BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Centro Coreografico Nazionale / Aterballetto - ECPv6.15.13.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Centro Coreografico Nazionale / Aterballetto
X-ORIGINAL-URL:https://www.fndaterballetto.it/en/
X-WR-CALDESC:Events for Centro Coreografico Nazionale / Aterballetto
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20201025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190721T213000
DTEND;TZID=Europe/Rome:20190721T230000
DTSTAMP:20260404T005851
CREATED:20190619T161531Z
LAST-MODIFIED:20190710T163354Z
UID:10001507-1563744600-1563750000@www.fndaterballetto.it
SUMMARY:MM Contemporary Dance Company
DESCRIPTION:The MM Contemporary Dance Company dances two great titles of the musical repertoire. Emanuele Soavi‘s Carmen immerses us in the plot made up of subtle relationships and tensions of Bizet’s famous work. Michele Merola confronted the obsessive and repetitive music of Bolero\, staging the variety of moods that circulate around and within the couple’s relationship. \nThe evening is part of Danza at Chiostri\, by the Fondazione Nazionale della Danza / Aterballetto for the billboard of REstate 2019. \n  \n\n  \nCarmen \nCarmen Sweet is an exclusive creation by Emanuele Soavi for the MM Contemporary Dance Company\, conceived taking into account the composer’s original intention to create an opera-comique: this is how Georges Bizet defined his Carmen\, presented in Paris in 1875. \nIn this work\, drawing inspiration from and revisiting the traces of the legendary plot\, the action\, deliberately permeated with irony and sarcasm\, begins in the arena where Carmen\, Micaela\, Frasquita\, Mercédès\, Don José\, Zuniga\, Escamillo give free rein to their emotions. Thus giving space to the strong technical and theatrical virtuosity of the performers on stage\, Soavi plunges us dramaturgically into that plot made up of subtle relationships\, balances and embroideries\, between tension and suspension\, where movements and gestures must be read beyond the apparent elegance that is over the top. All accompanied by the famous notes of Bizet\, sometimes interrupted by the songs of the singing group Los Panchos\, in whose texts antagonism\, jealousy and desire are the omnipresent subjects. \nIn Seville’s Plaza de Toros\, the characters meet for the day of the bullfight. Everyone is waiting for Escamillo\, the Escamillo who believes that Carmen is her own and does not care about the warnings of Mercedes and Frasquita. Covered in dust\, confused in their vices\, the characters\, like a group of histrions\, stage Carmen’s passion in the metaphysical square of the stage. \nSarcastic and bizarre in their gestures and movements\, these comedians try to avoid the perennial clash between Don José and Toreador\, while Micaela\, alone in the shadows\, hides and shows herself\, trying to steal their hearts and their attention in vain. But Don José is soon around. Ignoring her friends’ advice\, Carmen meets him and José begs her to come back with him. José threatens the contemptuous rejections and\, while the crowd applauds Escamillo victorious\, blinded by anger\, José kills Carmen. \nIn this moving fiction\, a story is revealed to the public that can be true and not just imaginary\, made of physical beauty expressed by the bodies of the dancers\, where the narrative of the scenes is marked by the relationships between the senses\, which repeatedly ignite with passion the protagonists on stage. \nChoreography Emanuele Soavi\nMusic Georges Bizet\, Los Panchos\nLighting design Cristina Spelti\nCostume design Alessio Rosati with the collaboration of Nuvia Valestri \nBolero \nBolero (1928) is still one of the best-known and most listened to pieces in the history of music. In creating a new choreographic version of Bolero\, Michele Merola confronted himself with this obsessive and repetitive music\, trying to understand its identity\, reason and function: at the end of this path\, the choreographer’s inspiration focused on the inexhaustible range of human relationships\, in particular those of couples\, within which we often record the reciprocal and irreconcilable distances between men and women\, that “transparent wall” that divides them. Thus\, in the different shades