cloud|materia - ''O'' - Secus
2020-02-29 21:00 - 22:30 (Europe/Rome) | Teatro Piccinni, Corso Vittorio Emanuele, 84, Bari, 70122, Italia
Aterballetto dances at Teatro Piccinni in Bari a triple bill composed by cloud|materia and “O” by Philippe Kratz, and Secus by Ohad Naharin.
A unique occasion to admire the company through contrasting nuances: from the physical and rational approach of Philippe Kratz choreographer and dancer of Aterballetto, Dance & Dance Award 2019 ‘Best Choreographer’, to the vigorous ritual of Ohad Naharin, choreographer of the Batsheva Dance Company.

Wolf - ''O'' - BLISS
2020-03-04 20:00 - 21:30 | Théâtre de Beausobre, Av. de Vertou 2, Morges, 1110, Svizzera
Aterballetto dances at the prestigious Holland Dance Festival an evening signed by Hofesh Shechter, Philippe Kratz and Johan Inger.
In Wolf by Hofesh Shechter we find a sort of wild animality, which sometimes crosses men and sometimes women. The painting that is composed drags us a mysterious and engaging universe. “O” is a beautiful duo with an unstoppable rhythm signed by Philippe Kratz. At the end, we close with the contagious joy of BLISS by Johan Inger.

Patchwork, un mosaico di storie
2020-03-07 18:00 - 19:00, 2020-03-08 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Patchwork, un mosaico di storie, written and directed by four hands, is the result of an international co-production.
The production has two twin castles, one Italian and one Canadian. The show, more visual and expressive than words, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian, English and French without hindering the understanding of the story.
CANCELLED PERFORMANCE
Fondazione Nazionale della Danza informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.

Credits
Text and direction Cristina Cazzola and Carol Cassistat
Written in collaboration with Lucio Diana
With Sara Zoia and Daniele Tessaro
Set and Lighting Design Lucio Diana
Original music Nicolas Jobin
Production Accademia Perduta/Romagna Teatri, Théâtre du Gros Mécano (Québec City), Signs of Childhood Association, Atrium de Chaville (Paris), Musée national des beaux arts du Québec (Paris), Museo Benaki (Athens)
Duration 55′
Recommended age from 5 years old and up
The inspiration
Who are we?
How do we create our identity?
We started with an image.
A patchwork blanket, a courtepointe as they call it in Québec, made of many different pieces of fabric.
Often woven by several hands, it can tell the story of a person, an event, an entire family or a generation. It speaks of the identity made up of many different fragments, it speaks of us, and of our being multicultural, of humanity that is increasingly multicolored and multi-ethnic, but with intertwining roots.
Family stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes, the fruit of a thousand migrations.
And so our private history, our identity, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus, retraces the great journeys of humanity.
The plot
Two characters meet in a place without space or time.
He’s an anthropologist, she’s a seamstress and they meet for work in a place of passage, an airport.
They do not speak the same language but by communicating with looks, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun.
Every detail of their luggage tells something, some objects bring them together, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from.
An amusing journey back through the branches of family trees and the migrations that have built the history of humanity, to discover that, since ever, our identity is a patchwork, part of a larger story where each of us is a unique and indispensable piece.

Les Miserables - Open rehearsal
2020-03-20 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL_C&C Company
Ladies and Gentlemen! Consider the creature as God first made it; nothing, just nothing. Add civilization and see what you’ve got: walks upright, wears trousers and carries a cane. It’s all education, he’s got animal brains, or rather: brainy animality, he’s not the pig-stupid sort like some people … The monkey’s already a soldier, though that’s not saying much-the bottom-most species of human kind!
Woyzeck – Georg Büchner

CANCELLED OPEN REHEARSAL
Fondazione Nazionale della Danza informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.

