-MODIFIED:20210630T074415Z
UID:10002173-1624829400-1624832100@www.fndaterballetto.it
SUMMARY:Les Miserables
DESCRIPTION:©Piero Tauro \nLes Miserables_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCredits \nOriginal creation: Carlo Massari / C&C Company\nFirst cast: Christian Leveque\, Carlo Massari\, Luigi Monfredini\, Alice Monti\, Luca Sansoè\nVocal coaching: Chiara Osella\nAudio and lighting design: Francesco Massari\n \nProduction: C&C Company\nCo-production: Teatri di Vetro/Triangolo Scaleno Teatro\, Festival Danza in rete/Teatro Comunale di Vicenza\nWith the support of Fondazione Nazionale della Danza / Aterballetto\, CLAPS – Spettacolo dal vivo \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/les-miserables/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210630T213000
DTEND;TZID=Europe/Rome:20210630T230000
DTSTAMP:20260403T225705
CREATED:20210607T172916Z
LAST-MODIFIED:20210630T130229Z
UID:10002157-1625088600-1625094000@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:THE PERFORMANCE WAS CANCELLED FOR REASONS RELATED TO THE HEALTH EMERGENCY.\nAterballetto dances at Florence Dance Festival and presents Storie for the first time. \nStorie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the bill\, is a love letter to the body for five dancers on Nick Cave music\, Another story is a duo about the impossible gesture of 2020\, the hug. \nBetween past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt\, or will it become serial and alienated?\nAlpha Grace\, a creation for six dancers at the end of the bill\, is a reflection on empathy\, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times. \n  \n\n  \n  \n 
URL:https://www.fndaterballetto.it/en/evento/storie/
LOCATION:Chiostro Grande Santa Maria Novella\, Piazza Santa Maria Novella\, 18\, Firenze\, 50123\, Italia
CATEGORIES:Aterballetto,Storie
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