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DTSTART;TZID=Europe/Rome:20220212T173000
DTEND;TZID=Europe/Rome:20220212T183000
DTSTAMP:20260403T212621
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
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SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220213T173000
DTEND;TZID=Europe/Rome:20220213T183000
DTSTAMP:20260403T212621
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
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SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-13/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220219T204500
DTEND;TZID=Europe/Rome:20220219T222500
DTSTAMP:20260403T212621
CREATED:20210928T163711Z
LAST-MODIFIED:20220105T163351Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Vicenza Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-31/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T180000
DTEND;TZID=Europe/Rome:20220220T184500
DTSTAMP:20260403T212621
CREATED:20220119T131206Z
LAST-MODIFIED:20220208T120742Z
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SUMMARY:ANTI\doti - OPEN REHEARSAL
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nOPEN REHEARSAL\nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \n  \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T180000
DTEND;TZID=Europe/Rome:20220220T194000
DTSTAMP:20260403T212621
CREATED:20210928T162953Z
LAST-MODIFIED:20220105T163340Z
UID:10001814-1645380000-1645386000@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Vicenza Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-27/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220220T203000
DTEND;TZID=Europe/Rome:20220220T211500
DTSTAMP:20260403T212621
CREATED:20220112T170256Z
LAST-MODIFIED:20220112T171941Z
UID:10002318-1645389000-1645391700@www.fndaterballetto.it
SUMMARY:ANTI\doti
DESCRIPTION:INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello \nANTIdoti \ remedies for contemporary cultural decadence\n\n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. \n  \nCREDITS \nChoreography and direction Afshin Varjavandi\nwith INC innprogress collective: Giorgia Aluigi\, Jenny Mattaioli\, Chiara Morelli\, Gioele Papa\, Chiara Parretta\, Emma Viceconti\nMusic editing Francesco Fiorucci Chiskee\nArt-work Sara Lanzi \nwith the support for the performing space CentroDanza Perugia \nDuration: 45’ \nSYNOPSIS \n6 dancers\, 6 very different personalities become the mirror of contemporary youth who\, together with the choreographer\, explore and question themselves on “face” and “contents”\, making themselves spokespersons of a collective intelligence\, or a state of awareness\, at times rare\, through which to be able to identify reality and mistake. Young and powerful\, the dancers constantly run physics and metaphysics\, in a dance of urban roots\, deconstructed and recomposed in a movement research free from definitions of genders\, going through a plastic state from which they often wake up in the intimacy of their real identity. \nINC InNprogressCollective – ANTIdoti – ph. Francesco Agnello  \nThey also become heroes of a historical phase\, the present\, that forced them to distance themselves from everything and everyone\, perhaps forcing them to look within themselves\, and to find remedies for the cultural decay of the contemporary era. \nOr more simply to find an answer to how to live in a world insecure between cliché and unconventional desire. \nINC InNprogressCollective \nINC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances\, visual art and performing art. \nIt was founded in 2006 following the creation of “HEIM“\, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto\, attracting the interest of Elisabetta Terabust\, Prof. Alberto Testa\, Susan Sentler\, Clarissa Mucci\, Gigi Caciuleanu\, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals\, including Amores (Bologna)\, Cross Roads (Florence)\, Giffoni Film Festival (Giffoni)\, Notte Bianca (Rome)\, Fringe Festival (Spoleto). \nHence the idea of setting up a stable group of young artists\, promoters of new forms of contemporary street art\, urban dances and trends. \nProductions followed:\nDeparture (2007)\, Underskin (2008\, winner of the Spoleto International Dance Week)\, Protest! (2009-2010\, winner of S.I.D. Spoleto\, LatinArte\, UISP award\, Positano Leonide Massine award)\, Oceania (2012\, in production with LaMaMa Umbria\, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York). \nIn 2015\, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto\, and was sold-out for all three performances. \nDirector Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“\, to be released in cinemas in January 2016. \ninnprogresscollective.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/antidoti/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220228T203000
DTEND;TZID=Europe/Rome:20220228T221000
DTSTAMP:20260403T212621
CREATED:20211217T173334Z
LAST-MODIFIED:20211217T173334Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Verdi in Pordenone\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-32/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220308T180000
DTEND;TZID=Europe/Rome:20220308T190000
DTSTAMP:20260403T212621
CREATED:20220105T154457Z