Credits
Choreography: Carlo Massari
Dancers: Carlo Massari, Alice Monti, Stefano Roveda, Nicola Stasi
Vocal Coaching: Chiara Osella
Production: C&C Company
Co-production: Triangolo Scaleno/Glass Theatres; Festival Danza in Rete Fondazione Teatro Comunale Città di Vicenza; Festival Oriente Occidente/CID Centro Internazionale della Danza
With the support of Teatro Akropolis/Project CURA
Insights
A ruthless and immoral fresco on today, a middle-class contemporary drama at times familiar, resonates, we are “involuntarily” complicit in it. An overview of stereotypes, of already seen, already said, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes, or perhaps an operetta by Offenbach, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent, evident collapse (physical, political, social, environmental…). We can’t do anything about it, too late, game over; we watch helplessly, we take note of it, we shrug, sigh and turn around again.
In the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision, which puts Culture and Art at the centre of change.
A creation that once again leads the Company to investigate contemporary social issues, through an amphibious language of strong impact and a complex dramaturgical level in support of the work.
C&C Company
C&C Company was born from the union between Carlo Massari and Chiara Taviani, performers with an eclectic background, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language, strongly dramaturgical, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”, “Tristissimo” (AnticorpiXL), “012”, “Peurbleue”, “Don’t Be Afraid”, “Dead Weight”, “Beast Without Beauty”. They have received prestigious awards, among them: “1st” Hiver Oclytes/Les Hivernales (F), “2nd” Hannover International Choreographers Competition (D), “2nd” Zawirowania Competition (PL), “Audience Award” Konzert Theater Berne (CH), “Finalist” Machol Shalem Dance Competition (I), “Special Mention” Premio Roma Danza (IT), “2nd” Corto in Danza (IT), Premio Palco Aperto (IT), “1st” E “Premio del Pubblico” CrashTest, “1°” Premio Twain.
In these years, in parallel with the production activity, have taken life performative projects with public participation: ContaminAzioni, SpringRoll (RomaEuropa ’16), Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”, which sees within it the alternation of social projects and international co-productions.
Since 2017 the artistic direction of the Company has been entrusted to Carlo Massari.
ceccompany.org

Tempesta - Open Rehearsal
2020-03-25 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance, dialogue with the artists and surprise yourself with the art of dance.
Aterballetto rehearses Tempesta by Giuseppe Spota on the original music by Giuliano Sangiorgi, in view of the performances at the Teatro Metastasio of Prato.
CANCELLED OPEN REHEARSAL
The Fondazione Nazionale della Danza informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.

Tempesta
2020-03-26 20:45 - 22:00, 2020-03-27 20:45 - 22:00, 2020-03-28 19:30 - 20:10, 2020-03-29 16:30 - 17:40 | Teatro Metastasio, via Benedetto Cairoli, 59, Prato, 59100, Italia
Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance.
“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which, as Strehler rightly understood, alludes to a creator of theatrical wonders.” Antonio Audino
Thanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes.
CANCELLED PERFORMANCE
Teatro Metastasio informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.

UNDER THE FLESH
2020-04-01 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Under the Flesh by Bassam Aboud Diab is a contemporary dance performance, a personal reflection that investigates the way the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique.
The performance is preceded by a speech with an expert on the relationship between dance and war.
CANCELLED PERFORMANCE
Fondazione Nazionale della Danza informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.
Credits
Choreography and direction: Bassam Abou Diab
Performer: Bassam Abou Diab, Ayman Sharaf El Dine and a translator
Music: Ayman Sharaf El Dine
Co-produced by Maqamat Beit El Raqs
Duration: 30′
Insights
In 1996 the war came back and it was a long time since I had met my friends, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die.
The second strategy is to let your body go to the end, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war.
During the year 2000 I changed. New ideas in mind about the relationship between cultures, the body, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence.
In 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies.
Bassam Abou Diab
Bassam Abou Diab
He is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat, Gilles Jobin, Damien Jalet, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project.

Open Rehearsal Aterballetto
2020-04-03 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance, dialogue with the artists and surprise yourself with the art of dance.
In order to ensure greater artistic flexibility to the company, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information.
CANCELLED OPEN REHEARSAL
The Fondazioen Nazionale della Danza informs, according to the DPCM of March 4th, 2020, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter, the SUSPENSION until April 3rd of all activities scheduled in its spaces.

