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DTSTART;TZID=Europe/Rome:20250225T203000
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DTSTAMP:20260403T213025
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SUMMARY:FEMINA
DESCRIPTION:Compagnia Abbondanza/Bertoni returns to Fonderia with the acclaimed Femina. \n  \n«A keen observer of reality\, in her new choreography titled Femina\, a declared tribute to women (…) Antonella Bertoni once again amazes by shifting from lyrical movement to the most absolute formal rigor\, developing a visual and sound loop that generates\, nurtures\, and accompanies the mechanical\, pulsating\, and magnetic movement (…) The white stage is striking\, as if one were inside a sterile room (..)»\nGiuseppe Distefano\, DANZA&DANZA\, September 2023 \n«Four dancers with platinum blonde bob wigs\, slender figures dancing frontally in a milk-colored space\, doll-like like perfectly crafted Barbies\, yet in reality fiery and rebellious in the rhythmic accents of individuality\, from which an irrepressible\, necessary affirmation of personality bursts forth. Excellent musical work as well.»\nFrancesca Pedroni\, IL MANIFESTO\, October 2024 \n\n  \n\n  \nCredits \nBy Michele Abbondanza and Antonella Bertoni\nChoreography: Antonella Bertoni\nPerformers: Sara Cavalieri\, Eleonora Chiocchini\, Valentina Dal Mas\, Ludovica Messina Poerio\nLighting design: Andrea Gentili\nTechnical direction: Claudio Modugno\nMusic: Dysnomia – Dawn of Midi\nAudio editing: Orlando Cainelli\nOrganization\, strategy\, and development: Dalia Macii\nAdministration and coordination: Francesca Leonelli\nCommunication and press office: Francesca Venezia\nProduction: Compagnia Abbondanza/Bertoni\nWith the support of MiC – Ministry of Culture\, Autonomous Province of Trento\, Municipality of Rovereto\, Cassa di Risparmio di Trento and Rovereto Foundation\nSpecial thanks to: Danio Manfredini\, Marco Dalpane\, Lucio Diana\, Nadezhda Simenova   \nDuration: 60′   \nFinalist of the Ubu Award 2023 in the category “Best Dance Performance” \nCRITICAL TEXT \nPlaudit: captatio benevolentiae or j’accuse?\nIn the beginning was the beat:\nironic clapping\,\nhunters flushing out the prey\nor beginning of a sabbatical ritual.\nThe insistent\, geometric loop\ncompresses and compels\nsustaining and generating scores\nrigorously formal scores\,\nthus momentarily leaving concealed\nof the feminine soul the essence.\nIn the unfolding of the action\nflows a surgical\nchoreographic self-flagellation\nalways listening\nof a common and shared time.\nSimultaneously beat and beat:\n‘Beat but listen!’ (Plutarch) \nWith a posthumous disguise\nand minimal movements\nthe flow takes us\ninto the game of female identity\,\neffeminating\, malingering\, disambiguating the four performers.\nDisembodying and incorporating themselves and each other:\ntwo poles\,\ntwo physical places\non opposite banks of the same river.\nAccomplices of their own appearance\, they mirror each other\nrestoring mirrored movements\,\ncompressed and coated by a sound accompaniment\nthat magnetises and flows\nwithout any real interruption\nnor space for melody\nbut only for the aridity of rhythm.\n‘Femina’ is the space of translation and hallucination\ninto a scenic framework of possible forms and names\nof the feminine and feminine contemporary world. \nM.A. \nCOMPAGNIA ABBONDANZA/BERTONI \nMichele Abbondanza and Antonella Bertoni. From their New York experience at the Alwin Nikolais School to their French studies with Dominique Dupuy\, through the ‘poetic’ improvisations of Carolyn Carlson\, the study and practice of zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Teatro di Milano) and Antonella Bertoni founded the Compagnia Abbondanza/Bertoni\, recognized as one of the most prolific artistic entities in the Italian scene for their creations\, educational and pedagogical activities\, and the dissemination of contemporary dance theater. \nThe Compagnia Abbondanza/Bertoni is in residence at the Teatro alla Cartiera in Rovereto (TN) – Italy and is supported by:\nMIC – General Directorate for Live Performance\, Municipality of Rovereto – Department of Culture\, Autonomous Province of Trento – Cultural Activities Service\, Autonomous Region Trentino Alto Adige \n \n  \nInfo&Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/femina/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250228T180000
DTEND;TZID=Europe/Rome:20250228T190000
DTSTAMP:20260403T213025
CREATED:20250218T155106Z
LAST-MODIFIED:20250225T182313Z
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SUMMARY:STABAT MATER - OPEN REHEARSAL
DESCRIPTION:The Compagnia Artemis Danza / Monica Casadei offers the audience at the Fonderia something unique\, opening the doors to the creative process of its new production Stabat Mater\, which will premiere at the Teatro Rossini in Pesaro on March 14. \nSTABAT MATER \nChoreography\, direction\, sets\, lights\, and costumes Monica Casadei\nMusic Gioachino Rossini\nProduction Compagnia Artemis Danza/Monica Casadei\nIn collaboration with AMAT and Teatro Rossini di Pesaro\nWith the contribution of Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Municipality of Parma \nThe creation\, signed by the choreographer from Ferrara Monica Casadei\, is dedicated to Gioachino Rossini’s Stabat Mater; a choral tribute to the soul of women\, to their universal love\, embodied by the mother par excellence. The performance represents the evolution of a multi-year research journey that the choreographer has dedicated to the encounter between dance and religious music.\nStabat Mater is a collective prayer\, timeless and universal\, for a mater dolorosa\, a woman’s heart broken by pain\, a mater lacrimosa that crystallizes in the moment of lament the tragedy of losing a child. \nThe body becomes the medium to tell the emotional experience of those facing the transformation of the primordial bond between mother and child. The performance becomes a cry and a whisper\, noise and silence\, giving voice to a love that transcends loss and never ceases to illuminate\, even in the darkest moments. \nStabat Mater offers a profound and moving fresco of maternity\, in a deep and lyrical tension between pain and hope\, making the mother’s suffering a universal symbol of empathy and resilience. \nThe power of Rossini’s composition plays a crucial role in conveying the emotional intensity of the text\, while the dynamic music elevates the narrative from lament to a song of hope. \nMONICA CASADEI \nOriginally from Ferrara and holding a degree in Philosophy with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, dedicated herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris where she met choreographers Pierre Doussaint and Isabelle Doubouloz\, as well as the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. In 1994\, she founded the company Artemis Danza in France\, and in 1997\, she moved to Italy\, where she began an intense production activity that\, to this day\, counts over fifty original creations. From 1998 to 2007\, the company was in residence at the Fondazione Teatro Due in Parma\, while from 2014 to 2018\, it was in artistic residence at the Teatro Comunale in Bologna. Fundamental to Monica Casadei’s artistic research were her encounters with Federico Fellini\, her investigation into the great lyrical tradition with performances such as Il Barbiere di Siviglia and the series of works dedicated to the heroines of opera reinterpreted in a contemporary key (such as Traviata\, Tosca X\, Carmen K\, Butterfly – Colori Proibiti\, Private Callas\, Puccini’s Opera.Voci di Donne). The productions of Artemis Danza are characterized by their fusion with different artistic\, cultural\, and geographical realms\, as well as the exploration of urban spaces that become the stage for performative actions. Alongside its production activity\, Artemis supports\, produces\, and promotes young authors and carries out numerous activities to educate the public. \nInfo&Tickets \nTICKETS \n3 euros \nFree for children under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox office at Fonderia: The box office opens half an hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stabat-mater-private-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january july 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250304T203000