assumed by the dance\, the choreography declines the variety of moods that “circulate” around and within the couple relationship. \nStefano Corrias intervened on this same music\, with the “license” and inventiveness that are the true sign of every artist. As a refined and expert composer\, Corrias has created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analyzing the pages of Bolero\, and integrates perfectly with it\, placing itself in three different moments. Within the choreographic writing\, the three fragments underline the most intimate\, and truest\, moments of each of us\, when we are far from the looks of others\, and far from the deafening noise of the world. \nIn Merola’s version\, Bolero is therefore described as a non-history\, fantastic but possible\, however pertinent to the real world. From the allusive initial drum strokes to the final “explosion” of the entire orchestra\, the dance\, in close symbiosis with the music\, conveys a sort of abstract “bitter fairy tale”\, an allegory of the pain of living and misunderstanding between human beings. Thus Bolero becomes a metaphor for our existence\, caught in the double tracks that each of us experiences during our lives\, between contrast and dialogue\, seduction and disillusionment\, surprise and bewilderment. \nChoreography Michele Merola\nMusic Maurice Ravel\, Stefano Corrias\nLight design Cristina Spelti\nCostume design Alessio Rosati with the collaboration of Nuvia Valestri \nINFO&TICKETS \n\n\nTickets\nFull 12 euro\nReduction 9 euro for under 30\, dance schools DanzaRE (Arcadia\, Danzarte\, Eidos Danza\, Let’s Dance\, Progetto Danza)\, Liceo Coreutico Matilde di Canossa\, over 65\nReduction 3 euro for under 8 \nInfo\, reservations and tickets withdrawing\ntel. +39 0522 273011\ncell. and whatsapp +39 3341023554\nemail info@aterballetto.it \nReserved tickets must be collected by Friday\, July 19th at the ticket office of the Fonderia\, in via della Costituzione 39.\nUncollected tickets will be resold. \nPurchase at ticket office\nFonderia\, headquarters of Fondazione Nazionale della Danza / Aterballetto\, via della Costituzione 39\, Reggio Emilia\nMonday and Friday from 10.00 a.m. to 1.00 p.m.\nTuesday\, Wednesday and Thursday from 3.00 p.m. to 5.30 p.m. \nChiostri di San Pietro\, via Emilia San Pietro 44\, Reggio Emilia\nOnly Sunday 21 and Tuesday 23 July from 7.30 p.m. \nOnline purchase\nwww.biglietteriafonderia39.it \nTickets purchased online can be collected at the ticket office of the Fonderia in via della Costituzione 39\, during opening hours\, or on the evening of the shows (Sunday 21st and Tuesday 23rd July) at the ticket office of the Chiostri di San Pietro in via Emilia San Pietro 44\, from 7.30 p.m. \n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/mm-contemporary-dance-company-4/
LOCATION:Chiostri San Pietro\, via Emilia San Pietro 44\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Stagione gennaio-giugno 2019
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/06/Bolero_cor.-Michele-Merola_-foto-di-Tiziano-Ghidorsi-104410_light-1.jpg
GEO:44.696587;10.638054
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Chiostri San Pietro via Emilia San Pietro 44 Reggio Emilia 42121 Italia;X-APPLE-RADIUS=500;X-TITLE=via Emilia San Pietro 44:geo:10.638054,44.696587
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190723T213000
DTEND;TZID=Europe/Rome:20190723T230000
DTSTAMP:20260404T005852
CREATED:20190619T154746Z
LAST-MODIFIED:20190710T163038Z
UID:10001503-1563917400-1563922800@www.fndaterballetto.it
SUMMARY:Abiectio - "O" - BLISS
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto closes its 2018-2019 season in the renovated Chiostri di San Pietro in Reggio Emilia. \nAbiectio by Damiano Artale is an engaging duet on the notes of the Passion of Bach and the Requiem Pies Jesus by Fauré. Followed by “O” by Philippe Kratz\, choreography from the unstoppable rhythm awarded at the prestigious competition in Hanover 2018. BLISS\, a masterpiece by Johan Inger to the notes of Keith Jarrett’s Koln Concert\, is a dance that emanates happiness and above all life. A joy for the performers\, who surrender to the music without any resistance\, and for the public\, who can admire the maturity and skill of each dancer. \n  \n \n  \nAbiectio \nWhen violence bathes the soul of a human being\, we celebrate the failure of communication\, also the funeral of education. Frightened and disoriented\, an injured individual looks at himself in the mirror with degrading mortification and responds to the outside world by attacking. Every man\, however\, in possession of that particular gift called empathy\, places himself immediately and positively in the condition of \nChoreography Damiano Artale\nMusic Johann Sebastian Bach and Gabriel Faurè\nCostume design Francesca Messori\nLighting design Carlo Cerri\nDancers Damiano Artale and Arianna Kob \n''O'' \nThe idea at the base of “O” is eternity and how attaining it is humanity’s ultimate goal. As in the summer of 2017 in Hong Kong for the very first time two humanoid robots vocally interacted with one another it became clear to anyone watching that a future\, in which accumulated human knowledge is passed on by communicating inorganic material\, is within reach. Therefore “O” can be seen as two human beings or two robots celebrating in a state of transcendence and emotional fulfilment\, both moving to the never-ending beat of their unstoppable hearts.\nAnd as the spaceship computer Hal in Stanley Kubrick’s movie ‘2001: A Space Odyssey’ puts it: “I know I’ve made some very poor decisions recently\, but I can give you my complete assurance that my work will be back to normal. I’ve still got the greatest enthusiasm and confidence in the mission. And I want to help you.” \nChoreography Philippe Kratz\nMusic Mark Pritchard\, The Field\nCostume design Francesca Messori\nLighting design Carlo Cerri\nDancers Philippe Kratz and Ivana Mastroviti \nFirst prize at 32° Hannover Choreographic Competition – June 2018 \n  \n  \n \nBLISS \n“Exciting BLISS by Johan Inger. It is an ode to the joy of dancing\, to the pleasure of seeing the performers moving in an unstoppable chain of choreographic beauty. One of the best shots recently scored by Aterballetto.” \nSergio Trombetta\, La Stampa \nChoreography Johan Inger\nMusic Keith Jarrett\nSet design Johan Inger\nCostume design Johan Inger and Francesca Messori\nLighting design Peter Lundin\nAssistant to the choreographer Yvan Dubreuil \nPremio Danza&Danza 2016 “Best Italian Production” \n \nINFO&TICKETS \n\n\nTickets\nFull 12 euro\nReduction 9 euro for under 30\, dance schools DanzaRE (Arcadia\, Danzarte\, Eidos Danza\, Let’s Dance\, Progetto Danza)\, Liceo Coreutico Matilde di Canossa\, over 65\nReduction 3 euro for under 8 \nInfo\, reservations and tickets withdrawing\ntel. +39 0522 273011\ncell. and whatsapp +39 3341023554\nemail info@aterballetto.it \nReserved tickets must be collected by Friday\, July 19th at the ticket office of the Fonderia\, in via della Costituzione 39.\nUncollected tickets will be resold. \nPurchase at ticket office\nFonderia\, headquarters of Fondazione Nazionale della Danza / Aterballetto\, via della Costituzione 39\, Reggio Emilia\nMonday and Friday from 10.00 a.m. to 1.00 p.m.\nTuesday\, Wednesday and Thursday from 3.00 p.m. to 5.30 p.m. \nChiostri di San Pietro\, via Emilia San Pietro 44\, Reggio Emilia\nOnly Sunday 21 and Tuesday 23 July from 7.30 p.m. \nOnline purchase\nwww.biglietteriafonderia39.it \nTickets purchased online can be collected at the ticket office of the Fonderia in via della Costituzione 39\, during opening hours\, or on the evening of the shows (Sunday 21st and Tuesday 23rd July) at the ticket office of the Chiostri di San Pietro in via Emilia San Pietro 44\, from 7.30 p.m. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/abiectio-o-bliss/
CATEGORIES:Aterballetto,BLISS,O
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/06/EVENTO-FB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190906T203000
DTEND;TZID=Europe/Rome:20190906T223000
DTSTAMP:20260404T005852
CREATED:20190801T165823Z
LAST-MODIFIED:20190801T172300Z