Antitesi - Secus
2020-04-05 21:00 - 22:15 | Teatro Diego Fabbri, Corso A. Diaz, 47, Forlì, FC, 47121, Italia
CANCELLED PERFORMANCE
Aterballetto dances at Teatro Fabbri in Forlì a double bill signed by Andonis Foniadakis and Johan Inger.
Antitesi by Andonis Foniadakis embodies the will of the choreographer to bring into play the opposites: local and global, slow and fast, male and female, abstract and concrete; it feeds on ancient and current, in the spirit of the “all present in real time” that distinguishes our lives in this millennium dense, fast, ready to break all the schemes, but never giving up the past.

Secus is a creation by Ohad Naharin that boasts a musical collage that extends from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a suitable backdrop for the boldly extravagant choreography. Joy, vulnerability, fear, innocence, confusion and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration.

Corpo Liturgico - Prova Aperta
2020-04-15 18:00 - 19:00, 2020-04-16 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
PROVA APERTA_COMPAGNIA ARTEMIS DANZA
Corpo liturgico. Requiem è pensato come un viaggio a quattro stazioni, che possono essere intese anche come le tappe di un’ideale mappa culturale e sociale del territorio legate dal fil rouge rappresentato dalla musica di Giuseppe Verdi.
I luoghi scelti sono la Pieve di San Genesio di San Secondo Parmense, la Pieve di Santa Maria Assunta a Bardone, l’Abbazia San Bernardo a Fontevivo e l’Abbazia di San Basilide di Badia Cavana, che ospiteranno al loro interno e nei sagrati quattro performance di danza contemporanea, articolate nei mercoledì e venerdì del mese di giugno 2020.

Compagnia Artemis Danza
“All that mankind has experienced is written in the body. To dance the soul, the ancient one and the one of today, is to place movement and form at the service of necessity, urgency, emotion and soul” M.C.
Originally from Ferrara and graduated with honors with a thesis on Plato and dance, Monica Casadei, after a competitive career in rhythmic gymnastics, devoted herself to the study of classical and modern dance, first in Italy, then in London, finally in Paris, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France, with which he moved to Italy in 1997, creating an intense production activity that counts, to date, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals, in numerous international tours and festivals.
Fundamental in Monica Casadei’s artistic research are the contamination with different artistic, cultural and geographical territories, as well as the exploration of urban places and spaces that become the theatre of performance actions.
Alongside the production activity, Artemis supports, pro
artemisdanza.com

Tempesta
2020-04-16 20:30 - 21:40, 2020-04-17 20:00 - 21:10, 2020-04-18 19:00 - 20:10, 2020-04-19 16:00 - 17:10 | Teatro Goldoni, San Marco, 4650/ B, Venice, 30124, Italia
Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance.
“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which, as Strehler rightly understood, alludes to a creator of theatrical wonders.” Antonio Audino
Thanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes.
CANCELLED PERFORMANCE