DTEND;TZID=Europe/Rome:20250304T220000
DTSTAMP:20260403T213025
CREATED:20241125T162850Z
LAST-MODIFIED:20241202T081231Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2025-03-04/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250305T203000
DTEND;TZID=Europe/Rome:20250305T220000
DTSTAMP:20260403T213025
CREATED:20241125T162850Z
LAST-MODIFIED:20241202T081231Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2025-03-05/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250307T203000
DTEND;TZID=Europe/Rome:20250307T220000
DTSTAMP:20260403T213025
CREATED:20240619T160329Z
LAST-MODIFIED:20241202T081647Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-pavia-aterballetto/
LOCATION:Teatro Fraschini\, Corso Strada Nuova\, 136\, Pavia\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250311T203000
DTEND;TZID=Europe/Rome:20250311T220000
DTSTAMP:20260403T213025
CREATED:20241125T172209Z
LAST-MODIFIED:20241202T081100Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-3/
LOCATION:Teatro Ponchielli\, Corso Vittorio Emanuele II\, 52\, Cremona\, 26100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250313T210000
DTEND;TZID=Europe/Rome:20250313T220000
DTSTAMP:20260403T213025
CREATED:20250218T171320Z
LAST-MODIFIED:20250411T140911Z
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SUMMARY:Impromptus
DESCRIPTION:IMPROMPTUS\nArias\, Dances\, and Improvisations \nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni collaborate once again to create a new project\, where dance and music meet\, intertwine\, and transform into unique performances. The aim is to create a creative space where choreographers and musicians work side by side\, shaping works born from improvisation and mutual inspiration. \nThe goal of the project is to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (from 15 to 20 minutes) that express the intensity of this encounter. \nThursday\, March 13\, 9:00 PM\nArtificerie Almagià\, Ravenna \nDaniele Di Bonaventura bandoneon\nAlfredo Laviano percussion\nRoberto Tedesco and Gador Lago Benito dancers \nTuesday\, April 15\, 9:00 PM\nArtificerie Almagià\, Ravenna \nCellos of the Orchestra Giovanile Luigi Cherubini\nLeonardo Farina and Arianna Ganassi dancers
URL:https://www.fndaterballetto.it/en/evento/impromptus/2025-03-13/
LOCATION:Artificerie Almagià\, via dell’Almagià\, 50\, Ravenna\, Italy
CATEGORIES:Aterballetto,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250314T203000
DTEND;TZID=Europe/Rome:20250314T213000
DTSTAMP:20260403T213025
CREATED:20250218T174328Z
LAST-MODIFIED:20250414T093520Z
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SUMMARY:Impromptus
DESCRIPTION:IMPROMPTUS\nArias\, Dances\, and Improvisations \nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni collaborate once again to create a new project\, where dance and music meet\, intertwine\, and transform into unique performances. The aim is to create a creative space where choreographers and musicians work side by side\, shaping works born from improvisation and mutual inspiration. \nThe goal of the project is to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (from 15 to 20 minutes) that express the intensity of this encounter. \nFriday\, March 14\, 8:30 PM\nFonderia\, Reggio Emilia \nDaniele Di Bonaventura bandoneon\nAlfredo Laviano percussion\nRoberto Tedesco and Gador Lago Benito dancers \nWednesday\, April 17\, 9:00 PM\nFonderia\, Reggio Emilia \nFrancesco Angelico\, Christian Barraco Cellos of the Orchestra Giovanile Luigi Cherubini\nLeonardo Farina and Arianna Ganassi dancers \nInfo & Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/impromptus-2/2025-03-14/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,season january july 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250315T203000
DTEND;TZID=Europe/Rome:20250315T220000
DTSTAMP:20260403T213025
CREATED:20240624T130400Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto dances at the Teatro Regio di Parma with a brand new triptych\, destined to add new and unexpected nuances to the already eclectic repertoire of the company. \nThe dancers of CCN/Aterballetto are the protagonists of a production by the multi-award-winning Crystal Pite\, a Canadian choreographer now in the pantheon of dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \nAn echo\, a wave by Philippe Kratz\, a former Aterballetto dancer and now a choreographer sought after by the most important companies\, is a duet inspired by the hypnotic view of the sea and the concept of eternity that inspires us: two people dancing always go through different states of mind\, contrasting emotions\, closeness\, and distance. \nThe last choreography\, Glory Hall\, is the new production by Diego Tortelli\, which gives the company and the audience a fresco of sensuality and overwhelming vitality. \nCREDITS \nSolo Echo\nChoreography Crystal Pite\nMusic Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio Affettuoso)\nProduction and restaging Fondazione Nazionale della Danza/Aterballetto\nCoproduction Teatro Comunale di Bologna \nAn Echo\, a Wave\nChoreography Philippe Kratz\nSound designer Tommaso Michelini\nProduction Fondazione Nazionale della Danza/Aterballetto \nGlory Hall\nChoreography Diego Tortelli\nMusic Godspeed You! Black Emperor\nProduction Fondazione Nazionale della Danza/Aterballetto\nCoproduction Teatro Comunale di Bologna\nNew creation \n\nScreenshot
URL:https://www.fndaterballetto.it/en/evento/solo-echo-an-echo-a-wave-glory-hall/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo
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DTSTART;TZID=Europe/Rome:20250318T203000
DTEND;TZID=Europe/Rome:20250318T220000
DTSTAMP:20260403T213025
CREATED:20240620T112917Z
LAST-MODIFIED:20250313T173525Z
UID:10003406-1742329800-1742335200@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Compiègne\, France\, the triptych composed of Solo Echo by Crystal Pite\, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, and Shoot me by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory.\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-compiegne-aterballetto/
LOCATION:Espace Jean Legendre\, Place Briet Daubigny - rue du Général Koenig\, Compiègne\, 60200\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/11/CCN-Aterballetto-Rhapsody-in-blue-ph.-Christophe-Bernard-6-1.jpg