LAST-MODIFIED:20220105T174525Z
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SUMMARY:Quel che resta - Open rehearsal
DESCRIPTION:Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia \nOPEN REHEARSAL\nA choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth\, the organism multiplies its directions and continually makes possible new balances and new links\, without avoiding the occurrence of mutations. \nQuel che resta (What remains) is a journey towards the wonder of movement\, made up of moments in which dance freezes in a gesture and surprising explosions\, sudden bursts\, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures. \n  \n\nCREDITS \nConcept and choreography: Simona Bertozzi\nDance: Marta Ciappina\, Simona Bertozzi\nMusic: Stravinsky: Diversions\, Ray Chen\, Timothy Young Divertimento: IV. Pas de deux\, Coda Presto\nSoundscape: Roberto Passuti\n(with an excerpt from the documentary Big Animals survival strategies)\nLighting design: Giuseppe Filipponio \nOrganization: Chiara Boscariol\nPress: Michele Pascarella\nPhoto and video: Luca Del Pia \nDuration: 45’\nProduction: Nexus 2021 \nWith the contribution of Mic\, Regione Emilia-Romagna\, Comune di Bologna\nWith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze \nCreative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro\, Artists in ResidenSì Bologna\, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021\, CSS Teatro stabile di innovazione del FVG\, Almastudios Bologna. \nSYNOPSIS \nSince the beginning of my journey with Marta\, I have tried to attribute to the space environmental characteristics that could generate visions\, change the density of the air and generate the unexpected ability to cross. Unusual ways of being. \nAll this so that we could meet in a boundless dance\, able to reverberate beyond the awareness of our actions and surprise us\, almost despite ourselves\, in attitudes of affection and irresistible resonance. \nQuel che resta (What remains) was\, at first\, one of the territories of the map and of the practices\, between glaciation\, skins\, escapes\, and then became the overlying image\, the bubble\, the necessary degree of presence\, the shared gaze\, the inevitable questioning on which to pause\, to find the subtle breath and transit from one dance to another. \nSimona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia  \nFrom a section of space\, Quel che resta has become the whole organism\, the living\, a multiplication of vectors\, perspectives\, anatomical flexions\, rhythm and time.\nIt has made us connective tissues\, to imagine and welcome other inhabitants\, to make temperatures and origins reverberate\, to generate multiform agreements of entry into movement\, looking for unexpected capacities to make the world. To generate amazement. \nQuel che resta is the impetuosity and the lingering of bodies\, the weightless touch: it extends a vocabulary of waits and starts\, of repeated geometries\, of figurines\, ice\, resistance\, epidermis and pupils and of refrains. To be hooked. \nSIMONA BERTOZZI \nSimona Bertozzi\, dancer and choreographer\, a graduate from DAMS in Bologna\, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company. \nOver the years\, her projects have been supported and hosted by important Italian and European circuits\, through co-productions and choreographic residencies. \nHer most recent works include: And it burns\, burns\, burns finalist at the 2017 UBU Awards as Best Dance Performance\, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione\, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza\, MilanOltre\, Nexus and Festival Est Ovest. \nSince 2014 the creation path has also addressed young performers\, involving children and teenagers. \nIn 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award. \nsimonabertozzi.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/quel-che-resta-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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DTSTART;TZID=Europe/Rome:20220308T193000
DTEND;TZID=Europe/Rome:20220308T211000
DTSTAMP:20260403T212621
CREATED:20211014T141145Z
LAST-MODIFIED:20211126T142750Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Ludwigshafen Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-30/
LOCATION:Theater im Pfalzbau\, Berliner Straße 30\, Ludwigshafen\, D – 67059\, Germania
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220309T203000
DTEND;TZID=Europe/Rome:20220309T213000
DTSTAMP:20260403T212621
CREATED:20220105T152259Z
LAST-MODIFIED:20220110T161047Z
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SUMMARY:QUEL CHE RESTA