Concerto Fisico
2020-04-17 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Concerto Fisico è una partitura fisica e vocale che ripercorre e ridisegna la storia di Balletto Civile, la storia della compagnia nata all’interno dell’ex Ospedale Psichiatrico di Udine.
CANCELLED PERFORMANCE
Credits
Concept and choreography Michela Lucenti
Created and performed by Michela Lucenti
Assistant to the creation Maurizio Camilli
Live sound design Tiziano Scali and Maurizio Camilli
Production Balletto Civile and Festival Resistere e Creare
With the support of UFO – UNIDENTIFIED ART RESIDENCES and MIBACT
To know you alive is to feel the planet crumble beneath you, to soar kicking try to throw yourself off while you cling to the edge, is to ride the planet like a log in the direction of the current, screaming.
Anne Dillard
Insights
I always sang in shows even when my dancing was furious. The body, my gestures are the map of what I feel and singing is my vehicle to keep me alive.
Concerto Fisico is a composition for physical and vocal instrument, a twisted and crooked greatest hits that has nothing nostalgic to tell the story of a group through the stories it has become a vehicle. A juke-box that awakens the emotional accents of a memory that is still the present, of how we transformed ourselves, of the sand from which we emerged, of the Creatures, of the wooden horses built for Troy, of the fire extinguishers thrown in the dark, of the sea of milk where Woyzeck and Andres talk about the void, of Desdemona’s desperate scream, of what happened to Thebes, of the Resistance, of the struggle and of the Revolution, of how in the end the Evil Lambs are all of us, of the mirrored floor and an orange rope, of the power and heavy coats of 1918, of stuffed foxes and sexual seasons, of death and a Brazilian with a green plume, of a small white dog, of taboos, of plastic ducks and Kenyan acrobats, of firemen and priests, of an accident and a gas station, of a radio and a city always on fire, of why things happen. Then everything disappears, sucked into the eyes, as if it never existed.
Concerto Fisico is a musical tale for actions that retraces and redraws the history of Balletto Civile, that is, my own, the history of my company. It was founded during a long artistic residence inside the former Psychiatric Hospital of Udine, one of the centres where Basaglia revolutionized the concept of madness. My art was born in that place, isolated from the world and at the same time in the centre of its burning fire.
Michela Lucenti
Balletto Civile
A nomadic group by definition, animated by a strong ethical tension, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre, dance and original singing interact naturally.
ballettocivile.org

Lost in - ''O'' - Wolf
2020-04-21 21:00 - 22:15 | CInema Teatro Boiardo, via XXV Aprile, 3, Scandiano, RE, 42019, Italia
Aterballetto dances in Scandiano three choreographies signed by Saul Daniele Ardillo, Philippe Kratz and Johan Inger.
Lost in is the development of an idea on which Saul Daniele Ardillo has worked for more than a year, a creation that emerges clearly from a boil of emotions, and that draws before our eyes perhaps the most extraordinary function of art: to help us inhabit, even literally, our living spaces.
The idea behind “O” by Philippe Kratz is eternity and how to achieve it is the ultimate goal of humanity. As for example in the summer of 2017 in Hong Kong, when for the first time two humanoid robots interacted with each other.
In Wolf by Hofesh Shechter we find a sort of wild animality that crosses sometimes men and sometimes women. The painting that is composed drags us into a mysterious and engaging universe.
CANCELLED PERFORMANCE

Open Rehearsal
2020-04-22 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance, dialogue with the artists and surprise yourself with the art of dance.
In order to ensure greater artistic flexibility to the company, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information.
CANCELLED OPEN REHEARSAL

Dreamers
2020-04-25 19:30 - 21:30 | Bayer Erholungshaus, Nobelstraße, 37, Leverkusen, 51373, Germania
Aterballetto dances in Leverkusen the new triple bill Dreamers, composed of cloud|materia by Philippe Kratz, Traces by Rihoko Sato and Secus by Ohad Naharin.
Dreamers offers a unique opportunity to admire the company through shades of contrast, from the rational physicality of Philippe Kratz, Aterballetto choreographer and dancer, to the sophisticated, ethereal style of Japanese Rihoko Sato, the muse and favorite performer of Saburo Teshigawara, to vigorous rituality of Ohad Naharin, the choreographer from Batsheva Dance Company.
All this is possible thanks to this international co-production that relates us to Festival Oriente Occidente in Rovereto, Les Halles de Schaerbeek in Brussels, Malraux scène nationale Chambéry Savoie in France and, for the creation cloud|materia by Philippe Kratz, Bayer Culture Engagement in Leverkusen.
CANCELLED PERFORMANCE