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DTSTART;TZID=Europe/Rome:20250320T200000
DTEND;TZID=Europe/Rome:20250320T213000
DTSTAMP:20260403T213025
CREATED:20240620T133151Z
LAST-MODIFIED:20250313T194658Z
UID:10003410-1742500800-1742506200@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Maubeuge\, France\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Glory Hall by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss.\n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory. \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-maubeuge-aterballetto/
LOCATION:Le Manège\, Rue de la Croix - CS 10105\, Maubeuge\, 59602\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/11/CCN-Aterballetto-Rhapsody-in-blue-ph.-Christophe-Bernard-6-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250325T203000
DTEND;TZID=Europe/Rome:20250325T220000
DTSTAMP:20260403T213025
CREATED:20240620T131641Z
LAST-MODIFIED:20250313T194615Z
UID:10003408-1742934600-1742940000@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Cholet\, France\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Shoot me by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory. \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-cholet-aterballetto/
LOCATION:Théâtre Saint-Louis\, Rue Jean Vilar\, Cholet\, 49300\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
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DTSTART;TZID=Europe/Rome:20250328T193000
DTEND;TZID=Europe/Rome:20250328T210000
DTSTAMP:20260403T213025
CREATED:20240620T134431Z
LAST-MODIFIED:20250313T191129Z
UID:10003833-1743190200-1743195600@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Bilbao\, Spain\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Shoot me by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory. \n\n  \nThe performances in Bilbao are in partnership with Italian Institute of Culture in Madrid and Directorate-General for Public and Cultural Diplomacy of Ministry of Foreign Affairs and International Cooperation. \n\n \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-bilbao-aterballetto/2025-03-28/
LOCATION:Teatro Arriaga Antzokia\, Arriaga Plaza\, 1\, Bilbao\, 48005\, Spagna
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/11/CCN-Aterballetto-Rhapsody-in-blue-ph.-Christophe-Bernard-11.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250329T183000
DTEND;TZID=Europe/Rome:20250329T200000
DTSTAMP:20260403T213025
CREATED:20250314T172121Z
LAST-MODIFIED:20250324T172609Z
UID:10003851-1743273000-1743278400@www.fndaterballetto.it
SUMMARY:Made in Italy 34.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nSaturday\, March 29 – 6:30 PM\nSaturday\, March 29 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia\, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \n  \nINSOMNIA \nChoreography: Sergei Vanaev\nMusic: Jim Croce\, Hildur Guonadottir and Johann Johannsson\, G. F. Händel\, Murcof\, Becky G x Luisa Sonza x Papatinho\nCostumes: Nuvia Valestri\nChoreography Assistant: Stefano Neri\nDuration: 25 min.   \nThe world of dreams cannot be fully understood by the human mind.\nThe images and spirits we encounter in our dreams are fragments of our uncontrolled imagination.\nVery often\, we come across people or creatures unknown to us. We find ourselves in uncomfortable situations\, evoking emotions that range from terror and fear to joy and euphoria.   \nVisiting the dream world is inevitable for us\, as it is linked to our physical need for sleep. However\, sometimes\, due to the complexities of daily life\, we experience the unpleasant condition of INSOMNIA\, caused by troubling thoughts. Desperately\, we try to relax and transition into the seemingly peaceful state of the dream world…   \nBut what would be better: a nightmare or INSOMNIA?\n\nSHARE_Prima Nazionale \nChoreography: Massimo Gerardi\nMusic: Frank Bretschneider\, CoH\, Kanding Ray\nLighting Design: Massimo Gerardi\nCostumes: Nuvia Valestri\nDuration: 25 min.   \nSHARE represents a moment of interaction between the dancers on stage and the audience\, going beyond mere aesthetic or athletic gestures.\nThis event focuses on the expression of personal thoughts and individual identity\, encouraging each participant to step forward and support others in their goals. The dancers embody the idea of the *Homo Empathicus*\, a figure often overlooked in our era but essential for fostering genuine relationships\, free from technological interference: the body and voice thus become the instruments of this shared experience.   \nDescartes’ famous motto “I think\, therefore I am” almost transforms into “I participate\, therefore I am.” \n\nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are ready to approach the variety of the international dance market with flexibility\, artists capable of responding to different technical and stylistic demands that come from this very market. The project aims to offer a wide range of stimuli\, both technical and cultural\, and fosters exchange between students and choreographers\, each coming from different and interesting backgrounds in the international scene. Agora offers the students the opportunity to meet renowned choreographers with different stylistic orientations\, and over the years\, many illustrious names have participated. Various qualified teachers\, each with proven experience in the field\, collaborate with Michele Merola and Enrico Morelli to bring the project to life. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the performance \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-34-0/2025-03-29/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250329T190000
DTEND;TZID=Europe/Rome:20250329T203000
DTSTAMP:20260403T213025
CREATED:20240620T134431Z
LAST-MODIFIED:20250313T191129Z
UID:10003831-1743274800-1743280200@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Bilbao\, Spain\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Shoot me by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory. \n\n  \nThe performances in Bilbao are in partnership with Italian Institute of Culture in Madrid and Directorate-General for Public and Cultural Diplomacy of Ministry of Foreign Affairs and International Cooperation. \n\n \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-bilbao-aterballetto/2025-03-29/
LOCATION:Teatro Arriaga Antzokia\, Arriaga Plaza\, 1\, Bilbao\, 48005\, Spagna
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/11/CCN-Aterballetto-Rhapsody-in-blue-ph.-Christophe-Bernard-11.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250329T210000
DTEND;TZID=Europe/Rome:20250329T221500
DTSTAMP:20260403T213025
CREATED:20250314T172121Z
LAST-MODIFIED:20250324T172609Z
UID:10003847-1743282000-1743286500@www.fndaterballetto.it