DESCRIPTION:Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia \n  \nA choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth\, the organism multiplies its directions and continually makes possible new balances and new links\, without avoiding the occurrence of mutations. \nQuel che resta (What remains) is a journey towards the wonder of movement\, made up of moments in which dance freezes in a gesture and surprising explosions\, sudden bursts\, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures. \n  \n\nCREDITS \nConcept and choreography: Simona Bertozzi\nDance: Marta Ciappina\, Simona Bertozzi\nMusic: Stravinsky: Diversions\, Ray Chen\, Timothy Young Divertimento: IV. Pas de deux\, Coda Presto\nSoundscape: Roberto Passuti\n(with an excerpt from the documentary Big Animals survival strategies)\nLighting design: Giuseppe Filipponio \nOrganization: Chiara Boscariol\nPress: Michele Pascarella\nPhoto and video: Luca Del Pia \nDuration: 45’\nProduction: Nexus 2021 \nWith the contribution of Mic\, Regione Emilia-Romagna\, Comune di Bologna\nWith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze \nCreative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro\, Artists in ResidenSì Bologna\, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021\, CSS Teatro stabile di innovazione del FVG\, Almastudios Bologna. \nSYNOPSIS \nSince the beginning of my journey with Marta\, I have tried to attribute to the space environmental characteristics that could generate visions\, change the density of the air and generate the unexpected ability to cross. Unusual ways of being. \nAll this so that we could meet in a boundless dance\, able to reverberate beyond the awareness of our actions and surprise us\, almost despite ourselves\, in attitudes of affection and irresistible resonance. \nQuel che resta (What remains) was\, at first\, one of the territories of the map and of the practices\, between glaciation\, skins\, escapes\, and then became the overlying image\, the bubble\, the necessary degree of presence\, the shared gaze\, the inevitable questioning on which to pause\, to find the subtle breath and transit from one dance to another. \nSimona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia  \nFrom a section of space\, Quel che resta has become the whole organism\, the living\, a multiplication of vectors\, perspectives\, anatomical flexions\, rhythm and time.\nIt has made us connective tissues\, to imagine and welcome other inhabitants\, to make temperatures and origins reverberate\, to generate multiform agreements of entry into movement\, looking for unexpected capacities to make the world. To generate amazement. \nQuel che resta is the impetuosity and the lingering of bodies\, the weightless touch: it extends a vocabulary of waits and starts\, of repeated geometries\, of figurines\, ice\, resistance\, epidermis and pupils and of refrains. To be hooked. \nSIMONA BERTOZZI \nSimona Bertozzi\, dancer and choreographer\, a graduate from DAMS in Bologna\, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company. \nOver the years\, her projects have been supported and hosted by important Italian and European circuits\, through co-productions and choreographic residencies. \nHer most recent works include: And it burns\, burns\, burns finalist at the 2017 UBU Awards as Best Dance Performance\, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione\, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza\, MilanOltre\, Nexus and Festival Est Ovest. \nSince 2014 the creation path has also addressed young performers\, involving children and teenagers. \nIn 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award. \nsimonabertozzi.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/quel-che-resta/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220313T203000
DTEND;TZID=Europe/Rome:20220313T223000
DTSTAMP:20260403T212621
CREATED:20220210T164643Z
LAST-MODIFIED:20220223T110402Z
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SUMMARY:NEXT GENERATION CHOREOGRAPHERS
DESCRIPTION:NEXT GENERATION CHOREOGRAPHERS\n10 choreographic studies by the authors of tomorrow \nThe advanced training course Next Generation Choreographers promoted by Fondazione Nazionale della Danza together with Ecipar- Reggio Emilia ends with a performance.\nThe twelve selected choreographers put their acquired skills to use by creating ten choreographies for the young dancers of the Agora Coaching Project.\nIt will be a unique opportunity to attend the creations of the authors of tomorrow. \n10 choreographic studies \nChoreographies by Nicolò Abbattista\, Adriano Bolognino\, Fabrizio Calanna\, Noemi Dalla Vecchia\, Nwagwu Nnamdi\, Marta Papaccio\, Annalì Rainoldi\, Sabrina Rigoni\, Danilo Smedile\, Federica Sorrentino\, Matteo Vignali\, Andrea Zardi\nWith 18 danzatori del corso di perfezionamento Agora Coaching Project\n\nNEXT GENERATION CHOREOGRAPHERS \nNext Generation Choreographers is a course organized by Fondazione Nazionale della Danza/Aterballetto and Ecipar- Reggio Emilia that\, through four intensive modules between October 2021 and March 2022\, is giving twelve emerging choreographers the opportunity to work with some of the most interesting choreographers on the international scene\, as well as playwrights\, light designers and stage technicians. \nThe aim of the project is to offer participants all the technical and theoretical tools required to deepen the study of the choreographic composition. \nThe final part of the program is reserved for a creative workshop in which all participants are asked to create a performance and work with the young dancers of Agora Coaching Project. \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical/stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nSingle ticket: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n\n.