Felliniana - Open Rehearsal
2020-04-27 18:00 - 19:00, 2020-04-28 18:00 - 19:00, 2020-04-29 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL_COMPAGNIA ARTEMIS DANZA
Extravagant characters, good and bad, usurpers and jesters, thrill on the scene like lightning ready to detonate. Immersed in magical atmospheres and mocking situations, these creatures dance the wonder of life and encounters, always on the edge between reality and enchantment. Energies that propagate and connect showing the human in its infinite facets. Ironic and tragic, pure and naive, energetic and sardonic, the Fellinian character feeds on everything that surrounds him, making him part of himself and his story. In this new creation by Monica Casadei, the bodies cross the contemporary dance and circus, the dream and the real world, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreographies, virtuosity and an irresistible humanity animate this show making it a poetic and sensitive manifesto celebrating the history of Italian cinema and music.
CANCELLED OPEN REHEARSAL
Compagnia Artemis Danza
“All that mankind has experienced is written in the body. To dance the soul, the ancient one and the one of today, is to place movement and form at the service of necessity, urgency, emotion and soul” M.C.
Originally from Ferrara and graduated with honors with a thesis on Plato and dance, Monica Casadei, after a competitive career in rhythmic gymnastics, devoted herself to the study of classical and modern dance, first in Italy, then in London, finally in Paris, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France, with which he moved to Italy in 1997, creating an intense production activity that counts, to date, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals, in numerous international tours and festivals.
Fundamental in Monica Casadei’s artistic research are the contamination with different artistic, cultural and geographical territories, as well as the exploration of urban places and spaces that become the theatre of performance actions.
Alongside the production activity, Artemis supports, produces and promotes young authors and carries out many activities for the training of the public.
artemisdanza.com

Lost in - ''O'' - Secus
2020-04-29 21:00 - 22:15 | Teatro Masini, Piazza Nenni, 3, Faenza, RA, 48018, Italia
Aterballetto dances in Faenza three choreographies signed by Saul Daniele Ardillo, Philippe Kratz and Ohad Naharin.
Lost in is the development of an idea on which Saul Daniele Ardillo has worked for more than a year, a creation that emerges clearly from a boil of emotions, and that draws before our eyes perhaps the most extraordinary function of art: to help us inhabit, even literally, our living spaces.
The idea behind “O” by Philippe Kratz is eternity and how to achieve it is the ultimate goal of humanity. As for example in the summer of 2017 in Hong Kong, when for the first time two humanoid robots interacted with each other.
Secus is a creation by Ohad Naharin that boasts a musical collage that extends from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a suitable backdrop for the boldly extravagant choreography. Joy, vulnerability, fear, innocence, confusion and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration.
CANCELLED PERFORMANCE

Tempesta
2020-05-05 21:00 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Aterballetto, after a long tour, finally presents Tempesta in Reggio Emilia, in its Fonderia.
“Can one transfer into gesture and movement the writing so dense with narrative and meaning of this work? This is the challenge of the show. Very daring because the comparison is with a text that has a particular and absolute value throughout Shakespeare’s play. It is his last work and is considered as his spiritual testament, a farewell to the theatre which not by chance presents on stage a creator of magic who, as Strehler had well understood, alludes to a creator of theatrical wonders.” Antonio Audino
Thanks to Giuseppe Spota‘s choreography and Giuliano Sangiorgi’s music you can live seventy minutes of magic.
CANCELLED PERFORMANCE

La stella nascosta
2020-05-06 10:00 - 10:45, 2020-05-06 20:30 - 21:15 | Teatro Sociale, Via Bellini, 3, Como, 22100, Italia
La stella nascosta, our dance performance for children, is at the Teatro Sociale in Como.
La stella nascosta is the result of a long process of artistic and pedagogical research on the dialogue between the world of childhood and the languages of contemporary dance. La stella nascosta is a performance with 4 young dancers selected specifically for this choreography, which accompany children and adults on a journey of discovery of beauty outside the canons and media clichés. Saul Daniele Ardillo worked for over a year with playwright Simone Giorgi and an extraordinary team of Reggio Children (scientific partner of the research process), measuring himself with the experience of Accademia Perduta | Romagna Teatri (co-producer) and especially with the gaze and creativity of children’s classes.
CANCELLED PERFORMANCE