SUMMARY:Made in Italy 34.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nSaturday\, March 29 – 6:30 PM\nSaturday\, March 29 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia\, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \n  \nINSOMNIA \nChoreography: Sergei Vanaev\nMusic: Jim Croce\, Hildur Guonadottir and Johann Johannsson\, G. F. Händel\, Murcof\, Becky G x Luisa Sonza x Papatinho\nCostumes: Nuvia Valestri\nChoreography Assistant: Stefano Neri\nDuration: 25 min.   \nThe world of dreams cannot be fully understood by the human mind.\nThe images and spirits we encounter in our dreams are fragments of our uncontrolled imagination.\nVery often\, we come across people or creatures unknown to us. We find ourselves in uncomfortable situations\, evoking emotions that range from terror and fear to joy and euphoria.   \nVisiting the dream world is inevitable for us\, as it is linked to our physical need for sleep. However\, sometimes\, due to the complexities of daily life\, we experience the unpleasant condition of INSOMNIA\, caused by troubling thoughts. Desperately\, we try to relax and transition into the seemingly peaceful state of the dream world…   \nBut what would be better: a nightmare or INSOMNIA?\n\nSHARE_Prima Nazionale \nChoreography: Massimo Gerardi\nMusic: Frank Bretschneider\, CoH\, Kanding Ray\nLighting Design: Massimo Gerardi\nCostumes: Nuvia Valestri\nDuration: 25 min.   \nSHARE represents a moment of interaction between the dancers on stage and the audience\, going beyond mere aesthetic or athletic gestures.\nThis event focuses on the expression of personal thoughts and individual identity\, encouraging each participant to step forward and support others in their goals. The dancers embody the idea of the *Homo Empathicus*\, a figure often overlooked in our era but essential for fostering genuine relationships\, free from technological interference: the body and voice thus become the instruments of this shared experience.   \nDescartes’ famous motto “I think\, therefore I am” almost transforms into “I participate\, therefore I am.” \n\nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are ready to approach the variety of the international dance market with flexibility\, artists capable of responding to different technical and stylistic demands that come from this very market. The project aims to offer a wide range of stimuli\, both technical and cultural\, and fosters exchange between students and choreographers\, each coming from different and interesting backgrounds in the international scene. Agora offers the students the opportunity to meet renowned choreographers with different stylistic orientations\, and over the years\, many illustrious names have participated. Various qualified teachers\, each with proven experience in the field\, collaborate with Michele Merola and Enrico Morelli to bring the project to life. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the performance \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-34-0/2025-03-29/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250401T203000
DTEND;TZID=Europe/Rome:20250401T220000
DTSTAMP:20260403T213025
CREATED:20240620T135325Z
LAST-MODIFIED:20250313T191020Z
UID:10003418-1743539400-1743544800@www.fndaterballetto.it
SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Merignac\, France\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Glory Hall by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss.\n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory.\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-merignac-aterballetto/
LOCATION:Le Pin Galant\, 34 Avenue du Maréchal de Lattre de Tassigny\, Mérignac\, BP 30 244 / 33698\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
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DTSTART;TZID=Europe/Rome:20250403T204500
DTEND;TZID=Europe/Rome:20250403T220000
DTSTAMP:20260403T213025
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SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Nantes\, France\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Glory Hall by Diego Tortelli. \nThe show is in partnership with Directorate-General for Public and Cultural Diplomacy of Ministry of Foreign Affairs and International Cooperation and Italian Institute of Culture in Paris \n  \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss.\n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\n  \nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory.\n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-nantes-aterballetto/
LOCATION:Cité des Congrès\, 5 Rue de Valmy\, Nantes\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
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DTSTART;TZID=Europe/Rome:20250404T210000
DTEND;TZID=Europe/Rome:20250404T214500
DTSTAMP:20260403T213025
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SUMMARY:THE FRIDAS - PREVIEW
DESCRIPTION:Danza in Fonderia\, the CCN/Aterballetto series\, hosts an exclusive preview of Sofia Nappi’s latest creation.\n  \nThe Fridas is inspired by Frida Kahlo’s painting The Two Fridas and explores the complex theme of human identity through a relationship of complicity and contrast\, going beyond simple dualism. Through gestures that reveal intimacy and vulnerability\, challenging the conventions of masculinity\, the two dancers on stage navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. \nAfter the performance\, a talk with choreographer Sofia Nappi. \n  \n\n  \nCredits \nChoreography Sofia Nappi\nin collaboration with dancers Paolo Piancastelli\, Adriano Popolo Rubbio\nChoreography assistant Glenda Gheller\nCostume design Adriano Popolo Rubbio\nCostume production Adriano Popolo Rubbio\, Adelaide D’Ago\nLighting design Alessandro Caso\nMusic various artists   \nProduction Komoco\nCo-production Festival Danza in Rete – Teatro Comunale Città di Vicenza\nWith the support of Oriente/Occidente\, Centro Coreografico Nazionale/Aterballetto   \nProject residency at the Centro di Rilevante Interesse Nazionale per la Danza Scenario Pubblico/CZD   \nDuration: approximately 25 minutes \nRead more \nThe Fridas is a duet inspired by the painting The Two Fridas by Frida Kahlo. It explores the complex theme of human identity through a relationship of complicity and contrast between two dancers. Mirrored and divergent movements embody inner conflicts and harmonies\, while physical expressiveness and the use of space (in the Komoco language\, considered a living element capable of both uniting and dividing) represent two complementary and essential aspects of the research. \n \nHowever\, the relationship between the two characters on stage goes beyond simple dualism. Through gestures that reveal intimacy and vulnerability\, challenging conventions of masculinity\, the dancers navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. The painting “explodes\,” and the duet thus reflects the ambiguity and multiple personalities that also characterized Kahlo herself: \n“Within me\, multiple identities are hidden; I am a mélange. A mix between a Mexican and an Indigenous person\, but also a Mexican and a European. I am a painter and a wife. I love both women and men […]. In my painting\, I want to represent precisely this: all my ambiguity—no\, not ambiguity\, my many personalities\, my complexity.” (From *The Secret Lover of Frida Kahlo* by Caroline Bernard). \n \nDesigned for both theatrical and unconventional or museum spaces\, The Fridas can be observed from different perspectives\, adding nuances to the exploration of human essence and celebrating its complexity. However\, the ending invites an ironic acceptance of life’s chaos: through parodic movements\, the dancers find in humor the balm to keep facing the challenges of existence. \nSOFIA NAPPI \nSofia Nappi is a choreographer and the artistic director of KOMOCO\, a contemporary dance company based in Italy and active internationally\, which she co-founded together with her first muses\, Adriano