URL:https://www.fndaterballetto.it/en/evento/next-generation-choreographers/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220318T210000
DTEND;TZID=Europe/Rome:20220318T224000
DTSTAMP:20260403T212621
CREATED:20211014T134848Z
LAST-MODIFIED:20220105T163327Z
UID:10002236-1647637200-1647643200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Rimini Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-29/
LOCATION:Teatro Galli\, Piazza Cavour\, 22\, Rimini\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220319T180000
DTEND;TZID=Europe/Rome:20220319T190000
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CREATED:20220105T163756Z
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SUMMARY:IL MONDO ALTROVE - OPEN REHEARSAL
DESCRIPTION:Nicola Galli – Il mondo altrove \nOPEN REHEARSAL\n“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which\, to Giacinto Scelsi’s obsessive music full of mysticism\, transports us to distant worlds\, between West and East\, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali\, Japanese Nō and the mythical atmospheres of South America.\n[…] The dancers\, entering through the door at the centre of the stage\, concealing an unknown elsewhere\, advance like mysterious priests\, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”. \nMario Bianchi [ Krapp’s Last Post – 27/07/2021 ] \n  \n\nCREDITS \nConcept ancd choreography: Nicola Galli\nDance: Margherita Dotta\, Nicola Galli\, Leonardo Maietto\, Silvia Remigio\nMusic: Giacinto Scelsi\, 3/4 had been eliminated\nProps: Giulio Mazzacurati\nMasks and costumes: Nicola Galli\nLight and sound: Giovanni Garbo \nProduction: TIR Danza\, stereopsis\nCo-production: MARCHE TEATRO / Inteatro Festival\, Oriente Occidente \nArtistic residences: DID Studio / Ariella Vidach\, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt)\, Oriente Occidente Studio_Passo Nord\nWith the support of: Rete Almagià\nTook part to the process of creation: Nicolas Grimaldi Capitello\nDuration: 50′ \nSYNOPSIS \nIl mondo altrove is a choreographic pièce in the shape of dance ritual\, which celebrates the motion of an unexplored world according to a scenic mindset.\nThe pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals\, Japanese’s symbols and traditions of Nō theater\, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research\, focused on a spherical concept of sound. \nFrom the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition\, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action. \nNicola Galli – Il mondo altrove  \nThe action takes place at sunset\, embraced by the bright colors of gold\, cyan and purple\, and then it dissolves in a nocturnal gestural dialogue\, as expression of mutual support\, perpetual gift\, universal and celestial communion. \nFaced with this physical language\, we are invited to decipher the “hieroglyphs” of this unknown\, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known\, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact\, without pre-established hierarchies\, with the poetry of an opaque language\, whether it belongs to the animal world\, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter. \nNICOLA GALLI \nNicola Galli (1990\, Ferrara) works on body research\, stated in artistic pieces and devices that ranges from choreography to performance\, from body installations to graphics.\nGalli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara)\, studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance\, modern dance\, hip-hop and muscular rebalancing workshop ‘Monari Method’.\nIn 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body\, that develops in installations and choreographic pieces. Starting from the natural science\, the geometry and the astronomy he is fascinated by anatomy\, proportion and details; these elements compose the core of his trasversal scenic imaginary.\nIn his works\, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.\nContextually to artistic research\, Nicola Galli creates and manages educational workshops dedicated to children\, adults and young dancers\, designed to explore the movement\, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.\nFrom 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.\nSince 2014 he is choreographer supported by TIR Danza. \nHis works have been presented in: Egypt\, France\, Germany\, Italy\, Holland\, and via livestreaming in South Korea.\nHe has also collaborated with important international Institutions: Italian Cultural Institute (Paris)\, Balletto di Toscana (Florence)\, MUSE Science Museum (Trento)\, Scuola Normale Superiore University (Pisa)\, Fondazione Perugia Musica Classica (Perugia)\, Institute of the Arts (Seoul)\, IUAV University (Venice). \nAWARDS\n• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale\n• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura\n• 2019: Italian prize “Sfera d’Oro per la danza”\n• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device \nnicolagalli.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/il-mondo-altrove-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220319T203000