UID:10001544-1567801800-1567809000@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto presents the world premiere of the new triple bill Dreamers\, composed of cloud|materia by Philippe Kratz\, Traces by Rihoko Sato and Secus by Ohad Naharin. \nDreamers offers a unique opportunity to admire the company through shades of contrast\, from the rational physicality of Philippe Kratz\, Aterballetto choreographer and dancer\, to the sophisticated\, ethereal style of Japanese Rihoko Sato\, the muse and favorite performer of Saburo Teshigawara\, to vigorous rituality of Ohad Naharin\, the choreographer from Batsheva Dance Company. \nAll this is possible thanks to this international co-production that relates us to Festival Oriente Occidente in Rovereto\, Les Halles de Schaerbeek in Brussels\, Malraux scène nationale Chambéry Savoie in France and\, for the creation cloud|materia by Philippe Kratz\, Bayer Culture Engagement in Leverkusen. \n  \n\n  \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-rovereto-aterballetto/
CATEGORIES:Aterballetto,Dreamers
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/07/aterballetto19.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190918T180000
DTEND;TZID=Europe/Rome:20190918T190000
DTSTAMP:20260404T005852
CREATED:20190711T141847Z
LAST-MODIFIED:20190712T175352Z
UID:10001530-1568829600-1568833200@www.fndaterballetto.it
SUMMARY:Aterballetto
DESCRIPTION:OPEN REHEARSAL_ATERBALLETTO\nThe Fondazione Nazionale della Danza / Aterballetto has been giving for years the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which it is possible to experience the backstage of a show\, to dialogue with the artists and to be surprised by the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we can not define the exact program of open rehearsals of Aterballetto. A few days before the open rehearsal we will give you more information on our website and on the social networks.
URL:https://www.fndaterballetto.it/en/evento/aterballetto-prova-aperta-18-09-2019/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2019
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/07/Secus-ph.Alice_Vacondio_rehearsal_9.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191001T180000
DTEND;TZID=Europe/Rome:20191001T190000
DTSTAMP:20260404T005852
CREATED:20190711T145222Z
LAST-MODIFIED:20190719T145538Z
UID:10001808-1569952800-1569956400@www.fndaterballetto.it
SUMMARY:Compagnia Artemis Danza
DESCRIPTION:Prova aperta_Il Barbiere di Siviglia\nIn occasione dei centocinquant’anni dalla morte di Gioachino Rossini\, Monica Casadei con la Compagnia Artemis Danza affronta uno dei titoli più celebri del maestro pesarese\, Il Barbiere di Siviglia\, che la coreografa ha immaginato come un avveniristico “balletto d’azione”. Ma chi è davvero Figaro? Nella lettura di Monica Casadei Figaro è il prototipo dell’uomo di successo nel mondo di oggi. L’eroe rossiniano diventa l’emblema di chi riesce a soddisfare con efficacia\, vivacità e savoir faire le aspettative di una società che impone ogni giorno di raggiungere i propri obiettivi ottimizzando tempi ed energie. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \n\n 
URL:https://www.fndaterballetto.it/en/evento/compagnia-artemis-danza-monica-casadei/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2019
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/07/Di-Bartolo-4.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191002T203000
DTEND;TZID=Europe/Rome:20191002T220000
DTSTAMP:20260404T005852
CREATED:20190711T155658Z
LAST-MODIFIED:20190719T150552Z
UID:10001810-1570048200-1570053600@www.fndaterballetto.it
SUMMARY:Compagnia Artemis Danza
DESCRIPTION:IL BARBIERE DI SIVIGLIA_BALLETTO D’AZIONE\nUno\, dieci\, cento Figaro in azione. Determinati\, potenti\, coraggiosi\, in un gioco camaleontico ricco di imprevisti e repentini mutamenti. Un balletto d’azione in chiave post moderna con l’ironia dissacrante e l’energia instancabile di una squadra speciale disposta a tutto\, o quasi. \n  \nCrediti \nChoreography\, set and lighting design Monica Casadei\nMusic Gioachino Rossini\nSound design and original songs Luca Vianini\nCostume design Daniela Usai\nAssistant to musical dramaturgy and costumes Davide Tagliavini\nAssistants to the choreographer Antonio Bissiri\, Vittorio Colella\, Teresa Morisano \nProduction Compagnia Artemis Danza in collaboration with AMAT and Municipality of Pesaro\nCo-production Italian Festival in Bangkok\, Festival Orizzonti\, Armonie d’Arte Festival\nin collaboration with Rossini Opera Festival and Teatro Comunale di Bologna\nThanks to A.N.G.E.L.O. Vintage Palace\nWith the contribution of the Ministry of Cultural