Popolo Rubbio and Paolo Piancastelli. From the very beginning\, Sofia’s early creations with KOMOCO won prestigious awards: the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021)\, and the 1st Prize\, the Critics’ Prize\, and the Production Prize at the 35th International Choreography Competition Hannover\, awarded by the Tanja Liedtke Foundation and Marco Goecke (2021). \nCurrently\, KOMOCO’s works choreographed by Sofia are presented in Italy and on international tours across Europe\, as well as in Mexico\, Canada\, and Serbia\, hosted by renowned institutions and international festivals. As an independent choreographer\, Sofia also creates new works for internationally recognized dance companies and theaters\, including Nederlands Dans Theater 2\, Leipzig Ballet\, Gauthier Dance//Dance Company Theaterhaus Stuttgart\, Ballet BC\, Göteborg Opera\, National Theatre Mannheim\, Staatsoper Hannover\, and Scottish Dance Theatre. \nIn parallel\, Sofia Nappi’s work extends to research and professional training at an international level\, in close collaboration with the dancers of KOMOCO. Since 2022\, she has been organizing the biannual company workshop “Komoco Intensive” in Florence\, welcoming professional dancers from all over the world. Sofia graduated from the Alvin Ailey American Dance Theater in New York; her training has also been significantly influenced by her close connection with the Hofesh Shechter Dance Company and her study of Gaga\, the movement language developed by renowned choreographer Ohad Naharin. \nInfo&Tickets \nTICKETS   \n3 euros   \nPURCHASING TICKETS   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the start of the performance (Via della Costituzione 39\, Reggio Emilia).\n\nTickets are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: 3341023554   \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-fridas-preview/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250405T203000
DTEND;TZID=Europe/Rome:20250405T220000
DTSTAMP:20260403T213025
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SUMMARY:Solo Echo / Rhapsody in Blue / Glory Hall
DESCRIPTION:The CCN/Aterballetto dances in Fousnant\, France\, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Solo Echo by Crystal Pite\, and Glory Hall by Diego Tortelli. \nSOLO ECHO – Crystal Pite\nLove\, loss\, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite\, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo evokes winter\, music\, and the moving body to express something essential about acceptance and loss.\n \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music\, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective\, and this piece can be a way to present a less distant and less “American” vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work\, and the lively\, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich \n\nGLORY HALL – Diego Tortelli\nGlory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space\, suspended between light and darkness. In a black but never truly dark space\, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine\, creating a continuous interplay of pleasure\, virtuosity\, and the pursuit of a personal version of glory.\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-shoot-me-fousnant/
LOCATION:L’Archipel\, 1 rue des Îles\, Fouesnant-les Glénan\, 29170\, Francia
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo
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DTSTART;TZID=Europe/Rome:20250408T210000
DTEND;TZID=Europe/Rome:20250408T221500
DTSTAMP:20260403T213025
CREATED:20250314T151937Z
LAST-MODIFIED:20250314T152606Z
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SUMMARY:FELLINIANA – Omaggio a Fellini
DESCRIPTION:FELLINIANA – Tribute to Fellini is a performance that evokes the universe of the great Maestro and his most famous films through the choreography of Monica Casadei.\nThe bodies of the Artemis Danza Company move between dance and contemporary circus\, dream and reality\, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreography\, virtuosity\, and an irresistible humanity animate this performance\, making it a poetic and sensitive manifesto that celebrates the history of Italian cinema and music.   \nWatch the video on YouTube \nCREDITS \nChoreography\, direction\, sets\, and lighting Monica Casadei\nMusic Nino Rota\nCostumes Daniela Usai   \nProduction Compagnia Artemis Danza\nIn collaboration with Teatro Municipale di Piacenza\, Teatro Comunale di Bologna\, Istituti Italiani di Cultura in Chicago\, Hong Kong\, Jakarta\, Prague\, Tunis\, Zurich\nProject selected for Parma 2020+21 Italian Capital of Culture\nWith the contribution of Ministry of Culture\, Emilia Romagna Region – Department of Culture \nREAD MORE \nFelliniana revolves around the marvelous celebration of 8 ½ and lives through the joys and hopes of the clowns\, the confessions of Gradisca\, the voices and dialogues taken from the films\, the scent of La Dolce Vita\, the thousand colors of the circus\, and the poetic power of Nino Rota. \nA Fellinian breath enveloped the conception of the creation\, which begins with a rarefied\, intimate\, philosophical start\, moves into the surreal realism of the Romagna of Amarcord\, and then warmly slides into the magical\, crazy\, and extreme world of the circus. A dancing people\, a great theater of human illusion\, poetic and ironic. \nAn idea of a world where diversity is wealth\, where poetry is nourishment\, and where all human beings\, with their fragilities and divergences\, can feel free and welcomed\, for each one of them has a place on the merry-go-round of life designed by the great Maestro. \nMonica Casadei \nMONICA CASADEI \nOf Ferrara origin and with a degree in Philosophy with honors\, with a thesis on Plato and dance\, Monica Casadei\, after an athletic career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris\, where she met choreographers Pierre Doussaint and Isabelle Doubouloz\, and master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. In 1994\, she founded the company Artemis Danza in France\, and in 1997\, she moved to Italy\, where she began an intense production activity that now counts over fifty original creations. From 1998 to 2007\, the company was in residence at the Fondazione Teatro Due in Parma\, while from 2014 to 2018\, it was in artistic residence at the Teatro Comunale in Bologna. Essential to Monica Casadei’s artistic research were her encounters with Federico Fellini\, the investigative journey linked to the great lyrical tradition with performances such as Il Barbiere di Siviglia and the series of creations dedicated to opera heroines reinterpreted in a contemporary key (examples include Traviata\, Tosca X\, Carmen K\, Butterfly – Colori Proibiti\, Private Callas\, Puccini’s Opera.Voci di Donne). Artemis Danza’s productions are characterized by contamination with different artistic\, cultural\, and geographical areas\, as well as the exploration of urban places and spaces that become the stage for performative actions. In addition to its production activities\, Artemis supports\, produces\, and promotes young authors and carries out many activities for audience development. \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio Emilia: 6 euros \nDiscounted under 8: 3 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens half an hour before the performance starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/felliniana-omaggio-a-fellini/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250410T203000