DTEND;TZID=Europe/Rome:20220319T213000
DTSTAMP:20260403T212621
CREATED:20220105T162102Z
LAST-MODIFIED:20220110T160840Z
UID:10001862-1647721800-1647725400@www.fndaterballetto.it
SUMMARY:IL MONDO ALTROVE
DESCRIPTION:Nicola Galli – Il mondo altrove \n  \n“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which\, to Giacinto Scelsi’s obsessive music full of mysticism\, transports us to distant worlds\, between West and East\, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali\, Japanese Nō and the mythical atmospheres of South America.\n[…] The dancers\, entering through the door at the centre of the stage\, concealing an unknown elsewhere\, advance like mysterious priests\, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”. \nMario Bianchi [ Krapp’s Last Post – 27/07/2021 ] \n  \n\nCREDITS \nConcept ancd choreography: Nicola Galli\nDance: Margherita Dotta\, Nicola Galli\, Leonardo Maietto\, Silvia Remigio\nMusic: Giacinto Scelsi\, 3/4 had been eliminated\nProps: Giulio Mazzacurati\nMasks and costumes: Nicola Galli\nLight and sound: Giovanni Garbo \nProduction: TIR Danza\, stereopsis\nCo-production: MARCHE TEATRO / Inteatro Festival\, Oriente Occidente \nArtistic residences: DID Studio / Ariella Vidach\, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt)\, Oriente Occidente Studio_Passo Nord\nWith the support of: Rete Almagià\nTook part to the process of creation: Nicolas Grimaldi Capitello\nDuration: 50′ \nSYNOPSIS \nIl mondo altrove is a choreographic pièce in the shape of dance ritual\, which celebrates the motion of an unexplored world according to a scenic mindset.\nThe pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals\, Japanese’s symbols and traditions of Nō theater\, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research\, focused on a spherical concept of sound. \nFrom the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition\, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action. \nNicola Galli – Il mondo altrove  \nThe action takes place at sunset\, embraced by the bright colors of gold\, cyan and purple\, and then it dissolves in a nocturnal gestural dialogue\, as expression of mutual support\, perpetual gift\, universal and celestial communion. \nFaced with this physical language\, we are invited to decipher the “hieroglyphs” of this unknown\, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known\, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact\, without pre-established hierarchies\, with the poetry of an opaque language\, whether it belongs to the animal world\, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter. \nNICOLA GALLI \nNicola Galli (1990\, Ferrara) works on body research\, stated in artistic pieces and devices that ranges from choreography to performance\, from body installations to graphics.\nGalli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara)\, studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance\, modern dance\, hip-hop and muscular rebalancing workshop ‘Monari Method’.\nIn 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body\, that develops in installations and choreographic pieces. Starting from the natural science\, the geometry and the astronomy he is fascinated by anatomy\, proportion and details; these elements compose the core of his trasversal scenic imaginary.\nIn his works\, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.\nContextually to artistic research\, Nicola Galli creates and manages educational workshops dedicated to children\, adults and young dancers\, designed to explore the movement\, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.\nFrom 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.\nSince 2014 he is choreographer supported by TIR Danza. \nHis works have been presented in: Egypt\, France\, Germany\, Italy\, Holland\, and via livestreaming in South Korea.\nHe has also collaborated with important international Institutions: Italian Cultural Institute (Paris)\, Balletto di Toscana (Florence)\, MUSE Science Museum (Trento)\, Scuola Normale Superiore University (Pisa)\, Fondazione Perugia Musica Classica (Perugia)\, Institute of the Arts (Seoul)\, IUAV University (Venice). \nAWARDS\n• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale\n• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura\n• 2019: Italian prize “Sfera d’Oro per la danza”\n• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device \nnicolagalli.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/il-mondo-altrove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220323T203000
DTEND;TZID=Europe/Rome:20220323T220000
DTSTAMP:20260403T212621
CREATED:20210730T130700Z
LAST-MODIFIED:20210910T073013Z