Heritage and Activities\, Emilia-Romagna Region Department of Culture \nInsights \nOn the occasion of the 150th anniversary of the death of Gioachino Rossini\, Monica Casadei\, with the Compagnia Artemis Danza\, faces one of the most famous titles of the maestro from Pesaro\, “Il Barbiere di Siviglia”\, with a choreographic interpretation that debuted in Pesaro\, in the historic Teatro Rossini\, in collaboration with AMAT – Associazione Marchigiana Attività Teatrali and Comune di Pesaro. \nA show that Monica Casadei imagined as a futuristic “action ballet” and that\, as usual\, involves in a contamination of languages all the creative body of Artemis\, which is enriched by the costumes made by visual artist Daniela Usai and the musical elaborations of the composer Luca Vianini\, who compares with Rossini. \nBut who is really Figaro? In Monica Casadei’s reading Figaro is the prototype of the successful man in today’s world. The Rossini hero becomes the emblem of those who succeed in satisfying with effectiveness\, vivacity and savoir faire the expectations of a society that imposes every day to reach its goals optimizing time and energy. \nOn the choreographic level\, Figaro’s character multiplies in the bodies of the entire company\, where\, without gender distinctions\, the performers act with the determination\, energy and rigour of a special team: toned\, gritty and hyper-concentrated\, their dance manipulates time and space without respite\, continuously weaves and loosens an infinite network of changes of direction\, intersections of trajectories and inlays of movements. As if they were following the routes of crowded and noisy highways\, the dancers unravel with lucidity and martial energy\, wise gears of the crazy mechanism of social living. \nThe result is an action performance\, characterized by an atmosphere suspended between a past shadow and a flashing and frenetic present: the unreachable image of a perfect man appears and disappears under the eyes of the public to multiply in the dancers and their technical virtuosities. \nThe historical costumes are the result of a collaboration with the Rossini Opera Festival and the Teatro Comunale of Bologna\, while the tailored dresses were made in collaboration with A.N.G.E.L.O Vintage Palace (Lugo di Romagna)\, reference pole of vintage in Italy.\nThe show was co-produced by the Italian Festival in Thailand in Bangkok\, the Orizzonti Festival in Chiusi and the Armonie d’Arte Festival in Borgia. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \n\n 
URL:https://www.fndaterballetto.it/en/evento/compagnia-artemis-danza-il-barbiere-di-siviglia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2019
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/07/dsc_2148.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191011T150000
DTEND;TZID=Europe/Rome:20191011T163000
DTSTAMP:20260404T005852
CREATED:20191005T104327Z
LAST-MODIFIED:20191005T140931Z
UID:10001575-1570806000-1570811400@www.fndaterballetto.it
SUMMARY:Lost in - La stella nascosta - ''O''
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto\, co-organizer of NID Platform\, presents “O” by Philippe Kratz\, a short performance winner of 32° Hannover Choreographic Competition. Following two creations by Saul Daniele Ardillo\, Lost in and excerpts from La stella nascosta\, a new creation for children with four dancers selected for this choreography. La stella nascosta is the result of a profound artistic and pedagogical research about the relantionship between the world of childhood and the languages of contemporary dance. In this research Fondazione Nazionale della Danza / Aterballetto was accompanied by Reggio Children and Accademia Perduta | Romagna Teatri.
URL:https://www.fndaterballetto.it/en/evento/lost-in-la-stella-nascosta-o/
LOCATION:Teatro Cavallerizza\, viale Antonio Allegri\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,La stella nascosta,Lost in,O
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/06/O-Philippe-Kratz-ph.-Ralf-Mohr-4.jpg
GEO:44.701731;10.628692
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Cavallerizza viale Antonio Allegri 8 Reggio Emilia 42121 Italia;X-APPLE-RADIUS=500;X-TITLE=viale Antonio Allegri\, 8:geo:10.628692,44.701731
END:VEVENT
END:VCALENDAR