DTEND;TZID=Europe/Rome:20250410T220000
DTSTAMP:20260403T213025
CREATED:20240619T143940Z
LAST-MODIFIED:20241202T081621Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-brescia-aterballetto/2025-04-10/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250411T203000
DTEND;TZID=Europe/Rome:20250411T220000
DTSTAMP:20260403T213025
CREATED:20240619T143940Z
LAST-MODIFIED:20241202T081621Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-brescia-aterballetto/2025-04-11/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250412T180000
DTEND;TZID=Europe/Rome:20250412T191500
DTSTAMP:20260403T213025
CREATED:20250331T113218Z
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SUMMARY:Viaggio nel repertorio del balletto. Accademia Danza alla Scala
DESCRIPTION:Accademia Teatro alla Scala. Cenerentola. ©Rosa Arcelloni. \nFirst event of the project Viaggio nel repertorio del balletto\, curated and led by dance journalist and critic Francesca Pedroni\, in collaboration with the Accademia Teatro alla Scala.\nThe project Viaggio nel repertorio del balletto (A Journey Through the Ballet Repertoire)\, promoted by Centro Coreografico Nazionale Aterballetto and curated by dance journalist and critic Francesca Pedroni\, embarks on a series of performance-talks. Hosted at the Fonderia in Reggio Emilia\, the events feature guest artists—dancers and maîtres from Italy’s leading ballet companies—and aim to offer a behind-the-scenes look at the preparation of exemplary works from the great ballet seasons. A prologue to the project is today’s event with the Accademia Teatro alla Scala\, which—together with Ballet School teacher Walter Madau and several upper-year students—explores the value of repertoire as a fundamental training ground. \nEach event explores ballet repertoire and the technique of classical-academic dance\, highlighting its connections with costume design\, set design\, and music—from the first rehearsals to the actual performance. \nThe first event features the Accademia Teatro alla Scala\, presenting: \nVARIAZIONE DI CENERENTOLAFrom CENERENTOLA by Frédéric OlivieriMusic by Sergei ProkofievStudent: Maria Vittoria Bandini \nNEW SLEEP (DUET) by William ForsytheMusic by Thom WillemsStudents: Sienna Bingham e Michele Forghieri \nPASSO A DUE DI MATTO E GELSOMINAFrom LA STRADA by Mario PistoniMusic by Nino RotaStudents: Francesco Della Valle\, Laura Farina \nVARIAZIONE DI GELSOMINAFrom LA STRADA by Mario PistoniMusic by Nino RotaStudent: Laura Farina \nAccademia Teatro alla Scala. Grand Tour AFAM. Lucca\, gennaio 2025. ©Munari. \nCENERENTOLA \nFrom CENERENTOLA by Frédéric Olivieri\, set to music by Sergei Prokof’ev\nVariation – Maria Vittoria Bandini \nA great fairytale of ballet and the collective imagination\, Cenerentola has always told the story of a dream becoming reality—thanks to the triumph of good over evil and the victory of values like kindness and generosity over envy\, hypocrisy\, and deceit. A beautiful lesson for the students of the Accademia Teatro alla Scala’s Ballet School\, encouraging not only technical and interpretive growth on a professional level\, but also a meaningful\, human reflection on values central to their development as young artists. \nSergei Prokofiev\, composer of the ballet’s lyrical score—which premiered at the Bolshoi Theatre in 1945—wrote: \n“What I wanted to express above all in my music was the poetic love between Cinderella and the Prince: the birth and blossoming of this love\, the obstacles in its path\, and the fulfillment of the dream.”He also added:“I was eager to create a ballet that was as ‘danceable’ as possible\, with a variety of dances woven into the story and offering the dancers plenty of opportunity to showcase their art.” \nCommissioned by the Bracco Foundation\, Frédéric Olivieri\, Director of the Ballet School\, created a new version of Cenerentola that fully responds to Prokofiev’s intentions—an ambitious two-act production tailored to the talent and training of the School’s young dancers. A dreamlike staging of which the School is justifiably proud\, the production features hand-painted sets by Angelo Sala\, specially designed costumes by Chiara Donato\, and the collaboration of current and former students from the Academy’s costume-making program\, together with the renowned Sartoria Brancato. \nThis collective work brings more than one hundred students to the stage in choreography rich with both virtuosic and expressive roles. Around the central characters of Cinderella and the Prince\, the contrast between good and evil is drawn—without relying on the traditional aesthetic opposition between beauty and ugliness. The Stepmother and Stepsisters are not performed en travesti nor grotesquely made-up; it is left entirely to the dance to reveal the true nature of each character. \nFrancesca Pedroni \nNEW SLEEP (DUET) \nNEW SLEEP (DUET)\n \nChoreography by William ForsytheMusic by Thom WillemsPerformed by: Sienna Bingham e Michele Forghieri \nNew Sleep (Duet) by William Forsythe: the joyful mechanics of partnering \nNew Sleep (Duet) is a brilliant example of William Forsythe’s post-classical dynamism. A master of the ever-evolving language of ballet\, Forsythe has transformed classical academic vocabulary into something incandescent and radically contemporary. His is a dizzying creativity in which dancers’ virtuosity is both celebrated and expanded to its fullest potential. When we met Forsythe last year in Milan for the premiere of Blake Works V at Teatro alla Scala\, he offered an insight that also perfectly applies to approaching the duet New Sleep: \n“People often confuse the academy—which is the set of rules\, the grammar—with choreography\, which is the exception. The academy clearly prescribes the steps\, how they are learned one after the other\, in relation to tradition and history. We\, as choreographers\, must find a way to show what the academy gives to dancers\, helping them understand what can be done with it\, and where the difference lies between the rules of the School and the exceptions of choreography.”