UID:10002196-1648067400-1648072800@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances in Thonon-les-Bains the triple bill Dreamers #1\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers #1 offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-aterballetto-thonon-les-bains/
LOCATION:La Maison des Arts du Léman\, 4 bis avenue d’Evian\, Thonon-les-Bains\, 74200\, Francia
CATEGORIES:Aterballetto,BLISS,O,Secus
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220325T180000
DTEND;TZID=Europe/Rome:20220325T213000
DTSTAMP:20260403T212621
CREATED:20220315T080025Z
LAST-MODIFIED:20220317T152122Z
UID:10001896-1648231200-1648243800@www.fndaterballetto.it
SUMMARY:STANZE \ ROOMS
DESCRIPTION:Stanze \ Rooms\nA site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \n  \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction partnership: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \n  \nINFO AND TICKETS \nPerformance times: \nFriday 25 March\, 6 p.m.\, 7.30 p.m.\, 9 p.m.\nSaturday\, 26 March\, 6.00 p.m.\, 7.30 p.m.\, 9.00 p.m.\nSunday\, 27 March\, 4.30 p.m.\, 6 p.m.\, 7.30 p.m.\, 9 p.m. \nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-4/2022-03-25/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Aterballetto,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220326T180000
DTEND;TZID=Europe/Rome:20220326T213000
DTSTAMP:20260403T212621
CREATED:20220315T080025Z
LAST-MODIFIED:20220317T152122Z
UID:10001897-1648317600-1648330200@www.fndaterballetto.it
SUMMARY:STANZE \ ROOMS
DESCRIPTION:Stanze \ Rooms\nA site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \n  \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction partnership: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \n  \nINFO AND TICKETS \nPerformance times: \nFriday 25 March\, 6 p.m.\, 7.30 p.m.\, 9 p.m.\nSaturday\, 26 March\, 6.00 p.m.\, 7.30 p.m.\, 9.00 p.m.\nSunday\, 27 March\, 4.30 p.m.\, 6 p.m.\, 7.30 p.m.\, 9 p.m. \nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-4/2022-03-26/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Aterballetto,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220327T163000
DTEND;TZID=Europe/Rome:20220327T213000
DTSTAMP:20260403T212621
CREATED:20220315T080025Z
LAST-MODIFIED:20220317T152122Z
UID:10001898-1648398600-1648416600@www.fndaterballetto.it
SUMMARY:STANZE \ ROOMS
DESCRIPTION:Stanze \ Rooms\nA site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \n  \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction partnership: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \n  \nINFO AND TICKETS \nPerformance times: \nFriday 25 March\, 6 p.m.\, 7.30 p.m.\, 9 p.m.\nSaturday\, 26 March\, 6.00 p.m.\, 7.30 p.m.\, 9.00 p.m.\nSunday\, 27 March\, 4.30 p.m.\, 6 p.m.\, 7.30 p.m.\, 9 p.m. \nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-4/2022-03-27/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Aterballetto,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220329T204500
DTEND;TZID=Europe/Rome:20220329T223000
DTSTAMP:20260403T212621
CREATED:20210730T132833Z
LAST-MODIFIED:20220801T195124Z
UID:10002214-1648586700-1648593000@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances in Meudon the triple bill Dreamers #1\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers #1 offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-aterballetto-meudon/
LOCATION:Centre d’art et de Culture\, 15 Boulevard des Nations Unies\, Meudon\, 92190\, Francia
CATEGORIES:Aterballetto,BLISS,O,Secus
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220331T200000
DTEND;TZID=Europe/Rome:20220331T214000
DTSTAMP:20260403T212621
CREATED:20210730T133542Z
LAST-MODIFIED:20210910T073504Z
UID:10002217-1648756800-1648762800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:At the Opéra de Massy\, on 31 March and 1 April\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-massy/2022-03-31/
LOCATION:Opéra de Massy\, 1 place de France\, Massy\, 91300\, Francia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220401T200000
DTEND;TZID=Europe/Rome:20220401T214000
DTSTAMP:20260403T212621
CREATED:20210730T133542Z
LAST-MODIFIED:20210910T073504Z
UID:10002218-1648843200-1648849200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:At the Opéra de Massy\, on 31 March and 1 April\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-massy/2022-04-01/
LOCATION:Opéra de Massy\, 1 place de France\, Massy\, 91300\, Francia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220402T180000
DTEND;TZID=Europe/Rome:20220402T184000
DTSTAMP:20260403T212621
CREATED:20220105T172459Z
LAST-MODIFIED:20220331T232333Z
UID:10001867-1648922400-1648924800@www.fndaterballetto.it
SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-02/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220403T180000
DTEND;TZID=Europe/Rome:20220403T184000
DTSTAMP:20260403T212621
CREATED:20220105T172459Z
LAST-MODIFIED:20220331T232333Z
UID:10001868-1649008800-1649011200@www.fndaterballetto.it
SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-03/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220405T210000
DTEND;TZID=Europe/Rome:20220405T223000
DTSTAMP:20260403T212621
CREATED:20220107T123109Z
LAST-MODIFIED:20220404T083906Z
UID:10002314-1649192400-1649197800@www.fndaterballetto.it
SUMMARY:Another story - ''O'' - BLISS
DESCRIPTION:Fondazione Nazionale della Danza / Aterballetto – Golden Days / BLISS – ph. Nadir Bonazzi \nPERFORMANCE POSTPONED\nWe inform you that\, due to the Covid-19 positivity of one of the performers\, the show is postponed to a date to be defined.\nAterballetto dances at Cinema Teatro Boiardo in Scandiano\, near Reggio Emilia. \nOn stage an evening of three choreographies. Another story by Diego Tortelli is a duet on the impossible gesture of the last year: the embrace. The duet “O” by Philippe Kratz: a small masterpiece that always hypnotizes. The programme closes with BLISS by Johan Inger\, a joyful choreography on Keith Jarrett’s Koln Concert.\n \n 
URL:https://www.fndaterballetto.it/en/evento/another-story-o-bliss/
LOCATION:CInema Teatro Boiardo\, via XXV Aprile\, 3\, Scandiano\, RE\, 42019\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220408T200000
DTEND;TZID=Europe/Rome:20220408T214000
DTSTAMP:20260403T212621
CREATED:20210730T135310Z
LAST-MODIFIED:20220105T163314Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Ristori in Verona\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-ristori/
LOCATION:Teatro Ristori\, via Teatro Ristori\, 7\, Verona\, 37122\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220408T210000
DTEND;TZID=Europe/Rome:20220408T220000
DTSTAMP:20260403T212621
CREATED:20220207T175544Z
LAST-MODIFIED:20220207T180008Z
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SUMMARY:50 MIN|MQ
DESCRIPTION:50 MIN|MQ presents the physical but not mental isolation that is still affecting our lives.\nThe dancers of E.sperimenti Dance Company show emotions and feelings\, which are often contrasting and euphoric\, resulting from the period of confinement we have experienced. \n  \n\nCREDITS \nDancers E.sperimenti Dance Company\nChoreography Federica Galimberti\nMusic AA.VV.\nCostumes E.sperimenti Dance Company\nLights Emilio Barone\nProduction GruppoDanzaOggi di Patrizia Salvatori \n50 MIN|MQ \nBe aware of the new that is coming\, losing control. Putting one eye on yourself and another on the world.\nTake refuge in the only place that represented and still represents\, especially in this nation\, a safe place. The dancers are the performers of the event that permanently signed a step into the new and the unknown.\nCarrying our physical\, emotional\, cultural and spiritual experience\, starting from the only place of freedom we had been given\, the “Supermarket”\, that became a special place for thoughts and ideas\, let us give time to our ego\, hit and hurt by the abuses of a time that has been taken from us\, by marking social rhythms and distances and adding a little irony in our hardest moments.\nAn awakening for many. \n50 MIN|MQ is a performance in which the dancers express emotions and feelings\, often conflicting and euphoric\, resulting from the period of isolation experienced. It is a very involving performance because it is the true emotional representation of the artists and all of us. \nA new production by the choreographer Federica Galimberti who\, together with the performers\, decided to rethink their own being as performers\, through technological\, rather than human\, connections. They have been able to draw both advantages and limits\, with an ’emotional memory’ to share with everyone because it is ”everyone’s”:\nThe artist inside each one of us\, squeezed into 50 square metres\, goes beyond the walls\, runs and draws an invisible imaginary thread that never stops uniting bodies\, minds\, languages and emotions. Art has no barriers\, no constraints\, no boundaries…\nA show that changes and ends in different ways\, proving that people are always changing\, searching for a better self\, a reborn\, renewed self. \n50 MIN|MQ shows the physical but not mental isolation that continues to condition the life of the single person and not only: it brings out the irrepressible irony\, lightness\, theatricality characteristic of E.sperimenti Dance Company. \n\nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/50-minmq/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220410T210000
DTEND;TZID=Europe/Rome:20220410T224000
DTSTAMP:20260403T212621
CREATED:20210909T133444Z
LAST-MODIFIED:20220105T163251Z
UID:10002223-1649624400-1649630400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Pisa Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-pisa/
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220416T163000
DTEND;TZID=Europe/Rome:20220416T213000
DTSTAMP:20260403T212621
CREATED:20220329T092313Z
LAST-MODIFIED:20220331T232135Z
UID:10002332-1650126600-1650144600@www.fndaterballetto.it
SUMMARY:STANZE/ROOMS