— William Forsythe\, in Francesca Pedroni\, William Forsythe – Il balletto: una gioia tra regole e formidabili eccezioni\, Danza&Danza\, n. 310\, May–June 2023. \nA beautiful challenge for such young dancers. \nThe duet is built around Thom Willems’ striking score—a long-time collaborator of Forsythe—filled with harsh\, urban sounds that evoke a dance darting through the whir of metal machinery. The duet is a game of trust between the partners—she en pointe—a push\, a hold\, a release\, full of off-balance movement. \nThe work has been restaged for the students by Forsythe dancer Noah Gelber and Kathryn Bennetts\, with the support of the school’s resident teachers. Bennetts\, a close collaborator of Forsythe since the late 1980s during his tenure at the Frankfurt Ballet\, has long been responsible for reviving his repertoire internationally.New Sleep (Duet) is the third Forsythe work to enter the repertoire of the Accademia’s Ballet School\, following The Vertiginous Thrill of Exactitude—unforgettable with its sharp\, acid-yellow tutus—and\, in 2019\, In the Middle\, Somewhat Elevated\, also revived by Bennetts. \n“New Sleep was originally created in 1987 for the San Francisco Ballet\,” explains Bennetts. “It’s a piece I adore\, which I’ve revived over the years in Zurich\, Antwerp\, Monte Carlo. It’s a wild\, surreal\, strange\, and fun work. As often happens with Bill (short for William)\, there are many elaborations and later variations. The version of the duet restaged for the School was created for a gala in 2011\, specifically choreographed on Katherina Markowskaja of the Bayerisches Staatsballett in Munich\, partnered with Noah Gelber. It’s based on a duet from the original but features many modifications. It has its own distinct atmosphere—it’s fresh\, current\, and perfectly suited for the School. It develops a beautiful partnering technique\, almost like in rock & roll. And when young dancers are intelligent and talented\, they’re willing to take the risk and ride the speed—there’s a constant challenge in the space.” \n“Returning to the Accademia’s Ballet School is always a joy for me\,” Bennetts adds. “When I came for In the Middle\, I worked with Linda Giubelli\, Giorgia Pasini\, Daniele Bonelli—and now I see them in major companies: at La Scala\, the San Carlo in Naples\, in Düsseldorf. Frédéric Olivieri has shaped the School as a true preparation for professional life\, giving students the habit of approaching choreography from a very young age. It’s rare—and it pays off.” \nFrancesca Pedroni \nLA STRADA \nFrom LA STRADA (SUITE) by Mario Pistoni\, set to music by Nino RotaVariazione di Gelsomina – Laura Farina\nPasso a due del Matto e Gelsomina – Francesco Della Valle\, Laura Farina \n“La strada” by Mario Pistoni. Between Fellini and dance\, Gelsomina lives again in a suite of excerpts \nIn 1966\, La strada by Mario Pistoni premiered at Teatro alla Scala. A masterpiece imbued with a poignant sense of nostalgia and fleeting\, fragile moments in which happiness seems possible—yet proves to be an illusion. The music is by Nino Rota. The story is inspired by Federico Fellini’s film of the same name\, with an unforgettable Giulietta Masina in the role of Gelsomina. She travels the world with Zampanò\, portrayed in the film by a brutish Anthony Quinn—a rough street performer who earns his living breaking chains with the strength of his chest. The Fool\, a pure and childlike soul\, plays the violin and shares Gelsomina’s sensitivity. On stage in 1966\, the Fool was Mario Pistoni himself\, and Gelsomina was danced by Carla Fracci. In later years\, the role would be interpreted by Oriella Dorella\, Alessandra Ferri\, and Gilda Gelati. A principal dancer at Teatro alla Scala since 1951\, Pistoni danced Romeo alongside Carla Fracci’s debut as Juliet in John Cranko’s historic 1958 production. Two years later\, he made his debut as a choreographer. \nLa strada is a narrative ballet\, cinematic not only in its inspiration but also in its three-dimensional staging\, with simultaneous planes of action. It tells a story of everyday poverty and shattered hopes\, set in a world dear to Fellini’s imagination—the circus—and blends classical technique with modern styles ranging from tango to jazz. A richly populated ballet\, it offers young students the opportunity to explore emotion and storytelling through dance. \nFor the Ballet School\, it was decided to restage a suite of selected scenes from La strada. This task was entrusted to Guido Pistoni\, Mario’s nephew\, a dancer trained at the Teatro dell’Opera di Roma who has previously performed in the ballet and now oversees his uncle’s repertoire.Guido Pistoni explains: “For the Ballet School\, we chose to omit the more dramatic scenes from the original ballet\, such as the Fool’s death. In agreement with Maestro Olivieri\, I focused on the more danced sections and the circus characters\, ending the ballet with the dreamlike scene of the three Pierrots alongside Gelsomina.” \nThe suite begins with a group scene involving numerous student couples\, including some of the youngest pupils\, and of course\, Zampanò (guest artist and former Scala principal dancer Mick Zeni) and Gelsomina. It opens with a festive tango. Gelsomina enters with her small drum slung around her neck\, tousled short hair\, and that smiling\, heart-tugging expression. The suite continues with Zampanò’s act\, the shooting gallery\, the wedding\, and a jazz dance. Zampanò’s affair with a street woman saddens Gelsomina. Her variation is one of the most moving moments in the ballet. Gelsomina then encounters many characters: musicians\, the Fool—with whom she dances a poignant pas de deux that reveals the personalities of both characters—soldiers\, sandwich girls\, ballerinas\, and the Pierrots. \n“Fellini and Giulietta Masina were very fond of the ballet\,” recalls Guido Pistoni. “Whenever she could\, she came to see La strada. I remember one time in Rome when my uncle called her on stage at the end of the performance and asked the orchestra’s first trumpet to play Gelsomina’s theme for her. Such pathos! The students worked very well\, fully focused on both the technical and interpretive aspects. During the rehearsal weeks\, with the help of their teachers\, I saw them grow artistically. I’m glad this Italian work has been brought back to life.” \nFrancesca Pedroni \nACCADEMIA TEATRO ALLA SCALA \nFONDAZIONE ACCADEMIA TEATRO ALLA SCALA \nEstablished as a Foundation in 2001\, the Accademia Teatro alla Scala boasts over two centuries of history\, thanks to the Teatro alla Scala’s long-standing commitment to education and training—dating back to 1813\, the year the Ballet School was founded. Still today\, it is considered one of the most prestigious institutions for the teaching of dance. \nWith a faculty composed of artists and professionals from Teatro alla Scala\, alongside leading experts from the performing arts sector\, the Academy now covers virtually all professions in the live performance industry. It offers a broad catalogue of courses organized into four departments: Music\, Dance\, Stagecraft\, and Management. This includes training programs\, advanced specialization courses\, first- and second-level academic diplomas equivalent to university degrees\, as well as first-level master’s programs\, workshops\, and summer intensives. \n  \nDANCE DEPARTMENT \nThe Dance Department\, directed since 2003 by Frédéric Olivieri—who has also recently returned to lead the Teatro alla Scala Ballet Company—offers courses for all age groups and educational needs in the field of dance. In addition to the Ballet School\, the Department includes a five-year introductory dance program designed for children aged 6 to 10\, which introduces them to dance through playful and expressive activities; an advanced training course in classical and contemporary dance for dancers wishing to refine their skills across different styles and choreographic methods; and first- and second-level academic programs aimed at training highly qualified classical dance teachers. \nAt the heart of the Department lies the Ballet School. Founded in 1813 by Francesco Benedetto Ricci\, it has been led over the years by renowned ballerinas and distinguished masters\, and has trained dancers of the highest calibre. Just a few names: Carla Fracci\, Liliana Cosi\, Luciana Savignano\, Oriella Dorella\, Roberto Bolle\, Nicoletta Manni. Structured as an eight-year