DESCRIPTION:  \nStanze \ Rooms\nAn itinerant site-specific performance specially conceived for the new layout of the Pinacoteca Tosio Martinengo in Brescia.\n \nThe resident choreographer of the Fondazione Nazionale della Danza / Aterballetto\, Diego Tortelli\, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown\, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions\, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto. \nCREDITS \nChoreography and concept: Diego Tortelli\nMusic: Daniela Savoldi\nCello: Daniela Savoldi\nSound design: Federico Bigonzetti\nCostumes: Diego Tortelli in collaboration with Nuvia Valestri\nDancers: Fabio Calvisi\, Marta Castelletta\, Cristian Cucco\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nPromoted by Comune di Brescia and Fondazione Brescia Musei\nProduction: Fondazione Nazionale della Danza / Aterballetto\nProduction collaboration: Fondazione I Teatri Reggio Emilia\nIn collaboration with Centro Teatrale Bresciano \nSTANZE ROOMS \nStanze \ Rooms is a site-specific itinerant performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path\, where history and innovation meet. For the choreographer\, the museum is where we keep our memories\, and it is to this special place that he wants to entrust all those duets and solos that have never been performed\, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity\, surrounded by the works of art and the wonderful places of the Pinacoteca. \nThe spectators will enter into an exciting close relationship with the dancers\, accompanied by Daniela Savoldi‘s cello\, and will experience in a special way the significant collection of Brescian and Italian paintings\, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century. \nINFO AND TICKETS \nPerformance times: \n\nh 16.30\nh 18.00\nh 19.30\nh 21.00\n\nDuration of each performance: \n30′ \nTickets: \nTickets are on sale at the Teatro Sociale box office\, every day\, Tuesday to Saturday from 4pm to 9pm\, at the Centro Teatrale Bresciano point of sale\, in Piazza della Loggia 6\, Tuesday to Friday from 10am to 1pm\, or online at ctb.vivaticket.it.\nTickets cost 15 euros.
URL:https://www.fndaterballetto.it/en/evento/stanze-rooms-5/
LOCATION:Pinacoteca Tosio Martinengo\, Piazza Moretto\, 1\, Brescia\, BS\, 25121\, Italia
CATEGORIES:Productions,Stanze Rooms
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220421T210000
DTEND;TZID=Europe/Rome:20220421T220000
DTSTAMP:20260403T212621
CREATED:20220105T174044Z
LAST-MODIFIED:20220404T145613Z
UID:10002296-1650574800-1650578400@www.fndaterballetto.it
SUMMARY:UNDER THE FLESH
DESCRIPTION:  \nUnder the Flesh by Bassam Aboud Diab is a contemporary dance performance\, a personal reflection that investigates how the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique. \nThe performance will be followed by a talk with the audience conducted by Mattia Mariani\, director of Telereggio\, on how the artist sees the transformations of society and how culture affects them.\n \n\nCredits \nChoreography and direction: Bassam Abou Diab\nPerformer: Bassam Abou Diab\, Ayman Sharaf El Dine and a translator\nMusic: Ayman Sharaf El Dine \nCo-produced by Maqamat Beit El Raqs\nDuration: 30′ \nSYNOPSIS \nIn 1996 the war came back and it was a long time since I had met my friends\, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die. \nThe second strategy is to let your body go to the end\, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts\, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war. \nDuring the year 2000 I changed. New ideas in mind about the relationship between cultures\, the body\, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence. \nIn 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies. \nBassam Abou Diab \nBassam Abou Diab \nHe is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre\, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat\, Gilles Jobin\, Damien Jalet\, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project. \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/under-the-flesh-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220426T210000
DTEND;TZID=Europe/Rome:20220426T220000
DTSTAMP:20260403T212621
CREATED:20220328T164217Z
LAST-MODIFIED:20220422T181301Z
UID:10002333-1651006800-1651010400@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:PERFORMANCE CANCELLED\n\nFeeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Fonderia for the first time. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented during an evening dedicated to the relationship between dance and disability\, enriched by the projection of short films related to the theme and by a conversation on the Italian panorama between the director of the Fondazione Gigi Cristoforetti and the general director of Oriente Occidente Anna Consolati. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-11/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,feeling good,Performances,Season,season january-may 2022
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END:VEVENT
END:VCALENDAR