program\, the School awards a diploma with a dual specialization in classical-academic dance and modern-contemporary dance—responding to the needs of international companies that now demand dancers proficient in an increasingly broad and diverse repertoire. \nDuring their training\, students take part in various productions of the Teatro alla Scala season and perform on important stages in Italy and abroad. A key element in their artistic development is the opportunity to interpret iconic choreographies by past and present masters such as Marius Petipa\, August Bournonville\, George Balanchine\, Maurice Béjart\, Anton Dolin\, Mario Pistoni\, Mauro Bigonzetti\, Mats Ek\, William Forsythe\, Jiří Kylián\, José Limón\, Roland Petit\, Angelin Preljocaj\, and Demis Volpi.Additionally\, works have been created specifically for the Ballet School by choreographers such as Davide Bombana\, Shantala Shivalingappa\, Matteo Levaggi\, Emanuela Tagliavia\, and Valentino Zucchetti.Also worth noting are the new choreographic versions of major repertoire titles signed by Frédéric Olivieri\, including Lo schiaccianoci\, Cenerentola (commissioned by the Bracco Foundation)\, and La fille mal gardée. \nFRANCESCA PEDRONI \nDance critic for the newspaper Il manifesto and the magazine Danza&Danza. For the television channel Classica HD (formerly Sky Classica\, channel 124)\, she worked as writer and director of the series Danza in Scena\, producing over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. For cinema\, she wrote and directed the docufilm Roberto Bolle. L’arte della Danza\, produced by Classica and Artedanza srl. She curated the DVD collection I capolavori della danza\, published by Classica HD in collaboration with Corriere della Sera. Since 2000\, she has taught Dance History at the Accademia Teatro alla Scala and leads ballet talks for the Teatro alla Scala’s Under30/35 subscription program. \nInfo&TICKETS \nTICKETS \n6 euros \nPURCHASING TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens 30 minutes before the start of the performance (Via della Costituzione 39\, Reggio Emilia).\n\nTickets are unnumbered. \nCONTACTS FOR RESERVATIONS \nPhone & WhatsApp: 3341023554\nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-accademia-teatro-alla-scala/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250412T203000
DTEND;TZID=Europe/Rome:20250412T220000
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CREATED:20240619T143940Z
LAST-MODIFIED:20241202T081621Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-brescia-aterballetto/2025-04-12/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250413T153000
DTEND;TZID=Europe/Rome:20250413T170000
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-brescia-aterballetto/2025-04-13/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250416T203000
DTEND;TZID=Europe/Rome:20250416T220000
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-5/
LOCATION:Teatro Comunale L. Pavarotti\, Via del Teatro\, 8\, Modena\, MO\, 41121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250417T210000
DTEND;TZID=Europe/Rome:20250417T220000
DTSTAMP:20260403T213025
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SUMMARY:Impromptus
DESCRIPTION:IMPROMPTUS\nArias\, Dances\, and Improvisations \nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni collaborate once again to create a new project\, where dance and music meet\, intertwine\, and transform into unique performances. The aim is to create a creative space where choreographers and musicians work side by side\, shaping works born from improvisation and mutual inspiration. \nThe goal of the project is to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (from 15 to 20 minutes) that express the intensity of this encounter. \nFriday\, March 14\, 8:30 PM\nFonderia\, Reggio Emilia \nDaniele Di Bonaventura bandoneon\nAlfredo Laviano percussion\nRoberto Tedesco and Gador Lago Benito dancers \nWednesday\, April 17\, 9:00 PM\nFonderia\, Reggio Emilia \nFrancesco Angelico\, Christian Barraco Cellos of the Orchestra Giovanile Luigi Cherubini\nLeonardo Farina and Arianna Ganassi dancers \nInfo & Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/impromptus-2/2025-04-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250424T193000
DTEND;TZID=Europe/Rome:20250424T210000
DTSTAMP:20260403T213025
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nThe Centro Coreografico Nazionale/Aterballetto pays tribute to Ennio Morricone with the new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transfigure musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic influences.\nMarcos Morau\, to date the youngest choreographer to have received the National Dance Award\, the highest recognition in Spain\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe\, constantly nourished by cinema\, photography\, and literature. Now\, for his first collaboration with CCN/Aterballetto\, he has chosen to engage with the iconic compositions that have shaped the cinematic landscape of the past seventy years: those of Academy Award winner Ennio Morricone.\nThe director states: «With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of the moment. His music belongs to an entire century and has brought many of our great masters back to life. For this evening\, I want to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, my music has a life of its own\, one that can live far beyond the films for which it was created».\nFind out more » \nDuration 90′\nThe performance in Oviedo is in collaboration with the Italian Cultural Institute in Madrid and the Directorate-General for Public and Cultural Diplomacy of the MAECI.
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-7/
LOCATION:Teatro Campoamor\, C. Pelayo\, 33003 Oviedo\, Asturias\, Spagna\, Oviedo\, Spain
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250427T190000
DTEND;TZID=Europe/Rome:20250427T203000
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau. \nThe Spanish artist\, with his visionary power and ability to transform musical universes\, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance\, visual arts\, and cinematic inspirations.\nMarcos Morau\, the youngest choreographer to date to receive the National Dance Award\, Spain’s highest honor in dance\, constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nurtured by cinema\, photography\, and literature. Now\, for his first collaboration with the CCN/Aterballetto\, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.\nThe director says: “With classical training and an avant-garde vocation\, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening\, I aim to build a universe based on his sensitivity\, confirming that his legacy is more alive than ever\, and\, as he himself would say\, ‘My music has a life of its own\, which can live beyond the films for which it was created.'”\nDiscover more » \nDuration 90′ \n  \nThe performance in Sevilla is in collaboration with the Italian Cultural Institute in Madrid and the Directorate-General for Public and Cultural Diplomacy of the MAECI \n   \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-sevilla-aterballetto/
LOCATION:Teatro de la Maestranza\, Paseo de Cristóbal Colón\, 22\, Sevilla\, Spagna
CATEGORIES:Aterballetto,Notte Morricone,Productions
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